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// 'iiiterhalter jfhix.
THE EMPRESS EUGENIE,
Vv9)^eXJttM , trVvvJl>^ OJJfT^^
Court Life of the
Second French Empire
1853-1870
ITS ORGANIZATION, CHIEF PERSONAGES,
SPLENDOUR, FRIVOLITY, AND DOWNFALL
BY
LE PETIT HOMME ROUGE
"Du coin d'ou le soir je ne bouge
J'ai vu le Petit Homme Rouge . .
Sa voix rauque en chantant presage
Au Chiteau grand remii-ra^nage. "
Beranger
WITH A FRONTISPIECE
NEW YORK
CHARLES SCRIBNER'S SONS
LONDON: CHATTO & WINDUS
1908
Bequest
Albert Adsit Olemona
Aug. 24, 1938
(Not available lo:' exchange) -
r'/i'
PREFACE
Nearly every royal palace of any antiquity has its ghost.
Hampton Court has three — those of Katherine Howard, Jane
Seymour, and Mrs. Penn (nurse of Edward VI.). The old Schloss
of Berlin is haunted by the White Lady, Agnes of Orlamiinde,
who was buried alive in its vaults, and whose appearance always
forebodes death to some member of the Prussian Royal House.
Further, a spectral Capuchin, connected perhaps with the
monastery where the Hapsburgs have so long been buried,
is said to flit at times along the corridors of the Imperial
Hofburg at Vienna. In France the Palace of the Tuileries
was likewise haunted by a familiar spirit. The Little
Red Man, who, although he mostly remained unseen and
unheard while he prowled through the splendid chambers,
considerately revealed his presence every now and again in
order to foretell some great change or disaster. Occasionally,
when there was nobody of any consequence at the Tuileries, the
Little Red Man went roving. He followed the ruler of the
time to other palaces and places. He once journeyed as far as
Egypt to advise General Bonaparte to return to France. He
also visited the cliffs of Boulogne to foretell the failure of the
projected invasion of England ; and, again, in the last years of
the First Empire, he showed himself both at Fontainebleau and
at Waterloo. Madame Lenormand, the so-called Sibyl of the
early years of the nineteenth century, who is said to have
predicted to Josephine Beauharnais that she would some day
be Empress of the French, wrote an imaginative book on the
vi PREFACE
subject of the Little Red Man, in which she blundered sadly
by asserting that he was the " good genius " of Napoleon,
whereas he was at the most merely his "candid friend.""
Beranger, whom the Red Man favoured with a visit about
the time when the restored French Monarchy was collapsing,
was better inspired when he composed a ballad warning King
Charles X. of impending calamity.
The years passed, and still the Little Red Man haunted the
Tuileries, seeing and hearing many strange things as he flitted,
invisible, from room to room, as well as giving due notice, by
occasional appearances, of some startling changes of regime.
He saw the Orleans Monarchy collapse, the ensuing Republic
expire, the Second Empire swept away by foreign invasion
and national wrath. But, at last, the day came when the
Tuileries itself perished, annihilated by incendiaries. Of course
the Little Red Man had known what would happen, and had
already decided to transfer his quarters to the Ely see Palace,
which is still his address for national business purposes. But
during the last five-and-thirty years he has led a less active life
than formerly. True, he found it necessary to warn Marshal
MacMahon that he would have to give in or go out, and
President Grevy that no good would come of a certain great
decorations scandal. He had to appear, too, at the time when
Le brave General Boulanger threatened the Republic; he paid
a flying visit to Lyons when President Carnot was unhappily
assassinated ; and at the critical period of the great Dreyfus
case, he gave a private warning to President Faure, who was
shocked to such a degree by so unexpected an apparition that
he was seized with a fit which unfortunately proved fatal.
Of more recent times the Little Red Man has enjoyed plenty
of leisure. He is occasionally inclined to think that his
occupation, like Othello''s, may be gone, that his warnings may
never again be required. To occupy the time which hangs
somewhat heavily on his hands he meditates on the past ;
he recalls, somewhat regretfully, his snug old home at the
PREFACE vii
Tuileries, and it is not surprising, perhaps, that it should
have occurred to him to pen a record of the last years which he
spent there — the chequered years of the Second Empire. The
Little Red Man does not claim to have witnessed personally
everything which then occurred (he was never ubiquitous),
but during his years of leisure he has cultivated a taste for
reading, and, naturally enough, he has peeped into virtually
everything that has been written about his old surroundings.
He has come upon no little absurdity, no small crop of errors,
garnered by outsiders, but he has also noted many interesting
facts emanating from Court gentlemen and ladies whom
he well remembers, though, as he himself usually remained
invisible, they were not aware of his presence beside them.
Briefly, piecing together his own personal recollections and
those of the more reliable men and women of the time, and
adding thereto a number of little-known facts and documents,
and sketches of the notable people whom he once knew, he has
written a book on the Tuileries Court as it was during the last
years of his residence at the Palace. He has described the
Courfs organization, manners, and customs ; he has endeavoured
to depict both its magnificence and its darker side; he has
dealt, neither too harshly nor too indulgently, he hopes, with
its frivolities ; he has not forgotten to include some account of
its sojourns at such places as Compiegne, Fontainebleau, and
St. Cloud; and he has made a few excursions into the realm
of politics in order that certain incidents may be the better
understood. He here offers the result of his labours to the
courteous critic and the indulgent reader; and as on most
occasions his appearance in propria persona is, unfortunately,
a foreboding of trouble, he sincerely trusts that he will never
have reason to visit them otherwise than in this present guise
of print and paper.
Paris, 1907.
CONTENTS
CHAPTER ^^^^
I. INTRODUCTORY ... ... ••• ••• ••• ^
II. MEN OP THE COUP D'eTAT — THE NEW COURT ... 23
III. THE IMPERIAL MARRIAGE— THE EMPRESS AND HER HOUSE-
HOLD ... ... ... ••• ••• ••• ^^
IV. QUEEN VICTORIA IN PARIS— BIRTH OF THE IMPERIAL PRINCE 77
V. CONSPIRACIES— THE TUILERIES POLICE— A CRIMINAL CENT-
GARDE ... ... ••• ••• ••• ••' ^^^
VI. THE EMPEROR AND HIS PRIVATE CABINET ... ... ^29
VII. THE EMPRESS : SOME FEATURES OP HER LIFE ... ... 158
VIII. THE EMPEROR AND HIS LOVE AFFAIRS ... ... 178
IX. THE IMPERIAL FAMILY ... ..., ... ••• 209
X. BANQUETS, BALLS, AND OTHER COURT FESTIVITIES— THE
GREAT YEAR 1867 ... ... ... -. 245
XI. THE GRACES OP THE EMPIRE — SOME STATESMEN AND
DIPLOMATISTS ... ... ••• ••• ••• 275
XII. THE IMPERIAL STABLES— FEMININE FASHIONS— SOME FEA-
TURES OF PARIS LIFE ... ... ... ■'• 300
XIII. THE VILLEGIATURA OF THE COURT— THE EMPEROR'S ILLNESS
— CHALONS— THE MARSHALS— THE HUNT ... ... .327
XIV. THE IMPERIAL PRINCE— LAST DAYS OF THE EMPIRE— WAR
AND REVOLUTION — FATE OF THE TUILERIES ... 376
INDEX ... ... ... ... ••• ••• 415
SOME EVENTS IN THE LIFE AND TIME OF
NAPOLEON III.
1808. Charles Louis Napoleon Bonaparte born, April 20, in Paris.
1815. He accompanies his mother into exile.
1830. Eevolution in France. Louis-Philippe King of the French.
1831. Louis Napoleon visits Paris and joins the Swiss artillery.
1836. He attempts to provoke sedition at Strasburg and is shipped to America.
1837. He returns to Europe and loses his mother.
1838. He takes up his residence in London (October).
1840. He attempts to proclaim the Empire at Boulogne, and is tried and
imprisoned at Ham.
1846. He escapes and returns to London.
1848. Louis-Philippe being overthrown, he returns to France, is elected in
June a member of the Assembly, and in December President of the
Bepublic.
1851. He effects his Coup d'Etat (December 2-5), which is ratified by a
Plebiscitum appointing him President for 10 years.
1852. A fresh Plebiscitum ratifies the proposed re-establishment of the
Empire, which is proclaimed on December 2,
1853. Napoleon III. and Eugenie de Montijo are married on January 29
and 30.
1854. The Crimean War declared.
1855. Visits of Napoleon and the Empress to England, and of Queen Victoria
to Paris. The Emperor's life attempted by Pianori. First Paris
Universal Exhibition. Fall of Sebastopol in September.
1856. The Prince Imperial born on March 16. The Treaty of Paris signed.
1867. General Elections in France. Imperial visit to Osborne. Napoleon's
intrigue with Mme. de Castiglione. Tibaldi's plot. Indian Mutiny.
1858. The Orsini assassination plot. Law of Public Safety and stern rule in
France. Queen Victoria at Cherbourg.
1859. War in Italy from May to July (Magenta, Solferino, etc). The Empress
Eugenie's first Eegency.
xii CHRONOLOGICAL LIST
1860. Savoy and Nice annexed to France. Franco-British Commercial Treaty.
Garibaldi frees Sicily and Naples. The Empress Eugenie visits
Scotland. The Emperor makes parliamentary concessions. Advent
of the " Liberal Empire."
1861. The King of Prussia visits Compiegne. International intervention in
Mexico. The English and French allied in China. The American
Civil War begins. The Kingdom of Italy fovmded. Death of the
Prince Consort.
1862. The French land in Mexico. Reduction of French rentes by Fould.
The Schleswig-Holstein trouble begins.
1863. Maximilian accepts the Mexican crown. The great Polish insurrection
begins. Napoleon's proposal for a Congress on Italian, Polish,
Danish, and Balkan affairs, rejected by Great Britain. Death of
Billault, his chief minister. First symptoms of his illness. The
Greco plot.
186i. The Schleswig-Holstein War. Napoleon's affair with Mile. Bellanger.
Death of his secretary Mocquard. Convention with Italy to quit
Rome in two years. The Emperor ill in Switzerland.
1865. Death of M. de Morny. Napoleon ill at Chalons. He visits Algeria.
The Empress's second Regency. End of the American Civil War.
1866. War between Prussia (allied with Italy) and Austria. Koniggratz is
fought on July 4. Napoleon very ill. The French begin to
withdraw from Mexico.
1867. The Constitution is modified by Napoleon. Rouher, " Vice-Emperor."
Neutralization of Luxemburg. Second great Paris Exhibition.
Royalties in Paris. Maximilian is shot on June 19. Failly defeats
Garibaldi at Mentana. French conquests and protectorates in Cochin
China, Napoleon has to abandon treatment at Vichy.
1868. Rochefort produces La Lanterne. Unrest in Paris and other cities.
Death of Count Walewski. Overthrow of Isabella of Spain.
1869. French general elections. Many Republican and Orleanist successes.
Resignation of Rouher and others, he becoming President of the
Senate. The Constitution again modified. Napoleon extremely ill.
1870. Parliamentary rule with Emile OUivier's ministry. Victor Noir shot by
Pierre Bonaparte. New Constitution and Plebiscitum. The Beaury
plot. Consultation respecting the Emperor's health. The Franco-
German War begins (July). The Empress's third Regency. Napoleon
surrenders at Sedan on September 1, and on the 4th the Empire is
overthrown in Paris.
1871. Napoleon arrives in England in March.
1873. He dies at Chislehurst on January 9.
1879. The Imperial Prince killed in South Africa on June 1.
THE
COURT OF THE TUILERIES
CHAPTER I
INTRODUCTORY
A glance at the History of the Tuileries — Louis Napoleon, Prince President
and Emperor of the French — The Solemn Proclamation of the Second
Empire — The Restoration of the Tuileries.
Thirty-six years ago, during that Bloody Week in May, 1871 ,
when, with the fury of despair, the Commune of Paris battled
vainly against the army of Versailles, the chief metropolitan
palace of the rulers of France was destroyed by fire. Archi-
tecturally inferior to the Louvre, though some of its apartments
were masterpieces of decoration, it was a massive but not par-
ticularly imposing pile. It laid no claim to antiquity. The
site on which it stood was, in the twelfth century, outside Paris,
and given over to brick and tile works, whence the name of
Tuileries was derived. About 1342 a couple of pleasure-houses
were built on the spot, and a hundred and sixty years later
these properties were acquired by Louise of Savoy, mother of
Francis I., who during her regency in 1525 gave them " for
life" to Jean Tiercelin, master of the Dauphin's household.
They subsequently reverted to the crown, and in 1564 Catherine
de' Medici ordered the demolition of the old houses, to make
room for a new royal palace by which she intended to replace
that of Les Tournelles, which, in conjunction with her son,
Francis II., she superstitiously destroyed because her husband,
2 THE COURT OF THE TUILERIES
Henri H., had died there from the effects of the lance-thrust he
received in a joust with Montgomery.
The original design for the palace of the Tuileries was pre-
pared by the famous Philibert Delorme, and the building was
entrusted to him and another notable man, Bullant, conjointly.
But all at once Catherine stopped the work, and devoted herself
to erecting near the markets a mansion which became known as
the Hotel de Soissons, and in the court or grounds of which
was raised the well-known column whence the Queen and her
astrologers made their astronomical observations. There is
a legendary story of the reason why Catherine abandoned the
building of the Tuileries. It was predicted to her, it is said,
that she would die at "Saint Germain," and on finding that
the site of the new palace was in the parish of St. Germain-
TAuxerrois, she fled from it in dread. The tale is, of course,
similar to that of Henry VII. of England and Jerusalem, and
may well be purely imaginary, although it is in keeping with
what we know of Catherine's superstitious nature. One thing
is certain, the palace of the Tuileries was always an " unlucky ""
one. None of the princes born within its walls ever ascended
the throne of France. The King of Rome, the first
Napoleon's son, the Duke de Bordeaux,* the heir of the House
of Bourbon, the Count de Paris, the hope of the Orleans
dynasty, the Imperial Prince born to the Second Empire — all
these first saw the light at the Tuileries. And none of them
reigned; all found death abroad, exiled from France. Those
who are given to superstition might think that Catherine de'
Medici with her Italian necromancy, and her legendary pro-
pensity for ill-doing, had cast some spell over the palace which
she left unfinished. Certainly none ever had a better claim to
the name of Palazzo della Jettatura.
Even as a building the Tuileries was unfortunate. Had it
been built on the lines laid down by Philibert Delorme, it would
have been magnificent, but the plans were modified again and
again by successive generations of rulers and architects. Few
kings ever resided there. The Louvre was the abode of the last
Valois and the first Bourbons. It is true that in 1572 — the
year of St. Bartholomew — Charles IX. gave Lord Lincoln,
* Better remembered, perhaps, by his later title of Count de Chambord.
INTRODUCTORY S
Queen Elizabeth's ambassador, a grand supper in his mother's
unfinished palace, that being apparently the first court enter-
tainment associated with the history of the Tuileries ; but the
fragmentary piles raised by Delorme and Bullant were treated
with great neglect until Henri IV. thought of uniting the
Tuileries to the Louvre. He entrusted the work first to
Androuet du Cerceau, later to others, but his death stopped
it, and it was not resumed until the reign of Louis XIV.
That prince, during his lengthy minority, lived chiefly at
the Palais Royal, having St. Germain-en-Laye as his country
residence, and the Tuileries became the abode of Mile, de
Montpensier, "la grande Mademoiselle," and later of the first
Philip of Orleans. But before Louis gave rein to his passion
for Versailles, he spent some years at the Tuileries, and entrusted
to architect Levau the completion both of that palace and of
the Louvre. Levau destroyed nearly everything which then
remained of the work of the original builders. The interior
decorations by Bunel and Paul Ponce were also obliterated or
removed, and Mignard, Philippe de Champagne, and others
supplied innumerable allegories symbolical of the glory of their
young but already great monarch. Further, the Place du
Carrousel took its name from some superb jousts which were
held there by command of King Louis, and at which three
queens * distributed the prizes allotted for dexterity. A little
earlier, in Mile, de Montpensier's time, the great paved square
had been a delightful garden with superb basins of pink
marble, some fragments of which were discovered about fifty
years ago,
' The private apartments of Louis XIV. were on the ground
floor, and were profusely decorated by Mignard, the best of
whose paintings was perhaps that which adorned the alcove
where the King slept. It represented the Goddess of Night,
crowned with poppies, and carrying two sleeping children in
her arms. In the King's cabinet, either in his time or a little
later, was placed a large picture which portrayed him present-
ing his grandson, the Duke of Anjou, to the Spanish envoys,
and saying, " Gentlemen, here is your King," on which occasion,
* Maria Theresa, wife of Louis XIV,, Anne of Austria, his mother, and
Henrietta Maria, his aunt and widow of Charles I. of Great Britain.
4 THE COURT OF THE TUILERIES
according to the story, the chief Spanish ambassador exclaimed,
" Sire, there are no more Pyrenees." In any case it seems that it
was at the Tuileries, and not at Versailles, that the first Bourbon
King of Spain was presented to the representatives of his future
subjects. That, in the eyes of the superstitious, may account
for all the unhappy vicissitudes of the Spanish Bourbons. Ever
fatal was the palace of the Tuileries.
Its principal inmate after Louis XIV. removed to Versailles
was the Grand Dauphin, who never reigned. Then, in succes-
sion, various governors of " Sons of France "" took up their
quarters in the superb rooms in which Philippe de Champagne
had depicted the education of Achilles — misfortune of one
kind and another meantime pursuing the scions of the royal
house. Louis XIV. had intended to unite the palace to the
Louvre on the northern (or, as some readers may prefer us to
say, the Rue de Rivoli) side, even as in Henri IV.'s time the two
buildings had already been connected on the south, that is, the
side of the Seine. But neither of the Great Monarch's imme-
diate successors embarked on the work. Louis XV. seldom, if
ever, showed himself at the Tuileries after his childhood, and
Louis XVI. only resided there when he was forced to do so by
the Revolution. In the earlier period of the reign, when Marie
Antoinette came from Versailles to Paris to witness a theatrical
performance or participate in some festivity, she usually slept
at the Garde Meuble on the Place Louis XV., now the Place
de la Concorde.
During the Revolution the Tuileries witnessed many stirring
scenes, which ended in the memorable attack of August 10,
1792, when Louis XVI. and his family quitted the palace, never
to return to it. In the following year the Convention installed
itself in the palace play-house, while various branches of the
administration of those days found quarters in one or another
part of the building — the famous Committee of Public Safety
meeting in the Pavilion de Flore, whither Robespierre with his
shattered jaw was carried from the Hotel de Ville on the night
preceding his execution. Later, both the Council of the
" Ancients " and that of the " Five Hundred "" assembled at the
Tuileries, the latter in the same hall as the defunct Convention,
and the former in the large lofty apartment which, in our times.
INTRODUCTORY 5
was called the Salle des Marechaux, but which had been tnown,
under the old monarchy, as the Hall of the Swiss Guards.
The scene in later years of many great gatherings, many
splendid entertainments, the Salle des Marechaux will often be
mentioned in this book. Two storeys in height, and almost
square, its breadth being fifty-two and its length sixty feet, it
embraced the space occupied by a superb winding staircase
erected by Philibert Delorme for Catherine de' Medici but
demolished by I^ouis XIV.
While the Legislature of the Directory met at the Tuileries,
the Directory itself was installed in a building raised by another
Medici, the Palais du Luxembourg,* It was there that
Barras reigned over France and regaled his harem ; there, too,
that he and his colleagues gave a triumphal reception to General
Bonaparte, when the latter returned to France in 1797 after his
Italian victories.
Before long, Bonaparte, in his turn, resided at the Luxem-
bourg as First Consul of the Republic, but on February 19,
1800, he and his colleague Lebrun lodged themselves at the
Tuileries — Lebrun in the Pavilion de Flore by the Seine, and
Bonaparte in that part of the palace extending from Lebrun"'s
quarters to the Pavilion de THorloge. The Empress Josephine's
apartments were on the ground floor on the garden side.
Under Napoleon the palace theatre was re-established, a
meeting hall for the Council of State was built, and the
northern gallery joining the Louvre was begun. But the
Empire fell; the battle of Paris was impending when Marie
Louise and the King of Rome fled from the Tuileries to
Blois, and soon afterwards Louis XVIII. installed himself and
his court at the palace. In his turn he had to quit it, and
Napoleon, coming from Elba, was carried in triumph up the
palace stairs, kissed on each step by fair women, and acclaimed
by devoted adherents. During those last hundred days of
power, however, he preferred to reside at the Elysee Palace : it
was there that he planned the campaign which ended at
* So called because an earlier mansion on the same site had belonged to
the Duke de Piney-Luxembourg. When the palace of Marie de' Medici passed
to her second son, Gaston, it became known officially as the Palais d'0rl6ans,
but the traditional name of Luxembourg always prevailed, and subsists to-day.
6 THE COURT OF THE TUILERIES
Waterloo ; and when, a fugitive from the battle-field, he once
more returned to Paris, it was to the Elysee that he again
betook himself, there that he signed his second and final
abdication. Then Louis XVIH., restored once more, made
the Tuileries his residence until his death. He was the only
Kincj of France that ever died there.
During his reign and that of Charles X., the work of
completing the palace on the north was resumed. But the
Revolution of 1830 swept the senior branch of the Bourbons
away, and the Parisians burst into the Tuileries during the
Three Glorious Days. In October, 1831, after numerous
alterations had been effected in the interior arrangements,
Louis Philippe and his family made the palace their abode.
Little harm had been done to it by the mob in 1830, but at
the Revolution of 1848, when Louis Philippe fled to England
as plain "John Smith," many of the apartments were sacked
and badly damaged. The palace became for a while a kind of
ambulance, many of those wounded in the Revolution being
carried to it ; then, in 1849, it served for the annual fine art
exhibition, the " Salon," as one generally says.
On January 1, 1852, howevei*, a new master took possession
of the royal pile, one who was superstitious in his way, who
believed in destiny, who at night, in the gardens of Arenenberg
above Lake Constance, had heard, or fancied he heard, voices
telling him that he was predestined to rule France and restore
the glory of the Empire. Believing in that mission, he gave
no heed to the sinister reputation of the Tuileries, no thought
to the Little Red Man who appeared there periodically to
announce danger to some prince, downfall to some dynasty.
Besides, his task was already virtually accomplished ; success
was his ; of the Republic over which he presided only the name
remained ; he had overthrown the Constitution on December 2,
and all who were minded to oppose him had afterwards been
shot down, banished, or imprisoned. So he took possession
of the Tuileries, and though it was in a sadly neglected
state, greatly in need of repair and re-decoration, the Govern-
ment architects and other officials worked so zealously that
the reception rooms were got into a sufficiently clean and
orderly condition to enable the Prince President to give his
INTRODUCTORY 7
first reception in the palace on the evening of January 24.
It was then that the men who had effected the Coup d'Etat
first met in joyous assembly, congratulating one another on the
success of their enterprise, and raising their glasses, brimful of
" Veuve Clicquot," to fortune and the coming Empii-e.
Here let us pause. This book is not intended to be a study
of high politics. Its purpose is rather to depict the manners
and customs of the Court of the Second Empire, to chronicle
some of the magnificence and pageantry that marked the last
years of the life of the ill-fated Tuileries — years which were
the most splendid the palace ever knew, but which, after some
nine months of semi-quiescence, were suddenly followed by its
annihilation. The imperial Court will also be followed to St.
Cloud, Compiegne, Fontainebleau, Biarritz, and other places;
we shall peep into the Palais Royal, into the mansion of the
Princess Mathilde, and some others of those days, and the social
rather than the political aspect of affairs will always be our
principal theme. But at the same time some mention of
politics is necessary, and something must be said, too, of the
physical and moral characteristics, the careers and aims, of
the chief personages flitting across our pages. Here, at the
outset, it is appropriate to speak of the man who was at the
head of them all — that is Napoleon III.
At the time of the Coup d'Etat of December, 1851, Charles
Louis Napoleon Bonaparte was in his forty-fourth year.
Slightly below the middle height, he had a long trunk and
short legs, in such wise that while he looked almost insignificant
on foot he appeared to advantage on horseback. He was the
third son of Napoleon's younger brother, Louis, some time King
of Holland, by the latter's marriage with Hortense Eugenie de
Beauharnais, daughter of the Empress Josephine by her first
husband. The first son born to Louis and Hortense died in
childhood, and the second succumbed to typhoid fever while
participating in a Carbonaro rising in the Romagna in 1831,
when the remaining son became the sole heir of the family. It
is indisputable that on more than one occasion Louis Bonaparte
asserted in writing that this third son was no child of his. In
a letter addressed to Pope Gregory XVI,, after his second son's
death, he said : " As for the other [the future Napoleon III,]
8 THE COURT OF THE TUILERIES
who usurps my name, he, as you know, Holy Father, is nothing
to me, thanks be to God."" In another communication to the
same Pontiff, ex-King Louis reiterated that allegation, but the
truth appears to be that his knowledge of his wife's faithless-
ness at various periods inclined him to believe, at times, that
none of the children of their union were his own. In more
reasonable moments he acted very differently, laying claim to
the boys, and insisting on his rights as their father. There
was certainly more than one quarrel, more than one period of
coldness, almost hostility, between the ex-King of Holland
and the future Emperor of the French, but in their personal
correspondence, at least so far as it has been published, there
appears no indication of any denial of paternity. Indeed, the
father often sends the son his blessing and advice, and inter-
venes with others on his behalf.
Again, in Napoleon III/s younger days, there was consider-
able physical resemblance between him and King Louis, neither
being of the accepted Bonaparte type, owing, perhaps, in King
Louis' case, of some prepotency on the maternal side. Moreover
Napoleon III. often evinced a disposition similar to that of King
Louis. The latter was more or less a dreamer, one who shut
himself up and wrote romances and poetry. There was the
same bent in the son, who also dreamt many dreams, and
evinced decided literary inclinations. Further, as Taxile
Delord, no friend of the Bonapartes, has pointed out. King
Louis, by his last will and testament, virtually proclaimed to
the world that Louis Napoleon was his son ; and that statement
emanating from a man who had long been ailing, and who knew
that death would soon be upon him, may be taken as decisive.
One may therefore assume that the bitter enmity with which
Louis regarded the wife whom he had married under com-
pulsion, and from whom he sought judicial separation,* carried
him at times further than was accurate or just.
It has been pointed out that there was at one period a
certain facial resemblance between King Louis and his third
* By a Judgment of the Court of First Instance of Paris, January 19, 1816,
his second (and then eldest surviving) son was handed over to his custody.
He did not claim the third, perhaps on account of the latter's tender age —
he was not eight years old. StiU, the circumstance is curious.
INTRODUCTORY 9
son. There was none, however, between the latter and his
mother, Hortense. From her, as well as from his father,
Louis Napoleon, doubtless, derived some of his literary bent.
She also transmitted to him some of her own taste for display,
and partiality for the frivolities of life. Those characteristics
were not apparent in her husband. He wished his sons to
be reared with what he deemed to be Spartan simplicity, and
in a note respecting the future restorer of the Empire, he
insisted that the boy should be given plain food, and drink
only Bordeaux claret, neither coffee nor liqueurs being allowed
him. Further, he wrote : " My son is to wash his feet once a
week, clean his nails with lemon, his hands with bran, and
never with soap. He must not use Eau de Cologne or any
other perfume. . . . Broad shoes are to be made for him, such
as serve for either foot."
In one respect Napoleon III. proved himself essentially the
son of Queen Hortense. She, from her mother, the adven-
turess Josephine, had inherited no little sensuality, to which
she repeatedly gave rein. It is true we have only the assertion
of Bourrienne that, prior to her marriage, she was the mistress
of her step-father Napoleon, who, when his aide-de-camp, Duroc,
refused to make her his wife, forced her on his brother Louis ;
but it is certain that she subsequently had favoured lovers,
among others the Count de Flahault, father of the child who
became known as Duke de Morny. The amorous passions of
Hortense were transmitted to Napoleon III., who had several
mistresses of English, Italian, and French nationality.
In spite of many adverse circumstances, the education he
received was fairly good. His first tutor, Philippe Lebas, the
son of a friend of Robespierre and St. Just, was a man of
letters, well versed in classical history and literature ; the
second, Narcisse Veillard, had been an artillery officer, and was
possessed of considerable mathematical attainments. Doubt-
less it was Louis Napoleon's association with M. Veillard which
afterwards prompted him to enter the Swiss artillery under
Dufour, and write on gunnery ; while Lebas, from what we know
of his principles, may have first suggested to him, not only that
veneer of republicanism which he at one period cast over his
actions, but also the humanitarian ideas by which he was often
10 THE COURT OF THE TUILERIES
haunted, the interest he took in the claims of the masses to a
larger share of material comfort than they then enjoyed. For
the rest, the social question repeatedly came to the front during
Louis Philippe"'s reign, and Louis Napoleon's perusal of some
of the many works dealing with the subject, and his intercourse
at times with men whose attention it had seriously engaged,
tended to keep it well before his mind.
He was governed, however, by one predominant idea. It is
certain that he was well versed in the history of his great
uncle's career, that he studied virtually every writing that had
emanated from Napoleon, or that had been issued with his
approval. It was apparently his mother, Queen Hortense, who
first impressed on him that he was predestined to restore the
Empire, In pursuing that task he imitated, as closely as
circumstances permitted, the steps by which the Empire had
been originally founded. He had no great victories behind
him, nor had he the genius of his uncle, and it was only by
patience and dexterity that he could hope to secure what the
other had won by his daring. At first he thought otherwise.
The memory of the Empire was recent, the idea of its glory
still appealed to many Frenchmen, numbers of Napoleon's old
companions in arms still lived : hence the attempts of Stras-
bourg and Boulogne, those imitations — with variations — of the
return from Elba. They failed, however, and Louis Napoleon
then realized that he must adopt other methods if he were to
attain his object.
It has been contended that he was not a man of action.
Nowadays the world best remembers him as he was in his
declining years, afflicted by a terrible disease. In his younger
days, however, he combined with a dreamy and imaginative
mind no little physical vigour and activity. A good swimmer,
an expert shot, a skilful rider, one too who could appreciate all
the points of a horse, he contended not unsuccessfully against
the lymphatic side of his nature. One has only to consult the
French newspapers for the years 1851 and 1852, to realize how
immense was Louis Napoleon''s expenditure of physical energy
during the period of preparation first for the Coup d'Etat, and
later for the re-establishment of the Empire. He was here, he
Avas there, he was everywhere, he travelled incessantly, when he
INTRODUCTORY 11
was not riding he was receiving or banquetting, or dancing, or
speaking. Few were the hours which he can have accorded to
sleep during that all-important period in his life.
That he was personally brave, heedless of danger on the
battlefield, is acknowledged by his worst enemies, but at the
same time there were lacuncB in his energy. In his earlier
years, although the restoration of the Empire was his fixed idea,
he would probably never have made the attempts he did had
he not been brought to the necessary pitch by some confederate
— such as Fialin de Persigny, probably the most daring of his
band. There is a tale that at the time of the Coup d'Etat he
momentarily shrank from the prosecution of his designs, and
that an adherent — Fleury, it is asserted — fearing that he and
others would be left in the lurch, threatened him with a pistol,
saying that it was too late to retreat, and that the business
must be carried through. Even if that story were true, however,
it would hardly suffice to prove Louis Napoleon a coward.
Caesar hesitated to cross the Rubicon till a portent appeared to
him, and the first Napoleon hesitated at the Coup d'Etat of
Brumaire, which might have failed had it not been for the
energy of Lucien Bonaparte and Lefebvre. Thus, if Louis
Napoleon hesitated for an instant in December, 1851, he only
followed a family precedent.
In later years, when General Boulanger procrastinated, and
had nobody of sufficient authority beside him to compel him to
act, he lost his chance irremediably. All Louis Napoleon's
various postponements of the Coup d'Etat in 1851 were due
to circumstances, such as the incompleteness of the preparations,
the last one occurring because Colonel Espinasse, who was
appointed to seize the Palais Bourbon, where the Assembly
met, required two days to study the interior arrangements of
the building, when it was that he discovered the still existing
subterranean passage by which Baze, the quaestor, and the
other officials of the assembly had hoped to escape in the event
of a surprise.
Louis Napoleon's Coup d'Etat was an illegality which
attendant circumstances converted into a crime. But whatever
considerations guided many of his adherents, he himself was
not swayed by any motives of base animosity or sordid greed.
12 THE COURT OF THE TUILERIES
The Bonapartist historians assert that if he had not deposed
the Assembly, the Assembly would have deposed him ; whereas
Republican writers maintain that the Assembly had no such
intention. But we believe that it really harboured that design,
and that the case was simply one of Coup d'Etat against Coup
d'Etat. The President, however, held the trump cards, the big
battalions were on his side, and he used them.
It must be said, too, that France was not Republican at that
time. There was, of course, a Republican party, but it consisted
of only a fraction of the nation, for the enthusiasm of 1848 had
been killed by a series of occurrences — several great blunders,
and some deplorable excesses. As for the Legitimists, who wished
to restore the senior branch of the Bourbons, they were not
numerous enough to achieve that object. The Orleanists were
still discredited, in fact, "impossible"; and thus the outlook
generally was a gloomy one. France desired a stable govern-
ment, such as was denied to her by the strife of politicians.
The various ministries formed by Louis Napoleon as President
of the Republic were constantly being overthrown by one or
another parliamentary vote, and continuity of policy was
extremely difficult. Two courses were open to the President.
He might resign and wash his hands of the whole business,
or he might follow the example of Cromwell and the first Napo-
leon, and make his power effective. He took the latter course, as
was natural, possessed as he had always been by the idea that
he was predestined to restore the Empire.
If he had resigned, however, what would then have happened,
what man, what party, was there, competent to put an end
to the general unrest, and guide the national life into orderly
channels ? We can name neither man nor party, we can only
picture confusion and chaos. And in any case, although Louis
Napoleon's Coup d'Etat was undoubtedly an illegal act, a
brutal act, attended by the most deplorable circumstances,
bloodshed, violent, wanton, and revengeful deeds, it solved for
a time the difficulties in which France was plunged. Under
all the circumstances, some such solution was, we think, inevi-
table. If Louis Napoleon had not seized power by force another
would have attempted it. There are times when the knot in a
nation''s life is so inextricable that it must be cut with the sword.
INTRODUCTORY 13
Louis Napoleon, though extremely fond of military pomp,
and an adept at "playing with soldiers,"" can hardly be
accounted a warlike prince. He was, we believe, sincere when
he said that the Empire would mean peace — a declaration which
clenched the question of the revival of the Imperial Regime.
Prior to the act of force which made him dictator, he had
fought his way onward chiefly hy finesse and stratagem, and his
success in that respect convinced him that he was possessed of
diplomatic abilities. In later years, after such experiences as
the Crimea, the war in Italy, and the Mexican affair, he seems
to have placed far more reliance in diplomacy than in arms,
but he was, as all will remember, no match for Bismarck either
before or after Koniggratz.
He had his good qualities. He was faithful to his friends,
he was generous, he spent almost without counting, he was
always desirous of finding employment for the working classes,
and of improving the opportunities of the peasantry. His
policy in that connection may be regarded as one of bribes, but
the country undoubtedly benefited by it. Equity requires us to
say that with all allowance for incidental mishaps and scandals,
such as the Credit Mobilier affair, France had never known such
a period of material prosperity as that which she enjoyed
between 1852 and 1870.
Before the Coup d'Etat Louis Napoleon did much to further
public works ; and during the ensuing year down to the pro-
clamation of the Empire, the pages of the Moniteur literally
teem with decrees and announcements relating; to bridges,
buildings, roads, canals, docks, and so forth, and to subventions
granted with respect to them. Other decrees record more
obvious and less worthy bribes, some thousands of people being
appointed to the Legion of Honour solely by way of securing
or requiting their political support. Curiously enough a large
number of priests figured in those decrees, doubtless because
Louis Napoleon intended to employ the Church as an instrument
of rule. At the same time the Moniteur also reproduced
innumerable addresses from city and town, village and hamlet,
asking for the restoration of the Empire. Those addresses were
not of a stereotyped pattern. We have read some hundreds of
them and have not found any two couched in precisely the
14 THE COURT OF THE TUILERIES
same language, though all undoubtedly breathe one and the
same spirit : A stable government, a return of prosperity in
commerce, industry and agriculture, that was the desire of
France.
The Empire came, the Prince President assuming the
imperial dignity with as little delay as possible. Let us now
return to what we think of him. He was, as we have said,
in his forty-fourth year, and rather below the middle height.
He had dark chestnut hair, and a colourless countenance. His
eyes, which seldom looked one in the face, were almost black.
In later years he kept them half closed and expressionless. He
combined, as we have seen, considerable physical vigour and
personal courage, with a dreamy, imaginative mind and a very
amorous, sensual temperament. That was acknowledged by
one who knew him well, and for whom he had great regard,
his foster sister, Madame Cornu. Speaking of his attitude
towards her sex, she said that he had no moral sense whatever,
but by reason of his position exerted himself to keep his
passions under control ; in which exertion, as is well known,
he did not always succeed. His energy in that as in other
respects was intermittent. There were moments when he
needed the spur or the goad, the help of Morny's " iron hand
in a velvet glove," and of Persigny's unscrupulous audacity. If
at times he thus lacked vigour and initiative, it was, we think,
because he fully believed in predestination. He was in no wise
the savage brute suggested by Victor Hugo''s " Chatiments,"
which, while it contains many admirable lines, is altogether
surcharged with invective. As was previously said. Napoleon
certainly had humanitarian leanings, particularly with respect
to the dissemination of the comforts of life. As for his
diplomatic powers, he overrated them, and his diplomacy
generally proved more mischievous than fruitful.
In spite of his literary leanings, he entertained no good
opinion of the press. He often said : " The best newspaper
is worth nothing." He lacked his mother's ear for music,
though, like her, he was fond of pomp and display. At the
same time he remained accessible, and free from haughtiness.
Both before and for some years after he had become
Emperor, he readily danced with one and another village girl
INTRODUCTORY 15
at a country ball, cordially offered a soldier a smoke, and
chinked glasses with a peasant mayor. He could smile readily
enough at the period when his destiny was still trembling in
the balance. It was only some time after he had assumed the
imperial purple that his countenance became saturnine, and
his manners marked by distrust. He was surrounded by many
devoted police-agents, but he had been a conspirator himself,
and he feared conspirators, attaching, as was perhaps natural,
increased value to his life after the birth of his only son, to
whom he desired to bequeath a united and prosperous France.
Further, he felt, we may be sure of it, the strictures passed
upon him personally in connection with the Coup d'Etat, and
brooded over them more than once. Thus, before long, he
grew more and more reserved, becoming one of the most
taciturn of monarchs.
Many years of his life had been spent in exile, in Italy,
Switzerland, Germany, England, and America, and in spite of
his education by French tutors, there was always a suspicion
of a foreign accent in his speech, and some suggestion of
foreign customs in his manners. He spoke English and
German fluently, and his Italian was nearly as good. Cosmo-
politan in his speech and his loves, he evinced a similar spirit
in his dress. If his coats were French, his trousers were
English — Dusautoy making the former, and the latter being
supplied by Poole, who frequently despatched a representative
to the Tuileries with patterns. As time elapsed the Emperor
became more and more partial to civilian dress, never assuming
a uniform unless occasion expressly required it, whereas before
ascending the throne his uniforms were constantly in use.
In October, 1852, on his return from the long tour through
southern France when he declared that the Empire would mean
peace, he made a pompous entry into Paris, escorted by fifty-
two squadrons of cavalry and several batteries of horse artillery.
Numerous triumphal arches had been erected between the
terminus of the Orleans railway line and the Tuileries, all of
them bearing inscriptions which foreshadowed the approaching
change of regime. On one appeared the words : " Vox Populi,
Vox Dei," on another, "Ave Caesar Imperator;" while on a
third, at the entrance of the Tuileries Gardens, the Prince (as he
in
16 THE COURT OF THE TUILERIES
still was) could read this pompous eulogy : " To Napoleon IH.,
Emperor and Saviour of Modern Civilization, Protector of
Art, Science, Agriculture, Industry, and Commerce, from the
e-rateful Workmen of Paris." Under that arch he made his
way into the garden, and so to the Tuileries Palace. At night
the city was ilhiminated, and during the ensuing week the
Prince, who had installed himself at St. Cloud, attended gala
performances at the Opera and the Theatre Frangais, where
enthusiastic imperialist demonstrations were made.
On November 4 the Senate, having assembled to discuss the
steps to be taken concerning what was styled "the proposed
modification of the constitution," nominated a commission to
report to it on the subject. This report, which emanated from
a marshal of France, four generals, two cardinals, two dukes,
and an astronomer, Leverrier, proved to be a long and learned
production in which Tacitus and Machiavelli (ben trovato) were
freely quoted. Its recommendation was that the question
ought to be decided by a national vote or Plebiscitum. The
Corps Legislatif was thereupon convoked to control and
report on the returns of this Plebiscitum, which was taken
on November 21 and 22. The votes recorded for the re-
establishment of the Empire were 7,864,189, while those
against it were but 253,145 ; another 63,326 being declared
null. The majority was overwhelming, but one may point
out that a fairly large number of people refrained from voting.
In Paris, for instance, there were 315,501 electors on the
lists, but only 270,710 cast their votes, the number of ayes
being 208,615. The truth appears to be that, although the
opponents of the Empire were badly routed, they were more
numerous than was shown by the official returns.
The result of the Plebiscitum was laid before the Prince
in state at the chateau of St. Cloud, whither he had returned
after a stay at Fontainebleau, where he had been conferring
with his friend. Lord Cowley, the British Ambassador, respect-
ing his recognition as Emperor by foreign Courts. It was at
once decided that the proclamation of the new Empire should
take place on December 2, which was the anniversary alike
of the battle of Austerlitz, of the coronation of the first
Napoleon by the Pope, and of the recent Coup d'Etat. For
INTRODUCTORY 17
that reason the decision was a bold one, for while it linked
the new to the former Empire, and recalled the latter's military
glory, it also showed that whatever protests had been raised,
whatever strictures had been passed on the overthrow of the
Constitution, Louis Napoleon prided himself on what had
been done in that respect. As it happened, he was doomed
to drao; that date of December 2 after him all his life. Far
from proving an advantage, it became like the heavy ball
attached to a convict's chain ; and if it were not for Sedan it
would alone suffice to explain the anecdote related by Madame
Cornu about a gipsy who once predicted to her foster-brother
that he would rise to the highest eminence of power, but be
killed by a boulet.
At seven o'clock on the morning of December 2 a salute of
101 guns burst upon Paris ft'om the Esplanade of the Invalides.
At ten o'clock the solemn proclamation of the Empire took
place on the Place de THotel de Ville, and this time the salutes
were formidable. One of 101 guns came from the Invalides, a
second, also of 101 guns, from Montmartre, and a third of like
number from the Place du Trone, while other salvoes were fired
by each of the forts around Paris.
The new Emperor left St. Cloud at noon. The whole army
of Paris was on duty ; the sovereign's escort alone consisted of
four squadrons of Lancers, a regiment of Dragoons, a whole
brigade of Cuirassiers, and another of Carabineers, with two
bands of music. In addition to many generals, five Marshals,
of France rode in the procession : Jerome Bonaparte, Vaillant,
Leroy de St. Arnaud,Castellane,and Magnan(general-in-chief);*
and at the moment when Napoleon III., followed by his per-
sonal aides-de-camp, Fleury and Edgar Ney, passed under the
Arc de Triomphe atop of the Champs Elysees, the winter sun — •
"the sun of Austerlitz," said the zealots — suddenly shone out
as if in greeting. Nineteen years later, early one mild March
morning, a little troop of German Hussars cantered under that
same arch raised to the glory of " la grande Armee " — which
was no more !
On to the Tuileries went the imperial procession, and there,
* St. Arnaud, Castellane and Magnan had been created Marshals that
same morning.
C
18 THE COURT OF THE TUILERIES
on the Carrousel, all the troops were passed in review, then
drawn up to hear the proclamation of the Empire which was
read to them by Leroy de St. Arnaud, Minister of War, while
once again there arose the deafening salvoes of 101 guns. The
cost of the affair in gunpowder alone must have been consider-
able. In the evening Paris was ablaze with illuminations,
and the first imperial reception was held at the Tuileries.
Napoleon III. was never actually crowned; he preferred to
distribute some ,ig'10,000 among the Paris hospitals and the
various foundling establishments of France.
On the day of the revival of the Empire the appearance of
the Tuileries was very different from what it had been on the
occasion of the reception held there in the previous month of
January.* A great deal of work still remained to be done, but
an army of architects, artists, and decorators had long been
busy in the palace. Naturally enough, attention had first been
given to the State apartments. Entering the palace on the
Carrousel side, ascending the stairs, and turning to the left into
the ante-room of the Salle des Travees, or " Room of the Bays,"
you found the ceiling decorated with the freshly gilded sun
of Louis XIV., and restored medalUons of Wisdom, Justice,
Science, and Power. On either side stood several short columns
supporting handsome bronze and porphyry busts of Roman
Emperors. In the anteroom of the Galerie de la Paix the
ceiling displayed medallions of wrestling children, on a gold
ground, with a central subject which depicted Glory holding a
palm and a crown, and heralded by winged boys who were
blowing their trumpets.f In the Galerie de la Paix itself the
Ionic columns and pilasters of Philibert Delorme had been
restored and their capitals gilded. Gilding was also scattered
profusely over the ceiling, the doors, and the wainscotings.
The marble statues of L'Hopital and D'Aguesseau, set up here
in Louis Philippe's time, had been removed, and their place
taken by two huge crystal candelabra with feet of gilded
bronze. Over the mantelpiece appeared a portrait of the new
Emperor by Charles Louis Miiller, while at the farther ©nd of
the gallery rose a fine silver statue of Peace. A few years later,
after the Crimean War, when the Grand Duke Constantine of
* See a7ite, p. 7. t The work of Vauchelet.
INTRODUCTORY 19
Russia came to France and was entertained at the Tuileries, he
noticed this statue and inquired what it represented. " It
is Peace — in silver," the Empress Eugenie replied. " Peace,
madam.?" the Grand Duke retorted. "Ah, it ought to have
been cast in gold."
Let us proceed, however, with our survey of the palace. The
famous Salle des Marechaux had been considerably modified.
It now had six instead of four doors, the view extending beyond
it into a long suite of magnificent rooms. On the walls hung
fourteen large portraits of Napoleon's marshals, and below them
were the busts of a score of First Empire generals, set on elegant
scabelli. There had formerly been six imitation windows —
figured by huge mirrors — on the north side of this great hall,
but now there were ten, which gave increase of light. The
vaulted ceiling, whence descended a huge chandelier, all gold
and crystal, had become superb, intersected by four gilded ribs,
which started from the four corners, where you perceived some
large, gilded, eagle-surmounted shields, bearing the names of
the victories gained by Napoleon personally. Between the ribs
the ceiling simulated a sky, and above the gilded balconies
running right round the hall, a balustrade with vases of flowers
was painted. The lofty, imposing caryatides — plaster copies of
Jean Goujon's work — had been gilded from top to bottom, and
between four of them appeared a platform whence the new
Emperor might view the revels of his Court. Green was the
colour of the hangings and upholstery — perhaps because it was
that of the Bonaparte family.
No little renovation had been bestowed on the adjoining
Salon Blanc — a guard-room in the time of Louis XIV. The
grisaille paintings by Nicolas Loyr, representing an army on
the march, a battle, and a triumph, had been fully restored,
and the mouldings of the doors, the window-recesses, the shut-
ters, and the ceiling were all freshly gilded. On every side
were costly hangings, handsome consoles, Boule cabinets, superb
candelabra and chandeliers — state property, much of which
had formerly figured either at the palace of Versailles or at
Trianon.
In the Salon d'Apollon Lebrun's great painting of "Phaeton
and the Nereids," and Loyr's ceiling depicting "The God of
20 THE COURT OF THE TUILERIES
Day starting on his career," had been most carefully renovated ;
the dragons and chimerse of the cornices were gilded ; the
upholstery was all fine Gobelins tapestry ; there was a handsome
new chimney-piece, and a superb old clock in the form of a
terrestrial globe upheld by genii. Entering the next room —
once Louis XIV/s " Chambre de Parade " — one found, at the
further end, the new Emperor's throne with its splendid canopy
of crimson velvet, spangled with the gold bees of the Bonapartes
and bordered with a design of laurel leaves. Overhead was
perched a great gold eagle with outspread wings, another being
embroidered in an escutcheon on the hangings behind the Chair
of State. Throne and hangings alike had previously served on
one occasion only — a memorable one — that of the Coronation
of Napoleon I. at Notre Dame, since when they had been care-
fully preserved at the Garde Meuble. On either side of the
throne rose lofty candelabra, bearing above their lights an orb
and a crown — insignia of power ; while on the vaulted ceiling,
finely inlaid with enamel work by Lemoine, shone the device of
the Grand Monarque, Nee pluribus impar.
If the decorations of the Salon Blanc, which has already
been mentioned, supplied a very fair example of Louis XIH.
style, those of the so-called Salon de Louis XIV., following the
Throne-room, furnished an example of the Grand Siecle. The
ceiling was a new and skilful copy of Lesueur's " Olympus,"" by
Lesurgues, while the panel paintings were grotesques by the
two Le Moines — all delicately restored. Three pictures were
now hung in this room, one a fine portrait of Louis XIV. by
Rigaud, another a good copy of Gerard's Philip of Anjou, and
the third a copy of IMignard's painting of Anne of Austria
giving instructions to her young son. On the east side of the
room was a door leading into Louis XIV.'s so-called winter
apartments — first the eabinet of his valet-de-ehamhre, secondly
his own bedroom, and thirdly his private study or library.
The King's bedroom had afterwards been that of Napoleon I,,
Louis XVIII., and Charles X., and the decorations were not
of Louis XIV.'s time, having been much modified early in the
nineteenth century, in such wise that they supplied a free
example of the so-called Empire style. On the ceiling, painted
in grisaille, appeared Jupiter, Apollo, Mars, and Minerva, amid
INTRODUCTORY 21
a number of genii and griffins. In a cavity in the wall of
the adjoining sumptuous bath-room, fitted by Napoleon I., was
found in revolutionary days the famous armoire de fer, in
which the unfortunate Louis XVI. kept his compromising secret
papers.
The bedroom and the dressing-room of Queen Marie Therese,
wife of Louis XIV., became in the first Napoleon's time his
study and his secretary"'s workroom. In the autumn of 1852
their seventeenth century decorations were carefully cleaned
and renovated. The paintings were chiefly by Jean Nocret and
Jacques Fouquieres. Minerva was depicted on the ceiling of
the dressing-room, above the doors of which appeared subjects
showing women at Avork on embroidery, tapestry, and so forth ;
while over the mantelpiece Minerva again rose up, attended
this time by Neptune. Beside the chimney-piece was painted
a fine figure of Immortality, in front of it you saw Vigilance,
then Minerva at her toilet ; while on the window side Plistory
was symbolized. Mercury, the Arts and Sciences, Wisdom,
and many other allegorical figures, as well as the gold sun of
Louis XIV., adorned the adjoining bedroom of Queen Marie
Therese, whence you passed into her salon, later that of
Napoleon when he was First Consul. Here the Louis XIV.
style was more marked than in the previous apartments. Fine
Gobelins tapestry covered the panels, and paintings by Nocret
— Glory, Fame, and once again Minerva, this time carried aloft
by her priestesses — adorned the ceiling and the cartouches above
the doors. Similar in style was the decoration of the Queen''s
ante-room, the subjects here symbolized by Nocret being
Wisdom, Peace, and Architecture, to which were added some
landscapes by Fouquieres. All the paintings had literally been
exhumed from beneath layers of dust, greatly to the advantage
of Nocret's reputation. L^nhappily everything was destined to
perish at the fall of the Commune in 1871.
In the old guard-room, re-christened Salon de Mars in the
first Napoleon's time, when it was decorated with grisaille
paintings (the chief one showing Mars in his chariot, surrounded
by the signs of the Zodiac), comparatively little work had to
be done in 1852, but great care Avas taken in cleaning the fine
Galerie de Diane, known under Louis XIV. as the Salon des
22 THE COURT OF THE TUILERIES
Ambassadeurs. This was the only apartment of the palace in
which the paintings and the accessory decorations harmonized
properly — everything having been conceived in the same spirit by
the desire of Colbert, under whose supervision the original work
was executed. Forty-one mythological paintings adorned the
ceiling, the walls, and the cartouches over the doors — twenty-one
of them being skilful seventeenth century copies of Annibale
Caracci's famous fi-escoes at the Farnese Palace, notably
the subjects showing Diana with Pan and Endymion, these
giving the gallery its name. It was not an apartment seen to
advantage in the daytime, for the lighting was defective, but
it was used chiefly as a dining and supper-room, and on the
gala nights of the Court, in the radiance shed by hundreds of
wax lights burnins: in chandeliers and candelabra, it looked
splendid indeed. When the guests were comparatively few,
and would have seemed lost in such a spacious gallery, a portion
of it was shut off by means of a cleverly contrived movable
partition.
About two months and a half towards the end of 1852 were
spent on the early restoration work at the Tuileries, such as
we have described. Architecturally it was in the charge of
Visconti, but Basset and Haro were chiefly responsible for the
renovation of the paintings. Subsequently the private apart-
ments of the Empress were superbly decorated by Lefuel and
Charles Chaplin. Only a short time was to elapse before the
installation of an Empress at the palace, but at the end of 1852
there was as yet none. With that exception, everything was
ready for the revival of Court life on a splendid scale. The
new Emperor had already decided who should be his great
dignitaries of State, who should be added to his immediate
entourage. Let us now see of whom that entoiwage already
consisted, and then pass en to the composition of the new
Court.
CHAPTER II
.^^
MEN OF THE COUP D ETAT THE NEW COUET
Napoleon III.'s half-brother, the Duke de Morny — The first Napoleon's son,
Count Walewski — Marshals St. Arnaud, Magnan, and Castellane— Persigny
and Fleury — The Imperial Household : its Minister Fould — The Civil List
and Dotation of the Crown — The Imperial Family's Allowances — Vaillant,
Great Marshal of the Court— General Eolin, Adjutant-General — The
Prefects of the Palace — The Great Chamberlain, Bassano, and his sub-
ordinates— The Court Domestics — The Great Master of Ceremonies and
his assistants — The Military Household — General Roguet — Aides-de-camp,
Orderlies, and Cent-gardes— The Equerries — The Great Almoner and the
Palace Chapel — The Emperor's Confessor — The Medical Service.
In constituting the Empire and forming both its Administra-
tion and its Court, Napoleon III. was prepared to reward right
lavishly all who had helped him, first, to effect the Coup d'Etat
of 1851, and secondly, to transform the nominal Republic into
the regime he desired. There was, however, one man who
suddenly drew aside, throwing up office and declining honours,
and this was none other than the Coup d'Etafs chief artisan,
the new Emperor's half-brother, M. de Morny. His parentage
was no secret. He was the son of Queen Hortense by her lover,
General Count de Elahault de la Billarderie, who was descended
from an ancient Picard house. Elahault was a distinguished
soldier : he received his baptism of fire at Marengo, acted as
Murat's aide-de-camp at Austerlitz, and as Napoleon's after the
return from Elba. He also shared the hardships of the retreat
from Moscow, and, further, he fought at Waterloo, gaining
successive steps in rank, titles, and other honours, at the point
of his sword. Later he turned to diplomacy, becoming Louis
Philippe's ambassador in England from 1842 to 1848. Already
in 1815 he had tried to prevent the Bourbon Restoration and
S4. THE COURT OF THE TUILERIES
proclaim Napoleon II., and thirty- three years subsequently ho
was one of the first to offer his services to Louis Napoleon on
the latter''s arrival in France after the downfall of the Orleans
Monarchy. Flahault was in the secret of the Coup d'Etat, and
figured conspicuously in the Prince-Presidenfs escort on that
eventful morning when the coming Emperor reviewed the soldiery.
His liaison with Queen Hortense was, of course, a very old
affair. It dated from 1810-1811, when Flahault was only
some twenty-five years of age. Later, in 1817, he married the
daughter of Admiral Viscount Keith, who became in her own
right Baroness Keith and Nairne.* This lady would never
admit her husband's natural son, Morny, to her presence, in
spite of his father''s predilection for him, and the high position
to M'hich he attained.
Born, like his legitimate brother Napoleon III., in Queen
Hortense''s mansion in the Rue Cerutti — now Lafiitte — in Paris
(the house being at the present time the residence of the chief
of the French Rothschilds), Morny was promptly removed to
Versailles, and there registered as "Charles Auguste Louis
Joseph Demorny (sic) born in Paris, October 23, 1811.'" He
was "fathered,"" as the saying goes, by an old military man,
described in the official register as Auguste Jean Hyacinthe
Demorny, landowner on the island of San Domingo, residing
at Villetaneuse, near Versailles. It is said that this Demorny
had served in the Prussian army, and that he joined the allies
in 1814, when, for his services against the Empire, Louis
XVIII. created him a Chevalier of St. Louis. In any case,
he was a very needy man, and Queen Hortense, in considera-
tion of his "fathering" her illegitimate offspring, agreed to
pay him an annuity of £240. He died, however, at the
hospital of Versailles, soon after the Empire''s fall. The
entry of Morny's birth further stated that his mother was
Louise Emilie Coralie Fleury, wife of the aforesaid Demorny,
but no such person has ever been traced, and, indeed, the many
researches made respecting her, need not have been undertaken,
* The Countess de Flahault was well known in Paris during the second
Empire. She died at the Palace of the Legion of Honour (her husband being
Chancellor of the Order) in 1867. Her daughter Emily married the fourth
Marq^uess of Lansdowne, and became the mother of the present Marquess.
MEN OF THE COUP D'ETAT 25
there being no doubt whatever that the child's real mother was
Queen Hortense.
The name was speedily changed from Deraorny to De
INIorny — a more aristocratic form — and the child was placed in
the charge of M. de Flahaulfs mother, who, having married
the Portuguese minister in France, was then known as the
Countess de Souza. M. de Flahault himself had no great
means at that time, the family having been ruined during the
Revolution, when his father was guillotined ; but Queen Hor-
tense entrusted Mme. de Souza with a sum of £8000 by way
of provision for the son she abandoned. Unfortunately the
lady had a bad failing ; she was a gambler, and, although bridge
was not played in those days, she contrived to lose her ward's
money either at cards or at rouge-et-noir. He, Morny, in later
years also became a gambler (though a very successful one),*
and that trait of his character may well have been inherited by
him from his grandmother, Mme. de Souza. f He spent his
early years at her residence in the Rue St. Florentin. Later,
being taken in hand by his father's former aide-de-camp, General
Carbonnel, he was sent to the Staff College, whence he emerged,
in 1832, as a sub-lieutenant of Lancers. Through Carbonnel
he secured the favour of some of the Orleans princes, and
notably of the young Duke who met with such an untimely
death in a carriage accident at Neuilly. Proceeding to Algeria,
Morny there gained the cross of the Legion of Honour by
helping to save General Trezel's life at the siege of Con-
stantine. Later he became orderly officer to General Oudinot.
But in 1838 he left the army and returned to Paris, where, in
spite of his precarious circumstances, he began to lead the life
of a viveur.
D'Alton-Shee, peer of France, and a close acquaintance of
Morny 's in those days, has described him as then being a man
of distinguished bearing and extremely elegant appearance,
with a shrewd, pleasant expression of face, and a way that made
* Sir Eobert Peel called him the greatest speculator in Europe, at a time
when the term speculator verged on one of opprobrium.
t His literary leanings may have come from the same source, for Mme. de
Souza was a prolific novelist, writing many now forgotten books, such as
" Ad^le de Senange," " La Comtesse de Fargy," " Eugene de Eothelin," etc.
26 THE COURT OF THE TUILERIES
him a great favourite with women. He had many love affairs,
and M^as more than once the successful rival of the young Duke
of Orleans. For a man of society, says D'Alton-Shee, Morny
possessed considerable knowledge, he had a taste for idleness
bat a capacity for work, absolute faith in himself, boldness,
bravery, sangfroid, clear judgment, gaiety, and wit. He was
inclined more to good-fellowship than to friendship, he was
disposed to protect rather than serve, he was fond of pleasure,
and resolved to enjoy luxury, he was at once both prodigal and
greedy, and more venturesome than truly ambitious. Moreover,
while keeping his personal engagements, he was never influenced
by any political creed or principles of humanity. Such princely
characteristics as dissimulation, indulgence, and contempt for his
fellow-men were also his portion. He subordinated everything
to the object which he might have in view, not for the benefit
of any religion, system, or idea, but solely for the furtherance
of his own particular interests.
Women and speculation were his stepping-stones to fortune.
After supplanting the Duke of Orleans in the affections of the
Countess Lehon,* next door to whose mansion in the Champs
Elysees he took up his abode in a smaller house, nicknamed by
those who derided him La niche a Fidele (" Faithful's kennel "),
he obtained money from the lady to start some beetroot-sugar
works at Clermont-Ferrand, and used her influence to secure his
election as a deputy (1842), in which capacity he took a not
inconsiderable part in debates on financial and economic ques-
tions. When the Orleans monarchy fell, Morny still remained
one of its adherents. At that time he had no intercourse with
his brother Louis Napoleon, indeed it is doubtful whether they
had ever conversed together. It is said that whenever Morny
was in London during the forties (his father, Flahault, then
being ambassador there), he immediately rose and withdrew
from any drawing-room in which he found himself if Prince
Louis Napoleon were announced, f
Later he set himself against his brother politically. He
was a declared royalist candidate at the elections of 1849, and
* They fought a duel on account of her.
t Morny was proud, however, of his descent, and indulged in armes
parlantes, his escutcheon bearing a hydrangea (French = hortensia) barred.
MEN OF THE COUP D'ETAT 27
as such he was bitterly though unsuccessfully opposed by the
Bonapartists and Republicans. But he was also a shrewd man,
and soon saw which way the wind was blowing. Thus he was
one of the first to foretell the restoration of the Empire. His
own affairs, moreover, were becoming very much involved, and,
not wishing to be swept away, he felt it not only advisable but
necessary to place himself on what he cleverly called the side
of the broom handle. He, the illegitimate, and Louis Napoleon,
the legitimate, son of Queen Hortense, were brought together
then by Count Walewski, the illegitimate son of Napoleon I. by
that devoted Polish mistress who clung to the fallen conqueror
through the distressful days of Fontainebleau, and betook her-
self to him with her boy during his sojourn at Elba. Marie
Lonczynska, Countess Colonna-Walewska, subsequently married
General Count Ornano, by whom also she had a son, who
became attached to the Court of Napoleon HI.
Alexandre Florian, her son by the great Emperor, rose to
be ambassador in London at the time of the restoration of the
Empire, and like Lord Cowley, the British representative in
Paris, he did much to secure Great Britain's prompt recognition
of the change of regime in France. Count Walewski, though
essentially his mother's son in character, was physically far
more like his father than the ill-fated Duke de Reichstadt ever
was ; in fact, the Napoleonic cast of Walewski's countenance
was only slightly less marked than that of the Emperor's
nephew. Prince Napoleon Jerome. Twice married, first to an
English Montagu, and secondly to a Ricci of Florence, Walewski
played an important part as ambassador, minister, and president
of the Legislative Body until his death in 1868. He favoured
the transformation of the " personal " into the " liberal "
Empire, and it was he who largely induced Emile Ollivier and
the latter's band to support and effect that change.
Morny, being brought by Walewski into close connection
with the Prince-President, fully espoused his interests — with a
view, of course, to the furtherance of his own. He rid himself
of his financial embarrassments by the sale of his house and
pictures, won many men over to the imperialist cause by his
address and plausibility, and, taking possession of the Ministry
of the Interior at the Coup d'Etat, he carried that measure to
28 THE COURT OF THE TUILERIES
a successful issue throughout France. The vain-glorious and
extolled De Maupas, Prefect of Police, in spite of his big,
sturdy frame, and his healthy, florid face, was in reality a very
nervous and apprehensive individual, and proved a mere instru-
ment in Morny's hands.* Moreover, to the suggestions of the
Minister of the Interior, even St. Arnaud and Magnan were
largely indebted for the strategy they employed in the Paris
street fighting.
Much better looking and better built, more courtly, more
of a grand seigneur in appearance than his half-brother
Napoleon IH., Morny was also the abler man of the two. Had
he been honest he might have been a great one. Shrewd and
strong-minded, as D'Alton-Shee indicated, " a hand of iron in
a velvet glove,*" he was also possessed of no little culture — real
artistic perception, genuine literary ability, and great expertness
of speech.f But the Empire was scarcely re-established when he
abruptly withdrew from office. This man, who figured in many
shady financial transactions, and who had not hesitated to rob
his friend, the Duke of Orleans, of various mistresses, under
circumstances by no means over clean, was either genuinely
disgusted by the seizure of the Orleans private property —
confiscated by a decree dated January 22, 1852 — or, at least, he
regarded that spoliation as a stupendous political blunder.
The latter view is, of course, more in keeping with his character.
In any case (like a few others, notably M. Rouher), he resigned,
* Maupas was rewarded for his services at the Coup d'Etat, during which
he more than once lost his head, by being created a Senator and Minister
Secretary of State for General Police, a post of more prominence than real
authority. For the Prefecture of Police the right man was found in M. Pietri.
Maupas was a Burgundian who had been an advocate and a departmental
prefect, from which latter post he was dismissed for inventing a bogus political
plot, whereupon he turned to the Bonapartist cause. Later in life, after
serving as French Minister at Naples and Prefect at Marseilles, he secured the
grand cross of the Legion of Honour, but the advent of the " Liberal " Empire
prevented his further employment. He published two vokimes of memoirs,
and died in Paris, in 1888.
t He wrote numerous plays, etc., performed either publicly or at the
private theatre at his residence as President of the Legislative Body. " M.
Choufieury restera chez lui," with OSenbach's music, was a deserved success,
and long held the stage. Other pieces were "Les Bons Conseils" and " Les
Finesses du Mari," both comedies ; " La Succession Bonnet," a vaudeville ; and
" Pas de Fum6e sans un peu de Feu," a proverbe. Morny's literary pseudonym
was St. K6my.
MEN OF THE COUP D^ETAT 29
and had no share in the lavish distribution of favours which
attended the re-establishment of the Empire. For some time,
availing himself of the influence he retained in spite of his
apparent secession, he devoted himself to speculation, and it
was only in 1854 that he again came to the front politically,
this time as President of the Legislative Body.
From that period till, his death in March, 1865, Morny was
regarded as the chief pillar of the Empire, the power standing
behind the throne, though he never relinquished his gambling
proclivities, readily turning from politics to promote banks,
railway, mining, and industrial companies, speculating, too, in
land, founding the fashionable seaside resort called Deauville,
and conducing, by his connection with the issue of the Jecker
bonds, to the development of that unfortunate Mexican affair,
which shook the regime so severely. Even when Morny went
to Russia as ambassador extraordinary for the coronation of
Alexander II., his business instincts prompted him to convey
thither an immense amount of saleable property, such as
jewellery and lace. He well knew that by diplomatic privilege
his baggage was not liable to duty ; and it followed that, as
France paid for all his magnificence in Russia, he returned
home wealthier than he had departed, in possession, too, of a
Russian bride, for he had contrived to fascinate a young lady
of a princely Lithuanian house, albeit he looked old enough to
be her grandfather. The Princess Sophie Troubetskoi, as his
bride was called, was a charming, slim, graceful, black-eyed
blonde, with a face fit for a cameo. Subsequent to IMorny's
death this lady, who was much admired and esteemed, married
the Duke de Sesto.*
Such, then, was the half-brother whom Napoleon III.
ultimately raised to ducal rank, but who, after making the
restoration of the Empire possible, preferred to stand aside for
a time, officially unrewarded. Others put less restraint on their
appetite for power and honour ; but it so happened that several
did not appear fit for the highest places, and had to remain
content with subordinate ones. The three marshals created on
the day of the proclamation of the Empire retained their posts
— Leroy de St. Arnaud as Minister of War, Magnan as com-
* For further particulars of Morny and his wife, see ^ost, p. 289 et setj.
80 THE COURT OF THE TUILERIES
mander in Paris, and Castellane as commander at Lyons. The
last named, who belonged to a famous old noble family, has left
an interesting " Journal," which shows that he was privy to the
Coup d'Etat, and supported it in Southern France with alacrity
and zeal. The two others have been greatly attacked by all
save Bonapartist writers for their share in the events of the
period. It has been stated repeatedly that Leroy de St.
Arnaud was not entitled to the latter part of that name, but he,
his brother and the other members of their family, were formally
authorized to assume it by a decree of Louis Philippe, dated
May 12, 1840, and they did so ; though eleven years later only
the Marshal was singled out for taking a name alleged to be " not
his own." As for the standing of the family, St. Arnaud's father,
Leroy (or, as he originally wrote it, Le Roy), had been an advocate
at the bar of the Parliament of Paris prior to the Revolution,
no mean position, and later a Prefect under the Consulate and
the First Empire. He died in 1809, at which date his eldest
son, the future marshal, was eight years old. Two years later
Le Roy's young widow, originally a Mile. Papillon de La Tapy,
married a M. Forcade de la Roquette, and a son she had by this
second marriage became President of the Council of State and
Minister of the Interior under Napoleon IIL — being doubtless
indebted for some of his political advancement to the fact that
he Avas St. Arnaud's step-brother.
From the foregoing it will be seen that there was really no
basis for the innuendos respecting St. Arnaud's origin which
were repeated in Kinglake's "History of the Crimean War"
after figuring in a dozen French pamphlets by writers
antagonistic to the men of the Coup d'Etat ; but, on the other
hand, it seems clear that St. Arnaud did at one moment seek to
disguise his identity by assuming the Christian name of Achille
instead of those of Armand Jacques, given to him at his
baptism. And it appears equally clear that he wished certain
episodes of his earlier life to be buried in oblivion. Some men
manage to " live down " the sins of their youth, others are ever
pursued by them. It is certain that St. Arnaud, while a
member of the Royal Bodyguard of Louis XVIII., became
financially involved, and was dismissed from that corps d'elite
and drafted into the Corsican Legion, and later into a Line
MEN OF THE COUP D'ETAT 31
regiment. But he joined the Bodyguard when he was only
sixteen years of age, and he was barely a man when he was
dismissed from it ; and it is unfair to lay stress upon youthful
folly, particularly when it can be pleaded that the transgressor
was quite without parental guidance. Of St. Arnaud's military
ability there can be little doubt. In that respect, General
Trochu (no admirer of things imperial), who was his last senior
aide-de-camp, speaks highly of him in his Memoirs, and we
are inclined to think that with some guidance in his youth
St. Arnaud's career might have been not only successful but
distinguished.
If in 1827 he quitted the French army it was to escape
dreary garrison life without prospect of promotion, for he was
more or less a marked man, by reason, as his antagonists say,
of his bad reputation in money matters, or, as his partisans
have alleged, of the imperialist sympathies which, as the son of a
former official of the Empire, he took no pains to conceal. At
all events, he was anxious to see foreign service, and going to
Greece, he fought there under Capo d'lstria. Later, however, he
drifted into a life of adventures and shifts, a harum-scarum
career in the East, in Italy, and in England, becoming at one
moment a strolling player under the name of Florival, and at
another earning some kind of a living as a fencing-master at
Brighton.
But on the establishment of the Orleans Monarchy St.
Arnaud applied — as a victim of Bourbon vindictiveness — for
reinstatement in the French army, and this he secured early in
1831. He became orderly officer to General, afterwards Marshal
Bugeaud, and his well-known hostility to the Bourbons (due, no
doubt, to his early dismissal from the Royal Bodyguard), led to
his being chosen to watch over the imprisoned Duchess de
Berri after her failure to stir up insurrection in La Vendee.
Later, he passed over to Algeria, where he rose to be a general of
brigade, and whence, after a prearranged campaign against the
Kabyles to enable him to distinguish himself (which he did by
"smoking" natives in their caves, thus following Pelissier's
example), he returned to France as one of the chosen instru-
ments of Louis Napoleon's Coup d'Etat. Thin, pale, haggard,
already suffering from an incurable malady, he looked the last
32 THE COURT OF THE TUILERIES
man in the world for any such adventure, but he possessed an
indomitable spirit, as many have testified. Later, when he was
French generalissimo in the Crimea, the battle of the Alma
gave him fame, and soon afterwards he died.*
Marshal Magnan, who commanded the army of Paris at the
Coup d'Etat and afterwards, was a man of different stamp.
Tall, imperious, heavily whiskered, and loud-voiced, although
originally a notary's clerk, he had enlisted as a private in the
first Napoleon's time, and had fought at Waterloo ; but in 1831,
on being sent as a colonel to quell an insurrection against Louis
Philippe at Lyons, he acted so " mildly " that he was deprived
of his command by the advice of Thiers and other ministers,
whereupon, proceeding to Belgium, he took service there until
he was reinstated in the French army in 1839. His exclusion
from it, or at least from active service in it, had been a severe
lesson, which was to recoil ultimately on those who had given it
to him, for he was resolved that nobody should ever charge him
with mildness and fear of bloodshed again. In 1848 he tried to
save the monarchy, escorting the Duchess of Orleans to the
Chamber of Deputies, in the hope of securing the proclamation
of her young son as King. Later, he put down " Red " risings
in Paris and Lyons with vigour, sparing nobody.
Quite destitute of private means, but married, with a family
of several children, he was, unfortunately, always in debt, which
circumstance designated him to the attention of Louis Napoleon.
One of the latter's emissaries had tried to secure Magnan's
adherence to the cause already at the time of the Boulogne
attempt in 1840, and it is said that Magnan then gave the envoy
encouragement, but the evidence on the point is unsatisfactory,
and at Louis Napoleon's trial by the Chamber of Peers,
Mao-nan certainly protested that although he had been offered
a bribe he had resolutely refused to take it. Pie showed himself
less scrupulous at the time of the Coup d'Etat, for his services
on which occasion he became, like St. Arnaud and Castellane, a
marshal and a senator — the latter appointment alone meaning
considerable addition to his income. Subsequently he was
created Great Huntsman, the duties of which office he never
* We shall have occasion to speak of the St. Arnaud-Cornemuse affair
hereafter.
MEN OF THE COUP D'ETAT ^3.
really performed, though he carefully pocketed the large salary
attached to it. Nevertheless, he was never able to extricate
himself from his debts, a large part of which Napoleon III.
discharged after his death.
All the foregoing men being well known to the new Emperor,
he selected none of them to organize and direct his Court, nor
did he choose the two boldest members of his band, men whose
venturesome audacity exceeded even that of St. Arnaud and
Magnan. These were Persigny and Fleury. Even as St.
Arnaud's original name had been Leroy, so Persigny's had been
Fialin. But there was this difference : the former had been
legally entitled to his new name since 1840, whereas the second
was not legally Persigny till he was created Duke de Persigny
by Napoleon III. The Fialin family was, however, an old one
of Dauphine, which had passed first into the Lyonnais and later
into Forez. According to a work on the last-named province,*
Persigny's grandfather sold several of his fiefs in 1749, but
retained the manor of Persigny in the parish of Cremeaux ; and,
though the father and the uncle of the third Napoleon's acolyte
were simply called Fialin, the former possession of the Persigny
fief was held to justify a change of appellation.
Jean Gilbert Victor Fialin de Persigny, as he claimed to be,
was born in 1808. His father, according to some accounts, was
a provincial Receiver for the Treasury under the first Empire,
and according to others he was killed fighting at the battle
of Salamanca in 1812. In any case the future adherent of
Napoleon III. was brought up by an uncle, passed through
the cavalry school of Saumur, and became a non-commissioned
officer of Hussars. But after being dismissed the army for
alleged "republicanism," he soon blossomed forth as a zealous
Bonapartist, recruited a number of adherents to the cause, and
helped to organize Louis Napoleon's attempts at Strasburg and
Boulogne.f Briefly, he exerted himself in all ways and on all
occasions in the interest of the future Emperor. He was to
have been Minister of the Interior at the Coup d'Etat, but
almost at the last moment his somewhat harum-scarum audacity
and the violence of some of his writings suggested that he
* " Les Fiefs du Forez avant 1789," by D'Assier de Valenches. Paris, 1858.
t The latter in conjunction with Count Orsi.
34 THE COURT OF THE TUILERIES
might not be altogether acceptable to the bourgeoisie^ and thus,
though he had already signed several drafts of the intended
proclamations, his place was taken by Morny. When, however,
the latter retired in 1852, Persigny succeeded him. Shortly
afterwards he married Mile. Egle Ney de la Moskowa, then barely
out of her teens, on which occasion Louis Napoleon made him
a private present of ^£'20,000. The bride and bridegroom seemed
very much attached to each other at first, and Persigny was freely
twitted for neglecting official duties and ceremonies in order to
hide himself away with his young wife. But stormy days ensued,
for the lady developed a trying temper and eccentric inclinations.*
Persigny held office as minister and ambassador (in London)
at various periods of the Empire, and became in course of time
the determined adversary of Rouher, whose superior in shrewd-
ness he undoubtedly was, though he failed to supplant him,
and repeatedly found his private advice to the Emperor treated
with neglect. To Persigny's credit it may be said that he was
one of the very first to apprehend the dire consequences of the
Franco-German war, and the errors made in the disposition of
the French forces. f
Emile Felix Fleury, whom Napoleon III. made a count, a
general and an ambassador, was as audacious as Persigny, but in
his earlier years more of a man of pleasure. His father had
amassed a handsome fortune in trade, but the property, he tells
us in his " Souvenirs," was squandered by his mother, who,
after his father''s death, married a man of title. Fleury
acknowledges that he took to dissipated courses when he was
young, and that he was at last constrained to enlist as a private
in the Spahis. It was Persigny who first presented him to
Louis Napoleon in London in or about 1838. Eleven years
later he became the Prince's orderly officer, and it was he who
recruited the services of St. Arnaud, Magnan, and other strong-
handed men, for the purposes of the Coup d'Etat. After the
proclamation of the Empire, Fleury was appointed First
* Ten months after Persigny's death there was a scandalous lawsuit
between her and her mother, the Princess de la Moskowa, who vainly tried to
prevent her from marrying a young advocate named Lemoyne. She did so,
however, and after his death married yet again, surviving till 1890, when she
died at Cannes.
t He died at Nice, in January, 1872.
MEN OF THE COUP D'ETAT 35
Equerry, and higher distinctions followed during the ensuing
years. His diplomatic services were by no means despicable ;
he negotiated the meeting between Napoleon III. and Francis
Joseph of Austria, which led to the armistice of Villafranca
in 1859; he also had a good deal to do with the cession of
V'enetia to Italy in 1866. Later he was sent specially to Victor
Emmanuel to prevent an Italian advance on Rome ; and sub-
sequently as Ambassador in Russia he sent valuable if futile
warnings to France concerning the policy of Bismarck. Fleury
possessed, however, one talent in particular — he was as good a
judge of horseflesh as could be found anywhere. The Emperor's
stables were, therefore, placed under his control, and he made
them famous.
Altogether there is no doubt that he was an able man, with
less cause to blush for his past than some others. His years
of dissipation, as he himself calls them, were brief. Long before
he entered Louis Napoleon's service he had been wounded three
times in action, and mentioned five times in orders of the
day — thus he was no craven. Again, his marriage with Mile.
Josephine Galley de St. Paul (whose father was long prominently
connected with the Ministry of the Interior) proved extremely
happy, for he became a model husband. Tall, fair, and pre-
possessing in appearance, ever bright, affable and ready, even
after the hardest day's work, he won the good opinion of many
who by no means shared his strong political views. He and
Mocquard, Napoleon's Chef-de-cabinet, knew virtually all the
Emperor's private secrets, and it became necessary for Fleury
to intervene more than once in the affaires de femmes in which
his imperial master entangled himself. That was one of the
unfortunate obligations of his position, and he at least en-
deavoured to act tactfully in such matters.
All the men who have been passed in review, were either
soldiers at the time of the Coup d'Etat or had previously
seen service. In constituting the Imperial Household Napo-
leon III. chose a soldier for the chief ornamental position, that
of " Great Marshal of the Court," held in his uncle's time by
Duroc. However, he rightly placed the supreme management
in the hands of one whom he knew to be an expert financier,
that is his recent Minister of Finances, Achille Fould,
36 THE COURT OF THE TUILERIES
previously a partner in the banking firm of Benoit, Fould & Co.
It had originally been intended to ask the Senate for a Civil
List of =£'480,000 per annum, a figure which Fould favoured ;
but Persigny, who was one of the hungry men of the imperalist
band, felt that such a sum would be quite inadequate, and by
an ingenious stratagem, involving the telling of a barefaced lie
(frankly admitted in his " Memoirs "), he contrived that the
amount should be increased to one million sterling. In after-
years, says he, the Emperor often expressed to him his gratitude
for his action, exclaiming : " What should I have done if
merely the amount originally proposed had been granted ! "
After all, a million sterling was the sum which had been
agreed upon in the case of Louis XVI. at the earlier period of
the Revolution, and subsequently adopted for Louis XVIII.,
Charles X., and Louis Philippe. In addition, there was the
dotation or endowment of the Crown, estimated to represent
£200,000 per annum. This dotation included first the palaces
of the Tuileries, the Elysee, the Louvre, and the Palais Royal,
with a house in the Rue de Rivoli, a mansion on the Place
Vendome, and stables in the Rue Montaigne; secondly, the
palaces, chateaux, and other buildings, land, farms, woods and
forests of the state domains of Versailles, Marly, St. Cloud,
Meudon, St. Germain-en-Laye, Compiegne, Fontainebleau,
Rambouillet, Pau, and Strasbourg, to which were added pro-
perties at Villeneuve TEtang, near St. Cloud, and La Mothe-
Beuvron and La Grilliere in Sologne, which the Emperor had
previously arranged to purchase privately, and which the law-
required to be included in the general endowment. Thirdly,
the dotation embraced the state porcelain manufactory of
Sevres, and the tapestry works of the Gobelins and Beauvais,
the Garde Meuble or state furniture depository at the He des
Cygnes on the Seine, and the woods or forests of Vincennes,
Senart, Dourdan,and Laigue. Large as the dotation may seem,
it was less considerable than it had been in Louis Philippe's
time, when it had further embraced all the Orleans private
property, the revenue then being quite .£280,000.
As " Ministre de la Maison de FEmpereur," Fould had every
household matter under his financial control, and exercised
supreme authority over all buildings, estates, furnishings,
THE NEW COURT 37
imperial libraries, museums and manufactories, as well as over
the Paris Opera-house, the administration of which was at that
period vested in the Crown. Fould also dealt with all the
many horse-racing, exhibition, and other prizes given by the
Emperor, with all applications for pensions, the appointment
of all purveyors to the Emperor, and the granting of such
privileges as the Crown could accord.
Eould was a man of very abrupt, curt ways, one who soon
sent importunate solicitors to the rightabout, and who dis-
charged his duties with zealous care. Prior to the Coup d'Etat
he had rendered an important service to the Emperor or Prince
Louis Napoleon, as he then was. The Prince had contracted a
good many debts, notably in England,* and his adversaries
wished to secure his unpaid acceptances and create a scandal,
such as might damage him badly and even lead to his arrest
for debt. A certain English printer and publisher heard,
however, of what was brewing and communicated with Plon, the
eminent French publisher, who was a warm Bonapartist and
issued Louis Napoleon's writings. It thus happened that while
the agent of the Cavaignac party, a certain Fillineau, was
haggling with the holders of the unpaid bills, Plon conveyed
the information he had received to Fould, whom he knew well,
and Fould, forestalling the dilatory Fillineau, purchased the
acceptances and tendered them to Louis Napoleon without any
question of payment.
However, in spite of Fould's high ability and strictness of
management as Minister of the Household, the Civil List was
soon in debt. The constitution of endowments for various
members of the imperial family and the expenses of the
Emperor's marriage in 1853 resulted in a deficit of .£'280,000.
When Fould resigned in 1860, the amount owing by the Civil
List was still nearly .£'215,000, and throughout the reign the
indebtedness was never extinguished. At the fall of the Empire
it again stood at the figure of 1853, and was only met by the
sale of all sorts of property.f
* For the purposes of the Coup d'Efcat he borrowed £20,000 of the Spanish
Marshal Narvaez. His raistress, Miss Howard, also helped him financially
about that time, and others gave similar assistance.
t Alphonse Gautier's " La Liste Civile en France " — the authoritative
S8 THE COURT OF THE TUILERIES
The Constitution formally provided for the creation of a
jointure or dower in the event of the Emperor marrying ; but
the Empress Eugenie repeatedly refused to allow that provision
to be made, for she had no desire for personal wealth; and
Napoleon IH., in a like spirit, declined any special allow-
ance for the Imperial Prince. But the other members of the
imperial family were very handsomely treated. Capital sums
amounting to .£480,000 were distributed among them, in
addition to annual allowances. Apart from those made
officially to the Jerome branch of the Bonapartes, whose
members being in the appointed line of succession to the throne
ranked as Imperial Highnesses, a large number of grants were
made to the other Princes, Princesses, and family connections.
We shall refer to them in some detail hereafter,* and for the
moment it need only be mentioned that throughout the
duration of the Empire from <£'45,000 to ^£'50,000 were paid
annually to relatives and connections (Bonapartes, Murats,
Baciocchis, Primolis, Gabriellis, e tutti quanti) out of the Civil
List. This, too, was in addition to special presents at times
when these relatives or connections were in pecuniary difficulties,
owing to their ridiculous extravagance. It was often not
incumbent on the Emperor to make those allowances, but he
was a genuine oncle cfAmerique^ as one says in Paris, an ideal
" rich relation,"" with an ever-open purse.
But let us pursue our review of the Civil List. A sum of
,£^240,000 a year was apportioned among the various branches
of the Imperial Household : the departments of the Great
Almoner, the Great Marshal of the Palace, the Great
Chamberlain, the Great Equerry, the Great Huntsman, and
the Great Master of Ceremonies. The expenses included not
only the salaries of the aforementioned officers of State and
their assistants and servants, but all the outlay attendant on
living, linen, plate, horses, carriages, balls, receptions, theatrical
performances, the chapel and chamber music services, the
medical attendance to the Crown and the Emperor''3 Private
Cabinet. Next a sum of ^£'480,000 was devoted to the repair
work on the subject. M. Gautier was the general secretary of the Imperial
Household.
* See ;post, Chapter IX., p. 209 ct seg.
THE NEW COURT 39
or upkeep of the palaces and other buildings, manufactories,
libraries, agricultural establishments, forests and estates of the
dotation — this being .£'280,000 more than the dotation yielded
in revenue. Further, ^£'240,000 were allotted annually for
grants, gifts, or pensions — to the aforementioned members
or connections of the imperial family, to old servants of the
First Empire, to members of the clergy and army, scientists,
literary men and artists, workmen also, and particularly
inventors, the latter receiving during the reign very consider-
able sums of money as well as other support. This was one
of the good traits of the third Napoleon's character ; he
willingly received and encouraged inventors, and never wearied
of doing so, though more than one tried to impose upon him.
Another source of expense was the Imperial Bodyguard, known
as the Cent-Gardes, which cost the Civil List from dS'lSjOOO to
<£*! 6,000 per annum over and beyond a War Office grant of
.£12,000. Further, the Grand Opera (Rue Le Peletier) cost
between .£8000 and £12,000 each year from 1854 to 1866, at
which latter date the management was detached from the
Household, Nevertheless the Emperor afterwards granted a
private subvention of .£4000, by way, said he, of " paying for
his box."" Again, in the one year, 1867 — the great year of the
first Champ de Mars Universal Exhibition — a sum of £48,000
was spent on entertaining foreign sovereigns and princes, over
and beyond the usual outlay of the Court.
Under Fould, the Minister, but otherwise at the head of
the Household, was the Great Marshal of the Palace, Marshal
and Senator Count Vaillant. In 1860, when Fould resigned,
the two offices were united, Vaillant becoming Minister as well
as Great Marshal.* He was an able man, a Burgundian, born
in 1790, and had begun his career as an officer of engineers
under the first Napoleon. He had participated in the retreat
from Moscow, and had fought at the battles of Paris (when he
was wounded), of Ligny and of Waterloo. He afterwards took
part in the expedition to Algiers — indeed it was he who blew
up the so-called " Fort de TEmpereur," thereby compelling the
Dey to surrender to Marshal Bourmont. Subsequently, in
* The Ministry of Fine Arts, under the superintendence of Count da
Nieuwerkerke,, was then attached to that of the Imperial Household,
40 THE COURT OF THE TUILERIES
conjunction with Dode de la Brunerie, Vaillant directed the
erection of the fortifications of Paris, all the part north of the
Seine being his work. He afterwards became President of
the Comite des Fortifications for the whole of France, and he
was the real director of the siege of Rome in 1849. A zealous
Bonapartist, bearing in his heart the memory of the great
Napoleon who had decorated him on the battlefield, Vaillant
naturally proved a warm partisan of the restoration of the
Empire, but we do not find that he took any active part in the
Coup d'Etat, although he soon afterwards received his Marshal's
baton from Louis Napoleon. At all events, nobody ever
breathed a word against Vaillant's personal honour. He did
not, in his later years, evince much affability or graciousness,
but he was a man to whom no princely visitor or diplomatic
envoy could possibly take objection. He was, moreover,
learned alike in mathematics and the natural sciences, being a
member of both the Academie des Sciences and the Bureau des
Longitudes, as well as President of the Societies of Protection
to Animals, Acclimatisation and Horticulture. Roses were his
particular passion, and he promoted the raising of several new
varieties.
A man who loves flowers can hardly be a bad one. Nor
was Vaillant. His different offices gave him an income of over
cflOjOOO a year, but he spent so much of the money on scientific
or semi-scientific pursuits, all more or less useful in their way,
that one could scarcely reproach him with the high figure of
his emoluments. He was a good and careful steward of the
Imperial Household, and at times he remonstrated successfully
with the Emperor respecting the latter's " impulsive and incon-
venient acts of munificence." The Duke de Conegliano, a
prominent official of the Imperial Court, relates that in 1862
the Emperor desired that the Civil List should immediately
provide £32,000 for some particular purpose. Vaillant replied
that this could not possibly be done, but observing how vexed
the Emperor appeared, he straightway lodged a number of his
own securities with his bankers as security for a loan of the
required amount, and carried out the Emperor''s wishes.
Napoleon III. heard indirectly of the Marshal's action, and
going up to him on leaving the palace chapel on the following
THE NEW COURT 41
Sunday, he exclaimed : " What ! Marshal, are you ruining
yourself in my service, as you have to borrow money of your
bankers ? "" Then, pressing the old soldier's hand, he added :
" I must certainly set my finances in order ; I shall keep it in
mind." Whether he did so or not, however, the Civil List, as
we have previously mentioned, was never out of debt.
Vaillanfs office as Great Marshal included the military
command of the household and of all the imperial palaces, the
exercise of a general supervision over them, the distribution of
quarters to guests, officers and servants, the kitchen, table,
heating and lighting services, the plate, linen, liveries, and so
forth. The salary of this particular office was d£'2000 a year,
with free quarters and table. Immediately under the Great
Marshal was the Adjutant-general, this being General Alexandre
Rolin, who had acted as aide-de-camp of Count Gerard, and had
seen service under Napoleon I. Rolin held office at the Tuileries
until he died in 1869, when he was succeeded by General de
Courson. The Adjutant-general, whose Court salary was .f'lSOO
a year, with free quarters and table, transmitted the Emperor's
orders to all general-officers or officers of State; he acted also
as chief of the Sovereign's staff at all reviews ; and the Colonel
of the Cent-Gardes and the Chief of the Palace Police were
under his immediate orders. General Rolin was a very amiable
and obliging man, with whom the present writer's family often
came in contact.
The Prefects of the Palace were civil officers under the Great
Marshal's control. There were originally four of them, each
receiving £400 a year, and they did duty in rotation, for a
week at a time in Paris, and for a month when the Court was
elsewhere. Among those who filled these prefectoral offices at
various times were Counts de Lawoestine and Merle, Barons
Morio de I'lsle, de Menneval, de Maussion, de Varaigne-Dubourg
and de Montbrun — the last named being a son of the first
Napoleon's famous cavalry general. There was also a quarter-
master-accountant, M. Bidos, who received .£'400 a year with
free quarters and board. Of the other quartermasters {rnarechaux
de log'is)^ who prepared apartments for guests, and exercised
supervision over the furniture and other appointments of the
imperial residences, for which purpose they attended the Court
42 THE COURT OF THE TUILERIES
not only at the Tuileries, but also at St. Cloud, Compiegne,
and its other places of sojourn, the chief was Colonel, later General
Count Lepic, aide-de-camp to the Emperor. As First Mare-
cJial de Logis he received ^£'800 a year, and he had four assistants
with salaries of £S20 under him. Count Lepic, who afterwards
became Superintendent of the Imperial Palaces, was a man of
great artistic taste (which he transmitted to his son, the
painter), learned, moreover, in all questions of furniture,
tapestry, and other hangings, and under his direction the
private apartments of the Empress became extremely beautiful.
Major Oppenheim, one of Lepic's subordinates, was likewise a
man of great artistic taste and perception, notably with respect
to bibelots and china.
Although the palace kitchens and cellars were in the Great
Marshal's department, it is preferable, perhaps, that we should
speak of them elsewhere, in connection with the State banquets
of the Court, and we may here pass to the "Service de la
Chambre."" The Great Chamberlain (with a salary of c^lGOO a
year, free residence and table) was the Duke de Bassano, the
son of the first Napoleon's Foreign Secretary, Maret. Tall and
slim, carrying himself very erect, M. de Bassano looked a
striking figure in his richly embroidered scarlet coat and plumed
cocked hat, with the gold key of his office depending from
a chain formed of gold and green acorns. He had served
as French Minister at Baden and Brussels, and was married
to a Belgian lady, who became one of the Empress's dames
d'honneur. All applications for audiences came before M. de
Bassano, who after preparing a list of them submitted it to
the Emperor. The latter then marked the names, indicating
those applicants whom he would receive personally, and those
whom one or another official was to see on his behalf.
More numerous were the duties of M. de Bassano's nominal
subordinate, the First Chamberlain, Count Marius Joseph
Baciocchi, who was a connection of the Bonapartes through the
first Napoleon's sister Elisa. Born in Corsica in 1803, Count
Baciocchi had married a lady of that island, a member of the
famous Pozzo di Borgo family. He occupied a small suite of
rooms, decorated with a nice collection of pictures, on the
ground floor of the Tuileries; and he, his secretary Bertora,
THE NEW COURT 4.3
and his valet and factotum Nicolas, were besieged every
morning by artists, authors, actors, dancers and vocalists, for
all the artistic side of the Court, and notably its theatrical
patronage and the superintendence of the Opera, etc., were in
Baciocchi's department. It was his duty to attend every first
performance given in Paris, and to report on it to the Emperor
or the Empress. An easy-going, good-natured man, Baciocchi
was extremely partial to the stage, and also to pretty actresses ;
but as time elapsed he became bloated and unwieldy, afflicted
also, says the Duke de Conegliano, with a disorder which
kept him perpetually on the move, in such wise that he could
no longer sit down of an afternoon to play his favourite game
of piquet at the Cercle Imperial, and those who interviewed him
had to pace up and down the room by his side.
In addition to the Great and the First Chamberlains there
were at first eight, and eventually twelve, others, each of whom
was in receipt of £4^80 a year. Among those who thus held
office during the reign there were not only numerous members
of the Imperialist noblesse, but also several scions of the old
French aristocracy, who went over to the Empire often to the
great disgust of the Faubourg St. Germain, where the cult of
the Legitimist Monarchy was piously preserved. Among the
third Napoleon''s chamberlains one found, then, not merely such
Bonapartist names as Macdonald, Duke of Tarento, Count
d'Ornano, De Labedoyere, and Moncey, Duke of Conegliano,
but such others as Marquis de Chaumont, Marquis de Gricourt,
Marquis de Belmont, Marquis d'Havrincourt, Count de Rien-
court, Count d'Ayguesvives, Viscount Walsh and Viscount de La
Ferriere. The last named, an ex-hussar officer and a very hand-
some and courteous man, has, since those days, made himself a
high literary reputation by his historical writings. He served,
we remember, at one time as chamberlain to the Empress, and
was promoted to Baciocchi's post after the latter's death in
1866.
There will be occasion to speak of the officials of the
Emperor"'s Private Cabinet in describing the usual course of the
sovereign^'s daily life. Those officials were only nominally under
the control of the Great Marshal and the Great Chamberlain.
The palace ushers, however, should be mentioned here. The
M THE COURT, OF THE TUILERIES
chief one, who always took the head of the imperial cortege to
announce the Emperor, was a tall, finely built man named
Thovex, in receipt of =£'196 a year. He had ten subordinates,
whose wages ranged from =£^100 to dfi'llO, with allowances for
quarters. The Emperor's private usher, Felix Werwoort, who
had followed him from England, and who, by the way, always
carved for him at dinner, received as much as £M0 per annum,
but then he was quite a confidential servant. The wages of the
valets-de-chanibre (six of the first and six of the second class)
ranged from £^80 to =£100; while £^^ was the stipend of the
chief of the gargons cTappartement^ who had eight men under
him.
Besides the servants already mentioned there were eight
suisses, who with powdered hair, cocked hats with green and
white plumes, red baldricks and short side-swords, stood at the
doors of the chief rooms in the palace, and struck the floor with
their staves while exclaiming aloud, " The Emperor ! " " The
Empress ! " " The Imperial Prince ! " whenever one or the other
passed in or out. Then, too, there was the little army of
footmen, forty, divided into two classes, with four brigadiers at
their head. The suisses received £10, the brigadiers of the
footmen £1^, and the footmen themselves, according to their
class, from ^£'58 to £63 a year. Very splendid looked the footmen
on gala occasions, with their powdered hair, their gallooned and
plumed hats e7i bataille, their green coats a la frangaise with
gold on every seam, their gallooned scarlet waistcoats and
breeches, their gold garters, their white-silk stockings and their
patent-leather shoes with buckles again of gold.
Another branch of the Imperial Household was that of the
Great Master of Ceremonies, the Duke de Cambaceres, a nephew
of the Archchancellor of the First Napoleon''s Empire. Tall,
thin, clean-shaven and solemn, the Duke was the very man for
his post. With some assistance from Fleury he regulated all
the ceremonial at the imperial wedding, the baptism of the
Imperial Prince, the State receptions of Queen Victoria and
other sovereigns and royalties, the presentation of the Golden
Rose to the Empress Eugenie, and the conferring of birettas on
various French cardinals appointed by Pius IX. He was
also to the fore whenever addresses were presented by the
THE NEW COURT 45
Legislature and other public bodies. With a large private
fortune of his own and a wealthy young wife of boiirgeois birth,
who was as short, as lively and as amiable as he was long, frigid
and severe, M. de Cambaceres, besides being lodged by the
crown, received .£'1600 a year for his services.
Under him was a First Master of Ceremonies, Count
Rodolphe d'Ornano* (salary <£'800), and several subordinate
masters, assistant-masters, and secretaries, among the first
being Baron Feuillet de Conches, chief of the Protocole at the
Ministry of Foreign Affairs, and also — as testified by his many
writings and compilations — a most fervent, zealous admirer of
Marie- Antoinette, to which circumstance, in particular, he owed
the favour of the Empress Eugenie. M. Feuillet de Conches
retained office after the fall of the regime, becoming Introducer
of Ambassadors to both Thiers and MacMahon.
The Emperor's Military Household was composed of a
Commander and several aides-de-camp and orderly officers.
The aides-de-camp, who were generals of divisional or brigade
rank — or occasionally vice-admirals — received £480 per annum
for their attendance on the sovereign, which, as the-"e were
always four (and at times six) in office, and each performed a
week''s duty in rotation, did not cover a period of more than
three months in any year. The position of the Commander of
the Military Household was permanent, however, being held
from 1852 till 1865 by General Count Roguet, originally an
officer of engineers and son of a distinguished soldier of the
First Empire. General Roguet was in attendance on the
Emperor on the occasion of Orsini and Pierri's attempt at
assassination, and was somewhat seriously wounded by one of
the bombs which were then thrown. He belonged essentially
to the inner circle of the Tuileries, being one of the men in
whom Napoleon placed most confidence, and his services were
rewarded with a senatorship and the rank of Grand Officer of
the Legion of Honour.
Three officers who became Marshals of France f were aides-
de-camp to the Emperor at one or another time. These, to
* The son of Countess Walewska (sometime mistress of Napoleon I.), by
her second marriage. See ante, p, 27.
t For the Marshals generally, see post, p. 345 et seg.
46 THE COURT OF THE TUILERIES
give their names in order of merit, were Niel, Canrobert, and
Leboeuf. It was the first named (originally an engineer officer)
who adopted the Chassepot rifle, and armed the French infantry
with it, besides devising the force known as the Garde Mobile,
which, however, owing to his untimely death, was not organized
as he had intended it should be. Canrobert's name is more
familiar, perhaps, to most readers on account of his survival
until comparatively recent times, and of his prominence in the
Crimea, where he succeeded St. Arnaud. Originally a light
infantry and zouave officer, he was noted for his dash and
zest, but he was a much overrated man, deficient in the ability
required for high command. His appearance was eccentric,
for he had a short figure and a big head, which looked all the
larger owing to the mass of long hair waving around it.
Canrobert often showed himself to be a rattling raconteur, but
his language was usually better suited to a guardroom than a
salon by reason of the unnecessary expletives with which he
interlarded what he said. He was married to a lady much
younger than himself, a Macdonald, who rightly ranked as one
of the beauties of the Empire. Leboeuf, the third Marshal
whom we have named, became War Minister, and a little later
"Major-General" of the Army of the Rhine, for neither of
which offices he was fitted. But he was a superb-looking man,
with wonderful moustaches, and it should be acknowledged
that he was a clever artillerist. He ought never to have left
that branch of the service.
Among other aides-de-camp to the Emperor were General
Count de Goyon (who at one time commanded the French
army of occupation at Rome), Generals Lannes de Montebello,
Count Pajol (in attendance at Sedan), de Castelnau, and Mollard.
The last named, a native of Savoy, had a very distinguished
record in the Sardinian service, having commanded a brigade
both at the Tchernaya in the Crimea, and at Solferino in 1859,
when with a handful of men he for several hours kept some
thousands of Austrians under Benedek at bay. Mollard was
largely instrumental in promoting the annexation of Savoy to
France, and became a French senator as well as a Grand Officer
of the Legion of Honour.*
* He was a near relative of the present writer's wife. In 1870, despite his
THE NEW COURT 47
Another notable aide-de-camp of the Emperor's was General
Fave, a distinguished scientist, who (like Reffye) had much to do
with the invention of the mitrailleuse and the general transforma-
tion of the French artillery. He also largely assisted Napoleon in
writing the Life of Caesar. Then, too, General Felix Douay,
who commanded the 7th Army Corps at Sedan — the corps
whose fortunes are chronicled in the novel "La Debacle"" — had
served for a time as an imperial aide-de-camp. So too had
Frossard, the beaten commander at Forbach in 1870, before he
became (in 1867) Governor to the Imperial Prince.* So also
had M. de Failly, who defeated Garibaldi at Mentana — when,
said he, " the chassepots did wonders " — and who in his turn was
routed at Beaumont just before Sedan. Again, among the ex-
aides-de-camp to the Emperor, one finds the unlucky Bourbaki,
who commanded the Army of the East during the latter part of
the Franco-German War ; while yet another who became pro-
minent at that time, as commander of the 12th Army Corps,
was Lebrun, a diminutive, simple, modest, hard-working man,
who fought gallantly at Bazeilles, and whose revelations during
these later years have proved that although Prussia may have
forced on the war in 1870, France and Austria fully intended to
attack her early in the following year, by which date their
armies were to have been ready. It was as Napoleon's aide-de-
camp and secret envoy that Lebrun entered into all the arrange-
ments at Vienna. Finally, among the notable aides-de-camp
to be mentioned in connection with the war was Count Reille,
who carried the Emperor's letter of surrender to the King of
Prussia, on whom he had been in attendance in Paris in 1867.
Such is the irony of fate.
Plentiful as were the aides-de-camp who became conspicuous
in 1870-71, only three, inclusive of Canrobert, had figured
prominently in the Coup d'Etat. The other two were Espinasse
and Beville. The former, who then seized the Palais Bourbon,
became Minister of the Interior and General Safety after the
advanced age, Moliard again took service, and placed Grenoble in a state of
defence.
* Frossard was in many respects a very able man, and his defeat in 1870
was due, we believe, far more to the scattering of the French forces, and the
lack of support which he had a right to expect, than to any personal incom-
petence for command.
48 THE COURT OF THE TUILERIES
Orsini affair, when his harshness made him so unpopulfir on all
sides that his death at Magenta a year afterwards seemed a
positive deliverance. General Baron de Beville, for his part,
had occupied the National Printing Works at the Coup d'Etat,
and directed, in conjunction with St. Georges, the printing of
Louis Napoleon''s proclamations. In addition to a military
position beside the Emperor, Beville became chief of the
private topographical service. Among the naval aides-de-camp
one need only record the name of Vice- Admiral Jurien de la
Graviere, sometime Minister of Marine, but best remembered,
perhaps, as a writer on naval history and warfare.
The Emperor's orderly officers were selected from among
captains in the army set down for promotion. They usually
served two years in the Imperial Household, which they quitted
with a step in rank. On appointment they received <£'400 for
an outfit, and besides the ordinary pay of officers of their rank
stationed in Paris, they had an annual salary of £SW and were
lodged and boarded when on duty. Each, however, was required
to provide two horses of his own. Many distinguished names
are to be found in the long list of Napoleon''s orderlies :
Cambriels, Berckheim, Espeuilles, Aubigny, Ney d'Elchingen,
Clermont - Tonnerre, La Tour d'Auvergne, Friant, Quelen,
Excelmans, Schmitz, Verchere de Reffye, Stoffel, and last but
not least, Galliffet.
It was Captain, eventually General, Schmitz who attended
Napoleon HI. in Italy and brought back and presented to the
Empress Eugenie, in solemn audience, the various Austrian
flags taken at Magenta and Solferino ; whereupon, in accord-
ance with State ceremonial, she rewarded him for his mission
with what was officially styled an accolade, vulgo a kiss. He
was, we believe, the only man so distinguished during the reign.
Schmitz also served as Chief of the Staff to Cousin-Montauban
(otherwise Palikao) in China, when the Summer Palace was
looted ; and during the siege of Paris in 1870 he became General
Trochu's right-hand man. Verchere de Reffye for his part
became director of the Meudon artillery- works and the inventor
or perfecter of mitrailleuses, breech-loading and rifled guns,
besides assisting his imperial master with the latter''s Life of
Cassar. Stoffel is best remembered as French military attache
THE NEW COURT 49
at Berlin, whence he forwarded to Paris such valuable but
unheeded reports respecting the military progress of Prussia.
As for the Marquis de Galliffet, Prince de Martig^ies, his
service as an Imperial orderly dated from the early sixties after
he had won a captaincy in the Spahis in Algeria. He quitted
the Court when he volunteered for service in Mexico, where,
as we shall presently have occasion to relate — in his own words
— he was very seriously wounded by an exploding shell. That,
however, as we all know, did not prevent M. de Galliffet from
resuming duty, and subsequently participating in — we do not
say commanding — the great cavalry charge at the battle of
Sedan. That the Marquis had a sound constitution and much
physical vigour was shown already in his early years by his
ardour in the pursuit of pleasure. Of average height, with an
elegant figure, and a bright face, almost as full of colour as
MacMahon's, he was indefatigable both as a rider and a dancer,
and could sit up night after night, playing cards, and supping
at matutinal hours, without, to quote a popular expression,
" turning so much as a hau\" His wife, a woman of most gentle
and amiable disposition, was one of the chief beauties of the
Empire, and, after the Empress herself, one of the foremost
leaders of fashion of the time.* The marriage was not satis-
factory, and eventually Mme. de Galliffet lived apart from her
husband.
In addition to the aides-de-camp and orderlies, the Emperor's
military household included a cavalry corps, which, though
known as the Ceut-Grardes, or " Hundred Guards," f was at no
time of exactly that strength, its numbers having varied from
54 to 208, or 221 inclusive of ostlers and farriers. The organizer
of the corps was Lieut.-Colonel Count Lepic, Avho in 1859 was
succeeded in the command by Major, later Colonel, Baron Verly,
an officer of Creole origin, who had risen from the ranks in the
Guides, and who, with his lofty figure, his martial face, and
his splendid uniform, all aglitter with foreign decorations, was
a conspicuous figure at the Tuileries until the war of 1870,
when he accompanied his sovereign, and was taken prisoner at
Sedan with three of his subordinate officers and half of the
* See post, p. 275 et seq.
t See ante, p. 39 ; and post, pp. 121 et seg_., and 130.
50 THE COURT OF THE TUILERIES
1st squadron of the corps.* This was instituted by a succession
of decrees in 1854, the quarters assigned to it being the Caserne
de Pan them ont in the Rue de Bellechasse. The officers were
twelve in number ; the chief commander received ^^^OO and the
men =£'40 a year. The minimum stature necessary for incorpo-
ration was fixed at about 5 feet 11 inches ; but although some
of the men were 6 feet 2 inches, and even 6 feet 4 inches in
height, it was at first difficult to recruit a sufficient number
reaching the minimum figures, as only cavalry " non-coms." of
the most irreproachable character were eligible. Eventually
several drum-majors with cavalry experience were incorporated,
as well as privates with good records.
The men's duties were a great deal more arduous than was
generally supposed by those who merely saw them escorting the
Emperor, A detachment guarded the Tuileries inside and out
every night, and the men were in constant requisition for
reviews, public ceremonies, official receptions, imperial visits
to the theatres, and journeys into the provinces. They attended
the Emperor not only in 1870, but also during the war in Italy
in 1859. They were helped with respect to the grooming of
their horses, but their superb uniforms demanded close personal
attention. These Cent-Gardes were, of course, quite distinct
from the Imperial Guard, which was also instituted in 1854,t
its first commander being Regnault de St. Jean d'Angely, and
its last Bourbaki. The Guard was a mixed division of infantry,
cavalry, and horse artillery — the first named including two
regiments of Grenadiers, two of Voltigeurs, and one of Chas-
seurs ; the second, a regiment of Cuirassiers, one of Horse-
Gendarmes and one of Guides — hght cavalry of the Hussar
type, but armed with carbines.
These Guides were first organized and commanded by Count
Fleury, who, as previously indicated, also held the office of First
— and eventually of Great — Equerry to the Emperor, the higher
post being originally assigned to Marshal St. Arnaud. It
carried with it a salary of .£'1800 a year, with .£480 for expenses
and residential quarters at the Louvre. $ St. Arnaud's duties
* The other half, which escorted the Imperial Prince to the Belgian
frontier, was commanded by Lieut, Watrin.
t We mention it here, but it did not belong to the Household.
X In the histories of the Second Empire it is frequently asserted that St.
THE NEW COURT 51
were merely nominal, all the work from the outset being done
by Fleury * and his coadjutors, among whom was an English-
man, Mr. Gamble, who was long in direct charge of the horses
ridden by the Emperor personally. Respecting them and the
splendid equipages of the Court we shall have something to say
as our narrative proceeds. Among the equerries under Fleury
were M, de Valabregue, who was in attendance on Napoleon III.
when Pianori attempted the latter's life in the Champs Elysees ;
M. Raimbeaux, who, when Berezowski fired at Czar Alex-
ander II. in the Bois de Boulogne in 1867, rode forward to
screen the monarch, and whose horse was thereupon shot through
the nostrils ; Count Davillier, who was on duty at Sedan, Baron
de Bourgoing, Baron Lejeune, Count de Castelbajac, Mr. de
Burgh (an Irishman — perhaps of the Clanricarde family f), and
the Marquis de Caux.
The name of the last is well remembered from the fact that
he became the first husband of Madame Adelina Patti, now
Baroness Cederstrom. The Marquis de Caux, who when quite
young inherited a large fortune, was of a very gay and impulsive
disposition, and ran through most of his money in a few years.
He thereupon turned to diplomacy for a livelihood, and was
attached to the French embassies at Florence and Rome. After
becoming an equerry to the Emperor, he added no little gaiety
to the Court life. An expert dancer, he conducted the cotillons
at the State balls during several successive seasons. It was his
passion for music, and his consequent intimacy with the
Strakosch family, Avhich led to his acquaintance with Madame
Patti. At the time of their marriage, whatever the difference
of fortune might be, there was every reason to believe that the
union was one of genuine affection on both sides. But
separation eventually came.
Yet another branch of the Imperial Household which we
Arnaud, like others, received £4000 a year for Ms Court post. That is quite
erroneous. All the figures we give are the official ones as they are to he found
in the Civil List.
* Before he became Great Equerry he received £1200 a year, with a
residence adjoining the Imperial stables in the Avenue Montaigne.
t We have not been able to identify him fully. The Duke de Conegliano
states that he was "honorary equerry," received £480 a year, and came to
France from time to time to ride in State processions.
52 THE COURT OF THE TUILERIES
must mention was that of the Venerie or Hunt. Though
Marshal Magnan held the post of Great Huntsman, the duties
were always discharged by Count Edgar Ney, who took Magnan''s
place in 1855, and on the death of his elder brother two years
later assumed by imperial decree the title of Prince de la
Moskowa. The subordinate officers of the Huut (of which we
shall have to speak in connection with the Court's sojourns at
Compiegne, Fontainebleau, and elsewhere) were the Marquis
de Toulongeon, Colonel Baron Lambert, the Marquis de la
Tour Maubourg, the Baron de L^ge, and M. de la Rue. Prince
Edgar de la Moskowa was a good-looking, unaffected man, on
the most intimate terms with the Emperor, who invariably
" thee'd " and " thou'd " him, and addressed him by his Christian
name.
We have yet to speak of both the Almonry and the Medical
Service of the Court. Louis Napoleon's first chaplain — at the
Elysee in 1848 — was Abbe Laisne, a curate of the Madeleine
church. In 1853 the Emperor appointed Mgr. Menjaud,
Bishop of Nancy, to be his First Almoner, and four years later
a "Great Almoner or Archchaplain of the Imperial Chapel"
was instituted by a Papal brief, the post being assigned to
Archbishop Morlot of Paris, and later to his successor, Mgr.
Darboy, the high-minded and unfortunate prelate who was
murdered by the Paris Communards in 1871. Among the
salaries attached to the Almonry and chapel services were the
following: Great Almoner, .^'IGOO ; First Almoner, ^800;
Almoner,* .^^SO ; chaplains (all canons of St. Denis and in
receipt of salaries as such), d^240. Auber, the famous com-
poser, also received .£'600 a year as Director of the Imperial
Chapel and Chamber Music. He chose all the pieces which
were to be executed, presided at all rehearsals, organized the
concerts given at the Tuileries during Lent (when dancing was
not allowed), and was very regular in his attendance at the
palace chapel on Sunday mornings.
From 1848 onwards the tall, ascetic-looking but devoted
* This was Mgr. Tirmache, Bishop of Adras, who had known Louis
Napoleon when the latter was a prisoner at Ham. It was Mgr. Tirmache
who, in conjunction with Abh6 Laisne, actually discharged most ot the
duties of the Almonry.
THE NEW COURT 53
Abbe Laisne, Vicar-general of the Imperial Chapel, acted as
confessor to the Emperor, whom he accompanied to Italy in
1859. In 1870, however, as he had then become Chaplain-
general of the French Army, M. Laisne deputed his confessor-
ship to Abbe Metairie, who followed the sovereign to Sedan,
Napoleon always figured at divine service on Sunday mornings
in full uniform, and attended by the officers of the Household.
It was on his behalf that every year, on August 15 ("St.
Napoleon's Day "), the Prefect of the Palace on duty presented
the consecrated bread at mass at St. Germain TAuxerrois. the
Tuileries parish church. It was then borne thither proces-
sionally by footmen of the Household in gala liveries, preceded
by ushers also in gala attire.
The most notable clerics who preached before the Court
in the Tuileries chapel were Fathers de Ravignan and Ventura,
Archbishop Darboy, Mgr. Bauer, and Abbe Deguerry of the
Madeleine.* Although Darboy was a learned theologian, his
Court sermons were marked by great simplicity of diction, and
imbued with a spirit of plain, straightforward Christianity, based
on the teachirigs of the Gospels. No political allusion ever
passed his lips, and all disputations were reserved for his private
chats with Marshal Vaillant, who was somewhat of a free-
thinker.
The first physician of the Court Medical Service was Dr.
Franpois Rene Conneau, the trusty friend who had attended
Queen Hortense in her last moments and had enabled Louis
Napoleon to effect his escape from the fort of Ham. Born at
Milan, Conneau married a Corsican lady of the Pasqualini
family, and their son, brought up at the Tuileries, became the
playmate and friend of the Imperial Prince. Conneau's own
medical attainments were not of the highest order, as he himself
freely acknowledged, saying that it was more as a friend than
as a doctor that he remained beside the Emperor. However,
he fully organized the medical service, in which he enlisted
some of the ablest men of the time. Adjoined to him, and
residing also at the Tuileries, was Dr. Baron Corvisart (a
great nephew of the first Napoleon''s medical attendant), who
* The last named was murdered at the same time as Darboy, by the
Communards of 1871.
54 THE COURT OP THE TUILERIES
accompanied the Emperor during the campaign of 1870, and
was one of the three men in close attendance on the despairing
monarch when, riding forth from Sedan to La Monceile, he
advanced beyond the brick and tile works there, into the open,
shell-swept space, where he long but vainly courted death.
The two who accompanied Napoleon and Corvisart were General
Count Pajol, aide-de-camp, and Count Davillier, first equerry.
The escort was formed of Cent-Gardes. As will be remem-
bered, both Corvisart and Conneau were present when the
Emperor died at Chislehurst.
The Medical Service also included four physicians and
surgeons in ordinary, each receiving £3^0 a year, among them
being (at one or another time) Arnal, Andral, Darralde, Fauvel,
Baron Larrey, and Nelaton. There were also six honorary
consulting physicians and surgeons, including Bouillaud, Levy,
Ricord, See, Velpeau and Tardieu — celebrities of the healing
art. Then, after the imperial marriage, Dr. Baron Paul Dubois,
son of the Dubois who attended Marie Louise at the birth of
the King of Rome, was appointed surgeon-accoucheur to the
Empress Eugenie.* For the personnel of the Court there were
eight medical men doing duty in rotation, and each in receipt
of £^'iO a year. Two of them, with one of the head doctors,
were always in attendance at the Tuileries. Court officials
and domestics were also visited free of charge at their homes,
accounts being kept too with pharmaceutical chemists in
various parts of Paris. But there was also a well-appointed
pharmacy at the Tuileries, in the charge of M. Acar, whom
the Emperor had known at Ham, and who, in addition to
permanent quarters and board, received £^4^0 a year.
As the reader will have perceived, we have not here entered
fully into the cost of maintaining the Imperial Court — we have
postponed, for instance, such matters as the Emperor's private
cabinet, the palace kitchen and table, the equipages, horses,
and hunt, and we have not yet come to the organization of the
households of the Empress and the Imperial Prince; but
enough has been said already to show that Napoleon III. had
* Subsequently a medical attendant in ordinary to the Imperial Prince
vras appointed, with a salary of £320. We should have mentioned that £1200
was Conneau's and £800 Corvisart's salary.
THE NEW COURT 55
few, if any, opportunities for saving money. Large emoluments
certainly went to men of very indifferent character ; but, taking
the Court in its ensemble, the artisans of the Coup d''Etat were
decidedly in a minority, and death soon thinned their ranks.
The majority of the others were neither better nor worse than
the average Frenchman of those times, while some were men of
real distinction and merit. The legend that the Court of the
Tuileries was formed exclusively of profligate banditti is utterly
absurd. The Court had its scandals undoubtedly, and of some,
including the worst, we shall have occasion to speak ; but if only
a quarter of all the alleged scandals had been true, the regime
would have been swept away long years before the downfall of
Sedan. To imagine the contrary would be a gross libel on the
French nation.
CHAPTER III
THE IMPERIAL MARRIAGE — THE EMPRESS AND HER
HOUSEHOLD
The Emperor's first Matrimonial Negotiations— Opposition to the Alliance
with Mile, de Montijo — The Speculations of Fould and St. Arnaud— The
tragic Camerata Scandal — Mile, de Montijo's first glimpse of Louis
Napoleon — Her juvenile sympathy with him at Ham — Intercourse of the
Montijos with the Prince during his Presidency — The Proposal of Marriage
— Position of the Jerome Branch of the Bonapartes — The Parentage of
the Empress Eug6nie— The Empress's Beauty at the time of her Marriage
— Her sister, the Duchess d'Albe — The Wedding Preparations — The Civil
Marriage— Prince Napoleon in Mourning— The Bridal Dress and Jewels—
The Ceremony at Notre Dame — Favourable popular Impression— The
Empress's Household — The Great Mistress, the Lady of Honour and the
Ladies of the Palace — The Maids of Honour and the Lady Reader— The
Great Master of the Household and the Chamberlains — The Secretary and
the Librarian.
Some time elapsed before the Imperial Household was com-
pletely constituted and set in working order ; but it had been
planned by Count Fleury (who, as he tells us, took the Court
of Napoleon I. as his model), and the plans had already been
largely carried out, prior to the Emperor's marriage. On the
other hand, Louis Napoleon had turned his thoughts to
matrimony even before the restoration of the Empire was
officially proclaimed. There is a legend that he asked Mile, de
Montijo, later the Empress Eugenie, to become his bride
prior to the Coup d'Etat ; but the facts are different. It is
known that Count Walewski, French ambassador to England,
approached Queen Victoria, in December, 1852, on the subject
of a marriage between the new Emperor and the Princess
Adelaide of Hohenlohe, a niece of her Majesty, and that
although the Queen did not seriously object, the Princess's
THE IMPERIAL MARRIAGE 57
father did, on account not only of difference of religion, but
also of Napoleon's reputation from the moral standpoint.
Further, about the same time, the Emperor's cousin, Count
Tascher de la Pagerie,* carried on some negotiations elsewhere,
perhaps in Bavaria, to which country he had for many years
belonged; while Fleury, as recounted by himself in his
" Souvenirs," set out on a mission to secure the hand of Carola
Frederika, Princess Wasa, daughter of Prince Wasa, the son of
Gustavus IV. of Sweden. t Whatever Fleury may allege to the
contrary, it seems that Napoleon III. hoped to succeed in that
quarter, for the Princess Carola's grandmother, on the maternal
side, was a Beauharnais, a daughter of Count Claude of that
name, and a first cousin of Queen Hortense. Napoleon I. had
adopted her, and she had espoused the Grand Duke of Baden. J
Nevertheless, however favourably she might be disposed towards
Louis Napoleon, Fleury's mission failed, because, says he, the
Princess Carola's hand had been virtually promised already to
Crown Prince Albert of Saxony. That may be so, for six
months later she married that Prince, and eventually rose with
him to the Saxon throne.
Napoleon, according to Fleury, was relieved by the failure
of the negotiations, but the case is very suggestive of the fable
of the fox and the grapes. It is certain that the majority of
the Emperor's advisers wished him to marry a foreign Princess.
When the alliance with Mile, de Montijo was first mooted, it
was opposed by Persigny, then Minister of the Interior ; Drouyn
de Lhuys, the Foreign Secretary ; Abbatucci, the Keeper of the
Seals ; Fortoul, the Minister of Public Instruction ; Bineau, the
Minister of Finances ; Troplong, the President of the Senate ;
Walewski, and several others — in fact, by far the greater part
* Of the family of the Empress Josephine. See post, p. 74.
t The reader may be reminded that Gustavus IV. was deposed and suc-
ceeded by his uncle, Charles XIII., who adopted as his successor Bernadotte,
from whom the present Swedish royal house is descended. According to
legitimist doctrine, the Prince Wasa mentioned above was by right King of
Sweden.
X Her record, as regards the occupation of thrones by her posterity, is
almost as remarkable as that of the Danish royal house. From the Grand
Duchess Stephanie are descended the Kings of Saxony, Portugal, and
Eoumania, the Grand Duke of Baden, the Princes of HohenzoUern-
Sigmaringen, the Prince of Monaco, and the Count of Flanders, as well aa
the Dukes of Hamilton.
58 THE COURT OF THE TUILERIES
of the administration ; its only partisans being Fleury, Morny,
St. Arnaud, Edgar Ney, Toulongeon (the Emperor's orderly),
and Fould, the Minister of the Imperial Household. Fould,
however, seems to have played a double game in the affair.
Aware as he was that the outside world anticipated that the
new Emperor, should he decide to marry, would contract some
great alliance, he resolved to profit by what would happen, and
when the public announcement of the marriage with Mile, de
Montijo almost led to a panic on the Bourse — a fall of two
francs in Rentes, and a drop in most other public securities —
he, having played for the fall, reaped very large profits, whereas
St. Arnaud — an inveterate gambler — who had done his utmost
to support the market, was hit so badly that (according to the
Archives of the Prefecture of Police) he narrowly escaped
"execution," and was only extricated from his difficulties by
the liberality of the Emperor, to whom he excused himself for
his misfortune by attributing all the blame to the "bearing"
tactics of Fould.*
A connection of the imperial house, young Count Camerata,
a grandson of the first Napoleon's sister Elisa, also speculated
disastrously on that occasion, and after vainly appealing for
assistance both to his mother. Princess Baciocchi, and to Prince
Jerome Bonaparte, who, it has been asserted, owed him
money at the time, he committed suicide. His death was
followed a few days afterwards by that of a promising young
actress of the Vaudeville Theatre, Elisa Letessier, who appeared
professionally under the name of Mile. Marthe. She and
Camerata were much attached to each other, and she would
not survive him, but put an end to her life by means of a pan
of charcoal. All the theatrical notabilities of Paris followed
the young artiste to her grave.
But we must not anticipate. The early matrimonial
negotiations with foreign Courts having failed. Napoleon was
evidently of opinion that others would have a similar result,
and he thereupon seriously turned his thoughts to the question
of wedding Mile, de Montijo. She and her mother, the
* Fleury tells the story in his own fashion, and informs us that he defended
St. Arnaud against the charge of being a gambler. But it wasi Fleury's
business to defend his Coup d'Etat confederates.
THE IMPERIAL MARRIAGE 59
Countess, were frequently in France. They had first gone
there during some of the troubles in Spain in 1834, when, as
Marshal de Castellane relates in his " Diary," he met them at
Perpignan. During Louis Napoleon's presidency of the
Republic they had been frequent guests at his entertainments.
The first time, however, when they caught sight of the futura
Emperor was after the Strasburg affair in 1836, when, being in
Paris, they happened to call at the Prefecture of Police to see
the Prefect's wife, Mme. Delessert, a Spaniard by birth and a
family friend, on which occasion they saw the Prince passing in
the custody of several policemen. Eugenie de Montijo was
then only a child, some ten years old, but the incident impressed
her, and when Louis Napoleon was imprisoned at Ham, after
the Boulogne affair, she, " being always inclined towards those
who suffered, interested in all the oppressed, and nourishing a
secret sympathy for the Prince, urged her mother to go and
carry the captive such consolation as might be possible. The
Countess de Montijo had decided on that pious pilgrimage
when she was diverted from her object by unlooked-for
circumstances."" * The first actual meeting only took place
during the Prince's Presidency at a dance at the Elysee Palace,
to which Mme. de Montijo, by her connections in society, easily
obtained an invitation.
Virtually, from that time forward, wherever the Prince
President stayed, whether at St. Cloud, Fontainebleau, or
Compiegne, the Montijos were among his most frequent guests.
One constantly finds their names in the various lists of invites
published at the time. They also attended all the reviews,
whether at the Carrousel, the Champ de Mars, or Satory.
Castellane, meeting them one day at St. Cloud, remarked with
some surprise that the fair Eugenia was still unmarried, although
extremely d la mode. The position of the young lady was
certainly somewhat invidious, though then, as ever, she con-
ducted herself with great propriety. Ill-natured people are apt
to talk, however, when a young lady is long in " going off," and
Mile, de Montijo was no longer a mere girl in years. Whether
* Prom an article in Napoleon III.'s organ, Le Dix Ddccmhre, De-
cember 15, 1868. The MS. of this article, in the Emperor's own handwriting,
was found at the Tuileries after the revolution of 1870,
60 THE COURT OF THE TUILERIES
she made it her express purpose to fascinate Louis Napoleon —
as many French and Enghsh writers have asserted — or whether
she did not, he at all events fell in love with her. We ourselves
do not think that she needed to exert herself in order to please.
Napoleon was extremely susceptible to female charms, and she
was extremely beautiful. And we are quite ready to believe
that, while she was willing to become Empress of the French,
she was also prepared, as Fleury states, to quit France and
return to Spain at the slightest sign of disrespect.
When Napoleon first told his friend Fleury that he was in
love with Mile, de Montijo, Fleury at once advised him to
marry her. But knowing what we do of the third Napoleon's
character — he was still entangled with an English mistress, Miss
Howard — it is certain that love in his case did not necessarily
mean marriage. It appears from Fleury's narrative that the
INIarchioness de Contades, daughter of Marshal de Castellane,
sounded her friend Mile, de Montijo respecting her sentiments
towards Napoleon, and communicated the result to Fleury ; and
when the matrimonial negotiations with foreign Courts had
failed, the Emperor suddenly made up his mind and asked for
Mile, de Montijo's hand. It is said that in the first instance
he addressed himself to the young lady herself on a favourable
occasion in the reserved park of the Chateau of Compiegne.
But the definite official proposal was made by the Minister
of his Household, Fould. It would have been more in accord-
ance with French social usage if Mme. de Montijo had been
approached by a Princess of the Emperor's house ; and, indeed,
the Princess Mathilde, daughter of the first Napoleon's brother,
Jerome, sometime King of Westphalia, was thought of, and it
is stated in several works that the official proposal was actually
made by her. Even Fleury asserts it in the first volume of his
" Souvenirs," but, corrected by the Princess herself, acknowledges
his error in the second. The fact is, that the duty would not
have been a pleasant one for the Princess Mathilde, for the
Emperor's marriage was likely to deprive her brother, Prince
Napoleon, of his chance of succeeding to the throne.
For that very reason many people were delighted that the
Emperor should have decided to marry. In framing the Con-
stitution of the Empire, the Senate had deliberately modified
THE IMPERIAL MARRIAGE 61
a proposed clause setting forth that in the event of no direct
issue the crown should pass to the Jerome branch of the
imperial family. In lieu of adopting that stipulation, the
Senators had left to the Emperor the duty of designating his
successor, taking that course because they were unwilling to
co-operate in the selection of Prince Napoleon, whom most
of them cordially detested on account of his pretensions to
radical republicanism and free-thought. The result was that
old Prince Jerome, then President of the Senate, resigned that
post in a huff — while, of course, assigning another reason for his
action — and that he, his son Prince Napoleon, and his daughter
Princess Mathilde, were only placated by a decree, which the
Emperor himself issued, establishing the succession in their
branch of the family in the event of his demise without leaving
a son. That decree was dated December 18, 1852, but the
pleasure of the Jeromites was short-lived, as on the 22nd of
the following January, Napoleon III., having overridden the
objections of the majority of his Ministers, announced to the
great bodies of the State assembled at the Tuileries his
approaching marriage ; the Moniteur adding, almost unneces-
sarily, on the morrow, that Mile, de Montijo was the sovereign's
choice. It is true that the Emperor had not named her in his
speech, but he had designated her clearly enough.*
Several years ago a number of French newspapers were con-
victed of publishing an erroneous, even libellous, account of the
Empress Eugenie's origin. They wrongfully asserted that she
and her sister, the Duchess d''Albe (Alva), were the daughters
of Doiia Maria del Pilar de Penansanda, who, after marrying
Don Joaquin de Montijo, captain in the Regiment of Segovia,
in February, 1810, was divorced from him in France in 1813,
but, on the divorce being annulled in Spain, lived with him
* It was an impertinence on the Emperor's part, after vainly soliciting the
hands of two foreign princesses, to sneer, as he did, in the marriage announce-
ment at alliances with European royalties. In remarkably bad taste was the
allusion to the Duke of Orleans (son of Louis Philippe), whom the new ruler
pictured as having fruitlessly solicited an alliance with one and another
sovereign house, and " securing at last the hand of a princess of only secondary
rank and a different religion." He, Napoleon III., had been refused even by
princesses of less than secondary rank. On the other hand, his reference to
himself as a parvenu was not misplaced, though it was greatly disliked by
many leading imperialists.
62 THE COURT OF THE TUILERIES
affain until his death on October 30, 1823. The date of the
Empress Eugenie's birth being 1826, it followed that she could
not be the daughter of Don Joaquin. That story,* and the
conclusions which were drawn from it, met, however, with
annihilation during the legal proceedings which took place, it
being shown that the Empress had never claimed to be the
daughter of the aforesaid Don Joaquin and Doiia Maria del
Pilar. In an anonymous brochure, issued by the Empress''s
desire and written, it is believed, by M. F. Masson, the real
facts were set forth, with certificates of birth, baptism, and other
documentary evidence. Nevertheless, in later years another
romantic account of the Empress's origin has appeared in some
French works, it being asserted that she and her sister were no
Montijos at all, but the children of Queen Christina of Spain —
the wife of Ferdinand VII. and mother of Isabella II. — who
induced the Countess de Montijo to bring them up as if they
were her own offspring ! Queen Christina is not accounted a
virtuous woman by historians, but not a shred of evidence of the
slightest value has ever been tendered in support of the above
story. The facts, indeed, are such as were stated in the legal
proceedings and the pamphlet already mentioned.f The father,
then, of the Empress Euge'nie was Don Cipriano Portocarrero,
Palafox, Lopez de Zuniga, Rojas y Leiva, Count of Montijo
(Conde del Montijo), Duke of Periaranda, Count of Miranda del
Castailar, etc., and grandee of Spain, He inherited most of his
titles from his elder brother, Don Eugenio, seventh Count of
Montijo, who died without issue in 1834. Before then Don
Cipriano was generally known by the names of Guzman,
Palafox y Portocarrero. He was a Napoleonist Spaniard, served
in the French artillery as Colonel Portocarrero, received the
Legion of Honour, was severely wounded at Salamanca, and
again at the battle of Paris in 1814. He ultimately became a
Spanish senator, and died at Madrid on March 15, 1839.
On December 15, 1817, he had married Dona Maria
Manuela Kirkpatrick y Gi-evigne, the daughter of William
* We refer to it chiefly because it is still preserved in certain books,
notably in Hamel's " Histoire du Second Empire " — in spite of the legal
proceedings.
t " L'lmp^ratrice : Notes et Documents," SvOj Paris, 1877.
THE IMPERIAL MARRIAGE 63
Kirkpatrick * y Wilson, Consul of the United States at Malaga.
Kirkpatrick's wife was Dona Francisca Grevigne, whose family
had originally belonged to Liege, and whose sister, Doiia
Catalina, married Count Mathieu de Lesseps, Commissary-
General of the French Republic in Spain from 1800 to 1802,
and father of the famous Count Ferdinand de Lesseps, who was
thus a second cousin of the Empress Eugenie on the maternal
side.
By his marriage with William Kirkpatrick's daughter, Don
Cipriano de Montijo had two children, both born at Granada :
the elder, Maria Francisca de Sales Cipriana, on January 29,
1825, and the younger, Maria Eugenia Ignacia Augustina, on
May 5, 1826. It was the latter who became Empress of the
French. Her sister, Francisca de Sales, was married in February,
1844, to a lineal descendant of James II. of Great Britain, that
is, Don James Stuart FitzJames, Ventimiglia, Alvarez de
Toledo, Belmonte y Navarra-Portogallo, eighth Duke of Berwick,
fourteenth Duke of Alva, Duke of Leiria, Jerica, Galisteo,
Montoro and Huesca, Count-Duke of Olivares, Count of Lemos,
senior grandee of Spain, twelve times a first-class grandee, con-
stable of Navarre, etc. The bride's father, it may be mentioned,
had been eight times a count, twelve times a viscount, four
times a grandee ; but in giving the Count de Montijo's name we
spared the reader a full enumeration of his titles. It is certain,
however, that his two daughters were of high lineage, coming as
they did on his side from the ancient houses of Guzman and
Palafox.
It will be seen that the elder daughter married the Duke of
Berwick and Alva when she was only nineteen,! whereas her
sister was nearly twenty-seven when she espoused Napoleon III.
In all the official documents of that time Eugenie de Montijo is
described (like her mother) as "her Excellency," and the title
of Countess de Teba and other places is assigned to her. Both
desicrnations were correct. When her father succeeded his elder
* He belonged to the Kirkpatricks of Closeburn, and seems to have been
born at Dumfries.
t She died young, in 1860, as we shall have occasion to relate; her
husband, who was about four years her senior, survived till 1881. In France
they were always known as the Duke and Duchess d'Albe [Alva], by which
titles we propose to refer to them.
64 THE COURT OF THE TUILERIES
brother as Count de Montijo, certain entailments, which
stipulated that the countships of Montijo and Teba should never
be held by the same person, had compelled him to relinquish the
latter to his younger daughter,*
The bride of Napoleon III. was more beautiful than her
sister, the Duchess d'Albe, and, though on placing photographs
of them side by side one is immediately struck by the resemblance
of one to the other, this was not in reality so marked as might
be supposed. Not only were the Duchess's features less delicately
chiselled, not only was her figure shghter than the Empress's,
but her hair was dark, whereas her sister's was of a golden
chestnut hue. In all respects, indeed, the Empress Eugenie
was of a fairer complexion, with skin of a transparent whiteness,
dehcately tinted cheeks, and fine, bright, blue eyes, shaded by
drooping lids and abundant lashes. Her nose, if somewhat long,
was slender, aristocratic ; her mouth was small, and lent itself
to an engaging smile. Slightly above the average height of
Frenchwomen, she had a graceful and supple figure, an easy and
yet dignified carriage. Her neck, her shoulders, and her arms
were delicately statuesque, her feet worthy of her Andalusian
birth. But to many she suggested rather the famous Venetian
type of beauty, and it was often said that if Titian had been
alive he would have gone on his knees to beg her to sit to
him. It is, perhaps, a pity that the great painter was not a
contemporary, for we might then have been spared the Jadeurs
of Winterhalter and others. On the other hand, the Empress
had less ease of manner, gaiety, and charm of disposition than
her sister. The Duchess d'Albe was a woman whom everybody
immediately liked and appreciated, while often contenting
themselves with admiring the Empress.
The marriage having been decided on, all open hostility to
it among the Emperor's entourage ceased immediately, that is
to say, excepting in one quarter : Miss Howard,t who had
aspired to the 7-6le of La Pompadour, was extremely irate.
Money, huge sums of money, did not pacify her, and at the
time of the ceremony the devoted Mocquard, the Emperor's
* Teba is in the heart of Andalusia, north of Ronda, whereas Montijo is in
Estremadura, between Merida and Badajoz.
t For some account of Miss Howardj see^os^ p. 182 et scg.
THE IMPERIAL MARRIAGE 65
private secretary and confidant, had to keep her away from
Paris. The preparations were pushed on with all possible
speed. While the bride-elect and her mother took up their
residence at the Elysee, Fleury, the chief stage-manager of the
regime, exerted himself to organize the nuptial cortege with
proper splendour. Nearly all the gala carriages of the State
dated from the time of Charles X. and Louis Philippe, and
bore the Bourbon or Orleans arms, which had to be effaced.
Moreover, the gilding, the painting, the upholstery required
renovation, while there was also a deficiency both of horses and of
trappings. As for horses, Fleury ingeniously met the difficulty
by hiring a large number of the best animals which the London
jobmasters could supply. They were promptly sent across the
Channel, while at the State carriage depot at Trianon and in
Paris a little army of painters, gilders, decorators, embroiderers,
saddlers, and so forth, worked zealously both day and night in
order that all other requisites might be ready in time.
The civil marriage took place at the Tuileries on the evening
of January 29, 1853. At eight ©""clock, Cambaceres, Great
Master of Ceremonies, went to the Elysee to fetch the bride
and her mother. They entered the Tuileries by the Pavilion
de Flore, and were received in the vestibule by St. Arnaud,
Fleury, two masters of ceremonies, and others, who conducted
them upstairs, first to the family drawing-room, at the door of
which they were welcomed by Prince Napoleon and Princess
Mathilde. Of all those assembled on the occasion. Prince
Napoleon was the only man who wore neither uniform nor
official costume of any kind. He was simply attired in black
evening dress, as if, indeed, he were in mourning for his chance
of succession to the throne. But that was a fashion which, with
pretended Republicanism, he affected during the early period
of the Empire, and the story runs that when he was suddenly
created a General of Division, though he had never served a
single hour in the army, the Emperor took that course chiefly
in order to compel him to wear a uniform on official occasions,*
* We have given the above anecdote because it is amusing ; but Prince
Napoleon became, we think, a senator at an early date, and had no real excuse
for not wearing at least the senatorial dress on official occasions. Several
writers of the time agree in stating, however, that the Prince affected plain
F
66 THE COURT OF THE TUILERIES
The Prince revenged himself on his cousin, however, by taking
the matter seriously and insisting on being sent to the Crimea,
whence he returned to Paris with a reputation which was
anything but favourable.
Uniform or no uniform, however, gay at heart or secretly
mourning, Prince Napoleon contrived to do his duty at the
imperial wedding. He and his sister conducted Mme. and Mile,
de Montijo from the salon de Janiille to the salon d''honnetcr,
where the bridegroom, wearing the order of the Golden Fleece
and the collar of Chief of the Legion of Honour (which had
belonged to Napoleon I,), was awaiting them. Marshals,
admirals, ministers, officers of State and of the Household,
pressed around, and finally, a procession being formed in strict
accordance with the rules of precedence and etiquette prescribed
during the first Empire, the whole company betook itself to the
Hall of the Marshals.
Thither had been brought the old Register of the Imperial
House, preserved since the great Napoleon's downfall. The
last signed entry in it recorded the birth of the King of Rome.
Achille Fould, as Minister of State and the Household,
officiated. He went through the usual formalities, inquired of
the bride and bridegroom if they were willing to take each other
in marriage, and on receiving their assent, pronounced them
to be man and wife : " In the name of the Emperor, the Consti-
tution and the law, I declare that his Majesty Napoleon III.,
Emperor of the French by the Grace of God and the National
Will, and her Excellency Mademoiselle Eugenie de Montijo,
Countess de Teba, are united in marriage." Then the register
was signed, and the newly married pair and the w^hole company
passed into the palace theatre to hear a cantata, specially com-
posed by Auber, with verses by Mery, the Provencal writer,
who congratulated Spain on having formed the new Empress
out of one of its splendid sunrays.
After the concert the bride was re-escorted to the Elysee,
where early on the morrow she attended a low mass. But at
noon she returned to the Tuileries amid the roar of the guns
black. Perhaps, remembering the instance of Wellington and the decora-
tions at the Congress of Vienna, he imagined that somebody would repeat
Metternich's remark : Ma foi, c'est bien distingu6 1 If so, he was mistaken.
THE IMPERIAL MARRIAGE 67
of the Invalides. Her long-trained bridal gown was of rich
white silk, covered with exquisite Alengon. As she had legally
been Empress since the previous evening, the Crown jewels of
France had been placed at her disposal, and she thus wore
a houcle de ceinture simulating a sun, the historic Regent or
Pitt diamond * forming the planet, and three hundred other
brilliants figuring its rays or hanging as aiguillettes. Further,
a diadem of six hundred brilliants bedimmed the effulgence
of her hair, whence, from under a spray of orange-blossom,
fell a veil of Brussels point. A rope of pearls, her own pro-
perty, was wound four times around her fair young neck. And
to all the splendour of jewels and raiment was added the grace
of a born queen.
A decree constituting the new Empress''s Household had
been signed, and she was attended by her Great Mistress, the
Princess d'Essling, Duchess de Rivoli, of the Massena family,
her Lady of Honour the Duchess de Bassano, and her first
Chamberlain, Count Charles Tascher de La Pagerie. The
Great Master of her Household, the senior Count Tascher de
La Pagerie, nephew of the Empress Josephine, and her Equerry,
Baron de Pierres, were in attendance on the Countess de
Montijo. We lack the space to describe in detail the cortege
which proceeded by way of the Carrousel, the Place du Louvre,
and the Rue de Rivoli to Notre Dame. Fleury, whose
resplendent regiment of Guides figured conspicuously on the
occasion, had planned such a show as the Parisians had not
witnessed since the earlier years of the century. The Emperor
and Empress — he in full uniform and again wearing the collar
of the Legion of Honour and the Golden Fleece — ^went together
in a great coach, surmounted by an imperial crown and
elaborately gilded and adorned with paintings, which had been
built for the wedding of Napoleon I. and Marie Louise. But at
the outset a curious and ominous mishap occurred. The bridal
pair had taken their seats, and the vehicle was passing from
under the vaulted entrance of the Tuileries into the courtyard,
when the imperial crown suddenly fell from the coach to the
ground. The eight horses were at once halted, the crown was
picked up, and in some fashion or other set in place again,
* An incli and a half long, an inch wide ; weight 136 carats.
68 THE COURT OF THE TUILERIES
Meantime, as the Emperor, surprised at the delay, inquired the
cause of it, Fleury, approaching the coach, quietly informed him,
whereupon the Emperor replied that he would tell him an anec-
dote some other time. But the First Equerry knew it already.
A virtually identical accident had occurred with the same coach
and the same crown at the marriage of Napoleon I. and Marie
Louise. Infaustum omen !
It was not the only inauspicious augury that day. A
Spanish lady who witnessed the wedding expressed her amaze-
ment that the Empress, being a Spaniard, should have ventured
to wear a rope of pearls, for, according to an old Castillian
saying, "The pearls that women wear on their wedding-day
symbolize the tears they are fated to shed."
Fifteen thousand candles were burning in the fane of Notre
Dame de Paris, and the ancient edifice was crowded with digni-
taries, officials, diplomatic representatives and ladies, when
the procession arrived there. According to the poets, on the
coming of Helen to Troy, the inhabitants who flocked to con-
template her recoiled in amazement, wonderstruck, almost
frightened, by the sight of such incomparable beauty. In some-
what similar fashion, a great wave of emotion swayed the
spectators in Notre Dame when they saw the young Empress
enter. Slowly, to the strains of grave soft music, the bridal
pair stepped along the nave under a canopy of red velvet lined
with white silk. Holy water and incense were offered them,
and they took their places on a throne-like platform, whither
Archbishop Sibour of Paris * came to salute them. Then they
proceeded to the altar, and the ceremony began. The Bishop
of Nancy presented the offering of gold pieces, tendered the
wedding ring for the Archbishop's blessing, and with
the Bishop of Versailles held the canopy over the bridal pair,
who, at the conclusion of the marriage rites, returned to the
platform while mass was celebrated. The register was after-
wards signed, the witnesses to the Emperor's signature being
Prince Jerome and Prince Napoleon, and to the Empress's, the
Marquis de Valdegamas, Spanish ambassador, and several
* Four years later, Mgr. Sibour was stabbed to death in the church of St.
Etienne du Mont by a priest named Verger. We shall have occasion to
recount that crime.
THE IMPERIAL MARRIAGE 69
grandees. It was to the strains of Lesueur s Urhs heata that the
Emperor and Empress quitted the cathedral, and when they
appeared at the entrance deafening applause arose from the
waiting crowd. They returned by way of the quays to the
Tuileries Palace, where a State banquet, a concert, and many
presentations ensued. Finally, the newly wedded pair escaped
to the little chateau of Villeneuve FEtang, adjoining the park
of St. Cloud, and there, and in excursions to Versailles and
Trianon, they spent the first days of their union.
On the whole the marriage was certainly popular. The
Parisians, however lively they may be as a community, are but
poor applauders, as everybody knows. On that first day and
for some time afterwards, however, the Empress''s beauty
repeatedly stirred them from their wonted reserve. Said one
man of the people to another on the wedding day, as the cortege
passed : " Well, at all events, he [meaning the Emperor] has
good taste. He can tell a pretty woman when he sees one.""
" Sapristi, yes," the other replied ; " shouldn't I like to be in
ace
I"
his pi
Apart, however, from the bride''s attractiveness, a distinctly
favourable impression had been created by her refusal of a
diamond jparure which the Administrative Commission of
Paris * proposed to offer her at a cost of <£*2 4,000, which sum
she preferred to see devoted to some charitable work, and
notably, said she, to the establishment of a school where poor
girls might receive a professional education. Eventually the
money was used to found the Orphelinat Eugfene-Napole'on.
With respect to a sum of ^£'10,000 which the Emperor placed
in his bride's corheille de mariage, she divided it among various
hospitals for incurables and maternity societies. Apart from
those pecuniary matters, however, the marriage had a good
effect because the Emperor deigned to " pardon " 3000 persons
who had been arrested, transported or exiled for daring to
oppose or disapprove of his illegal Coup d'Etat. For that
offence 41,000 persons had been apprehended or prosecuted, and
* There was no real Municipal Council in those days. Paris was not
allowed to have elected representatives. It was ruled by a Prefect and a
Commission, which was appointed by Government and composed exclusively
of fervent Bonapartists, on whom the supremo authorities could rely.
70 THE COtTRT OF THE TUILERIES
29,000 of them convicted and sentenced by courts martial, or
ordinary courts, or arbitrary mixed commissions.* The figures
had been diminished by successive decrees of pardon, but at the
time of the imperial marriage there still remained some 6000
persons imprisoned at Lambessa, at Cayenne or in France, or
else exiled from the country. It was with satisfaction therefore
that people heard of the new decree which considerably reduced
the number of the Coup d"'Etat"'s victims.
It has been mentioned that a Household had been constituted
for the new Empress. The Princess d"'Essling, who was appointed
its Great Mistress with a salary of ^^1600 a year, was a daughter
of General Debelle. Short and slight of figure, with fair curly
hair, she nevertheless had a very dignified bearing, in fact she
was inclined to frigidity and curtness of manner. She did not
live at the Tuileries, but called there every day to take the
Empress"'s orders. She attended her, of course, at all state
ceremonies, banquets, and receptions, and was charged with the
presentation of ladies at Court. In her absence her duties were
undertaken by the Empress's Lady of Honour, a post held at
first by the Duchess de Bassano, nee Hoogworth, wife of the
Emperor's Great Chamberlain, and a lady who contrasted
strikingly with the Princess d'Essling, for, like a true Fleming,
she was tall and buxom, and possessed of a very amiable smile
and disposition. Even the most scurrilous of the scandal-
mongers of the Empire never assailed the Bassano menage.
Husband and wife were regarded as patterns for the whole
Court, and the Duke was grievously afflicted when Mme. de
Bassano died still young, leaving three children in his charge.
She was succeeded in her office by a beautiful Florentine,
Countess Walewska, who was very amiable, indeed (according
to Lord Malmesbury and others) too amiable — particularly
with the Emperor. Of no lady of the Court have the anec-
dotiers of the Empire related more amazing and, probably,
mendacious stories.
Besides the Great Mistress and the Lady of Honour there
were six so-called Ladies of the Palace (with salaries of ^£'480
a year) in attendance on the Empress. Among their duties
were those of accompanying her when she went out, and of
* Eeport discovered at the Tuileries after the fall of the Empire.
THE EMPRESSES HOUSEHOLD 71
introducing lady visitors into her presence. They did not reside
at the Tuileries, but attended in rotation week by week, there
being always one " Dame de grand service" and one "Dame de
petit service " on duty. Among the first appointed was the
Countess de Montebello, nee de Villeneuve-Bargemont and wife
of General de Montebello, sometime ambassador at the Papal
Court. A fervent catholic and a great friend of the Empress's
sister, the Duchess d'Albe, Mme. de Montebello was extremely
attractive and elegant ; but towards the end of the Empire she
fell into a decline, and passed away almost on the eve of the
Franco-German war. Next one may mention the Baroness de ^^
Pierres, wife of the Empress's first Equerry. She was of American
birth, her father, Mr. Thorne, having been one of the early
millionaires of the United States, one who had dazzled Paris
with his wealth during the reign of Louis Philippe. It was
through Mme. de Pierres that more than one American lady
obtained the entree to the Court of the Tuileries, for it must not
be forgotten that beauties and heiresses of the new world were
cordially welcomed there very many years before they succeeded
in invading the Court of St. James. The Baroness de Pierres
was a splendid horsewoman — in fact, one of the best riders in
France.
Another Lady of the Palace, the INlarchioness de Las Maris- ^.^
mas, was a famous Court beauty, with fair golden hair, a bright
dazzling complexion, and a most graceful figure. But she was
gradually borne down by successive misfortunes. First her
husband, a naturalized Frenchman of Spanish origin and ex-
tremely wealthy, lost his reason, whereupon she would not
suffer him to be removed to any asylum, but watched over him
until his death. A new life seemed to be opening for her when
by special dispensation she married her deceased husband's
brother. Viscount Onesime Aguado, but she lost in succession
her lovely daughter Carmen, Duchess de Montmorency, then
both her sons, and her second husband also. It is not sur-
prising that she should have ended her life in close and sorrowful
retirement. At one time, however, the Aguado mansion in the
Rue de TElysee witnessed some of the most splendid enter-
tainments given in Paris, while the Aguado equipages were
renowned.
72 THE COURT OF THE TUILERIES
Among the very first Ladies of the Palace who were appointed
was the Countess Feray, daughter of Marshal Bugeaud, who,
being extremely proud of her birth, found Court duties and
habits of deference irksome. She therefore soon withdrew from
the post. The Countess de Lezay-Marnesia, a very amiable
woman, who was another of the first ladies-in-waiting, also
resigned, but in consequence of failing health ; whereupon the
Empress selected as her successor the beautiful Madame Carette,
grand-daughter of Admiral Bouvet, and for some years her
Majesty's reader. Mme. Carette's husband was a prominent
landowner and agriculturist of northern France. Of recent
years she has penned various volumes of recollections, which we
have consulted and quoted from in this narrative.
The Marchioness de Latour-Maubourg, a granddaughter
of Marshal Mortier, was also a Lady of the Palace. She was
tall, good-tempered, and witty, had little taste for display, but
was extremely attached to her husband, a tall and handsome
man, who held office in the Imperial Hunt. A succession of
misfortunes, similar to those of the Aguados, fell upon the
family, and Mme. de Latour-Maubourg, the last survivor,
ended by seeking refuge in a convent. Among her colleagues
at Court were the two daughters of the Marquis de la Roche-
Lambert, sometime Ambassador at Berlin — first the Countess
de La Bedoyere, and secondly the Countess de La Poeze.* The
former, a radiant blonde with a fine figure, is often mentioned
by the anecdotiers of the time. Becoming a widow, she
married Edgar Ney, Prince de la Moskowa, but after her
second marriage she was always ailing, and died comparatively
young. Her sister, Mme. de La Poeze, was of slighter build
and less beauty, but she possessed a very lively wit.
The Baroness de Malaret, noted for her taste in dress, was
only for a short time in attendance on the Empress, having
followed her husband to Turin when he received a diplomatic
appointment there. Mme. de Sancy de Parabere, a daughter
of General Lefebvre-Desnouettes, and therefore a family con-
nection of the Bonapartes, appeared upon the scene in 1855,
when she was still very young. A woman of the highest
distinction, witty and high-minded, expert too in retaining
* See p. 355 for further references to these ladies.
THE EMPRESS'S HOUSEHOLD 73
her beauty in spite of the lapse of years, she became one of
the Empress's favourites. Her colleague, Mme. de Saulcy,
a daughter of Baron de Billing, was very charming, tall, slim
and graceful, with a gentle face. Her husband was a writer
of repute on the Holy Land and Jewish history. The Baroness
de Viry de Cohendier, a handsome young woman with large
dark eyes, for which Marshal Vaillant very bluntly expressed
his admiration,* only became a lady-in-waiting after the
annexation of Savoy, to which province she belonged. She
was, without reason, very jealous of her husband, a tall, pale,
frigid man, who was appointed an honorary chamberlain and
mooned about the palace, making friends with nobody.
The Countess de Lourmel, another Lady of the Palace, was, ^"^
says the Duke de Conegliano, plain, but very gay and amiable.
Perhaps so — with gentlemen. But Mme. Carette, while men-
tioning that the Countess was quite destitute of beauty, differs
from the Duke in other respects, for she rather spitefully
describes Mme. de Lourmel as vain and irritable, and en-
deavouring fruitlessly to become the Empress's favourite.
She was generally known as the "lady with the emeralds,"
owing to a wonderful parure which she was fond of wearing,
and which was supposed to be composed of false stones, as her
private circumstances were slender. She died towards the end
of the Empire after losing her reason. The Tuileries was an
unlucky palace, as we have said before.
There were two Maids of Honour in office. At first Mile.
Bouvet (Mme. Carette) and Mile, de Kloeckler, who were ,
succeeded by Mile. Marion (later Countess Clary) and Mile,
de Lermont. The post of reader to the Empress was occupied
at various periods by Mile. Bouvet, the Countess de Pons de
Wagner, a somewhat eccentric old lady,t and Mme. Lebreton
* According to Mme. Carette's " Souvenirs," he told the lady that she
reminded him of " Juno with the cow's eyes." If he had left out the last four
words the Baroness would have felt flattered, but she disliked the allusion to
a four-footed animal, particularly the one mentioned,
t Mme. Carette relates that Mme. de Wagner usually wore a plain dark
wig, but that on one occasion, when Hortense Schneider was turning every-
body's head in Paris with her golden tresses as la Belle H616ne, the old lady
arrived at the Tuileries wearing a new and curly wig of the fashionable aureate
hue. Mme. Carette rushed from the room laughing at the sight, and the
Empress, v<'ho met her and ascertained the cause, sent orders that Mme. da
74 THE COURT OF THE TUILERIES
(sister of General Bourbaki), the well-remembered and devoted
attendant who followed the Empress Eugenie into exile. The
Maids of Honour (and eventually the Empress's reader) lived
at the Tuileries, and one or other was on duty every morning,
and accompanied her Majesty on her private visits to hospitals
and charitable establishments. Much time was also given to
classifying and putting away the Empress's correspondence, the
greater part of which is still in existence, in her Majesty's
custody. It may be added that the reader never actually read
to the Empress — who preferred to do her reading herself,
perusing several newspapers regularly — but she penned many
letters such as the Empress did not care to have written by her
" Secretaire des Commandements."
It was a rule that the Court ladies should wear low-necked
dresses every evening, but that their toilettes should be simple
and their jewels few, unless there happened to be some grand
entertainment. The rank of the Great Mistress of the House-
hold was indicated by a superb medallion which she wore on
her breast, and which had a portrait of the Emperor on one
side and of the Empress on the other. After the birth of the
Imperial Prince the "Governess of the Children of France"
displayed a similar medallion. The Ladies of the Palace, for
their part, wore, on the left side of their bodices, a jewel
bearing the Empress's initial in diamonds set in blue enamel.
All the insignia mentioned were surmounted by the imperial
crown in brilliants, and hung from ribands striped blue and
white.
The men of the Empress's Household were first Count
Tascher de la Pagerie, the Great Master, and his son, Count
Charles, the First Chamberlain. They received dS'lGOO and
=£•1200 a year respectively. The former, born at Martinique
in 1787, had fought at the battle of Eylau and in Portugal
under Junot. He had subsequently attached himself to the
fortunes of Eugene de Beauharnais, and followed him to
Bavaria. He returned to France in 1852 at the request of
Wagner was to take of£ her golden wig at once and never come to the palace
in it again. M. de Piennes, one of the chamberlains, persuaded the astonished
. old lady (who had expected to be much admired) to take the wig back to
the coiffeur of whom she had purchased it.
THE EMPRESSES HOUSEHOLD 75
Napoleon HI., who thereupon made him a senator. He had
spent so many years in Bavaria, however, that he had become
more a German than a Frenchman. His duties as Great
Master were few and light, but being very gouty he left them
almost invariably to Count Charles, who was still more of a
German, having been born in Bavaria in 1822. Very ill
favoured as regards his looks, and fond of grimacing, he had,
as the Duke de Conegliano rightly says, no taste at all, as was
shown when he arrayed the male members of the House-
hold in vivid Bavarian blue. He was very intimate with all
the secretaries and attaches of the various German embassies
in Paris, and entertained them freely at his residence. His
sister. Countess Stephanie Tascher de la Pagerie, a Canoness in
Bavaria, was far more tasteful and much brighter. She held
no Court office, merely residing with her father at the Tuileries,
but she organized several of the most successful entertainments
given at the palace, and has written an interesting account of
her life there.*
The chamberlains of the Empress, each in receipt of ,£'480
a year, were Count de liezay-Marnesia, husband of the lady
we previously mentioned and a connection of the Bonaparte
family, the Marquis de Piennes and Count Artus de Cosse-
Brissac. The Marquis d'Havrincourt also served for a short
time. The three others Avere all of artistic tastes. The first
painted in oils, the second was a sculptor, the third a good
draughtsman. M. de Marnesia, who was tall, fair, and very
good-looking, succeeded Count Charles Tascher as First
Chamberlain in 1869. He was fond of dabbling in politics,
like his colleague M. de Piennes, who married the daughter
of Marshal MacMahon. Count Artus de Cosse-Brissac be-
longed to a famous house with which Court functions were
hereditary under the old French monarchy ; for in addition
to the four of its members who became Marshals of France,
one was Great Almoner, four were Great Falconers, while no
fewer than ten successively became Great or First Pantlers to
the King — the last only giving up his office in 1789. Count
Artus, the Empress"'s chamberlain, was a man of lively and.
* Botli the Counts Tascher de la Pagerie died at the Tuileries, the elder iu
1861, the younger in 1869.
76 THE COURT OF THE TUILERIES
open disposition. His wife was nee La Mothe-Houdancourt,
another famous name in the days of the old regivie.
It is said that when the selection of a Secretaire des
Commandements to the Empress was mooted, she suggested
Merimee for the post, and that Napoleon IH. was unwilling
to appoint the author of " Carmen " and " Colomba." The
story runs that the suggestion really emanated from Madame
de Montijo, with whom Merimee's name was often associated
in a very invidious manner. In any case the appointment was
not made, the post being given to a certain M. Damas-Hinard,
a little, bald-headed, smiling old man, who was always faultlessly
arrayed in a glossy dress-coat and a white cravat, while that
of librarian went to a M. de St. Albin, who delighted in very
ancient hats and well-worn clothes, so creased and untidy, that
it seemed as if he slept in them.
The Empress"'s chief maid was Mme. Pollet, her assistants
including the Demoiselles Bayle, daughters of the Emperor''s
jailer during his imprisonment at Ham. Something will have
to be said of Mme. Pollet when describing the routine of the
Empress's daily life. It is now best to pass to some of the chief
incidents which marked the Court's earlier years.
CHAPTER IV
QUEEN VICTORIA IN PARIS — BIRTH OF THE IMPERIAL
PRINCE
The Corps L^gislatif and its Dancing Bears — The Crimean War and the
" Entente Cordiale " with Great Britain — The Prince Consort at Boulogne
— The first Paris International Exhibition — The Emperor and Empress
visit Queen Victoria — The Despair of the Empress's Hairdresser — The
first Lord Mayor seen by the Parisians — Queen Victoria's State Visit to
France — The Emperor's narrow Escape from Death— The Queen's Eecep-
tion in Paris — The Visit to the First Napoleon's Tomb — Queen Victoria
and the Battle of Fontenoy — The Great Fete at Versailles — The Queen's
Departure — ^Victor Emmanuel in Paris — Chevalier Nigra — The Birth of
the Imperial Prince — Mishaps of the Empress Eugenie — The Layette and
the Cradles — The Pope's quandary about baby-linen — The Governesses
and Nurses — Twenty Hours of Suspense — The Guns of the Invalides —
Appearance of the Imperial Prince — Th^ophile Gautier and Camille
Doucet celebrate his birth — Civil List Benefactions — The Private and the
Public Baptism — The Empress and the Golden Rose.
HowEVEU great were the gaieties of the Second Empire, there
was always a little rift in the lute even amid festivities which
seemed the most likely to prove harmonious. Not long after
the imperial marriage the deputies of the Corps Legislatif gave
a ball in honour of the Empress. The hall of the Palais
Bourbon where they met was transformed for the occasion into
a magnificent dancing saloon, and both as an entertaining
spectacle for those who did not dance and as a source of per-
sonal physical enjoyment for those who did, the fete was a
brilliant success. Rabelais' " uncomfortable quarter of an hour "
ensued, however. It had been arranged that the entertain-
ment should be a subscription affair, each deputy paying his
quota of the expenses. The total outlay being about 6^4,800,
it followed that the deputies were called upon to pay some six-
teen guineas apiece. At that time they were being remunerated
78 THE COURT OF THE TUILERIES
at the rate of dS'lOO a month for as long a period as any session
lasted ; nevertheless a good many of them made somewhat
wry faces when their dancing bill was presented. Ultimately,
with but one exception, they all "paid up" — the exception
being the famous Catholic politician the Count de Montalem-
bert, who, having refused to attend the entertainment on the
ground that it was quite indecent for deputies to disport
themselves on the light fantastic toe, also refused to pay any
subscription. At the same time, not wishing to appear
niggardly, he decided to send sixteen guineas to the mayor
of Besanpon (which town he represented in the Chamber),
requesting him to add the amount to some apprenticeship fund
which had been recently established there. The mayor, how-
ever, dreadfully shocked at the idea of dealing in that fashion
with money which, said he, ought to have been employed in
ministering to the pleasures of the Empress, immediately sent
it back to M. de Montalembert, who had to expend it in
private charity. Such was the press regime of those times that
the newspapers scarcely dared to comment on the affair either
one way or the other ; still one of them ventured to remark :
" It used to be said that the National Assembly of the defunct
Republic was like a bear-garden, and indeed we remember many
occasions when the representatives of the people were within an
ace of clutching and clawing one another. We have progressed
since then, as everybody is aware. And frankly, for our part,
we infinitely prefer to see our bears tamed and dancing." That
season, in those circles of Parisian society which were inimical
to the Empire, the deputies of the Legislative Body were freely
called " the dancing bears."
In September that year (1853) the Emperor and Empress
went on a tour through parts of Normandy and northern
France. They next betook themselves to Compi^gne and
Fontainebleau, where for a while no little gaiety prevailed.
But clouds were gathering, and early in the following year
the Crimean War began. The French Republicans were not
displeased to see the Empire (which was to have been Peace)
already embroiled with a foreign power, for they anticipated
complications that would give them an opportunity to over-
throw the regime. Victor Hugo, " perched on the rock of
QUEEN VICTORIA IN PARIS 79
Jersey," expressed himself in that sense in some grandiloquent
apocalyptical verses ; while others declared that the Empire was
evidently in sore straits, as it recognized that it must speedily
collapse unless it could secure a baptism of glory.
No matter what may have been said, however, by the
" irreconcilables " of that time, or by Frenchmen generally in
these later years of the more or less stable Russian alliance, it
is certain that the Crimean War was popular with the great
mass of the nation. Moreover, the rapprocheinent with England
which had been going on ever since the Coup d'Etat (in spite of
the outspokenness of the English press with respect to the
Emperor and many of those around him), was gradually meeting
with greater and greater favour. Several little incidents
contributed to that result. The British Government had pre-
sented the will of Napoleon I. to the new Emperor ; cordial
speeches had been exchanged on the occasion of the visit of
some of the chief London merchants to Paris ; a project for the
piercing of a Panama canal with British capital and French
support had been mooted with some success; and pleasant
courtesies had attended the reception of the English colony at
Boulogne during an imperial visit to that town.
Various matters of that kind, coupled with the agreement
of the French and English Governments on the Russo-Turkish
question, helped to draw the two nations together. There
was, of course, no unanimous approval of the rapprochement.
Unanimity was impossible. There were still, on both sides, too
many people alive who retained a vivid memory of Waterloo,
which was then only thirty-nine years old. Besides, French-
men barely of middle age readily recalled all the trouble over
Mehemet Ali, the Spanish marriages, the Pritchard affair and
other matters, which had repeatedly endangered the enteiite
cordidle of the two countries during the reign of Louis Philippe.*
But Waterloo alone was a terrible memory, such as it is hardly
possible for people of the present generation to conceive ; and,
curiously enough, while on the one hand the Second Empire
* According to Littre, the expression entente cordiale, as applied to the
relations of France and Great Britain, was first employed in 1840, in an
Address of the French Chamber of Deputies to the Crown. We believe, how-
ever, that it originated a few years previously.
80 THE COURT OF THE TUILERIES
sought to obliterate it, on the other it lent it continuity of life
by its repeatedly declared ambition to " tear up the treaties of
1815." We now live at a much faster pace than we did then.
Never was the saying " here to-day and gone to-morrow " more
appropriate than it is at present. Yet there are things which
remain unforgotten even amid the helter-skelter of these quick-
change days. In Finance the memory of Sedan abides even as
did the memory of Waterloo, and who can tell when it will pass
away ? Not, perhaps, for many years. Little interest may now
attach to the Crimean War, but it is a question whether Lord
Salisbury's dictum, about putting " money on the wrong horse,"
ought not to be qualified. In any case, that war was not
without its happy consequences, for it did more than anything
else to bring Frenchmen and Englishmen together. There was
trouble again between them not long afterwards, but only
passing trouble. The sting of Waterloo was virtually healed
by Alma and Inkermann.
In the autumn of 1854 the Emperor was at Boulogne inspect-
ing and reviewing the forces there. In one of his addresses to
the troops at that time he remarked, sagely enough : " Any
army whose different parts cannot be united in four and twenty
hours is an army badly distributed." The aphorism was based
on the dicta of the first Napoleon, and it was a pity for France
that the third one did not remember it sixteen years afterwards.
While he was at Boulogne he received a visit from the Prince
Consort, in whose honour various manoeuvres took place. A
little later the Empress arrived from Biarritz, and accompany-
ing Napoleon on horseback, participated in the reviewing of the
troops. Then came a brief period of rejoicing, for the victory
of the Alma tended to the belief that the war would be short.
But St. Arnaud died, the Russians retired on Sebastopol, and
in spite of Inkermann all hope of a speedy peace departed.
Thus there were no fetes at Compiegne or Fontainebleau that
autumn ; the Court was almost in mourning.
In the spring of 1855 public attention was in a measure
diverted from the Crimea by the first of the Paris international
exhibitions, for which a company erected, at a cost of half a
million sterling, the huge building, some 900 feet in length,
known as the Palais de Tlndustrie and for many years a
QUEEN VICTORIA IN PARIS 81
conspicuous feature of the Champs Elysees.* A raohT;h before
the inauguration of this world-show (in which Russia, naturally,
did not participate) the Emperor and Empress went to England
on a visit to Queen Victoria. This was quite an event. In
attendance on Napoleon were Marshal Vaillant, the Duke de
Bassano, General de Montebello, Edgar Ney, Count Fleury,
and M. de Toulongeon, while the Empress's retinue included
the Princess d'Essling, the Countess de Montebello, the Baroness
de Malaret, and Count Charles Tascher de la Pagerie. Fleury,
who made all the arrangements for the journey, blundered
badly by dividing the retinue into various sections, for, as the
yachts in which the imperial party crossed the Channel became
separated, the Emperor and Empress had already reached
London when some of their attendants were barely landing
at Dover. A special train conveyed the belated ones at full
speed to the metropolis, though not in time to overtake the
others, who had already left for W^indsor.
As Fleury was getting into the court-landau which was
to carry him to Paddington he was accosted by an individual
with a greenish hue and woebegone expression of countenance
whom he did not recognize, but who earnestly entreated
permission to get up behind with the footmen. "But who
may you be ? " Fleury somewhat sharply inquired. " I am
Felix, her Majesty the Empress's hairdresser," was the reply,
" and I am in despair at being left behind ! What her
Majesty will do without me I cannot tell, but I feel like
cutting my throat ! " The position was indeed serious : the
Empress already at Windsor and no coiffeur to dress her hair
for dinner ! What a disaster ! " Quick, then, get up behind,"
said Fleury, and away the party went. When they arrived at
Windsor Fleury hastened to inform the Empress of the incident.
" Tell Felix not to distress himself," said she, laughing ; " he
must on no account commit suicide. We want no aifaire
Vatel here.t My maids have done their best for me in his
absence."
* Other buildings, costing another quarter of a million sterling, were also
erected. The enterprise, though successful in many ways, resulted in a heavy
deficit for the company, which was only extricated from its difficulties by the
purchase of the Palais de I'lndustrie by the State.
t The reader will remember that Vatel, the Prince de Conde''s cook, spitted
G
82 THE COURT OF THE TUILERIES
At this time Napoleon appears to have created a favourable
impression on Queen Victoria, and she was especially pleased
with the Empress, whose manner was " the most perfect thing "
she had ever seen, "so gentle and graceful . . . the courtesy
so charming, and so modest and retiring withal." The stay at
Windsor was marked by a review of troops under Lord
Cardigan of Balaclava fame, and by a council of war which pro-
nounced unanimously against a project then entertained by the
Emperor of proceeding in person to the Crimea, in order to
hasten the military operations. For the time he was unwilling
to relinquish that scheme, though he ultimately abandoned it,
as we shall see. During his sojourn at Windsor he was installed
with all pomp and ceremony as a Knight of the Garter, a
distinction which, as a parvenu Emperor, he rightly prized.
The French Moniteur, when publishing a grandiloquent
account of the proceedings, laid particular emphasis on the fact
that Queen Victoria had distinguished his Majesty by giving
him the accolade on either cheek, instead of merely tendering
him her hand as was her custom when other Knights of the
Garter were installed. Later, upon the Emperor and Empress
going to London, they were banqueted by the Corporation of
the City, when the most cordial speeches were exchanged in
celebration of the Franco-British alliance. All this had effect
on public opinion, not only in England and France, but also on
the continent generally. The authority of Napoleon III. as a
sovereign was enhanced, consolidated, both amang his own
people and in foreign states — such was the benefit reaped by
those who secured the favour of Great Britain, such her prestige
under Palmerston.
Bat there was more to come. After the opening of the Paris
Exhibition on the return of the imperial party to France, the
Lord Mayor of London and numerous members of the corporation
went in state to the French capital, where their visit awakened
great interest and curiosity. The Lord Mayor of that time.
Sir Francis Graham Moon — the famous fine-art publisher who
did so much to popularize Wilkie, Eastlake, Landseer, Roberts,
Stanfield, Cattermole, and others — had often been in France
himself with, his sword because the fish was late in arriving on the occasion of
Louis XIV.'s famous visit to Ohantilly.
QUEEN VICTORIA IN PARIS 83
previously as a private individual, but this was the first time
that the Parisians were privileged to gaze upon a " Lor' Maire ''
arrayed in all his pomp and glory, with his chain of office
hanging from his shoulders, and his attendant mace-bearer,
sword-bearer and trumpeters, besides all such satellites as
sheriffs, aldermen, and common councillors robed in scarlet or
mazarine. Frenchmen knew very little about the Corporation
of London, but their novelists had taught them to regard it as
a wonderful, mysterious survival of the middle ages, and Milor'
Maire's authority in England was supposed to be second only
to that of the Queen herself. Sir Francis Moon and his family
were sumptuously lodged at the H6tel de Ville, the other
visitors were suitably provided for, and receptions, balls, and
banquets, in which the Imperial Court as well as the Parisian
municipality participated, became the order of the day.
If that were the first time that Paris had ever gazed upon a
Lord Mayor, some four and a half centuries had elapsed since
a reigning sovereign of England had set foot within the city's
walls. Since the departure of the infant Henry VL, crowned
at Notre Dame, only two exiled English sovereigns — Charles II.
before the Restoration and James II. after the Glorious Revo-
lution— had been seen in the French capital. Now, however,
Queen Victoria, still further cementing the alliance of the two
countries, came to visit Paris and the Exhibition. Accompanied
by the Prince Consort, the Princess Royal and the Prince of
Wales (now, of course, Edward VII.), she crossed the Channel
from Osborne to Boulogne, where she was received by Napoleon
III., who had resolved to escort her to his capital.
On the morning of August 18, before the royal yacht and
the attendant British squadron were sighted from the port, the
Emperor, accompanied by Marshal Baraguay d'Hilliers, rode
to the heights to ascertain if from that point of vantage
anything could be discerned of his visitors' approach. Halting
his horse at a short distance from the overhanging cliff, he let
the reins hang on the animal's neck, while, with both hands, he
raised a pair of field glasses to his eyes. All at once, the horse,
startled perhaps by some action on the part of a few men who
were digging a trench near by, bounded forward, the Emperor's
hat flew off, and he precipitately dropped his glasses in order to
84 THE COURT OF THE TUILERIES
seize the reins and check the impetuous animal. He was an
expert equestrian — indeed, little as he might look it, he had
been quite a dare-devil rider in his younger days, as Lord
Malmesbury and others who then knew him have testified — still
his danger was real, and it was only with the very greatest
difficulty and by the combined force of skill and muscles that
he was able to pull his horse back upon its haunches when it
was within but a foot or two of the depths yawning beyond
the cliff. In after years Napoleon referred more than once to
that incident. He had never feared, said he, the bombs or
bullets of would-be assassins, but, for just one second, on the
cliff of Boulogne, he had felt that he could see death staring
him in the face.*
That same afternoon at two o'clock the Queen landed at
Boulogne, and shortly before seven she made her entry into Paris.
For several days people had been flocking into the city ; £12
was the lowest price for a window overlooking the Boulevards,
and the footways were packed for miles with enthusiastic sight-
seers. The decorations inside and around the railway station,
the triumphal arches on the Boulevards, were such as only
Parisian taste can devise. It is unnecessary to dwell on the
undoubted warmth of the reception given to the Queen as she
drove by in an open carriage drawn by four horses — the
Princess Royal sitting by her side, and the Prince Consort and
the Emperor sharing the front seat. Cannon boomed, flags
fluttered, bands played the National Anthem, soldiers presented
arms, and ladies waved their handkerchiefs, while Paris cheered
as, within the memory of its oldest inhabitant, it had never
cheered before. Night was setting in when the procession
* It is unprofitable to speculate on the " ifs " of history, but it may be
pointed out that a curious situation would have arisen had the Emperor met
with a fatal accident on the occasion referred to. The Empress was then
enceinte, but as yet the Constitution contained no provision respecting a
Eegency. Such provision was only made in 1856 (Senatus-consultum of
July 17). As matters stood in 1855, it seems as if the Ministers in office
would have had to form themselves into a " Government Council," which
would have exercised Regency powers — perhaps until the Imperial Prince
attained his majority. Even the Senatus-consultum of 1856 left several
points in uncertainty, to dispel which the Emperor, on February 1, 1858,
expressly issued Letters Patent designating the Empress Eugenie as Regent
in the event of his death. — " Organisation politique de I'Empire Fran9ais."
Paris, 1867.
QUEEN VICTORIA IN PARIS 85
reached the Bois de Boulogne, but the troopers of the escort
had been provided with torches, which they lighted and carried
aloft as they rode before, beside, and after the carriages through
the broad avenues going towards St. Cloud.
It was there that the royal party was to stay, there that
the Empress, then in an interesting state of health, was waiting.
Beautiful rooms had been assigned to the Queen, and every
possible provision made for her comfort, one of the State
upholsterers having proceeded some time previously to Windsor
in order that the appointments of the royal bed-chamber might
include everything to which the Queen was accustomed. In
fact, the Emperor carried his solicitude so far as to order
careful replicas of her favourite reading-chair and table — the
sight of these replicas on her arrival at St. Cloud fiUing her
with astonishment. General de Montebello, the Marquis de La
Grange, Count Fleury, Mme. de Saulcy, and the Countess de
La Bedoyere were attached to the Queen's person during her
stay, which was spent in a round of sight-seeing, receptions
and entertainments. Wherever she appeared, at the Exhibition,
in the streets of Paris, or in the grounds of Versailles, she was
received with the warmest acclamations, but, as usual, there
was a little rift in the lute.
It became known at the Tuileries that the Queen wished to
visit the tomb of Napoleon I. at the Invalides, of which old
Prince Jerome was Governor. At that time he was staying at
Havre, and when the Emperor requested him to return to
Paris, in order that he might do the honours of the Invalides
to the Queen, he feigned illness to avoid obeying the command.
Unfortunately, he could not control his tongue, and the truth
leaked out. " He had fought at Waterloo," said he, " and he
was not going to exhibit his brother's tomb to the descendants
of those who had sent the great man to perish on the rock of
St. Helena. He had no fancy for crocodile's tears, such as
those English royalties would doubtless shed." Meantime, the
Emperor had suggested to Marshal Vaillant that he, in default
of Prince Jerome, should receive the Queen at the Invalides ; but
that old soldier of the first Empire, though frequently in contact
with the royal visitors, was apparently influenced by feelings
akin to Jerome's. At all events, he eluded the duty by pleading
86 THE COURT OF THE TUILERIES
that it was surely one which a Prince of the Imperial House
ought to discharge. Eventually, the visit was made in privacy,
and just before the Queen's departure. Prince Jerome, alarmed
by threats of the Emperor's displeasure, came from Havre to
St. Cloud to pay her his respects.
Apropos of those incidents, mentioned here because they
illustrate previous remarks on the memory of ^Vaterloo, it may
be added that on one occasion, when the Queen was confronted
by the souvenir of former hostilities between the two nations,
she met the difficulty in a happy manner. It was in the Galerie
des Batailles at the Palace of Versailles. "And what is that
engagement ? " she inquired, as she passed along, indicating a
painting in which an army was shown retreating in disorder,
hard-pressed by a victorious foe. Napoleon III. was momen-
tarily embarrassed. He replied, however, " It is the battle of
Fontenoy. Your Majesty must overlook it — such subjects are
scarce with us." " I wish," the Queen retorted, " that for the
sake of both our countries all such warlike subjects were scarcer
still."
The three principal entertainments which marked the royal
visit were a gala performance at the Paris Opera-house, a ball
at the Hotel de Ville, and another at Versailles. The scene on
the last occasion was magical. For a few hours the great
deserted palace became as animated, as crowded, as full of state
and splendour as in the palmiest days of Louis XIV. There
were flowers everywhere, banks of flowers lining every staircase,
festoons of flowers hanging around every room. The great
Galerie des Glaces — where flfteen years later the victorious
King of Prussia was to be hailed as German Emperor^ — pre-
sented, amid the blaze of thousands of wax candles, as brilliant
a scene as Cochin depicted in that engraving which is his
masterpiece. True, no cardplay was in progress, there was
no Louis Quinze turning up the ace of hearts, no Madame de
Pompadour beside him, no bewigged courtiers standing around,
with their hands thrust in their muffs. But the ladies in their
crinolines recalled the old-time ladies in their lace-flounced
hoops, particularly as, that year, 1855, white silk and satin
covered with the costliest Chantilly were the grande mode for
evening wear. And at Versailles the Queen, the Empress, and
QUEEN VICTORIA IN PARIS 87
all the other ladies displayed as many diamonds as ever flashed
upon any great gala gathering of the old regime. The Queen
danced, as she had done at the Hotel de Ville, opening the ball
with the Emperor, while the Prince Consort and the Princess
Mathilde were their vis-d-vis. The Empress, however, was not
allowed to disport herself in that fashion. She had contrived
to attend the fete in defiance of her physicians, but they asserted
their authority when the question of dancing was mooted.
After all, the ball was only one part of the entertainment, for
the gardens of Versailles, like the palace itself, were wonderfully
illuminated. The fountains seemed to be throwing myriads of
rubies, topazes, emeralds, and sapphires into the air, and the
basins, across which glided the gondolas of fairyland, coruscated
like rippling, seething masses of molten gems.*
During her stay in France, Queen Victoria was at the
Tuileries on various occasions. She lunched there one day, and
afterwards called there to take formal leave of the Empress and
the French Court. Her departure was an imposing ceremony.
On quitting the palace, although she was simply attired in a
plain grey silk travelling costume, she entered the great state
coach, all gilding and carving, which had done duty on the
occasion of the imperial wedding. This time, fortunately, the
crown on the summit did not fall off. At measured pace went
the huge vehicle, drawn by eight splendid horses, richly capari-
soned, and bestridden or attended by postilions and grooms in
gala liveries. Other superb equipages followed, and there was
a dazzling escort of Carabineers and Guides and Hussars com-
manded by Marshals and Generals arrayed in full uniform, and
mounted on milk-white chargers, all going in pompous procession
towards the railway station, amid plaudits every whit as
enthusiastic as those which had greeted the Queen's arrival
The Emperor and Prince Napoleon accompanied the royal
visitors to Boulogne, where 50,000 troops were reviewed before
the farewell dinner at the imperial pavilion. At last, at
eleven o'clock that night, the Queen, amid the crash of artillery,
* There was also a great display of fireworks, the principal set-piece of
which was a representation of Windsor Castle, with the royal standard waving
over it, and the legend, "God save the Queen." The Imperial Civil List
spent £20,000 on this one f6te at Versailles.
88 THI^ COURT OF THE TUILERIES
went on board the Victoria and Albert, and the memorable visit
was at an end.
There were again gay doings in Paris a few weeks later,
the news of the fall of Sebastopol being received with popular
rejoicings and a solemn " Te Deum " at Notre Dame. Another
great pageant ensued in November, when the Emperor distributed
the awards to the prize-winners of the Exhibition. About
this time the Duke and Duchess of Brabant (the former now
King of the Belgians) came on a visit to the Tuileries, and
were followed by Victor Emmanuel of Sardinia, attended by his
astute minister Cavour. The Italian party afterwards crossed
over to England, but when Cavour was returning to Turin he
left his young secretary. Chevalier Nigra, behind him in Paris
to act as Sardinian Minister there. Possessed of several artistic
gifts, and somewhat of a Bohemian in his ways. Chevalier Nigra
Avas nevertheless a diplomatist of great talent — one who as
Cavour's alter ego at the side of Napoleon III. contributed in
no small degree to the Liberation of Italy. A conspicuous
figure at the Court of the Tuileries, he contrived to secure the
favour of the Empress Eugenie, although he was the unflagging
supporter of political interests which were absolutely opposed
to those she had at heart. Many a secret battle was waged
between them over the Italian question in its relations to the
independence of the Pope, yet Nigra with his bright smile, his
clean-cut face, his triumphant moustache, and his soft voice, was
ever persona gratissima in the petits appartements when the
Empress gathered her more particular friends around her. At
the supreme hour of her distress in 1870 he, like Prince Richard
Metternich, the Austrian ambassador, hastened to her help.
It was they who escorted her out of the Tuileries to the vehicle
in which she, drove to Dr. Evans's, an Empress no longer but a
fugitive.
Victor Emmanuel had an enthusiastic reception in Paris, less
(at that period) on account of French sympathy with the cause
of Italian independence than on account of the participation of
the Sardinian contingent in the Crimean campaign. A little
later (in December, 1856) the Parisians celebrated the return
of the Imperial Guard from the war. Then, early in the new
year, while the Peace Conference assembled at the Quai d'Orsay,
BIRTH OF THE IMPERIAL PRINCE 89
public attention was turned to the Empress, who was known
to have been enceinte since the previous summer. There had
been reason for her to expect the birth of a child twice previously,
but a mishap had occurred on each occasion. As early as
April 30, 1853,* the Moniteur — the official journal of the
Empire — published the following announcement : " Her Majesty
the Empress, who had been enceinte for two months past and
who during the last few days had been feeling somewhat in-
disposed, had a miscarriage yesterday evening, April 29. Her
Majesty's state of health is as satisfactory as is possible under
the circumstances." This announcement took everybody by
surprise, for no official notification of the Empress's condition
had ever been issued, and Viel Castel, in his " Memoirs," very
properly trounces the Court functionaries for publishing the
mishap to the world in the way they did. We believe that on
the second occasion there was no official announcement at all,
either one way or the other, though of course the truth leaked
out and became known to a considerable number of people.
Those two mishaps, it should be mentioned, had awakened the
kindly interest of Queen Victoria, who when the Emperor and
Empress visited Windsor insisted that the latter should consult
Sir Charles Locock, one of the royal physicians. Further, if we
remember rightly, the Queen sent the Marchioness of Ely to
France to be in attendance on the Empress when, early in
1856, she again expected the birth of a child.
Throughout the first fortnight in March Paris did not cease
wondering whether the Emperor would be presented with a son
or a daughter. The birth of a girl would make no difference
in the appointed order of succession to the throne, for the
Second Empire had retained the Salic Law which adjudges
women to be unworthy of the crown. Thus, if a Princess should
be born, the Jerome branch of the Bonapartes would retain the
right of succession, and such was its unpopularity that every-
body hoped the expected babe would be a boy. Meantime all
needful preparations were made for the auspicious event. Day
after day the Rue Vivienne was blocked with the carriages of
ladies anxious to view the costly layette, which had been ordered
* The marriage, it will be remembered, had taken place on January 29-30
that year.
90 THE COURT OF THE TUILERIES
of the renowned Mme. Felicie, and which included everything
that a child, boy or gh'l, could possibly require until it was two
years old. There was also an ormolu bassinet costing .£'1000,
with hangings of blue silk and Mechlin lace, sheets edged with
Valenciennes, and a white satin coverlet embroidered with the
imperial crown and eagle in gold — these representing another
£1600. The state cradle was, however, a far more expensive
affair, being a marvel of the goldsmith's art executed by Froment
Meurice at the expense of the city of Paris, in whose name it
was presented to the Empress. A ship, it will be remembered,
appears on the city's escutcheon, and this cradle took the form
of a vessel, at whose poop stood a silver figure of Paris robed in
gold and raising an imperial crown of the same precious metal,
whence fell the cradle's curtains. Beneath the figure of Paris
were two sea-deities glancing in a kindly protecting way towards
the interior of the cradle, while lower still, at each corner of
the hull, appeared mermaids with tails entwined. Right at the
stern a shield of gold was emblazoned Avith the arms of Paris,
around which went a scroll with the city's motto, Fluctuat nee
mergitiir. Tlie ship's prow was supported by a golden eagle
with open wings, and on either side of the rosewood hull, inlaid
with silver, were medallions of blue enamel figuring Prudence,
Strength, Vigilance, and Justice. The interior was lined with
pale blue satin ; and the most beautiful lace formed or adorned
the curtains, coverlet and pillow.
Prior to the Empress's accouchement the widow of Admiral
Bruat, the gallant officer who had commanded the French fleet
in the Black Sea, was named " Governess of the Children of
France," the widows of General Bizot and Colonel de Brancion
— both killed before Sebastopol — becoming " Under Governesses."
Further, from among a large number of candidates from all
parts of France the Court physicians carefully selected as wet-
nurse a bright, comely, intelligent peasant woman of Macon,
who, pending the Empress's delivery, continued suckling her own
child, a boy about two months old. The Emperor, however, as
will be remembered, had long lived in England, and had there
formed a very favourable opinion of the manner in which English
children were reared, so he decided that an English woman should
be chief nurse, and engaged a lady, named Shaw, for the post.
BIRTH OF THE IMPERIAL PRINCE 91
So general was the anticipation that the expected child
would be a boy that thousands of people signed a petition
praying the Emperor to bestow the title of " King of Algeria "
on the infant, in imitation, of course, of that of "King of
Rome " given to the son of Napoleon I. The latter title would
naturally have been out of place in the case of the third
Napoleon's heir — the more so as it had been arranged that
Pope Pius IX. was to be godfather of the expected babe. An
amusing story was circulated respecting that sponsorship.
Although, as we have already mentioned, a very sumptuous
layette had been ordered in Paris, his Holiness thought it his
duty also to provide one ; but when the question of the articles
which it ought to include and their cost was mooted at the
Vatican, neither the Pope nor any of the Cardinals who were
called into council was able to give an opinion. Had they been
married men they would soon have been extricated from the
difficulty by their wives, but they had none, and when it was
suggested that a certain Monsignore should make inquiries at a
Roman baby-linen warehouse, the poor man nearly succumbed
to an attack of apoplexy in his alarm as to what might be
thought of him if he were to carry the suggestion into effect.
Eventually one of their Eminences remembered that he had a
married sister, whose services were duly requisitioned.
On the morning of Saturday, March 15, 1856, it was
believed that the birth would take place before the day had
elapsed. The Princess d'Essling, as Great Mistress of the
Empress's Household, at once sent word to the Princes of
the Imperial Family, who betook themselves in all haste to
the Tuileries. The news sped through Paris like lightning,
and while crowds of people assembled on the Place du
Carrousel, in the Tuileries garden, and in the Rue de Rivoli,
preparations for illuminating the city in the evening were
hurried forward in every direction, and all day long the old
artillerymen of the Invalides stood to their guns, with matches
in readiness to fire the salute directly the signal flame should
go up from the Tuileries. None was seen, though hour after
hour went by. The whole day passed, the Emperor, the
Countess de Montijo, the Princess d'Essling, the doctors and
the nurses staying with the Empress all the time, while the
92 THE COURT OF THE TUILERIES
Princes of the Bonaparte family, the great dignitaries of the
Empire, the aides-de-camp and other officers remained in
adjacent rooms, installed there virtually en permanence, and
scarcely venturing to absent themselves for a few minutes
to snatch a bite of food. The evening fell, then night, and
still everybody was waiting. Special services were held in the
churches, special prayers were offered up on the Empress's
behalf. At last, about half-past two o'clock on the morning
of the 16th (Palm Sunday), the decisive moment seemed to be
near, and, in accordance with the prescribed ceremonial, the
Minister of State and the Keeper of the Seals, with Prince
Napoleon, Prince Charles Bonaparte,* and Prince Lucien Murat,
were ushered into the Empress's chamber, that they might
witness the birth of the imperial offspring. The sudden arrival
of so many people, however, had a most unfortunate effect on
the patient, the course of nature was suspended, and the doctors
were compelled to resort to surgical treatment. At last, at a
quarter past three o'clock, the child, a boy, was brought into
the world. t
For hours and hours, all through the day and through the
night, the crowd had been waiting outside the Tuileries.
Suddenly two lights appeared at a window of the palace on
the Carrousel side, and a loud acclamation immediately arose.
If there had been but one light it would have meant that a
Princess had been born, but two lights signified the birth of
a Prince. However, the people who were massed on other sides
of the palace and who saw nothing of those lights were still in
uncertainty, and waited for the salute. At last the guns of
the Invalides began booming, and, as on March 20, 1811, when
the King of Rome came into the world, and September 30,
1820, when the widowed Duchess de Berri gave birth to the
" Child of the Miracle," so now, again, the attentive multitude
counted report after report. A salute of twenty-one guns
would mean a girl, a salute of a hundred and one a boy. One
* Representing his father, Prince Louis Lucien, who had met with a bad
accident,
t Baron Dubois, the Empress's surgeon-accoucheur, received a fee of
£1200 for his services. Although the Empress appeared in public again
within a few months, a very long time elapsed before her health was com-
pletely re-established.
BIRTH OF THE IMPERIAL PRINCE 93
after another the detonations rang out with the utmost
precision, under the wild March sky. Twenty-one — then
silence. For a moment the listeners felt grievously dis-
appointed. But all at once a twenty-second report was
heard, and then the salute continued with the same precision
as before. As the Parisians finally turned their steps home-
ward, many of them wondered why there had been a pause
after the twenty-first report. On the morrow the newspapers
enlightened them. An old wooden-legged artillei-yman of the
first Napoleon, who was among those firing the guns at the
Invalides, had stumbled and fallen at the critical moment of
the salute, and this had caused the brief delay.
The etiquette of the Tuileries Court did not require that
a newly born infant of the imperial house should be at once
deposited on a gold salver and exhibited to all the assembled
functionaries of the State, as we once saw an Infanta of Spain
exhibited immediately after her birth ; nevertheless Mme. Bruat
ceremoniously presented the Imperial Prince to his father and
the relatives and ministers assembled in the Empress's apart-
ments. Then due entry of the birth was made in the imperial
register, and telegrams were despatched to the Pope, the Queen
of Sweden (the godmother), the Grand Duchess of Baden, Queen
Victoria, and others. It was then barely four o'clock in the
morning, and it was regarded as a curious circumstance that
congratulatory answers to the telegrams should have been
received within a couple of hours — for this testified to the
activity of the world's great personages at a time when
the community at large is usually wrapped in slumber. The
members of the Senate and the Legislative Body had remained
waiting at their respective palaces until half-past one o'clock —
having their wives and daughters with them to keep them
company, and indulging both in music and champagne to
beguile the tedium of the hours. At last a message from the
Tuileries sent them home, but at 8 a.m. they re-assembled to
receive official notification of the great event.
The ill-starred Imperial Prince, whose advent was enthusi-
astically celebrated in so many directions, was at birth a well-
developed child, with an abundance of dark hair, resembling his
father's, and features that in an infant seemed of an unusually
94 THE COURT OF THE TUILERIES
marked character. During his early childhood, indeed, the
Empress often said of him to Count Fleury : " Louis will be
dreadfully ugly ; he already has a nose like a man's." But it
happened that he grew up fairly good looking, with a virile
face, no doubt, yet with something of his mother's expression
to soften the features which he had derived from his father.
After mass in the chapel of the Tuileries at noon that
day, the ondoiement, or private baptism, of the new-born " Son
of France" took place there. Four Cardinals, all the great
dignitaries of the State, the Emperor, and the Princes of
the Blood were present. It was the Bishop of Nancy, First
Almoner of the Household, who officiated, pouring the
baptismal water on the infant's head from a golden ewer.
The boy was named Napoleon and Louis after his father,
Eugene after his mother, Jean after the Pope, and Joseph
after the Queen of Sweden, his godmother, her name being
Josephine. At the conclusion of the ceremony he was carried
in state to his apartments, and this time a whole host of
officials was able to catch a glimpse of the new heir to the
throne. Paris, of course, illuminated her monuments and her
houses that night, though the rain fell incessantly ; and in the
meantime addresses of congratulation poured in from all parts
of the provinces. It was a repetition of what had happened
when the King of Rome and the Duke de Bordeaux and the
Count de Paris were born. They, also, had been saluted as
the hope of the country, as its future rulers, yet none of them
had reigned. Still, in that month of March, 1856, people
fancied that Fate must surely be weary of pursuing the heirs
of France. The poets, for their part, entertained no fears for
the future. In the Moniteur, on the morrow of the Imperial
Prince's birth, The'ophile Gautier sang as follows : —
Au vieus palais des Tuileries,
Charge d^ja d'un grand destin,
Parmi le luxe et les faeries,
Un enfant est ni§ ce matin.
Aux premiers rayons de I'aurore,
Dans les rayons de I'Orient,
Quand la ville dormait encore,
II est venu, frais et riant. . . ,
BIRTH OF THE IMPERIAL PRINCE 95
Et le canon des Invalides,
Tonnerre mel6 de rayons,
Fait partout aux foules avides
Compter ses detonations.
Au bruit du fracas insolite,
Qui fait trembler son pi6destal,
S'emeut le glorieux Stylite
Sur son bronze monumental.*
Les aigles du socle s'agitent,
Essayant de prendre leur vol,
Et leurs ailes d'airain palpitent,
Comme au jour de S6bastopol.
Mais ce n'est pas une victoire
Que chantent cloches et canons.
Sur I'Arc de Triomphe I'Histoire
Ne salt plus oii graver les noms.
C'est un J^sus a tete blonde,
Qui porte en sa petite main.
Pour globe bleu, la pais du monde
Et le bonheur du genre humain.
La creche est faite en bois de rose,
Ses rideaux sont couleur d'azur,
Paisible, en sa conque il repose,
Oar fluctuat nee mergitur.
Sur lui la France 6tend son aile.
A son nouveau-ne, pour berceau,
D^licatesse maternelle,
Paris a pretd son vaisseau.
Qu'un bonbeur fidMe accompagna
L'enfant imperial qui dort,
Blanc comme les jasmins d'Espagne,
Blond comme les abeilles d'or ! f
Camille Doucet was yet more emphatic with respect to the
destiny of the imperial infant, and declared roundly that the
days of mischance and instability were quite past :
Trois fois, depuis quarante ann^es,
S'est rempli le berceau des rois ;
Et trois fois se sont d6tourn6e3
Les infid^les destinies.
Qui I'avaient salue trois fois.
* Napoleon I. on the Vendome column.
t The bees of the Bonapartes. Gautier was wrong, however, in calling the
Prince blond. He had a fresh, clear complexion, but his hair was dark.
96 THE COURT OF THE TUILERIES
Pareil au berceau de Moise,
Sur les flots battu sans espoir,
Toujours une vague insoumise,
Lui fermant la terre promise,
L'emportant sans qu'il put la voir :
La France, apres mille naufrages,
Impatiente de repos,
S'^lancjait vers tous les rivages,
Souriait a tous les presages,
S'abritait sous tous les drapeaus.
C'est la fin des heures de doute,
Des foUes instabilit^s,
Plus de perils que Ton redoute,
Plus de berceaux perdus en route,
Plus de trones d6sli6rit6s ! . . .
Dors, enfant, et que Dieu t'inspire !
Dormez aussi, m^re sans peur.
La France, qui pour vous conspire,
Vous donnait nagu^re un empire,
Vous lui donnez un Empereur 1
In celebration of the Prince's birth, the Emperor and
Empress offered to act as godfather and godmother to all the
children born in France on the same day as their son. The
number was no less than 3000, nevertheless presents were sent
to all the parents. There were also handsome donations from
the Civil List to the poor relief-offices of the municipalities, and
to the various associations of authors, composers, painters, and
actors. A still more pleasant feature was the granting of
freedom or of permission to return to France to all the
remaining political prisoners or exiles of the Coup d'Etat who
would undertake to submit to the Government of the country
and respect the laws. A good many accepted that condition,
but the irreconcilables, led by Victor Hugo, contemptuously
spurned the Emperor's offer. It was the little rift in the lute
again. Some jarring note always made itself heard amid the
most enthusiastic strains of the Empire's partisans.
Early in April, 1856, the Treaty of Paris being at last signed,
the Court and the city celebrated the restoration of peace. Then,
disastrous inundations occurring in the south of France, the
Emperor hastened thither for the purpose of alleviating the
BIRTH OF THE IMPERIAL PRINCE 97
distress, which was great indeed.* But he was back in Paris for
the state baptism of his son, which had been deferred until
June 14. Pius IX. had despatched a special legate, Cardinal
Patrizzi, to officiate at this pompous ceremony, which filled
Notre Dame with as large and as splendid an assembly as that
which had witnessed the imperial wedding. The procession
started from the Tuileries about five o'clock in the afternoon.
Eleven carriages, each drawn by six horses, conveyed the high
officers of state, the Princes of the imperial family, and the Court
guests, including Prince Oscar of Sweden, the Grand Duchess
Stephanie of Baden (representing the royal godmother), and her
daughter, the Duchess of Hamilton. Then, preceded by a
squadron of Guides, came a great gilded state coach, which had
served for the coronation of King Charles X. It was drawn by
eight horses, each with a groom at its head, and in this pompous
coach sat Madame Bruat, a still young and beautiful woman,
carrying on her lap the infant Imperial Prince, around whom
was cast a mantle of purple and ermine. Beside the coach rode
two newly created Marshals of France, Canrobert on the right.
Bosquet on the left. Behind came yet another splendid eight-
horse state carriage, that of the imperial wedding, containing
the Emperor and Empress, he attired, as usual, in a general's
uniform, she in a cloud of light blue silk and gauze and lace,
while from the crown upon her head the blazing Regent diamond
scattered flakes of lambency.
Over the Place de THotel de Ville and through a great
triumphal arch erected there, then across the bridge to Notre
Dame, went the procession. Under the vaulted roof of star-
spangled azure, the interior of the ancient cathedral was all
crimson and gold. In the centre of the transept appeared a
large stage, on which were set the altar, the throne of the
Emperor and Empress, that of the Legate, and the seats for the
Canons of Notre Dame. Behind the Cardinal's throne were
ranged the seventy-five Archbishops and Bishops of France in
their gemmed mitres and full canonicals. [Where sit their
successors now ?] Up the nave went the imperial coi^tege, the
Empress, the Grand Duchess of Baden, and the Princesses, with
long trains upheld by pages. When all was in readiness the
* Nearly £40,000 were collected in Great Britain and sent to France.
H
98 THE COURT OF THE TUILERIES
Cardinal Legate descended, from his throne to the altar and
chanted the Venl Creator, accompanied by a full orchestra, while
the Empress''s ladies glided softly to the credence tables in order
to deposit on them the various articles provided for the
baptismal rites. The Countess de Montebello carried the
candle, the Baroness de Malaret the chrism cloth, the Marchioness
de Latour-Maubourg the salt, the Countess de La Bedoyere
the ewer, the Countess de Rayneval the basin, and Madame de
Saulcy the napkin. Meantime, the little Prince was sitting up
in Madame Bruafs arms, looking around him as fearlessly, in
his infantile simplicity, as years afterwards, in his young man-
hood, he looked on the Zulus who struck him down.
The Veni Creator being ended, the Master of Ceremonies
bowed to the altar, then to the Emperor and Empress, and
approached the Cardinal, followed by Madame Bruat with her
charge. Then the baptismal rites were performed, and the
register was signed, first by the Legate, next by the Sovereigns,
and afterwards by several of the Princes present. At last,
making a slight obeisance, Madame Bruat approached
Napoleon III. and placed the Imperial Prince in his arms.
As his uncle had done at the time of the baptism of the King
of Rome, the Emperor turned towards the brilliant assembly,
proudly raising his son aloft. This was the formal presentation
of the Heir to the Throne to the representatives of the
French people. Meantime, an Assistant-Master of Cere-
monies had stepped to the centre of the chair, and there
he thrice raised the cry, " Vive le Prince Imperial ! — Vive le
Prince Imperial ! — Vive le Prince Imperial ! " Thousands of
voices took up that vivat, while the orchestra burst into music.
On receiving the infant Prince again from the Emperor, Madame
Bruat retired to a side chapel, which had been fitted as a with-
drawing room, and shortly afterwards, escorted by Guides and
Cuirassiers, she and her charge returned to the Tuileries, Avhile
in the cathedral the Legate celebrated the Te Deum, and, when
the Domine salvumfac Imperatorem had been chanted, bestowed
with all solemnity the Pontifical benediction on France, her
ruler, and her people.
That evening at the Hotel de Ville there was a great banquet
at which the Emperor and Empress were present, and Paris
BIRTH OF THE IMPERIAL PRINCE 99
once more blazed with illuminations. A few days later another
solemn ceremony took place before the Court, assembled on this
occasion in the chapel of the chateau of St. Cloud. This was
the ceremony of the presentation, by Cardinal Patrizzi, of the
Golden Rose which Pius IX. had sent to the Empress Eugenie,
thereby singling her out as a pattern of piety and virtue. It
is said that in the earlier centuries of Christianity filings of
certain chains, alleged to have bound St. Peter's wrists, were
blessed and then presented to distinguished upholders of the
faith, and that later the rite was performed with gold and
silver keys emblematical of the apostle's. Subsequently a
golden rose appears to have taken the place of the keys. It
has usually assumed the form of a miniature rosebush bearing
flowers of wrought gold, and emerging from a gold pot or
vase — the whole representing a value of about c£'400. On the
fourth Sunday in Lent, at high mass at Sb. Peter's or in the
Sistine Chapel at the Vatican, the topmost flower of the bush
is anointed with balsam, sprinkled with musk, incensed, and
then solemnly blessed by the Pope. It is afterwards sent to some
sovereign, eminent personage or famous church, or if no worthy
recipient be found at the time, the presentation is deferred
until the following year. The vase of the rosebush sent to the
Empress Eugenie was mounted on a stand of lapis lazuli, in
which her arms and those of Pius IX. were incrusted in mosaic
work. On the vase itself were bas-reliefs, representing the Birth
of the Virgin and her Presentation at the Temple. That the
consort of Napoleon III. was not unworthy of the gift may be
readily granted ; but unfortunately the same Pontiff" also sent
a Golden Rose to Isabella II. of Spain, a Queen whose life was,
from the standpoint of common morality, an example to be
shunned. But then Pius's predecessors had sent Golden Roses
not only to the Empress Maria Theresa, but also to Henry VIII.
of England, who, indeed, received no fewer than three of them —
though that did not prevent the Reformation.
Here let us pause. We have just had a glimpse of the
Empire in its pride and splendour, in the heyday of success and
triumph, which seemed full of fair promise for the future. We
will now glance at what was lurking so menacingly beneath all
the imperial power and pomp.
CHAPTER V
CONSriRACIES— THE TUILERIES POLICE — A CRIMINAL
CENT- GARDE
Attempts on the Emperor's Life — Association of the Paris Theatres with those
Crimes — The Plots of the Hippodrome and the Op6ra Comique — The
Kelch Affair and Griscelli — Pianori's attempt on Napoleon III, — Demon-
stration in Paris — Why the Emperor never went to the Crimea — The
Attempt of Bellemare the Lunatic — The Murder of the Archbishop of
Paris — Mazzini's Letters, the Tibaldi Plot, and the Countess de Castig-
lione — The Orsini Attempt — The Opera Programme — The Scene in
the House and the Tragedy outside — The Culprits, their Trial and
Punishment — A Reign of Terror in France and Trouble with England-
Consternation of the French Court — The Special Tuileries Police— The
Spy system in the Palace — The Cent-Gardes and the story of Prevost.
"Uneasy lies the head that wears a crown." Many were the
dangers to which the life of Napoleon III. was exposed, parti-
cularly during the earlier years of his rule. Six months after
the Coup d'Etat, and before he had actually become Emperor,
there was a plot to assassinate him in Paris, and a little
later (September, 1852), during his journey through Southern
France, an unfinished infernal machine was discovered at
Marseilles — "providentially," said the Bonapartist journals of
the time, "before his arrival in that city." Some people sus-
pected the affair to be a bogus one, concocted by the police
to stimulate public sympathy with the Prince President, but
whatever may have been the facts in that particular instance,
there can be no doubt of the genuineness of many subsequent
plots or individual attempts on his life. The list of those
which secured publicity is no mean one, but the Archives of
the Prefecture of Police contain indications of many others,
either suddenly abandoned by men who took to flight, or else
CONSPIRACIES— THE TUILERIES POLICE 101
nipped in the bud and dealt with in a secret arbitrary fashion
by the authorities. The latter, indeed, often thought it best
to hush up one or another affair for fear lest public confidence,
already tried by what came to light, might be too severely
shaken if the nation should learn the -whole truth about the
persistent hatred of the Emperor'^s enemies. But, however
careful the authorities might be, there was often a little leakage.
Mysterious rumours circulated in whispers in one and another
circle of Parisian society, tending to a vague haunting sense
of insecurity, such as was suggested by an English versifier of
the time : —
" The years' had fled,
The old King * was dead ;
An Emperor governed the land in his stead —
A gentleman famed for a very long head.
Things went on much better : the people were fed ;
The city had grown
From mud unto stone ;
The monarch seemed pretty well fixed on his throne.
But still there was something, an undefined dread.
As you feel when the sides of Mount Etna you tread ;
And sorely the Emperor puzzled his head,
Ever seeking in vain
For some means to restrain
The dim, hidden dangers that threatened his reign."
It is by no means pleasant for a man to know that he
cannot visit a public place of entertainment, spend an evening
at a theatre, without incurring the risk of assassination, as
was the case with Napoleon III. The present Paris Opera-house
has not been associated with crime except in the pages of a
well-known novel by Fortune du Boisgobey, but matters were
different with its predecessors. The first Napoleon had scarcely
become Consul when there was a plot — an ill-contrived and
half-hearted one, it must be admitted — to stab him to death
with daggers at the Opera-house of that time, which occupied
the site of the present Place Louvois in the Hue de Richelieu.
A little later, on Christmas Eve, 1800, as Napoleon was repairing
to the Opera to attend a performance of Haydn's oratorio
" Saul," an infernal machine was exploded in the Rue Nicaise,
near the Tuileries ; and the future Emperor only escaped injury,
* Louis Philippe.
102 THE COURT OF THE TUILERIES
and perhaps death, owing to the semi-drunken condition of his
coachman, who drove with reckless rapidity, and the miscalcula-
tions of Robinet de St. Rejant by whom the machine was fired,
he having expected that a guard of cavalry would precede the
carriage. Twenty years afterwards the Opera-house was again
associated with a crime, for at its very door Louvel stabbed
Louis XVIII.'s nephew, the Duke de Berri, who died a few
hours afterwards. Then, in 1835, Avhen Fieschi fired his in-
fernal machine at Louis Philippe and his escort on the Boulevard
du Temple, the Opera figured even in connection with that
terrible affair, for it was there that on the previous evening the
police were vainly warned of the contemplated attempt upon
the King.
Under Napoleon III. there was at first a change of venue on
the parb of the would-be regicides, though they still selected
places of entertainment for the accomplishment of their designs.
In spite of the vigilance of the imperial police under Maupas
and Pietri, some of the secret societies, which had sprung up
under Louis Philippe and flourished under the Republic of '48,
were still in existence or had been merged into other associations,
better adapted to the new order of things. Among them was
one called " The Consuls of the People," another " The Sanitary
Cordon,""' and a third " The Two Hundred." The two first-
named were composed of old Republicans, the last of Republican
students of the Quartier Latin, In the spring of 1853, those
three societies entered into a league and covenant for the purpose
of ridding France of the new Emperor. The more ardent
members desired to kill him, the others thought that the
seizure of his person would suffice to bring about the fall of the
Empire and the restoration of the Republic. The views of
the former prevailed, and as it had been publicly announced
that the Emperor would attend a performance at the Paris
Hippodrome on June 7, the conspirators resolved to attack him
on that occasion. But there was a traitor in their ranks who
revealed everything to the police. Precautions were therefore
adopted by the authorities, and the attempt became impossible.
Moreover, two of the leaders, named Ruault and Lux, were
arrested, while a printing press and a quantity of revolutionary
papers were seized at the abode of a Moldavian refugee named
CONSPIRACIES— THE TUILERIES POLICE 103
Bratiano, one of whose brothers was a member of the " Central
European Kevolutionary Committee " installed in London.
Nevertheless, the other plotters did not relinquish their
purpose. At the suggestion of one of their number, a Belgian
named de Merens, they resolved to fall upon the Emperor as he
quitted the Opera Comique on the night of July 6. Once
again, however, they were betrayed to the police, and after the
arrival of the Emperor and Empress at the theatre, a dozen of
them were arrested among the crowd lingering outside. About
this time, it may be mentioned, a vigorous pamphlet warfare
was being carried on against the Empire, not only by such
writers as Victor Hugo, Louis Blanc, Edgar Quinet, and Colonel
Charras, but also by a London organization "La Commune
Revolutionnaire," which was directed by three refugees — Felix
Pyat, Boichot, and Caussidiere. Those men were beyond the
reach of the Imperial Government, but several of their un-
fortunate acolytes in France were apprehended and sentenced
to varying terms of imprisonment. Four months later, when
the plotters of the Hippodrome and the Opera Comique were
brought to trial at the assizes, seven of them were sentenced to
transportation for life, one to ten, three to seven, six to five,
and one to three years'" imprisonment, while three others were
banished from France for eight years. Six prisoners, acquitted
on the main charges, were detained for having belonged to secret
societies and tried with forty others for that offence. Of those
thus indicted only four secured acquittal, the others being sent
to prison for periods varying from five years to one.
There was also another strange affair in that same year,
1853. An ex-lieutenant of the French army named Frederic
Kelch arrived in Paris from London and secured lodgings over
a wine-shop at Montrouge. Two refugee Italians had quarters
in the same house, and they and Kelch were suspected of designs
on the Emperor's life. When a detachment of detective police
descended on the place to arrest them, they offered a most
desperate resistance, and were badly wounded before being
secured. They were never brought to trial, but shipped by
"administrative orders" to Cayenne. Some time afterwards,
however, according to official data, Kelch was for some mysterious
reason released, and made his way to China, where he became
104> THE COURT OF THE TUILERIES
one of the officer-instructors of the " Ever- Victorious Army.""
However, an Itahan named Griscelh, calHng himself " Baron de
Rimini,"" and for a time one of the secret pohce who watched
over the safety of Napoleon IH., declares in his " Memoirs "'"'
that he himself shot Kelch dead in the wine-shop, where he had
gone to arrest him ; that he received in reward for his deed
d£*400 from the Emperor, <£40 from M. de Maupas, and £60
from ]\I. Pietri ; and that the Empress Eugenie defrayed the
cost of his daughter"'s education at a convent at Issy. It is just
possible that there may be some little truth in Griscelli"'s
narrative, but that, instead of shooting Kelch dead, he only
wounded him.
Kelch's acolytes were Italian revolutionaries, and before long
it was from men of that class and nationality that Napoleon III.
stood in most need of protection.* About five o"'clock on the
afternoon of April 28, 1855, the Emperor, attended by an
aide-de-camp and an orderly officer (Edgar Ney and Lieut.-Col.
Valabregue), was riding up the Champs Elysees in order to join
the Empress, Avho was driving in the Bois de Boulogne, when a
man suddenly sprang tovvards him from the footway near the
corner of the Rue de Balzac. This man, who was armed with
a double-barrelled pistol, fired at the Emperor twice, but with-
out hitting him, whereupon he flung his weapon away and took
another from his coat. He had been perceived, however, from
the other side of the avenue by a vigilant plain-clothes police
officer, a Corsican named Alessandri, who, drawing a dagger which
he had about him, rushed forward to seize the man. There was a
slight delay as a carriage passed at that moment, nearly running
over Alessandri, who had to make a detour to avoid it. How-
ever, before the Emperor"'s assailant could fire a third shot the
* It was generally supposed that Napoleon was pursued by the hatred of
Italian Carbonari, he having previously belonged, it was said, to their organiza-
tion, and having failed to keep his oath. The Emperor laughed when he
heard this tale, and remarked, in the presence of several members of his Court,
that he had never been a Carbonaro or supported the Carbonaro cause ; all
that had been written and said on the subject was, he declared, a profound
mistake. He had been confused with his elder brother, and the error had
largely arisen, said he, from the circumstance that his own Christian names
and his brother's were identical, though they did not follow the same order.
This statement, it will be perceived, refutes the assertions made by Count
Orsi in his " Eecollections."
CONSPIRACIES— THE TUILERIES POLICE 103
detective was upon him. They rolled over on the ground
together, and in the frantic struggle which ensued the man was
twice stabbed by Alessandri. Nevertheless he fought on, and
was not definitely secured until the arrival of other policemen.
The Emperor, meantime, had remained quite calm, and went
his way to join the Empress, who burst into tears upon hearing
of what had happened.
Reports of the attempt sped like wildfire through Paris, and
when the Emperor and Empress repaired to the Opera Comique
in the evening, they were enthusiastically acclaimed by dense
crowds of people, as is acknowledged even by Viel Castel, that
great sneerer at things imperial. " I must say," he writes in
his "Diary," "that if I were to read what I have just seen I
should not believe it, I should charge the newspapers with flat-
tery and courtisannerie. But the shouts of ' Vive TEmpereur ! '
thundered forth like discharges of artillery, continuing farther
and farther away. The emotion was general ; I saw not one
person but twenty, thirty people weeping. . . . Inside the
theatre the Empress looked pale and anxious, in spite of her
efforts to appear calm. The Emperor also was thoughtful. On
the return to the Tuileries they were greeted with the same
ovation as before, and the houses they passed were resplendent
with illuminations."
That is the usual outcome of such attempts. They stir even
an ordinarily callous population to sympathy with the intended
victim.
The Emperor"'s assailant was named Giovanni Pianori. Born
at Euenza in the Papal States, in 1827, a shoemaker by pro-
fession, and the father of several children, he had served under
Garibaldi, at Rome, during the revolutionary period. The
French police tried to show that, under another name, he had
been sentenced to twelve years at the galleys for political assassi-
nation in Sicily, whence he had escaped to Genoa; but that
conviction was never clearly established. It would seem that,
after the French expedition to Rome in 1849, Pianori took
refuge in Piedmont, and, under the name of Liverani, made
his way to Marseilles, Lyons, and Paris, thence passing over to
England, where he may well have met various political refugees.
Mazzini and others were mentioned at his trial, but there was
106 THE COURT OF THE TUILERIES
no proof that they had instigated his crime, though it was
certainly very strange that, while the prisoner''s circumstances
were plainly precarious, his wants were supplied in some
mysterious way, that he wore attire far superior to his real
position, and that he had returned from London to Paris
only five days before making his attempt. But this, he
asserted, had been suddenly conceived and as suddenly carried
out. He had been ruined, he said, by the French occupation
of the Papal States, and had bethought himself of all the misery
prevailing there since the Pope and the priests had regained
power. He had also pictured the distressful situation of his wife
and children, whom he had been obliged to leave behind him ;
and on remembering that it was Napoleon III. who had robbed
Italy of Rome, and thereby brought about all his misfortunes,
he had lost his head and resolved to shoot the Emperor. He
was sentenced to death for his attempt, but there is reason to
believe that he was offered his life in exchange for revelations,
which he did not make, however, adhering to his original state-
ment that he had no accomplices. The Emperor being deemed
" the father of his country," Pianori suffered sentence as a
parricide, that is, going to the guillotine bare-footed in a long
white shirt, and with a black hooded veil hanging from his head.
" Vive ritalie ! Vive la Republique ! "" he cried, as he ascended
the scaffold steps, displa3ang until the last moment the utmost
fortitude.
Pianori's attempt had a result of some importance, for had
it not occurred the Emperor would have carried out his design
of proceeding to the Crimea, in spite of the views which had
been expressed at the War Council of V\^indsor.* In fact, at
the time of the attempt the preparations for the imperial
departure were being quietly hastened. But the sovereign's
entourage became alarmed both for his safety at the seat of war
and for the regime itself in the event of any outbreak in his
absence. Pressure was therefore brouglit to bear on him by the
Empress and the Ministers, as well as by his old confederates of
the Coup d'Etat, and he reluctantly yielded to it. Officially,
of course, other reasons were assigned for the abandonment of
the imperial plans.
* See ante, p. 82. Meury's Memoirs confirm the statement made above.
CONSPIRACIES— THE TUILERIES POLICE 107
Some four months elapsed, Queen Victoria paid her visit to
Paris, and the Affaire Pianori was almost forgotten, when on
the evening of September 8, 1855 — the day of the victorious
attack on the INIalakoff — as one of the imperial carriages drew
up outside the Theatre des Italiens in the Place Ventadour, a
young man drew a pistol from his pocket, placed the muzzle
close to the window of the vehicle, fired, and broke the glass.
Immediately afterwards he raised a second pistol, but before he
could fire it a sergent-de-ville struck his arm down, and the
charge entered the ground. It so happened that the carriage
did not contain the Emperor, but three of the Empress's ladies,
and that the would-be regicide had been deceived by a sudden
shout of " Vive TEmpereur ! " which an impetuous bystander, an
old First-Empire pensioner, had raised on recognizing the im-
perial liveries. The ladies, at whom the pistol was discharged,
escaped unhurt, but they were quite unnerved by the occurrence ;
while Madame Ristori, the famous t7^agedienne, who was giving
her last performance of the season that evening (and who, as it
happened, was to be associated, in a similar way, with the
subsequent and more famous attempt of Orsini and his con-
federates), fainted on hearing that the Emperor"'s life had been
threatened, and was scarcely able to appear in her role as
Phaedra when, shortly afterwards. Napoleon III. arrived. The
acclamations with which he was received were so pronounced
that he inquired the cause, and on hearing of the outrage
remarked : " Let nothing of this be communicated to the
Empress, Stop all telegrams about it." *
The would-be assassin was a young fellow of two and
twenty named Bellemare, a native of Rouen, and, curiously
enough, a bootmaker by calling, like Pianori. Of a low
physical standard, slight, pale, and scrofulous, he had been
sentenced, when he was barely sixteen, to two years' imprison-
ment for robbing his employer, most of his punishment being-
remitted, however, by the Emperor (then Prince President)
on account of his youth. Nevertheless, according to his own
statement, Bellemare had taken no small part in the resistance
to the Coup d'Etat, when he had figured, he asserted, among
the defenders of the Rue de Rambuteau barricade, and composed
* She was then enceinte.
108 THE COURT OF THE TUILERIES
and posted a placard bearing the title of "Reasons why Louis
Napoleon Bonaparte is Condemned to Death."" Briefly, he
gloried in having done so many things — most of which, in all
probability, he had never done at all — that he was arrested and
sent to Belle-Ile-en-Mer as a political offender. Released in
January, 1855, he then returned to Paris, where, finding no
work as a shoemaker, he entered the employment of a huissier
or process-server. Evidence at his trial showed that his
behaviour at Belle-Ile had been very strange indeed, and that
he had quite a maniacal craving for notoriety. Finally he was
adjudged to be insane, and was sent as such to an asylum.
In the following year, 1856, the regicides allowed the
Emperor breathing time, that is to say, although plotting still
went on there was no open attempt at assassination. In
January, 1857, Paris was horrified by an abominable crime,
the murder of Archbishop Sibour — a broad-minded and popular
prelate — in the church of St. Etienne-du-Mont. The culprit
was an interdicted priest named Verger, whom the Archbishop
had frequently befriended, and who at one moment had been
attached as cross-bearer to the Tuileries chapel, under the
acting-Almoner, Mgr. Tirmache. Verger had no grounds for
personal animosity against Archbishop Sibour (for it was the
Bishop of Meaux, his diocesan, who had " interdicted "
him), but his mind had been affected by repeated brooding
over the dogma of the Immaculate Conception of the Virgin,*
which he deemed contraiy to true Christianity. Thus it was
with a cry of "No goddesses! Down with the goddesses!"
that he plunged his knife into the unfortunate prelate, while
the latter was advancing, processionally, up the nave of the
church. There can be little doubt that Verger was insane,
nevertheless he was guillotined.
During the ensuing summer the " Black Cabinet " of the
French Postal Service seized a letter which was found to
contain three notes written by Mazzini and intended for
certain of his friends named Massarenti, Campanella, and
* It was not a new dogma, having been known to the Church for many
centuries, and confirmed by Paul V., Gregory XV., and Alexander VII, ; but
in December, 1854, Pius IX. had issued a bull again declaring it to be an
article of faith, and pronouncing all who might speak against it or doubt it to
be guilty of heresy.
CONSPIRACIES— THE TUILERIES POLICE 109
Tibaldi. The French police promptly concluded that these
communications referred to a plot against the Emperor's life.
Massarenti and Campanella were in London, out of the reach
of the imperial authorities, but Tibaldi, an optician by pro-
fession, was in Paris, where he was immediately arrested, as
were also two men named Bartolotti and Grilli, who were
mentioned in one of Mazzini's notes, and who, like Tibaldi,
had lately arrived from London. Further, in a room occupied
by a female acquaintance of Tibaldi's the police found a valise
containing fourteen double-barrelled pocket-pistols, five daggers,
a horse-pistol, and one of the then newly invented American
revolvers. When the three men were brought to trial, Tibaldi,
who denied all guilt, explained his connection with the others
by asserting that they had been introduced to him by an
acquaintance as compatriots in distress, for whom he had there-
fore tried to find employment. Indeed, he had secured a
situation for Grilli at a hatter''s in the Rue du Temple. But
Grilli and Bartolotti told a different story. They asserted that
they had each received .£40 from Mazzini as a retaining fee to
assassinate the Emperor, and that Tibaldi had undertaken to
provide, them with weapons, and select the best opportunity
and spot for the perpetration of the crime. Not content with
these disclosures, the prosecution made great efforts to connect
the French Republican exile, Ledru-Rollin, with the plot.
Grilli and Bartolotti asserted that they had seen a man whom
they believed to be Ledru-Rollin at Mazzini's when they called
there, and a witness named Gerault also made a statement
respecting some money which Ledru-Rollin had handed to him
in 1853 for an individual named Beaumont, a connection of
the Lieutenant Kelch, whom Griscelli claimed to have killed.
But, all considered, there was no evidence against Ledru-Rollin,
who, after the proceedings, protested vigorously against the
charges levelled at him, and offered to stand his trial in
England if the Imperial Government would prosecute him
there : a suggestion which the Parisian authorities did not
entertain.
With respect to Mazzini, the case was different. His letters
could not be denied, and they were significant enough. It has
been claimed, however, that in anv case he did not seek out
110 THE COURT OF THE TUILERIES
Grilli and Bartolotti, but that they sought him, playing the
part of agents provocateurs, and leading him, Tibaldi, and others
into a trap. That might, in a sense, slightly lessen the culpa-
bility of Mazzini, but the fact remains that he entertained the
proposals made to him, and, while freely acknowledging that he
was a great Italian patriot, it is, we feel, impossible to hold
him guiltless in this affair. Tibaldi, condemned to transporta-
tion for life, was promptly shipped to Cayenne, where he was
still in durance at the fall of the Empire in 1870 ; while Grilli
and Bartolotti, who throughout the trial protested that poverty
alone had induced them to take Mazzini's money, and that they
had never intended to carry out their mission, were sentenced to
fifteen years"" solitary confinement. Some writers have asserted,
however, that, like Lieutenant Kelch, they remained but a
short time in prison, that an order suddenly came for their
release, and that they disappeared.
That would certainly tend to confirm the view that they
had merely acted as agents provocateurs. But there is another
point to be considered. Not the least curious feature of the
affair was the selection of the occasion when the Emperor was
to be attacked. This was to have been either on his arrival at
or his departure from a certain house, which, throughout the
trial, was invariably referred to as " No. 53 " — no street being
mentioned. It so happened, however, that No. 53, Hue
Montaigne, was at that time the residence of a young and
beautiful Italian, daughter of the Marquis Oldoini of Florence,
and wife of Count Francesco Verasis di Castiglione of Piedmont,
King Victor EmmanueFs First Equerry, whom she had married
when only fifteen years of age. The Countess — whose Christian
name, Virginia, was in marked contrast with her real nature —
had been for a short time one of Victor Emmanuel's many
mistresses, and had taken up her residence in Paris with the
express object of becoming that of the Emperor. Whether
she acted, as some have asserted, at the instigation of Cavour,
and for the purpose of bringing pressure to bear on Napo-
leon III. in connection with the deliverance of Northern Italy
from the Austrians, has never been established ; and, in fact,
it may well be doubted, for although the Countess was ex-
tremely beautiful, wearing on her face an expression of juvenile
CONSPIRACIES— THE TUILERIES POLICE 111
innocence which completely concealed her depravity, she displayed
no mental gifts. Such wit or shrewdness as she possessed was
apparently only that of a courtesan. She posed, she exhibited
herself, but she never evinced any conversational power in
public, and it seems unlikely that so able, so shrewd a man as
Cavour would have selected as an emissary a Avoman devoid of
rudimentary ability. On the other hand, the Countess was
remarkably extravagant. liike a true Florentine she had a
passion, a craving, for jewellery, for splendour of every kind —
on which, indeed, in comparatively few years she squandered
her husband's handsome fortune. And we incline to the belief
that, far from being inspired by any high political motives in
her designs on Napoleon III., she was merely actuated by base
and sordid desires. That she became for a short time the
Emperor's mistress is well known, and that he visited her in
the Rue Montaigne is equally certain. The affair was notorious ;
and, as the Countess had several Italians round her, it is not
surprising that Bartolotti and Grilli should have been sufficiently
informed as to the possibility of falling upon the Emperor on
the occasion of one of his visits to the Rue Montaigne.
It is this design, admitted at the trial (though neither the
street nor the Countess was actually mentioned), that prevents
us from regarding the affair as a mere bogus conspiracy. If
it had been simply " put up " by the police, there would have
been no compromising mention of any mysterious "No. 53 "
— such as induced Viel Castel, writing at the time, to
remark that everybody knew what house was meant, and that
the secret was merely " Polichinelle's." In fact, if, as some
have alleged, Grilli and Bartolotti were mere police spies, they
would never have made statements in court in any degree
likely to cast reflection on the morality of the Emperor. That
they were regarded as mere instruments in the affair, and re-
leased and sent out of France in return for their denunciations
of Mazzini and Ledru-Rollin, seems the best explanation of their
subsequent disappearance.
Some five or six months elapsed, and at last, in January,
1858, came the most famous of all the attempts on the life of
Napoleon HI. Both he and the Empress Eugenie were partial
to theatrical performances, and there were, of course, " imperial
112 THE COURT OF THE TUILERIES
boxes" (sometimes two) at every Paris theatre of any conse-
quence. When the sovereigns visited the Comedie Franpaise
they entered by way of the Pavilion Montpensier of the Palais
Royal, and passed through some of Prince Jerome's salons (later
his son's) to a doorway which gave admittance to the theatre on
a level with their box. At the Opera-house, which was then
in the Rue Le Peletier, there was a special entrance near the
public one, with private stairs conducting to a salon, beyond
which you found the chief imperial box — a large avant-scene
on the left of the spectators seated in the body of the house.
On the right of that principal box there was another which was
usually occupied by members of the Imperial Household,
while on the left there was a little stage-box to which the
Empress often Avithdrew during the entr'actes, for it amused
her to watch the performers and privileged subscribers con-
versing in the slips, the stage-managers giving their orders,
and the scene-shifters preparing everything for the next acb.
On the arrival of the Emperor and Empress at the Opera-house
they were always received by the First Chamberlain (Baciocchi,
who took care to arrive in advance) and by the director, who
awaited them at the foot of the private staircase, carrying
a lighted candelabrum which he held aloft as, stepping back-
ward, he preceded their Majesties up the stairs. Behind the
gilded armchairs which the Emperor and Empress occupied in
the chief box, were other seats for the First Chamberlain, the
acting Chamberlain, the Aide-de-camp, and the Lady of the
Palace on duty. These attendants remained standing during
the first few minutes, after which it was usually suggested to
them that they might sit down. The sovereigns themselves also
remained standing while they acknowledged the bows or accla-
mations of the spectators ; but it was not the custom, as in
England, for the orchestra to honour their arrival by playing the
national air of the time — " Partant pour la Syrie "" — though on
the occasion of the State performance during Queen Victoria's
visit in 1855 she made her entry to the strains of the British
national anthem.
On January 14, 1858, the "bill" of the Opera-house was
of an unusual character. A notable baritone, Massol, a faithful
servant of the " Academic de J\Iusique " for thirty years, Avas
CONSPIRACIES— THE TUILEllIES POLICE 113
retiring from the stage, and a performance had been organized
for his benefit. The most distinguished members of the musical
profession had promised to rally round him ; the chief exponents
of the choregraphic art, the Ferraris, Rosati, and Richard, were
also prepared to contribute to the entertainment ; and in par-
ticular it had been arranged that Adelaide Ristori should
figure in the performance, which the Emperor and Empress had
promised to attend. For several days all tickets had been at a
premium, and Avhen the appointed evening arrived the audi-
torium was crowded with the leading members of Parisian
society, ambassadors and marshals, senators and bankers,
exquisites of the Jockey Club, litth-ateurs, ladies of rank and
notorieties of the demi-monde. Briefly, there was a splendid
"house," and an enjoyable evening was anticipated.
Yet the programme was of a strange description, and
looking back one wonders by what remarkable chance such
a succession of ominous "items'" was ever chosen. First on
the bill was the third act of " Guillaume Tell," a conspiracy ;
next the third act of " Massaniello," a revolution ; then (with
La Ristori) the execution scene of " Maria Stuarda," a political
murder; and finally the masquerade or assassination act of
" Gustavus III." How Count Baciocchi, the First Chamberlain
and Superintendent of the Imperial Theatres, allowed such a
bill to be adopted, knowing that the Emperor and Empress
were to attend, has always been a mystery. It was a fateful
circumstance, for we know that the very character of the per-
formance, announced some time in advance, was a powerful
factor in the choice of this occasion for yet another attempt on
the life of Napoleon III.
The house, as we have said, was crowded, and on the
arrival of the Duke of Saxe-Coburg and Gotha, who preceded
the Emperor and Empress, Baciocchi gave orders for the per-
formance to begin. All at once, amidst the finale to the
third act of "Guillaume Tell" — the great scene when Arnold
von Melchthal swears to avenge his country — a violent detona-
tion was heard, and everybody at first imagined that some
explosion of gas had taken place in the slips. But again and
again there came a loud report, and the whole audience quivered
with alarm. Amid the confused hubbub which ensued, a sharp
114 THE COURT OF THE TUILERIES
imperative voice suddenly rang out : " On demande des medecins
— a rinstant ! " — " Doctors are wanted, at once ! " It was a
Commissary of Police who called, and such members of the
medical profession that happened to be present immediately
hurried out. Everybody now realized that something dreadful
had happened. The most terrible suspicion flashed on one and
all. Excited men rushed from their seats to ascertain the facts.
AVomen sobbed, some of them even fainted. Anxious ejacu-
lations arose on every side. The Emperor — was he killed ? The
Empress — what of her ? There was yet another moment of
suspense. Then all who were not overcome by their feelings
sprang excitedly from their seats, turned towards the imperial
box, and burst into acclamations. Before them stood the
Emperor and Empress acknowledging their plaudits. "The
Man of Mystery," as Napoleon III. Avas then so often styled,
looked as composed as ever — neither paler nor redder than was
his wont. Not a quiv^er either of any facial muscle or of hand,
not a sparkle in his side-glancing eyes, was to be detected.
As somebody said at the time, if there were any man in the
world Avho could bear being blown up with gunpowder without
changing countenance, it was Napoleon III. The Empress, in
spite of her efforts, was much less composed ; she looked as
pale as death, and had quite a scared expression on her beautiful
countenance. Her cheeks had been slightly grazed, and there
were drops of blood on her white silk bodice. Some time elapsed
before the prolonged plaudits allowed the sovereigns to sit down,
but at last they did so, and the performance proceeded in spite
of the frightful tragedy which had marked their arrival at the
theatre.
This is what had happened. The imperial carriage had
stopped outside the house, and the Emperor and Empress were
about to alight when four small hand-bombs were thrown in
succession at the equipage. Three of them exploded with
terrible effect. One of the carriage horses was killed on the
spot, the other injured. General Roguet, who accompanied
the sovereigns, was wounded in the neck, the coachman in the
head, and the three footmen also received slight injuries. At
the same time a splinter of one of the bombs pierced the
Emperor's hat, and another tore the collar of his cloak. The
CONSPIRACIES— THE TUILERIES POLICE 115
slight injury to the Empress's cheek was due to the broken
glass of one of the carriage windows. But all that was of little
moment. The worst was that eight people were mortally
wounded, including two of the Lancers of the imperial escort.
Serious injuries were inflicted on seven other Lancers, five more
being hurt less severely. The roll of those who were seriously
wounded included also seventeen civilians, eleven men of the
Paris Municipal Guard, and thirty-two police officers of various
categories. But altogether no fewer than a hundred and fifty
people were struck and bruised. Moreover, twenty horses of
the escort were injured, seven of them fatally.
The plot is too well known to require detailed recital here.
We need only glance at the main points. One of the culprits,
Pierri, recognized as a man who had previously been expelled
from France, and who was already suspected of regicidal designs,
was arrested on the spot a few minutes before the attempt
occurred, in such wise that he did not actually take part in it.
But his intentions were manifest, for a bomb, a dagger, and a
pistol were found on him. However, the chief culprit, Felix
Orsini, had been able to act. Injured himself by one of the
explosions, he repaired to a chemist's shop for treatment, and
after his return to his lodgings, some inquiries which his servant
Gomez made at the chemist's, led to the arrest of both.
Moreover, a search at the hotel where Pierri was residing
resulted in the apprehension of a fourth culprit, one Charles
de Rudio, who went under the name of Da Silva. If the chief
police authorities had acted on the warnings of a detective
officer named Claude, who had been on the track of the band
for some days previously, the attempt would never have taken
place. However, Claude's acumen and foresight were sub-
sequently rewarded. He became chief of the service of which
he had long been a zealous and capable officer. He was,
perhaps, the greatest detective that France ever produced, and
he served as the prototype of the famous " Monsieur Lecoq "
— the " hero " of Gaboriau's novels.
Although, as we have mentioned, the performance at the
Opera proceeded in spite of the painful tragedy which had
occurred outside, the spectators generally paid little attention
to what took place on the stage. The one point of interest
il(j THE COURT OF THE TUILERIES
was the imperial box, whither functionaries of one and another
category betook themselves in succession, either to tender their
congratulations or to report on the condition of the wounded,
or the progress made by the police with respect to the arrest
of the culprits. Prince Napoleon, moreover, hastened to the
theatre from the Palais Koyal, where he had been entertaining
a number of friends with, curiously enough, a performance of
Alfred de Vigny's " proverb," Quitte pour la Peur. It was
midnight when the Emperor and Empress rose to retire. They
were then again acclaimed by the audience, and on their way
back to the Tuileries they found most of the houses illuminated
and the foot pavements thronged with people, whose applause
the Empress acknowledged by impulsively waving her hand-
kerchief from the carriage window. At the Tuileries all was
excitement, the Salle des Marechaux was thronged with Princes,
ambassadors, and high dignitaries, who had repaired thither
to offer their felicitations and denounce the outrage. On the
morrow the Emperor and Empress drove through Paris in an
open carriage without escort, and again met with a great
reception.
The men who had been an*ested were in due course brought
to trial. Their leader Orsini, born at Meldola in the Papal
States, was about thirty-nine 3'ears old, tall, handsome, with a
curly black beard and piercing eyes. His father had served the
first Napoleon, and had subsequently figured in that same
insurrection in the llomagna, in which the elder brother of
Napoleon IH. had participated.* In time Orsini the younger
likewise became an insurgent and conspirator, bent on ridding
Northern Italy of the Austrians, and Rome of priestly rule. At
the Roman Revolution of '48 he became a member of the
Republican Convention, and was sent by the Triumvirate to
Ancona to put down some serious troubles there, on which
occasion he roundly denounced political assassination, declaring
that it was not a proper course to pursue even for the pur-
pose of securing liberty. But the French expedition to Rome
modified his views. Like Pianori, he conceived a deadly hatred
for Napoleon III. Falling into the hands of the Austrians in
1853, Orsini was sent to the citadel of Mantua, but he escaped
* See ante, p. 7.
CONSPIRACIES— THE TUILERIES POLICE 117
and made his way to England, where he endeavoured to enlist
public sympathy in the cause of Italian independence. At last,
feeling that the French Emperor was the great obstacle to the
realization of his desires, Orsini decided to act against him.
His original intention was to do so alone, unaided ; but he came
into contact with his compatriot Pierri, a native of Lucca, who
had been living at Birmingham as a professor of languages for
some years. Pierri was then about fifty years old, and his
career had been a chequered one. Ho had served in turn in
the French Foreign Legion, in the Piedmontese Bersaglieri, and
in the Roman Republican forces, in which last he held the rank
of colonel. Thus he was as much a partisan of Italian inde-
pendence as Orsini, and of a far more excitable, violent nature.
Gomez, Orsini's servant, who lii<ewise figured in the plot, was
a Neapolitan partisan of "the cause;" while Rudio, who was
only five and twenty years of age, belonged to Belluno in the
States of Venice, and had served as a youth under Manin
during the siege of la cltta imica. The quartette symbolized,
then, four of the chief divisions of Italy: Venetia, Naples,
Tuscany, and the Roman States.
Orsini Avas the first to arrive in Paris for the purpose of
assassinating the Emperor, being followed by the others about
three weeks later. The imperial authorities, according to their
usual tactics, tried to implicate various French Republican
exiles in the affair, but except as regards Dr. Bernard, of whom
we shall speak hereafter, there was not a scrap of evidence to
support that view. Moreover, the only link by which even
IMazzini could be connected with the affair was a manifesto of
his on the subject of Italian independence, which had been
issued in the Italia del Popolo of Genoa, five days prior to
the attempt. As for an Englishman named AUsop, who was
indicted (by default) at the same time as the others, Orsini,
while admitting that this person had lent him his passport and
helped him to make the bombs, declared that he had not
known the real purpose for which they were intended, but had
been led to believe that they were to be used in some rising
in Italy.*
* AUsop, whose \Yliereab9uts in England were discovered, found it prudent
to go to America,
118 THE COURT OF THE TUILERIES
Orsini's behaviour at the trial was frank and dignified ; he
stated his reasons for the crime, and acknowledged the essential
facts without casting undue responsibility on his fellow-prisoners.
He asserted that he had had another confederate unknown to
them, an Italian, who had actually thrown one of the bombs,
but he refused to give this individuaPs name. Pierri, for his
part, denied everything, even the most patent facts ; while
Gomez and Rudio, fearing for their heads, confessed their guilt
with an air of craven repentance. The result was a foregone
conclusion. The eloquence of Jules Eavre, who appeared for
Orsini, could be of no avail in such a case. Thus Orsini, Pierri,
and Rudio were condemned to death, and Gomez to hard
labour for life — to which latter penalty the sentence on Rudio
was ultimately commuted. The Emperor at first wished to
spare the lives of all four prisoners, holding, and perhaps
rightly, that a broad act of clemency would deter other Italians
from similar enterprises ; but the Ministers and the Court would
not hear of it. So many people had been killed or injured, they
said, that leniency was out of the question. There must be no
weakness, but unflinching severity, and that view prevailed, as
France soon learnt to its cost when it awoke one morning and
found a Minister of Public Safety in office, and hundreds of
absolutely innocent persons arrested and consigned to prison.
Under the unscrupulous Espinasse * a perfect Reign of Terror
set in and continued until the Emperor, alarmed at seeing his
Minister going so far that the national discontent threatened
the very regime^ rebuked him in such a manner as to compel
him to resign.
While Orsini was awaiting his trial he had written the
Emperor a remarkable letter, urging him to restore the inde-
pendence of Italy. In a second missive, penned from his
condemned cell, and published after his execution, he acknow-
ledged that bomb-throwing was a fatal error, offered his blood
in atonement for that of his victims, and called on his fellow-
countrymen to reject henceforth all methods of assassination
and win their " freedom and independence by unity of effort
and sacrifice, and the practice of true virtue." That appeal was
printed in large type in King Victor Emmanuel's official organ,
* See ante, pp. 11 an(i 47,
CONSPIRACIES— THE TUILERIES POLICE 119
the Turin Gazette, where its appearance created no slight
sensation.
But trouble had arisen with England. The crime having
been planned there, the British Government was roundly
denounced for harbouring assassins. Many colonels of the
French army, whose addresses congratulating the Emperor on
his escape were published in the Mo7iiteur, availed themselves
of the opportunity to upbraid and threaten the British nation.
Thereupon British public opinion rose against the French
Imperialists. The Government of the time was swept away
for introducing a Crimes Bill intended to placate Napoleon III.
Dr. Bernard, an ex-ship's surgeon, who had introduced Rudio to
Pierri, who had been intimate with Orsini, and who was known
to have been in the possession of bombs, not exactly identical,
however, with those used in Paris, was acquitted by an English
jury of all complicity in the attempt against the Emperor;
and although Queen Victoria and Napoleon afterwards had a
cordial meeting at Cherbourg, the entente of the two nations,
so conspicuous at the time of the Queen's Paris visit, received
a blow from which it only partially recovered when a few
years later Cobden negotiated the Treaty of Commerce.
Orsini and Pierri, arrayed in the garb of "parricides,'"
suffered death on March 13, 1858. Few civilians actually
witnessed the execution, for 5000 troops were massed on the
Place de la Roquette. On reaching the foot of the scaffold
both men kissed the crucifix. Then Pierri ascended the steps,
leaning on a priest, and singing the old chant of the first
French Revolution : " To die for one's country is the most
splendid fate, the one most deserving of envy." At the
moment when his black veil was raised he cried to the distant
spectators : " Long live Italy ! Long live the Republic ! "
Two minutes later his head fell into the basket. Then came
Orsini's turn. Of a much less excitable nature than Pierri,
he remained quite composed, merely exclaiming, " Vive la
France ! "" when the executioner's assistants seized him.
As we have already mentioned, the immediate result of the
Orsini affair for France was the prompt establishment of a
reign of terror under the provisions of an abominable enact-
ment, called "Law of Public Safety," which was drafted
120 THE COURT OF THE TUILERIES
expressly for the occasion, and which swept away almost every
vestige of individual liberty and trial by jury. The adoption
of this law was a profound mistake, for it revived all the
memories of the Coup d'Etat, and deprived Napoleon IH. of
much of the sympathy which had gone to him as a result of
Orsini's deed. Yet only a handful of deputies voted against
the measure when it was discussed by the Corps Legislatif, and
only one senator dared to take a similar course — this, curiously
enough, being General, later Marshal, MacMahon. However,
the members of the Emperor's entourage had lost their heads ;
it was they who, in their consternation, had induced him to
make General Espinasse chief Minister, and of course the
Law of Public Safety had their approval.*
Those were dark days at the Tuileries. Everybody became
suspicious of everybody else. Any unusual incident aroused
apprehension. Jealous, in particular, was the watch kept over
the little Imperial Prince. He was strongly guarded on all
sides, both in the palace and whenever he drove out. On
those occasions he was invariably brought to the Empress, who,
after kissing him, made a sign of the cross on his forehead.
Until she learnt that he had returned safe and sound to the
Tuileries, she remained in a state of anxiety.
Strict watch was kept over the great army of servants on
duty at the Palace. There were so many of them, that however
carefully they might have been selected, it was possible that
some black sheep or other had crept, here and there, into the
fold. Thus the special Police Service of the Tuileries was
ever on the qui vive. For some years it was controlled by
M. Hyrvoix, but he, though a very zealous and able official,
* There were some later conspiracies against the Emperor's life. About
the end. of December, 1863, four Italians, nam.ed Greco, Trabucco, Imperatore,
and Maspoli — alias Scaglioni — ^were arrested in Paris, and found possessed of
bombs, revolvers, and daggers. The tv70 first-named were transported for life
to Cayenne, each of the others being sentenced to twenty years' imprisonment.
Again, in 1870, under Emile Ollivier's administration, another plot — this time
a French one — was discovered, but it would seem to have been in part the
work of agents provocateurs. The chief culprit was a young man named
Beaury, a deserter from the army, and an acquaintance of Gustave Mourens,
the well-known revolutionary ; but quite a number of prisoners were tried at
Blois for being more or less connected with the conspiracy, and were sentenced
to various terms of imprisonment.
CONSPIRACIES— THE TUILERIES POLICE 121
contrived to offend the Empress in one or another way, and
thereupon received an appointment in the provinces. His
successor was Lagrange, who remained in office till the fall of
the Empire. The duties of the Palace Police or " Police du
Chateau," as it was usually called, were multifarious. It was
requisite that some of its members should watch over the
personal safety of the Emperor, the Empress, the Imperial
Prince, foreign royalties, and other distinguished visitors. It
was necessary also to keep a watch on all the functionaries in
office — chamberlains, aides-de-camp, orderlies, equerries, and
so forth. ]\Iany a time was an eye or an ear applied to a key-
hole, many a time was a mental note made of some incautious
remark, which was communicated to the " Chief," and by him
to Mocquard, the confidential secretary at the head of the
Emperor's Private Cabinet. Among the servants, at least one
of each department really belonged to the Palace Police, and
reported on the behaviour of his colleagues. And it was not
merely what went on at the Tuileries itself that was subjected
to this constant espionage. Officials, ladies of the court,
servants also, were, on the slightest suspicion, watched wherever
they might be.
In the kitchens the surveillance was very strict, in order
that there might be no tampering with the food. Thoroughly
reliable men waited on the Emperor and Empress ; no dish, no
sauce intended for either of them, was for a single moment lost
sight of. There were night watchers also. Trusty men of the
Palace Police prowled hither and hither, and Cent-Gardes
went their rounds. When these Cent-Gardes were on duty
they showed themselves, on the whole, very vigilant and
devoted men, but they had a failing, as we shall see. Tall,
well-built, and often possessed of very handsome features, they
looked truly superb in their gala uniforms, both when they
escorted the Emperor on horseback, and when they stood
rigid, at attention, with drawn swords, on the stairs or in
the corridors of the Tuileries, when some ball or banquet was
given.
Long white horse-tails hung from their polished steel
helmets, which had tri-colour side plumes and brass plates
bearing the imperial crown and initial. Their tunics were sky
122 THE COURT OF THE TUILERIES
blue, with scarlet, gold-braided collars. Brass nuts bespangled
their bright steel cuirasses, Avhich weighed from twelve to
thirteen pounds apiece, and in which you could see yourself
as clearly as in a mirror. Their epaulettes and aiguillettes
were golden, their gauntleted gloves of Avhite buff leather,
their tight breeches of white buckskin. To their brilliantly
polished boots, rising above the knee in front and to the joint
behind, spurs a la clievallere were fixed. The undress uniforms
which they wore on their walks abroad when off duty, were
also very smart, and, all considered, it is not surprising that
they should have been much admired by the Parisiennes of
their time, and have frequently become extremely vain of the
bonnes fortunes they met with.
The police reports of the period often contained passages re-
flecting on the morality of those superb bodyguards. It was no
mere question of cooks and nursemaids as might be supposed.
Giddy women of position Avere fascinated by them, and extra-
ordinary incidents occurred. On evenings when the men were
free they would frequently be found supping in the private
rooms of fashionable restaurants, en tete-d-tete with such ladies.
The police kept a particular watch on a restaurant in the
Rue du Bac, which by reason of its proximity to the barracks
in the Rue de Bellechasse, was freely patronized by these
stalwart Musketeers of the Empire * and their inamoratas.
Certain rooms there were reserved for them, and nobody was
allowed to enter who could not give the passwords, Tresor et
mystere.
Another house they visited was the Vieux Moulin Rouge
(no connection with the Moulin Rouge of present times), in
the Avenue d'Antin, where ladies of fashion and the stage kept
appointments with them. To make matters worse some of the
men openly boasted of their conquests, and scandal ensued.
In spite of various severe disciplinary measures the evil was
never entirely eradicated, though it became less marked Avhen,
owing to the difficulty of obtaining sufficient picked men of
the requisite height, it was decided to include privates as well
* They were, as a matter of fact, armed with Treuille de Beaulieu carbines,
or mousguetons, to which their long, straight-bladed sabres of the Cuirassier
pattern could be adapted as bayonets.
CONSPIRACIES— THE TUILERIES POLICE 123
as non-commissioned officers in the corps. The latter thereupon
lost a good deal of its prestige in the eyes of giddy elegantes,
who were then not unwilling to yield the pas to their rivals of
the kitchen and the nursery.
It was to the Emperor personally that M. Hyrvoix, who —
with the title of Commissary of the Imperial Residences, was, as
we have said, at the head of the Palace Police — reported all
scandalous incidents that came to his knowledge. He more
than once had to direct the sovereign's attention to the
behaviour of his bodyguards. On one such occasion he in-
formed him of a strange disappearance which had occurred in
Paris. A woman of Mexican origin, supposed to be connected
with a New York newspaper, had vanished from her flat, and
the police had been unable to trace her. He, Hyrvoix, had
previously come in contact with her under curious circumstances,
and this is the tale he related.
At one of the balls given at the Tuileries a woman, whom
the palace police agents, dressed as ushers and footmen, were
unable to identify, had been observed in the company of an
attache of one of the foreign embassies. At a certain moment,
moreover, she had been seen making memoranda in a note-
book, and the circumstances having seemed suspicious, both she
and her cavalier had been followed on their departure from the
ball. The attache, who was approached on the matter, made a
clean breast of it, the more willingly as he was throwing up his
post and leaving France. He admitted, then, that the woman
was not his wife but his mistress ; that she wrote on Parisian
society and fashions for an American journal ; and that, being
unable to obtain the entree to the Tuileries by any direct means,
she had prevailed on him to take her to the ball in order that
she might see and describe it. Briefly, she was one of the very
first of a now long line of lady-journalists, and made her
appearance in Paris about the very time when Adrien Marx,
with his " Indiscretions Parisiennes," was writing the first news-
paper " interviews " published in Europe.
So far as the police were able to verify the attache's story it
appeared satisfactory, and the only further action they took was
to keep a discreet watch on the Avoman's movements. They
ended by finding, after the departure of her diplomat lover from
124 THE COURT OF THE TUILERIES
Paris, that she had transferred her affections to one of the Cent-
Gardes, whom she had met one day when he was off duty.
Appointments had followed between the pair ; it was known
that they had met on various occasions at a restaurant in the
Avenue de Neuilly, and that they had supped together in Paris
on the night when the woman was presumed to have dis-
appeared. All inquiries respecting her in the city having failed,
a letter had been addressed to her newspaper, Avhose editor had
answered that he had heard nothing of her for some time past,
and felt rather anxious about her. On the other hand, apart
from the fact of the intrigue, there had been nothing suspicious
in the behaviour of her friend the Cent-Garde, who, on being
interrogated, had admitted the liaison but expressed his utter
inability to account for the lady's disappearance. In the state
of the case it hardly seemed fair to prefer a serious charge
against the guard. A premature public scandal would damage
the prestige of the entire corps, for the opposition journals
would certainly pounce on the affair and exaggerate it. All
considered, then, it was deemed best to take no immediate
action, but simply to watch and wait.
The Cent-Garde in question was one of the most striking-
looking men of the corps — a veritable Porthos in build and
strength. His name was Victor Prevost. Born in December,
1836, he had been apprenticed to a Paris wire-worker, but being
afflicted with the terrible rapacious appetite known as bulimy,
he had left that master and found employment at a butcher''^,
where he Avas able to satisfy his unnatural craving for food. It
was not lost on him, for he developed great muscular power at
an early age, and became an expert slaughterer. Joining the
army in 1855, he soon passed into the Cuirassiers of the Guard,
Avith which regiment he took part in the Italian campaign of
1859. In 1862, his term of service having expired, he re-
enlisted, and four years later he was incorporated in the
Cent-Gardes.
Prevost seems to have performed his duties efficiently, and
by reason of his great physical powers he was better able than
some of his comrades to stand the strain of that rigid immo-
bility, on which Colonel Verly, the commander of the corps,
invariably insisted when his men were stationed inside the
CONSPIRACIES— THE TUILERIES POLICE 125
Tuileries, guarding either stairs or doorways. Visitors to the
palace often wondered how it was that the Cent-Gardes con-
trived to remain at their posts as motionless as statues during
all the long hours of some great ball. In reality, however, they
did nothinjy of the kind. No human beinc; could have accom-
plished such a feat ; and in point of fact, each Cent-Garde was
quietly, unobtrusively, relieved after one hour's duty.* Prevost
was among the few who boasted that they could bear the strain
for twice that time, and a propos of his imperturbability when
he was on duty there is a tale which may be repeated here.
During the Imperial Prince's childhood boxes of sweetmeats
constantly arrived at the Tuileries addressed to him, but the
Empress gave orders that he was never to eat these sweets
without her express permission. One day, when he was eleven
or twelve years old, a box of dragees being offered to him by
somebody of the court, he resolved to ask his mother if he might
accept it. On leaving the room, however, he espied the Cent-
Garde on duty at the door, and a comical idea suddenly entered
his boyish head. The soldier stood so upright, so motionless,
that one might have thought him a statue. Could he be made
to move ? wondered the little Prince. At all events, he would
try. Opening, therefore, his box of dragees, he dropped a first
sweet into one of the Cent-Garde's big boots, but without effect.
The man did not stir. A second dragee followed with no better
result, nor did the man move even when the impatient little
Prince ended by pouring down his boots every sweet that was
left in the box. That feat accomplished, young Louis, as his
parents called him, ran off to tell his mother of it, and the story
being repeated caused much amusement in the palace. Now, the
Cent-Garde in question was Prevost.
Pie quitted the corps in 1869. M. Hyrvoix was then no
longer at the head of the Palace Police, and the affair of the
missing Mexican woman had been shelved. Prevost passed into
the ordinary Paris police force, as one of the sergents-de-ville,
who after the fall of the Empire were re-christened gardiens de
la paix ; and with them he continued serving until 1879, being
* There were a few occasions when a man, having been overlooked, fainted
at his post. The weight of helmet and breastplates, and the temperature of
the ballrooms, should be borne in mind.
126 THE COURT OF THE TUILERIES
still and ever a superb-looking animal, afflicted with the same
voracious appetite as in the past, and, though he was now over
forty, still making conquest after conquest among women. He
distinguished himself on one occasion by stopping a runaway
horse at the risk of his life, but he was often reprimanded
for neglect of duty, such as absenting himself from his beat,
either to satisfy his hunger or to meet^ one of his female
acquaintances.
He seems to have had also a peculiar passion for jewellery,
which he acquired by hook or crook, and afterwards turned into
money. It was this which led to his downfall. One day in
September, 1879, a jeweller named Lenoble called by arrange-
ment at his lodgings with a large selection of jewellery, worth
about d£?240. Provost chose a gold chain, for which he was to
pay by monthly instalments, but while Lenoble was writing out
the necessary promissory notes Prevost struck him three times
on the head with a heavy coupling-iron, and to make sure of
killing him cut his throat. Being off duty that day, the
murderer spent his time in chopping his victim into pieces,
which he carried off after sunset in a laundress's basket, and
dropped into the street drains and round about the fortifications
of Paris. It was a dark evening, and he vs^as wearing a blouse,
nevertheless, a female acquaintance recognized him, and on seeing
him throw away what seemed to be a piece of meat she picked
it up. On showing it to a butcher, however, she learnt that it
was not meat but human flesh.
Prevost was arrested. Abundant proofs of his crime, in-
cluding his victim's head, clothes and jewellery, were found at
his lodgings. It was ascertained also that the unfortunate
Lenoble (a married man with children) had been cut into no
fewer than seventy-seven pieces. Prevost ended by making a
full confession of his horrid deed, and he even admitted a
previous crime, the murder of a woman named Adele Blondin,
in February, 1876. Some of her relatives had then reported
her disappearance, but although her liaison with Prevost was
known, nothing came of the investigations made at the time,
though the scoundrel had pawned some of his victim's jewellery,
sold the remainder to colleagues, and even found dealers to buy
her clothes and other articles stolen from her lodgings. He
CONSPIRACIES— THE TUILERIES POLICE 127
had disposed of her remains in the same manner as he had tried
to dispose of the jeweller's, and after his confession he pointed
out to the authorities a spot on the fortifications where the
unfortunate woman's head was found buried. However, he
never confessed the murder of the American lady-journalist
■whom he had known when a Cent-Garde, though there is little
doubt that he was guilty of that crime also. It was generally
believed that in committing the murders of which he was convicted
he had been actuated by a desire to procure money for the purpose
of satisfying his inordinate voracity. He was sent to the guillo-
tine (Deibler acting as executioner) in January, 1880. Such
was the end of one of the most imposing of those Cent-Gardes
whom the Parisiennes had admired so intensely in the days of
the Empire. But let us add that he was quite an exception. No
other man of the corps, whatever his failings, was ever convicted
of crime.
Nor except as regards pilfering * were there any serious
offences among the palace servants if one may judge by the
Adjutant-general's reports. One day the Empress having asked
for a carafe frappee, her usher at once told a footman to fetch
one. The footman, however, neglected to do so, and the
Empress remained waiting for her iced water, whereupon the
usher scolded the footman, one of whose colleagues took
the delinquent's part. There were high words — a somewhat
noisy and scandalous scene — and in the end the affair came
before General Rolin, by whom both offenders were punished
with extra duty. At another time we find a servant sent a short
distance with a letter. He leaves the Tuileries at 11.45 a.m.
and returns at 3 o'clock in the afternoon. Worst of all he is
drunk, and as a natural consequence his dismissal follows. But
such incidents occur at times in most large households, how'ever
carefully the servants may have been chosen.
There were, of course, police inquiries respecting every
domestic who applied for a post in the imperial household.
That precaution was taken even when Napoleon III. was merely
President. A police report, a copy of which lies before us, states
* If any inmate of the palace were indisposed, and tea d la francaise were
served him in his bedroom, not a drop of rum or a scrap of sugar ever went
back to the kitchens.
128 THE COURT OF THE TUILERIES
that a man named Rouyer, who has circumvented Count Clary
with the object of obtaining a situation as usher or footman at
the Elysee, formerly belonged to the household of Charles X.,
and is a dangerous Vendean, whose only purpose is to put some
poisonous substance in the Prince President's food or drink.
Whether that were true or not, Rouyer did not obtain the
situation for which he applied. A propos of his affair it may
be stated that in the earlier years of the Empire, the palace
service, the imperial stables and the hunt included many men
who had served Charles X. or Louis Philippe. We shall have
occasion to mention some of them hereafter ; for the present it
will suffice to say that they seem to have served Napoleon III.
quite as well as they had previously served the house of
Bourbon or Orleans.
CHAPTER VI
THE EMPEEOR AND HIS PRIVATE CABINET
The Emperor's Rooms — Their Decorations and Appointments— The Eagles of
the Imperial Gulard — The Council Cliamber and the Newspaper Room —
The Imperial Sanctum— The Room where New Paris was planned — The
Dressing-room and Bedroom — The Emperor's Valets — His Morning
Work — Secret Audiences and State Councils — The Lunches with the
Empress — Afternoon Work — Work-day Dinners — Plain and Substantial
Fare — The Wines and Liqueurs drunk at Court — Coffee in the
Drawing-room — The Emperor's Evening Work — The Multiplicity of
his Occupations — The Chief Officials of his Private Cabinet : Mocquard,
Conti, Pi6tri, and Th^lin — Some of the Private Cabinet's Work — Petitions
and Grants — Management of Estates — High Diplomacy — The Cabinet
Noir and Secret Police Reports — Current Accounts — A New Nobility —
Novels and Newspaper Articles — A Tale of the Imperial Sanctum— The
Alleged Theft of £8000 from the Emperor's Table— Did Marshal St.
Arnaud kill General Cornemuse ?
A NUMBER of changes were made in the internal arran elements
of the Tuileries during the eighteen years of the Second Empire.
The rooms which the Emperor used for personal purposes
during the greater part of the reign were not in all respects
those in which he first installed himself. It would be of little
interest to enumerate all the alterations. Let us content our-
selves with glancing at Tappartement de TEmpereur such as it
became and remained until the downfall of the regime.
All the rooms were on the ground floor and extended,
roughly ' speaking, from the Pavilion de THorloge to the
Pavilion de Flore on the garden side of the palace. The first
apartment of the suite was a small Ushers"* Room, which you
entered near the staircase conducting to the State Rooms on the
first floor. All the doors, let us add, were double ones, and of
solid mahogany as was all the woodwork throughout the suite.
K
130 THE COURT OF THE TUILERIES
From the Ushers' Room, which contained nothing of note, you
reached the Chamberlains' Salon, hung in grey silk and decorated
Avith Prudhon's portrait of the Empress Josephine. Here also
Avas a mahogany flag-stand in which were assembled the eagles
and colours of the Imperial Guard. The Emperor being
Colonel-in-chief of the regiments of the Guard, those colours
were deposited in his keeping. Whenever any particular
regiment was transferred from Paris to such places as Fontaine-
bleau or Compiegne, a troop of Cent-Gardes conveyed its eagle
to the palace there ; and on the occasion of any great review in
the Bois de Boulogne or on the Champ de Mars, the Cent-
Gardes again removed the eagles from the Tuileries and
ceremoniously handed them over to the respective regiments.
The latter, with similar ceremony, returned them to the Cent-
Gardes at the close of the day. At one of the last Salons of
the Empire there was a huge painting of considerable merit by
Albert Girard (a forgotten Grand Prix de Rome) depicting the
Cent-Gardes returning with the eagles to the Tuileries, by way
of the Champs Elysees. This picture was purchased by the
Emperor and sent to the Cent-Gardes'" barracks, but being
removed on the fall of the Empire, it was subsequently given
by the Empress to M. Franceschini Pietri.
Let us now return to the Emperor''s apartments. From the
Chamberlains' Salon you entered the Council Room, which was
lighted by a window and a glass door, the latter opening on to
a flight of steps which descended to the reserved garden. The
two principal paintings in this Council Room were Winter-
halter's large official portrait of the Empress Eugenie in her
state robes and coronet, and a portrait of the Emperor's elder
brother when a young man. The walls of the room were hung
with red silk, and the furniture included a couple of large book-
cases, full of works on jurisprudence, and, of course, a great
oblong table at which the Ministers sat under the Emperor's
presidency.
The Newspaper Room was the next of the suite, and here,
against the red silk hangings, was seen a large portrait of the
Empress dressed in red velvet, and with the Imperial Prince on
her knees. Quantities of newspapers, French and foreign, includ-
ing copies of those which were confiscated by the police in order
THE EMPEROR AND HIS PRIVATE CABINET 131
that the ordinary public might not read them, were disposed in
an orderly fashion both on some large consoles and beside the
piles of reports and documents set out upon a central table ;
■while at one end of the room was a book-case containing,
curiously enough, a collection of Latin poetry and prose.
Near a door Avhich you opened to enter the Emperor's private
cabinet was a stand on which the chamberlains deposited their
lists of applications for public or private audiences.
The imperial sanctum, a very spacious apartment with two
windows, had been contrived, like the newspaper room, in a
space previously occupied by some open arcades. In the centre
stood the Emperor's large writing-table, on which you might
perceive a curious gold snuff-box, previously the property of
Napoleon I., and a delightful miniature portrait of the Empress
Eugenie. The Emperor sat at this table with his back to the
fire, and with the Avindows on his right hand. Facing him, on
the other side of the table, were chairs for his Chef-de-cabinet
and his private secretary when they worked with him. On the
right was another chair for any Minister or similar personage
under like circumstances. Then, on either side of the fireplace
stood a roomy armchair upholstered in leather. The Emperor
occasionally rested in the one facing the windows, and anybody
who might be with him at the time was invited to take the
other. The clock and candelabra on the mantelpiece belonged
to the Louis XVI. period. On the right of the fireplace was an
interesting collection of miniatures of Napoleon I. and other
members of the Bonaparte family, as w^ell as a fine marble
medallion of the young Imperial Prince.
Facing the fireplace, and between two cabinets full of valu-
able bibelots and old Sevres, was a doorway conducting to the
rooms occupied by the Chef-de-cabinet and the private secretary,
while at the far end of the apartment you saw a long low
mahogany nest of drawers, full of papers and surmounted by a
large plan of Paris. Above another stack of drawers on the
left of the chimney-piece hung Ingres' study in oils of Julius
Caesar.
Among what maybe called the annexes of the imperial suite
of offices was a large Salon de Service, containing writing-tables
for chamberlains, aides-de-camp, and other officials who might
13^ THE COURT OF THE TUILERIES
be on duty. Here in a great show-case you saw Mene's wonder^
ful series of statuettes of men and officers of the French army.
Every different corps, every variety of uniform and accoutrement,
whether of horse, foot, or cavahy, was represented in this collec-
tion with the greatest exactness, and many of the little figures
were masterpieces of modelling. Most unfortunately they were
destroyed in the conflagration of 1871.
There were also special rooms where officers and function-
aries lunched, and yet another — near the Emperor's sanctum —
where stood a number of large tables covered with plans of
Paris. In that room Napoleon III. spent many months, if not
years, of his reign. There, with Haussmann and Alphand and
Viollet-le-Duc, he enthusiastically studied and prepared all
those improvements, all those wonderful transformations, of his
capital, which were the wonder of the age. Let no mistake be
made. Every man is entitled to his due, and the new Paris of
the Second Empire was as much the creation of Napoleon III. as
of Haussmann, Alphand, or another. There were financial
blunders undoubtedly, financial scandals, too, of no little
magnitude, and men such as Morny reaped golden gains ; but
the Emperor never pocketed a sou, nor did the much-abused
Haussmann — an ever-needy man, who died poor. And though
some Parisians of those days may have sneered and said that
the fine new streets were simply laid out so straight and broad,
in order that they might be conveniently swept by artillery in
the event of a popular rising, the generations which have added,
of later years, to all the city''s improvements, have never had
cause to regret that so much had been done already before their
time. Nevertheless, how mean and despicable has been the
action of those in authority, who, imagining that they could
blot out whole pages of the history of Paris, have effaced
from building after building every inscription, every crowned N,
recalling the period of its erection ! In the patriotic wrath
which followed Sedan, such action may have been excusable ;
but again and again since those days have workmen been seen
obliterating some emblem or lettering, previously overlooked,
and of a nature to recall the imperial j-egime. Often have men
of sense marvelled at the zeal of those petty, narrow-minded
iconoclasts. But passons.
THE EMPEROR AND HIS PRIVATE CABINET 133
Near the Emperor's cabinet were his bedroom, dressing-
room, and bath-room. On the left of the last named was a
private staircase conducting to the Empress's apartments on the
first floor. In the dressing-room hung some views of Arenen-
berg — so closely associated with Queen Hortense's last years and
the Emperor's early ones — as well as several engravings of Arab
sheiks after paintings acquired by Napoleon I. in Egypt. Near
this dressing-room were sundry closets and such places, where
the Emperor's Avardrobe was kept, one of them containing a
large assortment of overcoats, from the lightest of summer ones
to a heavy sealskin " Inverness," which Napoleon — a very chilly
mortal by the way — wore in severe weather. From the dressing-
room the bedroom was entered. Its chief decorations were two
Italian mosaics on either side of the fireplace, one being a copy
of a Virgin by Raffaelle, and the other a copy of a St. John the
Baptist by Guido Reni : the last-named a gift from Pius IX.
Portraits of the Emperor's father and mother hung on either
side of the bedstead, which was of the empire style. Against
the wall facing the fireplace stood a large cabinet of carved oak,
while between the windows was a smaller one containing trinkets
and family souvenirs, and surmounted by some racks of side-
arms of various kinds.
The Emperor had five valets-de-cliambre. The head one
was Leon Cuxac, who had been his valet long before he ascended
the throne. Under Cuxac, who received o£'240 a year and many
valuable perquisites, were Gouttelard and Miiller, who attended
on alternate days. Their salary was ^£'100 a year with an
allowance for quarters. The other men were supplementaiy
valets, whoso, services were only requisitioned on special occa-
sions. There was also a valet-coiff'eur in receipt of £19^0 a year,
whose duties were confined to cutting the Emperor's hair from
time to time, for Napoleon III., unlike the present German
Kaiser, always shaved and pointed his moustache himself.*
Further, there was a fire and candle-man attached to the private
apartments, and four froiteurs, who, besides waxing and polish-
ing the marquetry floors, dusted and cleaned the rooms.
* It was originally a medium hroivn, as shown in the better paintings from
the life ; but in later years it was, for a time, darkenecl by a dye to conceal
greyuess.
134 THE COURT OF THE TUILERIES
The day-valet usually entered the Emperor^s bedroom to
draw up the blinds and open the shutters at half-past seven
o'clock. The Emperor then speedily rose and repaired to his
dressing-room, where he found Cuxac awaiting him. He took
a bath and dressed, and while he was drinking a cup of tea,
Charles Thelin, the Keeper of the Privy Purse and Wardrobe
Superintendent (in which capacity he checked all tailors\
hosiers\ hatters"*, and bootmakers'* accounts), came in — displaying
his huge moustache a la Victor Emmanuel — to take orders
respecting a variety of private donations and charitable con-
tributions. Dr. Conneau arrived at the same time, and usually
profited by the opportunity to call attention to cases of distress
which needed relief. Conneau and Thelin, those old associates
of the days of Napoleon's imprisonment at Ham, were always the
best intermediaries for folk who sought pecuniary assistance of
the Emperor. The cases which Dr. Conneau brought forward
were included in the general expenses of the Imperial House-
hold ; while as those which Thelin dealt with concerned only the
}'rivy Purse, the accounts respecting them were rendered privately
to the Emperor himself.
It may be mentioned that Napoleon III. usually partook of
only two meals a day — dejeuner at noon and dinner in the
evening. After his matutinal cup of tea and his consultation
with Conneau and Thelin, he went straight to his private
cabinet or work-room, unless, indeed, there were some occasion
for him to go out. On ordinary work-days at the Tuileries he
wore a dark blue frockcoat and waistcoat, with fancy trousers,
and for a good many years he adhered to the trouser-straps
which had been fashionable before he came to the throne. In
Paris, whenever he went out in civilian attire, he wore the
orthodox silk hat and — almost invariably — Suede gloves of the
shade known as pearl-grey. He generally took Avith him his
favourite walking-stick, which was of rhinoceros hide with a
gold handle fiq-urini^ an ease's head.
On entering his work-room, whither he was followed by the
Chef-de-cabinet, the first functionary whom he usually received
was that important personage the Prefect of Police. Later
came one or another Minister with whom the Emperor worked
during a part of the morning. Those who attended most
THE EMPEROR AND HIS PRIVATE CABINET 135
frequently were the Ministers of State and of Foreign Affairs.
Other private audiences were also occasionally given in the
morning, though the usual time was from 1 to S p.m. Apart,
however, from the audiences respecting which the usual routine
of the Chamberlain's service was observed, there were others of
a particularly private, virtually secret character, such as were
accorded to certain politicians and journalists. Those visitors,
then, did not pass through the Chamberlains'' Salon, but were
ushered direct into the Emperor\s sanctum by Felix Werwoort,
his trusty first usher. Werwoort was a confidential servant of
high importance, whose zeal was rewarded by many handsome
gifts from the Emperor.
Twice a week when the Court was at the Tuileries a
Ministerial Council, beginning at 9.30 a.m. and usually lasting
a couple of hours, Avas held in the Council Room under the
Emperor's presidency. There were also occasional meetings of
the Council of State to examine some proposed law of im-
portance, and these, as the room where the Ministers assembled
was not large enough for a numerous gathering, were held in
the Salle des Travees, which was then fitted up with all the
appurtenances of a council chamber. The Councillors arrived
in dress coats and white cravats, and the Emperor wore the star
of the Legion of Honour, and was attended by the aide-de-
camp and chamberlain on duty.
On ordinary work-days the Emperor quitted his cabinet
about noon and received in the Council Room the various Great
Officers of the Household who came to present their reports.
He then climbed the private stairs to the apartments of the
Empress, with whom he went to dejeuner. The appointed hour
was noon, but owing to the great amount of work to which the
Emperor had to attend, he was invariably more or less late.
During the earlier years the sovereigns lunched en tete-a-tete ;
a little later a cover was laid for the Imperial Prince ; but after
a time, when the boy's studies required that he should take his
meals at regular hours, he lunched alone with his tutor. The
dejeuner of the Emperor and Empress was a very simple affair
— eggs, steaks or chops, and fried potatoes, boiled fowl, calves'
liver or beef or sheep's kidneys, (and, of course, fish every Friday)
• — such were the dishes set before them. There were also early
136 THE COURT OF THE TUILERIES
vegetables and fruit from the kitchen gardens of the Palace of
Versailles. Preillon, the Empress's maitre d'hote!, presided over
the service, and the Emperor and Empress's valets-de-charnhre
and a couple of footmen were in attendance.
The meal being finished the sovereigns retired to the
Empress's study, where the Emperor remained for a time
chatting and smoking cigarettes ; but this respite from work
was very brief, as there was always somebody waiting to be
received by him. He Avas thus compelled to return to his own
room. The household officials were also in readiness to resume
their duties, having lunched together either in the Stucco Hall
or in a dining-room near the palace chapel — the meals being of
three and four courses, with red and white vin ordinaire, two finer
wines, coffee, and cognac. For an hour or two, after giving one
and another private audience,* the Emperor rode or drove out, or
walked in the reserved garden. Then, returning to his private
room, he continued working until dinner time. Shortly after
seven o'clock, realizing that he was already late, he hurried into
his dressing-room, made a hasty toilet, and wearing a white
tie and a black dress-coat with the star of the Legion of Honour,
betook himself once more to the Empress's rooms.f
He then accompanied her to the drawing-room, either the
Salon des Tapisseries or the Salon d'Apollon, where the officers
and ladies on duty were waiting. On ordinary occasions the ladies
were in a decided minority, as they then consisted solely of the
two " dames du palais " in attendance on the Empress, whereas
the men included the adjutant- general of the palace, the
aide-de-camp of the week, the chief officer of the detachment of
the Imperial Guard stationed at the Tuileries, the colonel of
the Cent-Gardes, the chamberlain, the equerry, and the
orderlies on duty, as well as Dr. Conneau, and occasionally the
equeiTy to the Empress. Count Baciocchi was also present
whenever the sovereigns intended to spend the evening at a
theatre ; Count Arese, a particular friend of the Emperor's, was
* The public audiences were usually given on Sunday, after Mass, and the
Emperor was then generally detained for a long time by the crowd of military
men and civil functionaries who presented themselves.
t At certain of&cial dinners he wore a blue dress-coat, a white waistcoat,
black silk breeches and stockings, and at the more important banquets he
appeared in military uniform.
THE EMPEROR AND HIS PRIVATE CABINET 137
also a frequent guest, and a cover was laid for General Dufour
of the Swiss army — Napoleon's former military tutor — whenever
he happened to be in Paris.
The Prefect of the Palace having informed the Emperor
that dinner was served, the whole company passed in procession
into the dining-room. On ordinary occasions the Emperor and
Empress sat side by side, but at official dinners they faced one
another. From sixteen to twenty servants were usually present.
The cuisine was not particularly rechercMe. The Emperor
personally preferred plain and substantial fare — salmon, stewed
beef a la jardiniere, roast capon, and mutton en ragout were
among his favourite dishes — and moreover Benoit, the head
cook, was a man of somewhat old-fashioned ideas. The
Empress's tastes differed, and now and again when she had
dined with Prince Napoleon or Princess Mathilde, both of whom
kept a very good table, she would ask why such dishes as she
had then partaken of could not be served at the Tuileries.
M. Benoit would thereupon make an effort to distinguish
himself, but he soon relapsed into his usual heavy, monotonous
style. At the same time it must be said that there was a gi'eat
abundance of edibles, and that the finest fish, game, vegetables,
and fruit were provided. The wines mostly drunk at the
Tuileries were vin ordinaire (Mont-Rose), then Cos d'Estournel,
Chateaux Le'oville, Margaux and Lafitte, Sauternes, Schloss
Johannisberg, and some very fine old tawny Port. Burgundy
was seldom seen. When Champagne was served, either at the
dinners or the ball suppers, it was invariably Veuve Clicquot.
The Emperor had a particular friendship for M. Werle, the
senior partner in that famous house, who was both Mayor of
Rheims and a deputy. As for the liqueurs which figured at the
Tuileries, these, in addition to brandy of the best quality,
included rum, kirsch, and anisette, the Empress occasionally
sipping a few drops of the latter after dinner. There was also,
in strictly limited quantities, some absinthe for the officers who
could not forego that deadly aperitif.
On ordinary days there was little conversation at table.
Those who were present exchanged a few remarks in under-
tones, never raising their voices unless it were to reply to the
Emperor and Empress when addressed by them. Neither then
138 THE COURT OF THE TUILERIES
nor in the drawing-room afterwards, was any allusion made
either to politics or to any current Parisian scandal. At times,
when the Emperor was going to the theatre he would speak of
the stage generally, and of previous works by the author whose
new play he was about to see performed. On other evenings he
would turn the conversation on to some fire or street accident
of which he had read in an evening newspaper.
In the earlier years of the reign dinner was served in the
Galerie de Diane, or rather in a part of it separated from the
rest by the movable partition of which we previously spoke.*
Subsequently the Louis XIV. Salon, a small but elegantly
appointed apartment, was used. Directly the meal was over a
procession was again formed and the whole company returned
to the drawing-room. The maitre dliotel on duty then handed
to the Prefect of the Palace a richly worked silver-gilt salver
called porte-a-boire, having beneath it a central foot or handle
by which it w^as carried. A cup and saucer and a sugar-basin
were set upon the salver w-ith which the Prefect then cere-
moniously approached the Emperor, Avho allowed the maitre
cThotel to pour a few drops of black coffee into the cup. Coffee
was next offered to the Empress in the same manner, but she
never accepted it, and the maitre d'hote! proceeded to serve the
ladies and gentlemen who were present.
Occasionally the Emperor, seating himself at a little table,
would take up a pack of cards and try his hand at " patience "" ;
but before long he again went downstairs to his private room to
peruse the despatches and reports which had arrived for him.
The evening ones were almost always the more important.
Till ten o'clock he remained closeted with his Chef- de-cabinet
or his private secretary. When official business did not claim
his attention he turned to his "Life of Julius Csesar." On
some evenings when he had invited certain members of the
Institute of France to dinner, he communicated passages of
that work to them. Next, about ten o''clock, he returned to
the drawing-room where he had left the Empress and the
officials, and drank a cup of tea. Then back to his private
room he went once more, and at the time when he was busy
with the "Life of Caesar"" he remained working at it in privacy
* See ante, p. 22.
THE EMPEROR AND HIS PRIVATE CABINET 139
until past midnight. At last, however, he threw down his
pen and betook himself to his dressing-room where a valet was
waiting. His toilette de ruiit was soon completed, and he went
to bed after a sixteen or seventeen hours'' day. In the earlier
years he slept soundly, but his malady subsequently compelled
him io use narcotics.
Of course his life was varied. There were often times when
he had to entertain foreign royalties, open the Legislature,
inaugurate some building, inspect some work in which he was
interested, review his army, put in an appearance at an
exhibition or a race-course, undertake a journey, and so forth.
On those occasions, however, the ordinary work still had to be
done, and it became necessary for the Emperor to expedite
everything at the double-quick, never dawdling for an instant
if he wished to regain lost time. From 1851 to 1861 the
work which fell on Napoleon HI. was far heavier than that
which is the lot of the constitutional sovereign, for during
that period his was essentially a personal rule, and he deemed it
necessary to look into every matter of any importance. Quite
apart, moreover, from ordinary affairs of State the w^ork accom-
plished by the Private Cabinet — most of which came under the
Emperor''s eyes — was very great indeed. Let us try to give
some account of it. But first we will glance at the principal
officials of the cabinet — M. Mocquard, its chief, and his suc-
cessor, M. Conti, M. Franceschini Pietri, the private secretary,
and M. Thelin, the keeper of the Privy Purse.
Jean Francois Constant Mocquard, born at Bordeaux in
1798, was descended on his father's side from a family of San
Domingo planters and merchants, and on his mother''s from the
scandal-loving Bussy-Rabutin, the author of " L'Histoire amou-
reuse des Gaules." Thouo;h educated for the law, he began
life in the diplomatic service of the First Empire, being sent to
Germany as a secretary of legation ; but on the downfall of
Napoleon he withdrew into private life. In 1817, when he was
but six and twenty he was presented to Queen Hortense at
Arenenberg, and his comparative youth, his flow of spirits and
his ready wit were well calculated to produce an impression on
a woman of an inflammable nature, one too, who might still be
classed, to use Balzac's expression, as a femme de trente cms.
140 THE COURT OF THE TUILEPJES
Only surmises, however, no proofs, have ever been tendered
with respect to the relations of Mocquard and the ex-Queen of
Holland. He returned to France, and practising as an advocate,
he came to the front by pleading for Bonapartist and Re-
publican defendants in the great political conspiracy trials of
the Restoration, such as those of the Black Pin secret society,
and the Sergeants of La Rochelle. But a thi-oat complaint and
the loss of his voice constrained him to retire from the bar,
and he next tried his fortune as a subprefect in the Pyrenees,
under Louis Philippe's government. Difficulties arising with
his superiors he threw up that post in or about 1839, and being
a Bonapartist at heart, his thoughts turned to Queen Hortense's
son, Louis Napoleon, with whom apparently he had more than
once corresponded. He visited the Prince in London, and after-
wards supported him on the Paris press, becoming one of his
most trusty adherents. As such he opposed the expedition to
Boulogne, predicting its failure, and some little estrangement
ensued ; but after visiting the Prince at Ham Mocquard again
became one of his representatives in Paris, and in 1848 it was
he who chiefly organized those Bonapartist demonstrations
which first prepared the way for the coming Empire.
Mocquard was a man who detested ceremony and etiquette.
Had he chosen he might have held some great public office. It
is true that he was made both a grand officer of the Legion of
Honour and a senator, but he very seldom went to the Luxem-
bourg. He much preferred to work behind the scenes, in a
semi-private capacity. Chief of Napoleon's Private Cabinet
under the Republic, such he remained under the Empire. That
he took a prominent part in planning the Coup d'Etat is well
known. He helped to compose the various proclamations
which were then issued, and all the drafts were in his hand-
writing. He went into the affair prepared to sink or swim,
and on that fateful night of December 1, when those who met
in Napoleon's private room at the Elysee were full of anxiety,
it was Mocquard who revived their spirits by jocular de-
scriptions of Avhat would happen in a few hours' time.
Poor little Monsieur Thiers, how that lock of hair a-top
of his head would rise in amazement when he saw a police
commissary enter his bedroom ! How dreadful would be the
THE EMPEROR AND HIS PRIVATE CABINET 141
awakening of that doughty warrior, General Changarnier,
forced to rise ^nd put on his stays in the presence of the
grinning officers of the law ! It was to be hoped that Mme.
de X. would not be there. Then, too, what a pompous oration
the olympian Victor Hugo would deliver ! How blue Charras
would turn in his impotent fury ! And how woefully qua?stor
Baze would fume and fret at findino- himself caught like a rat
in a trap, in spite of all his secret passages ! In that style
Mocquard rattled on, sketching in turn all the anti-Bonapartists
who were to be arrested, expatiating on their physical im-
perfections, and mimicking their consternation at finding that
they would have no nice hot cafe au lait by a warm fire-side
that cold December morning. The Chef-de-cabinet's flow of
spirits proved contagious. His fellow conspirators laughed,
and anxiety subsided.
For his duties at the Tuileries under the Empire Mocquard
received d£*l!200 a year, and Napoleon furnished and granted
him as residence a house in the Rue de Rivoli comprised in
the dotation of the Crown. Inclusive of his pay as a senator
and his Legion of Honour allowance, Mocquard's official income
was about i?2600 per annum, but he also made a good deal of
money by writing melodramas. How he found time to do so
was a mystery, for his duties at the Tuileries were heavy. All
the letters and despatches addressed to the Emperor (and they
were legion) passed through his hands : he opened and classified
them eai'ly every morning. He also worked Avith the Emperor
for some hours each day, and he was constantly entrusted with
confidential missions and negotiations, at one moment attending
to Napoleon''s farming and land-reclaiming schemes ; at another
having a furtive intei"view with some secret envoy on matters
which, if divulged, might have made Europe tremble ; at
another scolding or pacifying some greedy or angiy imperial
mistress ; and at yet another betaking himself to the residence
of some member of the imperial family, either to signify a
private command or express the sovereign's displeasure. But,
as we have said, he found time to write melodramas, sometimes,
as with " La Fausse Adultere " and " La Fiance'e d'Albano," in
conjunction with D'Ennery, then in his early prime ; or else, as
with "La Tireuse de Cartes," in collaboration with Victor
U2 THE COURT OF THE TUILERIES
Sejour ; while on other occasions he produced pieces which
were entirely his own, such as "Les Volontaires de 1814," and
particularly the famous " Prise de Pekin," that most extra-
ordinary, most comical, most successful military melodrama of
the period, the memory of v^hich has haunted us for over forty
years.
Ah ! that play, and ah ! its hero — the fair-complexioned
and red-whiskered War Correspondent of The Times, with
his tropical helmet, his green "Derby" veil, his umbrella, his
telescope, his camp-stool, and his portable desk, all of which
he took into action, seating himself at the desk in the front
rank of battle, and there carefully penning his " copy," quite
regardless of shot and shell. " You will be killed if you remain
there ! " a grizzly French sergeant cried to him. " Go to the
rear ! " " To the rear ! " the hero of The Times indignantly
retorted, while the bullets whistled around him. " Why, in
that case, I should see nothing, and I have to describe this
battle for the first newspaper of the first country in the
world ! " Thereupon English spectators, who had previously
felt inclined to resent the hero''s comical " make up," applauded
frantically.
The Avriting of melodramas was not Mocquard's only hobby.
He had a penchant for American trotters, and it was a sight to
see him occasionally whisking along the Rue de Rivoli and up
the Champs Elysees, with " Flying Jenny," going her fastest, in
front of him, and his "tiger" clinging behind. He was, let
us add, a very tall, slim man, quick in his movements, and
in his later years somewhat strange in his appearance. A few
grey hairs fell over his broad, bumpy forehead, he had a long
nose, black, sparkling eyes, and thin, twitching lips, which, on
parting, disclosed the fact that he had lost nearly all his teeth.
Excepting when he was absolutely forced to attend some official
ceremony, he invariably wore a grey frockcoat — " la Redingote
grise " of Napoleon I., seme used to call it, though others averred
that it was the garb most appropriate to the Chef-de-cabinet"'s
position, for was he not the " Eminence grise " hovering beside
the purple of the throne ? In some circumstances Mocquard
undoubtedly acted as Napoleon's alter ego, and he was certainly
for many years the confidant of his most secret thoughts and
THE EMPEROR AND HIS PRIVATE CABINET 143
schemes, the man who knew more of what was passing in his
master's mind than either Morny, or Persigny, or Rouher, or
even Fleury, that other coiifidant, ever knew. Mocquard died
in December, 1864, and was buried with no little state and
ceremony. On the Emperor''s behalf, M. de la Gueronniere
pronounced a significant oration by the grave-side : " His
Majesty,"" said he, "weeps to-day for the faithful servant
who has so long been the depository of his thoughts."
Mocquard's successor as Chef-de-cabinet was M. Charles
Conti, a Corsican by birth and a lawyer by profession. His
name is mentioned in some strange letters addressed to Ledru-
Rollin about the time of the Revolution of 1848. He then
courted Ledru -Rollings favour as a very zealous, advanced
Republican. But he soon changed his tactics. Becoming a
deputy, he voted for the Expedition to Rome, and later, as
a Public Prosecutor, he made no secret of his animosity for
all Republicans. A post as Councillor of State was his reward.
Like Mocquard, Conti had a literary bent, but instead of writing
melodramas he preferred to trifle with the Muses. He lacked
the flow of spirits which distinguished his predecessor, being of
a far more sedate disposition. Perhaps he was a more suitable
Chef-de-cabinet for a sovereign of advancing years, but in any
case we do not think he was ever taken as fully into the
Emperor''s confidence as Mocquard had been.
Under the Chef-de-cabinet was the Sous-chef, Avho for some
years was M. de Dalmas. He did a great deal of work in
connection with the correspondence, but neither he nor his
successor, M. Sacaley, was entrusted as were Mocquard and
Conti with any very secret matters. There was also, as already
mentioned, the Emperor's private secretary, M. Eranceschini
Pietri, a nephew of the two Prefects of Police of that name.
M. Pietri's work was largely of a secret character. Having
the custody of all the Emperor's cyphers and codes, it was he
who translated and transcribed the despatches which arrived,
and prepared the answers to them. He was in close attendance
on Napoleon, during both the Italian campaign of 1859 and
the war of 1870. At the Tuileries he led a life of extreme
hard work, rising betimes and retiring late, having to remain
with the Emperor every evening, unless there were a ball or a
144 THE COURT OF THE TUILERIES
reception. It is well known that M. Pietri was an extremely
faithful servant. He followed the imperial family into exile,
and after Napoleon"** death acted as private secretary to the
Imperial Prince and the Empress Eugenie successively.
We have yet to speak of Charles Thelin, originally Napo-
leon's valet, but promoted under the Empire to the posts of
Keeper of the Privy Purse and Wardrobe Superintendent. The
reward was not excessive, perhaps, for the services which he
had rendered to his master. In 1840, while Dr. Connean,
inside the fort of Ham, assisted Napoleon to escape from it,
Thelin, who was outside, made the escape certain by providing
the necessary vehicle and horses for flight. Under him at the
Tuileries were all the Emperor''s valets, including even Cuxac
and the latter's successor, Miiller, who followed Napoleon to
England in 1871. Further, Thelin had charge of all the
private jewellery and such of the crown jewellery as might be
kept at the palace. Every article was enumerated in a ledger,
and whenever the Emperor or Empress sent for one thing or
another, a written order had to be handed to Thelin, and an
entry made in the ledger to the effect that such or such an
article had been given out. In due course its return was
noted. Twice a year there was a careful verification of all the
crown jewels in the presence of high officials of the Imperial
Household.
The work done in the Private Cabinet, that is in the rooms
of the Emperor, Mocquard, Pietri, and Thelin, was of the most
varied nature. Communications of all kinds poured in without
cessation, and had to be attended to. Of petitions for pecuniary
assistance or for employment of one or another kind, there was
no end. One day the notorious Vidocq, of Detective Police
fame, the author of the axiom, " Set a thief to catch a thief,"
writes thanking Mocquard for past favours, and reminding him
that New Year's Day is at hand, and that he, Vidocq, is
eighty-four years old, and poor. Then Prince Poniatowski
writes that as the Emperor is unwilling to appoint him manager
of the Opera, will he at least give him a receivership to the
Treasury or a post in Algeria ? A certain M. Cerfbeer begs to
be made a senator, grimly pointing out in his letter that it
would not be for very long, as he is already seventy-four years
THE EMPEROR AND HIS PRIVATE CABINET 145
old ! D'Aurelles de Paladines — destined to fight Von der
Tann at Coulmiers, winning one of the few French victories of
the War of 1870 — begs that he may be kept in active service,
urging as one of his chief claims for that favour his services at
the Coup d'Etat ! Then, too, the Prince de Crouj-Chanel,
subsequently involved in some financial scandals, entreats the
Emperor to confirm his title. And so on, and so on.
Next there are quaint suggestions and angry denunciations.
Some provincial magnate thinks it Avould be a good idea to
turn all non-commissioned officers into village schoolmasters on
their retirement from the army ; while another is indignant at
the manner in which a certain regiment of Hussars behaves to
the women of his localit}'. There are also curious, even aston-
ishing, offers. A Mr. J. Blofield writes from Sloane Street, W.,
stating that he is the proud possessor of the identical truncheon
which the Emperor carried Avhen he did duty as a special con-
stable in London during the Chartist riots. He will be pleased,
however, to sell it to the Emperor for £12. " Decline this
offer," writes Napoleon on the margin of the letter. He had
no further use for truncheons — his police were armed with
deadlier weapons. But the prize for amusing offers is certainly
due to a M. Raphael Osson, who states that he is the father of
a son aged nine months, but " considering the exceptional and
really prodigious qualities of the child," he regards himself as
" unworthy to retain such a treasure," and thinks that " he
cannot do better than offer it" to his Majesty the Emperor,
for which sole purpose he has come all the way from Egypt
to Paris ! That letter is not annotated ; but though the
Emperor's family was very cosmopolitan, he can have had no
desire to add to it any Egyptian baby, even a phenomenal
one. We can picture the laugh which arose in the imperial
sanctum when the gleeful Mocquard, anxious perhaps to drive
some cloud from his master's brow, showed him that extra-
ordinary letter.
Quite as amusing, if in another way, is a petition addressed
to the Imperial Prince, but referred to the Private Cabinet for
consideration. It is written by a notable hairdresser of the
time, one Edmond Lcspes, of the Boulevard Montmartre.
'* Your young head," says he to the Prince, " needs no severe
L
146 THE COURT OF THE TUILERIES
coiffure^ such as that of Titus, nor even a coquettish wig, such
as that of Louis XIV., but the best-disciphned things require
guidance, and I should feel honoured if I were allowed to pass
the light-brown tortoiseshell comb through your light-brown
locks. I should not forget that I was touching a brow destined
to wear a crown. I am not a traitor like Leonard [Marie
Antoinette's coiffew'], nor a perfidious counsellor like Olivier le
Daim [barber to Lous XI.]. I am not a political man at all,
but merely a capillary artist." In spite of that elegant effusion
— worthy of the other Lespes — Timothee Trimm of Le Petit
Journal — we do not think that M. Edmond was ever appointed
hairdresser to the Imperial Prince. He would scarcely have
suited the Tuileries, for he was a talkative man, with far too
many journalists among his Boulevardian customers.
At another time, the Emperor having finished his " Life of
Caesar,'" and despatched presentation copies to prominent
French and foreign literary men, the Private Cabinet is inun-
dated with letters of obsequious flattery and congratulation.
Further, there are the innumerable petitions, drawings, models,
and specimens emanating from inventors. These are all ex-
amined and reported on, and again and again the Emperor,
struck by some idea, grants the applicant a personal audience.
On one occasion he gives a whole morning to M. Boutet, who
comes to him with twenty or thirty huge plans of a projected
brido-e over the Channel — one of the earliest schemes for linking
England to France.
Diplomacy also largely engages the attention of the Private
Cabinet. The Foreign Minister is one of the most frequent of
the Emperor''s visitors ; but there is also secret as well as official
diplomacy. Here first germinates the so-called " greatest
scheme of the reign," the foundation of an empire in Mexico ;
here the idea of the annexation of Belgium is first mooted ; here
orio-inates that of mediating between Prussia and Austria and
securing Venetia for Italy. One mornmg, too, an estafette
summons Fleury, who, after a brief chat with Napoleon, hurries
away from France to prevail on Victor Emmanuel to renounce
his ideas on Rome. Here, too, comes Lebrun before starting on
his secret mission to Vienna, to prepare a combined Franco-
Austrian attack on Prussia in 1871 — the attack which Prussia
THE EMPEROR AND HIS PRIVATE CABINET 147
forestalls the previous year. Before then, Cavour and Bismarck
and many others, famous ministers and unknown secret agents,
had occupied the armchair which faces Napoleon*'s beside the
fireplace in the imperial sanctum. It was well, perhaps, that
the Emperor invariably strove to preserve an expressionless
countenance, for he always sat in the armchair facing the light,
to Avhich the others turned their backs. That was an imperial
blunder, such as none of the many investigating magistrates at
the Palais de Justice would ever have perpetrated.
But let us picture the Emperor alone for a moment.
Mocquard has just handed him one of " Elizabeth''s "" reports on
the chit-chat and social scandals of Paris, and Napoleon scans
it attentively, bent on ascertaining both what the royalist
salons of the Faubourg St. Germain and the cafes of the
Boulevards are saying and doing. At another moment a report
from a secret agent in London receives attention, and the
Emperor on reading it notes that Rimmel, the perfumei",
Grillon, the landlord of the Clarendon Hotel, and Fechter, the
actor, are described as " dangerous Orleanists."
But here come the transcripts of the letters opened in the
" Black Cabinet "" of the post-office, and if the Emperor likes
he can pry into the secrets, not only of the regims's adversaries,
but of his own ministers and aides-de-camp, and his wife''s ladies
and equerries as well. The Prefect of Police is supposed
to be trusted; nevertheless there are reports on him also, as
there are others on the Director of Public Safety at the
Ministry of the Interior. If a lady of rank takes a lover, or a
married functionary a mistress, Napoleon learns all about it. It
is the same when St. Arnaud loses heavily at the Bourse, and
when Morny is not particularly careful to conceal the secret
commission which he pockets over some shady speculation.
Transcripts of private letters, written by such partisans as
Baroche, Bazaine, and Rouher, arrive at the same time as tran-
scripts of those penned by adversaries like Thiers, Clement
Thomas, and Charras. It is a certain Simonel who directs the
Cabinet Noir. Under him, from 1851 to 1859, is Commissary
of Police Musse, and from 1859 to 1870 Commissaries Marseille
and Berillon. Those are the gentlemen who operate, who
seize, open, read, transcribe, and reseal all suspicious letters
148 THE COURT OF THE TUILERIES
confided to the postal service, letters which are afterwards duly
delivered at their addresses. Simonel often has to work very
hard indeed. During the Mexican expedition, the Emperor
becomes extremely anxious to ascertain the real truth respecting
the situation. For that purpose private letters written by
officers of the expeditionary corps are freely opened. Every
time a Mexican mail arrives Simonel spends three days and
nights " working at it," with the utmost diligence. Yet he is
treated neglectfully. He is not a man of any means, and his
secret emoluments are only paid him after long delays. At
last he . complains privately to Persigny, who acquaints the
Emperor with his position.
The Civil List and the Privy Purse have to make many
strange disbursements. If it is not Charles Thelin it is Pierre-
INIichel Bure, the Emperor's foster-brother and Crown Treasurer,
who has to provide money. At one moment large sums go to
the Countess de Montijo. A memorandum, in which the year
is not indicated, says: "Sent to Mme. de Montijo in Spain,
through Messrs. Rothschild, Feb. 4, 600,000 francs; April 9,
89,739 francs; May 27, 668,421 francs. Total, 1,358,160
francs " — that is about =£'54,326. Some have wondered why so
much money was sent to the Empress's mother. The most
likely explanation is that it was in connection with the improve-
ment and development of the Empress's estates in Spain.
Napoleon, for his part, spent large amounts on the estates which
he acquired in France, the tracts of country which he reclaimed
and planted in Les Dombes and Les Landes ; all of which, be it
noted, was very useful and beneficial work. The same may be
said respecting the Emperor's experimental farm at La
Fouilleuse, which, again, was no light tax on him.
Let us now glance at one of Bure's registers. Here, item
by item, is set forth the expenditure incurred at the baptism of
the Imperial Prince — total £'35,920 ! Turn a few pages, here
are extra allowances to Prince Achille Murat, making £'3328,
special grants to Princess Anna Murat of .£333 per month, and
the same to Pierre Bonaparte of £'80 a month over and beyond
his regular allowance ; while during a long period £'120 is spent
monthly on excavations in the Farnesina Gardens at Rome.
Now peep into one of Th^lin's books. The Privy Purse seldom
THE EMPEROR AND HIS PRIVATE CABINET 149
has any large balance in hand at the end of the month. Oat
of <£'4<000 paid into it only a few hundreds will be left.
Dusautoy, the tailor, relieves it of ^£'1000 or so from time to
time ; Baron Jerome David, who will figure in our chapter
on the imperial family, pockets money for furniture as well as
for living expenses. And there is a hungry crew of official
journalists duly provided for. Payments are made also to the
executors of Lieutenant Aladenize, one of Napoleon's con-
federates at Boulogne in 1840.
We give on pages 150 and 151 two statements of accounts
found in the Emperor's private room after the Revolution of
1870. They include only regular payments foreseen in advance,
and represent but a fraction of the outgoings.
Yet other matters occupied the Private Cabinet. At one
moment there was an elaborate scheme for the foundation of a
new nobility. Ministers, judges, senators, prefects, and other
functionaries were to be given titles, according to their office
or the duration of their services. Reports were drawn up on
the subject, a proposed law was even drafted and discussed by
the Council of Ministers. The Empress, who held many titles
herself and belonged to a country where they were very plentiful
and also often absurd,* is said to have smiled upon this
plan, but it came to nothing ; and only now and again did
the Emperor create some duke, marquis, count, or baron. The
scheme was, in part, based on the circumstance that the old
nobility was fast dying out, and that, in particular, the titles
granted in the time of Napoleon I. were lapsing year by year for
lack of heirs.
That was certainly quite true. As regards the old French
aristocracy the average duration of a noble house was not more
than three hundred years. Yet research has shown that the
nobles often had many children. Three of the Montmorencys
left fifteen sons, the four first Guises left thirty ; one of the
Noailles had nineteen children, one of the Harlays eighteen,
while the Birons, the Condes, the Villiers de TIsle-Adam, and
* Could there be anything more ridiculous than such titles as Marquis of
the Lover's Bock, Marquis of Eggshell (Algara), Marquis of the Calves' Grotto
(Gueva de Becerros), Count of the Castle of Sparks, and Viscount of the Deep
Bay of Royal Fidelity ? — aU of which may still be found in Spain.
150
THE COURT OF THE TUILERIES
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many other families were at times so numerous that one might
have thought they would last for ever. But they died off like
the twenty branches of the Montmorencys, the seven of the
Harcourts, and the six of the Luxembourg's. In like way few
now remain of the noblesse of the First Empire, which was far
less prolific than the older aristocracy, and has thus become
well-nigh exhausted in a single century. But however repub-
lican the majority of Frenchmen may be nowadays, there is
still no lack of individuals who fancy a title and assume one —
occasionally, by reason of some remote connection with a family
of authentic noblesse, but more often without the faintest shadow
of justification for their action.
But let us leave that subject, and resume our survey of
the Emperor''s Private Cabinet. He had literary proclivities,
as we know, and on at least two occasions he thought of
writing a novel. That is, a novel with a purpose. In the
first instance, apparently, it was to have been a satire on the
stubborn folly of some folk of the middle class in not rallying
thoroughly to the support of the Empire. In the second it
was to have glorified all the material progress made by France
under the imperial auspices. In both cases the chief character
was to have been, curiously enough, a grocer. First Rossignol,
and later Benoit, was to have been his name. It is probable
that the calling of grocer was chosen for this personage because
then, as now, it was often associated with ignorance and
stupidity. Henri Monnier and others had repeatedly satirized
it, and sometime in the sixties, when the Emperor was thinking
of this novel of his, a grocer''s assistant committed suicide in
Paris under curious circumstances. He left a paper behind
him stating that he had often endeavoured to embark in some
other calling but had failed, having been invariably thrust back
into the grocery line, though he loathed and detested it, as it
was paltry, unmanly, and degrading. Finally, he asked that his
savings might be applied to the expenses of his burial and the
erection over his remains of a neat tombstone bearing the
inscription : " Born to be a Man, but died a Grocer."
Whether the Emperor ever read that tale in his favourite
evening newspaper La Patrle, we do not know, but it might
well have influenced him in choosinjr a calling- for his " hero."
THE EMPEROR AND HIS PRIVATE CABINET 153
Memoranda respecting the two " plots " were found among his
private papers after the fall of the Empire. In the first scheme
Rossignol was portrayed as an obstinate, shallow individual,
with antiquated and foolish ideas ; in the second Benoit was
shown going to America in 1847 and returning to France in
1868, when everything he beheld, the absolute transformation
of the country under the beneficent Napoleonic sway, filled him
with the utmost amazement.
At various times the Emperor financed political newspapers,
such as Le Cojistitutionnel, Le Pays, V Etendard, Le Public,
Le Dl;v Decemhre, VEpoqiie, (whose nominal owner was his
tailor Dusautoy), and Le Peuple Fran^ais, for which Thelin,
with many shakes of the head, had to disburse in one year
no less than ii'56,000. Most of this financing was done
during the last period of the regime, when, more liberty having
been given to the press, several opposition journals were
started, and it was thought necessary to have organs to answer
their attacks. Occasionally the Emperor wrote articles for
these journals, more particularly for Le D'lx Decenibre, or,
if he did not actually write them, he drew up, as an
editor might do, memoranda setting forth various facts and
arguments which he wished to see elaborated. Several such
memoranda were found at the Tuileries after Sedan, and
journalists of a class were by no means the least frequent
visitors to the Private Cabinet — though, of course, many were
dealt with by the official Press Bureau at the Ministry of the
Interior. During the last years of the Empire the interest
which Napoleon took in journalism seemed to indicate that he
no longer held the opinion, so often expressed in his early years
and his prime, that the best newspaper in the world was not
worth a rap.
Amono' the curious and notable meetino;s which occurred in
the Emperor's private room was one with his foster sister,
Mme. Cornu, in the spring of 1863. She who, in spite of her
misshapen frame, was at heart one of the straightest of women
as well as possessed of a shrewd and clever mind,* had broken
* She helped him to write his book on artillery practice. Although hump-
backed, she had found a husband in the person of a painter of considerable
talent, whose speciality was the decoration of churches.
354 THE COURT OF THE TUILERIES
off nearly all intercourse with him since the Coup d'Etat,
which she blamed severely. He repeatedly tried to bring about
a reconciliation, sent her New Year greetings, wrote to her
respecting his " Life of Caesar," and so forth. But her answers
were very brief, and she was unwilling to visit him. At last,
at the time w^e have mentioned, he wrote her an urgent letter
saying that long years had elapsed since their last meeting,
and that he did not wish to die before seeing her embrace his
son, who was just completing his seventh year. Mme. Cornu
was touched by the appeal, and allowed the Countess Walewska
to conduct her to the Tuileries.
She found both Napoleon and the Empress Eugenie
awaiting her, and the former, throwing his arms round her
neck, kissed her heartily. "You bad woman," said he; "for
twelve years past you have refused to unbend to me." Without
replying, she returned his kiss. They all felt very moved and
even shed tears. At last, making Mme. Cornu seat herself
in one armchair, and the Empress in the other, while he took
his stand with his back to the fireplace. Napoleon sent Mme.
Walewska for the little Imperial Prince. He came in, all
alacrity, but was much surprised when the strange lady took
him in her arms and kissed him. His father afterwards wished
him to recite one of the fables he had learnt. " But I have
forgotten the beginnings," said he. "Then let us have the
ends," the Emperor replied. " But I have forgotten them too."
"Let us hear the middle then." "Papa," the little fellow
retorted, "where does a middle begin .P" "Your Majesty will
find it difficult to answer that question," said Mme. Cornu.*
It was she who afterwards recommended the Prince's first tutor,
M. Francis Monnier.
Another remarkable woman who sometimes sat in the
Emperor's private room and not only advised, but occasionally
chided him, was Queen Sophia of Holland, whom her husband
(the father of the present Queen Wilhelmina by his second
marriage) neglected for " la belle Madame Musard " and others.
* She herself told the story to Mrs. M. C. M. Simpson, the daughter of
Nassau Senior, and the author of " Many Memories of Many People," in
which we read it several years ago. We have given it, as closely as a note
made at the time permits, in Mrs, Simpson's words.
THE EMPEROR AND HIS PRIVATE CABINET 155
Queen Sophia, born a Princess of Wurtemberg, was first-cousin
to Prince Napoleon Jerome and Princess Mathilde. A woman
of great culture and sound political acumen, she corresponded
with the Emperor during several years, but he often tried her
patience severely by neglecting good advice. With an abundance
of light golden hair, she had been very handsome when young,
and she long retained a fine figure. The little money allowed
her by her husband was chiefly spent in charity, and whenever
she travelled it was usually incognita, attended only by a maid
and a single lady-in-waiting. During her sojourns in Paris
Queen Sophia often slipped into the Tuileries to chat with the
Emperor and criticize what he had been doing or what he
intended to do. The role she played could hardly be called,
however, that of either an Egeria or a Mentor, it was rather
the part of a " Candid Friend."
That private room of the Emperor's, which witnessed so
much work and so many interviews, also had its legend — a
legend of roguery and blood. One day in 1853, according to
one version of the story — it is a story with many variations, as
will be seen — Napoleon laid, on the table or the mantelpiece,
a sura of dfPSOOO in banknotes. He had occasion to leave the
room, and on returning he found the money gone. Three people
had been in the apartment during his absence, and the Chief
of the Palace Police, who was summoned, inquired their names.
"General Cornemuse" was the first one given. "General
Cornemuse," said the official ; " well, it may have been he who
took the notes, and yet I am surprised at his doing so. But
who else came in?" "King Jerome." "Oh, in that case we
need not trouble about Cornemuse. But Avas there nobody
else ? " " Yes, St. Arnaud was here." " In that case we need
not look further. The money must certainly have been taken
by him."
The upshot of the affair (still according to the story) was
that St. Arnaud, being accused of the theft, denied it, that an
altercation arose between him and Cornemuse,* that they fought
* He was born at St, Malo in 1797, enlisted under the first Empire, served
under the Duke d'Angouleme in Spain in 1823, and was at the siege of Ant-
werp in 1831. He became a General of Brigade in 1849, and in the following
year was appointed Chief of the Staff of the army of Paris, in which capacity
he participated in the Coup d'Etat.
156 THE COURT OF THE TUILERIES
with their swords, and that Cornemuse was killed. According
to one version the duel took place in a room of the palace,
according to another in a corridor, according to a third in the
palace garden in the evening, and by the light of candelabra,
which either the seconds or some servants held aloft. But if
another account is to be believed, there was no theft at all in
the Emperor's private room. Napoleon, it is asserted, sent
Cornemuse to St. Arnaud with a sum of money to pay one of
his gambling debts, in return for which assistance St. Arnaud
was to hand over certain papers, notably a signed order of the
Coup d'Etat period, instructing him to sweep Paris with shot
and shell, and even set it on fire if there should be the slightest
resistance. Cornemuse went with the money to St. Arnaud,
who, it is alleged, contrived to secure it without parting
with the documents, though he solemnly promised that he
would hand them over at a ball at the Tuileries that same
evening. At the ball, however, when Cornemuse asked for the
papers, St. Arnaud made all sorts of excuses, and finally refused
to surrender them. Angry words were then exchanged, and
the two men fought in the garden, as previously mentioned.
St. Arnaud was twice wounded, once in the body and the second
time in the left arm ; but making a last desperate lunge, he
finally got home, piercing Cornemuse in the abdomen and kill-
ing him.
That is a resume of a secret police report on the rumours of
the time, which adds that people said a perquisition had been
made in St. Arnaud's apartments at the War Ministry, but had
yielded no result, and that St. Arnaud being badly wounded,
had been granted leave of absence on the score of ill health,
his post being provisionally assigned to M. Ducos. That
certainly happened, but all the rest may be regarded as fable.
St. Arnaud's ill health was notorious, and it eventually resulted
in his death. It was not due to any wound inflicted by Corne-
muse or another. Moreover, neither the theft nor the duel took
place, though rumours about them certainly circulated in Paris
at the time, and even found their way into English and other
foreign newspapers. Subsequently the story was repeated in
one or another form in several histories, memoirs, French news-
papers, and even encyclopsedias, eventually suggesting to Emile
THE EMPEROR AND HIS PRIVATE CABINET 157
Gaboriau some part of the plot of his novel " La Degringolade."
Yet it was all legend, a legend without foundation, concocted,
like many other stories, to cast discredit both on St. Arnaud
personally and on the Empire and its institutions.
According to members of the Cornemuse family who knew
the truth, the General, overburdened by great responsibilities
and worries, had been ailing for some time when, on the evening
of February 19, 1853, he was suddenly attacked by congestion
of the lungs. Three medical men attended him, Drs. Chaumel,
Cruveilhier, and Coqueret, and immediately opined that the
attack would have a fatal issue. The General lingered for
about a fortnight, however, expiring on March 7, when the
immediate cause of death was a rupture of the neck of the
aorta. That statement, put forward at the time, was then
scouted by the enemies of the Empire, but nowadays, the
vindictive passions of that period having subsided, there is
really no reason to question the accuracy of the family account.
CHAPTER VII
THE EMPRESS : SOME FEATURES OF HER LIFE
The Empress's Private Apartments — Charles Chaplin's Masterpiece —
Dubufe's Beauties of the Tuileries — The Empress's Work- room — The
Imperial Correspondence — The Cabinet-de-toilette and the Bedchamber —
The Empress's Wardrobe — Pepa, the Head-maid — The Story of the
Crinoline — The Cost of the Empress's Gowns — The Crown Jewels — The
Empress's Charities — Her Treatment of her Son — Her Intercourse with
M6rim6e — Her Travels and Eegencies — Her Share in Politics — Her
Championship of the Pope — Her Opposition to Liberal Reforms — Her
Visit to Scotland — The Emperor's Decree of November 23, 1860— Enmity
between Persigny and the Empress — Her Presence at Cabinet Councils^
Her Failure as a Politician.
It will have been understood already that the Empress's private
apartments at the Tuileries were above the Emperor''s. Let us
ascend to them by the broad white marble staircase starting from
the same vestibule by which we entered the various rooms of
the Imperial Private Cabinet. Thick Turkey carpets are spread
over the marble slabs, and from the walls hang ancient tapestry,
quaintly depicting the transformation of Daphne into a laurel
bush. On the right hand of the first-floor landing is the
entrance to the Hall of the Marshals, on the left that to the
Empress's apartments, a suite of some ten rooms. In the first,
a small ante-chamber, we find the sovereign's private ushers in
brown and silver coats, black silk stockings, and buckled shoes,
together with a couple of footmen in the ordinary palace livery.
Biguet, the chief usher, a very devoted, confidential retainer,
who followed the Empress to England in 1870, and died there,
was known familiarly as the " thirteenth Lady of the Palace,"
from the fact that whenever a lady who should have been on
duty happened to be absent, he undertook to attend to any
passing matter in which he could replace her.
THE EMPRESS : SOME FEATLTRES OF HEll LIFE 159
From the aute-room you passed into the first of the
Empress's salons, the one in which her ladies and her chamber-
lain Avere stationed. This was generally known as the Salon
Vert, the walls being painted a pale green, over which soft
ground M. Burette had traced endless arabesques of a darker
verdure, picked out with gold, each panel being framed with
gilded mouldings. A prodigious basket of flowers by Ghequier
was depicted on the ceiling, while in the cartouches above each
door were other blooms, with birds of the brightest hues flutter-
ing hither and thither. The fine gilded Louis XVI. furniture
was upholstered in Beauvais tapestry, figuring bouquets of
flowers on a white ground. The ceiling of the second salon,
known as the Salon Rose, and serving as visitors' waiting-room,
Avas the masterpiece of Charles Chaplin, who for our delectation
transmitted to our times some of the " tradition " of Leraoyne,
Boucher, and Fragonard. He and Lefuel, the architect, were,
we believe, chiefly responsible for the general scheme of decora-
tion adopted for the Empress's private drawing-rooms, but the
Salon Rose, as we have mentioned, contained Chaplin's par-
ticular chef d'oeuvre — annihilated, unfortunately, like all the
rest, when the palace was consumed by fire.
Some descriptions of the apartment say that Chaplin's ceil-
ing represented the triumph of Flora ; but if our memory serves
us aright, the Flora depicted by the painter was the Empress
Eugenie. In the centre of the ceiling there was a medallion
portrait of her, enframed by a garland of roses held by the
three Graces, around whom were scattered symbolical figures
of the Arts, while one of several winged genii appeared bear-
ing the infant Imperial Prince in a basket of flowers, and
others either drove away a bank of clouds or roused Aurora,
whose roseate flush overspread the heavens, which descended to
the cornices, where the painter had depicted some gilded trellis
work wreathed with opening flowers. Other blooms poured from
medallions at the corners of the ceiling, delicate rosy arabesques
adorned the walls, while floral subjects again appeared in each
of the six dessus-de-porte. First came the pansy, crowned with
stars under a crescent moon ; next a subject introducing a
nymph encircling her brow with cornflowers, while beside her
slept a companion crowned with poppies ; then the violet was
160 THE COURT OF THE TUILERIES
shown, growing in the shade cast by a stately laurel. Naiads
followed, crowned with water-lilies and reeds, then came the
obvious subject of the marguerite — " he loves me a little, dearly,
passionately, not at all "" — and finally the rose, cleverly typified
by Aurora. The white marble chimney-piece of this room was
of beautiful workmanship, inlaid in parts with lapis lazuli,
serving as a background to golden roses. The furniture was
similar to that of the Salon Vert, and four large mirrors framed
with wreathing flowers reflected the superb vista of the Tuileries
garden and the Champs Elysees.
Next came the Salon Bleu, where the Empress gave audience,
and where the cartouches over the doors contained medallion
portraits of six of the greatest beauties of the time. They
were the work of Edouard Dubufe, and included three blondes
and three brunettes. On one side Sophie Troubetskoi, Duchess
de Morny, with her light flaxen hair crowned with the head-
dress of her native land, smiled down on you with dark vivacious
eyes, sparkling in a somewhat pallid face ; then Anna Murat,
Duchess de Mouchy, with fresh bright cheeks added to her fair
ringlets, served almost to typify a young English girl ; while
Egle de la Moskowa, Duchess de Persigny, shone forth radiant
as a goddess amid the glory of her golden fleece. Nor were the
brunettes less beautiful. The Countess Walewska, nee Ricci,
was garbed appropriately as a Florentine; the Duchess de
Cadore typified Haidee, while the young Duchess de Malakoff",
the Empress's compatriot, wore the mantilla and the deep red
bloom of the genuine Granadina. It is deplorable that those
paintings were destroyed. They would nowadays be, in their
way, as famous as are the "Beauties of Hampton Court.'"
The Empress's three salons, with their white satin curtains,
gilded chairs and sofas, marquetry cabinets, crystal chandeliers,
and splendid mirrors, clocks, vases, and candelabra of bronze,
silver, and porcelain, as well as their profusion of freshly cut
flowers, added to all those depicted on walls and ceilings, were
well worthy of the wife of the ruler of France. There was,
perhaps, rather too much gilding, or at least the gilding was
too new, and needed the softening touch of time. Unluckily,
there came the Commune.
The Empress's Cabinet or workroom followed the Salon
THE EMrRESS : SOME FEATURES OF HER LIFE 161
Bleu. Its walls were hung with a green satin-striped material,
the curtains and upholstery were of purple silk, the doors and
window framework of mahogany, and the chimney-piece of red
marble. A fine old mahogany writing-table occupied the
centre of the room, a large sofa and two small tables, with
covers embroidered by the Empress herself, being near it. Her
favourite armchair was on the left of the fireplace beside a low
round table for writing materials, so that while seated in the
chair she could take pen, paper, and blotting-pad, place the
latter on her knees, and write by the fireside : this being a habit
with her. Between the two windows stood a cabinet contain-
ing curios of various kinds, including the eagle's quill with
which the Peace of Paris was signed after the Crimean War,
and the damaged hat which Napoleon HI. wore on the night
of Orsini's attempt outside the Opera-house. Then, before one
of the windows was a table covered with materials for water-
colour painting, while in one corner you saw a fine old mahogany
grandfather clock, and in others some short columns surmounted
by bronze female figures holding candelabra. From the mantel-
piece another fine female figure, in white marble, and with a star
on the brow, seemed to be soaring aloft attended by a cupid who
raised a burning torch, while on either side of this charming piece
of statuary some superb bronze vases from the Chinese Summer
Palace threw up long curving leaves of a dusky golden hue.
Against the wall facing the windows was Cabanel's life-size
portrait of Napoleon HI. in a black Court costume, dress coat,
breeches and stockings, and with the star of the Legion of
Honour on his breast. It showed the Emperor in his mature
prime, with his abundant and somewhat wavy dark chestnut
hair, his deep expressionless eyes, colourless cheeks, moustache
of a medium brown and imperial of somewhat lighter hue.
This was one of the best portraits of Napoleon ever painted,
and Cabanel was to have executed one of the Empress also, but
the commission was repeatedly postponed, and after the Revolu-
tion abandoned. By way, however, of adding to the beauties
who smiled down from above the doors, the Empress's work-
room was further adorned with portraits of Princesses Mathilde
and Clotilde and the Duchess d'Albe. A study of Italian
women by Hebert and one of Ruth by Cabanel hung on either
M
162 THE COURT OF THE TUILERIES
side of a kind of arch, between whose curtains of violet and
gold you passed into a spacious annexe to the Cabinet de Travail.
Here you found a number of low bookcases full of French,
English, Spanish, and Italian classics, and surmounted by
statuettes, vases, busts, and curios, while several small paintings
by Wouvermans and others hung from the walls, and photo-
graphs and miniatures were scattered over the tables.
On the right of this second room there was a kind of
windowless closet, where a hanging lamp was always kept
alight. Beyond this little chamber came the private stairs, by
which communication was established between the Emperor's
sanctum and the Empress's. In the walls all round the closet
were nests of drawers filled with the private correspondence of
the Imperial family. In 1870 the Empress, with curious fore-
sight and prudence, had this large collection of private papers
removed from the Tuileries, in such wise that it escaped seizure
at the hands of the officials of the new Republic, who were
therefore only able to examine and publish a comparatively
limited number of documents which for one or another reason
had not passed into the Empress's custody. Curiously enough,
among the letters made public at that time Avas one from the
director of the State Archives, asking that old papers of the
Imperial Cabinet might be transmitted to him from time to
time for safe keeping. He little knew that the Empress was
gathering together all she could, and that she, her reader and
some of her other ladies spent no little of their time in classi-
fying the papers thus obtained. It follows that, so far as the
Second Empire is concerned, there are many lacunm in the
National Archives of France. By that we do not mean to
suggest that official state documents are in the Empress's
possession, biit she certainly holds a large number of private
papers which would cast light on official ones. Some years ago
it was more than once hinted that she had it in her power to
print some very damaging revelations respecting many of those
who, when the Empire had fallen, were among the loudest in
denouncing it. She has preferred, however, to cast a veil over
the past, and even if the historical student should ever be
privileged to consult her collections, it is probable that this
will only come to pass after an interval of many years.
THE EMPRESS ; SOME FEATURES OF HER LIFE 163
Beyond the Empress's workroom there was another salon,
briofht and spacious, which, during her earlier years at the
Tuileries, served as her Cabinet de Toilette. Adjoining it was
a little oratory, where she heard mass from time to time and
where Abbe Deguerry of the Madeleine prepared the Imperial
Prince for his First Communion. Near at hand, the Empress's
spacious bedroom retained an old-world aspect, Avith its gilded
mouldings, its heavy sumptuous hangings, its pompous allegorical
paintings, and its great bedstead standing on a platform.
Here the Empress kept the Golden Rose sent to her by
Pius IX. in 1855, as well as a golden spray of flowers, the
Pontiflf's gift to his godson, the Imperial Prince ; Avhile at the
head of the bed hung a branch of " palm " which had received
the papal blessing. Every year, when Palm Sunday came round,
the Empress received such a branch from Rome.
The Cabinet de Toilette was chiefly remarkable for the
number of mirrors it contained. The basins, ewers, dishes,
and trays were mostly of porcelain. The bath was not of
silver, like Mme. Dubarry's, nor did the Empress imitate that
belle impure by using milk for her ablutions. There was just
one toilet-table set of silver-gilt, which had belonged to Queen
Hortense. Everything else was very simple but appropriate —
all the requirements of a woman careful of her beauty being
provided for. As for the Empress's wardrobe, this was kept in
a suite of rooms overhead, with which a small lift communi-
cated, whatever articles she might require being sent down to
the Cabinet de Toilette by that means.
Count d'Herisson has told some lively tales of the immense
number of gowns which he found in the Empress's wardrobe
rooms after the Revolution of 1870, but his assertions must be
taken with many grains of salt. His idea that those gowns
represented an outlay of several millions of francs was absolutely
preposterous. The Empress's private allowance was ,£'48,000 a
year, and so much of that amount was expended by her in
charity that she could never have afforded to accumulate such
a wardrobe as M. d'Herisson imagined he beheld. There was,
moreover, a rigid system of control. Every article purchased
for the wardrobe received a number on its arrival at the
Tuileries, and an entry of it was made in one or another
164 THE COURT OF THE TUILERIES
register, according to its nature. Regularly every three months
the registers were inspected, and the wardrobe itself was passed
in review. AVhenever anything had quite gone out of fashion,
or appeared to be really superfluous, it was disposed of, and
careful accounts were kept of all those outgoings. It is true
that the Empress was very generous with her maids, among
whom she distributed twice a year a large number of gowns,
bonnets, and other articles. Pepa Narro, her head-maid and
private treasurer,* throve on many pickings and perquisites.
She was said to be the daughter of a Spanish general, that is,
of one of those adventurers who rose to some military position
during the civil wars in Spain. Dark and lean, in some respects
very devoted to her mistress, but always keeping the main chance
before her eyes, and often treating her subordinates with a
severity which became tyrannical, Pepa contrived to marry an
infantry colonel named Pollet, who, if we remember rightly, was
killed during the war of 1870. She followed the Empress to
England, but the climate there did not suit her, and she found
too that the old days of secret commissions and other pickings
were quite past ; so she returned to her native Spain with the
handsome fortune which she had accumulated, and which went
on her death to some very distant relations.
There were several maids under Mme. Pollet at the Tuileries,
including the daughters of the Emperor's former gaoler at Ham ;
and the Empress's private service also included a resident dress-
maker and assistants who made many of her less elaborate
gowns. She was partial to black velvet, white satin, and
various shades of blue. The story that she invented the
crinoline is one of those preposterous but deep-rooted legends
against which it is only possible to enter a protest without any
hope of destroying it. We will just mention, however, that
crinoline was originally the name of a hair cloth or stiifening
material, largely employed by costumiers in the time of Louis
Philippe, Avho used it notably in connexion with the leg o''
mutton and balloon sleeves, to which our grandmothers were
* At first the post of head femme-de-cliamhre was held by the young and
pretty Mme. Dupuis, wife of the first maitre d'hdtel, but she had not the
orderly, regular habits needed for the post, and had, therefore, to retire :
whereupon Pepa, previously second, was promoted to be first maid.
THE EMPRESS : SOME FEATURES OF HER LIFE 165
at one and another moment partial. When, about the time of
the re-establishment of the Empire, the distended skirt began
to come into fashion once more, this same material, crinoline,
was again used for stiffening purposes. Those ladies, however,
who emerged from an assembly with their gowns crumpled,
found that crinoline, when once " broken," no longer distended
their skirts properly. It was then that a Faubourg St. Antoine
manufacturer, remembering the old hoops, and thinking of
the cost and comparative scarcity of whalebone, conceived the
idea of a light, cage-like, metal structure, which he christened
crinoline after the virtually discarded material that we have
mentioned. For the first year or so the new invention met
with little favour, but in 1855 it occurred to the Empress that
the circumstance of her being enceinte would be less apparent
if she wore one of the new crinolines. This she did, and she
thereby certainly gave an immense impetus to the fashion
which, once it was in vogue, could not be got rid of for many
years. Drapers and mercers, let us add, found it much to their
interest to keep the crinoline going. The larger it became, the
greater was the amount of material needed for a skirt ; and as
ladies of fashion could not afford, for reputation''s sake, to have
fewer gowns than usual in a season, their expenditure on frocks
became enormous. Even when some of the leading costumiers
headed a reaction they were unable to kill the monstrosity out-
right. It survived in a mitigated form even under the rohe-
tunique, and threatened a retoiir offerisif with the robe a panzers
of the last years of the Empire.
At various times the Empress herself has made statements
respecting the average cost of her gowns. It may be taken, we
think, that £50 is about the correct figure, some gowns having
cost a great deal less than that amount and others a great deal
more. The Empress''s morning attire was always remarkably
simple. We have seen her wearing plain stuff gowns made for
her by her private dressmaker in the palace at a cost of less
than £5. But when she was receiving visitors, or when she
appeared in public she was dressed as became her rank.
Assuming that she had forty new gowns every year (the
highest possible estimate according to our recollection of her
habits), at the average cost which has been already stated,
166 THE COURT OF THE TUILERIES
we should reach a total of ^2000. To that amount should
be added, however, the outlay on bonnets, mantles, shawls,
gloves, shoes, underwear, parasols, etc. Good lace, once pur-
chased, served over and over again. In shoes the Empress was
perhaps extravagant, wearing them very few times, and then
sending them to the orphan girls of the asylum under her con-
trol. Nevertheless, making all allowances, we do not think that
the greatest lady of fashion in Europe spent altogether more
than d£'5000 upon her toilette in any one year ; and we believe
that there were years when her expenditure was considerably
less. Let us say, then, that from first to last, throughout the
reign, she spent from eighty to ninety thousand pounds on
articles of apparel. In that case it follows that when Count
d'Herisson discovered at the Tuileries frocks and frills repre-
senting a quarter of a million sterling, he must have been the
victim of some optical delusion. He can have understood
neither what he saw nor what he was writing about.
Madame Pollet, the Empress's head-maid, had charge of
such of her mistress's private jewellery as was more or less in
daily use, the rest, like the crown jewels, being, as previously
stated, in the custody of M. Charles Thelin. A large number
of the crown jewels were reset in accordance with modern taste
soon after the establishment of the Empire. Although there
was never any coronation ceremony, crowns were made for both
the Emperor and Empress, but the latter preferred to wear a
diadem even on the greatest State occasions. Apart from the
Regent diamond, the crown jewels which she wore or used the
more frequently, were a comb, a herthe, some brooches, a belt,
a bouguet-de-corsage, and a fan. The belt, composed almost
entirely of diamonds, and popularly styled " the girdle of
Venus," was made in 1864, and fetched only =£6600 at the
sale of the crown jewels in 1887. But then the stones, 2414
in number, were very small and not all of the first water.
Far finer was the large diamond comb, composed of 208 brilliants
weighing 438 carats, and the price it realised in 1887 — nearly
£26,000 — was by no means excessive. The diamond shoulder-
clasps, which supported the Empress's train or manteau de cour
were also remarkably fine, being formed of over 130 brilliants
weighing 282 carats. The herthe with its diamonds, rubies,
THE EMPRESS : SOME FEATURES OF HER LIFE 16T
sapphires, and emeralds, formed a very charming jewel, and
the aiguillettes in the Marie-Antoinette style were also effective.
Further, there was a beautiful chain of over 800 diamonds,
which, on being sold, fetched £li^4tO ; while c£*4800 were given
for the principal brooch, a lovely jewel of more than 300
stones. It was the Grecian diadem which the Empress wore
the more frequently. Over 600 brilliants were set in it, yet
it sold for no more than ^^5260 ; while only ^^7200 were
given for the Russian diadem with its 1200 brilliants and its
440 roses. As a matter of fact, however large may have been
the total amount of money realized by the sale of the French
crown jewels, many lots were disposed of for much less than
they would fetch nowadays when the magnates at the head of
the diamond trade neglect no occasion to prevent what they
regard as an undue fall in prices.
The Empress's mornings were largely given to charitable
work. In addition to the Eugene-Napoleon asylum for orphan
girls, founded with the money which the city of Paris had
off'ered to expend on jewellery at the time of her marriage, and
afterwards maintained chiefly by her own resources, there were
many other institutions in which she took a close interest. She
gave the chateau of Longchene to the city of Lyons to serve as
a convalescent home, she extended patronage and considerable
pecuniary help to such institutions as the Loan to Labour
Society (which provided artisans with tools and raw materials),
the Seamen's Orphanage, the Lifeboat Society, the Funds for
assisting both old seamen and the families of soldiers killed in
warfare (Crimea, Italy, etc.) ; and in addition to the particular
solicitude which she evinced in the Children's Hospital in the
Faubourg St. Antoine, she became chief patroness of all homes
and asylums for the young in France. It is well known, too,
that she constantly visited the poorer districts of Paris, doing
good by stealth, leaving money and provisions in humble homes
which never learnt the name of their benefactress. Many a time
did her little dark one-horse brougham, with its coachman in
the plainest of liveries, wait for her at the corner of some street
in such revolutionary districts as Montmartre, Menilmontant,
and Belleville, while with a single lady companion, preferably
Canoness de Rayneval or Mile. Bouvet, she climbed in her
168 THE COURT 01^ THE TUILERIES
plain dark garb to some fifth-floor garret to relieve distress.
In the afternoon all would be altered : in silk and satin and
velvet she would seat herself in her open carriage drawn a la
d'Aumont hy four horses, with postilions, to drive up the
Champs Elysees, and thence round the lake in the Bois de
Boulogne. Occasionally she herself drove a pair-horse chaise.*
No doubt her visits to the victims of the cholera in Paris and
at Amiens in 1865 and 1866 were magnified beyond measure
by official newspapers and courtiers, but they were kindly actions,
not devoid of risk, and it is quite certain that the Empress
always showed herself a good-hearted woman. The assertion
that she proved a very indifferent mother was simply one of
the foolish slanders of the time. She exercised no little super-
vision over the rearing of the Imperial Prince, devoting several
hours a day to the boy or his requirements and interests.
But neither she nor the Emperor would let him be coddled ;
and it was because their English notions in that respect con-
flicted with the absurd views then entertained by so many
French mothers, prone to excessive petting and fondling, that
the legend of the Empress's indifference to her child found
credence. At Compiegne, when the Prince was a little chap of
two years old or so, the ladies en visite to the Court were
horrified to find that, if he happened to fall down while he
was running about, he was left to pick himself up without
assistance, and that if he cried without rhyme or reason, he
was scolded for doing so. All that was quite foreign to their
ideas, and from the idiotic tittle-tattle which ensued came the
libellous aspersions on the Empress as a mother. She took a
large part in nursing the little Prince during the ailments of
his childhood, notably when he was laid up by a severe attack
of measles, which he caught from a little girl who was intro-
duced to him at a children's party at the Tuileries.
It was usually in the afternoon before driving out that
the Empress granted audiences in the rooms we have already
described. On her return home she attended to such corre-
spondence as might have been left over since the morning, or
* The Emperor was partial to phaetons. We saw him more than once
driving about Paris incognito in a vehicle of that description, with the Prince
cf Wales (now Edward VII.) as his companion. See ipost, p, 305.
THE EMPRESS : SOME FEATURES OF HER UFE 169
spent an hour or two reading either some book of the time or
the day's newspapers. It is said that Fustel de Coulanges
prepared for her a course of study in French history. AVe
ourselves should hardly have selected the author of " La Cite
Antique," for such a duty, for in spite of all his erudition he
was scarcely the man to convey to one occupying the Empress's
station the true significance of the history of the country which
she helped to rule. Merimee, however, was, to all appearance,
her chief literary mentor. He had known her ever since her
childhood, and although there is considerable exaggeration in
his own accounts of their intercourse, he certainly exercised
great influence at Court when questions of literary- taste, the
choice and the criticism of books, arose. The Emperor did
not like Merimee, and the Empress on her side did not like
Sainte-Beuve, to whom her husband was rather partial. As it
happened, both Sainte-Beuve and Merimee were cynics, but
Mdrim^e's cynicism was lighter and less offensive to a devout
mind than his colleague's. He was also a courtier, which
Sainte-Beuve \vas not, and an adept in frivolity and trifling.
Thus he not only made himself acceptable, but even requisite
Avhenever the Court wished to cast care to the winds and look
only on the lighter and brighter side of life.
However, Merimee added nothing to his reputation, or
to French literature, by the verses, the charades, and the
"proverbs" which he penned for the passing amusement of
the imperial set. The manuscript of a tale of his, called " La
Chambre Bleue," was found in the Empress's private rooms
after the Revolution of 1870. It subsequently perished in
the conflagration of the palace ; but abstracts of it had then
been drafted, and from these it seems to have been a story
of the Vie Parisieime, or Gil Bias * type, an account of a
vulgar, chance, sexual intrigue in the "blue room" of a
country inn. We do not say that Merimee supplied only
literature of that description to the Empress, but the circum-
stance that he should have presumed to tender her "La
Chambre Bleue," shows that she was not in the best hands
with respect to literary matters. Perhaps such a proceeding
as M^rimee's would have been resented by her had the culprit
* The newspaper, of course — not the masterpiece of Le Sage.
170 THE COURT OF THE TUILERIES
been another ; but by reason of their thirty or thirty-five years'
intercourse, it was impossible for her to quarrel with the
author of "Carmen,"" as he well knew. And thus he often
presumed farther than was seemly.
After dinner at the Tuileries, when no entertainment there
or elsewhere figured in the Court's programme, the Empress
usually spent the evening in conversation with the ladies and
officers on duty. From time to time, as we mentioned in our
previous chapter, the Emperor popped like some " Jack-in-the-
box ■" up the private stairs, in quest of a cup of tea or other
refreshment. However innocent the conversation might be, it
then abruptly ceased ; but directly Napoleon had returned to
his work downstairs, the Empress started a fresh subject, and
kept the talk going until a somewhat late hour. At times,
indeed, being a poor sleeper herself, she overlooked the
sleepiness of others, who were unable to withdraw for the night
until she gave the signal.
She frequently travelled about France, accompanying the
Emperor on most of his visits to provincial centres. One year,
too, she went with him to Algeria. At another time she
visited Corsica with the Imperial Prince, while on a third
occasion she represented France at the inauguration of the
Suez Canal, her stay in Egypt being preceded by visits to Venice,
Athens, and Constantinople. She was then accompanied by
her nieces, the daughters of the Duchess d'Albe. They often
resided at the Tuileries after their mother's death.
The Empress acted as Regent of France on three occasions
— in 1859, during the Solferino-Magenta campaign ; in the
summer of 1865, when the Emperor was in Algeria ; and again
in 1870, from his departure to join the army of the Rhine until
the fall of the Empire. With a romantic attachment for the
memory of Marie- Antoinette she was minded, in more than one
circumstance, to take that indiscreet and ill-fated Queen as her
model. So long as she remained content v/ith studying Marie-
Antoinette's correspondence in the company of M. Feuillet de
Conches, weeping over her farewell billet to Madame Elizabeth
by the side of Viel Castel, at the Musee des Souverains, or
turning the historic cell at the Conciergerie into a chapel, no
harm was done, but when, in imitation of Marie-Antoinette, she
THE EMPRESS : SOME FEATURES OP HER LIFE 171
initiated both a foreign and a home policy of her own at
variance with the poHcy favoured by her husband and his
official advisers, she did the greatest harm, if not to France
itself, at least to the regime which had given her a crown.
There are some things which must be said. AVhatever might
be the Empress Eugenie's personal attractions and natural
goodness of heart, whatever Scotch blood, too, might flow in
her veins, she was in matters of faith and reverence for Rome a
Spanish zealot of the most uncompromising type. It was
because Pope Pius IX. and Cardinal Antonelli knew that they
could rely upon her influence at the Tuileries that they acted so
stubbornly, perversely, and foolishly in the various crises in
Italian affairs Avhich occurred during the fifties and the sixties.
The Empress could not prevent the war of 1859,* which, in
spite of its lame conclusion, did so much to accelerate the union
of Italy ; but we believe that her influence was one of the two
factors which brought about the hastily concluded peace of
Villafranca, the other being the fear of Prussian intervention in
Austria's favour. As for the legend that Napoleon III. made
peace because he had been horrified by the sight of the slaughter
in the engagements he had witnessed, one may dismiss it as a
fairy tale fit only for children.
In her husband's absence from France at that period, the
Empress, as Regent, neglected no opportunity to further clerical
interests. The publication of Edmond About's work, " La
Question Romaine,*' and the controversy it provoked filled her
with alarm, and it was at her instigation that the Ministers
seized the pamphlet and prosecuted its author. She had not
even taken the trouble to read it, as is shown by the minutes of
the Regency Council at which the prosecution Avas decided, but
" the scandal it created " was enough for her. In the following-
year her position as Papal champion in France became more
and more difficult. Napoleo'n having decided on a policy of
* It has been asserted that she did not take any large part in politics until
about 1865 ; but it is certain that she privately exerted her influence, par-
ticularly in religious questions, from the time of her marriage onward. As
the years elapsed, various circumstances tended to make her more and more
of a politician. Her taste of authority during her first regency, coupled with
the worries of her life when her husband was attracted by other women, had
a fatal influence on her after-career.
172 THE COURT OF THE TUILERIES
neutrality in Italian affairs — and he could hardly have adopted
any other after the cession of Savoy and Nice — set out with the
Empress to visit the newly acquired territories, and then crossed
the Mediterranean to Algeria. It was the great time of
Garibaldi and the war of the Two Sicilies. Italy was liberating
and redeeming herself, and English public opinion was thoroughly
on her side. Such protests as emanated from the Court of the
Tuileries, with respect, for instance, to the Piedmontese occupa-
tion of the Roman Legations, were more matters of form than
anything else, for it was understood that Victor Emmanuel
would not enter Rome itself; and the imperial tour was the
best proof that Napoleon did not meditate active intervention.
But at Algiers news was received of the alarming illness of the
Empress's sister, and an immediate return to France ensued.
On arriving at St. Cloud the Empress learnt that she was too
late, that the Duchess d'Albe was dead.
Her grief was undoubtedly very sincere and deep ; her sister
had been her confidante in many respects, notably with regard
to incidents which, every now and again, clouded her married
life. But whatever her sorrow might be, the political situation
was such that she could not neglect it. We do not know what
share she may have had in the numerous successive proposals
which Napoleon HI. made about that time to Pius IX. with
the view of adjusting the position of the Papacy in the midst
of united Italy. We are only aware that the Pope issued a
document rejecting every suggestion, whether it were made by
Napoleon or by Cavour, and that by his own obstinacy he was
reduced to a minimum of precarious territorial sovereignty. He
seems to have imagined until the very last that France would
intervene actively to restore to him the full extent of the States
of the Church ; and it appears certain that his hopes were
centred in the Empress Eugenie. For the moment, however,
France did little beyond ensuring to the Papacy the possession
of the city of Rome, and, although her fleet long rode at anchor
in the Bay of Gaeta, she likewise left Francis of Naples to his
fate. As regards the Neapolitan question, whatever may have
been the views of the Empress Eugenie, Napoleon III. was too
good a Bonapartist to bolster up any Bourbon Prince ; and,
besides, his fleet could hardly have intervened with impunity, so
THE EMPRESS : SOME FEATURES OF HER LIFE 173
strong had the torrent of British opinion in favour of united
Italy now become, although, only the previous year, the partial
liberation of the northern provinces by the Solferino-Magenta
campaign had been viewed by English statesmen with grave
distrust.
The time was a trying one for the Empress Eugenie, her
influence was defeated on all sides, and her very presence in
France at such a moment became inconvenient, both for herself
and for others. Home affairs, moreover, were about to enter
on a new phase. The thrones of Europe which had been
severely shaken by the French Revolution of 1848, felt that
they were, in like way, if in a somewhat less marked degree,
menaced by the Italian outburst of 1860. The cry of
*' Freedom ! " is contagious, as rulers well know. Thus, in the
autumn of I860, there were signs in various continental
countries of concessions to popular feeling and opinion, and
Napoleon III. himself realized that he must, at least, make
some show of granting to his subjects a larger measure of
participation in the government of the country than he had
hitherto allowed them. While he did not desire to meet with
the fate of Francis of Naples, he was in no hurry to give
complete liberty to the French ; he was influenced rather by the
thought that small concessions might, if well-timed, suffice to
prevent any outburst in France. In that respect, however, he
again found the Empresses entourage on the other side.
Even many conservative Imperialists who were not tinged
with clericalism then looked to her as to their leader and
representative. It was supposed, rightly or wrongly, that she
would regard any liberal constitutional changes with distrust,
for fear lest her son's prospects might thereby be endangered.
The Emperor, however, had come to the conclusion that such
changes must be made. Again, then, in this respect, the
Empress's presence at Court in the autumn of 1860 was incon-
venient. Perhaps she herself was conscious of it. Perhaps, as
she found that she could not prevent what was impending
either at home or abroad, she was unwilling that her presence
should be construed as connivance or assent. Perhaps, on the
other hand, it was the Emperor who thought it best that she
should not be exposed to importunate and irrealizable appeals
174 THE COURT OF THE TUILERIES
with regard either to his home or to his foreign policy. In any
case, all Court intrigues in favour of the Pope, or the King of
Naples, or the maintenance of absolutism in France were cut
short or forestalled by a decisive incident.
On November 14, 1860, the Empress, attended by Mmes. de
Montebello and de Saulcy, Colonel Fave, and the Marquis de La
Grange, quitted Paris, and after crossing the Channel in the
ordinary packet-boat, arrived in a common four-Avheeler at
Claridge''s Hotel in London. For some days the French official
journals said no word on the subject, but the Presse published
the news on the afternoon of the 14th, while the Bours6 was
still in full swing, and an immediate fall in Rentes and other
securities was the result of the general amazement.
The Emperor's conjugal fidelity being widely doubted,
most people assumed that he was to blame for the Empress's
sudden and mysterious flitting. Thus all kinds of stories were
circulated in Paris during the next few days, and the scandal,
flashing like lightning across Europe, soon assumed such pro-
portions that the Moniteur could no longer keep silent. On
the 18th, then, it printed the following announcement : — " The
sad blow experienced by her Majesty the Empress in her family
affections [her sister's death] having rendered a change of air
necessary for her health, her Majesty left three days ago to
make, in the most private manner, a few weeks' tour in England
and Scotland. The Emperor accompanied her Majesty to the
railway station on her departure on Wednesday morning."
The motive assigned to the journey by that announcement
was very generally discredited by the Parisians, for the death of
the Duchess d'Albe had occurred two months previously ; and
the English newspapers openly expressed their amazement that
Scotland, at that moment enveloped in mist, should have been
selected as the spot for the Empress — born under the sun of
Granada — to recruit her health, " pai'ticularly," said the Times,
"as Nice, with its fine climate, is now French territory."
In those days the Empress's political role at the Tuileries
was not generally known, and the reasons why it might have
seemed desirable for her to be out of the way during that
European crisis were only recognized by certain diplomatists.
To none of those who saw her during her tour in Scotland did
THE EMPRESS : SOME FEATURES OF HER LIFE 1T5
she appear to be at all ailing. She visited Edinburgh, Abbots-
ford, and Melrose, Perth, Dunkeld, Stirling, Glasgow, and the
Lochs, afterwards going south, staying at Manchester and
Leamington, and returning to London on December 2. On the
4th she went to Windsor, where she and her escort lunched
with the Queen and the Prince Consort. Several days were
afterwards spent in viewing the sights of London, and, finally,
on the night of December 12, the Empress returned to France,
being met by her husband at Amiens.
During her absence the Emperor had effected some notable
changes by his famous Decree of November 23, which was the
first step towards the transformation of the Personal into the
Liberal Empire. This decree gave the Legislative Body
the right both to discuss and present addresses in reply to the
speeches from the Throne, and the privilege (under certain
restrictionsj of proposing amendments to laws. It further
authorized the publication of reports of the legislative pro-
ceedings. The concessions were small, and would nowadays
appear ludicrous, but one must remember what the regime had
been ever since 1851. Moreover, even those slight concessions
created alarm among the more fervent imperialists.
At the Council at which they were announced the various
ministers listened in amazement to the remarks which fell from
Napoleon's lips. According to what we were once told by one
Avho was then present, the Emperor declared that he was of
opinion that when a Government did not in due time make
reasonable concessions and reforms, such as the country mio-ht
desire, it was fatally destined to collapse, and that he himself
was not for unreasoning resistance to national aspirations. He
did not like the existing composition of the Legislature. Men
of parts ought to be attracted to it, but such would only
serve if they were at least free to express opinions and tender
advice. Although M. Berryer, for instance, was notoriously
a Legitimist, it had, nevertheless, been possible for him to serve
as a deputy under the Orleans monarchy, and, moreover, Legiti-
mists, Orleanists, and Bonapartists had sat in the various
Republican Assemblies. Thus, within the limits of the Consti-
tution, there ought to be free access to the Imperial Legislature.
For his part he was heartily tired of a Chamber of nonentities
176 THE COURT OF THE TUILERIES
(and here he mentioned various names), and wished to see
something very different. Finally, he read the decree he had
prepared. His words fell like bomb-shells in the midst of his
advisers, and Morny, who, as President of the Legislative Body,
attended the Council, could not conceal his amazement. What !
the Legislature was to be empowered to discuss and present an
address, and thereby pass judgment on the policy of the Govern-
ment ! It was inconceivable. Nevertheless, there was the
decree, and the Emperor looked resolute enough. Morny tried
to expostulate. He earnestly warned the Emperor of the
danger of acting too hastily, and inquired what he would do if,
under the new conditions, the Chamber should express, in its
address to the Throne, disapproval of the imperial policy.
*' In that case," the Emperor replied, " I should dissolve it, and
consult the country," " But what if the next Chamber should
also disapprove of your Majesty's policy?" "In that case,"
said the Emperor, " I should yield, and adopt the policy
recommended by the representatives." The Ministers, Baroche,
Billault, and Rouher looked thunderstruck, but felt that sub-
mission was their only course. Perhaps if the Empress Eugenie
had been present they might have attempted resistance under
her leadership, but she was well out of the way, in Scotland.
Certain ministerial changes followed, Persigny being sum-
moned from the London embassy, and placed once more at the
head of the Ministry of the Interior. He and the Empress were
far from being on good terms. He dreaded her interference in
political matters. Without questioning her right to preside at
the Council in times of Regency, he bitterly complained that
she made it more and more her practice to attend the Minis-
terial gatherings when the Emperor was present. A few years
later, after his retirement, he actually submitted the question
to the Emperor, questioning whether the Empress had any
right to attend the Government Councils. Strictly speaking
she had not ; and it is true, we believe, that she offered to
abstain from attending if the Emperor thought her presence
undesirable. But he protested the contrary — he owed his wife
some compensation for his neglect in other respects — and it
thus came to pass that during the latter period of the Empire,
the Empress almost invariably took her seat at the Ministerial
THE EMPRESS : SOME FEATURES OF HER LIFE 177
Councils, presided over them if the Emperor were ill or
momentarily absent, participated in all the important dis-
cussions, and brought her influence to bear on the decisions
arrived at. With some of the Ministers she got on very well ;
M. Magne, who long held the portfolio of Finances, was one of
her particular henchmen, while the bumptious Rouher, becom-
ing at the Tuileries very different from what he was in the
Chamber, fawningly courted her favour, she in return supporting
the authority which he used so often with disastrous results.
In Emile Ollivier she seems to have met, in some respects, her
match, for he, with his oily, wheedling way, almost converted
her to liberalism, and contrived by dint of strategy to hold her
former reactionary ideas in check.
But, however large became the part which the Empress
played in politics, she never proved herself an expert politician,
perhaps because she never really understood the character of
the nation she helped to govern. She was not deficient in
moral courage, she could come to a decision promptly, and give
orders in accordance with it. But the decision was so often
based on faulty judgment, narrowness of views, that its results
were unfortunate. One day when she referred to Marie-
Antoinette as mon type, she spoke perhaps more truly than she
knew, for she had much the same defects of character as that
ill-fated queen.
For our part we have always felt that the great misfortune
of the Empress's life was that, having been raised to a
throne, she was accorded so considerable a part of the throne's
authority. As the wife of a mere millionaire grandee she would
have proved a supreme leader of fashion and an ideal " Lady
Bountiful." In any case it is to be regretted that she was not
strictly confined within the limits of her position as Empress-
Consort. At the same time, if she emerged from that position
to play so marked a political role, the fault was less hers than
the Emperor's. He, of course, was not responsible for her
incessant championship of the Pope. That had been initiated
by Clericals playing on her deep religious convictions, but we
do not think she would have concerned herself so much with
politics generally if her married life had been happier than it was.
Thereby hangs a tale, to be told in our next chapter.
N
CHAPTER VIII
THE EMPEROR AND HIS LOVE AFFAIRS
Descendants of Napoleon I. and Napoleon III. — Count Walewski's Posterity—
His Son by Eachel, the Tragedienne — Catherine de la Plaigne and Count
L^on — Count Leon's Children — Napoleon 111,'s First Love Affair — .
El^onore Brault, Madame Gordon — Her Devotion at Strasburg — Miss
Howard — Her Birth and Name — Count Fleury's Account of her Life in
London— Some of her Loans to Napoleon — Was he the Father of her Son ?
— His Intrigue with Alexandrine Vergeot and his Sons by her — Miss
Howard in France — Her fresh Services to Napoleon — Odilon-Barrot
and the Andr6-Howard Affair — Napoleon's remarkable Letter about it
— Miss Howard's Ambition — Her Appearance at a Tuileries Reception
— She is restrained and pacified by Mocquard — The Compensation
granted her — A Letter from her to Mocquard — Her Marriage and her
Last Years — Later Intrigues imputed to the Emperor — Viel Castel and
Princess Mathilde — Expulsion of a Lady-Scandalmonger from the
Tuileries — Cheap Sweetmeats for Imperial Favourites — The Affair of
the Countess de Castiglione — Viel Castel's Sketch and Fleury's Estimate
of her — Her Expulsion from the Tuileries — Her later life — Marguerite
BeUanger and her Origin — Her Imposition on the Emperor — Her Letters
to him and to President Devienne — Suspension of Devienne from the
Bench — He justifies himself and is reinstated — The Empress's Worries
— Louis XV. and Napoleon III.
It is often forgotten that there are people in the world who
are lineally descended from Napoleon I. and Napoleon III. It
is true that their names do not appear in the " Almanach de
Gotha," and that they do not bear the name of Bonaparte.
Nevertheless their descent, if left-handed, is quite authentic,
and time brings about such strange occurrences that, even as at
the present moment (1906) we see the Jerome branch of the
Bonapartes prominently represented in the Government of the
United States of America, so, at some future date, there may
arise some President or Prime Minister of the French Republic
THE EMPEROR AND HIS LOVE AFFAIRS 179
in a position to say that the blood of the victor of Austerlitz,
or of the vanquished of Sedan, flows in his veins.
Count Walewski, the first Napoleon's son, had four children
by his two marriages, and is still represented by legitimate
posterity. In 1844, moreover, after the death of his first
wife (Catherine Montagu Sandwich), and before his marriage
with Anna Alexandrina Ricci of Florence, who, we believe, is
still alive, he became the father of a son by Elizabeth Rachel
Felix — famous as Rachel the tragedienne. This son he formally
recognized as his offspring in accordance with the provisions of
French law, in such wise that the child became legally entitled
to the names of Antoine Jean Colonna Walewski. M. Antoine
Jean entered the French consular service, rose to a high position
in it, and survived until 1898. Thirty years previously he had
married Mile. Jeanne Claire Sala, of Paris, by whom he had a
son and a daughter. The former. Captain Andre Alexandre
Maurice Colonna Walewski, of the French artillery, married
Mile, de Molinos in 1901. We do not know whether they
have offspring, but the Captain himself is indisputably the
great-grandson of Napoleon I.
The same Emperor also left a son by another mistress,
Louise Catherine Denuelle de la Plaigne, who, at the time of
the Emperor's intrigue with her, was married to a certain Jean
Franpois Revel. He, discovering her infidelity, obtained a
divorce from her on April 29, 1806. On the following 6th of
December she gave birth to a son by the Emperor, which son
received at his baptism the Christian names of Charles Leon,
and, from his imperial father, the title of Count, Avith settle-
ments representing ,£'3000 a year, and also a right to certain
dues on all the wood sold by the State from the forests of the
department of the Moselle.* In 1808 the mother married a
captain of Cuirassiers named Augier, this marriage being
arranged by Napoleon, who then settled on the bride a personal
income of d£*800 a year. Captain Augier, however, died in or
about 1812, and two years later his widow took a third husband
in the person of Karl August, Count von Luxburg, Minister
of State of the Grand Duchy of Baden. The Countess de
Luxbourg, as she was called in Paris, lived until 1868 in receipt
* Imperial decrees of April 30, May 8 and 31, and June 29, 1815.
180 THE COURT OP THE TUILEllIES
of not merely the income of her settlement but of frequent
financial help from Napoleon III., who also did a great deal for
her son. There must still be many people able to remember
Count Leon, as he was called. His origin was stamped upon
his face, he was physically the living portrait of the great
captain. He ought never to have known want, having been
provided with such a handsome income by Napoleon, who
further entrusted him to the guardianship of M. de Mauvieres,
with whose sons he was educated with a view to his entering
the magistracy. On completing his twenty-first year Leon came
into possession of the fortune which had been accumulating
during his minority. Unluckily he had a bad failing, he was
a gamester, and no long period elapsed before he had reduced
himself to beggary. At the advent of the Second Empire he
not unnaturally applied to Napoleon III. for assistance, assert-
ing, moreover, a right to a sum of about .£35,000, which he
alleged was due to him by the State on account of the wood
cut in the Moselle forests in 1815. But in that respect the first
Napoleon's decrees had been annulled by the Bourbons. How-
ever, the new Emperor at first helped Leon both willingly and
handsomely, and, further, put him in the way of making money
by procuring him appointments in connection with the plan-
ning of new railway lines. Still, no matter what might be
done for Leon, he was ever in difficulties, as well as cantan-
kerous in disposition, repeatedly quarrelling with the Minister of
Public Works over sums which he claimed in connection with
railway enterprises. Briefly, the Emperor, after repeatedly
paying his debts — ^£'2000 and more at a time — ended by cutting
him down to an annual pension of £24^0 from the Privy Purse,
and turning almost invariably a deaf ear to his appeals for
further assistance, which, by the way, never ceased. At one
moment he wanted the concession of a railway line from Tours
to Montlupon, at another he solicited the privilege of con-
structing some of the new boulevards of Paris, while at other
times his wife wrote to the Emperor appealing either for small
sums or else for orders for a Belgian mining company, in which
she was somehow interested. It is uncertain whether these
applications (traces of which were found at the Tuileries after
the Revolution of 1870) were granted, but Leon's children
THE EMPEROR AND HIS LOVE AFFAIRS 181
obtained free schooling at the college of Ste. Barbe, His wife,
it may be mentioned, was a Mile. Jouet, of Belgian origin — the
offspring of the marriage, which took place in 1862, being a
daughter, Charlotte, and three sons, Charles, Gaston, and
Fernand, some of whom married and have issue, in such wise
that on this side also there exist a number of great-grand-
children of Napoleon I. The family calls itself nowadays " De
Leon." The original Count Leon died in April, 1881, at
Pontoise, near Paris.
Such then are the descendants of the first Napoleon. Let
us now turn to those of the third. His intrigues with women
of various nationalities and stations in life were numerous. It
is said — we will not vouch for the story, but it is in any case a
good one — that when he was a mere stripling, sojourning with
his mother at Florence, he was seized with a desperate attack
of calf-love for an Italian lady of rank, and that in order to
obtain an opportunity for declaring his passion he disguised
himself as an itinerant flower-boy, in Avhich character he
contrived to enter the lady*'s house. But when a la
Trovatore he cast himself pleadingly at her feet, she screamed
and summoned her servants, with the result that there was
quite a scandal, and Prince Precocious was compelled to
quit the city.
The future Emperor''s first mistress of any real note was a
Parisienne named Eleonore Marie Brault, who was born in
September, 1808, became a professional singer, and married, in
1831, a certain Archer Gordon, or Gordon Archer, a Colonel of
the Foreign Legion in the service of Isabella II. of Spain.
This individual died soon after the marriage, and sometime
afterwards Mme. Gordon, who travelled about, giving concerts
in one and another town, attracted the attention of the young
Prince Louis Napoleon, who became her lover. Whether they
first met in Germany or Switzerland is doubtful, but it has often
been said that Mme. Gordon gave birth to a daughter who
died in infancy. In connection with the preparations for the
Strasburg attempt of 1836 she proved herself one of the most
skilful and devoted of the future Emperor"'s allies. While he
was endeavouring to gain the support of some of the soldiery at
the artillery barracks, she remained in her room in the Rue de
182 THE COURT OF THE TUILERIES
la Nuee Bleue, awaiting the result ; but directly Persigny arrived
with the news that the attempt had failed, she cast into the
fireplace all the letters, decrees, proclamations, and lists of
names which had been prepared in view of a more fortunate
issue, and piled the furniture of the room against the door,
so that every compromising paper was burnt to ashes before
an entry could be effected by the police, who had promptly
arrived upon the scene. The Strasburg affair resulted, it will
be remembered, in the Prince's enforced voyage to America.
Whether he ever met Mme. Gordon again, we cannot say, but
in any case there was no resumption of the old relations. She
died in Paris on March 11, 1849, that is three months after
Napoleon's elevation to the Presidency of the Republic. It has
been said that her circumstances were much reduced at the time
of her death and that her former lover was well aware of it, yet
did nothing to help her. Such callousness, however, would be
so utterly at variance with all we know of his character that
we strongly doubt the story.
Mme. Gordon's successor in his affections after his return
to Europe was the beautiful and notorious Miss Howard,
whose exact origin we have not investigated, but who is
described in the entry of her death in the registers of the
parish of La Celle St. Cloud, near Paris, as " Elizabeth Anne
Haryett, called Miss Howard, Countess de Beauregard, born in
England in 1823." We also find her grandson registered at his
birth in 1870 as " Richard Martyn Haryett," whence one might
infer that Haryett was a surname. In that connection let us add
that some English works state that Harnett was Miss Howard's
real name. Count Fleury calls her "Miss Harriet Howard,"
which may be correct, though we ourselves think that she had
no more right to the name of Howard as a patronymic than had
the famous Mr. Bugg.*
Count Fleury tells us that at the time when Napoleon made
her acquaintance in London she was living there under the
protection of Major Mountjoy Martyn of the 2nd Life Guards,t
* After she had been made a Countess, she usually signed her letters
" E. H. de Beauregard."
t Francis Mountjoy Martyn (previously Martin), born in 1809, a brevet
colonel in 1858, sold out in 1863, died in London, January 24, 1874.
THE EMPEROR AND HIS LOVE AFFAIRS 183
having previously been the mistress of a famous steeplechase
rider. We ourselves only saw Miss Howard in her last days,
when she had become extremely stout, but even then her face
retained a good deal of the beauty for which she had been
renowned. According to those who knew her in her London
days she then had an exquisite figure, at once stately and
graceful, with a head and features such as only one of the great
Greek sculptors could have chiselled. Among the many
members of the aristocracy who met at her house in London
were the Duke of Beaufort, the Earl of Chesterfield, the Earl
of Malmesbury, and Count d'Orsay. It was the last named,
according to Fleury, who presented Louis Napoleon to her, and
he was immediately smitten. The intrigue which ensued lasted
until the end of 1852, when the Prince decided to marry Mile,
de Montijo. It is extremely doubtful whether Miss Howard
financed the Boulogne attempt of August, 1840. Count Orsi,
who was subsequently pensioned for his services at that time,
asserts that he negotiated a loan of ^£'20,000 for the enterprise ;
but, on the other hand, there are many stories of how Miss
Howard offered the Prince all she possessed, even proposing to
sell her diamonds. It is in any case certain that she gave him
much pecuniary assistance at other times, and we know by a
document found at the Tuileries that at the period of the
establishment of the Empire she still held a mortgage on the
estate of Civita Nuova, in the March of Ancona, which
Napoleon had inherited from his father — the said mortgage
being annulled by the payment to Miss Howard of a sum of
^40,000 on March 25, 1853. We think that Napoleon had
not waited till the time of the Coup d'Etat to raise money on
his Italian property, and that his indebtedness to Miss Howard
in that respect as in others was of long standing.
Sonie six years of imprisonment at Ham — October, 1840,
to May, 1846 — followed the fiasco of Boulogne. During that
long interval Miss Howard, it is said, corresponded with the
prisoner. But did she visit him in prison? That is a point
which Ave have been unable to solve, yet it is one of some
interest, for we find it stated in French official records that
Miss Howard's son, Martin-Constantin, whom the Emperor
created Count de Bechevet, was born in London on August 16,
184 THE COURT OF THE TUILERIES
1842. Now, in the days of the Empire the Count de Bechevet
was regarded by everybody as the son of Napoleon HI, In
that case either Miss Howard went to Ham late in 1841, or
there is a voluntary or involuntary error in the recorded date
of the Count de Bechevet"'s birth. If neither of those surmises
is correct the Count cannot have been the son of the Emperor.*
Of course there is nothing impossible in the supposition that Miss
Howard visited Ham. Napoleon certainly applied by letter for
permission to receive lady visitors, and may have obtained it ;
and we know that his captivity was so far from being rigorous
that he contrived to carry on an intrigue with a young person
named Alexandrine Eleonore Vergeot, who, according to the
most credible account, washed his linen, though some writers
have called her a " basket-maker," and others " a maker of
wooden shoes."" In any case she became the mother of two
sons by the Prince, the elder, Alexandre Louis Eugene, being
born on February 25, 1843, and the younger, Alexandre Louis
Ernest, on March 18, 1845. Curiously enough, in August,
1858, Alexandrine Vergeot married none other than M. Pierre
Bure, Napoleon's foster-brother, and treasurer to the Crown.f
Miss Howard does not appear to have resented the Prince''s
infidelity at Ham, for subsequently she took temporary charge
of Alexandrine Vergeofs children, and made arrangements for
their education. This gave rise to the reports that she had
not one son but several sons by Napoleon III.
The elder of the brothers Vergeot entered the French Con-
sular Service, and the younger the Department of Finances,
becoming eventually a Receiver to the Treasury, a very re-
munerative post. By two decrees dated June 11, 1870, and
countersigned by M. Emile Ollivier, Napoleon bestowed the
title of Count d'Orx on the elder, and of Count de Labenne on
the younger of these illegitimate sons of his, at the same time
presenting them with the aforesaid estates of Orx and Labenne,
which formed part of the extensive tract of country reclaimed
and planted by him in the Landes. The Emperor had at one
• The alleged date of Miss Howard's birth (1823) must be wrong, as it
would make her but 17 at the time of the Boulogne affair.
t Born at Estouilly, Somme, September 3, 1820, she died at Le V^sinet,
pear Paris, in August, 1886, Her husband died in January, 1882,
TPIE EMPEROR AND HIS LOVE AFFAIRS 185
time transferred that property to Count Walewski, but after
the latter's death he took it over again by arrangement with
his cousin's widow. Count d'Orx is, we think, still alive, but
Count de Labenne died in 1882, leaving no issue.
Let us now return to Miss Howard. There is no doubt
that she assisted Napoleon from her purse during the last years
of his life in England. When he proceeded to Paris after the
Revolution of 1848, she followed him thither, and while he
installed himself at the Hotel du Rhin in the Place Vendome,
which became the headquarters of the Bonapartist agitation,
she betook herself to Meurice's, then par excellence the English
hotel in Paris. When her lover had been elected President of
the Republic, a well-appointed little house was rented for Miss
Howard in the Rue du Cirque, close to the Elysee Palace,
which had become Napoleon's residence. Whenever he could
escape from business at the Elysee he spent his evenings in the
Rue du Cirque, where his intimates, Fleury, Mocquard, Edgar
Ney, Count de Toulongeon (his orderly officer), and Count
Baciocchi also assembled. Various Bonapartist journalists,
some artists, and sundry Englishmen — conspicuous among
whom was the Marquis of Hertford — also met the Prince at
Miss Howard's. Few women were found there, and their
positions resembled that of the mistress of the house.
In spite of the emoluments which the Prince received as
President of the Republic, his "struggle for life" continued to
be very severe, for the Bonapartist propaganda had to be
financed, and few of his acolytes had means of their own.
Thus Miss Howard again came to the rescue, on one occasion
rendering the Prince a service similar to that of Fould's,
recorded in our second chapter * — that is to say, in 1851,
when some of Napoleon's promissory notes had been protested
by Montaut, a banker of the Palais Royal, Miss Howard
spent a part of her remaining resources in discharging the
debt. At the same time, whatever her services might be, she
gradually became a cause of serious trouble and inconvenience.
No nation is more indulgent than the French with respect
to a man's affaires de coeur. Nevertheless, the Prince's close
connection with Miss Howard and the part she took in his affairs
* See ante, p. 37,
186 THE COURT OF THE TUILERIES
scandalized many people, and thus proved detrimental to his
political interests, for various notabilities shrank from joining
his cause on account of the looseness of his life.
Already, in 1849, a very unpleasant episode occurred with
respect to Miss Howard. The Prince then made a journey to
Tours and Saumur, in which latter town the State Cavalry
School gave an entertainment in his honour. Among those
who accompanied him was his mistress. On arriving at Tours
a question arose of finding lodgings for her, and it occurred to
an official, Avho was approached on the subject, to install her at
the house of a M. Andre, Receiver to the Treasury, who was
then absent with his wife at some Pyrenean spa. The Andres
were Protestants, and when they afterwards heard of what had
happened they complained warmly, perhaps over warmly, about
the insult offered to them and their house by introducing into
it under a false name a svoman of bad character. In a letter
which M. Andre addressed to Napoleon's chief minister, M.
Odilon-Barrot, he inquired : " Have we gone back, then, to the
days when the mistresses of our kings exhibited the scandal of
their lives in town after town of France ? " M. Barrot was very
much upset and embarrassed by the affair. It seemed to him,
he tells us in his " Memoirs," that M. Andre attached excessive
importance to an incident which could only have been due to
some indiscretion or mistake on the part of a subordinate. He
therefore did not wish to make a State affair of the matter, though,
on the other hand, he says, he " was not sorry that the President
should learn that in the high position to which he had been
raised, it was no longer allowable for him to lead the free and
easy life which he had led in London."" Accordingly the Prime
Minister arranged matters in such a way that, with the help of
his brother (M. Ferdinand Barrot, then Secretary-general to the
President), M. Andre's letter might come accidentally, as it
were, before the Prince. This plan was carried out, and shortly
afterwards Odilon-Barrot received a letter on the subject from
Napoleon. It ran as follows :
"Your brother has shown me a letter from a Monsieur Andre,
which I should have disdained to answer if it had not contained
false allegations, which it is fit that I should refute. A lady in
whom I take the {greatest interest wished to see the carrousel of
THE EMPEROR AND HIS LOVE AFFAIRS 187
Saumur, accompanied by a lady friend of hers and two persons
of my household. From Saumur she went to Tours, and fearing
that she might not be able to find lodgings there, she asked me to
do whatever might be necessary to procure her accommodation.
On arriving at Tours, I said to one of the Prefecture Councillors
that he would oblige me by finding rooms for Count Baciocchi and
some ladies of his acquaintance. It seems that they were led by
chance and their evil star to Monsieur Andre's house, where, I
know not why, it was imagined that one of the ladies was named
Baciocchi. Never did the lady in question assume that name. If
an error occurred it was perpetrated by strangers, against my own
desire and the lady's also. I should, however, like to know why
Monsieur Andre, without taking the trouble to ascertain the truth,
seeks to make me responsible for the selection of his house and the
wrongful attribution of a name ? When a householder makes it his
first care to peer into the past life of a person he receives, in order
to cry her down — is that a noble way of practising hospitality 1
How many women, a hundred times less pure, a hundred times less
devoted than the one who lodged at Monsieur Andre's, would have
been received by him with all possible honour if they had happened
to have at their disposal a husband's name to cast over their guilty
intrigues ! I detest that pedantic rigorism which ill-conceals a dry
heart — a heart indulgent for self but inexorable towards others.
True religion is not intolerant, it does not try to stir up a tempest
in a glass of water, it does not make much ado about nothing, and
turn a mere accident or excusable mistake into a positive crime.
"Monsieur Andre, who is, I am told, a Puritan, has not yet
meditated sufficiently on that passage in the Gospel where Christ,
addressing people possessed of souls as uncharitable as Monsieur
Andre's, says to them, respecting the woman whom they wish to
stone : ' Let him who is without sin,' etc. May Monsieur Andre
put that precept into practice ! For my part, I bring charges
against nobody, and I own that I am guilty of seeking in illegitimate
bonds the affection which my heart requires. As, however, my
position has hitherto prevented me from marrying, and as, amid
all the cares of government, I possess, alas ! in my native country,
from which I was so long absent, neither intimate friends, nor ties
of childhood, nor relatives to give me the joys of family life, I may
well be forgiven, I think, for an affection which harms nobody and
which I do not seek to make conspicuous. To return to Monsieur
Andre, if, as he declares, he believes that his house has been defiled
by the presence of an unmarried woman, I beg you to let him know
that, on my side, I deeply regret that a person of such pure devotion
188 THE COURT OF THE TUILERIES
and high character should have alighted by chance at a house,
where, under the mask of religion, there reigns only a stiff and
ostentatious virtue, devoid of Christian charity. You may put my
letter to such use as you please." *
With that missive,''sajs Odilon-Barrot, there came an order
from the Prince-President to send a copy of it to M. Andre.
But the Prime Minister wisely refrained from doing so, and the
affair blew over.
To what degree affection for Napoleon and to what degree
far-seeing ambition influenced Miss Howard, on the various
occasions when she assisted him financially, is a difficult question
to determine. Persons of her condition are seldom disinterested,
however ; and in the demands Avhich Miss Howard made after
her lover had become master of France, it seems certain that
she was not merely claiming her due, but giving rein at last to
a grasping nature, previously held in check. However consider-
able may have been the wealth she had acquired in England,
the amount of money ultimately paid to her by Napoleon was
so enormous that, besides embracing the reimbursement of her
advances, it obviously included a very lavish indemnity. More-
over, whatever may have been her original motives in assisting
Napoleon, it is certain that after the success of the Coup d'Etat
she aspired to play the part of a Pompadour or a Dubarry.
She clung to Napoleon tenaciously, unwilling to allow him out
of her sight, and when he took up his residence at the Chateau
of St. Cloud during the months preceding the proclamation of
the Empire, she insisted on quarters being found for her there
in spite of the damaging, scandalous talk to which her presence
might give rise. We know, by the admissions of Count Fleury
in his " Memoirs," that she was secretly lodged in some of the
smaller ground-floor rooms, whence she kept watch upon all that
occurred. She was also exacting in other respects, again
following Napoleon on his journeys into the provinces, demand-
ing a special and conspicuous place for her carriage at reviews
and other ceremonies, and generally striving to assume the
position of a recognized favourite. All this, be it noted,
occurred at the time when Napoleon was feeling more and
♦ IIo^YeYer strange the letter may seem, its authenticity is unquestionable,
THE EMPEROR AND HIS LOVE AFFAIRS 189
more attracted towards Mile, de Montijo. At Compiegne and
at Fontainebleau the Prince was surrounded by far too many
guests, and notably by too many ladies of recognized position,
for Miss Howard's presence to be possible there. Nevertheless,
she watched and waited, never abandoning her hopes.
She made, perhaps, her boldest bid for recognition as
imperial favourite at one of the first entertainments given at
the Tuileries after the Coup d'Etat. In the very midst of the
reception she suddenly entered the palace, exquisitely dressed,
and attracting general attention by her remarkable beauty.
For the prosecution of her enterprise she had found confederates
among her lover's entourage. Colonel Baron de Seville * entered
with her, giving her his arm, and behind the pair walked Count
Baciocchi with a matronly person, to whom had been assigned
the part played by the Countess de Beam when La Dubarry
was presented at the Court of Louis XV. A good many people
who did not know Miss Howard thought she Avas some fine
lady who had just arrived from London, but those of the
President's set who knew her and who were opposed to her
influence took alarm at the demonstration, rightly opining that
the bold Englishwoman might become very dangerous if her
proceedings were not promptly checked. Among the serious
politicians and the diplomatists present at the gathering, the
impression was extremely bad, as the Prefect of Police indicated
in a special report which he boldly addressed to Napoleon on
the subject.
When the latter had ultimately made up his mind to marry
Mile, de Montijo, the difficult task of restraining and pacifying
Miss Howard was assigned to the genial and resourceful
Mocquard. It would be curious to know exactly how he
accomplished that duty. We are only acquainted with the
bare facts — that he contrived to lure Miss Howard to Le
Havre, to prevent her from seeing the newspapers and to keep
her in ignorance of what was passing in Paris until intervention
on her part could be of no avail. True, after storming and
raving, and fainting and weeping, she might still have attempted
some desperate but futile effort, had she not been told that if
she evinced any disposition to perpetrate an act of folly, she
* See ante, p. 48.
190 THE COURT OF THE TUILERIES
would be immediately taken down to the port and placed on
board a ship sailing for America. At last, then, she gave in,
accepting the compensation which was tendered to her for the
loss of the position she had aspired to fill.
This compensation comprised, in the first place, the hand-
some chateau and estate of Beauregard on the road from La
Celle St. Cloud to Versailles. The chateau had originally. been
built by the famous Pere Lachaise, confessor to Louis X.IV.,
whose name has been perpetuated by the most important of
all the Parisian cemeteries. It is said too, that Beauregard
was the meeting-place of many of the artistic celebrities of le
grand siecle, and that the masterpieces of Lully and Rameau
were first performed there. At the close of the eighteenth
century the chateau was acquired by Count d'Artois — afterwards
Charles X. — and his sons, the Dukes d"'Angouleme and de
Berry, spent their childhood there. In purchasing Beauregard
and presenting it to Miss Howard, Napoleon III., as we know
by a memorandum in his own handwriting, had imagined that
the outlay " would be at the utmost =£'20,000 ; " but she rebuilt
and enlarged the chateau to a considerable extent, and the
Emperor appears to have taken all the expense on his shoulders.
Together with the estate, he presented his ex-mistress, as pre-
viously mentioned, with the title of Countess de Beauregard —
a proceeding which offended an existing Beauregard family,
with the result that although no change was made respecting
Miss Howard personally, a different title, that of Count de
Bechevet, was ultimately conferred on her son, Martin Con-
stantine, the question of whose paternity is so doubtful.*
As for the pecuniary payments made to Miss Howard, we
learn from the Emperor's memorandum, just referred to, that,
apart from the cost of Beauregard, he had originally intended
* In connection with, that matter, it may be observed that Miss Howard's
protector at the time when Napoleon made her acquaintance was Major
Mount] oy Martyn ; that her son received the Christian name of Martin, and
that her grandson was christened Richard Martyn. It is quite possible, then,
that the Count de Bechevet was not Napoleon's son, however general the
belief that he was — a belief strengthened by the bestowal of a title on him.
That title, however, was not granted until 1865, and may merely have been a
misinterpreted act of favour. Though Napoleon, as some have asserted, may
have known Miss Howard from 1840 onward, the actual intrigue may not
have begun till after his release from Ham.
THE EMPEROR AND HIS LOVE AFFAIRS 191
to present her with c£'120,000. Inclusive, however, of the
c£'40,000 paid with respect to the estate of Civita Nuova, she
had already received at the beginning of 1855 no less than
=£'218,000, and, like Oliver Twist, she wanted more. In January,
1855, she wrote to M. Mocquard as follows : — *
"My very dear Friend,
"We are to-day the 24th of January, and I perceive
with grief that the engagements entered into with me are not
performed (when I have doubts I feel hurt and I ought not to be
left in doubt). As a matter of fact I believed and still believe that
it is a mistake ; but why make me suffer 1 If things are to be like
this I should have done better if I had kept the six millions instead
of three million five hundred thousand francs, which, at my request,
were to have been paid by the end of the year 1853, and it was for
this [?] that I begged the Emperor to tear up the first amount
(2,500,000 francs). My heart bleeds at having to write this, and
if my marriage contract were not drawn up as it is, and if I had
not a child, I should not make this application which has become a
duty. I rely on you to put an end to all this sufiering. The
Emperor has too good a heart to leave a woman whom he tenderly
loved in a false position, such as he would not like to be in himself.
You know my position, you are my guardian [tuteur] and it is with
a twofold claim on you that I apply to you. I made a mistake in
writing to his Majesty the other day. In one of his letters dated
May, be says, ' I will give Giles f paper for the three million five
hundred thousand francs [£140,000] to-morrow.' The only thing
to be done, then, is to calculate the payments at the rate of 50,000
from June 1, 1853, and 50,000 from January to October. I hope
to God there will be no further question of money between me and
him for whom my heart has very different feelings. I kiss you
tenderly and love you in like way,
" Your affectionate,
" E. H. DE B.
" I implore you not to leave this letter, you may read it if you
like to his Majesty, and burn it directly afterwards. I saw Mme.
Mocquard on Monday at 4 o'clock, she was very poorly."
* The letter is written in very faulty French, and the meaning of one or
two sentences is extremely obscure. The translation we give is, however, as
close as possible. The French text will be found in the " Papiers et Corre-'
spondance de la Famille Imperiale," issued by the Government of National
Defence, in 1870-71.
t A banker, through whom many payments were made to Miss Howard.
102 THE COURT OF THE TUILERIES
The allusion to a marriage contract which will have been
noticed in that letter needs explanation. After Mocquard had
made the first arrangements with Miss Howard, she was per-
suaded to travel for a time, and on going to Italy she there met
a young Englishman, named Clarence Trelawny, who held an
officer's commission in the Austrian Hussars, and whom she
married at Florence on May 16, 1854. The union appears to
have been a very unhappy one, and a divorce took place in
February, 1865.
It would appear that Miss Howard never really forgave
Napoleon for deserting her, or the Empress Eugenie for sup-
planting her in his affections. We had some acquaintance
several years ago with an Englishman named Arthur Savile
Grant (the illegitimate son of an ex-diplomatist domiciled in
Paris) who invented the newspaper kiosks of the boulevards,
from which he derived a handsome income, and who knew Miss
Howard very well in her last days, when he was often a guest
at Beauregard. According to this Mr. Grant the lady was
occasionally seized with fits of fury, and would then indulge
in extraordinary language respecting the Emperor and his
entourage, several members of which she bitterly denounced for
their old-time intrigues against her. Grant further asserted
that if such large sums were paid by Napoleon to his ex-mistress,
it was because she at one time detained a number of documents
damaging for his reputation. She had often been heard to
declare that the Palace Police had on one occasion ransacked
her residence and carried off every scrap of paper they could
lay their hands upon. We do not vouch for that story, but it
is curious that the novelist Emile Gaboriau should have intro-
duced such an episode into his novel " La Degringolade," even
as he included in it the St. Arnaud-Cornemuse duel, of which
we spoke in a former chapter. Rumours of t^e seizure of the
lady's papers must therefore have been current.
After remaining in comparative retirement for some years,
Miss Howard was suddenly seized with a desire to show herself
once more to the Parisians, and particularly to the Emperor
and Empress. During the seasons of 1864-65, she frequently
appeared in the Champs Ely sees and the Bois de Boulogne,
driving a pair of superb bays, and manoeuvring in such a fashion
THE EMPEROR AND HIS LOVE AFFAIRS 193
as to meet their Majesties' equipage as often as possible and
stare at them. Again, at theatrical performances, she would
turn her glasses with annoying persistency on the imperial box,
and it was even said that she received a caution on the subject.
But she was near her end. On August 19, 1865, she passed
away at the chateau of Beauregard, and although there were
people ready to assert that her death could not have been due
to natural causes, there does not seem to have been the 'slightest
reason — excepting enmity of the Empire — for any suspicion of
foul play. In 1867 Miss Howard's son, the Count de Bechevet,
married a Mile, de Csuzy, of a noble Hungarian house, by
whom he had two daughters and the son we have previously
mentioned.
Although Napoleon III. undoubtedly engaged in various
intrigues subsequent to his marriage, some of the stories
current on the subject must only be accepted with the pro-
verbial grains of salt. Certain anecdotes are so nonsensical,
that one wonders how they can ever have obtained credence.
Valuable as may be in some respects the " Memoirs of Count
Horace de Viel Castel," which created such a sensation on
their first appearance some years ago, they are studded with
scandalous tittle-tattle, resting at times on very slight, and
at others on no foundation whatever. For people of any
acumen the editor of the "Memoirs" gave the key to them
when he remarked in his introduction, that although Viel
Castel was a man fit for the highest posts, he had been con-
fined to his duties in connection with the national museums.
In other words, he was a disappointed and embittered man,
often far too ready to make a note of anything, however
improbable, that tended to discredit the regime on which he
lived. V\'^e came in contact with him more than once, and
have no doubt of the accuracy of that estimate. Had Viel
Castel been such a high-minded personage as he desired others
to think, and had he conscientiously believed things to be as
bad as he asserted in his " Memoirs," he would have severed his
connection with the Empire after a very brief experience. But
he did no such thing. Down to the last years he partook
complacently of the hospitality of the Tuileries, never missed
an autumn at Compiegne, nor indeed any opportunity to mix
a
194 THE COUIIT OF THE TUILERIES
as a boon companion with those for whom he was preparing a
pillory in his " Memoirs."" Such a man undoubtedly becomes
despicable when he puts on pretensions to personal virtue.
Besides, Viel Castel, though a married man with children,
lived with another woman by whom he had offspring, as was
proved during the litigation to which the publication of the
" Memoirs " gave rise.
There is also another point to be considered. A good
many of the more remarkable stories related by Viel Castel
are given as emanating, either at first or at second hand, from
the Princess Mathilde, with whom he was certainly on terms
of close acquaintanceship. So were others; and it was very
generally known that whatever might be the Princess's own
faults — she was too true a Bonaparte to have none — and what-
ever might be her knowledge of the faults of her relatives, she
was not given to talking of them. A certain ease and freedom
reigned in her circle ; men like Goncourt and Gautier and
Flaubert would not have belonged to it had the position been
otherwise ; but there was a line which nobody was allowed to
cross. No remarks reflecting on the morals of the imperial
house were tolerated; even political criticism of some action
of the Emperor's, or perhaps of Prince Napoleon's, had to be
kept within bounds. If ever too outspoken, too personal, a
remark was heard, the Princess bristled up. " I will not allow
my relations to be attacked," she Avould say; and the incautious
speaker had to apologize immediately. Yet, according to Viel
Castel, she was given to narrating enormities ! To her is
assigned the story of a certain incident in a railway train, in
which the Emperor's name is linked with that of a lady of
the Court; and it is she, again, who is said to repeat to a
friend Napoleon's saying about the lady of the ground floor
whom he wished to get rid of, the lady of the first floor who,
although very beautiful, bored him by her insignificance and
insipidity, and the lady of the second floor who, consumed by
her passion, was always running after him. That anecdote has
been repeated a thousand times in books, magazines, and
newspapers all the world over. It may have reflected the
Emperor's sentiments, but Viel Castel by alleging that it was
repeated by the Princess Mathilde, the last woman in the
THE EMPEROR AND HIS LOVE AFFAIRS 195
world to retail such a saying, imposes a severe strain on the
faith of readers possessed of any sense and knowledge.
Nevertheless, whatever falsity and exaggeration may be
found in the pages either of Viel Castel or of similar writers,
it is certain that Napoleon was an unfaithful husband. One
may regard as mere odious scandal two alleged intrigues of
his, which are frequently referred to by the memoir writers —
one with a person of obscure origin, resulting, it is said, in the
birth of a daughter who married a Count of the old noblesse,
and the other an intrigue with the unmarried daughter of a
famous functionary of the Empire, resulting, it was pretended,
in the birth of a son in January, 1865. Whatever assertions
may have been made respecting those affairs, they have never
been substantiated by the slightest authentic evidence. Con-
nected with the second case, however, there is a true story
which may be repeated. At a ball given at the Tuileries a
lady guest of that very undesirable scandal-loving type which
was certainly well represented under the Empire, related that
the functionary's daughter in question had lately given birth
to a child, adding that the accouchement had taken place less
than a week previously at the residence of some friends of
the narrator''s. It so happened that the Marchioness de
Latour-Maubourg, one of the Empress''s ladies-in-waiting, was
present and heard the story, at the conclusion of which she
remarked that it was of a nature to ruin the young lady's
reputation, and that one ought to be quite certain of one's
facts before repeating it. The other retorted that the tale
was true, whereupon Mme. de Latour-Maubourg exclaimed :
" Then I am vastly astonished — for there is the young lady in
question, dancing ! " The scandalmonger was overwhelmed with
confusion, and a few minutes afterwards (Mme. de Latour-
Maubourg having hurried away to inform the Empress of the
incident) a chamberlain approached her, and said : " Madam,
your carriage is waiting." On the morrow her name was struck
off the list of those received at the Tuileries.
There are reasons for thinking that some truth may
attach to one or another of the various stories respecting
the Emperor's alleged gallantries with ladies of the Court,
but in these cases again there is a lack of conclusive evidence.
196 THE COURT OF THE TUlLEtllES
and more than once appearances may have been deceptive.
In one instance the lady named by the anecdotiers certainly
enjoyed high favour, and we have an independent witness.
Lord Malmesbury, drawing very unfavourable conclusions from
what he saw. But, on the other hand, we find various writers,
including even Viel Castel, who repeated all the rumours
against the lady in question, relating that when she heard she
was accused by the Court of being the Emperor"'s mistress, she
hurried to the Empress to protest against the charge, and that
the Empress believed and comforted her. This lady retained
her position at the Tuileries for some years afterwards, and in
that connection it should be remembered that the Empress
Eugenie was no Catherine of Braganza willing to tolerate
the presence of a Lady Castlemaine beside her. Whatever
intrigues occurred at the palace were carried on there without
her knowledge.
When the papers found at the Tuileries were published by
the Government of National Defence in 1870, no little ado
was made about a certain invoice for sweetmeats, which was
supposed to prove that the Emperor had employed his aides-
de-camp and orderlies to carry honhons to his favourites. This
invoice was as follows : —
" Gouache, Confectioner, Purveyor to H.M. the Empekoe.
" Paris, May 20, 1858.
" Supplied to H.M. the Emperor :
" Twelve dozen half-boxes of dragees, at 18 frs. — 216 frs.
" Porwarded to General de Failly, 20 Rue de Ponthieu.
"Paid, L. Gouache."
Below the bill was a memorandum in pencil recapitulating
other accounts for similar sweetmeats, the total amount paid
to Gouache being .£51 8*. lOd. So wild were the passions of
the time when this "document" was brought to light, that
nobody paused to reflect that dragees, otherwise sugared
almonds, were sweets chiefly associated in France with christen-
ings, that each half-box supplied by Gouache represented the
huge sum of 1*. 2d., and that it was nonsensical to imagine
that M. de Failly, M. de Galliffet, and the other aides-de-camp
or orderlies had been in the habit of taking one-and-twopenny
THE EMPEROR AND HIS LOVE AFFAIRS 197
packets of sugared almonds to the Countess de Castiglione,
Mile. Bellanger, and the other ladies on whom their imperial
master deigned to smile ! The memorandum at the foot of the
invoice indicated that 72 dozen, that is 864 half-boxes of
dragees had been supplied in all, over a period of about twelve
months. We are not able to say with certainty for what purpose
so large a number was required, but we have a suspicion, and
perhaps a shrewd one, on the subject. After the Emperor
and Empress had become sponsors to all the children born
on the same day as the Imperial Prince in 1856, fervent
imperialists often applied to them to act likewise in other
instances ; and we think it quite possible that the dragees were
ordered of Gouache for distribution at the christenings of the
offspring of members of the Court, officials, and other adherents.
In any case we decline to believe that those 864 half-boxes of
cheap sweets Avere procured to regale the imperial favourites.
Let us now pass to the well-authenticated cases of conjugal
infidelity on the part of the Emperor, the cases of the two
women we have just mentioned. Countess Virginia Verasis di
Castiglione and Mile. Marguerite Bellanger. We referred to
the Countess in a previous chapter,* pointing out what we
believe to have been her real motive in coming to France — that
is, a desire to captivate the Emperor and secure some such
position as that to which Miss Howard had vainly aspired.
We have mentioned also that in the opinion of most of those
who met the Countess she was not fit for the role she wished to
play, by reason of her lack of intellectual ability. Some have
urged that she reserved her wit for rintimitS, but we do not
believe that she was a woman to hide her wit (if she had any)
from the public any more than she hid her beauty. However,
Count Fleury, the Emperor's confidant in most of his love affairs,
held a somewhat different view, as we shall see. In coming to
Paris from Florence the Countess, apart from the question of
any diplomatic introduction, was assured of an entree into high
society by the friendship existing between the Oldoini family,
to which she belonged by birth, and the Riccis, of whom the
Countess Walewska was one. It was under the wing of the
Walewskis that the Castigliones first made their appearance in
* See miUt P- 11Q<
198 THE COURT OF THE TUILERIES
Parisian drawing-rooms. That was late in 1855 or early in
1 856, the Countess then being about twenty years of age.* In
March of the latter year Marshal de Castellane was introduced
to her at the house of one of his relatives, and while recognizing
her beauty he was greatly disappointed by what he regarded as
her lack of esprit. Even her beauty did not pass unchallenged.
In November, 1857, she was a guest at Compiegne at the same
time as the Duchess of Manchester, now Duchess of Devonshire,
by whose radiant charm she was altogether eclipsed. The
Marchioness de Contades, referring to the Duchess in a letter to
Marshal de Castellane, remarked : " She is as beautiful as day-
light, she quite surpasses Mme. de Castiglione . . . she has a
profile like an antique cameo, and it is quite a treat to look
at her."
Nevertheless, in her own particular style, the Countess
Virginia remained unexcelled. Viel Castel, Avhom one may
follow when, instead of collecting miscellaneous tittle-tattle, he
describes what he actually witnessed, gives a lively account of
the sensation the Countess created at a fancy-dress ball given
at the Ministry of Foreign Affairs f in February, 1857. Her
costume, devised in part according to the Louis XV. style and
in part according to the fashions of the day, was that of " Queen
of Hearts " — the hearts being outlined by a number of gold
chains which wound around her, and the sight of which inspired
some simple-minded folk with much admiration for her talent
in being able to array herself in such a costly fashion, when,
having already squandered the fine fortune of her infatuated
husband, she had but a paltry income of about .£'600 a year.
Dressed as we have said, she wore her hair loose, streaming over
her neck and shoulders. Her corsage was reduced to the
simplest expression, and it was evident to all beholders that she
scorned to wear anything so commonplace as a corset. She
was extremely proud of her beauty, and, as Viel Castel says, only
veiled it so far as was necessary to obtain admittance to a
drawing-room. At subsequent entertainments of the period
* She was only fifteen when she married. She already had a son at the
time of her arrival in France.
t Not at the Tuileries, as some accounts have it. Many legends have
sprung up respecting Mme. de Castiglione, but few are really based on fact.
THE EMPEROR AND HIS LOVE AFFAIRS 199
she surpassed her previous performances by appearing in ahnost
transparent draperies, once as a Roman lady of the Decline,
and later as the Salammbo immortalized by Flaubert.
It was no difficult task for the Countess to fascinate the
Emperor, but she altogether failed in her endeavours to attain
the position of a grande viaitresse. The liaison lasted about a
year — 1857 — and as it was never renewed, those writers who,
regardless of dates, have tried to connect the Emperor'^s passion
for the Countess with the Empress's journey to Scotland in
1860 have blundered egregiously. At the time of Mme. de
Castiglione\s arrival in France her means, as already indicated,
v/ere very slender. Her first residence (with her husband) was
a small flat situated, curiously enough, in the Rue Castiglione,
near the Place Vendome. She could not receive the Emperor
there, and at the outset of the liaisoti a small house was taken
in the Rue de la Pompe at Passy. Thanks to Napoleon''s
liberality, the Countess was afterwards able to install herself in
the Rue Montaigne, where, as mentioned in a previous chapter,
Tibaldi and his confederates proposed to waylay and assassinate
the Emperor during the summer of 1857.*
It was not, however, fear for his personal safety that induced
the latter to break off the connection. Whether he gave
utterance or not to the alleged saying about his lady friends of
the ground floor, first floor, and second floor, the account of the
one who, although very beautiful, bored him by her insignificance
and insipidity would seem to have been extremely well suited to
Mme. de Castiglione. Still we must not forget Count Fleury's
view of the matter, and as he is well entitled to a hearing, let
us give it to him. He contends, then, in his " Souvenirs " that
whatever some may have thought, the Countess was in reality
no fool, and he ascribes her failure to retain any mastery over
the Emperor to another cause — her absolute lack of charm.
While Viel Castel christens her Aspasia, Fleury calls her a
female Narcissus, always in adoration before her own beauty,
lacking both suppleness and gentleness of disposition, "ambitious
without grace and haughty without reason " — in such wise that
she soon Avearied the man whom she hoped to hold. " Infatuated
with herself," Fleury continues, "and always draped a T antique,
* See ante, p. 111.
200 THE COURT OF THE TUILERIES
strange in both her person and her manners, she made her
appearance at the assemblies of the time Hke a goddess just
descended from the clouds. She bade her husband lead her to
some secluded part of the room, where she allowed herself to be
admired as if she were a reliquary . . . boldly facing every
glance and never allowing the icy calmness of her demeanour to
be in the slightest degree disturbed by the indiscreet admiration
which she inspired. She scarcely ever spoke to women.* Just
a few admirers were accorded the alms of a smile, a word, or a
return bow. Like some great artiste who has just sung in an
assembly where she knows nobody, she waited patiently and
with indifference until the master and mistress of the house
came to compliment her. Directly the Emperor and Empress
drew near her physiognomy became transformed. Her mouth,
hitherto so expressive of disdain, opened with a smile, disclosing
her admirable teeth, her eyes glittered, expressing her feeling of
triumph, her gratified vanity. To everybody else she seemed
to say : ' I am not here for you ; I am of a superior essence to
you. I know but the sovereigns.' That style of behaviour,
which at the utmost would only be acceptable in a Sultan''s
harem, was not calculated to win her either sympathy or
friends.'^ t
Fleury next relates that during a stay at Compiegne the
Countess had a nasty fall among the ruins of the then unrestored
castle of Pierrefonds, with the result that she dislocated a wrist.
A doctor attended her, but when the question arose of escorting
her back to the chateau of Compiegne nobody was willing to
undertake the duty, and he, Fleury, had to intervene and place
her in a char-a-hancs under the protection of two footmen.
When the Countess's liaison with the Emperor ceased (early,
we think, in 1858) she left Paris, but she was there again after
the Solferino-Magenta campaign; and Madame Carette, the
Empress's reader, relates that at one of the last entertainments
given in I860 by old Prince Jerome at the Palais Royal, she
arrived there about one o'clock in the morning, just as the
* She had reason to dislike the ladies of the Imperial Court, for they did
not hide their dislike of her. A few so far forgot themselves as to send her
insulting anonymous letters, which embittered her greatly.
t Count Fleury's " Souvenirs," vol. i.
THE EMPEROR AND HIS LOVE AFFAIRS 201
Emperor and Empress were leaving. They met on the stairs.
" You arrive very late, Madame la Comtesse," Napoleon said to
her. " It is you, Sire, who leave very early," she retorted,
passing on and entering the rooms with her usual scornful air.
There was, perhaps, in her retort, a touch of the bravado of a
woman who has played her cards and lost the game, but is
resolved that none shall think her downhearted.*
Nevertheless, she retired for a while to a convent, either by
way of doing penance for her sins or in imitation of the course
taken by the tearful La Valliere. As, however, the Emperor
was not Louis XIV., he refrained from attempting to lure the
fair penitent from her cell. She emerged from it of her own
accord. Time passed, and every now and again she made a
sudden brief appearance in society. In 1865, when Prince,
later King, Humbert of Italy visited the French Court at St.
Cloud, Mme. de Castiglione was present at a lunch there, it
being requisite to invite her, as her husband was in attendance
on the Prince. But eventually she received her conge. The
occasion was a great fancy ball at the Tuileries, at which the
Empress appeared as Marie Antoinette, her costume in red
velvet being copied from that worn by the Queen in one of the
portraits by Mme. Vigee-Lebrun. For some time past Mme.
de Castiglione had not appeared at Court, and when she
arrived on this occasion it Avas in black, in fact, in widow's
garb, as Marie de* Medici. We cannot say whether, as some
supposed, this was resented as an allusion to her widowhood
with respect to the Emperor. According to one account, she
had received no invitation to that particular fete. In any case,
she had scarcely entered the palace when a chamberlain appeared,
and, offering her his arm, conducted her back to her carriage.
It should be added that when this occurred all sorts of
scandalous rumours had been for a considerable time associated
with her name. Paris had talked of her in connection notably
with Count Nieuwerkerke, whose position with regard to
* Mme, Carette's anecdote has been repeated in most of the works on the
men and women of the Second Empire, and it may be thought superfluous on
our part to give it here. But we do not wish to be unfair to la belle Comtesse,
and her retort to the Emperor being one of her few recorded attempts at wit,
we have thought it as well to reproduce it yet again.
202 THE COURT OF THE TUILERIES
Princess Mathilde was a secret for nobody. An old beau as
well as a clever man, Nieuwerkerke had been flattered, it seems,
by the Countess's sudden partiality for him, but it does not
appear that he actually compromised himself. There had also
been, however, an outrageous story about an eccentric English
peer and the Countess, and although that might be untrue,
there could be no doubt of her liaison with the elderly Charles
Laffitte, the father of the Marchioness de Galliffet. Facilis
descensus Avei-ni. The beautiful Countess had fallen from an
empire to a banker's money bag ! . . . All that need be added
is that Mme. de Castiglione lost in turn both her husband and
her son, — the first being killed in 1867 by a fall from his horse
while he was escorting Prince Humbert,* the second dying in
his twentieth year — and that after a good many of those ups
and downs that occur in the life of an adventuress, this strange,
almost enigmatical, woman spent her last years in melancholy
seclusion in a little flat on the Place Vendome, the shutters of
which were always kept closed. It was even said that the
mirrors of the rooms were covered, in order that she might
not see the wreck of her once marvellous beauty. Of Southern
birth, she had matured precociously, and, as happens so often
in such cases, she became betimes an old woman in appearance.
She died in 1899.t
Napoleon's liaison with Marguerite Bellanger was of much
later date than the Castiglione affair, having begun in 1863 or
1864. This person's real name was Justine Marie Leboeuf, and
she was a native of Boulogne-sur-Mer, where she was born in
1838. Of modest parentage, and earning her living as a.femme
de chambre, she ran away to Paris with a commercial traveller,
who deserted her there. An actor of the Ambigu Theatre
secured for her, however, an engagement as Jigurante at the
little Theatre Beaumarchais, and she subsequently obtained
* The fatality occurred on the day following the Prince's marriage with
the present Dowager-Queen Margherita of Italy, and cast gloom over the
wedding festivities.
t Those interested in Mme. de Castiglione cannot do better than read the
account of her in M. F. Loli^e's " Femmes du Second Empire." It is
compiled from many sources, and embodies some very good — if often very
doubtful— stories about her. M. Loli^e's view of her is not the same as ours,
to which, however, we adhere.
THE EMPEROR AND HIS LOVE AFFAIRS 203
employment in a similar capacity at the Opera-house. Being
clever, she soon rose in her profession, and appeared in various
pieces at the Folies Dramatiques as an ingenue. Not content,
however, with playing that kind of role on the stage, she
attempted it in real life, and, for a time, not unsuccessfully,
so far as Napoleon HI. was concerned.*
There is no truth in a remarkable account of her which
appeared in the French press several years ago, and according
to which her mother was a younger sister of Heindereich,
the famous Paris headsman, who guillotined the odious
Troppmann, Dr. Lapommerais, and so many others. A great
many genealogical particulars respecting the Heindereichs were
printed in support of that theory, but it rested on the assump-
tion that Bellanger was this person's real name, which it was
not. The Emperor met her during a stay at Plombieres, or
it may have been Vichy, and on his return to Paris he took a
house for her. No. 27, in the Rue des Vignes at Passy. There,
in 1864, she gave birth to a son, who received the Christian
names of Charles Jules, and on whom Napoleon bestowed the
chateau and estate of Monchy (not Mouchy, as so many have
said) at Liancourt-Rantigny, in the department of the Oise, at
no very great distance from Compiegne. In reality the child
was not the Emperor''s. The latter had been imposed upon,
as is conclusively shown by two letters, which were found among
his private papers at the Tuileries in 1870. They were together
in an envelope, bearing the imperial monogram and the super-
scription in Napoleon's handwriting : " Letters to be kept." In
one of them, addressed to M. Devienne, First President of the
Court of Cassation, the supreme tribunal of France, Mile.
Bellanger openly admitted that she had deceived the Emperor
with respect to the child referred to ; while the other missive,
addressed to Napoleon himself, ran as follows : —
"Cher Seigneur [Dear Lord],
" I have not written to you since my departure, fearing
lest I should annoy you, but after Monsieur Devienne's visit, I
* She was tall, with an attractive figure and graceful carriage. She had
light, smooth hair, and an oval face, with somewhat irregular features. The
eyes had a candid expression, suited to the parts she played. The mouth,
however, was somewhat large and sensual.
204 THE COURT OF THE TUILERIES
think it my duty to do so, first to implore you not to despise me,
for without your esteem I do not know what would become of me,
and secondly to beg your pardon. I was guilty, it is true, but I
assure you that I had my doubts. Tell me, cher Seigneur, if there
is a means by which I may redeem my fault 1 I shall recoil from
nothing. If a whole life of devotion can restore to me your esteem,
mine belongs to you, and there is no sacrifice you may ask that I
am not ready to make. If it be necessary for your quietude that
I should exile myself and go abroad, say but the word, and I will
start. My heart is so full of gratitude for all you have done for
me that to suffer for you would be happiness still. Thus, the only
thing that, in any case, I do not wish you to doubt is the sincerity
and depth of my love for you. I beg you therefore to write me a
few lines to tell me that you forgive me. My address is : Mme.
Bellanger, Rue de Launay, Commune of Vilbernier, near Saumur.
Awaiting your reply, cher Seigneur, receive the farewell of your all
devoted, but most unhappy
" Marguerite." '^
The discovery of this correspondence after the Revolution
of 1870 caused the Government of National Defence to issue
a decree ordering the prosecution of M. Devienne before the
Court of Cassation, sitting as a Chamber of Discipline, for
having seriously compromised the dignity of the magistracy in
scandalous negotiations, he having been summoned to give
explanations but having failed to comply with the request,
besides absenting himself from Paris at the hour of the national
peril, although he was the head of the first judicial body of the
State.f This decree was signed by Emmanuel Arago as delegate
of the Minister of Justice.
M. Devienne, it may be explained, had fled to Brussels at
the fall of the Empire, and from that city he wrote first to
M. Cremieux, Keeper of the Seals and Minister of Justice, who
had taken up his quarters at Tours with other members of
the new Republican Government, and secondly to Emmanuel
Arago who had remained in the capital. In his first letter
M. Devienne declared that he should be the first to ask for a
decision when it became possible. His explanations would be
* From the " Papiers et Correspondance de la Famille Imp^riale," Paris
Imprimerie Nationale, 1870.
t The siege by the Gerraans was theo impending.
THE EMPEROR AND HIS LOVE AFFAIRS 205
neither long nor difficult, said he, and they would show that
the allegations and imputations contained in the newspapers
(there were many slanderous articles at the time) were absolutely
erroneous. " I am certain,"" he added, " that I did not forget
my dignity on an occasion when I undertook what I considered,
and still consider, to have been a duty."" Again, in writing to
Arago, Devienne protested that he had done nothing wrong :
" When the situation of the country admits of free discussion
in proper form I will prove that I did not compromise my
dignity in negotiations of a scandalous character. ... I will
prove that your police, your newspapers, and you yourself,
carried away by delight at the opportunity of striking a
political adversary, have blindly libelled me with respect to a
matter which was very different from what you allege. You
appeal to the law. I in my turn invoke it also, and far more
energetically. The day of justice will come, and it is with
impatience that I await it."
It was only in July, 1871, after the insurrection of the Com-
mune had been suppressed, that M. Devienne appeared before
the Court over which he had so long presided. He then stated
to the judges that if he had intervened in the affair of the
relations of the Emperor Napoleon with Mile. Bellanger, he
had done so at the express request of the Empress Eugenie,
who, having discovered her husband's infidelity, was sorely
afflicted by it and threatened to leave him. To prevent not
only a public scandal but a complete rupture between husband
and wife, he, Devienne, had inquired into the affair, with
the result already known, and had obtained the dismissal
{eloignement) of Mile. Bellanger. On July 21, 1871, the Court,
having considered M. Devienne's statement and the proofs
adduced in support of it, delivered judgment to the effect
that he had been guilty of no misconduct, but that his action
had been, on the contrary, a good and honourable one.*
The result was that Devienne was reinstated in his position
as First President of the Court, and held that post until his
age compelled him to retire in March, 1877. When a First
President retires it is usual for the authorities to confer on him
the title of Honorary First President, but the Government of
* See La Gazette des Tribunatix of the period.
206 THE COURT OF THE TUILERIES
the time refused to do this in Devienne's case, far less, however,
on account of his conduct in connection with the Bellanser
affair than on account of the part he had played at Bordeaux at
the time of the Coup d'Etat, when he had sat on one of the
Mixed Commissions which expelled so many people from France
without due trial. Marguerite Bellanger, let us add, survived
until November 23, 1886, when she died at Dommartin in
the department of the Somme. She became very pious and
charitable in her last years, and bequeathed all she possessed for
the benefit of the Church or of associations connected with it.
It is well known that in 1864 and the earlier part of 1865
the Emperor and Empress were by no means on good terms.
Several of the latter''s intimates have described her as being
very sad, deeply conscious of her husband's neglect. We do
not think that there is any reason to doubt M. Devienne's
statements to the Court of Cassation. They are of considerable
importance, as they help to explain various things which occurred
during the last years of the Empire.
The Empress may certainly have been somewhat worried
by the turn which events were taking politically, about the time
Ave have mentioned. It is true that there was as yet no sign of
the collapse of the hazardous Mexican expedition which she
appears to have favoured. Maximilian of Austria entered
Mexico city as Emperor in July, 1864, and the Tuileries, con-
fronted by the glowing despatches of the French commanders,
did not as yet imagine either that they would fail to impose the
new regime on the Mexican people, or that this mushroom
transatlantic Empire could at the utmost only last so long as
the United States, then in the throes of the War of Secession,
remained disunited. On the other hand, however, the new
phase upon which the Roman question entered in the autumn
of 1864 was of a nature to give the Empress anxiety. By a
convention signed in September it was agreed that the French
troops should quit Rome at the expiration of two years, and
that the maintenance of the integrity of the Papal dominions
should afterwards be entrusted to the Italian Government.
That measure had raised the ire of Pius IX., who, early in
December, and apparently in a spirit of revenge, issued an
Encyclical Letter in which several of the chief principles, not
THE EMPEROR AND HIS LOVE AFFAIRS 207
only of modern civilization generally, but of the very organiza-
tion of -France, were condemned as heretical. An angry contro-
versy at once arose in the French press, and on January 1,
1865, the Imperial Government notified the bishops that the
publication of the Papal Encyclical was prohibited, as it con-
tained propositions contrary to the Constitution of the Empire.
Some thirty of the bishops protested against this prohibition,
and the relations between the Government and the clergy
became extremely strained. In that affair the Emperor was
on one side and the Empress on the other — thus even in that
respect some personal estrangement was inevitable, but the
Emperor's private conduct about this period was certainly the
chief cause of the trouble apparent to the whole Court.
In our account of Napoleon's gallantries we have striven to
express ourselves temperately. We have set down naught in
malice, but have refrained from chronicling many scandalous
rumours of the period, only giving particulars respecting those
affairs which are thoroughly well authenticated. The Gordon,
Howard, and Vergeot episodes were antecedent to the imperial
marriage, and of them the Empress Eugenie could not complain.
She was no mere child when she consented to link her destiny
with that of Napoleon III. ; she must have known at least
something of his past. Perhaps she imagined, as other women
have done in similar situations, that her beauty and charm
would suffice to keep her husband in the path of marital duty ;
but she should have remembered that he belonged to a race
devoid in certain respects of moral sense. That reminds us that
we omitted to mention previously that while Napoleon III. had
an illegitimate half-brother, Morny, on his mother's side, he
also had another, the Count de Castelvecchio, on his father's.
That little touch will serve to complete the picture. That
the Emperor wronged his wife in the case of the Countess de
Castiglione and that of Marguerite Bellanger is indisputable,
and those instances alone would suffice to constitute serious
grievances, even if there were no others, as there may have
been, though, for lack of conclusive evidence, we have refrained
from insisting on that side of the question.
There Avas, we think, something of the nature of Louis XV.
in Napoleon III. Like the V^^ell Beloved, he had his secret
208 THE COURT OF THE TUILERIES
diplomacy ; like him he was partial to the perusal of police
reports and the private correspondence of his entourage; like
him, again, he was fond of women. To those who did not know
the Emperor in that respect, it Avas a revelation to see him at
some evening gathering — at Compiegne, for instance — walking
slowly down a room between two long lines of radiant
courtesying beauties. The right hand was raised in the
familiar fashion to twirl the pointed moustache, the eyes
glanced almost stealthily to right and left, momentarily
glittering as every now and then they espied some vision
of particularly attractive loveliness. Again and again the
simile which that spectacle suggested to the mind was that
of a Sultan passing his odalisques in review. Thus, even if
the Emperor's actual lapses were far fewer than was rumoured,
one could well understand such rumours arising, and spreading
from the Court to the city, and thence through the world at
large.
CHAPTER IX
THE IMPERIAL FAMILY
Branches of tho House of Bonaparte and their Rank at Court — The Emperor's
Civil Family — The Lucien Bonapartes — The Murats — Table of Allowances
to the Imperial Family — Additional special Grants— Sums secured by
various Branches — Baron Jerome David — Emoluments of the Jerome
Bonapartes — The Bonaparte-Paterson Lawsuit — Prince Jerome's last
Marriage — His Protest to Napoleon III. — Curious Letter from Prince
Napoleon to Mr. Jerome (Paterson) Bonaparte — Jerome Bonaparte fils,
Cassagnac and Rochefort — Relationship of the Jerome Bonapartes to the
British Royal House — Prince Napoleon (Jerome) — His early career and
Character — His Marriage with Princess Clotilde and their Home at the
Palais Royal — The Prince's Love AfEairs — Edmond About's famous Sketch
of him — His later career and his sons, Princes Victor and Louis — Princess
Mathilde — Her Character, Marriage, and Entourage— Tho Head of the
Murats— Prince Pierre Bonaparte.
At the establishment of the Second Empire nearly all the
branches of the Bonaparte family existing at the beginning
of the century still numbered representatives. The line of
Napoleon I. was, of course, extinct, but his brother Lucien,
Prince of Canino, had left numerous descendants, one of whom
was married to a still surviving daughter of Joseph, King
of Spain. Further, Napoleon''s sister Elisa, sometime Grand
Duchess of Tuscany, was represented by her daughter, the
Princess Baciocchi, and there were several descendants of
Caroline Bonaparte and her husband Murat, King of Naples.
The great Emperor's brother. Prince Jerome, sometime King
of Westphalia, was still alive, with a son and a daughter by
Catherine of Wurtemberg, in addition to the offspring of his
contested marriage with Miss Paterson of Baltimore. Finally,
Napoleon III. himself represented the line of Louis King of
Holland,
210 THE COURT OF THE TUILERIES
Failing direct male descent from Napoleon III. (and, later,
from the Imperial Prince), the succession to the throne, as
indicated in a previous chapter, was vested " in Prince Jerome
and his direct, natural, and legitimate descendants, proceeding
from his marriage with Princess Catherine of Wurtemberg by
order of primogeniture, from male to male, and to the per-
petual exclusion of women."'"' The Senatus Consultum and the
Organic Decree of 1852 containing that provision were con-
firmed by Clause 4 of the Constitution of May 21, 1870, and
as a result of the stipulations. Prince Jerome, his son Napoleon,
and his daughter Mathilde ranked as Imperial Highnesses,
and, with the Empress and Imperial Prince, constituted
what was strictly the Imperial Family. In 1855 the so-called
*' Civil Family of the Emperor" was formed, it being provided
that "the sons of the brothers and sisters of the Emperor
Napoleon I., who do not belong to the Imperial Family, shall
bear the titles of Prince and Highness {i.e. without the adjunc-
tion of the word " Imperial "), together with their family name.
At the second generation only the eldest sons shall bear the
titles of Prince and Highness, the others having the title of
Prince only. Until their marriage the daughters of Princes
related to the Emperor shall enjoy the title of Princess, but
after marriage they shall bear only the names and titles
that may belong to their respective husbands, unless there be
a special decision of the Crown to a contrary effect. The
Princesses of the Emperor s family who have married Frenchmen
or foreigners do not take at Court any other rank than that of
their husbands."'"'
The numerous descendants of the first Napoleon''s brother
Lucien, against whom the above stipulations seem to have been
chiefly directed, were obliged to submit to them, but they
always contested their equity, and claimed that Napoleon III.
had no right to deprive them of the title of Prince or Princess
of the Imperial Family, as it had been granted to them by the
first Napoleon's decree of March 22, 1815. As a matter of fact,
Napoleon III."'s stipulations were not enforced with absolute
rigidity. For instance, three of Lucien"'s daughters, the
Marchioness Roccagiovine, the Countess Primoli, and the
Princess Gabrielli, were, by courtesy, generally known anc^
THE IMPERIAL FAMILY 211
addressed at the Tuileries as the Princesses Julie, Charlotte,
and Augusta.
At the advent of the Second Empire there were four sons
of Napoleon I.'s brother Lucien living. Those were the Princes
Charles Lucien of Canino and Musignano,* Louis Lucien,t
Pierre Napoleon,| and Antoine.§ Louis Lucien and Pierre
Napoleon were included in the civil family of Napoleon III.
in 1855, Antoine gained access to it at a later date, but the
eldest brother, Charles Lucien — a distinguished ornithologist —
was excluded, in spite of a decree of February 21, 1853, declaring
him a French Prince. His three sons were admitted at succes-
sive dates — first. Prince Joseph Lucien Bonaparte, || in 1855 ;
secondly, Prince Napoleon Charles,^! in 1860 ; and thirdly. Prince
Lucien Louis,** best known as Cardinal Bonaparte, in 1865.
The Murats were also represented in the civil family, at first
merely by the former King of Naples' surviving son. Napoleon
Lucien Charles, Prince Murat and Prince of Pontecorvo ; tt and
afterwards by the latter's sons, the Princes Joachim tt and
Achille Murat.§§ Their sister, the Princess Anna,|| |1 who married
Antoine de Noailles, Duke de Mouchy and Prince-Duke de
* Born in Paris in 1803; married in 1822 to Lsetitia-Julie, daughter of
King Joseph of Spain, by whom he had twelve children, four boys and eight
girls. He died in 1857.
t Born in England in 1813, married Maria Cecchi of Lucca in 1883, was
separated from her in 1850, and died in 1891.
X Born at Bome in 1815, died at Versailles in 1881. We shall deal with
him hereafter in more detail.
§ Born at Frascati in 1816, married Caroline Maria Cardinali of Lucca in
1823, and died at Florence in 1877.
II Born at Philadelphia, U.S.A., in February, 1824 ; died at Eome in 1865.
^ Born at Eome in 1839, and died there in 1899 ; married in 1859 Maria
Christina, daughter of Prince Euspoli, by whom he had three daughters.
♦* Born at Eome in 1828, and died there in 1895, Created a Cardinal-
priest of the Holy Eoman Church in March, 1868.
tt Born at Milan in 1803, died in Paris in 1878 ; married at Bordentown,
U.S.A., in 1831, Carolina Georgina Praser, of Charlestown, by whom he had
three sons and two daughters. She was descended from the Lords Lovat.
XX Born at Bordentown in 1834 ; married first Malcy Louise Caroline,
daughter of Napoleon Alexandre Berthier, Prince of Wagram, in 1854, and
secondly, Lydia Hervey, of Brighton, widow of Baron Arthur Hainguerlot, in
1894, One son and two daughters by the first marriage.
§§ Born at Bordentown in January, 1847; died in Mingrelia, Southern
Eussia, in 1895 ; married, in 1868, Salome', daughter of David Dadiani, Prince
of Mingrelia, by whom he had two sons and a daughter.
nil Born at Bordentown in 1841.
212 THE COURT OF THE TUILERIES
Poix, in 1865, did not belong to the civil family, not did her
elder sister, the Baroness de Chassiron, who had lost her title
of Princess by her marriage with an official of the Council of
State ; but their mother, Princess Lucien Murat, and their
sisters-in-law, Princesses Joachim and Achille, were included
in it. The other female members of the civil family were the
Princess Baciocchi, daughter of the first Napoleon's sister
Elisa, and the Princess Napoleon Charles Bonaparte, nee
Ruspoli.*
All the members of the civil family were more or less pro-
vided for out of Napoleon III.'s civil list, and his munificence
extended also to a number of more or less distant relations.
Some idea of the annual outlay, apart from endowments con-
stituted at the establishment of the Empire, will be gathered
from the list we print on our next page. We have included in
it the special State allowances to Prince Napoleon and Princess
Mathilde, which allowances did not come out of the civil
list ; but it will be found that in 1868 the latter alone contri-
buted over ,£'52,000 to the support of members of the imperial
family. At that date, too, some who had been pensioned in
earlier years were dead; while, in addition to the aforesaid
d£'52,000 from the general civil list fund, there were many
special grants from the privy purse.f Not only were the debts
of young Prince Achille Murat paid on various occasions, but
he secured a special grant at the time of his marriage, his
takings during the Empire amounting to quite ^£'30,000 ; while
Princess Anna, Duchess de Mouchy, obtained more than three
times that amount. In round figures, the first five Murats in
our table secured about half a million sterling. Further, the
Countess Rasponi, nee Murat, netted, in one way or another,
about <£'45,000, and the Pepoli Murats were allotted a like sum.
The payments from the general fund of the civil list to the
many members of the Lucien branch of the Bonaparte family
were well over .£^500,000, and yet the keeper of the privy purse
was constantly being badgered for extra allowances or loans.
On one occasion Sir Thomas Wyse, as the husband of Letizia
Bonaparte, secured a privy purse grant of ,£'16,000, in addition
to what his wife was receiving regularly. On the other hand,
* See note ^, p. 211. f See tables on pp. 150, 151.
THE IMPERIAL FAMILY
SIS
STATE ALLOWANCES AND CIVIL LIST GRANTS TO THE
IMPERIAL FAMILY IN 1868.
Names.
Bonapartes — Jerome branch:
H.I.H. Prince Napoleon
H.I.H, Princess Mathilde
Elisa branch :
Princess Baciocchi
Item Life Annuity for the redemption
of the Majorat of Bologna
Lucien branch :
Prince Louis Lucien Bonaparte
Prince Pierre Bonaparte
Prince Antoine Bonaparte
Prince Lucien Bonaparte
Prince Napoleon Charles Bonaparte ...
For rent of mansion
Princess Marianne Bonaparte
Marchioness RoGcagiovine
For residence
Countess Primoli
For residence
Countess Campella
Princess GabrieUi
For residence ,
Prince GabrieUi, son
Marchioness Christina Stephanoni
Marchioness Amelia Parisani
Countess Lavinia Aventi
Mme. Valentin!
Mme. [Lady?] Bonaparte- Wyse ... ...
Item for life insurance
Mme. Rattazzi, nde Wyse...
Mme. Turr, n^e Wyse
M. Lucien N. Bonaparte-Wyse
Mrs. A. Booker
Mme. C. Honorati-Romagnoli
Murat branch :
Prince Lucien Murat
Princess Lucien Murat
Prince Achille Murat
Princess Joachim Murat
Baroness de Chassiron, nie Murat
Countess Rasponi, n4e Murat
Marquis Pepoli
Countess Mosti, nie Pepoli
Countess Ruspoli, nie Pepoli
Countess Tat tini, ?i^e Pepoli
Paterson branch :
M. Jerome Bonaparte, _^Zs ... „,
Morganatic wife of King Jerome :
Marchioness Bartholoni
Amounts.
Francs.
150,000
100,000
50,000\
20,000/
20,000\
20,000/
20,000 \
20,000/
20,000\
20,000/
(Daughters of
Princess GabrieUi)
40,000\
6,975/
(Originally 100,000)
Francs.
1,000,000
600,000
250,000
100,000
100,000
100,000
20,000
70,000
6,000
40,000
40,000
20,000
40,000
6,250
6,250
6,250
6,250
25,500
46,975
24,000
24,000
2,000
6,000
6,000
50,000
100,000
24,000
20,000
30,000
50,000
25,000
8,333
8,333
8,334
30,000
12,000
Total
£112,437 = Francs 2,810,975
214 THE COURT OF THE TUILERIES
the allowance to Mme. Rattazzi, ')iee Wyse, and sometime
Countess de Solms, was at one moment suspended. Early in
1865 she gave great offence at Court by the publication of a
book entitled "Les Manages d'une Creole,"" in which she
seriously libelled M, Schneider, the owner of the Creusot iron
and steel works, who succeeded Walewski as President of the
Legislative Body ; the result being that Mme. Rattazzi was
struck off the list of the Emperor's annuitants and ordered to
quit France. A couple of years later, however, she again
secured her former allowance.*
It should also be mentioned that there was Mme. Bona-
parte-Centamori, dead apparently in 1868 (the date of our
list), who had enjoyed, in earlier years, allowances amounting
altogether to <£*21,000. One might include, too, among the
payments to members of the imperial family the special grants
and the annuity secured by Baron Jerome David, as, although
he was legally the son of Charles Louis David, the son of David
the great painter, it was generally admitted that his real father
was none other than old Prince Jerome, the ex-King of West-
phalia. Baron David's mother was a beautiful Greek, named
Maria Capinaki, whom Jerome, the Don Juan par excellence of
the Bonapartes, met at Rome. He became godfather to his
own child, and that sponsorship subsequently served as an
official explanation for the high favour to which Baron Jerome
David gradually attained at the Tuileries. From being a
deputy he rose in time to such positions as Vice-President of
the Legislative Body and Minister of Public AVorks. For those
duties he naturally received emoluments apart from the allow-
ance made him by the Emperor,t and that was also the case
with respect to several of the Bonapartes and Murats. One
was a senator, another director of the Jardin des Plantes,
another a general of brigade, another a cavalry captain, and so
forth, in such wise that civil list and privy purse grants by no
* Some further particulars respecting Mme. Eattazzi will be found in a
note on p. 292.
t The Baron died at Langon (Gironde), in 1822, having been predeceased
by both the children of his marriage with MUe. Jeanne-Gecile Merle, in such
wise that the family, which may be regarded almost as an illegitimate branch
of the Bonapartes, is extinct. The Baroness Jerome David was a lady of the
greatest beauty, distinction, and virtue.
THE IMPERIAL FAMILY 215
means represented the total amount of money which the minor
members of the Imperial House drew from France.
The State allowance to the Jerome branch of the family
was fixed originally at ^^60,000 per annum, and apportioned
as follows: — Prince Jerome, ^40,000; Prince Napoleon,
^12,000; and Princess Mathilde, ^8000. When, however,
Prince Napoleon married Princess Clotilde of Savoy, the
above amount was increased to dS'SSjOOO a year, apart from
a special wedding grant of d£*20,000, and it was provided
that the Princess should receive an annual allowance of
i?8000 from the French exchequer if she should survive her
husband. In 1860, however, old Prince Jerome died, and
dt^GOjOOO a year again became the allowance of his branch of
the family, two-thirds of the amount then going to Prince
Napoleon, and one-third to Princess Mathilde. Moreover,
already at an earlier date, the Palais Royal and the Chateau
of Meudon had been diverted from the actual dotation of the
Crown and transferred to Prince Jerome, passing afterwards to
his son. Prince Napoleon. The last named, in addition to his
State allowance, drew annual sums of <£1200 as a senator,
iJ^SOO as a grand cross of the Legion of Honour, and .£400 as a
general officer on the unemployed list, besides receiving payment
at various times for certain special duties, such as Minister for
Algeria, Vice-President of the Council of State, Vice-President
of various international exhibitions, envoy abroad, and so forth.
It has been calculated that the total receipts of the Jerome
branch of the Bonapartes from 1852 to 1870 exceeded a million
and a half sterling, of which amount about a million was taken
by Prince Napoleon alone.
In 1861, the year following the death of old Jerome,
proceedings were instituted before the Paris Court of First
Instance for a declaration of the validity of the marriage which
he contracted at Baltimore in December, 1803, with Miss
Elizabeth Paterson, of that city. It will be remembered that
this marriage was protested against by the Prince''s mother
(" Madame Mere), and annulled by two decrees of Napoleon I.
Shortly after the establishment of the Second Empire, Mr.
Jerome Paterson-Bonaparte, the issue of the marriage, arrived in
France, and was well received by Napoleon III., who granted him
216 THE COURT OF THE TUILERIES
by decree the nationality of a French subject, and authorized
him to bear the name of Bonaparte, besides giving his eldest
son, a young man of five and twenty, who had served in the
American forces, a commission in the French army, which
subsequently enabled him to serve with distinction in the
Crimea. In July, 1856, however, the Imperial Family Council,
after inquiring into the Baltimore marriage and the decrees of
Napoleon I., upheld the view that the former was null and void.
The object of the proceedings instituted in 1861 before the
Paris Court by Mrs. Bonaparte, nee Paterson, and her son was
to set that decision of the family council aside. The great
advocate Berryer, who appeared for the plaintiffs, laboured
hard to show that the family council had no authority to
adjudicate upon the case, and that the decrees of Napoleon I.
were void, as he had not the power to annul a marriage con-
tracted before he became Emperor. Quite different were the
views held by Prince Napoleon's counsel, Maitre Allou, who
in the course of years became a great authority on marriage
procedure, figuring, we believe, in more "judicial separation""
cases than any other advocate of his time. He claimed that
the whole question had been settled by the decrees of the first
and the family council of the third Napoleon. Davignon, the
Public Advocate, representing the State, favoured Berryer's
view in some respects, and not in others. For instance, he held
that the decrees of Napoleon I. did not affect the validity of the
Baltimore marriage, but were in many respects illegal and un-
constitutional. Further, he discarded the plea that the marriage
had been in any degree clandestine, or that it had been nullified
by the non-publication of the banns in France. But, passing
to the two sentences of the family council in 1856, which had
pronounced against the validity of the marriage while declaring
that Mr. Jerome Bonaparte was entitled to bear that name,
Davignon argued that the family council was sovereign in all
matters pertaining to the imperial family ; that the case was
therefore res judicata, the court being bound by the council's
decision and debarred from further action. The court's finding
(February 15, 1861) was in accordance with Davignon's views.
The judgment contained no expression of opinion on the merits
of the case, but was based entirely on the ground that the
THE IMPERIAL FAMILY 217
Impenal Family Council had finally and conclusively adjudi-
cated upon the question submitted to the court. Briefly, the
Bonapartes were above the law !
Various interesting matters came to light during the pro-
ceedings. It was shown, for instance, that Prince Jerome had
contracted in his old age a clandestine marriage with the
Marchioness Bartholoni, who by reason of her wit and sculptural
beauty was one of the most admired women of the time. In
his will, dated July 6, 1852, Jerome declared that he had
married her " in presence of the Church," thereby signifying
that the civil ceremony had not been performed, and he left
her an annuity, which was generously supplemented by the
Emperor.*
Further, a very curious letter addressed by Jerome to
Napoleon III. was read during the judicial proceedings. It
protested against the decrees in favour of " the son and grand-
son of Miss Paterson," which decrees, said Jerome, " dispose of
my name without my consent, introduce into my family, without
even my being consulted, persons that have never belonged to
it, cast a doubt on the legitimacy of my children, and prepare
for them [here he was a true prophet] a scandalous lawsuit. . . .
They constitute an attack upon my honour and that of the
Emperor, my brother [Napoleon I.], by annulling the solemn
engagements into which we entered with the King of Wurtem-
berg and the Emperor of Russia, as a condition of my marriage
with the Princess Catherine." Jerome therefore appealed for a
prompt and final decision, saying that he was fast drawing to
the close of his career, and that he regarded it as a sacred duty
to see that a question which compromised his dearest interests
should be settled in his lifetime. There can be little doubt
* See the table on p. 213. It may be added that when Jerome, while
playing cards with M. de Damas, his aide-de-camp, was suddenly stricken with
paralysis, which seizure was followed by his death, Mme. Bartholoni was
immediately summoned, and nursed the unfortunate old man while he
lingered, unable to move or to speak, but hearing and seeing everything. His
son, Prince Napoleon, behaved at that time in a most abominable manner,
showing no respect whatever for his father's terrible condition. Further, he
flatly refused to attend the funeral, which took place at Vilgenis, the
Emperor, Empress, and Princess Mathilde being present. The reason given
by Prince Napoleon for absenting himself was that he could not con-
scientiously attend the religious ceremony.
218 THE COURT OF THE TUILERIES
that it was this urgent appeal which led to the decision of the
Imperial Family Council.
But a yet stranger letter produced during the trial was one
written by Jerome's son, Prince Napoleon, to his half-brother,
the son of Miss Paterson. The sentiments it displayed were
very different from those of the father. Dated July 25, 1854,
the letter ran as follows : —
"My dear Brother,
" I have gone through a great deal, but am glad to find
that your kind sentiments remain unchanged. It is with real
satisfaction that I hail the blending of those family sentiments with
personal sympathy. I appreciate them the more as I cannot say as
much of all my relations. As for my sister [Princess Mathilde], she
in particular is a stranger to me. But those sad reflections ought
not to proceed from my pen now that I feel genuine delight in
recalling myself to your fraternal souvenir. I know not what fate
the war may have in store for me [he was already in the Crimea,
we think]. I hope something will be decided before the winter. A
thousand good wishes to your son, whom I embrace and love already
by reason of all the good reports I have heard of him.
" Your afiectionate brother,
** Napoleon Bonaparte."
As it happened, all the cordiality of that " fraternal " letter
did not prevent Prince Napoleon from contesting in open court,
seven years later, the validity of his father's marriage to his
" dear brother's " mother. The Paterson Bonapartes never
succeeded in gaining their point (the judgment of 1861 was
subsequently confirmed by the Paris Appeal Court), and some
kind of compromise was ultimately arrived at. Miss Paterson's
grandson, who had served in the Crimea — M. Jerome Bonaparte
fils, as he was called — remained resident in France, and was
often seen at the Tuileries, sometimes also at the Palais Royal.
As our table on p. 213 will have shown, he received from
Napoleon III. an annual allowance of ^£"1200. It so chanced
that he acted as one of the seconds of the well-remembered
Paul de Cassagnac of Le Pays when the latter fought his famous
duel with Henri Rochefort on January 1, 1867. Cassagnac had
called Rochefort out for slandering the memory of Joan of
Arc, and thus, while most Parisians were exchanging visiting
THE IMPERIAL FAMILY 219
cards and sweetmeats in honour of the New Year, those two
firebrands of the press met in a snowstorm on the plain of St.
Denis for the purpose of exchanging four bullets. At the first
shot fired by Cassagnac, Rochefort was hit on the left side, near
the waist, and staggered and fell. For a moment there was
great anxiety, it being thought that he had received a fatal
wound, but it was found that he was only suffering from shock.
The bullet had glanced off him after striking something hard,
concealed in the waistband of his trousers. He himself was
anxious to know what it might be, and on the waistband being
cut open a consecrated medal of the Virgin was found inside it.
Great was the amazement of Cassagnac and Jerome Bonaparte
on discovering that a professed free-thinker carried a consecrated
medal about him, and they were equally astonished that the
Virgin should have protected a slanderer of the ]\Iaid of Orleans.
On the other hand, Rochefort himself could in no way account
for the presence of the medal. Only afterwards did he learn
that it had been secretly sewn in his waistband by one who,
loving him, had thereby hoped to ensure his safety. She was
the mother of his children, and, some four years later, after the
Commune of Paris, when he was about to be transported to
New Caledonia, he married her as she lay on her death-bed in
the hospital of Versailles.
Rut let us now pass to Prince Jerome''s so-called legitimate
children. In August, 1807, he espoused Princess Frederika
Catherine Sophia (usually known as Catherine), daughter of
Duke Frederick of Wurtemberg (in whose favour that State was
first raised to the rank of a kingdom) by the Princess Augusta
CaroHne of Brunswick- Wolfenbiittel. The last named was
a daughter of Princess Augusta of Great Britain, sister of
George III., whence it followed that Catherine, the wife of
Jerome Bonaparte, was a great-granddaughter of Frederick,
Prince of W^ales. Moreover, her father's sister married the
Emperor Paul of Russia, and her brother. Prince Royal and
later King of Wurtemberg, allied himself first to a Bavarian
Princess and later to a Russian Grand Duchess, in such wise
that by Catherine's marriage with Napoleon's brother Jerome
the Bonapartes became connected with some of the chief reigning
houses of Europe.
220 THE COURT OF THE TUILERIES
Catherine of Wurtemberg was a clever, high-minded, and
devoted woman, who clung to her husband however volatile
his conduct might be. Three children were born to them — a
son who died when young ; a second one, the Prince Napoleon
we have frequently mentioned; and a daughter, the Princess
Mathilde. Prince Napoleon,* an Imperial Prince of France
(December 2, 1852), designated as successor to the Empire, Count
of Meudon in France and of Moncalieri in Italy, Napoleon V. in
the eyes of the French imperialists after the death of the son of
Napoleon III. in Zululand, was born in September, 1822, at
Trieste, while his parents were living there in exile. They
subsequently removed to Rome, where their son was reared until
he had completed his ninth year. He then went to a college
at Geneva, which he quitted in 1837 to enter the military
school of Ludwigsburg, near Stuttgart. He subsequently spent
some years in travel, in Germany, Spain, England, and even
France, where he was more than once permitted to stay by the
Government of Louis Philippe. Both he and his father were
there at the time of the Revolution of 1848, and Prince
Napoleon, offering himself as a candidate in Corsica, was elected
a member first of the Constituent and later of the National
Assembly.
He did not, however, support the cause of his cousin, the
future Napoleon HI. On the contrary, he identified himself
with the extreme Radicals, the " Mountain Party " f of the
Legislature, repeatedly opposing the measures of his cousin's
administration, and on one occasion even voting for the
impeachment of his ministers. Nevertheless, the future Emperor
evinced the greatest patience and forbearance towards Jerome's
son, contrasting which with the latter's reckless violence, Odilon
Barrot was of opinion that the only possible explanation lay in
certain mysterious family secrets, which gave the radical Prince
a certain hold over his ambitious cousin. At one moment, to
get rid of this thorn in his side, the Prince President appointed
Prince Napoleon ambassador at Madrid — a strange ambassador,
who all along his route gathered the most advanced democrats
* Napoleon Joseph Charles Paul. His usual signature, however, was
' Napoleon (Jerome)."
t So called because it sat on the highest row of benches in the Assembly.
THE IMPERIAL FAMILY 221
around him, and denounced in the bitterest terms the govern-
ment by which he was employed. So bad was his conduct in
that respect that it became necessary to recall him before he
even reached Spain ! He afterwards plunged more and more
into opposition courses, and at the Coup d'Etat he was among
those who signed the first protests against it.
While willingly accepting the honours and emoluments
showered upon him at the re- establishment of the Empire,
Prince Napoleon persevered in more or less fractious conduct
throughout the reign. How far he was sincere in the profession
of radical views, and how far he merely gave them expression
in order to annoy and baulk his cousin and win a certain
reputation for independence of character, must, we think,
always remain uncertain. His alacrity in accepting honours
and wealth from the sovereign whom he so constantly opposed,
and even denounced, did not redound to his credit. Even as
the Empress Eugenie claimed to play the part of Marie
Antoinette, so Prince Napoleon assumed a role akin to that
of Philippe Egalite, a comparison which suggested itself the
more readily as he resided, like the Duke of Orleans, at the
Palais Royal, while the Emperor, like Louis XVI., occupied
the Tuileries.
Although Prince Napoleon had never served in any army,
he was, as we mentioned previously, made a general officer by
the Emperor, and sent to the Ci'imea in command of the
third division of St. Arnaud's forces. The accounts of his
share in the battle of the Alma are conflictino-. Accordino-
to some he behaved right gallantly, according to others he
covered himself with disgrace. Plis early return from the war
certainly indisposed the Parisians against him, not for a while,
but for the rest of his life. Detested already by the genuine
imperialists for his affectation of radicalism, distrusted by true
democrats on account of his alacrity in accepting the Emperor''s
favours, he utterly failed to win any measure of popularity,
and it was in vain that a small coterie of adherents praised his
talents — which were considerable — and tried to induce the
public to take him seriously.
In point of fact, the Prince lacked those qualities which
are essentially requisite in every man of ambition, be he
222 THE COURT OF THE TUILERIES
either politician or soldier, that is, the qualities of patience
and perseverance. He could command neither his will nor his
tongue. A fluent but unequal speaker, he frequently became
intoxicated with his own words, and lost the power of con-
trolling his utterances. He often began by saying that he
intended to remain calm, but a moment later you could detect
passion growling in his resonant, domineering voice. He would
also express his intention of respecting the proprieties, and yet
immediately afterwards galling epithets would leap from his
lips. Disturbed thereby, he would then try to beat a retreat,
and fail. Annoyed with himself for having let his tongue run
on, and annoyed with his hearers because he had thus given
them an opportunity of judging him, he would finally break off
in the midst of a sentence, leaving his discourse unfinished, save
for the angry gesture in which he usually indulged before sitting
down. Such was Prince Napoleon in the Senate and the
Council of State, at Ajaccio, and elsewhere.
After one of those explosions there often came a fit of
dejection, perhaps of repentance, which carried him off to his
estate of Prangins, in Switzerland, where, deserting political
life for months at a stretch, he remained, ploughing in silence
" his lonely furrow." More than once he proved himself to be,
politically, something like the Lord Rosebery of the Empire.
Further, he dreamt rather than he conceived. He began a
thing and never finished it. Ambassador, general, functionary,
ministei-, whatever post he might hold, it lasted no longer than
a fragile toy in the hands of a self-willed child. It was his
constant practice to throw the helve after the hatchet ; he broke
down every steed that was offered to him before he was even
well in the saddle.
His few partisans used to say that he was fit only for the
first rank, and could not serve in the second. But even as
the earlier period of his life showed that he could not obey,
so the last period showed that he was not fit for command.
Thus it is principally by way of presenting the reader with
a curiosity that we will quote the description of the Prince,
which, apropos of his portrait by Flandrin, was penned in 1861
by Edmond About — a description which created an extra-
ordinary sensation when it first appeared in print, and drew
THE IMPERIAL FAMILY 223
down upon the Opinion Nationale, in which it was issued,* an
official warning that the journal would be suppressed should it
ever dare to print anything similar. This, then, is what About
wrote —
" This portrait is not merely a good painting, it is a great work,
the fruit of a superior mind, a high intellect. If every scrap of
contemporary history were to be lost, this canvas alone could tell
posterity what Prince Napoleon was. Here we see the man him-
self, this misplaced Cjesar,! whom nature cast in the mould of the
Roman emperors, but whom fate has hitherto condemned to stand
with folded arms at the foot of a throne. We see him, proud of
the name he bears and of the talent he has revealed, visibly cut
to the heart by, and nobly impatient of, a fatality which, doubtless,
will not always prevail against him. We see him, then, an aristocrat
by education, a democrat by instinct, the legitimate, not the bastard,
son of the French Revolution ; born for action, but condemned for
a time to aimless agitation and sterile motion ; thirsting for glory,
scornful of common popularity, caring nothing for common report,
and too high-hearted to court either the masses or the middle
classes pursuant to the old traditions of the Palais Royal. Yes,
this is the man who solicited the honour of leading the French
columns to the assault of Sebastopol, and returned to Paris shrugging
his shoulders because of the delays of a siege which seemed to him
to be stupid. This is the man who, from mere curiosity and to
relieve the ennui of an active mind, went on a promenade, with his
hands in his pockets, among the polar icebergs where Sir John
Franklin lost his life. This is the man who, with vigorous arm,
undertook the government of Algeria, and threw it up in disgust
because he had not sufficient freedom of action. This is he who
recently stood forth in the Senate; placed himseli per saltern in the
front rank of the most illustrious orators, crushing the Papacy as
a lion of the Sahel crushes some trembling victim ; and that done,
turned on his heel and strolled back to his villa in the Avenue
Montaigne, where he is surrounded by the exquisite atmosphere of
elegant antiquity. If there be one characteristic of that noble and
remarkable face which M. Flandrin has not quite conveyed, it is
the delicate, acute, Florentine expression which makes the Prince
* The Prince financed that i journal, which was then edited hy Adolphe
Gu^roult. He had previously financed La Presse, which Nefftzer and Peyrafc
conducted.
t C6sar d6class6 — the name stuck, but not in the sense in which About
intended it.
224 THE COURT OF THE TUILERIES
so like a member of the Medici family. It should be possible, I
think, to cast upon canvas some reflection of the graces of that
powerful, delicate, and versatile mind, which astonishes, attracts
and overawes, captivates without seeking to captivate, and rivets
without effort the devotion of his friends."
Looking back, that portrait seems to us like a caricature ;
and although Edmond About, like Emile de Girardin, the
Gueroults, Edmond Texier, and various other "Liberals" of
the day, was an habitue of the Palais Royal, one of those who
dined and wined and hobnobbed with Prince Napoleon, he
assuredly had his tongue in his cheek while penning so
extravagant, so exaggerated an effusion. It was taken
seriously enough, however, by the powers of the day.
Girardin, whom we have just named, was an extremely
self-opinionated individual, who frequented the Palais Royal
more for an opportunity to air his own paradoxical views than
from any feeling of regard for or belief in Prince Napoleon.
One evening he expounded a favourite political system of his,
a kind of mitigated anarchism, in which the unlimited liberty
of the citizens had, as its counterweight, the absolute indepen-
dence of the authorities.
" Let me see if I understand you," said the PrinCe at last.
"I represent authority, you represent liberty. You say and
do whatever you choose against me, both in your newspapers
and at your public meetings, in the streets, and so forth. That
is the portion of liberty. On my side, I set batteries of artillery
at every street corner in Paris, and if you annoy me I shoot
you down. That's my independence. Is that your idea ? "
" Quite so."
"Then I'm perfectly ready to adopt your system," the
Prince retorted gaily.
" Don't trust him," said one who knew him well in those
days ; " if he should ever reign, he would be a modern Tiberius,
not from motives of cruelty, but from egotism. He is blase
and bored."
About's account of the Prince"'s exploits, in the description
we have quoted, was in some respects grotesque. Leaving
aside the debatable question of the Alma, his voyage to the
THE IMPERIAL FAMILY 225
polar circle, made in June, 1856, was a very commonplace
affair, which, although undertaken, according to official accounts,
for " scientific purposes,"" yielded no results of scientific value.
It amounted, in fact, to little more than a sojourn in Green-
land among the Esquimaux, followed, as a finale^ by a series of
visits to Christiania, Stockholm, and Copenhagen. As for the
post of Minister of Algeria, this was merely given to the Prince
by way of supplying him with a little routine occupation. He
threw it up, undoubtedly, but any man of sense would have
known beforehand that the Ministry was bound to clash with
the Governorship of the colony, and could at the utmost prove
little more than an ornamental post.
The Prince's marriage on January 30, 1859, with the
Princess Clotilda Maria Theresa of Savoy, daughter of Kino-
Victor Emmanuel II., was contracted for political reasons, and
proved as unhappy as such marriages usually do. It is even
astonishing that the Prince should have assented to it when it
was suggested to him by Napoleon III. In any case his assent
showed that, much as he laid claim to independence of
character, he could put that aside when a large increase of
income was offered him. Directly the match was made public
it was expedited with a haste which astonished Europe, as it
seemed little short of indecent. It is true the marriage had
been secretly arranged some time previously, being one of the
consequences of the conference of Plombieres (July '58), when
Count Cavour and Chevalier Nigra met Napoleon III., Count
Walewski, Baron de Billing, and M. Mocquard to settle the
question of " United Italy." However, immediately the
Princess was deemed old enough to marry, Prince Napoleon
swooped down on Turin like a burglar. He was then over
thirty-seven, while the poor little bride Avas but fifteen years
and ten months old. The marriage was compared not unaptly
to that of an elephant and a gazelle : the bridegroom, with his
marked Napoleonic features, being broad and bulky and
ponderous, the bride short, slight, and frail looking, with fair
hair and the characteristic tip-tilted nose of the Royal House
of Savoy. She seemed indeed, as she really was, a delicately
nurtured child, fresh from the nursery.
The marriage followed the Emperor Napoleon's memorable
THE COURT OF THE TUILERIES
public warning to Baron Hiibner, the Austrian Ambassador,
at the New Year reception at the Tuileries ; but although that
warning presaged hostilities on the part of France in support
of Italian independence, the Piedmontese by no means favoured
the union into which their King's daughter was forced. They
regarded it, in fact, almost as a mesalliance. It was useless
to protest however. Prince Napoleon hurried his child-wife
away to France. As in those days there was no Cenis, or
Simplon, or Gothard tunnel, the journey was made by way of
Genoa, and thence by sea to Marseilles ; and when the bridal
couple made their state entry into Paris on February 4, every
one noticed how tired and sad and shy was the juvenile
countenance of the poor young lady, whom " Plon-Plon " had
brought back with him. The reception was distinctly cold,
but that was on account of the husband's personality; the
silence of the crowd meant no disrespect for the daughter of
Victor Emmanuel. She, indeed, Avas spoken of with no little
sympathy; and it may here be added that throughout the
remainder of the Empire no voice was ever raised in criticism
or disparagement of the retiring, charitable, pious, and un-
happily mated lady of the Palais Royal. Even at the Revo-
lution of 1870 she was treated with the utmost respect and
deference. Three children were born of the marriage, as
follows : Firstly, Prince Napoleon Victor Jerome Frederic, who
came into the world at the Palais Royal, on July 18, 1862, and
who is now the Head of the House of Bonaparte; secondly.
Prince Napoleon Louis Joseph Jerome, who was born at the
chateau of Meudon on July 16, 1864, and is now a general
officer in the Russian service ; thirdly. Princess Marie Laetitia
Eugenie Catherine Adelaide, born at the Palais Ro3ralbii"
December 20, 1866, and married in 1888 to her uncle,
Amadeo, Duke of Aosta, and sometime King of Spain. He
Ved in 1890. <^,^.x « 6 ^ U' - \'\%% VXeoox^^s^
Prince Napoleon had the customary vice of the Bonapartes.
Both before and after his marriage his name figured in the
scandals of the time. It was associated notably with those of
two actresses, Rachel and Mile. Judith. By the last named he
had, in 1853, a son, who died in 1885. Another illegitimate
son by an Englishwoman is said to be still alive. But the
J
THE IMPERIAL FAMILY 227
most discreditable of all the intrigues in which Prince Napoleon,
or indeed any Bonaparte, ever engaged, was that with the
notorious Cora Pearl. It was matter of common notoriety,
and so little pains were taken to conceal it that we can
remember seeing the woman's brougham waiting in the Rue de
Montpensier, and she herself slipping out of the Palais Royal
and springing into the vehicle. She left him, it seems, because
he did not open his purse often enough to suit her.
As most people are aware, the Palais Royal was originally
built by Richelieu, and called in his honour the Palais Cardinal.
It passed into the possession of Louis XIIL, and later, while
Anne of Austria was Regent of France, it became her residence,
afterwards going to her younger son, the Duke of Orleans.
From that time onwai'd the palace underwent so many changes
architecturally, that little remained of the original structure.
Twice in the eighteenth century it was badly damaged by fire,
which led to much rebuilding. It was in 1780 that, for purposes
of gain, the Duke of Orleans, subsequently known as Philippe
Egalite, raised the rows of houses with arcaded shops around
the palace garden. Lack of money prevented him from com-
pleting his plans, and for many years some of the galleries were
mere wooden structures. The garden, the coffee-houses, and
the underground circus in the centre of the garden were, it
will be remembered, associated with notable events of the
French Revolution. Later the palace galleries were largely
given over to gamblers and harlots, the spot becoming the
centre of the fast life of Paris. Under the Consulate the palace
itself was the quarters of the " Tribunat," but Naooleon
eventually attached it to the domains of the Crown. In 1815
his brother Lucien resided at the Palais Royal, which after-
wards reverted to the Duke of Orleans, Louis Philippe. It was
there, indeed, that he was officially notified of the legislative
decision which declared him " King of the French." The
palace was pillaged in 1848, and was subsequently used as mili-
tary headquarters and for fine art shows. After the Coup
d'Etat, Napoleon III. assigned it as a residence to his uncle.
Prince Jerome, but so much money was spent in renovatino- the
Tuileries and perfecting the Louvre that until Prince Napoleon's
marriage with Princess Clotilde only urgent repairs were carried
228 THE COURT OF THE TUILERIES
out at the Palais Royal. A little later came important changes.
The grand staircase was entirely rebuilt, and most of the
apartments were redecorated. The rooms were very numerous ;
there were, if we remember rightly, over a score of salons, but
they vv^ere mostly rather small. Very fine, however, was the
Salle des Fetes, with its oval sky ceiHng, gilded cornices, central
marble fountain, and lofty chimney-piece, surmounted by a bust
of Napoleon IK., with attendant female figures upholding the
imperial escutcheon. The prevailing style of decoration was a
kind of modernized Renaissance, in which the emblems of the
Empire were blended with ornamentation characteristic of the
Francis I. and Medici periods. For instance, in the magnificent
Salle des Colonnes, a crowned imperial eagle appeared in each
of the intercolumniatory compartments, above female demi-
fio-ures which raised baskets of fruit and flowers beside busts
of such celebrities as Buffon, Voltaire, Machiavelli, Moliere,
Corneille, and Descartes. From the Salle des Colonnes an
arcade led to the Salle des Batailles, where the panels were
hung with some fine old tapestry representing the victories of
Louis XIV., the general effect being somewhat spoilt, however,
by the garnet velvet upholstery of the furniture.
Perhaps the most satisfactory apartment was the so-called
morning reception room, in which Prince Napoleon usually
gave audience. Here again the imperial eagle figured in the
friezes above the walls, but all the rest was of late Renaissance
style. Very striking was the lofty chimney-piece with its large
white marble medallion of Venus rising from the waves. The
picture-gallery, hung in red silk damask, contained some good
paintings, notably family portraits, and a wonderful one of
Rachel the tragedienne. There Avas also a salon effectively
fitted with green marble, and another hung with superb
Gobelins. The old chapel of Louis Philippe's time was turned
by Prince Napoleon into a kind of museum (he was, we may
mention, a collector of considerable taste), a new chapel being
fitted up near the private apartments of Princess Clotilde in
the right-hand wing of the palace. This new chapel, lighted
by armorial windows and having a vaulted ceiling, all azure
and golden stars, contained a curious little altar formed of a
slab of marble resting on small pillars of massive gold, and
THE IMPERIAL FAMILY 229
surmounted by a statuette of Our Lady of Victory. Princess
Clotilde's rooms, which extended as far back as the palace
garden, and included two salons, a boudoir, a private library,
and a bedroom, were furnished and decorated throughout in a
clear blue, in keeping with the Princess's complexion ; but the
bedroom of the Prince was huno; with dazzlino; oranoje silk.
*' At all events, he knows himself," a visitor remarked one day.
" That yellowish hue is very appropriate. Yellow is the
colour of jealousy, and in nearly all his actions the Prince
betrays his jealousy of the Emperor."
It was not often, as the years went by, that grand entertain-
ments were given at the Palais Royal, for Princess Clotilde
gradually led a more and more retired life. But the few balls
which took place were marked by magnificence and taste.
Dinner-parties were much more frequent. When the Prince
was in Paris, not a week elapsed without one of those petits
diners at which he gathered together the politicians, journalists,
literary men, and artists of his coterie. Some of these were
epicures in their way, and the cuisine was excellent, much more
refined than at the Tuileries. But although there was no
appearance of a scramble, everything was served and consumed
with a rapidity which was scarcely an aid to digestion. For
instance, you sat down at eight o'clock, and at a quarter to
nine, after ten or a dozen dishes and eight kinds of wine, you
found yourself in the smoking-room finishing your Turkish
coffee. The system was the same at the Tuileries, where the
Emperor declared that three-quarters of an hour was ample
time for dinner, coffee included.
Besides the use of the Palais Royal, Prince Napoleon enjoyed
that of the historic chateau of Meudon, erected by the " Great
Dauphin " at the close of the seventeenth century,* and over-
looking the valley of the Seine from the heights between
Clamart and Sevres. The Germans destroyed it by fire during
the siege of Paris in 1870. Here Prince Napoleon at one time
kept a pack of hounds, with which he was accustomed to go
buck-hunting on Sunday mornings while his wife was at her
* The older one, built by Cardinal de Lorraine, after Philibert Delorme's
designs, was in a state of ruin at the time of Napoleon I., who caused it to be
demolished.
S30 THE COURT OF THE TUILERIES
prayers. The Emperor also placed the woods of Villefermoy
in Seine-et-Marne (2500 acres in extent) at his disposal for
shooting purposes. The Prince's name was associated, too, with
another place, a model of a Pompeian house, which he erected
in the late fifties at the Champs Elysees end of the Avenue
Montaigne, and called the Villa Diomede. It was not simply
intended as a toy, but fitted with all modern requisites, al-
though it exhibited the characteristics of Pompeian architecture.
Entering by a portico supported by yellow pillars and columns,
you found bronze statues of Minerva and Achilles on either
side of the peristyle, while, in mosaic work on the walls,
appeared two huge dogs tugging at their chains as if to spring
upon intruders, and justifying the inscription of Cave Canein,
which was set beside them. The atrium of the villa was a real
Napoleonic conceit. The light fell from the impluvium on some
half-fluted purple columns of the Ionic order, between two of
which was an altar adorned with garlands and bearing a large
white marble bust of the first Napoleon, who appeared there as
the senior tutelary deity of the abode. All around, between the
columns and the marble couches, on which you might recline
while listening to the murmur of scented water falling from a
head of Minerva into a basin of porphyry, were ranged busts
of many other members of the House of Bonaparte, figuring as
subordinate or attendant lai'es. The misfortune was that the
libations to those family gods were poured forth too frequently
by Cora Pearl. Already in 1864 Prince Napoleon had grown
tired of that "exquisite atmosphere of elegant antiquity," as
About phrased it, but he did not find a pur chaser for the villa
till a couple of years later, when he parted with the building
and its contents — there were many fine bronzes — for about
£70,000.
In 1863 the Prince, accompanied by his wife, went officially
to Egypt, to inspect the progress which was being made with
the Suez Canal. Other missions and appointments followed,
but in the spring of 1865 came the most serious of his ruptures
with his cousin the Emperor. The latter was then in Algeria,
the Empress remaining in Paris as Regent ; and the Prince was
deputed to proceed to Corsica to inaugurate at Ajaccio some
memorials to the glory of the first Napoleon and his brothers.
THE IMPERIAL FAMILY 231
He profited by this opportunity to deliver what for the period
was a somewhat revolutionary speech, in which, besides personally
advocating the widest liberty, he claimed that the mission of
the first Napoleon, and by inheritance that of his successor, was
merely to use dictatorship as a means of emancipation. A similar
opinion had been expressed long previously by Napoleon III.,
who had promised liberty as the crowning of the edifice, and
had departed, for some four years already, from the strict
principle of personal rule, which had been observed during the
first period of the Empire. But Prince Napoleon's reckless,
almost violent phraseology gave offence, and in the result the
Emperor wrote his cousin a severe letter, which was published
in the Moniteur. After declaring in this missive that the
programme placed under the aegis of the first Emperor could
only serve the enemies of the imperial government, Napoleon III.
added : " What is clear to all is that, in order to prevent anarchy
of opinion — true liberty's most formidable foe — the Emperor
established, first in his family and then in his government, so
severe a discipline that it admitted of but one source of will and
action. In future I shall not depart from that line of conduct."
To that covert threat of disciplinary measures if he should
venture to speak his mind again, Prince Napoleon retorted by
resigning his posts as Vice-President of the Council of State and
President of the Commission for the Paris Exhibition of 1867,
and it was not until more than two years had elapsed that
he would accept any other official functions.*
Meantime he never went to the Tuileries unless he was
absolutely compelled to do so, as, for instance, to attend the
opening of a parliamentary session ; and the antagonism between
the Tuileries and the Palais Royal was acute. In the end,
curiously enough, the latter virtually won the day. The
Emperor's views gradually inclined more and more towards the
Prince's, and the experiment of real and fairly liberal parlia-
mentary rule was tried. If its execution had been confided to
* The Prince also got into trouble with the Duke d'Aumale for attempt-
ing to criticize some passages reflecting on the Bonaparte family which
figured in the Duke's " Histoire de la Maison de Conde." The Duke answered
the Prince in a slashing pamphlet entitled " Lettre sur I'Histoire de Prance,"
and if any other man but Prince Napoleon had been concerned in the affair,
a duel would certainly have ensued.
g^2 THE COURT OF THE TUILERIES
some new man — could such have been found — a man who had
compromised himself neither in connection with the origin of
the Empire nor in connection with the anti-dynastic opposition,
the experiment might possibly have succeeded ; but it was
entrusted to M. Emile Ollivier, whom the democratic party
regarded as a renegade, and whom most imperialists distrusted,
holding that as he had betrayed the Republican cause he might
well betray that of the Empire. It was an unfortunate position,
and even if there had been no Franco-German war we think
that the Empire could only have been saved by the early retire-
ment of Emile Ollivier, for in spite of the result of the last
Plebiscitum (May, 1870), he, personally, was a very unpopular
man — one whose antecedents placed powerful weapons in the
hands of the anti-dynastic opposition. At the most he could
only serve for a time as a stop-gap, or a kind of bridge, over
which the Empire might pass from the old men of the Coup
d'Etat to the younger and as yet untried generation.
But we are anticipating. Whether Prince Napoleon was
sincere in advocating unrestricted freedom of the press and
rio-ht of public meeting, or whether, as there are real grounds
for thinking, his outbursts on those subjects were simply
dictated by his detestation of his cousin's right-hand man,
Rouher, the powerful " Vice-Emperor," he saw some attempts
made to give effect to his preachings. The war came, however,
and the Empire fell. For a time the Prince sought a refuge
in Italy. The letters patent by which his father-in-law, Victor
Emmanuel, created him Count of Moncalieri, are dated Novem-
ber 1, 1870. Later he was able to return to France, not being
in the direct line of succession to the Empire, which was still
represented by Napoleon III. and the Imperial Prince. In
1873 he was even elected President of the Conseil general
(County Council) of Corsica, but he intrigued against the
Imperial Prince even as he had intrigued against the Emperor.
In 1874< the very men who had elected him refused to attend
the sittings at Ajaccio, in order to avoid assembling under his
chairmanship. So he failed again, missed even that chance of
establishing a footing in public Hfe, even as he had missed all
his other chances, or failed in all his dreams. He never secured
the crown of France any more than he secured that of Poland
THE IMPERIAL FAMILY 233
or Hungary or Tuscany, as he had at one or another moment
dreamt of doing. After the death of the Imperial Prince he
was a Pretender in httle more than name. Thoug-h the Re-
pubhc took measures against him on various occasions, he was
never a danger ; he was too unpopular, too much distrusted.
In 1884) the Bonapartist party actually renounced his leader-
ship, and his son Victor broke away from him. Briefly, in
spite of undoubted gifts, culture, taste, wit, and talent, Prince
Napoleon left behind him nothing save a record of failure,
instability, and foolish opiniativeness, with that portrait by
Flandrin, which, according to Edmund About, was to supply
all deficiencies. If we remember rightly, the Prince''s cir-
cumstances were greatly reduced when he died at Rome in
March, 1891. Of his two sons. Prince Victor, though now
nominally the head of the Bonapartes, is, like his father, no
danger for the French Republic. He has taken little part in
politics beyond issuing an occasional manifesto, to which few
have accorded attention ; and even if by some extraordinary
revulsion of feeling the imperialist cause should ever again
appeal to Frenchmen, the Prince's private circumstances would
virtually prevent his elevation to the throne. Living in retire-
ment at Brussels, he has chosen, perhaps, the better part of
life — a quiet home and attendant affections. His brother,
Prince Louis, the Russian general, has often been mentioned,
however, as a possible pretender, and is, perhaps, better placed
for the assumption of such a role. But personally he has made
no sign, and, when all is said, the French imperialist party
dwindles year by year, day by day, in such wise that there
seems to be little likelihood of any Bonaparte ever again
obtaining an opportunity to come forward as the saviour of
the nation.
Let us pass to Princess Mathilde, the daughter of old
Jerome, and Prince Napoleon's sister. The artistic taste and
perception which, it may readily be admitted, were possessed
by both her father and her brother, were found in a yet higher
degree in her. She was probably the most cultured, and in
her sphere the most talented, of all the Bonapartes. Of fine
physique, very good looking when young, she always remained
a >voman of dignified presence, in spite of the corpulent figure
234 THE COURT OF THE TUILERIES
and the pendent cheeks of advancing years. She cultivated art
in several of its branches, her ability as a painter was real,
and, from the establishment of the Empire until her death in
January, 1904, she surrounded herself with artists and literary
men, gathering at her residence — first in the Rue de Courcelles,
and later in the Rue de Berri, as well as at St. Gratien, in the
northern environs of Paris — a large company of talented and
eminent people, many of whom she reconciled to the imperial
regime^ while others were at least induced to tolerate it by the
influence of her personality, which attracted, pacified, and dis-
armed. Prince Napoleon's coterie seldom gained recruits,
whereas the circle of Princess Mathilde was always expanding.
If we were called upon to name all those who met at her house,
we should have to enumerate two-thirds of the men who made
any reputation in literature, science, journalism, painting,
sculpture, and music in the days of the Empire. We prefer to
send the reader to all the social chronicles of that time, notably
to the Goncourt Memoirs, and even to Viel Castel.
The Sunday soirees in the Rue de Courcelles were always
attended by a crowd of notabilities. Some gathered in the
large Salon de Conversation, which was hung with ancient and
modern paintings, and displayed on either side of its chimney-
piece some absolutely colossal Chinese vases adapted to support
candelabra. Facing the fireplace, and reflected in the lofty
mirror above it, rose the famous life-size statue of the young
Florentine singer fingering his mandoline — a statue familiar to
all by the many small reproductions in bronze popularized by
Barbedienne. If you preferred music to conversation you passed
on, through other rooms, to a spacious semicircular salon,
where you might listen to Miolan-Carvalho singing an air
from the " Huguenots," or Christine Nilsson repeating some
dreamy Swedish song, or Gardoni interpreting Verdi. At times
that gifted amateur, Mme. Conneau, whose voice was worth a
hundred thousand crowns a year, would sing " Son vergine
vezzosa" with a sweetness and power such as only Grisi had
excelled. At another time the Princess''s chamber-musicians,
directed by M. Sauzay, would execute some learned concerto ;
and at yet another moment Bressant and Madeleine Brohan,
taking their stand near the chimney-piece, would act, with that
THE IMPERIAL FAMILY 235
restraint of voice and gesture which is needful in a drawing-
room, some httle two-part comedy by Octave Feuillet ; or else
Coquelin and some pretty souhrette would play one of the
sprightly Neapolitan fantasias of Theodore de Banville.
If there came a pause in the music or the playing, you
passed through one of three doorways into the Princess's
wonderful conservatory, or winter garden, where you found a
surprising wealth of tropical plants and beautiful statuary.
Truncated columns, adorned with enamelwork, served as stands
for lamps and candelabra ; Eastern rugs were spread over
the paths, rare Chinese and Japanese cabinets, vases, and curios
peeped from among the verdure ; armchairs and ottomans and
sofas stood invitingly here and there ; and in one corner you
noticed the little writing-table at which the Princess usually
attended to her correspondence in the morning, surrounded by
her four pet dogs, Phil, Tom, Miss, and Lolotte, whom Jadin
portrayed on canvas. The Princess"'s customary place at the
Sunday soiiSes was near the chimney-piece in the Salon de
Conversation, but from time to time she passed through the
various rooms, and whenever she paused among a group of
guests the conversation sparkled, for she was gifted with no
little natural wit.
When she was young there had been some question of her
marrying her cousin, the future Napoleon III. She was a
woman fit for a throne, but, given her sense of personal dignity
and her independence of character, her union with a man of the
Emperor's disposition would hardly have proved, we think, a
satisfactory one. As it happened, she made a most unhappy
marriage. Born at Trieste in May, 1820, she was wedded at
Florence, on November 1, 1840, to Prince Anatole Nicolaiewitch
Demidoff', of San Donato, who was her senior by seven years.*
One is reminded of the irony of life on reading the effusive
letters by which that young Russian millionaire announced the
consent of the Princess's father to other members of the Bona-
parte family. His dearest wish was about to be gratified, his
happiness knew no bounds ! Five years later he and his wife
* He had been created Prince of San Donato by the Grand Duke of
Tuscany. His father had been the Eussian diplomatic representative at Rome
and Florence.
236 THE COURT OF THE TUILERIES
were separated. He had treated her with great cruelty, and it
was the Emperor Nicholas who insisted on the separation.
According to one account, the Czar discovered the situation
during a stay he made at Florence — probably after his visit to
London in 1844. In any case the separation was effected by
his authority, and Prince Demidoif, whose income was then
about ^£"90,000 a year, was ordered to pay his wife ^£'20,000
annually, and to abstain from going at any time to any place
within a hundred miles of where she might be living. Demidoff
was compelled to obey, for fear lest all his property in Russia
should be confiscated. It is thus that an autocrat is able to
enforce his decision, which, in the case in point, was a just one.
Prince Demidoff survived until May, 1870, and for a good
many years Princess Mathilde enjoyed the jointure fixed by the
Czar, in addition to her French civil-list allowance. This
enabled her to live in dignity, entertain freely, assist many
struggling artists and writers, and do no little good unosten-
tatiously in various ways. She was long the providence of the
village of St. Gratien, where she had her country seat.
At the same time she was a Bonaparte, the daughter of old
Jerome, the hero of a hundred gallantries ; and after brushing
mere scandal aside, it must be said that her name was associated
with those of two men of her time, first Alfred Emilien, Count
de Nieuwerkerke, and secondly Claudius Popelin. Nieuwerkerke,
Superintendent of Fine Arts under the Empire, a tall, hand-
some, bearded man, was of Dutch origin, but was born in Paris
in 1811. He married a Mile, de Montessuy (who predeceased
him), and survived until 1892, when he died at Lucca. During
the Empire his relations with Princess Mathilde were matter of
common notoriety. His official functions frequently exposed
him to attack, but she upheld him against all comers, and at
one time had a very serious dispute respecting him with her
bi'other. Prince Napoleon, who, in order to annoy her, had
omitted Nieuwerkerke's name from some artistic commission
which he had been selected to appoint.
Later, Claudius Popelin, the painter, engraver, and enam-
eller, took Nieuwerkerke's place beside the Princess. The son of
a Paris merchant, and born in 1825, Popelin was a widower at
the time, having lost his wife in 1869. Ten years later the
THE IMPERIAL FAMILY 237
Almanack de Gotha stated that Princess Mathilda and M. Paupe-
lin {sic) had been married in England in December, 1871. It is
certain that the Princess was in England at the date mentioned,
but subsequent to the statement of the Alvianach de Gotha a
paragraph signed A. Rdnal was published in Le Figaro declar-
ing, on the Princess's behalf, that the assertions respecting
the marriage were untrue. Nevertheless, down to the time of
Popelin's death in 1892, the Princess's intimates were certainly
under the impression that he was at least morganatically her
husband. On the whole, whatever lapses there may have been
in the Princess Mathilde's life, we feel that they may be more
readily condoned than those of any other member of the
imperial family. Bearing in mind that she was a Bonaparte,
with all the temperament of that race, one must recollect that,
after a most unhappy period of wedlock, she was separated
from her husband when only five and twenty years old, and
that there was no possibility of her marrying again while he
lived — which he did, as already mentioned, until 1870. Thus,
after the separation, the only prospect before the young
Princess was one of long lonely years. That may not be
excuse, but it will serve to explain her position, and why she
accepted such consolation as she found. For our part we do
not feel inclined to throw stones at anybody, either man or
woman, who is debarred by the rigour of laws or the dogmas
of churches from living in that marital state for which all of us
are intended.
Earlier in this chapter we referred to the Murat family,*
which in social matters often figured prominently during the
Empire. It will have been noticed that the head of the house,
Prince Lucien, married an American lady of Scotch descent, and
that their children were born at Bordentown, in the United
States. The story of the union in its earlier period is interesting.
Until Prince Lucien — the second son of the great Murat — was
twelve years old he saw his father occupying the throne of
Naples, but in 1815 he became an exile, going with his mother
to Trieste, and thence to Venice, where he lived till 1825. He
then started for the United States, intending to join his elder
brother and his uncle Joseph there, but unfortunately his ship
* ^QQ ante, p. 211.
238 THE COURT OF THE TUILERIES
ran aground off the coast of Spain, and, his identity being
discovered, he was for some time kept a prisoner by the Spanish
Bourbons. Ultimately he contrived to reach America, where
he married Miss Eraser and settled down to commercial pursuits.
In these, however, he was so unlucky that his means were soon
exhausted, and the situation was only saved by his wife, a
woman of high character. Calling herself simply Madame
Murat, she opened at Bordentown a school for girls, by which
means and in spite of many difficulties she contrived to support
herself, her husband, and their children — there being in all five,
one of whom died before the departure of the family for France.
This occurred about the time of the election of Louis Napoleon
as President of the Republic. Prince Murat then became a
deputy, exerted himself on his cousin's behalf, and after the
Coup d'Etat was created a senator and confirmed in his rank
and titles. Napoleon III. had a high opinion of the Princess,
and it will have been observed that her personal allowance from
the civil list was £4000 a year. We believe that she received
that sum direct because the Prince was extravagantly inclined.
All his children were favoured by the Emperor and Empress,
the latter of whom was particularly attached to the tall and
beautiful Princess Anna, who married the hisch-born but
diminutive Duke de Mouchy.
In 1861, after Garibaldi had driven Francis II. from Naples,
it occurred to Prince Murat that his chance had come, and
not only were certain letters published in which he asserted a
claim to the Neapolitan throne, but a ridiculous attempt was
even made to form a Murat party in Southern Italy. It would
certainly have failed even if it had not been promptly stopped
by the intervention of Napoleon III. We do not recall any
other noteworthy excursion of Prince Murat's into politics
during the Empire, but the marriages of his younger son and
his daughter were social events of importance in the eyes of the
fashionable Paris of that time. On each occasion there was a
ceremony at the chapel of the Tuileries, and in the case of
Prince Achille Murat, his bride being of the Greek faith, a
second and gorgeous one took place at the Russian church
near the Pare Monceau. Prince Joachim Murat (Achille's
elder brother) figured very conspicuously at Court. His,
THE IMPERIAL FAMILY 239
marriage, in 1854, with the daughter of the Prince de Wagram
had enhanced his social importance, and he was a soldier of
some ability, besides being a very handsome one, superb in his
uniform as Colonel of the Guides — that semi-hussar regiment
originally formed by Count Fleury. Physically, Prince Joachim
may not have resembled his grandfather — he certainly displayed
neither his whiskers nor his mane of curly hair — but he had all
the dash of a light cavalryman, and this and the picturesqueness
of his uniform often conjured up a memory of those swift
squadrons, brave alike in heart and apparel, at whose head the
great Murat so often swept the legions of the foe from the
battlefield.
In his old age, Prince Lucien, the head of the family, led a
somewhat singular life. His circumstances had been greatly
reduced by the fall of the Empire, and he had also become very
unwieldy, gouty, and uncertain on his legs. One evening in
1876 or 1877 we saw him alight with difficulty from a vehicle
outside the Paris music-hall known as the Folies-Bergere, and,
assisted by a valet, enter that house of entertainment and take
a seat in the stalls. On inquiry, we ascertained that this was
his practice every evening. He engaged a stall by the month,
crawled to it with his valefs help night after night, and remained
till the ballet was over, when, having feasted his eyes on the
agility of the legs of the danseuses, he once more tried to use
his own and shuffle out of the house. It was a curious ending
to a career of many vicissitudes. The Prince died in Paris in
April, 1878, and less than a year afterwards his devoted wife
followed him to the grave.
Her Scotch descent reminds us of the similar origin of
another connection of the Bonaparte family. This was Lord
Dudley Coutts Stuart, the eighth son of the first Marquess of
Bute — in fact, his only son by his second marriage, which was
with Frances, daughter of Thomas Coutts, the banker. In 1824
Lord Dudley Stuart married Christiane Egypta Bonaparte, a
daughter of the first Napoleon's brother Lucien by his marriage
with Catherine Boyer. The Princess Christiane had divorced
Prince Arved Posse of Sweden a year before her marriage with
Lord Dudley Stuart, to whom in 1826 she bore a son, who
became a captain in the 68th Regiment of Foot, and died at
210 THE COURT OF THE TUILERIES
Brompton in 1889, leaving, we think, no issue. Both Lord
Dudley and Captain Dudley Stuart were well known to
Napoleon IH. The former passed away in 1854, but for some
years afterwards the latter was invited to the Tuileries and
Compiegne whenever he came to France.
It remains for us to say something respecting a Prince who,
in one or another way, frequently proved himself a thorn in the
Emperor's side. This was Prince Pierre Napoleon, a younger
son of the original Lucien Bonaparte. Pierre was a man of
violent character and particularly pugnacious instincts. In
1832, when about seventeen years old, he joined his uncle,
ex-King Joseph of Spain, in the United States, and afterwards
took service in Columbia under Santander, the Republican
general. Returning to Italy, he there embroiled himself with
the Papal authorities, who ordered him to quit the States of
the Church. This he refused to do, and on the arrival of some
gendarmes to expel him he resisted and wounded two of them.
Nevertheless he was apprehended and imprisoned for a time in
the castle of St. Angelo. On his release he returned to America,
and was there about the time when, after the Strasburg exploit,
his cousin the future Napoleon III. was shipped across the
Atlantic by order of Louis Philippe. However, they saw
comparatively little of each other at that time, as Pierre's violent
disposition was in no wise to Louis Napoleon's liking. The
former, on returning to Europe, sought service in Turkey, fell
out with some Albanian Palikares, and had to leave the country.
After the French revolution of 1848 he contrived to secure
election as a deputy, but he frequently displayed the utmost
violence in the Assembly, often insulting his colleagues, and on
one occasion brutally assaulting one of them, a man much older
than himself. To get rid of this quarrelsome cousin, the Prince
President at last procured him a commission in the Foreign
Legion, and sent him to Algeria. He was present at the
operations against Zaatcha, but again misconducted himself,
returned to France without leave, and was thereupon cashiered.
Nevertheless, after the establishment of the Empire Pierre
Bonaparte was recognized as a Prince of the imperial house,
included in the Emperor's civil family, and allotted an annual
civil-list allowance of £4000. He repeatedly applied for an
THE IMPERIAL FAMILY Ml
official post, but Napoleon III., knowing his disposition, was
unwilling to give him public employment. Prince Pierre then
pestered his cousin year after year for loans, advances, and
extra allowances. At one time he wished the Emperor to buy
some unproductive property which he owned in Corsica, at
another he needed money to go shooting in the Ardennes, and
so forth.
At last on January 10, 1870, his violent temperament led
him to the perpetration of a crime which scandalized the whole
world and shook the Empire severely. He had written some
heated articles for a Corsican journal, UAvenir^ in reply to
an attack on the memory of Napoleon I. which had appeared in
La Revanche, another newspaper of the island, and one which
represented the democratic party there. The quarrel was taken
up by a Paris journal. La Marseillaise, the organ of Henri
Rochefort, who had risen to fame with La Lanterne ; and one
of La Marseillaise''s contributors. Paschal Grousset — later of
the Paris Commune, and also one of the founders of the
Corsican print La Revanche — deeming himself to be insulted
by the Prince, sent him a challenge. The seconds who carried
it were Ulrich de Fonvielle, a well-known journalist of the time,
and a young man of about one and twenty who contributed
to La Marseillaise under the nom de plume of Victor Noir.
His real name was Salmon, a contraction of Salomon, and he
was of Jewish blood. His father had been a watchmaker, and
he himself a linendraper's assistant before taking to journalism,
to which he seems to have turned in imitation of his elder
brother, Louis Noir, who, in course of time, became fairly well
known as a writer of serial stories.
On the arrival of Fonvielle and Victor Noir at Prince
Pierre''s residence in the chief street of the virtually suburban
district of Auteuil, an unfortunate altercation arose. The
Prince subsequently alleged that he had been provoked and
even struck by Noir, but it does not really appear that any
such blow was dealt. V^^hat is certain is that the Prince refused
the challenge handed to him, declaring that he would not fight
M. Grousset, whom he held to be a mere subordinate of Roche-
forfs, and, according to Fonvielle's account, he added : " I
challenged Rochefort because he is the champion of la crapide
242 THE COURT OF THE TUILERIES
[i.e. the lowest of the low]. As for M. Grousset, I have nothing
to say to him. Are you jointly responsible for those carrion ?''''
"Sir," replied Fonvielle, "we have come here loyally and
courteously to fulfil the commission entrusted to us by our
friend." " Do you accept responsibility for those scoundrels ? "
the Prince reiterated. " We are responsible for our friends,"
answered Noir. Thereupon Prince Pierre, suddenly stepping
forward, drew a revolver from his pocket and fired at Noir,
who, pressing both hands to his breast, staggered back through
the doorway by which he and Fonvielle had entered the room.
Fonvielle, according to his own account, would also have been
shot had he not produced a pistol, which momentarily checked
the Prince. As it happened, the latter fired after him without
effect as he was escaping into the street, where he found Noir,
who had mustered sufficient strength to descend the stairs, but
was now near death — the Prince's bullet having injured his
heart and entered his lungs. He soon afterwards expired in a
chemist's shop.
The sensation which the affair created was profound, and
serious were the troubles in which it involved the Government.
There were tumultuous scenes at Noir's funeral, the democratic
agitation grew apace, and but for the strength and vigilance of
the police and the military, Revolution might have broken out
in Paris. Prince Pierre was arrested — so also was Fonvielle —
lodged in the Conciergerie, and finally sent for trial before the
High Court of Justice assembled at Tours. That tribunal, as
its composition foreshadowed, contrived to acquit him, but not
even in the days of the Dreyfus case was res judicata more
liable to criticism.* At the same time, outside the ranks of the
extreme anti-dynastic party, there were not wanting people who
expressed sympathy with the Emperor on account of the trouble
in which he was involved by members of his family — trouble
brought to a climax by the impetuous violence of that " Corsican
wild boar," as Prince Pierre was not unaptly called.
The Prince's matrimonial entano-lement had also long been
a source of some annoyance to Napoleon III. On March 22,
1853, he had contracted in , Paris a morganatic marriage
* The Prince, though, acquitted of murder, was sentenced to pay £1000 as
compensation to the Nori family.
THE IMPERIAL FAMILY 243
(a religious ceremony alone being performed) with a person of
modest condition named Justine Eleonore RufRn, who, having
been born in 1832, was seventeen years younger than himself.
Under the circumstances she was not received at Court, where
by the way, the Prince himself seldom put in an appearance ;
and although, at the time of the Noir affair in 1870, the news-
papers generally alluded to her as the " Princess Pierre," it is a
question (having regard to the family discipline of the imperial
house) whether she then had any real right to the title, not-
withstanding the fact that the Prince had married her a second
time, on October 2, 1867, at La Cuisine, in the Florenville
canton of Belgian Luxemburg. That marriage legitimated the
childi-en of the union, a boy and girl, in Belgium, but not,
apparently, in France, for after the fall of the Empire Prince
Pierre (to whom we would give all possible credit for stead-
fastness in his affections) married Mile. Ruffin yet a third time
— that is, at the French Legation at Brussels on November 11,
1871. The private decisions and enactments of the Imperial
Family Council respecting the marriages of the Bonaparte
Princes were then null and void ; and Pierre Bonaparte''s wife
fully acquired by this last union a right to style herself Princess,
while, in accordance with the common law of France, her
children undoubtedly became legitimate there, with a right to
the titles of Prince and Princess — though without the qualification
of either Imperial Highness or Highness.*
The son of the union, Prince Roland Napoleon Bonaparte,
was born in Paris on May 19, 1858. Educated for the military
profession, he served at one time in the army of the present
Republic, holding a commission in the 36th Regiment of the
Line ; but in later years he took, with infinite credit to him-
self, to serious scientific pursuits. He married, in November,
1880, Mile. Marie Felice Blanc, daughter of Franpois Blanc,
the millionaire founder of the famous gaming tables of Monte
Carlo. The wedding was the occasion of a great mustering of
the French imperialist party. The Prince''s mother was present,
* In the case of French citizens, those qualifications are not recognized by
French law any more than is that of Excellency, formerly used in addressing
French Ministers of State and Ambassadors. Nevertheless, it is occasionally
given, in courtesy, by foreigners to the French envoys abroad.
244 THE COURT OF THE TUILERIES
Ave remember ; but his father, who by reason of his antecedents
would scarcely have been persona grata in that assemblage, did
not attend.* It was currently reported at the time that in
addition to a mansion in Paris and a palace in Italy, the bride
had brought her husband a million sterling. The union was,
unfortunately, brief; Princess Roland died at St. Cloud in
1882, some four weeks after giving birth to a daughter,
Princess Marie.
Prince Roland's sister, Princess Jeanne, was born on
September 25, 1861, at UAbbaye-d'Orval, in Belgian Luxem-
burg, and in 1882 she married Christian, Marquis de Villeneuve,
a former deputy for Corsica, whom, in course of years, she
presented with two sons and four daughters.
* Prince Pierre Bonaparte died at Versailles, in April, 1881,
CHAPTER X
BANQUETS, BALLS, AND OTHER COURT FESTIVITIES —
THE GREAT YEAR, 1867
Family Dinners at the Tuileries— The Grand Surtout— The services of Plate,
China, and Glass — The Losses and Breakages— Halliard's curious Reports
— The Curee of the Liberal Empire — Maillard at the Revolution — Dupuy,
the chief Comptroller of the Table— The Maitres d'Hotel— Benoit, the
Head Cook and his Assistants — Composition of the Kitchen Service — Table
and Kitchen Salaries — State and other Dinners at the Tuileries — The
Dinner of the Beauties — The Palace Receptions — The great Balls — The
Empress's Mondays— Masked and Fancy-dress Balls of the Reign —
The Ballet of the Bees — Strange Costumes at Court— The Pageant of the
World— A Triumph of American Beauty— Some of Mme. de Metternich's
Pleasantries— A Jockey Club Ball— One of the Emperor's Riddles— Home
the Medium at Court and afterwards— Some Parisian Festivities— The
Great Year 1867— A Political Survey— All the Sovereigns in Paris— The
Attempt on the Czar— The Shooting of Maximilian— The Year ends
ominously.
Every Monday when the Court was at the Tuileries there was a
family dinner there, which certain Princes, Princesses, and other
connections of the imperial house usually attended when they
were in Paris. In the first years of the reign this dinner took
place on Sundays, but as the Emperor often had to devote several
hours to audiences on Sunday afternoons, and afterwards felt
tired, Monday finally prevailed as the day for the dinner. Those
who usually attended the family dinners were Prince Jerome (with
an aide-de-camp) whenever his health allowed. Prince Napoleon
(also with an aide-de-camp, but not during his hrouilleries with
the Emperor), Princess Clotilde (with a lady of honour), Princess
Mathilde (with a lady in waiting and her chevalier dlionneur),
Prince and Princess Murat, Prince and Princess Joachim
Murat, the Duke and Duchess de Mouchy, Prince and Princess
Gabrielli, Marquis and Marchioqess Roccagiovine, Cqunt and
246 THE COURT OF THE TUILERIES
Countess Primoli, and the Duke and Duchess de Cambaceres,
as well as the Colonel of the Cent-Gardes, and the officers and
ladies in attendance that day on the Emperor and Empress.
The guests were received in the Empress"'s private apartments,
and at table Princess Clotilde invariably sat on the Emperor's
right hand and Princess Mathilde on his left ; while to the
Empress''s right was Prince Jerome or Prince Napoleon, and to
her left either the last-named or Prince Murat. The menus of
these dinners did not differ much from those of ordinary days,
but silver-gilt plate and fine Sevres porcelain appeared on
the table.
The " Grand Surtout de Table," in the execution of which
eight skilful artists had co-operated under the direction of
Messrs. Christofle, included four principal pieces, partly cast,
partly ciseles, and in a few respects of galvanic work. The
centre-piece represented France, standing between allegorical
figures of religion, justice, concord, and strength, and distribut-
ing crowns both to the glory of war and to the glory of peace.
The former was represented by a warrior urging on the four
fiery steeds of his chariot, the latter by a woman whose car was
drawn by four quiet oxen. There were also four large cups
with figures typifying the north, east, west, and south of France,
and four candelabra with figures emblematical of science, art,
industry, and agriculture, together with ten dishes of Sevres
porcelain mounted on stands of silvered bronze. All the plate
displayed the finest chiselled repousse work, and the surtout
was altogether very remarkable. When the question of
ordering it arose early in the reign, it was suggested to the
Emperor that it ought to be of massive silver, but he rejected
the idea, saying, with a smile, that one never knew what vicissi-
tudes history might bring in its train, and that, if the surtout
should be of massive precious metal, somebody might be
tempted some day to have it melted down. He desired a fine
work of comparatively small intrinsic value, which might be
preserved for the sake of its artistic merit and not destroyed
for the sake of its substance. His wishes were respected, and
it so happened that in later years, the principal pieces, after
being somewhat badly damaged in the conflagration of the
Tuileries, but repaired by Messrs. Christofle, were sent to the
COURT FESTIVITIES 247
Musee des Arts decoratifs as splendid examples of the art to
which they belonged.
The plate at the Tuileries also comprised four dinner
services ; first, a silver one of a hundred covers decorated
with the imperial eagle, and known accordingly ; next a silver-
gilt service of forty covers, which was the one used at the
family dinners and at those attended by foreign royalties ; next
an elegant silver forty-cover Louis XVI. service, which was
used on ordinary occasions ; and, finally, a silver service by
Froment-Meurice, in which all the tureen and dish covers
were surmounted by finely-chiselled nahires mortes : pheasants,
partridges, hares, turkeys, fowls, vegetables of various kinds,
and so forth. There was also a dessert service of vermeil with
the eagle and crown in relief on every piece. All the plate,
china, and glass were in the keeping of an official named
Maillard, who was lodged in the palace and received a salary
of £%'^0 a year. To him also the table-linen was delivered by
the Lingerie imperiale, according to the quantity he speci-
fied. On the occasion of a great ball at the palace (a ball,
of course, meant supper) he would apply for a hundred and
twenty table-cloths, and a hundred and thirty dozens of nap-
kins, that is sufficient for about one thousand five hundred
people.
The porcelain in M. Maillard's charge was chiefly Sevres.
The plates, dishes, and stands of the finest dessert service had
borders of a light grey with arabesque work in gold. Land-
scapes with figures were painted in the centre of the plates, the
actual cost of production of each of which was £\%. There
Avas next a service with the well-known Sevres-blue border,
golden arabesque work and golden stars spangling the plates.
The third service was of white Sevres, with golden bands and
the imperial crown and monogram in the centre of the pieces.
Sets of soup-plates were adjoined to each of the services we have
described. For the ball suppers there was a very large service
of a good quality of " commercial china," decorated in the same
style as the white Sevres set. The glass comprised a service
in verre mousseline with engraved and gilded monograms and
bands, this being used in conjunction with the vermeil plate ,
next a larger and simpler set decorated in corresponding style ;
248 THE COURT OF THE TUILERIES
and a third and yet larger one, engraved without gilding. This
last was used at the ball suppers.
M. Maillard, who had immediate charge of all those things,
was, according to every account, a painstaking, orderly, and
reliable man, but the loss and breakage, particularly during the
last year of the Empire, was very large, and more than once the
" Chef de FArgenterie " tore his hair in despair. Here is a
report of his, addressed to the Adjutant-general of the Tuileries
about the time of the declaration of the Franco-German War :
" General, — There are the following deficiencies in the linen used at
the balls : —
Ball of January 16
26
napkins.
.. 80 ...
22
,, February 13
27
>} >> 27
21
„ May 18 ...
28
,, June 10
40
^'^ Every possible search and endeavour has been made to find them,
but has yielded no result, and it is at the last extremity. General, that I
make this declaration of the loss."
On April 1, 1870, moreover, Maillard is found reporting
that the breakages at recent palace dinners and ball suppers
have amounted to no less than 474 pieces of china (plates,
cups, etc.) and 183 pieces of glass. The period, it will be
remembered, was that of Emile Ollivier's brief spell of power,
when, while the democratic revolutionaries were howling and
demonstrating at the Belleville public meetings, a motley crew of
new parliamentarians, who claimed to support the " reformed ""
regime^ rushed upon the Tuileries to feast and enjoy themselves
at the imperial expense. It was again a Curee, not that of the
Coup d'Etat, but that of L'Empire Liberal. Those who had
participated in the earlier Curee may have been men of little
principle, but, with few exceptions, they were possessed of
manners ; whereas those of the last Cw^ee, whatever might be
their moral value, had no manners at all. While their leader,
Ollivier, beamed on them benignly from behind his glasses, they
smashed the china of the Tuileries and carried off the napkins
in their pockets. When an Irish peer, who strayed into one
of those last entertainments at the palace, was asked his opinion
COURT FESTIVITIES 249
of it, he replied, " Oh, Donny brook Fair — only more so ! "" The
disorder, the lack of propriety, the loud, vulgar criticism, the
mobbing of the Emperor and Empress, the scrambling for
supper, the jeering laughter when anything was damaged or
broken — all those little incidents were premonitory signs of the
approaching debacle.
When the Revolution came at last, Maillard inserted a final
and pathetic little entry in his register: — "September 4, 1870.
Her Majesty the Empress left at half-past one, by way of the
Palace of the Louvre. All the personnel left about four o''clock
in the afternoon after the occupation of the Palace of the
Tuileries by the National Guards. They wrote up, ' Death to
Thieves,' on all sides. I have been unable to put things away
in their proper places ; they have not allowed me time to do
so." That cri du cceur of a good servant will appeal to us all,
whatever opinion we may entertain of the Empire.
The chief Comptroller of the Service de Bouche, or Table
Service, was M. Dupuy, son of an employe in the household of
Charles X. He had served the Duchess of Orleans as a maitre
d'Jiotel, and was chosen in 1848 to co-operate in the organization
of the Prince President's household. In a gold-laced coat, with
a cocked hat under his arm and a sword at his side, Dupuy
attended all the official dinners and fetes, exercising a Avatchful
supervision over everything. Subsequent to the fall of the
Empire, Thiers, on becoming Chief of the Executive Power,
also employed Dupuy to organize his household. At the
Tuileries there were two sub-comptrollers under Dupuy, and,
subject to the instructions of the Adjutant-general, he was
supreme over tlie table, pantry, plate, and cellar services.
There were four chief maitres dliotel at the palace, two for
the Emperor, one for the Empress, and one for the Imperial
Prince. Next there were four table-layers, and two principal
carvers, one of the latter having been cook to the Prince de
Joinville on his voyage to St. Helena to fetch the remains of
Napoleon I. When there were many guests at table a certain
number of ushers and valets-de-chamhx served as additional
maitres d''h6tel. Felix, the Emperor's chief usher, always carved
for him personally. The ordinary uniforms, or liveries, of the
vialtres (rhotel were of brown cloth, with velvet collars, and
250 THE COURT OF THE TUILERIES
gold eagle buttons ; but on gala occasions these table officers
appeared in sky-blue habits a lafran(^aise, with tails lined with
white satin, collars embroidered with white silk, bright cut-
steel buttons, white waistcoats, black silk breeches, white silk
stockings, and shoes with silver buckles. Swords in white scab-
bards dangled beside them, and cocked hats with black plumes
and steel galoon-work were carried under their arms.
M. Benoit, the head cook of the palace, had previously
served the Duke de Noailles. He entered the imperial house-
hold as successor to an Englishman, Evans, whose cookery,
perhaps, may have inclined Napoleon HI. to the plain sub-
stantial fare which he preferred during the last five-and-twenty
years of his life. Under M. Benoit Avere two sous-chefs^ Meurice,
who, like Evans, had served the Emperor in England, and
Brot, who had held a post in Louis -Philippe''s kitchen. The
kitchen service further included : —
1 chief larder-man
with 6 assistants,
1 „ roaster
» 4
1 ,, sauce cook
„ 4
1 „ stewer
" I
1 „ e7itremets cook
» 3
1 ,, pastrycook
., 6
1 general cook
„ 4
6 kitchen men.
All roasting was done at wood fires, and all grilling and frying
were included in the roasting service. The pantry department
comprised a chef, sous-chef and twelve assistants. Maillard, who
really belonged to this section of the household, had sixteen
assistants under him. Further, there was the cellar service
under M. Boule, with six assistants. Every day dinner was
served at the Tuileries for 130 domestics, inclusive of the
kitchen, pantry, and cellar services. The menus comprised
soup, three dishes of meat, inclusive of fish, one of vegetables,
and dessert, with a half-bottle of vin ordinaire for each man.
The principal salaries of the table, kitchen, and pantry
services were as follows : —
Classes. Amounts per annum.
Chief comptroller (Dupuy) ... ... ... £400
Sub-comptrollers with rent money ... ... 254
Empress's maitre cVhotel 120
COURT FESTIVITIES 251
Classps. Amounts per annum.
MoAtres dliotel with rent money £112
Table-layers ... ... ... ... ••• 72
Carvers ... ... ... ... ... ••• ^0
Head cook (Benoit) 200
Assistant c/ie/s ... ... ... ... ••• 120
Chief larder-man ... ... ... .-• ... 72
Assistants from £48 to 56
Chief roaster 60
Assistants from £40 to 48
Chief sauce-cook ... ... ... ... ••• 60
Assistants 48
Chief pastrycook ... 56
Assistants ... ... 48
General cook ... ... ... ... ... 60
Assistants • ... ... ... ... ••• 48
All the empIo7/es of the table-service, and indeed all domestics
of the household, received as a New Year's gift double wages
each time that the month of January came round. It was
known to them as " the Emperor's month." The extra pay-
ments in question are not included in the above list. It should
further be mentioned that all servants who did not sleep at
the palace received allowances for rent, varying from £8 to
£12 a year — a small sum, it should be said, when one remembers
how largely rents increased in Paris under the Empire owing
to the Haussmanization of the city.
Every morning the heads of the various departments
presented their reports to the Adjutant-general of the Palace,
to whom the chief cook also submitted menus for the meals of
the following day. Besides the table of the Emperor and
Empress, several others had to be served — for instance that of
General Rolin, which included six covers, that of Madame
Pollet, also of six covers, that of Bure, the Crown treasurer,
that of Pietri, the Emperor's secretary, that of Thelin, of the
Privy Purse, that of Dupuy, the chief comptroller, etc. Every
year, early in January, a grand dinner was offered to the
principal officers of the household and their wives. A little
later came the so-called Dinner of the Marshals, which the War
Minister, and the general officers holding great commands like-
wise attended. Next there was a grand dinner given to the
ministers in office and their wives, followed by dinners to the
252 THE COURT OF THE TUILERIES
senators, the councillors of state, the chief judges, the deputies,
the head officials of charitable societies under the imperial
patronage, and so forth. Each of those repasts was a banquet
of from sixty to one hundred and thirty covers, the wives of those
male guests who were married men being invariably included
in the invitations. At that time, indeed. Frenchmen seldom
if ever herded together by themselves to gorge and guzzle
a VAnglaise. They did not think of sitting down to table
without the company of ladies, but in these Republican days
they have become infected with English egotism, and the
exclusion of women, which once would have been regarded as a
gross insult to the fair sex is now considered a mere matter
of course in Paris.
On arriving at the Tuileries for one of the grand dinners,
the gentlemen ranged themselves in a row on one side of the
salon where they awaited the coming of the Emperor and
Empress. The ladies formed another row on the other side,
and the sovereigns passed down those lines of guests, who were
presented to them in turn by the chamberlains and ladies of
honour. It was the Prefect of the Palace who allotted the
seats at the table, in accordance with a list which had been
previously submitted to the Emperor. One of the bands of the
Imperial Guard usually played during the repast. At a grand
dinner of an average number of covers there would be about
thirty large silver candelabra on the huge horseshoe table, as
well as numerous plants in vases, baskets of flowers, and some
six dozen dessert stands and dishes. The menu generally com-
prised a choice of two soups, two dishes of fish, eight entrees,
three or four roasts, four sorts of vegetables, and half a dozen
different entremets, together with a succession of fine wines.
Somewhat late in the reign the Empress secured the services
of a young African attendant, who was generally called her
Abyssinian page, though we believe that he came from the
Egyptian Soudan, and had been brought or sent to Paris by
M. de Lesseps. The young fellow answered to the name of
Scander, and at grand dinners he usually stood behind the
Empress'^s chair, garbed in splendid brocade, in a semi- Venetian,
semi-Oriental style. But although Scander helped to enhance
the decorative aspect of the banquets, he was by no means a
COURT FESTIVITIES 253
satisfactory servant, for he only obeyed orders when he felt
inclined to do so, and was often insolent with other domestics.
What became of him we cannot say, but we think that he was
no longer at the Tuileries at the Revolution.
One of the most memorable of the palace banquets was that
given after the Crimean War, when the Emperor, suddenly
rising from his chair, raised his glass and exclaimed : " Gentle-
men, I drink to the health of two men whom I hold in the
highest esteem — Marshal Canrobert and Marshal Bosquet."
There had been no previous indication that the Emperor
intended to raise those officers to the highest rank in the
army, and the surprise at the announcement was very great.
Canrobert expressed his gratitude in his usual effusive way ;
while Bosquet, a grave, taciturn man, who, unhappily, had
already contracted the pulmonary complaint which carried him
off betimes, said merely a few words, and then despatched a
telegram to his mother. Another very interesting Tuileries
dinner was offered by the Empress to the Emperor in fulfilment
of a wager she had lost. It has passed virtually into history as
the Dinner of the Twenty Beauties, the invitations being con-
fined, so far as the ladies were concerned, to the most beautiful
women whom the Empress could find in her Court. They
included ten Frenchwomen : the Duchesses de Persigny, de
Cadore, and de Montmorency, the Marchionesses de Canizy and
de Las Marismas, the Countesses de Pourtales and de Monte-
bello, and the Baronesses de Bourgoing and de Pierrebourg.
There were also two Russians, the Duchess de Morny and
Mme. Leopold Magnan ; two Italians, the Countess Walewska
and Mme. Bartholoni ; a Jewess, the Baroness Alphonse de
Rothschild ; a Scotchwoman, the Marechale Canrobert ; a
Creole, the Marchioness de Chasseloup-Laubat ; together with
the Princess Anna Murat, a semi-American, the Marchioness de
Galliffet, a semi-Englishwoman, and the Princess de Metternich,
a Hungarian, who, of course, was included less for the beauty
of her person than for that of her esprit. Finally, the Empress
lierself, who was a Spaniard, completed the score.
As a rule the grand dinners at the Tuileries were followed
by receptions, often open ones so far as officials and their wives
were concerned. At certain periods of the year came solemn
254 THE COURT OF THE TUILERIES
State receptions. Each 1st of January, for instance, there was
an imposing gathering of the Corps Diplomatique and all
the chief services of the Administration. Napoleon III. then
often delivered himself of those oracular pronouncements on
European affairs which alternately alarmed or tranquillized the
world. Further, he generally contrived to be at the Tuileries
on St. Napoleon"'s Day, August 15, to receive congratulations ;
and, again, at the opening and closing of legislative sessions
there were usually gatherings of senators and deputies to hear
the speeches from the throne. On those occasions, as at the
concerts during Lent, light refreshments, such as tea, ices,
sorbets, coffee and pastry, were offered to the company.
The balls were of various kinds — first the great State balls,
then the masked and fancy ones, then the smaller Monday
balls given by the Empress, and finally the children's balls in
honour of the Imperial Prince. Paris danced in those days —
on a volcano, if you like, but none the less right merrily.
Public dancing halls were scattered all over the city, from the
Quartier Latin to the haunts of the rag-pickers. With each
ensuing Carnival there came numerous masked balls, not only
at the Opera house and a score of other public establishments,
but also at the palace itself, and at one and another ministry
and embassy. Even clubs, like the Jockey and the Union, gave
balls of that description in those days. Then, too, the balls of
the Hotel de Ville were famous ; and although the noble
Faubourg St. Germain, the abode of the Legitimist society, was
supposed to be sulking because the Count de Chambord was not
upon the throne, some splendid entertainments were given from
time to time in its spacious drawing-rooms ; while in the
Bonapartist districts of Monceau, Beaujon, the Champs Elysees,
and the Faubourg St. Honore, fete followed fete throughout
the Paris season.
On the nights of a great ball at the Tuileries the Place du
Carrousel was illumined by the huge bonfires lighted there for
the benefit of the many waiting carriage-servants, and by the
blaze streaming from all the first-floor windows of the palace,
from the Salle des Travees to the Galerie de Diane. Up
the grand staircase went the guests, past the motionless
Cent-Gardes in their resplendent uniforms. The Emperor and
COURT FESTIVITIES S55
Empress received the Diplomatic Body and other prominent
personages in the Salon Louis XIV., under the picture which
showed the Grand Monarque designating the Duke d'Anjou to
the Spanish envoys, and saying to them, " Gentlemen, here is
your King." The Emperor wore the uniform of a general, with
the ribbon and star of the Legion of Honour on his breast, the
Empress was in silk and lace, with a diadem on her head, the
" Regent " on her bosom, and a belt of brilliants around her
waist. The presentations over, the imperial cortege was formed,
the officers of the Cent-Gardes opening the march, while in
attendance were all the splendidly attired state and court
officials. Their breeches and stockings were uniformly of white
silk, but the coats of the masters of ceremonies were violet and
gold, those of the prefects of the palace amaranth and gold,
those of the chamberlains scarlet and gold, those of the equerries
green and gold, those of the orderlies pale blue and silver, and
those of the officers of the hunt green and silver. Then the
aides-de-camp were in full military uniform ; and there was also
the army of domestics — the ushers in brown and gold, the
footmen in green and gold and scarlet, and the beadles or
Suisses with plumed hats and broad red baldricks embroidered
with imperial eagles. In the train, too, of the Sovereigns were
Princes and Princesses of their house, foreign Ambassadors and
envoys. Marshals of France, the Presidents of the Senate and
the Legislative Body, and other high and mighty personages in
more or less splendid uniforms, with ribbons and stars and
crosses galore.
Through the Salle du Trone, the Salon d'Apollon, and the
Salon du Premier Consul went the pompous procession, the
Empress with glittering eyes and smiling lips, the Emperor with
his far-away or his moody look, and the usual occasional twirl
of his moustache. As they reached the entrance of the Salle
des Marechaux, the chief usher cried aloud, " The Emperor !
The Empress ! " The Cent-Gardes at the door stood at
attention, and the beadles stationed there struck the floor
with their staves, and repeated the cry, " The Emperor ! The
Empress ! " Whereupon, passing between the hangings of gold
and crimson, their Majesties entered the huge, lofty hall,
where the great chandelier and the many tall candelabra cast
256 THE COURT OF THE TUlLERlES
the most brilliant light over the wonderful assemblage of
uniforms, court coats, fair shoulders, jewels, and gowns of well-
nigh every hue. The orchestra struck up " Partant pour la
Syrie " while down the hall, past the life-size portraits of the
mighty marshals and the many busts of distinguished generals,
their Majesties went towards a raised platform where chairs of
state were set. When they had taken their seats the dancing
began.
In the earlier years of the reign there was always a quadrille
cfJionneur^ in which the Emperor and Empress, Princess
Mathilde, Prince Napoleon, and Princess Clotilde participated,
with, at times, Morny or Walewski. The last named was a
born dancer (dancing, in his time, was considered a necessary
accomplishment in the diplomatic profession), and it Avas with
a very courtly grace that he went through the steps of a
cavalier seul.^ Foreign royalties, when any were present, and
certain foreign ambassadors also participated in the quadrille
d''ho7ineur ; but in the later years of the Empire — if we except
1867, when Paris was crowded with crowned heads — the
Emperor and Empress seldom, if ever, danced. After a time
they quitted their seats on the raised platform and strolled
through the various rooms, watching the evolutions of their
guests or chatting with one or another of them. There were
always at least two orchestras, one in the Salle des Marechaux,
another in the Galerie de la Paix. Waldteufel and Strauss
(not Johann) conducted, and the music varied according to
the fashion of the time. From the earlier Viennese waltzes one
came to " II Bacio," and then to the dance airs of " La Belle
Helene," "La Grande Duchesse," and " Chilperic.""
The scene in the Salle des Marechaux was a dazzling one
on the night of a great ball. Stands were sometimes ranged
around it for the convenience of the great throng of onlookers.
It was the fashion, too, for lovers to make appointments under
the portrait of one or another marshal. When some enamou>red
young man of position learnt that the lady of his heart would
be at the next Tuileries ball, he would say to her : " Be under
* Even Bismarck could waltz, and it was at the Tuileries, in 1867, and in
his " White Cuirassier " uniform, that he waltzed for the last time. His
partner was the beautiful Mme. Carette. He was then in his fifty-third year.
COUllT FESTIVITIES 257
Augereau, or Massena, or Berthier, at midnight." That witch-
ing hour was the favourite one for such assignations, as it was
also the supper-hour when the imperial party quitted the
scene and the dancing flagged. Love, of course, was in no
hurry to go to supper; and, besides, from the opening till
the close of the ball a refreshment buffet was installed in the
Salle des Travdes — a buffet at which ices, sorbets, tea, coffee,
claret-cup, lemonade, syrups, pastry, and cakes were freely
dispensed, the Service de Bouche providing 1000 cups and
saucers and like numbers of ice-glasses, coffee-glasses and
tumblers. On an average, 8000 ices and from 150 to 200
gallons of liquid refreshment were consumed at a grand ball,
the lemonade and syrups being prepared in earthen pitchers,
which kept them delightfully cool. Supper was served in the
Galerie de Diane, first for the Emperor, the Empress, their family,
the Corps diplomatique and other important guests, others
being admitted afterwards in batches of about one hundred at
a time, when the chamberlains and other officials zealously gave
preference to ladies. It was a standing supper, served at
a huge buffet decorated with the grand surtout and other
ornamental plate. At one of the fetes offered to foreign
sovereigns in 1867, the guests were so numerous that the
palace playhouse had to be turned into a supper-room. At the
Empress's pg^ife hols, for which only some 600 invitations were
issued (whereas there were often 3000 to a grand ball) the
guests took supper seated at thirty tables in the Galerie de la
Paix and the Salon Louis XIV.
Those petits hols, which were given on Monday evenings,
and therefore became known as the Empress's Mondays, were
far more enjoyable than the State affairs. The ladies were as
bravely arrayed as ever, but the men, the Emperor included,
wore merely evening dress, with knee-breeches, no uniforms
being displayed. The guests, on arriving at the palace, went
straight to the Empress's apartments, whence they proceeded
to the Salon d'Apollon and the Salon du Premier Consul, in
the last of which the orchestra was stationed under a portrait
of Napoleon I., which gave the room its name — a remarkable
portrait, by the way, lost unfortunately in the conflagration
of 1871. The young Consul of France appeared in it with a
S58 THE COURT OF THE TUILERIES
fine classical profile, and long hair falling over the collar of
a red uniform, as he passed on horseback before a veteran
grenadier, who presented arms to him.*
At the petits hals it was chiefly in that Salon du Premier
Consul that dancing took place, but before it began the Empress
entered the room in State, preceded by the officers of her
Household and attended by her ladies-in-waiting. The lady
guests were drawn up on either side, with the gentlemen behind
them, but once this review was over, there was no further
formality. The Emperor, for his part, slipped into the rooms
without ceremony, as his wife's private guest. She, as a rule,
did not dance at those Monday gatherings, but flitted for
a while about the salons, and then retired to her private
apartments, with one or two foreign diplomatists or other per-
sonages, until the time came for the cotillon, which she always
witnessed. We mentioned in an earlier chapter that the
cotillon was led for several seasons by that smart, curly-haired
equerry (who, to the disgust of others, would ride a Tanglaise,
and not in French military fashion), the Marquis de Caux,
Madame Patti's first husband. After his marriage, there was
no conducteur attitre of the cotillon, but the Empress personally
designated one or another younger guest for the duty. One night
her choice fell on an Englishman, Mr. Hubert Jerningham,t
who, although confronted by the most critical Parisian audience
that could have been collected together, acquitted himself right
brilliantly of the task.
During the earlier years of the Empire, Carnival time was
always celebrated at the Tuileries by a grand fancy-dress ball —
at times a masked one. Abbe Deguerry, of the Madeleine, did
not object so much to fancy costumes, but he did seriously
object to masks, as they allowed, said he, of a good deal of
impropriety which would not otherwise take place. Accordingly,
he did not hesitate to censure the practice of masking, even
denouncing it in a sermon which he preached before the
* The composition undoubtedly inspired that of Miiller's equestrian
portrait of Napoleon III. In this a grenadier of the Second Empire was
shown presenting arms to the Emperor as he rode under the entrance arch of
the Tuileries. It was a good painting, of both artistic and historical value.
t Later Sir Hubert, and Governor of Mauritius— a far cry from the
Tuileries.
COURT FESTIVITIES 259
Emperor and Empress. As it happened, in the last years of
the reign the fancy balls were mostly given for the entertain-
ment of the Imperial Prince and his young friends — that is,
they became children's parties, at which the little Prince figured,
now in the revolutionary character of Massaniello, now as a
juvenile mediasval knight wearing chain armour. At an earlier
period, however, when those balls were reserved to " grown-ups,"
the Emperor (who in his younger days had figured as a
troubadour at the Eglinton tournament) frequently assumed
fancy dress — swathing himself in an Arab burnous, or else
displaying a cfSOO " costume Henri II.," with a short mantle
hanging from his shoulder and a rapier at his side. At one
ball of the time the Empress was seen in her favourite
character, that of Marie Antoinette,* at another as a Titian-
esque patrician lady of Venice — her costume then being of
crimson and black, spangled with sequins interspersed with
diamonds. The fete on that occasion (March, 1863) was
remarkably brilliant. The Emperor, in order to be in keep-
ing with his consort, had also donned a Venetian costume,
white and crimson. Princess Mathilde represented Anne of
Cleves, after Holbein's picture at the Louvre, while Princess
Clotilde wore gold brocade, after a figure in a painting by
Paul Veronese. The Duchess de Persigny, whose hot temper
was notorious, appeared, appropriately enough, as Fire ; Mme.
Alphonse de Rothschild was a bird of paradise, and the
Countess Aguado a pack of cards, while the Princess de Metter-
nich flaunted the attire of an " Incroyable " of the Directory.
The most startling costume, however, was that of La Castiglione,
who came as Flaubert's Salammbo, with her marvellous hair
streaming around her, a golden diadem circling her brow, her
bosom virtually as bare as her arms, and her feet likewise bare,
in golden sandals. V^^ith one hand, the Count de Choiseul,
who impersonated a negro, upheld her train of some gossamer-
like fabric, while with the other he bore aloft a strange antique-
looking parasol, such as might have been used, indeed, to shade
some beauty of olden Carthage.
The great entertainment of that evening had been devised
by Countess Stephanie Tascher de la Pagerie, who, for all her
* See ante, p. 201.
260 THE COURT OF THE TUILERIES
services in matters of that kind, ought to have been appointed
" Directrice des Menus Plaisirs." Her invention on the occasion
we refer to, was the famous " Ballet of the Bees," for which
Merante, the ballet-master of the Opera, had trained twelve
of the most beautiful and ablest dancers of the Court. At a
given signal four huge beehives, festooned with flowers, were
carried on litters into the Salle des Marechaux by servants
attired as seventeenth-century gardeners. As soon as the hives
were set in position and the first strains of the orchestra sounded,
three beautiful women, winged and wearing short-skirted
costumes, which simulated as closely as possible the appearance
of bees, emerged from each hive, carrying garlands of violets.
Among the ladies were Princess Lise Troubetskoi, Mile.
de Nelidoff, Mme. Leopold Magnan, Baroness Molitor, and
Mme. Brincard ; and again and again, with a skill rivalling
that of professional dancers, they executed the various charming
and difficult terpsichorean feats which Merante and the
Countess Stephanie had assigned to them. The very nature of
the ballet was, of course, a clever compliment to the Emperor,
who, with the Empress, sat on his throne admiring and
applauding it, for the bee is the family emblem of the
Bonapartes and the violet their chosen flower.
Another year, the Countess Stephanie planned a different
entertainment — a gipsy quadrille, with her brother, the ugly
chamberlain. Count Charles,* as the gipsy king, and a number
of ladies and gentlemen of title as his subjects. At other
times still stranger figures appeared at the Tuileries masked
balls. A gigantic flageolet, which careered about the rooms in
eccentric fashion, turned out to be the gallant Marquis de
Galliffet, a horrid-looking black devil proved to be the beautiful
Baroness Alphonse de Rothschild, an obelisk was none other
than a very tall officer of the Cent-Gardes ; while a quartette
of four sphinxes, who propounded impossible riddles, was found
to consist of the Duchess dTsly, the Marechale Canrobert,
Countess Fleury, and Baroness de Bourgoing.
* He is often alluded to by the memoir writers as " Duke Tascher de la
Pagerie," and was so styled occasionally by his contemporaries ; but, in point
of fact, his ducal title was the Bavarian one of Waldburg, which the Emperor
allowed him to assume.
COURT FESTIVITIES 261
But the fancy balls at the Tuileries had several serious rivals,
for similar entertainments often took place at the ministries
and the foreign embassies. We recall one given by Morny,
at which the Princess Mathilde, for once casting her dignity
aside, appeared in tatters as a beggar-maid — whether Tenny-
son's, we cannot say, but in any case no King Cophetua " sware
a royal oath," on that occasion, vowing that she should be his
queen. It would, by the way, have been a futile oath, the
Princess being bound already by the chains of matrimony.
Again, there was a ball given by Marshal Randon at which, to
the mingled delight and dread of the fair guests, four young
African lions were introduced into some of the pageantry of the
entertainment. One year, too, at the Ministry of Foreign
Affairs, Count Walewski provided a " Quadrille des Patineurs,"
the participants in Avhich, clad in Polish costumes, went skating
in couples round an ornamental staff, whence radiated cherry-
coloured ribbons which they held.
At another time there was a wonderful pageant at the
Ministry of Marine, a pageant emblematical of all the countries
in the world, France coming first, clad in white, with a tricolour
scarf about her, and an olive branch in her hand. Then
Europe, personified by Mme. Bartholoni, appeared in a triumphal
chariot, escorted by ladies representative of various countries,
and followed by Mme. Rimsky-Korsakoff as Asia, with attendant
crocodiles, houris, Persian, Chinese, Japanese, and Indian maids.
Next, to the strains of the overture of " L'Africaine," came the
Princess Jablonowska, garbed as Cleopatra, with a lion cub at
her feet, and flanked by Mme. de Montaut arrayed as a
Soudanese warrior, mounted on a dromedary. But " Yankee
Doodle " sounded, and then, under garlands of flowers, America
was seen in a hammock hanging between palm trees, and
attended by typical " uncle Sams,'' Californian miners, Peruvian
incas, and Mexicans a la Montezuma.
Ah ! those pageants and those balls, it would be difficult to
exhaust the list of them. There was a ball given by Mme.
Drouyn de Lhuys at the Foreign Office when Mme. de
Metternich appeared as a Spanish bull-fighter, Mme. de Galliffet
as a tulip, and Princess Lise Troubetskoi as a butterfly, while
the Emperor and Empress, muffled in dominoes and closely
262 THE COURT OF THE TUILERIES
masked, went hither and thither to ascertain, perhaps, what
good, and particularly what ill, might be said of them. Then,
again at the Foreign Office, but in the Marquis de Moustier's
time, there was a ball at which young America carried all before
her. She was rising rapidly in Parisian society, which, following
the example of the Tuileries itself, gave a cordial welcome to
the new transatlantic aristocracy, the Noblesse of the Dollar.
The Miss Slidells, as War and Peace, Miss Dix as the
Marguerite of "Faust," Miss Hitchcock as a jockey, the lovely
Miss Beck with as Aurora — they were the young ladies whose
charm and tastefulness triumphed at the " Foreign Affairs " in
1867, that year of the Empire''s apogee. Elsewhere France
held her own. We recall an entertainment at the Prince de la
Moskowa's residence in the Rue de Marignan, when a most
amusing village wedding-party appeared in the salons, the
blushing bride being impersonated by a distinguished senator,
the amorous bridegroom by the staidest of judges, and the
mayor, gendarmes, and peasant guests by a series of princes,
dukes, and counts.
Then there were the balls given by Princess Pauline
Metternich at the Austrian embassy in the Rue de Varennes.
One time the palm for eifectiveness went to Mme. de Morny
and Mme. de Girardin for their impersonation of white roses
sprinkled with dewdrops of diamonds. But Princess Pauline
(of whom we shall have more to say a little later) was possessed
of no little eccentricity as well as wit. One Thursday night —
her night, as a rule — she put a crowning touch to a farcical
entertainment by lighting a cigar. And as thirty lady-guests
did likewise, the soiree suddenly became a tabagie. Another
time the Princess announced her intention of giving a dance
during Lent. Everybody was lost in amazement at the idea,
some even spoke severely of such an infraction of both religious
duty and good taste. Nevertheless, all who were fortunate
enough to secure invitations accepted them. Dancing went on
till nearly midnight, by which time supper was very generally
expected. But all at once the orchestra ceased playing, and
the Princess, taking her stand in the middle of the room,
exclaimed : " Ladies and gentlemen, this is a Lenten ball.
Lent means fasting, as you are aware ; so I warn you that you
COURT FESTIVITIES 263
must not expect supper here to-night. Pray stay as long as
you please, but I should be sorry if you were to stay so long
as to be unable to get supper elsewhere, should you desire it."
The guests listened, stared, and finally laughed, deeming it
best to face the situation with good countenances, though the
laugh was, we fancy, on the wrong side of their mouths. Some
imagined, however, that the Princess's speech was a mere joke,
and that supper would be duly provided, as otherwise the
Austrian embassy's reputation for hospitality might be seriously
compromised. But they were quite mistaken, no supper was
served, and one and all withdrew, tired and hungry on a bleak
March night.
That little episode reminds us of a contretemps that occurred
at a fancy ball given one year at the Prussian embassy. So far
as dancing and costumes were concerned it was a very brilliant
affair, to the success of which La Castiglione contributed by
appearing in the costume of a Red Indian "brave," with an
aureola of feathers about her head. Unfortunately the supper
arrangements were defective. Prussian parsimony had pre-
supposed that a very limited number of guests would require
food, and even the appetites of the Corps diplomatique were
overlooked. Turkey, having found no seat at table, went
home famished and furious, with the result that war raged
between the Sublime Porte and Berlin for several weeks after-
wards. Spain was even more angry than Turkey, regarding its
failure to secure any supper as a direct insult to its grandeeship,
and proclaiming urhi et orbi that there was no truth whatever
in the old story that it subsisted entirely on cigarettes and
chocolate.
A propos, however, of the Princess Metternich to whom we
were referring just now, it was she, we think (may we be
forgiven if we are in error !), who on one occasion invited a
number of Court and diplomatic guests to a dinner, when
they were vastly amazed by the behaviour of some half-dozen
servants, who not only pronounced their names all amiss when
announcing them, but indulged in various strange pranks, such
as flunkeys usually reserve for the servants' hall. The climax
came directly dinner was served, for the aforesaid menials
rushed into the dining-room, seated themselves at table, and
264 THE COURT OF THE TUILERIES
raised their knives and forks as if in eagerness to despatch
the various viands. The startled guests wondered if they were
dreaming, and some testy folk among them were already
turning on their heels when the laughter of the hostess,
mingling with that of the servants, restrained them. Briefly,
those servants were all young men of good position, " got up "
to act the parts assigned to them. Some, not content with
assuming powdered wigs and all necessary maguillage, had even
been brave enough to sacrifice their moustaches and whiskers
the better to disguise their identity.
Reverting to the balls of the time, there was yet another
one, deserving of mention here, although it was not attended
by ladies of society. It was given, indeed, in March 1865, to
persons of the demi-monde by the younger and more frivolous
members of the French Jockey Club. The gilded saloons of
Les Trois Freres Provenpaux were selected as the scene of the
entertainment, and there was no question at all of anybody
being sent home supperless. But a serious question of costume
arose. It was feared that there might be some very unpleasant
bickering and jealousy if Mile. Chose — "protected" at the rate
of odOOO a month — should flaunt all her diamonds and other
finery before Mile. Machin, who derived but a quarter of the
aforesaid amount from her own particular protectorate, and had
very few diamonds to show. So the Avord went forth that all
the invitees were to appear as grisettes. But if man proposes,
woman disposes, and her ingenuity is never at a loss. The
more opulent " ladies of the lake," as they were called in those
days — after the lake in the Bois de Boulogne, round which
they drove every afternoon — arrived on the scene in great
splendour, wearing Manon Lescaut, Pompadour, and Camargo
costumes, with no lack of powder in their hair or diamonds
either. When the organizers of the entertainment expressed
their surprise at this magnificence, they were quietly answered :
" Oh ! I am a grisette Louis Quatorze," — or Louis Quinze, as
the case might be. Briefly, the gathering did not include a
single grisette after the fashion of those in Murger's "Vie de
Boheme."
It was at Compiegne (we shall speak hereafter of the Court's
annual sojourn there) that there was most indulgence in
COURT FESTIVITIES 265
" drawing-room games "" and private theatricals ; but something
of the kind was also witnessed, now and then, at the Tuileries.
There was no card-playing at the palace — except on the
occasion of the grand balls, when a few tables were set out
for whist ; but the Emperor, the Empress and their familiars
sat down now and then to a quiet family game of " loto," or
even " consequences." The Emperor, moreover, sometimes
roused himself from his ruminations to ask a riddle. One night
he put the following question to his entourage : " Why is it
that in winter we usually feel the cold more in our feet,
although they are protected by boots, than we do on our faces
which are bare ? " Some pedant, who was present, wished to
supply a scientific explanation of the phenomenon, but the
Emperor restrained him. The others " gave it up," as the
saying goes. " Well," said Napoleon, as gravely as if he had
been warning Austria or Prussia, or promising France the
long-delayed " crowning of the edifice," " it is like this : The
temperature being low naturally affects the base more than it
does the summit." That may not be a particularly good joke,
but Napoleon III. was certainly not destitute of wit or power
of repartee. Unluckily, his jests more frequently took the form
of play upon words, double enteiite, as it is called, and in that
case all point is usually lost in a translation. For instance,
one day, when, greatly to the Empress*'s annoyance, some
impossible person indulged in sundry Voltairean remarks
respecting the Holy Ghost {UEsprit Saint) and Pentecost,
the Emperor quietly remarked : " As it is certain that that
gentleman does not possess Fesprit sain (a sound mind) he
would do best to say nothing more on the subject."
At times, notably as the Imperial Prince grew older, there
were conjuring entertainments at the Tuileries. If we remember
rightly, too, the Davenport brothers gave a seance there before
they succumbed to the ridicule with which the exposures of
Viscount Alfred de Gaston inspired the Parisians. Subsequently
a very notable wizard appeared on the scene, none other than
David Dunglas Home, whom Robert Browning satirized as
" Sludge." It was, we think, a Russian ambassador. Count
KisselefF, who introduced Home to the Tuileries, where he
turned tables, practised crystal gazing, and conjured up spirits.
^66 THE COURT OF THE TUILERIES
To some it may seem surprising that so orthodox a Catholic
as the Empress Eugenie should have shown any favour to a man
like Home, but it must be remembered that the superstitions
of the Churches often induce others. Moreover, the Emperor
himself was more or less of a fatalist, and thus Home became for
a time persona gratissima at the Tuileries. Sceptical courtiers
looked on and wondered at the infatuation of the sovereigns for
that long, lanky, lion-maned individual, who before giving any
grand seance lived, according to his own account, for days together
on nothing more substantial than sugared water. Ministers, it
has been said, even became perturbed at the influence which
Home began to exercise ; and, according to one account, he was
denounced as a foreign spy, and as such expelled from France
at the instigation of Count Walewski. But many years ago,
Baron de Billing, who, from being Walewski's secretary, rose to
a high position in the French diplomatic world, assured us that
Home did not quit France for any political reason. According
to M. de Billing it seems that so long as Home was content to
conjure up the spirits of certain historical personages, such as
Napoleon I. and Marie Antoinette, and ascribe to them
language of an oracular vagueness, appropriate to the spirit-
world, all went well with him. He followed the Court from the
Tuileries to St. Cloud, and thence to Biarritz, where, however,
he received his conge. It appears that the proximity of
Biarritz to Spain turned his thoughts to cosas de Espana with
which he was by no means well acquainted, though they were,
of course, familiar enough to the Empress. Thus Home for
the first time began to blunder, and finally, on an occasion
when, imperfectly informed respecting the Empress's childhood,
he nevertheless presumed to evoke the spirit of her father, the
Count de Montijo, he perpetrated a series of very ridiculous
mistakes. The Empress's eyes were then opened, she reahzed
that the man in whom she had foolishly begun to believe was
merely a charlatan, and he was promptly turned out of the
Villa Eugenie.
He went to Russia (where, we think, he had been before),
and the Russian Court, which has often yielded to ridiculous
superstitions — the more recent case of Philippe will be re-
membered—gave him a cordial welcome. In 1870, hoAvever,
COURT FESTIVITIES 267
he followed the German armies to France, and, ostensibly as
the correspondent of a Californian newspaper, installed himself
at Versailles, where he gave seances for the entertainment of
the princelings of the ornamental staff. We remember that he
subsequently showed us a little Sevres cup or vase which he had
taken from the chateau of St. Cloud during the conflagration
there, and that, descanting on the fate of the Second Empire,
he declared he had been treated with base ingratitude by
Napoleon III. and his consort, for he had generously warned
them of the danger of downfall. They, however, refusing, in
their pride, to believe him, had dismissed him from their
presence. However the " Ides of March " had come, and swept
them away.
The policy of the Empire towards the Parisian working-
classes was to give them, first, plenty of employment, such as the
Haussmannization of the city provided, and, secondly, plenty
of amusement. The bourgeoisie of various degrees was treated in
a similar manner. We have alluded to the multiplicity of the
Parisian dancing-halls in those days. Theatres, circuses, and
concert-rooms were likewise more numerous than they had ever
been before ; while each year brought in its train a succession
of pageants and fetes, either in the city itself or its immediate
vicinity. There was the New Year Fair on the Boulevards, the
Carnival procession of the Fat Ox, the Mid-Lent or Washer-
women's Festival, the Ham Fair and the Gingerbread Fair at
the Barriere du Trone, the Promenade of Longchamp, the Fete
Napoleon on August 15, the fetes of St. Cloud, Les Loges
and Sceaux, the annual crowning of the Rosiere of Nanterre,
and many other celebrations. Both the Fat Ox and the
Washerwomen's processions went the round of Paris, visiting
the various ministries, the embassies, and even the Tuileries.
In 1869, when the prize ox of the Paris cattle-show was
christened Chilperic, in honour of Herve's opera-bouffe of that
name, a wag wrote some verses respecting the doomed beast's
progress through the city, and a few of them may be quoted
here :
II visite sur sa route
Les ministres d'aujourd'hui,
Qui demain seront, sans doute,
Moins a la mode que lui.
268 THE COURT OF THE TUILERIES
Puis, par un autre caprice,
On introduit Chilperic
Pres la grande ambassadrice,
Madame de Metternich.
La cliente noble et riche.
Que Worth habille de neuf ,
Oublie un instant I'Autricbe
Au spectacle du bcEuf .
iti * * * *
II desire peu de chose :
Voir I'Empereur et mourir.
II le voit, et Ton suppose
Que cela lui fait plaisir.
On coming to the Tuileries the Fat Ox procession passed
under the triumphal arch into the reserved part of the Place
du Carrousel, and the Emperor, the Empress, and the Imperial
Prince stationed themselves on the palace balcony to inspect
it, while both largesse and refreshment were distributed among
the masqueraders by the officers and servants. Much the same
reception greeted the arrival of the Washerwomen"'s procession,
only then the Emperor came into the courtyard to kiss the
queen of the day, and present her with a jewel. When the
Court was at St. Cloud in the early autumn, the Emperor
and Empress often strolled through the local fete, visiting
the various booths, admiring in turn the bearded and the
colossal lady, the sword-swallower, and the two-headed calf,
to say nothing of the familiar "live lion stuffed with straw,
and the dead eagle picking his eyes out." But the day of days
for the Paris populace was the Fete Napoleon, that precursor
of the Fete Nationale of present times. There was the inevitable
review, usually of the Army of Paris, sometimes 80,000 strong,
and occasionally of the National Guard, as it was then con-
stituted. There were also performances " gratis " at the theatres
by imperial command ; there were fairs on the Place de la
Bastille, the Place du Trone, and the Trocadero; balloon
ascents on the Champ de Mars ; and water-jousts on the Seine ;
too;ether with the march of the old surviving veterans of " La
Grande Armee," from their asylum at the Invalides to the Place
Vendome, whither they went to deposit wreaths on the railings
around the column raised to that same army's glory by the
great captain, whose effigy arose above it. By day the streets
THE GREAT YEAR, 1867 269
of Paris were bright with bunting, at night they blazed with
illuminations, and there were fireworks galore — everything being
done better than it is done now, because it was so largely
undertaken by the Parisian authorities, in such wise that
harmonious schemes of decoration and illumination were carried
out, often on a very large scale indeed. Of course, WveJ'ete
had its purely official side, such as the great reception at the
Tuileries, when congratulatory addresses and telegrams poured
in without cessation, the special prayers, too, for the Emperor
and his family in all the churches, and the banquets and soirees
given in connection with the departments of the State.
One year stands out prominently in the annals of the time
as the year of both Imperial and Parisian splendour. That
was 1867. It is true that, since we last glanced at the political
situation — in or about 1860 — the Empire had received many
blows, met with many losses and reverses. Its most able men
in the spheres of politics and finance were dead or in retire-
ment. Its Mexican policy had encountered a terrible rebuff,
the United States having compelled the withdrawal of the
French forces of occupation. Again, the imperial prestige had
suffered badly both with regard to Poland and to Denmark, in
the last case largely through the refusal of England to join in
intervention. Then, too, the crash of Sadowa — or Koniggratz,
if that name be preferred — had re-echoed far and wide, to the
serious damage of the Emperor''s reputation. Prussia was now
supreme in Germany, and none of the secretly anticipated com-
pensations, either on the Rhine or in Belgium, had been secured
by France. The menace of war with Prussia hovered over the
land, for it seemed as if the difficulties of the Luxemburg
question could only be solved by gun and sword. Further, there
was trouble imminent with Italy, although the interposition
of Napoleon III. had secured that country the possession of
Venetia, for, in one or another way, she still demanded Rome,
and the French troops, previously withdrawn from the Eternal
City, had to be despatched there afresh to check the designs of
Garibaldi.
Over home affairs hung several ominous clouds. The year
opened with the Emperor's decision of January 19, cancelling
the Legislature's right to present addresses to the Crown, but
270 THE COUHT OF THE TUILERIES
granting it, instead, the right of interpellating Ministers.
Braggart Rouher, the so-called Vice-Emperor, was more power-
ful than ever, being now both Minister of State and Minister of
Finances ; but other officials had lost their posts. The
Marquis de Chasseloup-Laubat had been dismissed from the
Ministry of Marine, and replaced by Admiral Rigault de
Genouilly ; Marshal Randon had rightly been compelled to
surrender the Ministry of War to Marshal Niel, who had,
however, a formidable task of army reorganization before him.
And the portfolio of Finances, now assigned to Rouher, had
been relinquished by Fould. The latter's departure was a
serious loss to France, for if her military forces needed to be
strengthened, her finances also required the strictest supervision,
the most careful handling. Fould's retirement was hailed with
applause, however. He might be an expert financier, but he
was a close-fisted one, and such as he were not liked in those
spendthrift days. When his few friends claimed that he had
served the Empire well, they were answered : " Oh, he need not
go without reward, Jews never do ; and doubtless the Emperor
will be pleased to create him Duke de Villejuif." *
But there were other notable features in home affairs at
that period. Both the anti-dynastic and the constitutional
Oppositions in the Legislative Body were gradually growing
stronger. The Republican cause, in particular, was making
steady progress in Paris and other large cities. Further, owing
in part to the check which the Haussmannization of the capital
had already received on account of the great outlay it entailed,
there was less contentment than formerly among the working-
classes. There had been many strikes, and great was the
dissatisfaction with the high rents prevailing in the city. The
Emperor knew that grievance to be genuine, and although he
was inadequately seconded, he had been studying it seriously
for some time past, devising or examining plans for the erection
of workmen's dwellings in the immediate vicinity of Paris. He
himself set up a row of them near the Avenue Daumesnil at
Vincennes, and also showed some pattern cottages at the Ex-
hibition of 1867. Of late years his ideas on this subject have
found some favour in France. Instead of workmen being
* A play on tlje word — vile juif signifying " vile Jew."
THE GREAT YEAR, 1867 271
invariably herded in huge tenements inside Paris, many now
have cottage-and-garden abodes, notably in the south-west
suburbs. That, of course, has been facilitated by the vast
improvement in means of communication since the days of the
Empire.
The great Exhibition of 1867 naturally gave impetus to
trade, money still seemed to be plentiful enough ; and whatever
ruins might lie, whatever crumbling might be going on, behind
the fafade of the Empire, that facade still remained imposing,
and displayed itself in all its magnificence during that remark-
able year — a year of festivity unparalleled in the history of
any other nation. The huge Exhibition building on the Champ
de Mars may not have been outwardly beautiful, but it was
extremely well arranged, and the display in its galleries and
in the pavilions of the grounds, surpassed everything of a
similar nature seen at previous world-shows. From April until
mid-October Paris was crowded with foreigners from all parts
of the world ; and emperors, kings, princes, viceroys and other
potentates responded with alacrity to the invitations of the
Court of the Tuileries. A full recital of all the entertain-
ments and pageants of the time, banquets, receptions, balls,
gala theatrical performances, concerts, reviews, and what not
besides, would make a volume; and here we can only treat
the subject briefly. One entertainment, however, was often
much like another, and thus a detailed narrative might prove
tedious.
Altogether over eighty royalties — crowned heads, princes,
princesses, grand and arch dukes and duchesses, reigning dukes,
etc., etc.— flocked to Paris in that year of jubilee. The very
first to arrive was Prince, now King Oscar of Sweden, whom
Baron de Billing used jocularly to call the King of the Jews
on account of his descent from Bernadotte. Years ago, during
some of the early talk respecting Zionism, the Baron was wont
to remark : " Nonsense, we need not go to war with Turkey to
give Palestine back to the Jews — let them emigrate to Sweden,
they will find a king of their race on the throne there." After
Prince Oscar came the young Prince of Orange, the unfortunate
Citron, as he was called. Then, in turn appeared the King
and Queen of the Belgians, the King and Queen of the Hellenes,
27S THE COURT OF THE TUILERIES
Queen Pia of Portugal, the Duke of Leuchtenberg, the Grand
Duchess Marie of Russia, a Prince of Japan, the Prince of
Wales, and the Duke of Edinburgh. The month of June
brought both the Czar Alexander II., accompanied by his sons
and other grand-dukes, and the King of Prussia, with his son
(later the Emperor Frederick) and Bismarck and Moltke also.
Subsequently came the Crown Prince, later King of Saxony,
Prince, later King, Humbert of Italy, his brother, the Duke of
Aosta (later Amadeo of Spain), the Crown Prince, now King of
Denmark, the Count and Countess of Flanders, and a crowd
of German and other princelings. Next we saw the Khedive,
Ismail the Lavish, who fell desperately in love with Hortense
Schneider, Offenbach's " Grande Duchesse ; "" and Sultan Abdul
Aziz the Murdered, with whom were both his future successors,
Murad the Madman and Abdul the Damned. Not a week,
hardly a day, elapsed without bringing a royalty to Paris, where
spring, summer, and autumn were all Shrove Tuesday and
Carnival time, Lent arriving later — in 1870.
The Exhibition was opened on April 1 ; the political clouds
lifted on May 11, when the neutralization of the Grand-duchy
of Luxemburg was at last agreed upon. Then Tout a la Joie !
became the cry of Paris. Nevertheless, the summer brought
some unpleasant incidents. On June 6, when the Czar and the
Emperor Napoleon were returning together from Longchamp,
after passing, in company with the King of Prussia, some forty
battalions, sixty squadrons and twenty batteries of the army
of Paris in review, the first-named was fired upon by a Polish
refugee named Berezowski. The only injury inflicted on the
occasion was experienced by an unfortunate horse, which a
zealous equerry, M. Raimbeaux, spurred forward to cover the
menaced monarch; and the Czar, like all the other royalties,
attended a great ball at the Russian embassy that same evening
as though nothing unpleasant had happened. But a day or
two later, when he visited the Palais de Justice, some young
advocates of the Republican party, more zealous than well-bred,
made a demonstration against him, and one of them, Charles
Floquet (subsequently a pitiable prime minister of the Republic),
shouted " Long live Poland ! " in his face. Thus, in spite of all
the courtesy of the Tuileries, the splendour of the hospitality
THE GREAT YEAR, 1867 273
extended both there and at the Elysee, where the Czar actually
resided, and the unparalleled magnificence of the ball which
Baron Haussmann gave at the Hotel de Ville at a cost of
,£'30,000 (8000 persons being present), the Russian visit ended
very badly. The King of Prussia remained in Paris some days
longer, and while Moltke quietly went hither and thither,
taking note of all things military, the equally wily Bismarck
gratified Napoleon Avith some private confabulations in the
imperial cabinet, even as he had favoured him with previous
ones on the sands of Biarritz in October, 1865. At that time
Napoleon had deemed Bismarck to be a madman, and Bismarck
had regarded Napoleon as a fool. What were their respective
thoughts of each other in 1867 — when Koniggratz had come
and gone ?
But let us proceed. Trouble again arose to dismay the
Court of the Tuileries at the time of the Sultan's visit in
August and the great distribution of the exhibition prizes
at the Palais de Tlndustrie. This was a gorgeous, crowded
ceremony, when Princes and Princesses of many nations mustered
beside the Emperor, the Empress, and the Sultan, on the great
throne, all gold and crimson. Two guests, however, who were
to have been present at the pageant were conspicuously absent.
They were the Count and Countess of Flanders, brother and
sister-in-law of the unhappy Empress Charlotte of Mexico. The
news had come, indeed, that Maximilian, her husband, had been
shot at Queretaro by the Mexican Republicans. The blow was
a severe one for the proud Empire of France, which had set
hiui on his precarious throne. The " greatest scheme of the
reign "" was quite ended now. And it was of little use to point
out that Maximilian had brought the death-penalty on himself
by decreeing it for his adversaries. The Queretaro execution
recoiled on both Napoleon and his consort, who had conjointly
sent the unlucky Archduke on the maddest of enterprises across
the seas.
A little later, after remaining in Paris to entertain the Kings
of Sweden and Portugal, who, in their turn, participated in the
procession of royalties, the Emperor and Empress journeyed to
Salzburg, there to meet Maximilian's brother, the Emperor
Francis Joseph of Austria, and express, perhaps, their belated
274 THE COURT OF THE TUILERIES
penitence. Subsequently the Austrian ruler came to Paris,
going thence to Compiegne ; and possibly one might trace back to
the long conversations which tooic place there between him and
Napoleon III., the first idea of a compact which might enable
them to revenge themselves on Prussia — Prussia which had
driven Austria out of Germany, and denied France all com-
pensation for her neutrality. In any case that great year, 1867,
ended inauspiciously. Marshal Niel brought forward his scheme
for the creation of a Garde Mobile, by which means it was hoped
to give France an army of 1,200,000 men ; and the atmosphere
was on all sides heavy with rumours of approaching war.
CHAPTER XI
THE GKACES OF THE EMPIRE — SOME STATESMEN
AND DIPLOMATISTS
Mesdames de Galliffet, Pourtales and Metternich — Their Husbands also — The
Gambling Countess Kisseleff — Other Russian 'Ladies — Marshal Magnan's
Son and Daughters — The Duchess de Morny — Countess Lehon — Morny
as President of the Chamber — His Death and Fortune — The Walewskis —
Schneider — Mme. Eattazzi — Billault — The Sandon Scandal — Vice-
Emperor Eouher — Some last Ministers of the Interior — Pinard and
" Madame Bovary " — Magne, Delangle and Baroche — Baron Haussmann
— Ministers for Foreign Affairs — Thouvenel, Drouyn de Lhuys and others
— Foreign Ambassadors — Baron Goltz and Napoleon III. — " The Fatal
Ambassador " — Dix and Washburne — Lord Cowley and Lord Lyons.
Three ladies, whom we have ah-eady had occasion to mention
incidentally, have virtually passed into history as the Graces of
the Second Empire. The Court of the Tuileries included so
many beautiful, charming and witty women that perhaps some
injustice has been done in raising any particular trio to a
pedestal. Nevertheless, the ladies in question, Mesdames de
Galliffet, de Pourtales, and de Metternich, were undoubtedly, in
one or another way, fascinating figures of the reign. The two
first were beautiful in different styles, the third was distinguished
by her wit, sprightly vivacity and elegance ; and, after all, the
appellation bestowed upon them was in a measure justified,
because taken conjointly they embodied all that can make their
sex attractive.
The Marchioness de Galliffet, who bore the Christian names
of Florence Georgina, was the daughter of Charles Lafiitte — the
banker and sportsman, once well known on the turf as "Major
Fridolin "" — by his wife Florence Anna Cunningham, an English
lady. Mile. Laffitte was still in her teens when in November,
1859, she was wedded, at Maisons-Laffitte, to Gaston Alexandre
Auguste, the present Marquis de Galliffet and Prince de
276 THE COURT OF THE TUILERIES
Martigues. He, born in January, 1830, and now therefore in
his seventy-eighth year, is the son of Alexandre, Marquis de
Galliffet and Prince de Martigues, by his second wife nee
Baulde de Vieuville, By a first marriage with Mile. Adelaide
des Roys d'Asport, Marquis Alexandre had a daughter, now
deceased, who married the Marquis de Barbentane ; and the
first offspring of his second union was also a girl, who espoused
Count de Vassinhac dlmecourt, and who, if still alive, which
we doubt, must be over eighty years of age.
The Galliffet family is a very ancient one, originally of
Dauphine, whence the still existing branch passed into Provence
in or about 1540. It can trace its descent back to Jean de
Galliffet, damoiseau, who held the Dauphinese lordships of La
Galliffetiere and Savoyroux in 1380 ; and it claims that it would
have been able to prove a yet remoter ancestry had not many
early title-deeds been destroyed during the League and Huguenot
wars. The principality of Martigues (near Marseilles and Aix-
en-Provence) dates from 1580, when it was created by Henri
III. in favour of Emmanuel of Lorraine, Duke de Mercceur, and
his heirs and assigns. It passed by acquisition to Marshal
Villars in 1714, then to the Vogiid family in 1764, and finally
to the Galliffets eight years later. The arms of the latter are
gules, charged with a chevron argent and three trefles or. A
ducal coronet surmounts the shield, and the family motto is
" Bien faire et laisser dire," which may be Anglicized bluntly as
" Do right and let folk chatter.""
Gaston, Marquis de Galliffet, enlisted as a " private " in
1848, and has thus risen from the ranks to the highest position
that is nowadays attainable in the French army. His early
career was marked by certain episodes on which we will not
insist, as they were of the kind commonly known as youthful
indiscretions.* In 1853 young Galliffet had become a Sub-
Lieutenant in the Guides, and it was as such that he went to
* The police documents concerning them have been published, first by M.
Millerand, the Eepublican politician, in La ^Petite Bdjoubligue, June, 1894,
and secondly in L'Aurore, February 22, 1900. Briefly put, the affair was
this : The young man fell into ithe clutches of a designing and predatory
•woman, and was rescued from her by the police at the intervention of his
family.
THE GRACES OF THE EMPIRE 277
the Crimea, where, under the walls of SebastopoJ, he gained the
cross of the Legion of Honour and , was for the first time
mentioned in an " order of the day." In 1856 he was attached
to Morny's embassy to St. Petersburg for the coronation of the
Czar, and in the following year he was promoted to the rank
of Lieutenant, which he still held at the period of his marriage ;
but, by that time, he had already exchanged from the Guides
to the Spahis, and seen some service in Algeria. His father
was then dead, and Avhether what has been written about the
state of his fortune at that moment be true or not, it is certain
that his charming bride brought with her a very handsome
dowry. The marriage was followed by M. de Galliffefs pro-
motion to a Captaincy and his appointment as an orderly officer
to the Emperor, which post he held from February, I860, till
July, 1863,* when he returned to Algeria as a Major {clief
cTescadron) in the 1st Hussars. It was, then, between 1860 and
1863 that M. de Galliffet first figured at the Imperial Court,
where both he and his young wife soon became conspicuous,
he by reason of his vivacity, his flow of spirits, his occasional
eccentricities, and his brilliant horsemanship ; she by reason of
her blonde beauty, the indescribable grace and charm of a
figure which was perhaps too slender to be altogether perfect,
the readiness and spirit of her conversational powers, and the
exquisite taste which she displayed in the art of dress. Two
sons and a daughter were born of the marriage, which, as we
have previously mentioned,! did not turn out satisfactory, in
some measure perhaps by reason of the many occasional
separations which the husband's profession necessarily entailed,
before the final one was arrived at.
On quitting his post as orderly officer to the Emperor,
M. de Galliffet, as we have said, returned to Algeria, but soon
afterwards he proceeded to Mexico with the 12th Chasseurs-a-
cheval. At the battle of Puebla he was wounded in a terrible
manner and few expected that he would survive; but he
* Many misstatements have appeared in print on that subject. We have
even read that the Emperor never saw M. de Galliffet till his return from
Mexico ; but we write this brief account with a full official list of M. de
Galliffet's promotions and appointments before us. That is better than
trusting to memory.
t See ante, p. 49.
278 THE COURT OF THE TUILERIES
fortunately did so, and was selected to convey some flags taken
from the Mexican Republicans to France, and to present them
to the Emperor. Napoleon, who was at Vichy, received
M. de Galliffet with great kindness, and promoted him to the
rank of Lieutenant-colonel (June, 1865). For a while, the
injured officer lingered at Vichy, and was often to be seen
either hobbling about the park on his crutches, or resting
there under the shade of the fine old trees. Those who then
happened to be visiting the famous spa occasionally heard him
relate in his customary picturesque and realistic style the story
of his terrible injuries.
" How it happened ? " he would say. " Oh ! we were
charging. A shell exploded, and I was thrown to the ground.
But that does not stop a charge, and the comrades went on
fast enough. When I recovered consciousness I found that a
part of my hip had been carried away, and that my abdomen
had been cut open. My entrails were coming out. But what
of that ? When we go boar-hunting, and a hound is ripped
up, we don't let it die ; we put its entrails back, gather the
flesh together and sew it up. Well, for my part, I tried to
get on my feet again. At first I could only struggle on to my
knees. Still that was something, and at last, holding my Icepi
in front of me to prevent my inside from coming out altogether,
I managed to stand up. That done, I made my way somehow
to the ambulance, and — -well, here I am."
At the ambulance, as it happened, M. de Galliffet remained
for a considerable time in a very precarious condition. Ice was
particularly needed for the treatment of his case, and at first
none could be procured. Tidings of his dangerous state were
sent to France, and many sympathetic remarks on the subject
were addressed to Mme. de Galliffet by her friends. But she
reassured them. " Oh, he will recover," said she, " he is such
a lucky man ! " At that same period it so chanced that the
story of the lack of ice was related one evening at the imperial
dinner- table at the Tuileries, just as the Empress had asked a
servant for some ice to cool her wine. She listened, horror-
stricken, to the story which was told, and then turning to the
valet, exclaimed, "No, take it away — I can't bear the thought
of ice now that I know there is none for our wounded soldiers."
THE GRACES OF THE EMPIRE 279
In the case of M. de Galliffefs injuries, it became necessary
to replace missing flesh by anatomical appliances, notably a
kind of shield, which he has worn ever since. As is well known,
his misadventure by no means impaired his military capabilities.
He even returned to Mexico and commanded the French
Contra-ffuerilla at Orizaba and Medellin. In 1867 he became
a Colonel, and still held that rank at the outbreak of the
Franco-German War of 1870. Almost on the eve of Sedan,
that is on August 30, he was made a General of Brigade,
and as such he commanded the 2nd Brigade of Margueritte's
Division of light cavalry * in the famous if unsuccessful
charge which was one of the redeeming episodes of the
engagement which sealed the fate of the Empire. Mean-
time Mme. de Galliffet had remained in Paris, seconding the
Marechales de MacMahon and Canrobert in their solicitude
for the French wounded, all three being prominently connected
with the Societe de Secours aux Blesses which had its head-
quarters at the Palais de Tlndustrie. We often saw them
there, Mme. de Galliffet and the Marechale Canrobert —
the beautiful dark, slim, queenly Flora Macdonald — simply
dressed in slate grey, and Mme. de MacMahon in more solemn
black. The last named, dark like Mme. de Canrobert but
short and over buxom, did not strike one at first as looking
particularly aristocratic, though as a daughter of the house
of Castries she belonged to the most authentic old noblesse of
France; but the ring of her voice, the flash of her eyes,
the readiness and good sense of her decisions at committee
meetings, and the untiring energy which she ever displayed in
connection with the ambulance services, revealed her to be a
maitresse fevnne, the fit spouse of one who had already risen to
the highest military rank, and was yet destined to become the
Chief of the State.
Mme. de Canrobert, leaving Paris after the fall of the
Empire, obtained Prince Frederick Charles''s permission to
enter Metz and join her husband at the time of that strong-
hold's surrender; but the Marchioness de Galliflet (while the
* The 2nd Brigade was composed principally of Chasseurs d'Afrique. The
1st was commanded by General Tillard, who, like Margueritte, was killed at
Sedan.
280 THE COURT OF THE TUILERIES
Marquis, as one of the prisoners of Sedan, shared the captivity
of his comrades at Coblenz) remained in Paris, heedless of
the change of regime, and quietly and unobtrusively devoted
herself to ambulance work throughout the bitter days of the
German siege. We also remember seeing her at some charity
sales which took place at that time for the benefit of destitute
women — notably one at the Gare du Nord, when she disposed
of eggs (not guaranteed to be fresh) at five shillings apiece,
butter at £1 the tiny pat, and pieces of gruyere cheese at £Q
each — only people like Baron Alphonse de Rothschild, Sir
Richard Wallace, the Prince de Sagan, and the Duke de
Castries being able to afford those rare and costly luxuries of
the siege days.
Later, under Marshal MacMahon's presidency of the
Republic, Mme. de Galliffet again appeared in society, though
in a less prominent manner than in former years. The last
time we saw her was, we think, at a great chaxiiy fete given
in the Tuileries garden in or about 1880. She contributed
largely to the success of that enterprise, and her unexpected
reappearance in public seemed something like a resurrection.
Many who had merely heard of her, who knew her only by
name, flocked inquisitively to her stall. She had aged un-
doubtedly, but all the grace of former years was still there,
together with all that taste in matters of dress which had
helped to make her famous.
Another zealous worker at that same gathering was Mme.
de GallifFefs friend the Countess de Pourtales, over whom the
years had passed, leaving little, if any, trace of their flight.
Melanie de Bussieres had barely completed her seventeenth
year when she married Count Edmond de Pourtales. She was
by birth an Alsatian, her father, Alfred Renouard de Bussieres,
belonging to a wealthy family of manufacturers of the Colmar
district, with fine seats at Schoppenwihr and Robertsau, while
her mother was a daughter of the Baron de Franck. As for
M. de Pourtales, he was descended from a French Huguenot
family, which had emigrated to Switzerland at the time of the
revocation of the Edict of Nantes, but which established a
banking house in Paris during the reign of Napoleon I., when
the principality of Neufchatel, to which the family belonged,
THE GRACES OF THE EMPIRE 281
after being ceded by Prussia to France, was bestowed by the
Emperor on Berthier. A certain Jeremie Pourtales had been
ennobled by Frederick the Great, and his three grandsons by
his son Jacques were created Counts by Frederick William III.
of Prussia in December, 1815, at which time, as may be
remembered, the Prussian suzerainty over Neufchatel was with
certain limitations revived. It was, indeed, only brought to
an end by the intervention of France and Great Britain in
1856-57, when war seemed imminent between Prussia and
Switzerland — the result being that the Prussian ruler retained
the title of Prince of Neufchatel, and accepted pecuniary
compensation for the loss of his political rights. Whatever
might be her husband's nationality, Mme. de Pourtales herself
always remained tres Frangaise de cceur, and in 1870 she
protested more than once that she was not a German but an
Alsatian. After the fall of the Empire she was repeatedly
subjected to insult and annoyance, being denounced as a
German spy. Other ladies had a similar experience, notably
the Countess de Behague, the Duchess de Waldburg and Countess
Stephanie Tascher de la Pagerie. At one moment a report
even circulated that Mme. de Pourtales had been imprisoned in
the fortress of Vincennes, but it was merely one of the canards
of the time.
Under the Empire she and her husband resided in the Rue
Tronchet, where Count Edmond's father had gathered together
a famous collection of paintings and other works of art. When
family arrangements necessitated the sale of that collection in
April, 1865, it produced £113,000, or about £60,000 more
than the original outlay. Several of the pictures were then
purchased by Baron Seillieres, Baron James de Rothschild, and
Lord Hertford — the latter's acquisitions figuring nowadays in
the famous Wallace collection ; while Count Edmond, for his
own part, bought in some fine examples of Rembrandt, Philippe
de Champaigne, Quentin Matsys, and others, which still con-
tinued to adorn the walls of the mansion, where, prior to the
sale, you could scarcely pass along the passages or cross the
rooms, so large was the assemblage of artistic treasures, bronze,
marble, glass, china, and what not besides. The very knocker of
the porte-cochere was a striking curio ^ representing a Virgin and
282 THE COURT OF THE TUH^ERIES
Child in a basin of holy water, and we often wondered that
it was never stolen by some collector carried away by that
passionate craving which some of the class are unable to resist.
Count and Countess de Pourtales entertained in the Rue
Tronchet on a lavish scale. They were not merely society
folk, but people of culture also. Of late years several of the
Countess's letters have been published, showing that she was the
active collahoratrke of the Marquis Philippe de Massa in some
of the amusing sketches which he wrote for the private
theatricals at Compiegne and elsewhere. At the same time,
perhaps because she was, like her husband, a Protestant, Mme.
de Pourtales knew where to draw the line in matters of social
frivolity. Her personal beauty was remarkable. Above an
exquisitely proportioned figure, with perfect arms and shoulders,
her head, poised on a graceful, swan-like neck, was crov/ned with
an abundance of fair hair falling in what one may nowadays
call, perhaps, the Edna May style, on either side of a low brow.
The cheeks and chin were full ; the complexion ever remained
that of an English girl in her first season ; the mouth was finely
shaped, and the large liquid eyes were beautifully blue. And,
as we have said, time seemed to pass and pass without impairing
the Countess's charms.
Fifteen years after the Franco-German war, when she was
again residing in Paris, trying, so it seemed, to effect a recon-
ciliation between the Legitimist and Bonapartist aristocracies,
and mixing no little in cosmopolitan society, particularly among
Americans, in whom she appeared to take an especial interest,
she was still for everybody la helle Mme. de Pourtales.
Her friend, the Princess Pauline Metternich, was not a
beauty. Somebody styled her cette jolie laide, she styled herself
the monkey d la mode. The brow was good, distinctly in-
tellectual, and the dark, sparkling, laughing eyes had a charm
peculiarly their own. But the nose was bad, the nostrils were
too open, and the ears elongated, almost pointed, a defect
which the Princess scorned to conceal. The worst, however,
was the mouth, whose defects were plainly due to a malformation
of the upper jaw. Yet even that was forgotten when the
Princess spoke, for she was the wittiest woman of the age. Of
average height, she originally had a very slim figure, and could
THE GRACES OF THE EMPIRE 283
assume, whenever necessary, the most aristocratic bearing in the
world. With advancing years, however, she became somewhat
stout. If she were occasionally eccentric, too vivacious or
free spoken, in the old Tuileries days, there could be no question
of her talents ; and though she was not personally the Austrian
ambassador, but simply that ambassador's wife, she undoubtedly
exercised no little political as well as social influence at the
Court of the Empire.
Daughter of a Hungarian magnate. Count Sandor, who was
renowned for his breakneck feats of horsemanship, she married
Prince Richard Metternich, son of the great Austrian Chan-
cellor, when she was in her twenty-second year, her husband
being eight years her senior. He was appointed Austrian
ambassador to France in 1860, that is, after the Solferino-
Magenta campaign. It seemed, therefore, as if his position in
Paris might be for some time rather delicate. Besides, the
hriisquerie with which Baron Hiibner, his predecessor, had been
treated by Napoleon HI. was not easily forgotten. However,
the Prince and his wife Avere received with the greatest cordiality,
and were soon quite at home at the Tuileries. Fully a head
taller than his wife, and inclined to be burly, Prince Richard
had a broad, open, smiling face, with a moustache and whiskers
which suggested a cross between the orthodox Austrian style
and the Lord Dundreary pattern. He was a born musician,
havino; all the waltzes of Lanner and Guno-l and Strauss at his
fingers' tips ; and many a time, en petit comite at the Tuileries,
he would seat himself at the grand piano in the Salon d'Apollon
and play air after air to the delight of all who were present.
The Princess, for her part, was a fervent partisan of Wagner, and
it is well known that it was she who prevailed on Walewski to
allow the performance of " Tannhaiiser "" at the Paris Opera in
1861. She had previously tried to obtain the authorization from
Fould, but he, possibly foreseeing the result, had refused it.
There were only three performances, we think. At the second
Princess Metternich broke her fan in vexation and left the house.
The third was a perfect charivari, and a good many years
elapsed before Wagner's music became acceptable to the
Parisians generally. Mme. de Metternich was more successful
in introducing Liszt to the Tuileries.
284 THE COURT OF THE TUILERIES
It has sometimes been claimed that she invented Worth, the
famous English costumier. It seems better to say that she
speedily recognized the great talents of the man who waged war
against the crinoline, but who was obliged to compromise with
it, accepting it in an attenuated form in his jupe houjfante —
Anglicized at the time as the " puffed skirt " — and other
creations. Worth had already been in business a couple of
years when Mme. de Metternich became his customer, but her
patronage undoubtedly helped him on to fame and fortune.
Still she was not exclusively Parisienne, she remembered Vienna,
whence she occasionally imported some novelty in dress. Her
taste may not have been always impeccable, but her innate
elegance, her grand air, enabled her to wear things unsuited to
others. That was a point too often forgotten by those who
took her as their pattern. Besides, it often happened that when
she set a viode imitators exaggerated and thereby disfigured
it, in such a way that what was alleged to be the Metternich
style was not really that style at all. At times the Princess's
ideas were quite charming, as, for instance, when she appeared
one evening at a Court entertainment in a robe of white satin
festooned with ivy leaves, with others serving for a girdle, and
others again for both necklace and bracelets, the whole shimmer-
ing with diamond dewdrops cunningly set in their midst. She
put her brilliants, and indeed all her jewels, to many uses, con-
stantly having them reset, in such wise that folk who were not
in the secret imagined her casket to be inexhaustible.
Yellow, being the Austrian colour, figured prominently in
the Princess's equipages when she first came to Paris, the
wheels and a part of the body of her carriages being of
that conspicuous hue, even as her livery also was black and
yellow. But for some reason, perhaps on account of the start-
ling yellow chariots in which the " dead and dyed " Duke of
Brunswick displayed his painted cheeks and flaxen wig, she at
one time adopted a particular shade of green. Now it
happened that one afternoon, when a carriage of that tint
was seen in the Bois de Boulogne, several gentlemen, imagining
that it must be the Princess's, hastened to uncover. But a
moment afterwards they found, to their horror and amazement,
that they had bowed to a notorious woman, whom they were
THE GRACES OF THE EMPIRE 285
by no means desirous of saluting. When this person's imper-
tinence in adopting her colour came to Mme. de Metternich's
knowledge, she was momentarily dumfounded. But with
sudden resolution she gave orders that her carriages were to
be painted black, and until that was done she would not stir
from the Embassy in the Faubourg St. Germain.*
She was particularly fond of private theatricals, tableaux,
charades, short comedies, and other little pieces, and frequently
appeared in one or another character on the drawing-room
stage at Compiegne,t thereby contributing largely to the gaiety
of the Court's annual sojourn there. In the famous " Review of
1865 " — " Les Commentaires de Cesar " — while the Prince de
Metternich acted as orchestra, that is, by accompanyino- the
entire performance on a cottage piano, the Princess appeared
in three of the thirty roles which the piece comprised, first
in a blue " uniform " as a vivandiere of Turcos, secondly in a
" carrick " as a Paris cabman, and thirdly in a fancy costume
of white satin trimmed with " notes of music " in black velvet,
as the personification of Song. She was the soul of that per-
formance of which we shall have more to say when we deal
with the Court amusements at Compiegne. At another time
she figured with Princess Czartoryska and others in a short-
skirted " Diable a quatre " ballet ; at another she danced in a
ballet called "La Couronne Enchant^e"; at another she
appeared in a charade signifying Eugenie. She also collaborated
with Octave Feuillet, Massa, and others in devising charades
and other short pieces. On one occasion when the word
adopted was mmiversaire she assigned the interpretation of
the second and third syllables (iver = hiver) to M. de Galliffet
who amused everybody by the manner in which he kept on
falling down and trying to pick himself up on what was
supposed to be ice. That was after his severe injuries in
Mexico, and some concern was expressed lest he should hurt
himself. " Oh ! I'm plated," he rejoined ; adding in memory of
his ambulance experiences, " Besides, there is plenty of ice here."
* In the last years of the Empire it was removed to the Champs Elys^es
district,
t Not, as some have supposed, in the theatre of the chateau. The private
performances never took place there, but on a stage erected at the end of a
salon on the right of the long Gallery of Maps.
286 THE COURT OF THE TUILERIES
M. de Galliff'et, be it said, was en tout bien, tout Tionneur, a
very great admirer of Princess Metternich ; and whenever he
heard or read any disparaging remark concerning her, he called
the offender to account with a promptness which left the Prince
no opportunity to intervene, even if he had been so minded.
In the same way as Paul de Cassagnac became known as the
champion of the Empress, so was M. de Galliffet the Princess's.
He fought various duels on her account, notably one with
M. de Charnace which made a stir. M. de Metternich also
on one occasion fought a duel, but not on account of his wife.
The affair occurred in October, 1869, and the Prince's adversary
was Count de Beaumont, who, not content with having a very
charming wife (a near relation of Mme. de MacMahon's), was
also foolishly, inordinately, morbidly jealous. Nobody could
glance at, nobody could say a word to la helle Mme. de Beau-
mont without incurring the Count's displeasure and suspicion.
It was monomania which became so bad that in the autumn of
1869 he called out no fewer than four gentlemen in succession, one,
as we have mentioned, being M. de Metternich. The duel was
fought at Kehl with cavalry sabres, and resulted in the Prince
receiving an ugly gash in the right arm. For the rest, what-
ever remarks malicious people may have indulged in, it need
only be said that M. and Mme. de Metternich were greatly
attached to each other, and that the affair was, from beginning
to end, an extremely stupid one.
The Princess's occasional eccentricities were counterbalanced
by many good qualities. Her life was no mere whirl of amuse-
ment, as some have imagined, she was a devoted wife and mother,
and a first-rate manageress in her home. She also dispensed
no little charity privately, and readily helped in any public
work of benevolence. There was, however, one very strange
character among the ambassadresses of those days. This was
Countess Kisseleff, wife of the Russian representative in France
after the Peace of Paris in 1856 : a man who, before turning to
diplomacy, had distinguished himself as a general officer against
the Turks. He suffered from insomnia, and his wife, who
ought to have lived in this age of " bridge," was a born gamester.
Now, some time in the early sixties, the embassy was installed
in the Champs Elysees, that is in the Countess Lehon's former
THE GRACES OF THE EMPIRE 287
abode, the little house adjoining which, once tenanted by M. de
Morny,* had also been secured as a kind of annexe. Count
KisselefT, keeping very late hours, although he was a septua-
genarian, and often walking up and down the Champs Elysees
before he turned in for the night, noticed after a time that
whatever the hour might be there were always lights burning
on the ground floor of the little house. Further, by peeping
through the shutters he was able to detect that nocturnal card-
play went on there. On one occasion, just as he had vainly
tried to ascertain who the players might be, and was about to
enter the adjoining mansion, a policeman happened to come up.
So he inquired of him : " Do you know who it is that plays
cards in there all night and every night ? " "Oh yes," said
the policeman, cheerfully, " it is Countess KisselefF." " Ah ! my
wife," the ambassador replied. " Thanks. Good night." He,
not long afterwards, shuffled off this mortal coil, but the
Countess went on shuffling cards and losing money till the
downfall of the Empire. " Of course I regret my husband,"
she was once reported to have said ; " but now that he is dead
there is no further necessity for me to go to Court. That gives
me more time to amuse myself. When the Count was alive, I
could only play cards at night, but now, you see, I can play all
day as well."
Eccentric also, but in a different way, w^as Mme. Rimsky-
Korsakoff, another Russian, and one who in the matter of costumes
did her utmost to outvie both Princess Metternich and La
Castiglione. Yet another prominent lady of Muscovite origin was
Mile. Helen Haritoff, niece of M. Garfunkel, the banker, who,
for her part, was content to be lively and charming. After her
marriage to Captain Leopold Magnan, the Marshal's son, in
1861, she was received with marked favour by the Empress
Eugenie. Four of her sisters-in-law. Marshal Magnan's
daughters, figured at Court, where during their earlier seasons
they were known as " the Dresden chinas." They often took
part in the private theatricals of the time, and speedily finding
suitors they became respectively Mesdames Barrachin, Cottreau,
Haentjens, and Legendre. Reverting, however, to the Russian
elegantes., we must not omit from our list the Duchess de
* See ante, p, 26.
288 THE COURT OF THE TUILERIES
Morny, previously Princess Troubetskoi,* for during several
years her position in France was of the highest.
Reared at the court of St. Petersburg among the Maids of
Honour, and said to be really a natural daughter of the
Emperor Nicholas, she was still in her teens in February, 1857,
— the date of her marriage with Morny — a marriage which was
distinctly favoured by Alexander II., who, after it had been
arranged, settled, according to some accounts, a considerable sum
of money on the charming but portionless bride. Nevertheless,
the marriage did not take place without difficulty and delay,
owing largely to Morny 's position with respect to the Countess
Zoe Lehon, that greatly admired "blue-eyed Iris," whom we
previously had occasion to mention.f The daughter of the
Flemish financier Mosselman, and born at his Paris establish-
ment in the Chaussee d''Antin, she married in 1827 Charles
Aime Lehon of Tournay, one of the founders of the Belgian
monarchy. Nine years later Leopold I. created Lehon a Count,
and subsequently appointed him Belgian Minister in Paris,
which post he retained for a dozen years. In 1842, however,
when the Count had lost a good deal of money, owing to the
frauds of his brother, a notary, the court of Tournay decreed a
judicial separation between him and his wife with regard to
their respective property, which separation soon extended,
de facto if not legally, to their marital relations also. The
Countess Lehon's wealth, with which she so largely assisted her
lover Morny in his earlier career, was derived chiefly from the
large interest which her father had bequeathed to her in the
famous mines of La Vieille Montague, near Moresnet, north-
east of Liege — mines renowned in those days for their deposits
of coal, iron, copper, and lead, as well as zinc, in such forms
as blende and calamine. The Countess's salon in Paris was
distinctly an Orleanist one, being frequented notably by the
sons of Louis Philippe, as well as by Van Praet, the Belgian
politician, Thouvenel, subsequently one of Napoleon IH.'s
Ministers of Foreign Affairs, and most of the diplomatists of
the time. Count Lehon, born in 1792, was some seventeen
years older than his wife, who, it is certain, long hoped that
Morny would marry her as soon as she should be free. It so
* See also antz, p. 29. f See ante, p. 26.
SOME STATESMEN AND DIPLOMATISTS 289
happened that in 1856 the Count was very ill and not expected
to recover,* and thus the Countess could not control her
indignation on hearing of Morny's projected marriage with
the youthful Princess Troubetskoi. Dramatic incidents marked
the negotiations which ensued, and it was only by a payment
of about d^'100,000 that Morny was able to free himself from
his long entanglement. The Countess Lehon had two sons
and a daughter. One of the former. Count Leopold, became
a naturalized French subject and sat in the Legislative Body
of the Empire as a deputy for the Ain.f His wife, a beautiful
woman, often figured at Court, and some ill-informed writers
have more than once confounded her with her mother-in-law.
The latter's daughter, Mile. Louise Lehon, married Prince
Stanislas Poniatowski, son of Prince Joseph, the senator of
the Second Empire, in June, 1856 ; and after Morny's marriage
early in the following year, the Countess Lehon, her children
being established in life, withdrew altogether from society.
She Avas almost forgotten when she passed away in the Rue de
Tilsitt, Paris, early in March, 1880.
The half-brother of Napoleon III. found a devoted wife in
the Princess Troubetskoi. We have previously referred to her
beauty — she was a Greuze — and it may be added that her
training at the Court of Russia had qualified her for the
highest position. Her husband was conspicuous in society and
powerful in politics. It has been said of Morny that he did
most things, and did them well. Certainly nobody was more
skilful in making money, nobody more lavish in spending it.
Some have asserted that he presided over the Legislative Body
of the Empire with an elegance and distinction unequalled
by any other parliamentary president; but his amiability,
his smiles, and his jests were, in reality, similar to those
of a wild beast tamer, whose helles manieres are assumed
to curry favour with the gallery, and who, in dealing with
his beasts, neither forgets that he has a whip in his hand nor
hesitates, when occasion arises, to use it. At heart Morny
detested parliamentary institutions, and felt no little scorn for
the men who sat under him. Yet he certainly managed the
* He did recover, however, and survived until April 30, 1868.
t He died, October 31, 1879.
U
290 THE COURT OF THE TUILERIES
Legislative Body with skill, and when tact became necessary he
could show it. His political role was by no means confined to
his duties as President of the Chamber. That position gave
him access to the Council of Ministers, and he did no little
work behind the scenes, either in the council or in private
conferences with the Emperor.
His death, in March, 1865, was a great surprise, both to the
Court and the general public. He had been suflPering for a
month past from neuralgic trouble, coupled with symptoms
suggestive of the influenza of these later days. He frequently
complained of feeling run-down, exhausted, feverish, and sleepy.
Nevertheless, Trousseau, Ricord, and other medical men, whom
he consulted, detected nothing serious. Indeed, at the end
of February the Duke seemed to be much better, and on the
28th, Shrove Tuesday, he drove out. But on his return home
he complained that he felt as if he were on fire. Bronchitis
supervened, but did not cause much anxiety. Preparations
for a grand mid-Lent fete at the Palais Bourbon went on as a
matter of course. But all at once an ardent fever again came
upon the Duke, delirium followed, and the doctors declared
that there was little hope of saving his life. He could no
longer take food, his throat contracted till it was almost
closed, and it was even difficult for him to speak. He was
dying of a form of pancreatitis, a complaint of which medical
science knew little or nothing before the discoveries of Claude
Bernard. It must be said that he died bravely. Aware
that his case was hopeless, he gave instructions about his will,
and took leave of a number of his friends, as well as of his wife
and their four young children. On the evening of March 9,
news reached the Tuileries that he was sinking fast. Thereupon
the Empieror and Empress drove to his residence, but on
their arrival they found that he was delirious and unable to
recognize them. Napoleon seated himself at the bedside, and
took hold of his brother's hand, while the Empress fell upon
her knees and prayed. After remaining there about half an
hour, they withdrew to an adjoining room. A little later
lucidity returned to Morny, and Count de Flahault (his father),
who had arrived, told him of the Emperor''s visit, adding :
"He is still in the house. Shall he come back.^" "Yes,
SOME STATESMEN AND DIPLOMATISTS 291
yes," gasped the dying man, " let him come to me." Napoleon
then returned to the sick-room, but only a few words were
exchanged, for delirium speedily reappeared. The Emperor
then finally retired, shaken by convulsive sobs, and holding
his hands to his face.
About one o''clock in the morning the last agony seemed
imminent, and a messenger was sent for the Archbishop of
Paris, who came and administered the viaticum. Some six
or seven hours later, when the doctor in attendance entered
the room, the valet who had devotedly nursed the Duke
throughout his illness, said to him : " Monsieur le Due is
going fast." " Oh, the end will not come for some hours
yet," the doctor answered; "but that blister makes him suffer
without doing him any good. We must remove it." They
then went to turn the Duke on his side, but at that same
moment he gave a slight sigh and expired. Thus died the
man who made Napoleon III., Emperor of the French.*
The young Duchess displayed great grief. In accordance
with the Russian custom, she had her splendid hair cut off" close
to the head, and laid the long, fair tresses between her husband's
hands in his coffin. For a long time, by her instructions, a
cover was laid for him at every meal, as if he were still alive.
But sorrow is seldom eternal, and, in 1867, Mme, de Morny
became the wife of the Duke de Sesto.f
Very pompous were the obsequies of Napoleon"'s half-brother.
The entry of his birth in the register of Versailles had been
attested merely by a cobbler and a jobbing tailor, but all the
great officers of state, thousands of troops, and half the
population of Paris witnessed his funeral. He left a fairly
large fortune for that period, but he had long lived in a
style which had precluded the saving of money. For instance,
there was his stud, which, at the time of his death, numbered
145 horses, and cost £60 a day, or nearly .£22,000 per annum.
Yet the total proceeds of the sale of those animals at Chantilly
were under ,£'13,000. It is true that the Duke's pictures and
other oeuvres cVart fetched better prices, amounting to about
* Private narrative of the Duke's valet.
t Three of her four children are, we believe, still alive — the Duke and the
Marquis de Morny, as well as the daughter who became Marchioness de
Belboeuf.
292 THE COURT OF THE TUILERIES
^100,000, or, roughly, a quarter of his fortune. On the
other hand, during the last decade of his life he had spent
quite <£*40,000 a year.
He was succeeded for a while in the Presidency of the
Chamber by Count Walewski, who cut a poor figure in the
post, being far better suited to diplomacy, and, one may add,
far more of a gentleman than Morny ; for, whatever might
have been the latter's grand seigneur manner, the insolence of
a grand seigneur towards inferiors had been blended with it
too often. Walewsti, however, was uniformly urbane and
considerate. He amassed no fortune. When he died, in 1868,
Mme. Walewski was left with perhaps £1000 a year, and was
glad of her appointment as Lady of Honour to the Empress.
She willingly surrendered the Landes property given to her
husband by the Emperor, for numerous expenses attached
to it, expenses for which there could be little or no return for
several years. In writing previously concerning this lady,*
we should have said that, in 1877, she contracted a second
marriage — one with Signor Guiseppe Alessandro of Palermo.
She was pensioned by the present Republic.
Walewski''s successor at the Chamber was the great iron-
master of Le Creusot, M. Schneider,! who had long been one
of the Vice-Presidents, in such wise that on occasions when
he had taken the chair, jocular deputies had remarked : " See
Avhat an aristocrat M. de Morny is. He can't come himself,
so he has sent us his tailor." The reader may remember that
it was for attacking M. Schneider as M. Tailleur, that Mme.
Rattazzi was exiled from France.^ That play on the meaning
of M. Schneider's name was not, perhaps, in the best of taste.
A more amusing appellation, however, was found for him as
* See ante, pp.' 70, 154, 160, 179.
t Eugene Schneider, born in 1805, died in 1875, President of the
Legislative Body from 1865 till September 4, 1870.
X See ante, p. 214. She was, in her way, a wonderful woman — one,
too, who contrived to dispose of three husbands of different nationalities ;
first, Count Friedrichi Solms, a German, next Urbano Eattazzi, the eminent
Italian statesman, and finally Senor Luis de Kute, an es-Secretary of State in
Spain. At one time. La Eattazzi's declared ambition was to become the
Mme. de Stael of the Second Empire, but it was in vain that she piled up
volumes of history, poetry, romance, politics, and travels, Few were regid,
and all are now forgotten.
I
SOME STATESMEN AND DIPLOMATISTS S93
time went on. Age did not deprive him of his hair, but the
latter's hue turned from red to a snowy whiteness, which
circumstance, combined with certain gestures to which M.
Schneider was addicted when he occupied the presidential
chair, procured him the name of the White Rabbit, as if,
indeed, he had been one of those toy, drum-beating rabbits
beloved of childhood. Schneider was a very shrewd man, with
but one defect as President of the Chamber : he talked too
much, he explained too much, he always seemed to fear that
the deputies did not understand him. However, he retained
his post till the end — the bitter end — doing, vainly, of course,
all he could do to save the Empire.
The death of Morny had been preceded by that of Billault,*
the most dexterous of all Napoleon III.''s ministers, a skilful and
resolute man, one who was never at a loss in a difficulty, who
was always prepared to assume an amiable expression even when
he was acting most despotically — in fact, the very man the
regime needed. Short and slight, with a shrewd face and
courtly manners, he was a Breton by birth, married to a
daughter of one of the chief shipowners of Nantes ; and he had
come to the front very rapidly in his original profession, that
of the bar. Moreover, at the age of thirty-five he was already
under-secretary of State to Thiers. But his Liberalism did not
survive the success of the Coup d'Etat. Taking the tide at
its flood, he caused it to bear him to the highest position as
Minister of State and speaker for the Imperial Government.
He was often taunted with his earlier career. One day in the
Senate, while he was singing the praises of the Coup d'Etat,
Prince Napoleon suddenly exclaimed : " That's why you voted
against Napoleon when I voted for him ! " And amidst the
general uproar the Prince added : " Yes, you voted for Cavaignac ;
I know it ! " The Minister could only stammer in reply : " But
for ten years past, having seen the Emperor at work, I have
served him with fidelity and honour.*"
" Honour" was perhaps de trop^ for Billault had been guilty
of an infamous action ; he had sent a former friend, an advocate
named Sandon, to the madhouse of Charenton on the pretext
that he was insane. It is true that Sandon had tried to
* Auguste Adolphe Billault ; born November, 1805.
294 THE COURT OF THE TUILERIES
blackmail him by threatening to divulge certain letters in which
Billault, before the Coup d'Etat, had written what he really-
thought of Napoleon III. Nevertheless, the man was not mad,
and Billault's action, in which medical practitioners of standing
and officers of the law acted as his accomplices, was a gross
abuse of authority, a revival, so to say, of the old lettre-de-
cacliet system. There was some little scandal about the affair
already in Billault's lifetime, a petition on Sandon's behalf
being addressed to the Senate, but it was only after the Minister's
sudden death in 1863 that the spurious madman recovered his
liberty. Three years later Persigny wrote to Conti, the
Emperor's Chef-de-cabinet, " M. Billaulfs conduct was beyond
belief. The man whom he victimized is on the point of
surrendering himself into the hands of the Opposition. We
may have a frightful scandal. It seems that everything might be
arranged for 20,000 or 30,000 francs which Conneau would under-
take to draw from the funds {i.e. the Privy Purse). Besides, a
frightful iniquity was committed and must be repaired." The
Emperor, however, though he had given Billault a fine mansion
near the Boulevards, refused to pay for his sins ; and, though
Sandon ultimately brought the affair before the courts, he
obtained no compensation.
After the death of Billault came the pre-eminence of M.
Rouher,* that vastly over-rated Auvergnat advocate, unparalleled
for haughtiness and insolence by any statesman of any period
and any country. That " Vice-Emperor," as he became from
1866 to 1869, did much harm to the Empire. His utterances
were often most unlucky, his predictions almost invariably
falsified by events. His meddling in foreign affairs had deplor-
able consequences. It is well known that Benedetti, the
French representative at Berlin, communicated with Rouher
over the head of his hierarchical chief, Drouyn de Lhuys, in
moments of vital importance, such as the Prusso-Austrian
war of 1866. Rouher was at that time one of the dupes of
Bismarck ; like the Palais Royal party, he favoured an under-
standing with Prussia; he opposed in the council all idea of
intervention or demonstration ; he thwarted the sensible policy
* Eugene Bouher, born at Riom, November, 1814 ; died at Paris, February,
1884.
SOME STATESMEN AND DIPLOMATISTS 295
of Drouyn de Lhuys, and scorned the statesmanlike advice of
the Queen of Holland ; he played a leading part in the pro-
posals that France should obtain, with Prussian connivance,
" compensation " on the Rhine or in Belgium ; and it was at
his chateau of Cergay that the invaders of 1870 discovered
confirmatory evidence respecting the damnifying documents
on the subject of that " compensation," which Benedetti so
foolishly left in Bismarck's hands. Rouher lacked, indeed, even
the common-sense and foresight to destroy the proofs he held of
the unscrupulous imbecility of the imperial policy in 1866, for
which policy he was so largely responsible.
For the rest, there was a good deal of Barnum and some-
thing of Legree in Ilouher''s composition. He could bluster
well enough when he felt himself the stronger. But, like most
bullies, he was a coward at heart. He had behaved as one at
the Coup d'Etat, and it followed, as a matter of course, that he
could muster no courage at the Revolution. On the other
hand, in minor offices of state, he showed himself a hard
worker. He was also a ready, fluent speaker, with a gift of
alternately pompous and vulgar eloquence. He possessed,
moreover, a decorative presence which deceived superficial
observers as to the real extent of his capabilities. He had a
fine head set on a broad-shouldered frame, which unluckily
became over-stout in his last years. He was married to a
dark, plump, little woman of his own part of France, who seldom
appeared at Court, but who was nicknamed La petite Prune by
that lively " lady of the palace," Mme. de Sancy de Parabere,
who, on her side, and by reason of her disputatious nature,
received the nickname of Corse entetee from the Empress.
We cannot pass every one of Napoleon's ministers in review.
After all, they were for the most part but secondary figures at
the Court, and a glance at a few of them will sufiice. The last
Ministers of the Interior, Ernest Pinard, Forcade de la Roquette,
Chevandier de Valdrome (nicknamed " the white horse " because
he cantered about on horseback at popular demonstrations) and
Chevreau (for a while Haussmann's successor as Prefect in Paris)
were all failures. The personality of Pinard, who has left an
interesting " Journal " throwing light on the home-policy of
the Empire, and who came to grief over all the newspaper
£96 TR^ COURT OP THE TUILERIES
prosecutions, the Baudin subscriptions and demonstrations in
1868, is of interest to students of Gustave Flaubert's writings.
It was Pinard who spoke for the prosecution when proceedings
were instituted against " Mme. Bovary ; " and his " Journal " *
shows that he went into the affair with distaste and distrust,
but that having been designated as prosecuting counsel, he
thought it would be cowardly to decline the duty. He seems
also to have had a real grievance respecting the report of his
speech as given in editions of " Mme. Bovary " issued seventeen
years after the proceedings.
As for Forcade de la Roquette, Marshal St. Arnaud's step-
brother, he served as chief minister during the latter part of
1869, when the Emperor's inclination towards a more liberal
policy (consequent on the result of the general elections) led to
the resignation of Rouher and others. After Forcade de la
Roquette came Emile Ollivier, of whom we shall speak in due
course, but another prominent minister of the reign we may
mention here was Magne, who, like Rouher, had a belle tete,
who like him dabbled disastrously in foreign politics, and
who managed yet more disastrously his own particular depart-
ment of Finance. Fould had struggled bravely, if often
unsuccessfully, against the ever-growing extravagance of the
Empire, but his successor accepted, even encouraged it. If
the Empress was the Marie Antoinette, then Magne was
certainly the Calonne of the Empire. His administration of
French finances may be summed up in few words : it was a mere
policy of loans. There was also Delangle, a Minister of the
Interior (later of Justice) who was possessed of some capacity
and liberalism, and came as welcome relief after the horrible
General Espinasse and the law of public safety (1859-60).
Again, there was the sententious law-twisting Baroche, whose
last appointment was that of President of the Council of State
and expounder of Government measures to the Chamber. He
came into violent collision with Rochefort and the other
adversaries of the Empire, and fell with Rouher.
Then, long a Minister de facto if not in name, there was
Baron Haussmann, the famous Prefect of the Seine, who purified
* Pierre Ernest Pinard (born 1822, died 1896), "Mon Journal," 3 vols.,
Paris, 1892, 1893.
SOME STATESMEN AND DIPLOMATISTS 297
and embellished the city of Paris, but at the same time plunged
it into debt. It was shown by the parliamentary debates in
1869 that some £90,000,000 had then been actually paid for
the Paris improvements, and that over £40,000,000 were owing
on account of them. Onerous loans also had been contracted
with the Credit Foncier, which, in order to save its governor,
Fremy, from prosecution, had to reimburse some £700,000.
However, to enable the city to continue its work, and pay
interest on its debts, it was authorized to borrow another
£18,600,000. Since then Republican administrations have spent
over £100,000,000 in perfecting Paris. In Haussmann's days
there was undoubtedly great financial mismanagement, but,
if the work was done regardless of expense it was also done
well; and in these later times a more indulgent view has
been taken of the Baron''s administration. In twelve years he
achieved more than his predecessors had achieved in a century.
And, whatever might be the illicit gains of certain speculators,
his own hands, as we remarked once before, remained clean. A
Parisian by birth, vigorous, handsome, with a beardless face
and laughing eyes, he was a man who cared nothing for money.
His despotic, enthusiastic, all-absorbing passion was to build
his native city afresh, cleanse it, beautify it, make it the wonder
of the world. And, as the Emperor — lavish on his own side as
Haussmann was on his — shared that same passion, the Baron,
until the days of Ollivier, remamed persona gratissima at court.
He had a charming and beautiful daughter, who figured promi-
nently at the Tuileries both before and after her marriage to
Viscount Pernetty. Those who libelled her father did not
scruple to libel her also, and in a particularly abominable
manner. But passons.
Probably the Ministers of the Empire most frequently
seen at the Tuileries were those who were entrusted with the
department of Foreign Affairs, for they constantly worked
with the Emperor. Among them was Walewski, of whom
we have repeatedly spoken, and who, like Marshal Randon and
the Duke de Padoue, ranked among the " elegant" ministers of
the reign. There was also Thouvenel, Walewski's successor, an
ex -ambassador at Constantinople and a man of uncommon
ability, who was sacrificed because he failed to effect an
298 THE COURT OF THE TUILERIES
impossible modus vivendi between Italy and the Pope. There was,
too, in particular, Drou3^n de Lhuys, who served as Foreign
Minister at various periods, and who, had he been allowed a
free hand, might possibly have extricated France from her
difficulties, with regard both to Mexico, the Schleswig-Holstein
question, and the predominance of Prussia in Germany. He, at
all events, distrusted Bismarck from the outset, as many
documents show, but he was thwarted by Rouher, Benedetti,
and others, overruled by his imperial master, and finally threw
up his post in disgust. Then came the Marquis de Moustier,
the Marquis de La Valette, Count Napoleon Daru, Duke Agenor
de Gramont, and the Prince de la Tour d'Auvergne, all nominally
at the head of a foreign policy which became more and more
incoherent as the influence of Rouher or the Empress Eugenie
predominated.
With respect to the foreign ambassadors at the Court of the
Tuileries, we have already spoken of Prince Metternich, Count
Nigra, and Count Kisseleff; Prussia (and later the North
German Confederation) was represented in Paris during the
greater part of the reign by Baron Goltz, an expert diplo-
matist, in whom Bismarck had much confidence, and who for
several years contributed powerfully to ward off war between his
own country and France. He was, by the way, both by his
birth and his death, somewhat of a Frenchman, for he had come
into the world at the Prussian embassy in Paris, and he died at
a Biarritz hotel. He had a very pleasant, tactful way, with
some wit. On one occasion in 1866, during the Prusso-Austrian
war, when the victors were levying large contributions on all
the German cities they entered, the Emperor Napoleon remarked
to Goltz that he regarded such treatment as very oppressive.
And he instanced the case of Frankfort, where Vogel von
Falkenstein and ManteufFel had levied between them over
thirty millions of florins. " Surely that is too harsh,"" said the
Emperor. " Oh dear no,"' replied Baron Goltz, smiling, " your
Majesty forgets that Frankfort is the city of the Rothschilds."
What would he have said had he lived to witness the German
exactions in France in 1870-71? One can picture him
remarking, with a chuckle, that the war levy of eight millions
sterling paid by Paris was by no means too large for the city on
which Haussmann had spent twenty times that sum.
SOME STATESMEN AND DIPLOMATISTS 299
Count Solms took charge of the North German embassy
after Goltz's death in 1869. Then came Baron von Werther,
whose nomination to the post, though nobody noticed it, was
very inauspicious. The war of 1866 had followed his appoint-
ment to Vienna, and that of 1870 followed his appointment to
Paris. He was Vamhassadeur fatal. Russia*'s representative in
France after Kisseleff 's time was Baron Budberg, who fought
a savage duel with his colleague, Baron MeyendorfF, and was
succeeded by Count Stackelberg. Belgium long entrusted her
interests to spruce little Baron Beyens, of whom it was said :
" If ever you see Beyens near a petticoat you may be sure that
it has a very pretty face." There were also occasional gorgeous
embassies from distant lands, such as Persia and Siam and
Japan, embassies which afforded no little entertainment at
Court, where not even the Japanese were taken au serieux. The
American diplomatists in Paris had a trying time during
the Civil War and the Mexican affair, but at a later date
General Dix achieved considerable social success, it being under
his patronage that the Court was first really invaded by a host
of American beauties. Mr. Washburne, the last of the
American envoys to the Empire, was, perhaps, too sincere a
Republican to be altogether suitable to the Tuileries.
As for Great Britain, her representatives. Lord Cowley and
Lord Lyons, were both men of high ability. It was said they did
not entertain sufficiently, but the salary attached to the Paris
embassy was not adequate for the time — nor is it now — and
Cowley had reasons for husbanding his fortune, while Lord
Lyons's was small. Cowley's task as a diplomatist was often
most arduous, and great credit attaches to him for the manner
in which he contrived to prevent any rupture between France
and Great Britain amid the many difficulties which arose.
Lord Lyons appeared on the scene at a much later date, and his
career in Paris belongs, perhaps, more to the third Republic
than to the Empire. Still, as we all know, both by suggestions
to his own government and suggestions to the imperial govern-
ment, he did all that lay in his power to prevent the war which
swept the Empire away and mutilated France. Here let us
pause in our survey of the men and women of the time, and pass
to another phase of the Court life.
CHAPTER XII
THE IMPERIAL STABLES — FEMININE FASHIONS— SOME
FEATURES OP PARIS LIFE
The Imperial Stables — The appointments of Fleury and Ney — The cost of the
stables — The grand Gala Carriages — The Empress's Gift to the Duke
d'Aumale — The Head Piqueur and others — Some of the Wages — The
Posting Service— The " Petit Service " and Mr. Bridges — The Estafette
Service — The Preliminary Ceremonial to a Drive — The Emperor's Phaeton
Horses — His Speed and his Mishaps while Driving — The Saddle Service
and Mr. Gamble — The Emperor's favourite Saddle Horses — Lizzy, the
English Mare of the Coup d'Etat — The Emperor's Chargers — The
Empress's Service — Her " Due " and her favourite Horses — The Imperial
Equerries — The Emperor and Count Lagrange — Life in Paris — Feminine
Fashions — Great Costumiers and Milliners — A Peep into Worth's — The
Crinoline and Principles of Dress — Colours of the Empire — The famous
Bismarck Hue — Some striking Gowns — The Jargon of Fashion — The
Chignon and the Bonnet — -Strange Boots and Wonderful Garters —
Eccentric Jewellery — Seven Toilettes a Day — -Court Trains — Fashions for
Men — The Boulevards, their Restaurants, Clubs, and Cafe's — The Hour of
Absinthe— The Drive in the Bols — A great Gambling Scandal — Journalism,
Literature, Science, and Fads.
We mentioned in an early section of this work that the
Imperial Stables were organized by Count Fleury, just as the
Hunt was organized by the Prince de la Moskowa, Edgar Ney.*
There was at first some difficulty respecting the appointments.
At the period immediately following the Coup d'Etat, Fleury
was neither a Count nor Ney a Prince, and the Emperor felt
that he could not appoint them as Great Equerry and Great
Huntsman. Wishing to assemble around the new throne as
many as possible of the famous names of the First Empire, he
proposed to give the former post to Caulaincourt Duke de
Vicence, and the second to Berthier Prince de Wagram, and
he fancied that Fleury and Ney would be willing to serve
under them as First Equerry and First Huntsman respectively
* See ante, pp. 50 and 52,
THE IMPERIAL STABLES 301
But Fleury, who rightly felt that he knew a great deal more
about horses than Caulaincourt did, and Ney, who rightly held
that his name and origin were fully equal to Berthier's, were
greatly offended by the suggestion. Besides, there was the
question of giving high Court offices to men who had taken no
part in the Coup d'Etat, when others had staked their lives and
fortunes. That was the objection which Fleury, conscious of
the fact that he could not himself as yet claim the highest rank,
laid before the Emperor, Avho met it by proposing Marshals
Sb. Arnaud and Magnan for the chief offices, or rather the
ornamental dignity attaching to them. That arrangement was
accepted by Fleury and Ney, as they were quite disposed to
serve under the Marshals, whom, as we previously said, they
ultimately succeeded. They were the very men for the duties
they undertook, and in their respective spheres they contributed
in no small degree to the splendour or enjoyment of the
Imperial Court.
The reader may wonder what an Emperor's stables may cost.
We will at least tell him what Napoleon HI. spent on his. The
average number of horses which the stables contained was
320, whose food alone, at the rate of £38 per head per
annum, cost dfPlSjlGO. But that was merely an item. There
was a large staff, and scores of salaries, amounting altogether to
£3^,4^00 a year ; while the total annual outlay for the purchase
and keep of horses, the purchase and upkeep of carriages,
the repair, warming, and lighting of stables and coachhouses,
the liveries, office expenses, stable appliances, litter, medicine,
etc. — briefly everything classed as materiel — was, on an average,
c£'42,100. The total annual cost, then, was =£'74,500, in return
for which expenditure Napoleon III., the Empress Eugenie, and
the Imperial Prince (whose minor establishments are included
in our figures) had many of the finest horses and carriages,
as well as some of the most efficient equerries, trainers, grooms,
and coachmen then to be found in the Avorld. Perhaps even an
American millionaire might contrive to spend rather less on his
service cCecurie. But there is no gainsaying the fact that Count
Fleury did things well. Like Haussmann, he cared nothing for
money, he was only interested in what money could procure.
You gave him carte hlancJie, and he in return gave you full
302 THE COURT OF THE TUILERIES
value for it. As it happened, large as the total outlay may
have been, many of the stable salaries were really small, and
from time to time Napoleon III. had to make special grants
from the Privy Purse.
But let us consider the carriages, particularly the gala ones,
which were kept at Trianon, and only brought to Paris on
grand occasions. There was the so-called Coronation Coach, a
masterpiece in its way, built for the coronation of Charles X.,
and completely restored — in fact modified — in 1852. The
upholstery was of superb crimson velvet, with embroidery and
tassels of gold. The eight glass panels were separated from
each other by gilded caryatides and figures of fame ; round the
roof there was a gallery of gilded bronze ; at each corner an
eagle, also of gilded bronze; and on the summit a dazzling
imperial crown. The body was richly carved and gilded,
ornamented, too, with chiselled and gilded bronze work ; and
the harness was of red morocco with gilded ornaments. Before
the coach was restored it had been valued at ,£2400. In
restoring and modifying it Fleury spent £364!0. And through-
out the whole period of the Empire it was used on only one
occasion — the baptism of the Imperial Prince.
The second coach, known as the "Voiture du Bapteme,"
served both then and at the marriage of Napoleon III., as well
as at Queen Victoria's departure from Paris in 1855 and on
other special occasions. It had seven glass panels, was richly
carved and gilded, and lined with white satin. Then came the
Topaz, the Turquoise, the Diamond, the Opal, the Amethyst,
the Cornaline, and the Victory coaches, all superbly decorated
and gilded, several thousands of pounds being spent upon them
under Fleury's orders. Further, he provided, for the gala and
semi-gala services, eighteen berlines built by Ehrler of Paris.
These also displayed no little gilding and bronze work, corner
eagles, imperial escutcheons, and linings of white, green, and
red satin. Finally, there was a very striking caTeche de gala,
called La Cybele, which, after being built for Napoleon I., had
passed into the possession of Louis Philippe''s consort. Queen
Marie Amelie. At the time of the restoration of the Empire,
this coach was purchased by Napoleon III. for the small sum
of .£'400, and was duly restored. No use, however, was made
THE IMPERIAL STABLES 303
of it ; like the coronation coach, it simply remained on show at
Trianon. Some years subsequent to the fall of the Empire,
when nearly all those vehicles which were not state property
had been disposed of, it occurred to the Empress Eugenie to
offer La Cybele to the Duke d'Aumale, who, she thought, might
be glad to find room for it in his splendid coachhouses at
Chantilly. With this offer was coupled a request that the
Duke would refrain from thanking her. Made in an indirect
manner, the offer was accepted, and the Duke d'Aumale
requested Queen Victoria to express to the Empress his
appreciation of this gift of a carriage which his mother had
frequently used. Two years later the Empress was spending
the winter in the environs of Naples when the Duke, on his
way to his Sicilian vineyards, made a short stay in that city.
Hearing that the Empress was in the neighbourhood, he decided
to call upon her, taking her gift of La Cybele as his pretext.
It thus came to pass that these representatives of two dynasties
which had once reigned over France, met for the first time.
The Empress, be it added, was then already a widow, and her
son was dead.
The head " Piqueur " of the imperial carriage service was
M. Thuillier, who had previously been in the employment of
the Marquis de Las Marismas, and who retained his post under
Fleury until the fall of the Empire. With Thuillier there
were several subordinate piqueurs, who had served Louis Philippe
and the Duchess de Berry. Some of the imperial coachmen
and postilions had had a similar experience. One of the latter
had even overturned Louis Philippe and his family into a ditch
one day, in the environs of Treport — an accident which did not
prevent Fleury from engaging him. Among the coachmen,
Chapelle had received as a lad his first training in the stables of
Napoleon I., and had driven both Louis XVIII. and Charles X.
As we have already indicated, the wages of these men were not
high. The head piqueur received =£^240 a year, the second <£144,
three others £1^0 apiece, while each of the remaining four had
to be content with from .^^'SO to ,£90. The coachmen's wajres
were as follows : Six of the first-class, £11 each ; seven of the
second-class, £12 each ; four of the third-class, ^£"60 each, and
four others, £5Q each ; while the remuneration of the twenty
304 THE COURT OF THE TUILERIES
postilions varied from £4<4! to .£50. However, the mere perso7iiiel
of the carriage service comprised another eighty men of various
categories, with salaries ranging from ^£'48 to dS'lSO — the last
figures representing the emoluments of the chef de carrosserie et
sellerie.
There was also a posting service organized by Fleury in
conjunction with Baron de Pierres. At that time, it must be
remembered, railway communication was still very imperfect in
some parts of the country, and when the Court was sojourning
in the provinces, it often became necessary to post from place
to place. Baron de Pierres, a native of the west of France,
secured for the posting service, when it was first started, some
forty Norman bay mares, which cost, on an average, £%% apiece,
and he also recruited in Normandy the first dozen postilions.
The number of the latter was subsequently raised to twenty,
and that of the mares to seventy. It had become known, how-
ever, that the animals were required for the Emperor, and the
prices consequently went up to about i?48. In the last years
of the Empire, when, apparently, mares of the required class
were no longer so plentiful as formerly, as much as £h% was
paid for one of them. The chief head-quarters of the posting
service was at St. Cloud, but in the winter a "brigade" was
quartered at the imperial stables near the Pont de TAlma in
Paris, for the Emperor's use whenever he went hunting or
shooting in the immediate environs of the capital. Brigades
of the posting service always followed the Court to Compiegne,
Fontainebleau, and its other places of sojourn in the provinces,
the postilions being employed for the large four and six horse
chars-a-hancs occupied by the Court guests.
One brigade of the carriage service (that of the petit service,
in fact) was lodged at the Tuileries. It included the Emperor's
brougham and phaeton horses, the Empress's blue landau
horses, and the brougham horses of the officials on duty. At
the head of this service was an Englishman, named, we think,
Bridges, or Briggs, who, in later years, when Marshal MacMahon
became President of the Republic, was engaged to direct the
stables at the Elysee Palace, and who finally entered the service
of the Count de Paris. Bridges trained and exercised all the
Emperor's phaeton and brougham horses. Under his orders
THE IMPERIAL STABLES 305
were Cerf, the Emperor's special brougham-coachman, and
others who drove the broughams assigned to the aides-de-camp,
orderlies, and chamberlains. Several horses were always kept
harnessed in the palace stables, in such wise that whenever the
Emperor wished to send any officer to one or another part of
Paris, the envoy was able to start at once. It should also be
mentioned that there was an imperial estafette service of five
men, one of whom was always in attendance in an ante-room
at the Tuileries, ready, at a moment's notice, to mount on
horseback and carry any letter or despatch to its destination.
These estafettes had a courier-like uniform, that is, a short
green and gold jacket, a red waistcoat, white leather breeches,
long boots, a gold-braided hat with the tricolour cockade, and
a gold belt from which a long hunting-knife depended. They
rode fast Norman mares, and in the streets of Paris everybody
had to make way for them, as is done in London for the royal
mail and the fire brigade.
Whenever the Emperor was at the Tuileries it was, for
several years, his habit to drive out almost every day in a
phaeton, accompanied by an aide-de-camp. As a rule the
equerry on duty presented himself every morning at eleven
o'clock to take the sovereign's orders, and at the hour appointed
for the drive (or ride, as the case might be) he returned to
announce that the horses were ready. All the officers on duty
that day, the aide-de-camp, the chamberlain, the prefect of the
palace, and the orderlies, then mustered in the chamberlains'
salon, through which the Emperor passed on his way out, every-
thing which he might require, hat, overcoat, gloves, cane or
riding- whip, being deposited on a table there. The Emperor
came in, exchanged a few words with the officers, and put on or
took up whatever he might want. The ushers then threw the
folding doors open, and, preceded by the chamberlain and the
equerry, the Emperor passed through the ante-rooms, on either
side of which the footmen were drawn up at attention. At the
moment the sovereign reached the vestibule the Suisse on duty
there struck the marble flooring with his staff, crying aloud,
" The Emperor ! " Then, while Napoleon was mounting on
horseback or getting into his carriage, the guard turned out,
the drums beat, and the colours saluted, the same ceremony
taking place on the return to the palace.
30G THE COURT OF THE TUILERIES
There were always some sev6n or eight pairs of phaeton
horses at the Tuileries. Those which the Emperor preferred
were two American bays, Good Hope and American, which had
cost o£'600, and two EngHsh bays. Flick and Flock, for which
the same amount had been paid by Count Fleury. They were
remarkably fast and even trotters and were never known to
break into a gallop. Among the other pairs were Commodore
and General, Pretty and Fulton — all English, and costing =£'600
a pair — and Ohio and San tana, Jerry and Jackson, Jersey and
Cob — all American, and costing from £360 to d£'480 a pair.
Nearly all the brougham horses were Russian, the finest ones,
Peterhof and Dnieper, having been given to Napoleon by
Czar Alexander II. There were also two fine pairs from the
famous Orloff stud, the prices of which ranged from =£"500 to
i?720.
To give an idea of the speed at which Napoleon drove, it
may be stated as a fact that he invariably covered the distance
between the chateau of St. Cloud and the Tuileries — six miles
— in less than twenty minutes, that on some occasions he did so
in fifteen minutes, and once or twice in thirteen. He was not
a perfect driver, for he was almost invariably too severe on the
off-side horse, and unpleasant, even disastrous, consequences
occasionally ensued. The Duke de Conegliano recollects that
one afternoon at Compiegne, after a ministerial council, Napo-
leon, accompanied by an aide-de-camp, set off in his due * to
which the American itrotters Jersey and Cob were that day
harnessed, in order to join the Empress, who had accompanied
the court guests on an excursion to Pierrefonds. The Emperor
cut through the forest, forcing the pace, and driving in his
usual impetuous and defective style, in such wise that Jersey,
the offside horse, who was both brave and fast, drew his comrade
Cob along as well as the carriage, until on turning into the
Pierrefonds road, he suddenly stifled and dropped dead upon
a heap of stones. Fortunately the Empress was near at hand
and was able to give the Emperor and the aide-de-camp a lift
in her char-a-bancs. On another occasion while Napoleon was
driving in Paris at his customary speed, one of the reins broke
and the position appeared very critical, but, fortunately^
* A low park phaeton.
THE IMPERIAL STABLES 307
on drawing near to some palings, the horses stopped short of
their own accord. From that time forward a pair of safety-reins
was always provided, and attached to the splash-board of the
carriage.
The saddle-horse service was under the orders of our old
acquaintance the famous Mr. Gamble, who had already been in
Napoleon's employment in England, and retained office in the
exiled household until the funeral of the Imperial Prince, whose
.horse he led in the procession. Gamble, who rode in much the
same style as the Emperor, was the only man who could train a
horse to suit him. At one moment some clever French riding-
masters were engaged for the purpose, but their horsemanship
was far too classical. As a rule the Emperor allowed his mounts
considerable freedom of action and rode very little with the legs,
but at times he suddenly and vigorously tightened his hold and
used his horse severely. Under Mr. Gamble were two French
piqueurs, MM. Bonigal and Glatron, well known for their fine
horsemanship ; and at one time considerable assistance was
rendered to the service by Count Czernowitz, a Hungarian
exile, who accompanied the Emperor on the Solferino-Magenta
campaign, and subsequently (at Count Fleury''s recommendation)
entered the service of the present King of Greece, organizing
the latter''s stables and becoming his first equerry.
The Emperor's saddle-horses were almost invariably English,
well formed and with good action. There were a few bays
among them, but Napoleon's preference was for chestnuts. It
was on an English chestnut mare, Lizzy, that he rode out of the
Elysee Palace followed by his staff, to review the troops on the
afternoon of the Coup d'Etat. He had previously ridden Lizzy
in High Park, and after his election to the Presidency of the
Republic, Gamble brought her to France, where she lived to a
considerable age, well cared for in her decline, like a particular
favourite of the Emperor's.
During his earlier years of sovereignty, when Napoleon did
not drive out in his phaeton, he rode out attended by an aide-
de-camp, an equerry, and two grooms, proceeding, as a rule, by
way of the Champs Elysees to the Bois de Boulogne. On those
occasions he sometimes rode a hack, sometimes a charger. He
was on a favourite English charger, Philip, when Pianori
308 THE COURT OF THE TUILERIES
attempted his life,* and Philip was also his mount at the battle
of Solferino, but on that occasion the unlucky horse was so
severely punished that he died on the morrow. There were,
however, other chargers, Ajax and Walter Scott, at the
Emperor's disposal at the time. In 1870 four English chargers
were provided for him, Hero, Bolero, Nabob, and Sultan ; and
Hero was his mount at Sedan on the occasion when, before
ordering the white flag to be hoisted, he vainly courted death
near the brick-works of La Moncelle.f
Except when the Empress quitted the Tuileries, incognita,
in the morning, for some charitable purpose, her departure for
a drive was marked by a ceremonial similar to that observed in
the Emperor's case. Her ladies of the palace, her equerry
and her chamberlain came down to the chamberlains' salon,
where they were joined by all the Emperor's officers on duty,
the two services combining to escort her Majesty to her carriage.
The guard also turned out, and the drums beat as when the
Emperor left the palace. At the morning drives to hospitals,
asylums, and the homes of poor folk in whom the Empress took
an interest, she used either a dark brougham or a blue landau,
in any case a carriage bearing neither arms nor monogram ;
while the coachman and footman wore long putty-coloured
overcoats in lieu of the imperial livery. As a rule the Empress
was only accompanied on those occasions by a lady, but now
and then a chamberlain also went with her. At other times
she used the Emperor's berlines and D'Aumonts, but she had
a due of her own, which she drove a few times in the Bois de
Boulogne, though it was usually reserved for her sojourns in
the country. A pair of little thoroughbred mares, Hdlene and
Isaure, or a four-hundred guinea pair of English ponies, Dove
and Vingt-Mars, were specially assigned to that carriage. It
should be added that the Empress's establishment Avas included
in the Emperor's with respect to its expenses and all other
matters excepting one, that is, her saddle-horses were under the
direct control of her first equerry. Baron de Pierres. Of those
horses there were about a score, not that the Empress personally
used that number, the majority being kept for the benefit of
the ladies of the palace and the lady guests at Compiegne,
* See ante, p. 104, 105. f See ante, p. 54.
THE IMPERIAL STABLES 309
Fontainebleau, and other places. When the Empress went
riding she was always attended by an equerry and by Baroness
de Pierres, a fine horsewoman, of whom we spoke in an earlier
chapter.* Her Majesty's first piqueur, who had served Louis-
Philippe, like so many of the stable officials and domestics, only
followed her at reviews and hunts. She had four favourite
horses, Phoebus, Langiewicz, Elastic, and Chevreuil, the last-
named being a capital hunter.
Except in time of war (Italy, 1859, and France, 1870) the
duties of the imperial equerries were light. Each had two
horses at his disposal, which he could ride as he pleased whenever
he was off duty. In accompanying the Emperor the aide-de-
camp in attendance rode on the right, and the equerry on the
left. In hunting, however, or on a country-ride, if the road
became bad or darkness fell, it was the equerry's duty to go
ahead and point out the right way, or anything in the nature
of the ground that called for caution. If the Emperor were
driving in a carriage harnessed a la d'Aumont, the equerry rode
on the right side. Though the ordinary equerries were some-
times numerous, they were not a source of great expense to the
civil list, for the salary of the post was but ri6'400 a year, and
they personally bore the cost of their various handsome undress,
full-dress, and campaigning uniforms, in which green and gold
predominated. The Service des Ecuries included, however, in
addition to the Great Equerry, the First Equerry, and the
others, a complete office-staff of secretaries and book-keepers,
as well as a foreign correspondence clerk and an interpreter —
the two last named being requisite on account both of the
department's constant relations with foreign countries, notably
with England, and the number of foreigners, chiefly English-
men, in its employment.
It is well known that the Emperor's interest in man's noblest
conquest was not limited to his stables. He was fully alive to
the necessity of improving the various French breeds of horses,
and he promoted the establishment of several State stud-farms
under the control of Fleury and others. He was also, in the
matter of prizes, a very liberal patron of the turf, and the
establishment of the racecourse of Longchamp was due as much
* See anie, p. 71,
310 THE COURT OF THE TUILERIES
to his initiative as to Morny''s. He always repaired there on
the days when the race for the Grand Prix de Paris was run,
and now and then at other times. We confess that we are not
acquainted with the exact circumstances of his connection with
the racing stable of Count Frederic Lagrange, the famous owner
of Fille de TAir, Gladiateur, and other horses renowned in turf
annals; but there is little doubt, we think, that at one and
another time the Count, although a large landowner possessed
of considerable means, received financial support from the
Emperor. Count Lagrange was often at the Tuileries and at
Compiegne. The son of a general officer of the first Napoleon,
he does not appear to have been really entitled to the " de " so
often set before his name, but he was connected by marriage
with several great houses, notably that of the Princes de Chimay ;
and throughout the Empire he sat in the Legislative Body for
his native department, the Gers. Still, he did not take any
very active part in politics until 1870, when he became a
member of the Central Committee organized in view of the last
Plebiscitum, his services in that matter leading to his appoint-
ment as a senator virtually on the eve of the Franco-German
war, in such wise that he did not long enjoy the dignity. He
survived, however, until the close of 1883.
The general life of Paris under the Empire scarcely comes
within the scope of this work. It embraces, too, so many
features that anything approaching a complete survey would
require more pages than we can allow. It should be studied
in the newspapers of the period, in the volumes in which clever
journalists gathered their chroniques together, in serious works
like that of Maxime Ducamp, and in some of the lighter ones
such as the entertaining " Vie et Opinions de M. Graindorge,"
by Taine, and the sprightly " Monsieur, Madame et Bebe " by
Gustave Droz. Here we can only glance at a few features of
la vie parisienne of those days. We will take first a matter in
which it was certainly influenced by the example of the Court —
that of the feminine fashions of the reign, which were set by
the Tuileries in conjunction with one or two foreign embassies,
a few aristocratic mansions, and half a dozen costumiers and
milliners.
At the time of the imperial wedding, it was Mme. Palmyre
FEMININE FASHIONS 311
who made the twenty toilettes de soiree and Mme. Vignon the
thirty-two toilettes de jour (inclusive of the wedding gowns)
which figured in the Empress''s corheille de mariage.* Later
came the ascendency of the Englishman Worth, particularly in
respect to evening gowns, and the rise of Laferriere as an artist
in promenade and visiting toilettes. Mme. Felicie long reigned
supreme in the domain of mantles and coats, while Virot and
Lebel triumphed in bonnets and hats. Moreover, as the shawl
was still worn during the earlier years of the Empire, and at
least continued to be for many years a necessary adjunct to a
corheille de mariage, there was also the famous Compagnie des
Indes in the Rue de Richelieu. Then, among the best ladies'
bootmakers we recall the name of Massez, while Leroy and
Bysterveld rivalled each other in the art of dressing and
adorning the hair, and Fiver excelled in the preparation of
perfumes and cosmetics.
Worth, Laferriere, Virot, and others waited on the Empress,
Princess Metternich, and a few other grandes dames^ but most
of their customers went to them ; and there were afternoons
when half the elegantes of Paris might be seen in the Rue de
la Paix and adjoining thoroughfares. The stairs at Worth's
were likened to Jacob's ladder : an angel was to be met on
every step. You fancied, too, that you were entering a hot-
house, such was the pleasant warmth on quitting the cold street
and such the wealth of camelias, draca^nas, and other plants
displayed both on the stairs and the landing, across which flitted
one or another of the great costumier's jolies demoiselles, in-
variably wearing a gown and a chignon of the style which
would be fashionable next day. On the right-hand of the
landing was the " Secretary's Office," where orders and addresses
were noted, but on turning to the left you found a succession
of salons with large oak tables, on which lay pieces of silk,
satin and other materials, with some of the finest artificial
flowers that Paris could produce and an infinity of elegant
chitons. Handsome young men, cravatted a la colin, and wear-
ing tightly-buttoned frockcoats, stood here and there prepared
to minister to the ladies' choice ; but they did so in an easy,
nonchalant way, without any of that terrible persuasiveness
* The number was fixed by the Emperor himself.
312 THE COURT OF THE TUILERIES
characteristic of the young man of the magas'in de nouveaiites
who is consumed by a desire to " sell."" Yet they were always
ready with an appropriate answer when they were questioned
respecting any combination of different shades or materials, any
question of trimmings or measurements. Again, passing hither
and thither, there were young girls whose gowns, though black,
represented the latest styles invented by the master, in such
wise that by pointing to one or another of them a customer
could at once indicate what kind of corsage, or sash, or " puff"
she desired. The first-hand, elegant, but looking tired, was
there also, welcoming the customers with great dignity.
On some stands in the fourth room, you saw a few of the
master's very last creations, finished and ready for delivery, but
shown to you just as a painter shows a picture in his studio
before sending it to the Salon or the Academy. They stood there,
those wonderful robes, three or four in a row, and admirably
lighted — the Avail behind them being, moreover, all "looking
glass,"" so that you at once perceived how the sash was arranged,
how the tunic fell, and the train flowed. They were, too, often
as intricate as five-act plays, they were elaborate, carefully
studied compositions ; and even as the value of a picture is not
estimated according to the cost of the pigments which the
artist may have employed, so the value of those gowns did not
depend on the cost of the materials used in making them. The
latter might not exceed two hundred francs, but the amount of
genius lavished on the design and the making might represent
two thousand.
The fair clients gathered in ecstasy in front of those new
creations, and while a little cry of admiration escaped from one
of them, and a sigh or a purr of delight from another, something
like a whirlwind of tulle and lace and Crepe de chine would sud-
denly flit by and vanish into a room, whence, as the door opened,
there came a stream of pale light. That Avas the salon de
hcmiere, where the windows were hermetically sealed and the
Avails were all huge mirrors. By the light of a dozen gas-jets
Avith movable shades, the lady who there tried on her new
toilette de hal was seen as she Avould be seen the following night
at the Tuileries. And noAV it Avas that the master made his
appearance — a man rather below the average height, with a
1
FEMININE FASHIONS 313
full, shiny face, all pink and white, his fair hair parted in the
middle, his whiskers closely cropped, his moustaches drooping
and glittering like gold. He wore a perpetual smile, he seemed
to bow without bending, perhaps because his short frock-
coat was so very tightly buttoned. As a rule it was only
with customers that he spoke French — and then with a marked
accent. His subordinates in the salon de lumiere were usually
English girls. Miss Mary, Miss Esther. And he always re-
mained quite calm, he never made a fuss, never addressed an
angry word to a subordinate. But his coup cToe'il was Napo-
leonic. He immediately detected a fault, and indicated in very
few words what should be done to repair it. Not only did he
fight against the crinoline, succeeding by 1868 in reducing it
to something like a verkigadin^ but he also opposed the exces-
sively decollete bodice. " I dress ladies," he remarked one day
to a journalist. " Let the demi-monde go elsewhere ! " Such
was Mr. Worth, the King of Fashion.
The taste of the Second Empire in matters of dress has
often been bitterly assailed. The styles of the period are still,
perhaps, too near to us to be judged impartially. As time
elapses a fairer estimate may be formed. It must be confessed,
however, that anything which tends to expand and stiffen the
skirt of the female costume necessarily engenders monstrosity,
alien alike to nature and true art. Such was undoubtedly the
effect of the crinoline, the battle against whose tyranny was so
prolonged and, for years, so uncertain. In court circles, at one
period, the contrivance assumed such huge proportions that, for
the convenience of the Empress and her ladies sailing from
Cherbourg or arriving there in the imperial yacht, it became
necessary to widen all the landing-stages. At a visit paid
by Napoleon and his consort to Osborne, in August, 1857, old
Lord Palmerston was both fascinated and annoyed by the
appearance of the ladies of the party. It was a case of " so near
and yet so far." How could you possibly flirt with a pretty
woman when you could not get within three yards of her ?
How could a tete-a-tete have any charm whatever, under such
conditions? There was an entente cordiale in those days, but
it was not marked by the kissing which has distinguished the
entente cordiale of the present time, Perhaps that was the
314 THE COURT OF THE TUILERIES
fault of the crinoline, whose sway was so despotic that when
Hortense Schneider performed in Offenbach''s " Belle Helene,"
taking, as will be remembered, the title role, she actually wore
one of those hateful cages. It was certainly much smaller than
the prevailing fashion, but it was, none the less, a crinoline. How
Paris and Menelaus and Helen herself must have turned in their
g-raves at the thouffht of it ! If the reader doubt our statement
let him look at the portraits taken of Schneider at the time.
One may well wonder that the reign of the " cage " should
have lasted so long, in spite of all artistic feeling and percep-
tion. It is true, however, that nobody had as yet set out
tersely and plainly, so as to be understood by one and all,
those elementary principles which Charles Blanc subsequently
recapitulated in his famous essay on feminine dress. Chevreul's
learned work on colours certainly contained a short section on
the hues most appropriate to one and another complexion,
and the advantages to be derived now from harmony and now
from contrast ; but those few pages were scarcely known to the
average Pai-isienne, who relied almost entirely on her instinct,
an instinct which, in spite of the lavish praise and admiration
of innumerable writers, was not infrequently at fault. The
reign of the crinoline showed, moreover, that she had little or
no appreciation of that simple science of lines, which Blanc re-
stated so well in the early years of the present Republic, and
which at last brought home to many a thoughtless woman the
fact that she would increase her height and reduce her bulk by
vertical lines, reduce her height and add ampleur to a spare
figure by horizontal ones ; while in certain instances the diagonal
line might prove an advantage.
In the matter of colours, the fashions of the Second Empire
were often daring. The most abominable innovation of the
period was that variety of purple which, coming into fashion
about the time of the Italian war, was patriotically christened
" magenta." Some famous hues of the period were the Eugenie
blue, the Mathilde pearl-white, the Pompadour green, the
Benoiton green,* the frog-green, the nuance Teha, the avantu-
rine yellow, the vin de Bordeaux, the Ispahan pink, and the
hleu des blondes. Then there were more or less startling
&
So called after Sardou's comedy, " La Famille Benoiton,"
FEMININE FASHIONS 315
combinations of tints, primrose and blue, lavender and maize,
mauve and white, pink and pearl grey, but, after all, a fairly
sober colour proved the great one of the reign — that, of course,
being the unforgettable Bismarck. It came upon Paris in 1866,
it flourished throughout 1867, it was still e7i vogue at the end
of 1868. Never, in all the annals of fashion, has a colour had
so long and popular a run. It was, after all, merely a kind of
Havannah brown, and owed its fortune solely to its name. But
in the days of Sadowa that was a name to conjure with. At
first this fashionable colour appeared in a fairly warm shade,
known simply as Bismarck — written " Bismark,"" by the way ;
but it suddenly took a duller tone, and became known as
Bismarck malade, until at last, assuming yet warmer tints than
before, it was christened successively Bismarck content and
Bismarck en coTere. There were also such varieties as Bismarck
glace and Bismarck scintillant. And it was Bismarck of one or
another shade everywhere ; there were Bismarck silks, satins,
and velvets, woollen stuffs and cotton fabrics, Bismarck boots,
Bismarck gloves, Bismarck parasols, and Bismarck bonnets.
The last were naturally of Bismarck straw, trimmed with
Bismarck lace, the only relief from the various shades of the
all-prevailing colour being supplied by gold and scarlet berries.
But even the Bismarck bonnet was not the " last cry," for there
came the Bismarck chignon, which compelled ladies to dye their
hair the fashionable hue.
About the time of Queen Victoria's visit to Paris in 1855,
the flounced skirt was " all the rage," four or five flounces of
varying depths succeeding each other from the hips to the hem
of the gown. But that mode passed, and the great balloon-like
skirts became trimmed with huge bows, or chonx of ribbon, or
lozenges of velvet, or elaborate and, at times, medallion-like
ornaments of passementerie. At last we reached the rohe a
deux jupes, the rohe a tunique, the pufl'ed skirt, the costume
Watteau, the jupe a la chinoise, and other styles. Picture the
overskirt of a gown caught up at the sides with strap-like
bands or ribbons ; picture tunics falling in sharp tasselled
points, basques edged with fringes or feathers. Pompadour
bodices all velvet, lace, ribbons, and flowers. Picture also a
gown of white satin, with the skirt embroidered from top to
316 THE COURT OF THE TUILERIES
bottom with long peacock-feathers, placed so closely that the
wearer appeared to be garbed in those feathers from her Avaist
downwards. Add thereto long open sleeves embroidered with
rather smaller feathers, and a corsage with yet smaller ones.
Imagine also a costume all ton sur ton^ scalloped, pinked,
decoupe in such wise as to suggest fretwork. Think of a soft
white skirt, puffed in the style of osivfs a la neige and adorned
with diagonal bands of amber satin, and wreathed at the bottom
with flowers of that shade. Think also of a Court dress of white
satin, trimmed with transverse bands of green velvet (edged
with gold), which met V-like behind, descending towards a long
train of lace and gold embroidery, over which fell the ends of
an interminable velvet sash, all green and gold like the bands
of the skirt. And, speaking of sashes, imagine a gold-chain
waistband, having in the rear a large pendant ring, from which
the sash fell to the bottom of the skirt.
But in addition to all the gros de Naples, the gros de
Navarre, the poults-de-soie, the rose and blue moires antiques,
the tarlatans, the grenadines, the crepes de Chine, and the fayes,
here are the famous Lyons brocades, displaying narcissi, crimson
carnations, variegated tulips, and bunches of lilac on grey
grounds ; while on maize grounds you will find heart's-eases,
damask roses, and bluebells. You will even perceive brocaded
Bismarck, whose brown favours the yellow iris and the daffodil.
" Save us from all this ! " was virtually one of the " notes "" of
Sardou's " Famille Benoiton," in which Mile. Fargueil exclaimed
so fervently, " Protect us, holy Muslin ! " But muslin did no
such thing; it appeared covered with coloured medallions of
Daphne, Chloe, and Amaryllis, after the style of Watteau and
Boucher. It seemed to know that unless it were thus adorned
the Parisienne would not wear it.
Leave Paris and go to the seaside — to Trouville or Deauville.
Yonder elegante in the Japanese hat, the short scarlet skirt,
and the dark-blue yachting jacket with scarlet collar and cuffs
may not be very wonderful to look at ; but here you will also
see Mile. Anonyma garbed in white, though not with a sweet
simplicity, for her skirt is festooned with black death's heads,
linked one to another by true-lovers' knots of pink ribbon !
The 2Iouave jacket, the Breton jacket (nowadays called a
FEMININE FASHIONS Sll
bolero), and the Garibaldi will be recollected, the Jichu Marie
Antoinette, if not the Jichu Letta, is still often with us, but we
confess that we do not exactly recall the styles, even if we
remember the names, of the Vespertina opera-wrap, or the
Lamballe puff, or the paletot -chale. That is the worst of
fashion's jargon, a great deal of which soon becomes obsolete
and suggests little or no meaning at all. Yet, in that respect,
matters were not quite so bad under the Empire as they
were towards the close of the eighteenth century, when some
mysterious, semi-poetical name was bestowed on every kind
of fabric, trimming, and cut. Open the Marquis de Valfons'
memoirs and interpret, if you can, his description of the
costume of La Duthe, the famous courtesan-actress. "She
was attired," says the Marquis, "in a robe of stifled sighs,
adorned with superfluous regrets, the point edged with perfect
candour, trimmed with indiscreet complaints. She wore ribbons
of marked attentions and shoes of the colour of Queen"'s hair,*
embroidered with diamonds in treacherous stripes. Above her
curls of elevated sentiments was a head-dress of certain con-
quest, trimmed with fickle feathers, while over her shoulder
fell an Absolom tress of momentary agitation." Now all that,
though much of it is absolute gibberish to us, in 1907, was
perfectly well understood by the last great ladies of the old
regime.
But, returning to the Empire''s fashions, let us just mention
all those wonderful mantles of green, blue, puce, grey, and violet
velvet, which often assumed such extraordinary shapes, and say
a few words respecting the bonnets, which passed from the
coal-scuttle to the peaked and thence to the fanclion or
small inverted-platter style. It was the gradual growth of
the chignon, the Empire's last word in the matter of hair-
dressing, that killed the coal-scuttle and peaked bonnets, for
which good work the chignon deserved much thanks. But the
chignon itself assumed eccentric forms and proportions. The
Empress long clung to her own particular style of coiffure, and
the pendant Eugenie curls did not abdicate their sway until
the chignon had repeatedly attacked them. At the Tuileries
* Marie Antoinette's hair. Count d'Artois sent a lock of it to Lyons, in
order that the exact hue might be imitated by the silk-workers.
318 THE COURT OF THE TUILERIES
the chignon*'s chief pioneer was probably the charming Baroness
de Poilly, wife of Baron Henri de Poilly, the great sportsman
of Follembray and Coucy-le-Chateau. The Baroness was assailed
and derided ; she was asked whether she would next show her-
self with a monkey clinging to her head, but she went her way
and gained the victory.
The fanchon, or inverted straw-platter bonnet, which
favoured the display of the chignon, was followed by a mere
tuft of tulle, or crape, whose strings were simply of narrow
ribbon, or else of small trailing leaves. An attempt to intro-
duce so-called Marie Antoinette and Trianon hats came to
nothing, but in winter various fur toques and feather hats
were often much in favour. As for the boots of the Empire
they were such as are now only seen upon the stage. The
Parisienne of those days wore morocco and russia leather, and
the colour of her boots harmonized or contrasted effectively
with the colour of her frock. The short skirt, not a mere
trotteicse, but something quite three inches shorter, became at
one time fashionable wear at the promenade in Paris as well as
in the country and at the seaside, and this led to the so-called
hottine a mi-jambe — that is, a boot reaching halfway up the calf
of the leg. Sometimes the ordinary tan boot was to be seen,
but it generally had a facing and top trimming of the same hue
as the skirt. The bronze boot was somewhat common, the
violet one was more fashionable ; the scarlet one belonged to
the demi-monde. Russia leather boots were embroidered with
gold and coloured silks, and ornamented with tassels, rosettes,
beads of crystal, jet, and gold. When shoes were worn the
stockings were elaborately embroidered. The black stocking
was then virtually unknown ; white ones were still worn by
the hourgeoisie and the masses, while the elegante displayed
one or another bright or delicate hue in keeping with her
toilette. Again, the stocking-suspender was unknown, the garter
flourished, and was a thing of beauty. Sometimes it was an
objet d'art, an elaborate piece of jewellery, designed by Froment-
Meurice, at others it was of gold or silver filigree, at others
of either velvet or moire. In the last case it was enriched with
lace and pendant ribbons. It usually bore a crest or emblem,
and a motto, sometimes figured in precious stones, at others
FEMININE FASHIONS 319
beautifully euibroidered.* That was the age of embroidery
in gold and silver thread and coloured silks. There were
exquisitely embroidered parasols, and quaintly embroidered
gloves, whose gauntlets displayed birds, butterflies, and flowers,
or, if the wearer were going to the races, a few horseshoes or a
jockey's cap and whip.
In the last years of the Empire there came a passion for
eccentric jewellery. After the victories of Fille de FAir and
Gladiateur all jewellery emblematical of the turf became very
popular. Birds, too, of many kinds — swallows, swans, eagles,
and robins, dangled from the ears of the Parisiennes. There
were also tambourine, zither, and padlock earrings. We
remember, too, a lady of nautical tastes from whose ears
depended a couple of miniature yachts, while at one moment
there was as great a rage for dragonflies, butterflies, and beetles
as there ever was for miniature guillotines in the days of the
great Revolution. The little hats or bonnets were sometimes
literally spangled with beetles of various hues, among which
there appeared, perhaps, a dragonfly all aglitter with its real
or its imitation stones. Again, those beetles and dragonflies
figured as earrings or brooches ; but when a lady had no
entomological inclinations she could wear in her ears a pair
of tiny gold baskets containing little flowers formed of pearls,
rubies, brilliants, and turquoises, or, if that were too elaborate,
she might content herself with a couple of gold pea-pods
containing emerald peas, or else with mere cherries of coral.
It was the Empire that witnessed the foundation and rise
of " the great bazaars," the Louvre, the Bon Marche, the
St. Thomas, and so forth, all those Temples of Perdition which
popularized the love of finery and fostered the spirit of imitation
among women, inspiring the Parisienne of limited means with a
more and more ardent desire to array herself like the great
lady of wealth. Still it was only the leaders of fashion who
could manage to dress six and seven times a day, assuming first
* A pair of jewelled garters by Proment-Meurice bore in diamonds the
motto, Honi soit qici point n'y pense. Other garter mottoes of the time were
Goethe's Persistaiice \en a-mour, Montaigne's Que sgais-je, and Charles I.'s
Eemember. For widow ladies there were garters embroidered with pansies
and silver tears.
S^O THE COURT OF THE TUILERIES
the dressing-gown, next the riding-habit, then the neglige
elegant for dejeuner, then the toilette de ville or de visite for
" morning calls," then the toilette de Bois for the orthodox
drive, then the toilette de diner, then the toilette de bal, and
finally the toilette de nuit.
Soon after the imperial marriage society was fluttered by
the great question of the Court trains (manteaiuc de cour falling
from the shoulders), which it was decreed that ladies should
wear at State receptions at the Tuileries. The subject was
carefully studied by the Empress and Emperor in council with
Mme. Roger, and sumptuary regulations ensued, specifying the
colours which those trains should assume, the materials they
should consist of, the amount of trimming they should have,
and the length to which they might extend. The more splendid
trains were reserved for Princesses of the Imperial House, then
came the trains of the wives of high functionaries, marshals,
senators, and so forth, while mere invitees^ even if they were the
wives of millionaires, were not entitled to wear trains above a
certain length and value. The joke was that many ladies did
not know how to wear such trains at all, and there was a great
rush to secure the advice of Cellarius and the other leading dancing
masters of Paris. It was, however, a clever actress, Augustine
Brohan, of the Comedie Franpaise, who schooled the lady train-
wearers most effectively, teaching them how to walk and how
to give, when occasion required, the elegant little kick by which
the train was brought into the required position. For the trifle
of three louis {£^ 8*.) a lesson — and a course of not more than
four or five lessons was required — Mile. Brohan charitably saved
some scores of her sex from making themselves ridiculous on
their first appearance at the Tuileries.
The foregoing remarks on the subject of feminine fashions
may have helped the reader to understand how the Parisienne
of Gavarni became gradually transformed into the Parisienne
of Grevin. Of masculine fashions we have not space to speak
at leno-th. The heio-ht of the silk hat — the orthodox headgear
of civilization — varied exceedingly ; at times it was more than
two inches above that of the silk hat of to-day (1907), at others
it decreased till it corresponded with that of a "bowler;"" and
it was amusing, indeed, to see the Boulevardiers of 1866 and
SOME FEATURES OF PARIS LIFE 321
1867 wearing, at the same time as those diminutive silk hats,
which suggested the "cut-downs" of a slop-shop, both the
tightest of trousers and the shortest of jackets — the last leaving
the seat of the trousers fully exposed. Then the straw hat
for men was also somewhat quaint. It vaguely resembled the
"boater" of to-day, but the ribbon was fastened behind, and
its ends dangled some inches below the brim. As for the frock-
coat it underwent repeated modifications ; at times its sleeves
were very tight, at others most awkwardly full, while the skirts
generally ended above the knees. With respect to trousers,
virtually every huge check-pattern that could be devised, figured
for years on the Boulevards.
The Boulevards — from the Madeleine to the Faubourg
Montmartre — were then in many respects the real centre of
Parisian life. Nearly all the greatest restaurants, the Cafe
Anglais, the Maison Dorde, the Cafe Riche, Durand"'s, Brebant-
Vachette's were there ; the Trois Freres and Vefour's being the
only really first-class establishments left at the Palais Royal.
Excepting the Cercle Imperial, at the corner of the Avenue
Gabriel, all the great clubs, too, were either on or near the
Boulevards — the Union and the Agricole patronized by the old
noblesse, the Jockey by sportsmen and men of fashion,* the
Chemins de Fer by stockbrokers, great engineers, and directors
of public companies, the Union artistique by men who practised
or dabbled in the arts,t the Ganaches by a great variety of
old fogeys, both civil and military, the Baby and the Sporting
by very young men intent on sowing their wild oats, the
Americain by gamblers, the St. Hubert by devotees of la
chasse, and the Cercle des Arts by notaries, commercial people,
and other good bourgeois. In those days, too, there were real
cctfes on the Boulevards, for the Parisian had not yet taken to
lager beer. Virtually each cafe had its habitues, its special
class of customers, and if you wished to find an actor, a govern-
ment journalist, an opposition one, an ofiicer on leave, a
boursier, a merchant or commission agent in some particular
line of business, you knew precisely where to go.
* Through Morny, the Jockey Club had virtually been captured by the
Empire.
t Its real founder was the father of Guy da Maupassant,
Y
322 THE COURT OF THE TUILERIES
Passing along the Boulevards during that hour before dinner
time, which was called the Hour of Absinthe, you would meet
or see seated outside one or another cafe two-thirds of the men
whose names had been mentioned in that day's newspapers.
There was Auber, the youthful septuagenarian, talking to
Offenbach, there was Timothee Trimm airing his importance
to a tribe of smaller journalists, there was Leonce of the
Varietes cracking jokes with Cham the caricaturist. A bored-
looking elderly Englishman passed, and you recognized Lord
Hertford. Turning the corner of the Rue Laffitte you espied
old Baron James de Rothschild, followed by the eternal foot-
man carrying his overcoat. Just inside the Librairie Nouvelle
stood Prince Metternich purchasing books for the Princess.
The mysterious Persian who haunted the Imperial Library
strolled by. There went Mustapha Pasha in converse with
Khalil Bey. Yonder, sundered by politics but drawn together
again by art, sat Courbet in the company of Carpeaux.
Then, all at once, loud-voiced and exuberant, Dumas of the
Musketeers appeared, attended by some of the sycophants on
whom he lavished his last napoleons. All the men of the
reign might be met at one time or another on those Boulevards,
Ponsard, Scholl, Henri de Pene, Dr. V^ron, Bressant, Goncourt,
Baron Brisse, Villemessant, M. de Foy, Siraudin, Valles,
Barriere, Banville, Sardou, Pereire, Gramont - Caderousse,
Frederick Lemaitre, Nadar, Girardin, Rossini, Houssaye, Paul
de Kock, Paul Feval, About, Roqueplan, young Rochefort and
young Gambetta, mediums Home and Squire, Paul Baudry
and Manet, Markowski and Cellarius, Millaud and Mires,
and so on, and so on. And as time elapsed vocalists and
actresses went by in their victorias and broughams — Patti,
Nilsson, Alboni, Hortense Schneider, Zulma Bouffar, L^onide
Leblanc, Madeleine Brohan, Rose Cheri, La Desclee, Fargueil,
and all the others — pending the time when processions of
carriages would halt outside the theatres, and ladies alight
from them in all the glory of their toilettes de spectacle.
An hour or two ago those ladies were in the Bois de
Boulogne. " Round the lake," and not the Allee des Acacias,
was then the fashionable drive, and great was the mustering of
equipages, wonderful the display of frocks. At times^ at a
i
SOME FEATURES OF PARIS LIFE 323
word from some mounted guard, the procession would suddenly
be stopped, and a piqueur wearing the imperial livery would
appear, preceding an open carriage with horses harnessed a la
D'Aumont and ridden by postilions. Then you would see the
Empress, sometimes accompanied by the Emperor, at others by
her nieces Miles. d''Albe, or else attended by one or two of her
ladies of the palace. The gentlemen, riding on the left side of
the road (reserved for equestrians), would then muster in a line
near the Rond des Cascades, and a couple of hundred heads
would be uncovered as the imperial equipage went by at a slow
trot, the Empress gracefully acknowledging the salutations.
But among the carriages in which ladies of rank and
position reclined, there were others, often the showiest of all,
occupied by women of another kind. There went Cora Pearl,
there Giulia Barucci, there Anna Deslions, there La Paiva,
not far from her old acquaintance, Esther Guimond. All
the " Dames aux Camelias," the " Filles de Marbre,"" the
" Madelons *' of the period mingled with the highest in the
land, displaying their painted charms and costly costumes.
If, by-and-by, after dinner and the theatre, you had peeped
into the mansion of one of those women, that of La Barucci,
whose real name, by the way, was Julie Benin, you would have
seen a strange sight. It was a night early in 1863, the mansion
was in the Champs Elysees, and had just been taken by La
Barucci, who was giving a "house-warming'" party. Among
her guests were Prince Paul Demidoff, Count Tolstoy, the
young Duke de Gramont-Caderousse (the great plunger of
the period), the Marquis de Vimeux, Count de Chambrun,
Viscount de Poix, Viscount de Brimeux, M. de Feuilhade-
Chauvin, Herr von Schonen of the Prussian embassy, and a
gentleman of the Queen of Spain's household, SeSor Angelo de
Miranda. La Barucci had also invited Signor Calzado, the
director of the Theatre Italien (where Patti was singing), but
the affair was to be a very quiet one — a cup of tea, a little
music, and then supper. Calzado, however, arrived accompanied
by a friend, Garcia, a notorious gambler, famous for having
" broken the bank," both at Wiesbaden and Homburg. And,
briefly, cards were produced and a game of baccarat began — ■
.£''800, d£*2000, ifi'SOOO, and even larger amounts figuring on
S24 THE COURT OF THE TUILERlES
the table at one or another moment. Garcia held the bank
and carried all before him, Miranda, who staked large suras,
losing heavily ; until at last his suspicions and those of others
being aroused, Garcia was watched and detected in the act of
cheating. A terrific fracas ensued. Both Garcia and Calzado
were seized, and prepared cards being found in their possession,
all the money they had stolen was taken from them, and they
were kicked out of the house. At Miranda's suit Calzado was
tried and sentenced to fine and imprisonment, but Garcia
managed to escape from France.
The affair caused no little stir in Paris, notably by reason
of Calzado''s position there ; but before long some other mal-
practices diverted public attention. The age was a gambling
one, and financial scandals were as frequent then as they are
now. There were the affairs of the Docks Napoleon, the Credit
Mobilier, the Caisse des Chemins de Fer — with which the names
of Millaud, Pereire and Mires were associated — and others of but
slighter magnitude. Yet Paris was no more all corruption in
those days than it has been at other periods of its history.
Stones have been often flung at the journalism, the literature,
the stage, the music, the art of the Empire, but though some
severe strictures have been deserved, partisanship has often
supplied a very one-sided view of the period. It is true
that there was distinct danger at times. The regime in its
vain endeavour to prevent people from intruding into politics
seemed to have appropriated Rabelais'* motto — Vivez joyeux !
— and those who denounced that enthronement of pleasure
as a deity did good work. But let us be fair. If we had
space at our command, it would be easy to show that things
were not so black as some have painted them. In the sphere
of journalism there arose some of the ablest, wittiest, most
cultured chromqueurs known to the French press, men like
Villemot and Noriac, Audebrand and Scholl, Adrien Marx,
and Henri de Pene, followed by Sarcey, Wolff", Monselet,
Pierre Veron, Rochefort in his premiere maniere, and Claretie,
then also making his debut. The field of literature is too vast
to be surveyed here, but among the writers of the time were
Ste. Beuve, Janin, Taine, Cousin, Littre, Renan, Michelet,
Mignet, Toqueville, St. Marc-Girardin, Henri Martin, Havet,
SOME FEATURES OF PARIS LIFE 325
Paulin Paris, Laboulaye, Baudrillart, Wolowski. As for the
novel in those days, if Feydeau and Belot achieved, by mere
pruriency, success with such works as " Fanny " and " Mile.
Giraud," Flaubert gave to the world his epoch-making master-
piece, while his friends the Goncourts strove in fiction, history
and biography alternately. Again, Alphonse Daudet, thanks,
be it remembered, to the generosity of his patron Morny, was
able to pen both " Tartarin" and the "Lettres de mon Moulin."
Let us also recall the names of Feuillet, George Sand, Gautier,
Banville, Prevost-Paradol, Erckmann-Chatrian. Among poets,
the Parnassians arose with Leconte de Lisle, Heredia and Sully
Prudhomme, while Coppee wrote "Le Passant", which intro-
duced Sarah Bernhardt to celebrity. The stage was not all
Meilhac and Halevy, Clairville, and Ernest Blum, amusing as
these often were. It was also Augier and Dumas fils, Ponsard
and Barriere, Cadol and Sardou. All Sardou's best work was
done under the Empire, and nearly all of Dumas'. And the
actors and actresses of that time might well challenge comparison
with those of this. They were Regnier, Bressant, Delaunay,
Febvre, Got, Coquelin, St. Germain, Mounet-Sully, Rachel,
Ristori, Favart, Arnould-Plessy, Judith, the sisters Brohan,
Fargueil, Reichemberg, and many others famous in theatrical
annals.
Again, dancing was not all Rigolboche, Clodoche, and
cancan. In the ballroom it was the graceful mazurka introduced
to the Parisians by Markowski ; on the stage, after Livry had
been unhappily burnt to death, it was the art of Ferraris,
Cerito, Rosati, St. Leon, Merante. Nor was music all
Offenbach, Herve, and Jonas. It was also Gounod, Auber,
Ambroise Thomas, Felicien David, Halevy, Berlioz, Bizet,
Verdi, Rossini, and Meyerbeer. The three last named might
be foreigners, but two of them were Parisians also. And
if the period was that of "La Belle Helene," "La Grande
Duchesse," "Chilperic," "Le Canard a trois Bees," and " Le
Petit Faust," it was also that of the other "Faust," and of
" KAfricaine," " Romeo et Juliette," " Le Pardon de Ploermel,"
" Le Prophete," and " L'Etoile du Nord." Our vocalists were
Patti, Alboni, Cruvelli, Nilsson, Viardot, Miolan-Carvalho,
Sass, Gardoni, Tamberlick, Nicolini, Faure, Tngliafico — /(??//<?
326 THE COURT OF THE TUILERIES
la lyre ! Then, too, great men laboured in various branches of
science : Pasteur, Berthelot, Leverrier, Bernard, Flourens,
Chevreul, Milne-Edwards, Quatrefages, St. Hilaire, Tresca,
Trelat. In painting and sculpture and architecture,* also,
famous names and famous works might be enumerated, and if the
whole field were surveyed with fairness, it would be found that
during the eighteen years of the Empire the genius of France
never abdicated.
The period had its failings, its frivolities, its foibles, its
fads, like all others. Much that was evil might be traced,
however, to the cosmopolitan element which mingled with the
population. Paris became crowded with foreigners, some of
them men of rank and substance, others mere adventurers, but
nearly all of them folk of little morality. It has generally
been assumed that they were debauched by Parisian life, but
it is a question whether they did not debauch Paris. At times
of course the Parisian himself was largely to blame. Shut out
from healthy participation in politics (and that was the regimes
particular sin), he turned far too readily to whatever might
present itself to fill the void in his life. Thus pleasure, frivolity,
folly, secured only too many votaries. At one time you saw
half Paris rushing in a kind of delirium to consult an extra-
ordinary quack, the Zouave Jacob, who claimed to cure every
possible disease ; at another you found thousands of people
absolutely believing that the Emperor had paid the cruel
assassin Tropmann to murder the Kinck family, in order to
divert attention from politics, and that some "dummy" or
other had really been executed in Tropmann's place — he being
discreetly sent abroad with his pockets full of secret-service
money ! The Parisian was far better inspired when, in the
late sixties, he helped to resuscitate the "velocipede" — that fore-
runner of to-day's bicycle — in spite of all the derision heaped
upon the appliance by flippant correspondents of the foreign
press, who did not foresee its possibilities. One may still smile,
perhaps, at the thought of velocipedes de luxe mounted in rose-
wood and aluminium bronze, nevertheless the " fad " was one
that yielded fruit in later years.
* Notably as regards the Grand Opera and the additions to the Louvre.
CHAPTER XIII
THE VILLEGIATURA OF THE COUHT THE EMPEROR's
ILLNESS CHALONS — THE MARSHALS — THE HUNT
The Chateau of St. Cloud— The Empress Charlotte of Mexico— The Malady
of Napoleon III. — His Sojourns at Plombieres and Vichy — His visits to
the Camp of Chalons — The Zouaves in Camp — Napoleon's Illness and
Baron Larrey — Military High Mass — The Marshals of France, Randon,
Pelissier, MacMahon, Bazaine, and others — IMesdames les Marechales —
The Court at Fontainebleau — Biarritz and the Villa Eugenie — A Victory of
the Crinoline — The Empress and Imperial Prince in Peril — Compiegne —
The Imperial Hunt and its Organization — St. Hubert's Day — Despatching
the Stag — Serious Accidents — The Cur^e by Torchlight — Boar-hunting and
Hawking — The Shooting Grounds — The Battues — The Emperor a good
shot — Prince Napoleon and the Pelicans — Some bad Shots — Boar or
Badger ? — Life at the Chateau — The Series of Guests — The Day's Routine
— Evening Recreations — Pasteur and the Frogs — A few of the Guests —
Nero and Tita — Napoleon and the Nicaraguan Canal — Some Ladies at
Compiegne — Theatrical Performances — The " Commentaires de C^sar " —
The Emperor and the Invalide — France, England, and the Channel Bridge.
Only part of the time of the Imperial Court was spent at the
Tuileries ; it was often elsewhere. It installed itself at the
chateau of St. Cloud during the spring, and then returned for
a short time to Paris. Later the Emperor went to Plombieres
or Vichy to drink the waters ; next he betook himself to the
camp of Chalons ; then, after returning to St. Cloud, where it
often happened that the Empress had remained in the interval,
he repaired with her to Fontainebleau. A stay at Biarritz
ensued, but towards the close of October the Court was again in
Paris, whence, immediately after All Saints' Day, it started for
Compiegne, its sojourn at that "residence" lasting until the
end of the year.
Apart from the peregrinations we have just enumerated,
there was no little travelling to various parts of France, now to
inaugurate some monument or public work, now to relieve the
distress resulting from inundations, now to cheer those who
S28 THE COURT OF THE TUILERIES
were stricken by outbreaks of cholera or other afflictions.
Further, for political reasons, the Emperor went to Germany
at different times. He paid an important visit to Stuttgart
in 1857, when he met the Emperor of Russia and other
sovereigns, and another to Baden in I860, while on two
occasions during the last period of his reign he met the Austrian
Emperor at Salzburg. Of his visits to Queen Victoria, first at
Windsor and later at Osborne, and of the Empress's more
important journeys, we have already spoken.
The Empress, it seems, was not particularly fond of the
chateau of St. Cloud, in spite of its associations with the
memory of Marie Antoinette, for she did not find it sufficiently
in the country, sufficiently rural as regards its surroundings.
For political business, however, it was a convenient place of
sojourn. The Emperor could speedily drive into Paris when-
ever circumstances required his presence there, and it was
comparatively easy for his ministers to attend the councils
which, as a rule, were held at the chateau twice a week, becom-
ing rather more frequent in the autumn, when the ensuing
year's budget was discussed. It may be pointed out that the
Emperor was present on those occasions, that, in fact, he
participated in the preparation of the estimates, Avhence it
follows that no small share of responsibility for the finances of
the Empire devolved on him. He was, however, a very poor
financier, as his private affairs showed, and, with respect to the
financial position of the State, we suspect that he often
accepted the assertions of his ministers without troubling to
verify them.
As is the case with the Tuileries, nothing but a memory
now remains of the chateau of St. Cloud, so unfortunately
destroyed, together with its many art treasures, during the
German siege of Paris. Dating from the time of the Duke of
Orleans, brother of Louis XIV., it was a large and handsome
structure, the scene of many a great historical fe.te of the old
regime. From the House of Orleans it passed, in 1785, into the
possession of Marie Antoinette, who purchased it for a sum of
six million livres. It was there, in the Orangerie, demolished
in or about 1864 by Napoleon III., that Bonaparte, on the
famous 18th Brumaire, finally destroyed the first French
THE VILLEGIATURA OF THE COURT 329
Republic ; it was there that he was proclaimed Emperor, and
subsequently espoused the Archduchess Marie Louise of Austria.
It was also at St. Cloud that Charles X. signed those fatal
ordonnances which overthrew the regime of the Restoration ;
there, too, that he quietly but fatuitously went on playing whist
while his guard was dying for him in Paris, replying to M. de
Semonville, who warned him that if he did not withdraw his
ordonnances and change his ministers, the monarchy would be
swept away, " I do not believe it. If my brother, Louis XVI.,
fell, it was from weakness ; besides, I am quite ready to appear
before God."
Again, it was at St. Cloud that Napoleon III. received
official communication of the plebiscitum which made him
Emperor of the French ; it was from the chateau that he
started on his triumphal entry into Paris ; and it was there
that he decided, in 1870, on the disastrous war which swept
him from his throne. The official proclamation of that war
was dated from the chateau, and it was from a railway siding
in the park that the Emperor set out for Metz with the young
Imperial Prince, who was soon to receive his baptism of fire.
We have said that the chateau was large. In addition to
all the State rooms and the private apartments of the Emperor
and Empress, it included forty-five small suites for guests,
accommodation for six hundred officials and domestics, -together
with stabling for two hundred and thirty horses, and coach-
houses for twenty carriages. In the guard-house forty troopers
and nearly two hundred infantrymen could be quartered, but
there was also a neighbouring barracks for more than fifteen
hundred men. The fine park spread over an expanse of nearly
a thousand acres.
The interior decorations of the chateau were superb. The
ceilings of the state apartments — the great Gallery of Apollo,
the Salons of Mars, Diana, Venus, and Truth — ranked as
masterpieces of Mignard, Coypel, and Le Moyne. Valuable
pictures and statuary decorated the rooms — Pradier"'s Sappho,
Van der Meulen's equestrian portrait of Louis XIV., a large
number of Canalettos, a fine series of Vernets, some good
Bouchers, a precious suite of Gobelins tapestry after Rubens.,*
* The Marie de' Medici series at the Louvre,
830 THE COURT OF THE TUILERIES
an infinity of Boule work, and other valuable seventeenth and
eighteenth century furniture. Looking towards the chateau,
the private apartments of the Emperor and Empress were on
the first-floor of the right-hand wing. The Emperor's suite
was one of five rooms ; his cabinet had been Louis Philippe's
dressing-room, his bedchamber that sovereign's study. The
Empress's suite included several salons with historical associa-
tions. That assigned to her ladies-in-waiting had witnessed
the famous fracas between the Duke d'Angouleme and Marshal
Marmont at the Revolution of 1 830, when the former assaulted
the latter in a fashion as cowardly as it was brutal. Li the
Empress's cabinet stood the writing-table of Louis XVI., and
several articles of furniture which had been used by Marie
Antoinette, while the locks of the doors of this apartment, as
well as those of others, were entirely the handiwork of
Louis XVI., an expert locksmith, as we know. Then there
was the Vernet salon, at one time the study of Louis XVIII.
and Charles X., and the salon which had once been the bed-
chamber of Henrietta of England, daughter of Charles I., and
which had witnessed her sudden death when she was so foully
poisoned by D'Effiat at the instigation of the Chevalier de
Lorraine. The dining-room had been occupied by Peter the
Great when he sojourned at the chateau, and it was there that
Napoleon I. had taken his meals, assigning armchairs to him-
self, the Empress Marie Louise, and Madame Mere, but
instructing his majordomo that only ordinary chairs were to be
provided for his brothers, the Kings of Spain, Holland, and
Westphalia, and his brother-in-law, the King of Naples.
Further, there was the salon where the Council of Ministers
assembled when the Court of the Second Empire was at St.
Cloud. This had been the bedchamber in turn of Marie
Antoinette, Josephine, and Marie Louise.
The apartments of the Imperial Prince were on the ground-
floor of the chateau, under those of his father and mother.
Prior to the establishment of the Empire they had been occupied
by Miss Howard. On the ground-floor of the wing on the other
side of the Cour d'honneur were the quarters of Marshal
Vaillant and General Rolin, over which extended the great
Gallery of Apollo, so wonderfully and pompously decorated by
THE VILLEGIATURA OF THE COURT 331
Mignard, whose mythological and other paintings possessed
historical as well as artistic value, since so many of them
represented great personages of his period : Louis XIII.,
Louis XIV., his brother the Duke of Orleans, Anne of Austria,
the great Dauphin, the Princess Palatine, the future Regent
of Orleans, and many great ladies of the Court. Unhappily
all was lost in the conflagration of 1870 — a conflagration
which may have been caused by French or by German shells,*
All that can be said with absolute certainty is that the
Germans appropriated most of the valuable articles saved
from the Are — relics of St. Cloud being nowadays scattered
over the Fatherland. Already, in 1815, Blucher, who then
occupied the chateau, had marked his envy and hatred of its
magnificence by tearing the hangings and even the bed linen
with his spurs, smashing the mirrors and allowing his pack of
hounds the free run of the stateliest apartments. Fortunately
the arrival of Wellinoton to settle the terms of the surrender of
Paris prevented further excesses.
In addition to Queen Victoria, the royalties entertained at
St. Cloud during the Second Empire included Victor Emmanuel
and Humbert of Italy, Francis King-Consort of Spain, and
Maximilian of Bavaria, son of the lover of "Lola Months."
Thither, too, came the wife of another Maximilian, the un-
fortunate Charlotte of Mexico. A few years previously she
and her husband had been guests at the Tuileries, where the
latter was prevailed upon to accept the Mexican crown. It has
been said that he yielded not only to the persuasions of
Napoleon III. and the Empress Eugenie, but also to those of
his wife, whose disposition was ambitious. The youngest and
favourite brother of the Emperor Francis Joseph, Maximilian
was supreme head of the Austrian navy, and had served his
apprenticeship in statecraft as governor of the Italian possessions
of Austria. But his wife, Charlotte, the youngest child of
Leopold I. of Belgium by Louise of Orleans, had desires above
a position which, however high and honourable, was neverthe-
less a subordinate one. She, then, it appears, yielded the more
* The destruction of the palace, in October, 1870, has been variously
ascribed to the fire of the German artillery on adjacent heights, to a French
shell from Mont Valerien, and to one from the French gunboat the Farcy.
332 THE COURT OF THE TUILERIES
readily to the temptations of the French Court, and helped to
prevail upon her husband to embark on that disastrous Mexican
adventure. They were both quite young at the time, he not
more than one and thirty, tall, slim, aristocratic, with a fair
flowing beard, she only three and twenty, but accomplished,
speaking five languages, with a tall, well-proportioned figure, a
distinguished if somewhat stiff bearing, a round face, a bright
complexion, and large, dark, beaded eyes.
In April, 1866, the Moniteur announced the approaching
withdrawal of the French troops from Mexico. They were to
quit the country at intervals, in detachments, and though it was
asserted by French imperialists that Maximilian''s position was
such that he would easily maintain himself on the throne, he
was in reality overwhelmed by Napoleon's decision to abandon
him. The Empress Charlotte hastened to France, and reaching
Paris early in August repaired to the Grand Hotel, whence she
wrote to Napoleon asking him to receive her. Court carriages
and a sovereign's escort of cuirassiers were despatched to convey
her to St. Cloud, where the Emperor and Empress awaited her
at the entrance of the chateau. The scene was a moving one.
The countenance of the Empress Charlotte proclaimed her
agitation, her anxiety, the many trials and sufferings through
which she had passed. Napoleon and his consort were likewise
stirred. Their consciences may well have reproached them, for
it was they who had sent that unhappy woman and her husband
on that wild adventure across the Atlantic, and now the great
enterprise was fast collapsing, and Charlotte, who had quitted
France radiant with joyful ambition, had returned haggard,
careworn, and despairing. There was a long interview in the
private rooms of the Empress Eugenie. For two hours the
Empress Charlotte pleaded her husband's cause, beseeching
Napoleon not to abandon him. But in vain. Confronted by
the threats of the United States, the Emperor dared not
prolong the French occupation beyond the dates agreed upon.
A strange incident marked the interview. The Empress
Charlotte was accompanied by two Mexican ladies-in-waiting,
to whom Mme. Carette, the Empress Eugenie's lady, offered
some refreshment. Thereupon one of them particularly
requested her to send some orangeade to the Empress Charlotte,
THE VILLEGIATURA OF THE COURT 333
and orders to that effect were given to a maitre d'hote!. But
the Empress Euge'nie expressed great surprise at the arrival
of this orangeade in the midst of such an important discussion,
and inquired who had ordered it to be sent. The man explained
that he had brought it by Mme. Carette's instructions, and the
Empress Eugenie thereupon offered the beverage to the Empress
Charlotte, who, however, only accepted it after a good deal of
insistence.* The interview then proceeded, and Maximilian's
consort renewed her entreaties. But Napoleon could only
tender advice, which was that, if Maximilian's position was such
as the Empress Charlotte depicted it, he had better return
to Europe with the French troops. Napoleon repeated that
advice on the morrow, when he visited the Empress Charlotte
at the Grand Hotel. But if Maximilian had originally hesitated
to embark on the enterprise, he was now unwilling to abandon
it. A genuine Hapsburg, with all the obstinate pride of his
race, he held that his honour was involved in the task to which
he had put his hand. Nor did the idea of relinquishment
appeal to the Empress Charlotte, for it meant the downfall of
her hopes, the wrecking of her ambition. She resolved to apply
to the Emperor of Austria for help, and enlist the influence of
her brother, the King of the Belgians.-j* Under the adverse
blows of fate, however, her reason was already tottering. Before
she quitted Paris she already complained of violent pains in the
head, of feverishness and agitation, which she could not subdue,
and for which she could not account until the idea suddenly
seized upon her that she had been poisoned — poisoned by the
orangeade which had been given her at St. Cloud ! Napoleon,
bent on abandoning her husband, and wishing to get rid of her
importunities, stifle her protests and complaints, had tendered
her a poisoned cup by which he had hoped to silence her for
ever !
It was, of course, mere delusion. The Emperor, whatever
may be thought of him, was no Borgia, and the fancies of the
* The story will be found related in detail in the first part of Mme. Carette's
" Souvenirs intimes."
t Leopold I. had died in December, 1865. Mme. Carette, who often errs in
her " history," and can only be followed in matters which came under her
immediate observation, writes as though the Empress Charlotte's father had
been still alive in the autumn of 1866.
334 THE COURT OF THE TUILERIES
Empress Charlotte would merely have been amusing had they
not ended so tragically. She went on her desperate pilgrimage.
She appealed to both her brother and her brother-in-law, but
they could only repeat the advice of the Emperor of the French :
Maximilian must quit Mexico. At last the Empress Charlotte
turned to the Pope as to a supreme resource. She felt that it
was in the PontifTs power both to influence the Catholic
sovereigns of Europe in her favour, and, in the name of religion,
to exact of the Mexicans themselves submission to her husband's
rule. She repaired, then, to Rome, and it was there that her
reason finally gave way. In a dramatic interview at the Vatican
she threw herself at the feet of Pius IX., beseeching him to
shield her, imploring him to lodge her in his palace, the only
place, she said, where she would be safe from the poisoners who
pursued her. Her mind was gone.
It does hot appear that she ever became violently insane.
The state in which she at first remained was one of profound
mental dejection, induced by her anxieties and disappointments.
She had put her trust in princes and the sons of men, and
the result was too hard for her to bear. At first, the doctors
did not despair of a cure. They advised, by way of remedy, a
total change of scene, and Como was suggested as a residence.
The unfortunate woman was, in the first instance, removed from
Rome to Vienna, and was still there in 1867 when the news
arrived that her husband had become a prisoner of the Mexican
Republicans. Her intellect had then grown weaker, but, as in
the earlier stages of her aberration, there were yet some occa-
sional brief intervals of sanity, though it may be taken, broadly,
that the idea that she was threatened by poisoners had become
a fixed one. She spent many hours in writing her husband
letters, which were brimful of affection, but which, it seems,
yere never forwarded — indeed, it soon became impossible to do
so. We cannot say if there is any truth in the story that a
rumour of the Empress Charlotte's death reached Mexico before
Maximilian's execution, and that he, on hearing it, exclaimed :
" It is better thus, she will not know my fate ; " but it is certain
that when the news of the execution at Queretaro arrived in
Europe, the doctors attending the Empress Charlotte thought
that the tragedy might lead to the cure of their patient. They
THE VILLEGIATURA OF THE COURT 835
were of opinion that, in addition to a return to the scenes of
youth, a sudden shock — such as the tidings of her husband's
death might give her — would greatly help to restore her reason.
Those hopes were disappointed. The subject was broached one
day during a brief lucid interval, the Empress being told that
her husband was in peril and might lose his life. " Better that
than his honour," she replied, and before the whole truth could
be brought home to her she had relapsed into her usual con-
dition. It does not appear that she has ever known, ever been
really conscious of her husband's fate. The return to youthful
scenes failed like other suggested remedies. For long years
now the unfortunate Princess has lived in Belgium, chiefly,
we believe, at the Boushout palace, where she has often been
visited by her brother the King, and her niece, the Princess
Clementine. Now and then, as in earlier years, the mental
gloom has seemed to lift, and she has spoken rationally enough
on one or another subject. But the veil has suddenly fallen
again, and she has failed to recognize those about her. Of
Mexico she appears to retain no recollection, never mentioning
it even in lucid moments. Only one thought seems to survive
in her mind — the obligation to worship God. Every day she
prays in the chapel of the palace, repeating her rosary aloud
— consciously or unconsciously, we cannot say. For some
forty years has the unhappy lady endured this dreadful living
death.
The fates of Maximilian and Charlotte constitute one of the
crimes of the Empire, which nothing can wash away. Whatever
may have been the former's arbitrary decrees, whatever the
latter's young ambition, it must not be forgotten that these
two would never have gone to Mexico had it not been for the
blandishments and persuasion brought to bear on them, the
temptations and promises held out to them at that palace — that
fatal palace, we repeat it — of the Tuileries.
At the time of the Empress Charlotte's visit to St. Cloud,
Napoleon IH. was in very bad health, owing to the progress
already made by the complaint which led to his death in 18T3.
The English doctors were then of opinion that the affection
had originated some eight or ten years previously^ and a private
letter written by M. Rouher (who was in a position to know a
Sm THE COURT OF THE TUILERIES
great deal) confirms that view, it being stated therein that the
first characteristic symptoms showed themselves in 1863. In
the following year while the Emperor was in Switzerland there
came a very bad attack, attended by hematuria. His doctors
thereupon ordered complete rest, and after a delay of some
three weeks he was able to return to France. A short time
previously a severe accident had befallen some members of the
imperial party, notably Princess Anna Murat and Mme. Carette,
and the prolongation of the Emperor's sojourn in Switzerland
was generally, though wrongly, attributed at that time to his
solicitude for those ladies.
During the ensuing summer (1865) while Napoleon was at
the camp of Chalons he sent one morning for his medical
attendant, Baron Larrey, to whom he made certain communi-
cations. " The symptoms, as fully explained by himself," wrote
Baron Larrey twenty-one years afterwards,* " were for me, as
they would have been for any other surgeon, conclusive
symptoms of calculus in the vesica." The Baron accordingly
begged the Emperor to submit to proper examination, but he
would not consent, indeed he strictly enjoined on the doctor
that he should say nothing on the subject to anybody what-
ever. In the following year there was a repetition of the
same symptoms, and various doctors were consulted by the
Emperor, but Larrey was not among them, nor was he included
in subsequent consultations.
Napoleon did not put much faith either in the medical art
or in those who practised it. On various occasions, instead of
applying to any of the eminent men included in his service
medical, he consulted any staff-doctor who happened to be on
duty at the Tuileries. The latter often ascribed serious
symptoms to a mere passing indisposition, and prescribed some
simple palliative remedy. Moreover, several of the better men
differed respecting the nature of the Emperor"'s complaint, some
opining that it was vesical catarrh and others diagnosing gouty
symptoms ; which conflict of views tended to increase the
Emperor's scepticism respecting medical science.
He was of a lymphatic nature, and anosmia had been induced
by his long imprisonment at Ham, resulting in cutaneous and
* Letter addressed to Le Figaro, on February 8, 1886.
THE EMPEROR'S ILLNESS 337
muscular hyperaesthesia, which became most marked under the
influence of cold, when also great sensibility, as manifested by
shooting pains, sometimes appeared in the extremities. An
hemorrhoidal complaint, which had also been induced by the
confinement at Ham, had increased the anaemia, which, accord-
ing to the Emperor's subsequent admissions, had sometimes led
to fainting fits ; but virtually the only trace of it left in the
last year of the reign was the hyperesthesia we have mentioned.
There were no symptoms of rheumatism (as some had diagnosed)
at all. If the hyperaesthesia had been due to rheumatic causes
and not to anemia, there would have been heart complaint, but
there was none. Further, the few gouty symptoms which had
shown themselves were in no wise of a rheumatic nature ; but
vesical lesion existed. All other organs were regarded as sound.*
From the presence of calculus it would seem that the treatment
prescribed for the Emperor throughout a period of many years
was altogether wrong. The first spa selected for him by his
medical advisers was Plombieres in the Vosges, whose waters
may not have done him any particular harm, and may even
have been beneficial with respect to passing affections, but a
terrible blunder was committed when he was sent to Vichy
in the Bourbonnais. This first occurred, we believe, in July,
1861, while his complaint was in an incipient state, and Vichy
becoming his usual place of resort for treatment, pernicious
consequences ensued. The effect indeed of the Vichy waters
was to increase the volume of the calculus.!
In 1865, when the true character of his symptoms was
secretly revealed to Baron Larrey, the Emperor paid a visit to
Algeria. There were good political reasons for the journey,
but, according to some accounts, it was really undertaken by
medical advice, it being thought that the sufferer might benefit
by a sojourn in a warm climate. It is pointed out that the
situation was then evidently regarded as serious by some of the
doctors, for, although the Emperor did not quit French
territory, he invested the Empress with the powers of Regent,
and also made his will before quitting St. Cloud. But there
* The above account is abbreviated from the report of the famous medical
consultation on the eve of the Franco-German War,
f Dr. Constantiij James.
z
338 THE COURT OF THE TUILERIES
are some other points to be considered, such as the Marguerite
Bellanger affair, the intervention of President Devienne, the
estrangement between Napoleon and his consort, and the neces-
sity of effecting a reconciliation, in which respect the regency,
the will, and the Algerian journey may all have been helpful.
In the following year, however, the Emperor*'s symptoms were
certainly severe. Mental anxiety always reacts on such com-
plaints as his, and there can be no doubt that his health at the
time — it was the year of the war between Prussia and Austria —
greatly influenced his foreign policy, inclining him the more to
accept the suggestions of those who advised negotiation with
Prussia rather than armed intervention. Eager for treatment
after great worries of State, which were not yet ended, he
repaired to Vichy on July 27, that is about three weeks after
the battle of Koniggratz, attended by his Chef-de-cabinet,
Conti, and speedily followed by his Foreign Minister, Drouyn
de Lhuys. But the arrival of the Empress Charlotte in France
necessitated his prompt return to St. Cloud. Somewhat later
his complaint gave much trouble, and alarming rumours led to
a fall in the funds. But in the latter part of October he
was restored to average good health, making excursions in the
environs of Paris, experimenting with the Chassepot rifle, and
shooting over the coverts at St. Cloud.
In 1867 he went to Vichy again, and this time the ill effects
of the waters became so marked, the hematuria re-appearing,
that the treatment was stopped. In the following year he did
not visit Vichy, but reverted to Plombieres, hoping, perhaps, to
obtain relief from the waters there. It seems as if his doctors
hardly knew what course to suggest. That, in addition to
being sceptical in medical matters, he was also a very reticent
man is well known. Although, in a sudden moment of anxiety,
he had confided everything to Larrey, it does not follow that
he acted likewise with other medical advisers. W^e at least
know that until his stay at Vichy in 1867 he submitted to no
examination at all, and the discord among the doctors and the
erroneous early treatment may have been due in some degree to
his own lack of outspoken confidence. In any case, his complaint
was not checked, but grew more serious each year. In August,
1869, he became so ill that he had to keep his room, and in
THE EMPEROR'S ILLNESS 339
spite of all precautions ominous rumours again spread through
Paris. The old story of rheumatism which had so often done
duty already, was thereupon repeated in order to allay public
apprehension, the Journal Officiel stating, on August 18 :
" Alarming reports respecting the Emperor's health have been
circulated. Those reports are incorrect. His Majesty's rheu-
matic pains are subsiding."" But people with any acumen were
not deceived. It was known that Dr. Ricord had been sum-
moned, and the mere name of that renowned specialist indicated
that the Emperor's complaint, whatever might be exactly its
nature, came within the range of the cases which Ricord
treated. Moreover, on the same day as the official note
appeared, the Independance Beige published a telegram from
Paris stating that the Emperor's health Avas improving, favour-
able results having attended the employment of an instrument *
which was named. Henri Rochefort immediately pointed out
in Le Rappel that this nevvs amply proved that the Emperor's
complaint could not be rheumatism. As a matter of fact,
though some persons, such as Prince Napoleon, Marshal
Leboeuf, and even General Lebrun, subsequently declared that
they were ignorant of the truth until the early stages of the
war of 1870, the secret of the Emperor's condition was already,
in 1869, tending to become a " secret de Polichinelle " in
various Parisian circles.
Respecting the social side of the visits which the Emperor, in
his desire for cure, paid annually to Plombieres or Vichy there is
not much to be said. Both at the spa commended by Montaigne,
and that celebrated by Mme. de Sevigne, his patronage led to a
great influx of fashionable folk and money ; and the State, the
municipalities, and the water companies spent large sums on
the improvement of both the baths and the towns. The
Emperor's retinue was usually very small as the Empress did
not accompany him on those trips.f He was often pursued by
urgent State business. The famous conference with Count
Cavour on Italian affairs took place, it will be remembered, at
* We know from the diagnosis of July, 1870, that the same course had
become necessary at Vichy in 1867.
t One year, when suffering from a stomachic complaint, she repaired to
the spa of Schwalbach, in Nassau, where she was extremely well received by
the inhabitants.
340 THE COURT OF THE TUILERIES
Plombieres in 1858. There were also official receptions which
the Emperor could not escape. For the rest he led a very
simple life, drinking the waters, making excursions in the
surrounding country, and occasionally attending a concert or
theatrical performance at a casino. Sometimes he patronized
a neighbouring village fete^ and the good-natured familiarity
with which he then mixed with the peasants won him many a
staunch adherent in those parts of France.
One evening, on turning up at a village dance near Vichy,
he singled out a good-looking girl and asked her to be his
partner. It was by no means the first time he had done such a
thing, but it aroused all the customary enthusiasm. While the
dance proceeded, however, an old peasant among the onlookers
remarked to the orderly in mufti, who was in attendance on the
Emperor : " Think of that, now ! Do you see how pleased
Marie Boilon looks at having the Emperor for her partner ?
She's my niece, you know." "Ah!" said the officer, "she
certainly does look pleased, as you say." " Yes," continued the
old man, " she won't forget it, not if she lives for a hundred
years. Voyez vous, monsieur, Fm getting old, and Fve seen a
few things in my time. We had Charles X., he was the King
of the Nobility. Then we had Louis Philippe, he was the
King of the Bourgeois; but Napoleon — you can't say the
contrary — he's the Emperor of the Peasants ! " Marie Boilon's
uncle was right. He had briefly summed up the history of France
for a period of half a century, and there is no gainsaying the
fact that the peasantry constituted the backbone of the Empire.
Another element of the nation with which the Emperor
strove to ingratiate himself was the army, not merely the officers
but the ranks also ; and, on the whole, he succeeded in this
respect until that fateful year 1870, when, after the Plebiscitum
had revealed the presence of a certain contingent of malcon-
tents in the forces, the advent of war a little later introduced
with the Mobile Guard a yet stronger Republican element,
impatient of discipline, into their midst, while the early
disastrous reverses capped everything by destroying confidence
in the military capacity of the Emperor and his Marshals.
For years, however. Napoleon made much of his soldiers. If he
sent them to die amid the snow and ice of the Crimea, among
THE CAMP OF CHALONS 341
the maize fields of Lombardy, or under the fierce sun of Mexico,
he petted them in France; and in time of peace, during his
more vigorous years, he interested himself in the question of
their creature-comforts with as much zealous assiduity as the
Duke of Cambridge displayed in England.
The Camp of Chalons was a great institution of the reign.
It dated from 1857, when the earlier Camp of Boulogne was
raised. It seems certain that the change was brought about by
considerations of policy. An entente cordiale existing with
Great Britain, the continuance of a great camp on the Channel
coast might well seem offensive to that power. But apart from
any regard for British feeling, the transference of the army's
chief training camp from the west to the east of France, was
dictated, we think, even at so early a date as 1857, by the
Emperor's aspirations to restore to France what was deemed to
be her legitimate frontier on the Rhine. The opportunity for
an effort of that kind, lost in 1864 and again in 1866, presented
itself once more, though under different and more difficult
circumstances, in 1870 — with what results we know. Yet for
thirteen years the Camp of Chalons had existed with a view
to facilitating the invasion of Germany. Its creation testified
to foresight as well as ambition on the Emperor's part. If,
instead of invading, he should be invaded, that camp and its
organization might render good service. But, again, it all
ended as we know.
The camp was established on a great heath-like expanse
lying several miles north of Chalons, and limited by rivers on
the south-west and north-east. The front line was about
eight miles long, the area available for encampments, ranges,
and manoeuvring being about 30,000 acres. Water was
abundant, thanks to the boring of wells, the proximity of the
two rivers we have mentioned, and the existence of a streamlet
called the Cheneu which intersected the camp for some distance,
the cavalry and infantry quarters being located on one side of
that streamlet, while the artillery, the service corps, the adminis-
trative departments, the magazines, slaughter-houses, bake-
houses, etc., were on the other. Each division had its hospital,
and a tramway ran through the entire camp, which was
illumined at night by four large lighthouses. Wooden buildings
342 THE COURT OF THE TUILERIES
were provided for some of the troops, while others slept under
canvas. On some rising ground near a fine old Roman road by
which the camp was also crossed, various pavilions and chalets
were erected for the headquarters of the marshal or general in
command and the accommodation of the Emperor and his suite
Avhen he visited the camp. There was also a small dairy farm
near this spot, in addition to seven other farms which Napoleon,
with a view to utilizing all the manure yielded by the camp,
established around it on land which had been lying waste for
centuries. For that he must be commended. Those farms,
managed on the best principles and extending over some
6000 acres, were so many practical schools of agriculture, and
exercised no little influence on agricultural methods in that part
of France. For some years there was little return for the money
expended on them, but by 1867 they were paying ten per cent,
on the capital invested.
During June, July, and August, as many as 60,000 men
were sometimes assembled at the Camp of Chalons, but the
average number was then about 40,000, falling to a quarter
or a fifth of that figure at other seasons of the year. The
Emperor's visit usually took place during the first fortnight
in August. Many foreign royalties and generals were present
at one or another time. The Empress was also an occasional
visitor, and from 1860 onward the young Imperial Prince came
from Paris to witness the manoeuvres and reviews. His first
visit, at the date we have mentioned, when he was little more
than four years old and rode a diminutive Shetland pony called
Balmoral, the gift of Queen Victoria, aroused delirious enthu-
siasm among the soldiers. The routine of camp-life was as
follows : On Mondays, Wednesdays, and Fridays, manoeuvres
by part or all of the forces ; on Tuesdays, Thursdays, and
Saturdays, artillery practice from dawn until 11 a.m., then
infantry practice until nightfall. It was at Chalons that De
Reffye's mitrailleuses were first tested on any considerable scale,
and that the famous Chassepot rifle inspired those great
expectations which were in a considerable measure falfilled
the first time the weapon was used in action — against the
Garibaldians at Mentana.
Napoleon was always keenly interested in the gun and rifle
THE CAMP OF CHALONS 343
practice. The greater part of his time at Chalons was given
to noting its results. Even in the final years of his reign he
showed no little activity when he was at the camp, an activity
simply marvellous when one remembers his complaint. On
horseback, when he had once really sat down and taken his
charger, Hero, by the head, he still made the pace very strong,
too strong, indeed, for some of the generals. There can be
little doubt that he often punished himself severely. But he
was a man of great physical courage. All imputations of
cowardice cast at him in former years, should be unreservedly
withdrawn, they are unworthy of figuring in the pages of
history. The saying " to grin and bear it "" expresses, in our
opinion, his line of conduct with reference to his malady. In
a mistaken way, he sacrificed himself to the regime he had
founded. All the concealment so long practised respecting his
illness was inspired by solicitude for the Empire. Nobody
was to know the truth lest the regime should totter under the
revelation, and its adversaries be inspirited to yet greater efforts
against it. Yet it would have been better for the Empire, as
well as for the Emperor himself, if he had submitted to proper
treatment when he was first urged to do so by Baron Larrey.
The course of the disease might then have been arrested, and
France might have retained a still vigorous instead of a more
and more valetudinarian monarch. But there was Prussia,
there was the succession to the throne, there were so many
interests to be considered. And no, no, there must be no
revelation, no risk of operation, he must jog on as best he
could, even supposing that Larrey were right — which, judging
by what other doctors said, was by no means certain.
Napoleon mixed freely with his soldiers during his stay at
the Camp of Chalons. Often, while he was strolling about in
undress uniform, he would ask Corporal Lagloire for a light, or
exchange a few words with Drummer Rataplan and offer him a
cigarette. He frequently dined in the open air, and afterwards
sat over a camp fire, smoking and partaking of coffee. The men
on their side got up entertainments to amuse the imperial
party in the evening. The Zouaves could always be relied
upon to improvise some laughable show. They "played at
Arabs" in a manner which vastly diverted the Duke of
344 THE COURT OF THE TUILERIES
Cambridge on one of his visits to the camp. One Zouave
would climb on another's shoulders, and the pair, after being
robed by their comrades as if forming but a single individual,
appeared before the company in the guise of a truly gigantic
Bedouin. Again, in some mysterious fashion, two or three men
combined together so as to form a very realistic camel, their
grey blankets simulating the hide of the animal, on whose
hump another Zouave, robed in sheeting, presently perched
himself, gazing around with all the dignity of a genuine desert
sheik. There was also the Arab wedding, when the young
bride, impersonated by some bearded Zouave, swathed from
head to foot, sat on the ground attended by matrons, who
sang the praises of her many virtues, while some scores of com-
rades, draped in sheeting and blankets, danced around to wild,
discordant music.
There were many other entertainments and amusements
for the soldiers — skittle alleys, jugglers' booths, a theatre, and
a cafe-concert where professional talent was displayed, while
some crazy billiard-tables were to be found in the adjacent
village of Mourmelan-le-Grand. Again, strips of land for
gardens vrere allotted to different regiments, and many men
spent their spare time in raising lettuces and radishes, the
Zouaves further adorning their plots with flowers and young
fir trees. They of course were a genre a part, but one was
struck, particularly in the camp's earlier years, by the similarity
of many of the uniforms of the Second Empire with those of
the First. The Grenadiers of the Guard, with their huge
busbies of an old-fashioned type, their bronzed cheeks and big
moustaches, particularly suggested the vieucc de la vieille of
1812 and 1813. They more than once sat to Horace Vernet
and Meissonier as models. Unluckily few of those men were left
in 1870.
High Mass on Sunday mornings, particularly during the
Emperor's stay at the camp, was an impressive if somewhat
theatrical spectacle. There was a chapel on the ground, but
Sunday Mass was celebrated at an altar on a lofty staging,
around which the troops assembled in full uniform and under
arms, the cavalry, however, being on foot. Thousands of
people came from neighbouring towns and villages to see the
THE MARSHALS OF FRANCE 345
sight. Sometimes the chief Army-Chaplain, sometimes the
Bishop of Nancy, and on special occasions, like the Fete Napoleon,
the Cardinal Archbishop of Reims, officiated. The Emperor
stood just below the staging, surrounded by marshals and
generals and attended by Cent-Gardes. The Domine salvumfac
Imperatoreni and the Te Deum were accompanied by massed
military bands, but the supreme moment of the ceremony was
that of the elevation of the Host. As the officiant turned and
raised the glittering monstrance towards the broad blue heavens
each soldier fell on one knee, presenting arms or saluting with
the sword, and at the same moment the colours were lowered,
the drums beat, and the field-pieces roared in unison.
But, as we previously indicated, life at the camp of Chalons
was not all amusement and pageantry. The reviews, retraites
mixflambeaux^Qxidi other solemnities and diversions which marked
the Emperor's visits came as interludes amid the more serious
work. We cannot here enter in detail into the question why
that work did not prove more successful when put to the test, but
the chief cause seems to have been lack of real military genius
among those to whom the charge of the French army was
committed. The Empire was unfortunate in its Ministers of
War. Marshal St. Arnaud died prematurely in the Crimea,
Marshal Niel was carried off by the same complaint as Napoleon's,
leaving his efforts at reorganization unfinished.* One who, had
he been trusted, might, perhaps, have proved an efficient War
Minister, Marshal Bosquet, also died early.
We have previously said something of those commanders
and a few others, and it is, perhaps, appropriate to add some
particulars respecting their colleagues in the Marechalat of the
second Napoleonic era. The first, we think, counted three and
twenty Marshals of France, in the second we find as many as
nineteen,! some of whom, as already indicated, were cut off
prematurely or died in the Empire's early years. In that respect,
* By great misfortune an instrument broke during one of Nelaton's
operations on Marshal Niel, and the pieces could not be extracted. Napoleon
heard of this, and shrank the more from the risk of an operation, not from
cowardice, but on account of the great issues at stake.
t We include in that number all who were created Marshals by Napoleon
III., either as President or as Emperor.
346 THE COURT OF THE TUILERIES
Excelmans, Ornano and Harispe may be added to Bosquet,
Niel, and St. Arnaud. Further, Jerome Bonaparte was past all
service at the time of his promotion. Then Vaillant, after
acting as War Minister during the Crimean campaign, confined
himself to his position at the head of the Emperor"'s Household.
There remain eleven to be mentioned. First, there was the one-
armed veteran Baraguey d'Hilliers, born in 1795, who took
Bomarsund in 1854, defeated the Austrians in 1859, and returned
to active service — though not to command in the field — in 1870
when he was seventy-five years of age. He was a soldier of the
old-fashioned type, capable in his way. Next may be mentioned
Castellane, Baraguey 's senior by eight years, a good soldier in
his younger days but employed by the Empire, if we remember
rightly, only on home service, mainly as Governor of Lyons.
Then there was Magnan, Governor of Paris, whose chief military
exploit, as previously narrated, was the Coup d'Etat and who
was removed from the scene in 1865. On the other hand,
Regnault de St. Jean d'Angely showed some capacity during
the Italian war of 1859 and commanded the Imperial Guard
until his death early in 1870, when he was succeeded in that
post by General Bourbaki.
A more important man was Marshal Randon, who also died
in 1870. He had been War Minister for a while in 1851, and
again held that office from 1859 to 1867, during which period
his authority proved disastrous for the army, for as ex-Governor
of Algeria he was an apostle as well as a pupil of that Algerian
school of warfare which, as a school for hostilities against
European forces, was the worst that could have been found.
Randon was also very neglectful in his departmental duties,
and much that happened in 1870 may be directly traced back
to him. If he retained his position so long, it was, perhaps,
because as an "elegant Minister," renowned for his entertain-
ments, he was supported by so much Court influence.
He had been succeeded in Algeria by Marshal Pelissier, the
" conqueror of Sebastopol," a plump, stumpy little man, with
dark eyes, black moustache, and white hair, in whom the
military ability and confidence of an old soudard were united
with the worst characteristics of the Norman peasantry, from
whose ranks he had sprung. Entering the Artillery of Louis
THE MARSHALS OF FRANCE 347
XVIII.'s Guard in 1815, just before Napoleon's return from
Elba, Pelissier had seen active service in Spain under the Duke
d'Angouleme, then in Morea, and next in Algeria, where he
achieved European notoriety by " smoking" some five hundred
Arab fugitives in their caves. In 1855 he took over the
Crimean command from Canrobert, and reduced Sebastopol, for
which achievement he was rewarded with the rank of Marshal
of France, the title of Duke of Malakoff', a senatorship, and the
Grand Cross of the Legion of Honour.
Thereby hangs a tale. Pelissier, as we have said, had some
peasant characteristics, and among them were greed and par-
simony. Still there was justification for the attitude he
assumed when he was called upon to pay the various fees of
investiture connected with the dignities conferred on him.
Those fees amounted to about ^£"400, and the usual application
was made to the Marshal. " What ! " he angrily exclaimed ;
" I took Sebastopol for you, and you want me to pay for doing
so ! Tonnerre de Dieit, you won't get a sou from me ! " The
matter was reported to the Emperor, who laughed good-
naturedly, put his hand in his pocket, and paid the fees himself.
On the whole, although Pelissier's rewards meant a large
increase of emoluments, one can understand his irritation.
National services, so different from services to a political party,
ought always to be rewarded " free of charge."
Unfortunately, Pelissier did not merely tighten his purse-
strings under justifiable circumstances. He was invariably
niggardly and grasping. His Christian name, Aimable, was the
very antithesis of his snappish, cantankerous disposition. The
vulgarity of his speech and the ribald coarseness of his jests
were a perpetual shock to people of culture and decency.
Nevertheless, thanks to the interposition of the Empress
Eugenie, he contrived to marry a bewitching Andalucian
beauty, the SeSorita Sophia de la Paniega, of Granada,* who
survived him for several years, after leading a by no means
happy life in her matrimonial bonds. Although PeHssier had
no courtly or diplomatic qualifications — being but a rough
soldier, brave undoubtedly, intelligent also in his profession
(yet achieving pre-eminence in the Crimea chiefly by reason of
* Her father was an impoverished Marquis. At the time of the marriage
in 1858 she was 26 years old, Pelissier being 38 years her senior.
348 THE COURT OF THE TUILERIES
the marked mediocrity of the men around him) — he was sent,
after the Orsini affair, to replace Persigny as French ambassador
in London. The British Government, mindful of Pelissier's
Crimean record, could not object to the appointment, but it
was one for which the Marshal was in no way fit. Later, as we
have said, he went to Algeria, where his administration proved
galling, predatory, and brutal, engendering rising after rising
among the natives. The Marshal's chief aim seemed to be the
augmentation of his fortune, and as his subordinates followed his
example, the native population was despoiled in so scandalous a
manner that the home government had to intervene to ensure
to the Arabs the possession of their remaining lands. Never-
theless, insurrection spread, and was only being reduced after
great efforts on the part of the French, when in May, 1864,
Pelissier died suddenly at Algiers. He was* succeeded by
MacMahon, who soon re-established order in the colony, its
pacification being confirmed by the Emperor's visit in the
following year.
MacMahon was a born gentleman, and contrasted strongly
with Pelissier. In his earlier years he had seen considerable
service in Algeria ; then, removed to the Crimea, he had carried,
as we all remember, the Malakoff" works of Sebastopol. Later,
in Italy, his share of the victory of Magenta, had procured him
both a Marshal's haton and the title of Duke. His abilities
were not of the highest order, but he was a good divisional
general, and as an administrator he at least managed to keep
Algeria quiet during his command there. How, in 1870, he
led his army to Sedan, how he was wounded there, will be
readily recalled. How far, in later years, as President of the
Republic, he became a consenting party to the schemes to
restore a monarchy in France, cannot as yet be fully determined.
Claiming descent from an ancient and noble Irish sept, he was
an aristocrat by inclination, confirmed, too, in such sympathies
by his marriage with a lady of high birth, whose influence over
him was considerable. His rule in Algeria, which was almost
absolute, his experience in command of the army which subdued
the Commune of Paris, and thereby prevented the disruption
of France, had made him an authoritarian, opposed to popular
clamour and ascendency. At the same time, he had less personal
THE MARSHALS OF FRANCE 349
ambition and a great deal less unscrupulousness than Bazaine.
His hands, too, were clean. If, then, he favoured a monarchical
restoration, it was, we think, solely by lawful means. We have
great doubts whether General de Rochebouefs scheme for a
monarchist Coup d'Etat in the seventies really had MacMahon's
assent and support.
While he was President of the Republic, it was often said
that he was deficient in intellect, a mere puppet in the hands
of others, unable to make a sjjeech, and addicted to numerous
failings. We were on the side against him in those days,
holding that he had to give in or go out, even as Gambetta
had said. But we never thought him quite the puppet that
others asserted. We recognized then, as we do now, that the
power of oratory is not given to everybody, and we were
quite ready to admit the exaggeration, if not falsity, of other
assertions. And now that the political passions stirred up at
that period have long since been stilled, nobody, we think, will
gainsay the fact that MacMahon had a courtly way, as well as
a soldierly bearing. It was delightful to see how he handed
Madame la Mar(^chale either out of a carriage, or, if they were
walking, across a street. It was like a sudden flash of the
manners of the old regime, that polished yet easy gallantry of
long ago, such as was displayed at the Imperial Court by only
two other men. Count Walewski and Prince Jerome.
The best trait of MacMahon''s comrade Canrobert was a
consciousness of his limitations. Brave, dashing, like the old
Zouave leader he was, always prepared — rrran! — to crush, as
military governor, either the unarmed Lyonnese or Parisians,
should they rise against the imperial authority, he shrank with
good reason from supreme command in the field. No doubts,
however, disturbed the tranquillity of Marshal Lebceuf, who,
rising to a supreme position, honestly but foolishly harboured
the delusion that France, in 1870, was indeed ready for war.
Forey, the first of the Mexican marshals, figured only a few
years upon the scene. By treating the Mexicans as brigands,
and at least conniving at the barbarities perpetrated by Colonel
Dupin of the Contra-guerilla, he contributed to the fate of
Maximilian. In 1870, when the Germans refused to recognize
the French Francs-tireurs as troops, the Berlin press was able
350 THE COURT OF THE TUILERIES
to point out that this was by no means an innovation — a
similar course having been followed by the French themselves
in Mexico. When Forey was superseded there by Bazaine, he
returned very regretfully to France, holding that he had been
badly treated. But a year or two later, when the Mexican
business collapsed, he was well pleased that he had extricated
himself from it at an early date. " It was Bazaine's fault if
the new Empire had not found acceptance among the Mexicans.
Bazaine was a most incompetent man," said he, forgetting that
he had previously lauded him to the skies.
There was, however, truth in his last assertion, Bazaine,
who, like so many others, had been trained in the Algerian
school, serving also against Carlist bands in Spain, and com-
manding the French contingent against Kinburn in 1855, rose
from the ranks to supreme command by a combination of good
luck and pushfulness. The gaps in his military knowledge were
amazing. He was deficient precisely in what made Moltke
pre-eminent, his acquaintance with the real science of war being
most limited. It is frequently asserted that an ounce of
practice is worth a ton of theory. Bazaine was a living proof
that this aphorism is not always borne out by facts. Bonaparte,
the greatest captain of the modern era, at least studied at
Brienne, but where and how did Bazaine study .f* Natural
aptitude, which Bazaine certainly possessed, requires to be
reinforced by knowledge, such as he lacked. Yet, until the
autumn of 1870, he always had his partisans, and circumstances
served him. While fighting with the Cristinos against the
Carlists, he had acquired some knowledge of the Spanish
language, and that largely helped to secure him a command
in Mexico. Then came his opportunity. We will not say
that, on succeeding Forey, he might have firmly established
Maximilian on his throne, but it seems clear that he re-
peatedly lied in his despatches, and systematically placed his
own personal interests above those of France. If the contrary
were true, then all the many private letters emanating from
officers of the French forces in Mexico, notably those from
General Abel Douay and Commander Bressonet — letters which
were so often opened and copied for the Imperial Cabinet at the
Tuileries — must have been mendacious. In Mexico Bazaine also
THE MARSHALS OF FRANCE 351
acquired a reputation for rapacity, but, in that respect, the
poverty into which he fell during his last years seems to indicate
that he never amassed any great amount of money. It was at
Maximilian's Court that he contracted his second marriage.
His first wife had died under very tragical circumstances, and,
in the summer of 1865, he espoused a young Mexican lady of
considerable charm of person, the Senorita Josefa de Pena y
Azcarate. In conjunction with a devoted aide-de-camp of the
Marshal, it was she who, after his trial for the surrender of
Metz, helped him to escape from the He Ste Marguerite.
Whether Bazaine would have fared at all better than he did
with the army under his command in 1870, even if, from the
very outset, he had been allowed a free hand instead of being
subordinated to the Emperor and the latter''s entourage^ must
remain doubtful; but, after attending his trial from beffinnino-
to end, noting the manner of the witnesses as well as their
evidence, and the prisoner''s own bearing throughout the pro-
ceedings, it has always seemed to us only too clear that, after
being shut up in Metz, he listened to the voice of personal
ambition. It may be taken, we think, that he neglected the
true . interests of France for those of the imperial cause,
imagining that he would be able to restore the Empire under
the young Imperial Prince, whose High Constable and protector
he would become. He was a Lorrainer by birth, Metz was
almost his native spot, and, however much he secluded himself
during those siege-days, he must have ridden more than once
across the Place Napole'on and along the Esplanade. Statues
of two great soldiers, Lorrainers like himself, rose upon those
spots — on the first that of Abraham Fabert, and on the second
that of Michel Ney, that is, one who never swerved from his
duty, but died honoured by all men, and one who, though brave
among the brave, suffered death for having violated his oath.
But the lesson of those two statues was unheeded by Bazaine ;
and Metz, known until his time as Metz la Pucelle, nunquam
'polluta, fell, and was lost to France.
In the last days of 1866, a great council of the Marshals of
F'rance, with the Emperor in the chair, assembled at Compiegne,
where the Court was then staying. Baraguey d"'Hilliers,
Canrobert, Forey, MacMahon, Niel, Randon, Regnault, and
^52 THE COURT OF THE TUILERIES
Vaillant were present, the only absentee being Bazaine, then
in Mexico. Four general officers also attended the gathering,
these being Frossard, Montauban (Palikao), Trochu, and
Lebceuf, the last named of whom had not yet secured his
marshaPs baton. It was at this tardy meeting, after all the
successes of Prussia, that the re-organization of the French
army was first debated. A Committee of Reorganization was
afterwards formed, and General Trochu, whom we have just
named, was originally a member of it. But his views, which
went much further than Niers, found little or no support, and
he was before long excluded de facto from the committee.
When, therefore, the scheme which it evolved was declared to
have been unanimously arrived at, Trochu, unwilling to let
such a statement pass unnoticed, penned his famous pamphlet,
" L'Armee Frangaise en 1867,"Avhich created so great a sensation
in every military circle of Europe, and led, in some matters of
detail, to a modification of the plans which Niel was appointed
to carry out.
All those men have now passed away. There are no more
Marshals of France left — Canrobert was the last survivor. We
are not quite certain, however, whether any of Mesdames les
Marechales remain, but early in the eighties there was still
quite a company of them, including even the relict of one of
the first Napoleon's marshals, the venerable Duchess d'Albufera,
who, after wedding Marshal Suchet in 1808, had remained a
widow ever since 1826. A daughter of Antoine de St. Joseph,'
mayor of Marseilles, and therefore a close connection by
marriage of Joseph Bonaparte, King of Spain, she had received
from him as a wedding gift the fine mansion adjoining the
British Embassy in the Faubourg St. Hondre, in which she
resided' until her death. During the Second Empire the
Duchess frequently figured at the Tuileries, and the enter-
tainments at the Hotel dAlbufera were at one time renowned.
She bore Suchet two children — a son, who married the daughter
of the famous banker Schickler, and who was long a member of
the Legislative Body ; and a daughter, who became Countess de
la Redorte. Other widowed Marechales, who still figured in
Parisian society a score of years ago, were Mesdames Regnault
de St. Jean dAngely and Niel, and the Duchess de Malakoft",
THE VILLEGIATURA OF THE COURT 353
Then there were Mme. de MacMahon and the Marechale
Canrobert, whose husbands were still alive ; while in seclusion,
somewhere in the provinces, Leboeuf and his wife were to be
found.
All those high commanders and their ladies figured from
time to time, not only at the Tuileries, St. Cloud, and the
camp of Chalons, but at the other places whither the Emperor
transported himself. The annual stay at Fontainebleau some-
times preceded and sometimes followed the imperial visit to
Chalons. In various respects the Court's life at Fontainebleau
resembled that which it led at Compiegne later in the year, but
the gatherings, which generally coincided with the Fontaine-
bleau race meetings, were perhaps rather more " fussy " (if we
may be again allowed a vulgarism), and whereas at Compiegne,
apart from costumes de chasse, only the furs and cloaks and
sombre gowns of winter were to be observed out-of-doors, at
Fontainebleau the scene was bright with all the hues of dainty
summer toilettes. Unfortunately, the gentlemen were pursued
by the etiquette of the time, and in that connection we recall
a delightful picture. Imagine the lake near the "English
garden" covered with sailing-boats, rowing-boats, punts, and
canoes, in most of which sit ladies in leghorn hats and
crinolines, while the gentlemen who are rowing, punting,
paddling, or hoisting sails, invariably wear the solemn orthodox
frockcoats and silk hats of the Boulevard des Italiens. The
idea of such a thing nowadays seems " too preposterous ; but,
then, did not Marshal Magnan, soon after he was appointed
" Great Huntsman,"" go shooting at Compiegne in similar
attire, with the addition of a white neck-cloth ? And does
none of our readers remember the lithographs of the late
forties in which English tourists were depicted climbing Mount
Vesuvius in frockcoats and " chimney-pots " ? Not so many
years ago, after the disruption of an Alpine glacier, an old
English beaver hat, such as must have once figured in the Park
and about St. James''s, was accidentally discovered by some
Savoyard mountaineers. If such headgear might be worn amid
the avalanches of the Alps and around the crater of Vesuvius,
it is not surprising that it should have been thought " correct "
when you were paddling your own canoe — or, rather, one
til A
354 THE COURT OF THE TUILERIES
belonging to the Emperor — on that lake at Fontainebleau.
The sight may have been scarcely pleasing to the tri-centenarian
carp in the water, but they cannot have wondered at it, for
they were biases^ having witnessed so many vagaries of fashion
since their youthful days under the first Francis !
We need give no account of the palace of Fontainebleau.
If we wrote at some length about the chateau of St. Cloud, it
was because it exists no more, whereas Fontainebleau, happily,
may still be seen and admired. Besides having many associa-
tions with monarchical times, it recalled to the Imperialists of
the Second Empire the downfall of the First, for it had witnessed
Napoleon's memorable abdication, and his pathetic farewell to
the Old Guard in 1814. In the time of Louis Philippe, who
did much to restore the palace, a framed facsimile of that deed
of abdication had been hung in the room where the original
was drawn up, but it was removed soon after the re-establish-
ment of the imperial regime, as Napoleon III. did not wish
visitors to be reminded too pointedly that Napoleon I. had
*' renounced for himself and his successors the throne of
France."" The chief work accomplished by the Second Empire
at Fontainebleau was the restoration of the gallery of Francis I.
and the building of a new playhouse.
From "the palace in the forest" the Court betook itself
to the shores of the Bay of Biscay. The Empress had been
acquainted with Biarritz before her marriage, and the Emperor
accompanied her thither early in the reign. They first resided
at a villa erected by a Prefect of Bayonne, but in 1854 a large
tract of land, half reclaimed from the sea, was purchased for
the bagatelle of £1% and in the following year the building of
the Villa Eugenie was begun on a barren, unsheltered, terraced
slope, beaten at high tide by the waves, whose spray, when the
wind was strong, often lashed the windows. There was, how-
ever, a superb view of the sea breaking over the many huge
rocks arising in the bay ; and although at first a tangle of
juniper bushes and a few dwarf trees were the only vegetation
in the grounds, the latter were soon improved, thanks to proper
manuring and irrigation by means of an artificial lake and a
system of runlets. The " villa " itself was originally small,
and intense was the dismay of the Empress"'s ladies-in-waiting
THE VILLEGIATURA OF THE COURT 355
the first time the}' saw their appointed quarters. " Mais, rnon
Dieu!'''' exclaimed the gay and brilliant Mme. de La Bedoyere,
whose arrival in a room was often likened by the Tuileries set
to the lighting of a chandelier ; " mais, mon Dieu, this is not as
large as a cell in the convent where we were brought up ! "" " No,
indeed," protested her sister, the slim and willowy Mme. de La
Poeze,* " we shall never be able to squeeze into such cabanons! "
The consternation of the ladies' maids found even more vigorous
expression. The joke of the situation was that this particular
part of the villa had been specially designed by the Emperor,
who had imagined that a room ten feet square, and furnished
with a small iron bedstead, two chairs, and a dressing-table,
would amply suffice for a lady-in-waiting.
The Duchess de Bassano, as chief of the ladies in question,
was naturally bombarded with complaints, and bethinking her-
self of some means by which the grievance might be ventilated
without giving undue offence, she drew up a petition in verse —
the petition of all the crinolines, tournitres, and bustles, which
finding themselves cribbed, cabined, and confined in so many
hermits' cells at the Villa Eugenie, were fast losing all the
vigour and elasticity with which they had fascinated the
Parisians. And this petition was confided to the tiny hands
of the Imperial Prince, and delivered by him to his papa.
Napoleon took it, read it, laughed, twirled his moustaches, and
became thoughtful. For the time nothing more was said on
the subject, but directly the Court quitted Biarritz that year,
a small army of men set to work to enlarge the Villa Eugenie.
St. Crinoline had won the day.
The villa was again enlarged on two other occasions, and it
at last assumed the proportions and appearance of a college or
a barracks. Meantime Biarritz itself was growing fast. A
place of some importance in olden days, it had gradually sunk to
the status of a mere fisher's hamlet, but the imperial patronage
brought it a renewal of life. Its resident population rapidly
* Those attractive ladies, the daughters of the Marquis de La Eoche
Lambert, at one time a Gentleman of the Chamber to Charles X., and later
Ambassador at Berlin, and a Senator of the Second Empire, have been referred
to on p. 72. They had a sister, the Countess de Valon, who alone upheld the
royalist traditions of her family and never came to Court.
356 THE COURT OF THE TUILERIES
increased ; it had its large hotels, its restaurants, cafes, casino,
and theatre. The earlier scarcity of vegetation was consider-
ably remedied, the streets being lined with sycamores, and a
miniature Bois de Boulogne being planted in the vicinity, where
many handsome residences, such as the so-called chateau de
Gramont and Lord Ernest Bruce's mauresque villa, also sprang
up. Further, there was a new church, which the municipality,
in a courtier-like spirit, caused to be dedicated to St. Eugenia
— a proceeding that shocked a good many of the devout, as the
church the new one replaced had been dedicated to Our Lady
of Pity. It was not right, said some, that St. Eugenia should
turn the Virgin out-of-doors. With the prosperity of Biarritz
much of its picturesqueness departed. Gracieuse, the pretty
Basquaise with her mule and her cacolet, was seen no more ;
Marinette, who, short-skirted and bare-legged, had raced from
Bayonne with her basket of fresh sardines on her head, also
belonged to the past. You no longer rode a donkey but a
hack, on your excursions. The popular dances were no longer
seen, the wild music of the Basque mountain-side was no longer
heard. The waltz reigned at the casino, and a military band
played tunes from " Chilperic " or " Orphee aux enfers " on the
sands.
Affairs of State pursued the Emperor to Biarritz as they
pursued him to other places. Such is the result of personal
rule. There were always two or three ministers at the Villa
Eugenie, as well as one or another foreign ambassador. Baron
Goltz, the Prussian representative, became quite enamoured of
Biarritz, and repaired thither every year. In 1865, too,
Bismarck's memorable conferences with Napoleon took place
there, as we previously mentioned. There were also many
visits from crowned heads and other royalties, for whose enter-
tainment elaborate excursions and picnics in the picturesque
environs — Ustaritz, Cambo, the Pas de Roland, or more distant
spots — were organized with the help of the imperial posting
service. Occasionally, too, the Emperor and Empress witnessed
some bull-fighting at Bayonne. The Emperor, who was so
susceptible to cold, seldom bathed, but the Empress (a good
swimmer) did so regularly, and there were frequent trips at sea
—a despatch-boat being stationed in the old harbour — until,
THE VILLEGIATURA OF THE COURT 857
a serious mishap on the water in October, 1867, alarmed the
Emperor for the safety of his wife and son.
They had embarked in the despatch-boat, accompanied by
the Demoiselles d'Albe, Admiral Jurien de la Graviere, two
ladies-in-waiting (one of them Mme. Carette), Dr. Corvisart,
and Monsignor Bauer — a prelate of the Papal Household, who
ended badly. The weather was fine at first, but after the
steamer had gone as far as San Sebastian, the breeze freshened
to half a gale, and the sea became so rough that the captain
declared it impossible to put back into Biarritz, particularly as
night was fast falling. The vessel, therefore, made for St. Jean
de Luz, where it became necessary to land the imperial party in
its boats. The fisher-folk, who had recognized it, hurried to
the jetty with torches and lanterns, in order to light the
channel, and one boat soon brought some of the party to
shore. But the other, containing the Empress, the little
Prince, the admiral, the doctor, and the priest, struck a rock
and began to fill rapidly. The pilot in charge, losing his head,
jumped into the water, fell back against the rock, and was
stunned and drowned ; but the others succeeded in getting on
the rock, the Empress carrying her son, at that time eleven
years old, in her arms. One of the bluejackets then offered to
swim ashore to procure help, but the tide was fast running out,
and once the man was in the water he found that he touched
bottom. It therefore became possible for the crew to form a
kind of chain and pass the passengers ashore — that is to say, all
were carried in that fashion except Monsignor Bauer, who had
to wade through the water, the sailors refusing him their assist-
ance, as they held him responsible for what had happened; it
being an axiom among them that a priest always brought bad
luck on a sea trip. On the return of the party to Biarritz by
road, the Emperor was found to be in a state of great alarm.
Owing to this mishap, and the undoubtedly dangerous nature
of the coast, he forbade all such excursions in future, while, for
the protection of others, he ordered the erection of a lighthouse
on the- mole of St. Jean de Luz.
From Biarritz the Court usually returned to St. Cloud, and
remained there until the period of its annual stay at Compiegne,
where it was generally installed by November 3, that being the
358 THE COURT OF THE TUILERIES
day consecrated to St. Hubert, the patron of the chase. We
have now to speak of the Imperial Venery, otherwise the
hunting and shooting service, which dated from April, 1852.*
Since Charles X. there had been no such service, and the work
of organization was attended by various difficulties. Edgar
Ney, to whom it was entrusted, was assisted by his relative, the
jovial bon-vivant Baron Lambert, Lieutenant of the Hunt, and
the Marquis de Toulongeon, a member of the house of Gramont
and at one period Napoleon"'s orderly-officer, who became
Captain of the Shooting-Grounds. Fortunately the Marquis
de I'Aigle, the head of an old family of sportsmen residing at
the chateau of Francport, between the forests of Compiegne
and Laigue, offered Napoleon a pack of thirty hounds and two
hunters, and in return for this gift (which formed the nucleus
of the imperial equipage) he secured boar-hunting rights in the
forests mentioned.!
The post of chief huntsman was given to M. Reverdy,
called " La Trace," who had entered the first Napoleon's service
in 1803 as a kennelman, and, rising in rank, had succeeded
Dutillet, called " Mousquetaire," as chief huntsman to Charles X.
It was to Reverdy that fell most of the preliminary work in
1852, but he was assisted by the Marquis de TAigle's huntsman,
who entered the Emperor's service. Born in 1785, and the son
of an official of Louis XVL's hunt, Reverdy was a depository
of all the old traditions of the chase, one schooled in the
mariners of other times. Nothing could have been more
dixhuitievie niecle than the manner in which he approached
Ney, with his whip at the correct angle in his right hand, and
his three-cornered hat in his left, and exclaimed while bowing,
" Le hon plaisir de Monsieur le Comte.'''' He had a high opinion
of his office, and quickly resented anything in the way of
impertinence. One day at Compiegne a foolish young officer
called him a valet. " A valet ! So be it, monsieur," answered
La Trace, " but please do not forget that I am the valet of
your master." He was also a very honest and well-conducted
man, and organized the imperial service skilfully, this being the
less easy as many of the men who were engaged came from
* Napoleon was, of course, only President at that time.
f The Imperial Hunt confined itself to stag or buck hunting.
THE IMPERIAL HUNT 359
different hunts with varying traditions or else with none at all.
Among the assistant huntsmen, however, there was Leroux,
who had entered the first Napoleon's Hunt in 1812, afterwards
passing into the royal service. It was he who succeeded
Reverdy when the latter retired. There was also Camus, the
first mounted limer-man, who had done duty in the Hunts of
the First Empire and the monarchy ; while another of the staff,
Landouillet, the most proficient of all on the horn, had
graduated in the famous Chantilly Hunt of the last Prince de
Conde. Leemans, who quitted the Marquis de FAigle's service
for the Emperor's as whipper-in, was well acquainted with the
English language, and accompanied Baron Lambert to England
and Ireland every year to purchase hounds and horses. Lee-
mans succeeded Reverdy and Leroux in the chief post, which he
held in 1870, and thus it was to him that fell the melancholy
duty of poisoning the hounds, it being impossible to keep them
or sell them in the midst of war.
Leaving the service dlionneur on one side, the staff of
the Hunt under chief huntsman Reverdy and his successors
included two huntsmen, one mounted valet-de-limier, two on
foot, three mounted whippers-in, four on foot, and a baker, who
made the dogs' bread and prepared their soupe. There was
also the stable department with three piqueurs, a coachman, a
farrier, an 'hifirmier, and a score of men and lads. The chief
huntsman, and the head stable piqueur received £120 a year,
the huntsmen £8 a month, and the whippers-in, the valets,
kennelmen, and stablemen from £4 to £6 a month. They all
had free quarters, firing, etc., received double pay every month
of January, and perquisites representing from £4 to £12,
whenever St. Hubert's Day came round. The Hunt cost the
Civil List about £22,000 annually.
Attached to the service dlionneur was a medical man. Dr.
Aubin des Fougerais, who, curiously enough, was also doctor
to the Opera-house in Paris, in such wise that he divided his
time between the men of the greenwood and the ladies of the
ballet. M. des Fougerais was a good judge of horses, and rode
extremely well until his leg was broken by a kick from a vicious
animal at Compiegne. From that time he was obliged to
follow the chase in a conveyance. The Hunt also had its
860 THE COURT OF THE TUILERIES
painter, Jadin, famous for his portraits of dogs; he wore the
uniform of the Hunt, which he often joined.
The stables contained from fifty to sixty horses, each officer
of the Hunt and each huntsman having three, and the doctor
and each valet two at his disposal. The horses were always
bought in Ireland by Baron Lambert, who paid about d^lOO for
every animal intended for an officer of the Hunt, and from c£'50
to £60 for the others. The staff were instructed to take great
care of their mounts. Baron Lambert was too good natured to
treat anybody with deliberate harshness, but he lost his temper
if a man of the staff returned from the chase with his horse
broken down. There were usually about 120 hounds, inclusive
of 30 limers, in the kennels. They were big English foxhounds,
white, with the correct black and fulvous colourings, and, as
in the old days of French royalty, each was marked with St.
Hubert's cross. Their food was invariably pounded-barley
bread, except on hunting days, when, after partaking of the
curee, they were treated, on returning to the kennels, to soicpe
with beef or horseflesh. They were all intelligent dogs, came
out of the pack in answer to their names, proved themselves
well acquainted with the forests and adept in finding their way
home. On one occasion, when a hound had been lost in the
forest of Fontainebleau, he arrived three days later at the
kennels at Compiegne, having made a journey of some forty
leagues. While M. Leemans was chief huntsman, he looked after
the dogs and horses so well that the Society for the Protection
of Animals awarded him its medal.
Green was the predominant colour of the uniform and the
liveries of the Hunt. The former had a collar and cuffs of
crimson velvet, and silver buttons bearing gold stags. There
was also no little silver embroidery and braid. Further, three-
cornered hats were worn, those of the Emperor and Empress
having their brims edged with white plumes. The various
officers carried long hunting-knives. The Empress's habit
was of green cloth with trimmings of crimson velvet, gallooned
and embroidered with gold. In accordance with the custom of
former reigns, whenever the Emperor granted anybody the
right to follow the Hunt and wear its uniform, he sent the
favoured individual the necessary buttons for the costume.
THE IMPERIAL HUNT 361
whence it resulted that members of the company were often
called "the Buttons." The Emperor's aides-de-camp and
orderhes belonged to the Hunt by right, and any civilian
officers of the Household who applied for the buttons usually
obtained them. The Great Chamberlain, the Duke de Bassano,
and the Great Master of Ceremonies, the Duke de Cambaceres,
wore the uniform, as did also Prince Napoleon, Prince Murat,
several foreign princes and diplomatists, such as Lord Cowley,
Prince Metternich, and Baron Budberg. Marshal de Castellane's
daughter, the sprightly and witty Marquise de Contades, who,
by her second marriage with a captain of the Artillery of the
Guard, became Countess de Beaulaincourt-Marles, and who, in
conjunction with Princess Mathilde, had kept house for Napoleon
during his presidency days at the Elysee Palace, was, like that
skilful horsewoman the Baroness de Pierres, one of the few
ladies to whom the privilege of wearing the uniform was
accorded. Among well-known men who enjoyed it were the
Dukes de Morny, Persigny, Caumont-Laforce, and Vicence, the
Marquis de L'Aigle, Marshal MacMahon, Count Nieuwerkerke,
the Aguados, Achille Fould, Baron Henri de Poilly, MM.
d'Offemont, de Montgermont, and Edouard Delessert. The
liveries of the huntsmen, whippers-in, and kennelmen of the
Venery partook of the character of the uniform, but the
embroidery was somewhat less rich, and white metal buttons,
in some instances, took the place of the silver ones. The
costumes, which were in most respects of an eighteenth-century
style, suggestive of the garb of Captain MacHeath and Claude
Duval, encountered no little criticism and ridicule in many
quarters, but they were undoubtedly picturesque, and not
much more absurd or extraordinary, perhaps, than the English
" pink."
At three o'clock on the morning of November 3, St. Hubert's
Day, when the Hunt was usually quartered at Corapiegne, a
fanfare sounded in honour of the saint, and the officers and
men, mustering in full costume, repaired to the old church of
St. Jacques, where a low mass was celebrated, the consecrated
bread being offered by the kennelmen. Immediately afterwards,
the forest was tried, and when the best hound in the pack had
been singled out at the ensuing meet, a lady was requested to
362 THE COURT OF THE TUILERIES
affix to its neck a green silk cockade, the ribbons of which the men
shared on their return in the evening, employing them through-
out the ensuing year to secure the mouthpieces of their horns.
On the same day the huntsmen and whippers-in presented the
Emperor with a consecrated brioche, and the Empress with a
bouquet.
The Hunt moved about during the year, being quartered
now at Compiegne, now at Fontainebleau, now at St. Germain-
en-Laye, or elsewhere. There was no hunting in July or August,
but in other months a meet usually took place every five or six
days. On an average, at some forty runs, about thirty-three
stags were taken, the others escaping. The proportion was
much the same as in the time of Charles X., when forty-seven
stags were credited to sixty hunts. Napoleon was no disciple
of the old hunting school. If he were partial to the chase, it
was chiefly for the sake of the exercise it gave. He believed
in speed ; he had enjoyed many a fox-hunting run in England,
and the comparatively slow and elaborate system of stag-hunting
which had been formerly practised in France by its princes and
its nobility did not appeal to him. Besides, he could not give
days and weeks together to the chase as the Bourbons had
done. Nevertheless, the stag-hunting of the Second Empire
was not a mere gallop through the forest glades amid much
tooting of horns, as some writers, who never witnessed it, have
foolishly asserted. There was no question of pursuing " carted
deer," but of following wild and vigorous bucks, sometimes
ten-tined stags, who, when brought to bay, often proved
dangerous. At those times the Emperor frequently showed no
little audacity. To the Empress*'s alarm, he more than once
" served " some monarch of the forest with his hunting-knife,
and even when he employed a carbine for the purpose, he
ventured so near to the infuriated animal that he incurred
considerable risk.* On one occasion he only escaped injury
by throwing himself flat on the ground in such wise that the
stag jumped over him. There were many bad accidents at
* The young Prince Imperial's first hunt was in 1865, On seeing a carbine
employed to despatch the stag, he remarked, " Oh 1 why is that used? When
I'm big enough I shall use my knife. That's what the kings used to do. I'm
not afraid of a stag."
THE IMPERIAL HUNT 363
Fontainebleau and Compiegne. One day, when Baron Lambert
was about to despatch a stag, the beast charged him, threw
him down, dislocated one of his shoulders, and pierced his arm
with a tine. On another occasion, at a hallali at Compiegne,
when it fell to the Prince de la Moskowa to kill the stag, the
latter charged M. de la Rue, one of the head forest-keepers,
threw him off his horse, killed that animal by ripping it open,
and then turned upon Achille Fould, pierced one of his boots
with a prod of its antlers, and next dashed upon the mount of
the charming Mme. Araedee Thayer, whose horse reared in
alarm. Unluckily, one of Mme. Thayer's feet became caught
in a wheel of Princess Mathilde's carriage, which had just come
up, and in the result the foot was broken, and the unfortunate
lady, lamed for life, had to be conveyed to the chateau of
Compiegne on a litter, and thence, by special train, to Paris.
Those are examples of the incidents which occurred from
time to time. We also remember witnessing the mishap which
late in 1869 befell the Prince of Wales (now Edward VII.),
who was unhorsed by a big buck in the forest of Compiegne,
though fortunately with no worse result than a shaking, the
Prince speedily jumping on to a spare mount, led for him by an
officer of the Hunt, and at once resuming the chase amid the
applause of the entire company. With the conditions of buck-
hunting in England, and the reasons of the opposition offered to
it of recent years, we do not profess to be acquainted. But in
France the sport was genuine enough, the wild red deer of
Compiegne and Fontainebleau being by no means the meek,
mild, inoffensive creatures that some might suppose. The
hounds were often injured, but received prompt treatment, each
man of the Hunt being provided with a case containing lances,
needles, thread, and ammonia. After a month's rest an injured
hound would readily hunt again, but he was never afterwards
quite so brave at the hallali as he had been before.
One of the great sights at Compiegne a,nd Fontainebleau
was the curee in the evening after a run. The Emperor, the
Empress, and the guests were assembled on the balconies or at
the windows overlooking the courtyard selected for the occasion.
Blazing cressets fixed to long staves, carried by soldiers or
servants, illumined the scene, which, if not refined, was certainly
364 THE COURT OF THE TUILERIES
most interesting, for it showed how well the hounds could be
trained and controlled. At first the skin, entrails, head, and
antlers of the stag caught that day, were brought into the yard
and carried to one end of it. The dogs, though sorely tantalized
by the sight, remained perfectly quiet under the control of the
kennelmen at the other end of the yard, until the royale began
to sound. Then they yelped with ever increasing impatience ;
and all at once, as the notes of the curee came from the horns
of the assembled piqueurs and valets, and the chief huntsman,
who stood behind the remains of the stag, lowered his
whip, they bounded forward in eager unison. But when
they were within six feet of their prey they saw the huntsman's
whip raised again, and they immediately halted — turning back,
moreover, directly the kennelmen bade them do so. Three
times was that performance enacted, and though the hounds
quivered and howled with excitement, they ever obeyed the
mute command of the huntsman's whip. It was only at their
third charge that the whip remained lowered, and that the
stag's skin and antlers were deftly thrown aside, disclosing the
other remains, on which the dogs at last threw themselves with
wild, ravenous appetite and zest. Nobody could witness the
sight without experiencing a thrill.
There was also some boar-hunting at Compiegne and in its
vicinity with the Marquis de FAigle's hounds or those of Baron
Henri de Poilly of Follembray, whose hunt wore the English
" pink." The forest of Ourscamp was in those days as full of
boars as the Ardennes, where, however, it is the practice for one
to shoot the boar on foot — a fine sport, attended by some risk,
to which Prince Pierre Bonaparte was partial. We remember,
too, that on the occasion of the visit of several Spanish noble-
men to the French Court there was boar-hunting at Marly in
the Andalusian style. The Emperor also favoured the attempts
to reintroduce hawking into France, which were made by Count
Alfred Werle (of the Maison Veuve Cliquot), with the assistance
of an English falconer, John Barr, who had previously been in
the employment of the Maharajah Dhuleep Singh in Suffolk.
Count Werle obtained the Emperor's permission to fly his hawks
over some of the camp of Chalons land, but the sport was
stopped by the advent of the Franco-German war.
THE IMPERIAL HUNT 365
There were four tires or shooting-grounds at Compiegne,
and others at Versailles and Marly — abundant in hares — •
Fontainebleau, St. Germain — good in pheasants — and Ram-
bouillet — noted for partridges. Great efforts were made to
acclimatize the Algerian " Garnbra " partridge at Compiegne.
In 1859 forty thousand eggs were imported, and the greater
number of them were successfully hatched ; but the young birds
died off very rapidly, and there were eventually not more than
two thousand to turn into the tii'Ss. Even those disappeared in
a mysterious Avay, and the phenomenon was not accounted for
until Geoffroy de St. Plilaire, the director of the Paris Jardin
d'Acclimatation, discovered that the Barbary birds mated with
the European species, producing a cross-breed.
The hattue shooting of the Imperial Court was on the whole
very fair, when one remembers that the forests had to be re-
stocked with game of various kinds, and that little time was
allowed it to increase. There was room for nine guns at each
tire. With the help of Baron de Lage — a clever and amiable
man, who was unfortunately somewhat of a coxcomb, and,
according to one of his colleagues, killed himself by his im-
moderate use of a poisonous hair-dye — M. de Toulongeon, the
Captain of the Shooting Grounds, set up pheasantries at
Compiegne, Fontainebleau, and Rambouillet, which yielded
about 4000 birds annually, some 600 partridges being reared
at the same time. Each shooting-ground was about six miles
long and rather more than two hundred yards broad. All
the wood on the ground was cut to a height of about four feet,
in order that the sportsmen might have a good view of the
game, and also see each other. The shooting parties assembled
about ten o'clock in the morning. The Emperor's customary
attire was a dull brown knickerbocker-suit and a soft felt hat, in
which he wore a feather, sometimes a pheasanfs, sometimes a
jay's. He was attended by Baron de Lage, Gastine-Reinette,
his gunsmith, two men who loaded his weapons, the doctor of
the Hunt, and a forest-keeper in charge of his retriever, a well-
trained dog, who only fetched the game which his master shot,
remaining perfectly indifferent to anything that was brought
down by other sportsmen. The beaters were soldiers of the
garrison, generally about a hundred and fifty in number, and
366 THE COURT OF THE TUILERIES
provided with staves and clappers. Each man received for
his services a franc and a rabbit at the close of the day's
shooting.
Napoleon was a very good shot, very fond of trying distant
shots, and generally succeeding in them ; but he was excelled by
that born sportsman the Emperor Francis Joseph of Austria.
In 1867, when the pair shot together at St. Germain, the
number of head of game credited to the latter was 419, while
the French Emperor's score was 265. Later, at Compiegne,
Francis Joseph's score rose to 600, Napoleon's being 200 less.
On the other hand, Victor Emmanuel and his son. Prince
Humbert, who also shot over the Compiegne ground, were
on about a level with their host, while one of the most
indifferent shots among the royalties who visited the French
Court was William of Prussia, subsequently first German
Emperor. Among the diplomatists, Lord Cowley was par-
ticularly expert; he seldom, if ever, missed a bird. Prince
Metternich also shot well, and so did Chevalier Nigra. The
last named was fond of various kinds of sport, and had a water-
spaniel which caught fish like a cormorant. Thereby hangs a
rather amusing tale.
One day, a conversation which Prince Napoleon had with
Nio-ra respecting the dog in question led to the mention of
cormorants and their fishing habits. The Prince stored up the
information which he thus acquired, and some time afterwards,
being with his father-in-law King Victor Emmanuel in Italy,
he conveyed it to him, making, however, a very amusing blunder,
for he had forgotten the name of the bird mentioned by Nigra,
and imagined it to be the pelican. When Victor Emmanuel
heard that pelicans could be trained to bring the fish they
caught to their masters, he was rather incredulous ; nevertheless,
as the information was said to have come from Nigra, he thought
he would test its accuracy. He had some pelicans at his strange
menagerie at Monza, and at once gave orders to one of the
keepers there to train those birds with the object we have
mentioned. The attempt was made. There was some orna-
mental water, stocked with fish, and for days and weeks together
the keeper walked round and round this water, carrying one or
another pelican on his arm, and vainly striving to persuade the;
THE IMPERIAL HUNT 367
bird to dive, fish, and bring back its catch. But whenever a
pelican took to the water and caught a fish, it promptly con-
cealed it in its pouch, and was in nowise disposed to disgorge
it to please the keeper. The latter at last sent word to the
King that the experiment had failed. "Nonsense," was the
reply ; " you evidently don^t understand pelicans. Nigra says
they will bring their master their catch, and he ought to know.
Let another man try."
Another man did, and marched round the water like his
predecessor, ever carrying a pelican on his arm, with precisely
the same result. Briefly, each keeper exerted himself in vain,
merely gaining a severe arm-ache by his endeavours — a pelican
being quite six times as heavy as a cormorant — and living in
the constant fear that his failure would entail dismissal. Fortu-
nately, Chevalier Nigra arrived in Italy on leave, and on Victor
Emmanuel speaking to him about the recalcitrant pelicans, the
mystery was cleared up. " Never speak to me on any hunting,
shooting, or fishing subject again," said Victor Emmanuel to
Prince Napoleon, after discovering how he had been fooled ;
" you know nothing about such matters." In point of fact, the
Prince was certainly a very indifferent sportsman. His hunting
at Meudon was mere exercise ; while in shooting, whether at
Compiegne or on his own ground at Villefermoy, he never
bagged more than one out of every three head of game at which
he fired.
M. Magne, long Minister of Finances, was such a bad shot
that the keepers attending him at Compiegne took rabbits
with them, knocked one of them on the head directly he fired,
and then produced it with the assurance that it had been
killed by " Monsieur le Ministre." That reminds us that the
keepers of Charles X., who was also inclined to be a poor shot,
resorted to similar tactics, carrying, however, quails instead
of rabbits. With respect to the nominal " Great Huntsman "
of the Second Empire, Marshal Magnan, he could not tell a
buck from a roe ; while Rouher, the Vice-Emperor, peppered
keepers in the legs, and on one occasion shot Baron James de
Rothschild's pointer dead. As for M. Rouland, sometime
Minister of Justice, he one day mistook a badger for a wild
boar, shouting wildly to the keepers, directly he perceived the
368 THE COURT OF THE TUILERIES
beast : " Quick ! quick ! a boar ! a boar ! " Luckily, he was
too much alarmed to fire, for it so happened that the badger
was a tame one, which rejoiced in the name of Pablo, came to
you when it was called, and took food from your hand. The
next day some boar''s-head was served at lunch at the chateau
of Compiegne, and the Empress Eugenie inquired of Rouland
with a smile if he would accept a slice of Jiure de sanglier a la
Pahlo.
Now and again the Empress joined a shooting party, and,
like Mme. de Metternich, she was fairly expert with her gun.
She very properly put down rabbit'Coursing on the lawn of the
private grounds at Compiegne, where, by the way, the forest
was thickly populated with rabbits. The Emperor ended by
commanding a general massacre of them, in order to meet the
complaints of the surrounding agriculturists, who were not
satisfied with the amounts paid to them for damage. The dis-
bursements in that respect were, on the whole, considerable.
Around Fontainebleau £\b()0 was paid annually for the depre-
dations, not of small ground game, but of beasts of the chase.
According to M. de la Rue, an Inspector of Forests under the
Empire, from 55,000 to 60,000 shots were fired each year at the
Emperor's sixteen shooting parties — there being about nine guns
at each — and the total "bag" was 25,000 head of game,
including 16,000 rabbits, 8000 pheasants, and 320 deer.
The Court's arrival at Compiegne early in November was
immediately followed by that of the first series of guests invited
to the chateau. There were usually four successive series, each
being composed of about seventy persons, who were invited for
a week ; but some people, like the Metternichs, for instance,
stayed a fortnight or even longer. Apart from an army of
servants, the suite of the sovereigns included twenty-four officers
and ladies, in such wise that the company was altogether a
hundred strong. Each series of guests travelled to and fro by
special trains which cost the Emperor about <£'40 ; while the
wood firing in the hundreds of rooms of the chateau represented
about the same amount every day.* Each guest had a dressing-
room as well as a bedchamber, and to the more important
* It was largely the Emperor's extreme susceptibility to cold -which led to
the enormous consumption of fuel at the Tuileries, Compiegne, and elsewhere.
THE VILLEGIATURA OF THE COURT 369
invites a private sitting-room was also assigned. The hangings
and upholstery were mostly grey, the furniture was good old
mahogany, the toilet sets were of white Sevres with the imperial
monogram in gold. Writing-tables and writing materials were
provided on a lavish scale. There was due accommodation for
valets and ladies' maids, and at least one of the imperial servants
was at your beck and call.
Almost as soon as you reached the chateau on a Monday
afternoon, a lacquey appeared bringing a large tray with tea
and sandwiches, as well as wine and liqueurs for your private
consumption during your stay. In the morning, whatever you
might desire for your first dejeuner was served in your own
apartment ; tea, coffee, or chocolate being supplied according to
taste. The guest's morning virtually belonged to him, unless
he were one of the exalted set privileged to go shooting with
the Emperor. As at Fontainebleau, frockcoats and silk hats
were the ordinary wear in the daytime. The second dejeuner
or lunch was served at noon, the guests assembling on either
side of the Galerie des Cartes — so called from its large maps or
plans of the forest of Compiegne — where they awaited the
coming of the Emperor and Empress. In the afternoon, if
there was no hunting (there was usually a meet once a week),
there were excursions to Pierrefonds or other places, drives
through the forest, pigeon-shooting, or various games of dexterity
in the grounds of the chateau. Between four and five o'clock
you returned to your room, >vhere tea was served to you, unless,
as occasionally happened, you received an invitation to partake
of it in the Empress's private apartments. The The de
rimperatrice was generally a very pleasant moment of the day,
when the literary men, artists, and other " intellectuals " of the
company appeared at their best.
Dinner was served at about half-past seven, the whole
company again assembling in the Galerie des Cartes and goino-
processionally through the guard-chamber to the great dining-
room, which, with its blaze of lights, presented a striking scene,
the table being adorned by a superb silver surtout of finely
chiselled hunting subjects and a profusion of other plate, as well
as porcelain and crystal. There were usually a hundred covers.
The band of the Imperial Guard played in an adjoining room.
2 B
370 THE COURT OF THE TUILERIES
Dinner over, coffee was taken in the Galerie des Cartes, smokers
turned into the apartment reserved to them, and the other
guests betook themselves to the drawing-rooms. A variety of
evening amusements was provided — bilKards, table-quoits (to
which Napoleon was partial), private theatricals on the little
drawing-room stage, or performances by one or another of the
Paris professional companies in the playhouse of the chateau..
Again, there were simple parlour games — "consequences,"
" forfeits," " spelling bees," and once or twice, en petit comite,
half an hour's merriment at blind-man's buff. Further, there
was dancing, on some occasions a mere improvised sauterie, on
others something more elaborate, ending in the customary
cotillon ; and now and again Leverrier, the astronomer, would
lecture on his particular science and the plurality of worlds, or
Wurtz would discourse on chemistry, Longuet on the circulation
of the blood, and Pasteur on the diseases of wines or physiology
or medicine. That reminds us of a story.
On one occasion, after Pasteur had made various experiments
with frogs before the company, he took back to his own room
the box in which some of the animals were left, and forgot to
remove it when he quitted the chateau. The apartment was then
assigned to a lady guest, who, on the very first night of her
stay, was aroused by strange sounds proceeding from under the
bed. In her alarm she summoned her maid, and bade her
ascertain what was concealed there. The maid, as terrified as
her mistress, fearing, indeed, lest she would find the proverbial
man under the bed, at first hesitated to obey the order, but
when she had done so she drew breath, exclaiming, "There's
nothing, madame, nothing at all excepting a little box. Here
it is." So speaking, she took up the box to let her mistress see
it, and at the same moment raised the lid, whereupon a dozen
frogs from the Compiegne ponds jumped on to the bed amidst
the horrified shrieks of both women. There was a great to-do,
many people were aroused from their sleep, and though the
hour was late, another room had to be immediately found for
the lady, who vowed that she would not remain in that chamber
of horrors a moment longer !
Among the literary names which we recall as having figured
in the lists of invites to Compiegne were those of Merimee,
THE VILLEGIATURA OF THE COURT 371
Feuillet, Sandeau, Nisard, About, Gautier, St. Amand, Doucet,
and Sylvestre de Sacy. The representatives of art included
Theodore Rousseau, Moreau, Gustave Boulanger, Eugene Lami,
Paul Baudry, Robert Fleury, and Viollet-le-Due, who staged
the private theatricals. To the same set belonged Couture,
who, when the Empress inquired if he were comfortable in the
room assigned to him, sweetly replied : " Oh yes ; it reminds
me of the garret in which I began my career ; " and Carpeaux,
who, in 1864, modelled at Compiegne his statue of the young
Imperial Prince leaning on the Emperor's favourite dog, a brown
setter named Nero,* which piece of statuary was saved from
the conflagration of the Tuileries and is now at Farnborough.
Carpeaux was also to have executed a bust of the Empress, but
she could not give him the sittino-s he desired.
Among the notable musicians who went to Compiegne
were Auber, Ambroise Thomas and Liszt ; while among the
men of science, in addition to those previously mentioned, was
the Empress's eminent relative, Ferdinand de Lesseps, who
visited the Court when from time to time he came to France
to rest from his labours at Suez. The Emperor was keenly
interested in that great enterprise the Suez canal, and often
remarked to Lesseps : " When you have severed Asia from
Africa, you must sever North from South America in the same
way."" Many years previously Napoleon himself, after perusing
some lectures delivered by Professor Ritter before the Berlin
Geographical Society, had become keenly interested in the
question of a Panama or, rather, a Nicaraguan canal. While
he was imprisoned at Ham he devoted considerable time to
studying the question, and proposed to go to Central America
immediately after his release from confinement. There were
even negotiations between him and various Central American
authorities, and in support of the scheme he produced a
pamphlet in the English language, entitled "The Can^l of
* Napoleon was inclined to be a " doggy " man. He was extremely
attached to Nero, who generally accompanied him on his walks, and remained
with him in his private room. If ever the Emperor vacated his armchair,
Nero immediately installed himself in it, and Napoleon indulgently allowed
him to remain there. The Emperor also became attached to a little dog
named Tita, belonging to his secretary, M. P. Pietri. Tita often jumped on
his knees to be fondled, and lick him in return.
ST2 THE COURT OF THE TUILERIES
Nicaragua; or, a Project to connect the Atlantic and Pacific
Oceans by means of a Canal " [London : Mills & Son, 1846].*
But the negotiations failed, and he then took up his residence
in King''s Street, St. James''s.
The sovereigns whom we recall as visitors to Compiegne
were the Emperor of Austria, and the Kings of Holland, Italy,
Portugal, and Prussia. The last named went there twice, first
in November, 1861, when his retinue included Bismarck,
Hatzfeld, Manteuffel, and the Prince of Reuss. The greatest
harmony prevailed on that occasion ; Napoleon went about arm-
in-arm with his good brother William, to whom he was to
surrender his sword in after-years at Sedan ; and William, when
reviewing the young pupils of the Grenadiers of the Guard,
among whom marched the little Imperial Prince, smiled at
the sight of the child's soldierly bearing, and, turning to
the Empress, gallantly kissed her hand — a pretty way of
complimenting her on her son.
Of course most of the Court folk were invited to Fontaine-
bleau and Compiegne at one or another time. The horse-racing
element appeared there with Count Lagrange, Charles Laffitte,
and the young Talons. Great Britain was represented by her
ambassadors, the Prince of Wales, the Hamiltons, the Earl of
Clarendon, Mr. Blount, the Duke of Atholl, the Marquis of
Tullibardine, and the Earl of Dunmore, who astonished both
the Court and the natives by appearing in the Highlander
uniform. We also remember seeing there the present Marquis
of Lansdowne, who, as the grandson of Count de Flahault, was
naturally persona grata at the Imperial Court. The ladies of
Compiegne and Fontainebleau were those of the Tuileries to
whom we have so often referred. A few additional names may
perhaps be mentioned. The Empress's mother, Mme. de
Montijo, who seemed to keep very much in the background
when the Court Avas in Paris, came quite to the front at
Compiegne — or perhaps it would be best to say that she was
more observed there, the company being less numerous than at
the Tuileries. She often played chess with Merimee. Then,
too, " Marcello " the sculptor, otherwise the widowed Adele
* See on that subject M. G. de Molinari's " Napoleon III. publiciste "
(Brussels, 1861).
THE VILLEGIATURA OF THE COURT 373
d'Affrey, Duchess Colonna di Castiglione, was more than once a
guest at Compiegne, though she was seldom seen at the Tuileries.
Further, the ladies of the house of Caraman-Chimay followed
wherever the Court went. Foremost among them were the
beautiful golden-haired Countess Louise de Mercy-Argenteau
and her sister Princess Constantine Czartorj'ska, in the veins of
both of whom coursed the blood of Madame Tallien, The
Countess, who resembled Marie-Antoinette, was a great pianist,
and often held the musical folk of the Court entranced by her
fine performances. She was one of those who, having been a
friend of the fair days, remained one when the evil days arrived.
After Sedan, she and her husband visited Napoleon at
Wilhelmshohe. There was also Mile. Valentine de Caraman-
Chimay, a sister or cousin of the ladies we have mentioned. She
was not pretty, but she had a very taking way, and the Empress
Eugenie was much interested in her. She made, however,
a most unfortunate marriage with the Prince de BeaufFremont,
and before many years had elapsed all Europe rang with the
story of her troubles, which ended by her flight from France
with her daughters, her change of nationality and religion, and
her marriage to Prince George Bibesco.
We have mentioned that there were two kinds of theatrical
performances at Compiegne. At times the company of the
Comedie Fran9aise came to play some work of Ponsard's, or
one of Augier's, such as " Le Gendre de M, Poirier," or else
a piece of the repertoire, such as " Les Plaideurs " or " Le
Misanthrope."" At another time one heard the artistes of the
Opera Comique in " Le Bre aux Clercs "" or " Le Domino Noir,"
and on other occasions came the turn of the Gymnase with
" Montjoye,"" or of the Vaudeville troupe with Sardou's
"Famille Benoiton." The actors were always well paid,
travelled to and fro in special trains, and were entertained
at champagne suppers after their performance. But it was
certainly the amateur theatricals which constituted the chief
feature of evening amusement at Compiegne. Ponsard's clever
charade in verse called " Harmonic," * Morny's " Succession
* Armes-au nid. In the first section, Nieuwerkerke figured as a knight
receiving his arms; in the second, Countess Fleury presented the little
Imperial Prince in a nest of flo^Yers.
374 THE COURT OF THE TUILERIES
Bonnet," M. de Massa's " Cascades de Mouchy,"" and particu-
larly his " Commentaires de Cesar," played in 1865, were
among the great successes. We have previously referred to
the last-named production in connection with the prominent
share which Princess Pauline Metternich took in it.* Count
Solms, the Prussian Charge d'affaires, who played the part
of an itinerant marchand de coco ; Baron Lambert, who got
himself up as the legendary Monsieur Prudhomme, the butt
of French satirists ; and Mr. Ashton Blount, who figured as
a music-hall " star " of the fair sex (that is, as Theresa of " La
Femme a Barbe " and " Rien n'est sacre pour un Sapeur "),
were among the cleverest of the masculine performers, though
General Mellinet, as a venerable invalide, and M. de Galliff'et,
as a young infantryman, also scored successes behind the scenes
as well as before the footlights. It happened, indeed, that
during an entr''acte the Emperor strolled to the rear of the
stage, and on seeing two men in uniform who saluted him and
whom he did not recognize, he imagined that they belonged
to the garrison, and had been recruited for some special duty.
He therefore engaged them in conversation according to his
practice on such occasions, and he was ah'eady feeling in his
pockets to ascertain if he had any money about him, when,
noticing the decrepit appearance imparted to Mellinet by his
" make up," he exclaimed : " Mais, mon brave, they ought not to
have brought you here at this time of night. They ought to
have engaged a younger man. You do not look at all strong."
At this Mellinet lost his self-control, giving vent to words of
protest in his natural voice, which immediately revealed his
identity to Napoleon, who remained for some minutes shaking
with laughter at the strange appearance of his poor old
general.
Some of the songs figuring in M. de Massa's piece were
very lively, and great was the success of Princess Metternich,
when, wearing her smart uniform a la " Fille du Regiment,"
with her fist on the little keg at her side, she sang in spirited
fashion :
" Je suis une guerri^re
Au coeur, au coeur joyeux 1
La vi — la vivandi^re
Des Turcos bleus I "
* See ante, p. 285.
THE VILLEGIATURA OF THE COURT 375
In the part assigned to Mme. Bartholoni, that of England,
there were frequent references to the entente cordiale then pre-
vaiHng between the two countries, and when this lady was
joined by Mme. de Pourtales, who appeared as France, vows of
eternal friendship were exchanged, and the following dialogue
ensued : —
France : Free trade !
England : Yes, and no more passports ! Let us have a bridge
over the Channel !
France : All right ! We will prolong the Boulevard Haussmann
to Piccadilly.
Monsie^(,r Prudhomme (aside) : Good ! I must buy land. It will
go up in value.
But all that was a dream. No bridge was ever thrown across
the silver streak, nor does it seem likely that there will ever be
a tunnel beneath it.
However imperfect may be our sketch of Court life at Com-
piegne, it will, we trust, convey to the reader some idea of its
character, and induce him to banish from his mind all thoughts
of those foolish legends of " orgies," which at one time circulated
on every side. A whole volume would be required to do justice
to the subject. The life was gay in its way, but even if, as we
mentioned in a previous chapter, some ladies of the Court did
sometimes appear as dames du ballet, the line was drawn there.
Of course, no indecorum was ever witnessed either then or
at the general dancing. For the rest, there were the picturesque
meets in the forest on hunting days, all the exhilarating rides
and drives hither and thither, whence many a guest, whether
jaded politician or pleasure-seeker, derived undoubted benefit,
returning to Paris with a new fund of energy for the work or
the amusements of the coming season.
CHAPTER XIV
THE IMPERIAL PRINCE LAST DAYS OF THE EMPIRE
WAR AND REVOLUTION — FATE OF THE TUILERIES
The Imperial Prince — His Governesses, Nurse, and Tutors — A Plucky Boy — ■
His Military Education — His Governor, General Frossard — His Aides-de-
camp— His Equerry, Stables, and Horses — Playmates of his Boyhood —
Political Prospects — The Emperor and Parliamentary Eule — The Necessity
of Revenge on Prussia — The Coalition between France, Austria, and Italy
— The Mission of General Lebrun — The first HohenzoUern Candidature —
The New Liberal Empire— The Career of Emile OUivier — He becomes
Prime Minister — Squibs on Rouher — OUivier's Difficulties — Madame
Ollivier — The New Constitution and the Plebiscitum — The Medical
Consultation respecting Napoleon's Health — The Illness still kept Secret
— The Second HohenzoUern Candidature and the Outbreak of War —
The Emperor and his Illness again — The French Defeats and OUivier's
Fall — The Last Reception at the Tuileries — Bazaine under Metz — General
Trochu and the Empress — The Emperor's proposed Return to Paris — The
Empress's Last Days at the Tuileries — The News of Sedan in Paris —
The Revolution — Scenes at the Tuileries — Departure of the Empress —
The Palace during the Siege of Paris and the Commune — Its Destruction
by Fire.
In chronicling the birth of the Imperial Prince we mentioned
that Mme. Bruat, widow of the distinguished admiral of that
name who commanded the French fleet during the Crimean
War, was appointed Governess of the Children of France,
with Mme. Bizot, widow of General Bizot, and Mme. de
Branpion, widow of a colonel of the Line, as under-governesses.
The duties attaching to those posts were neither many nor
onerous, the child*'s bringing-up being so largely directed by his
mother the Empress. Mme. Bruat's salary was c£*1200, that
of Mmes. de Branfion and Bizot .^^400 a year. Mme. Bruat
did not reside at the Tuileries, but called there every day in a
Court carriage placed at her disposal. One or other of the
under-governesses was, however, always at the palace, and
accompanied the little Prince whenever he was taken for a
THE IMPERIAL PRINCE 3T7
drive. The under-governesses were lodged and boarded, and
dined every Sunday at the imperial table.
The person who actually brought up the little Prince,
particularly after he was weaned, was his English governess
or nurse, Miss Shaw, a well-bred, intelligent, and devoted
woman, to whom the child became extremely attached. She
was constantly with him, sleeping from the time of his birth
onward in an alcove of the room he occupied. In March, 1863,
when the Prince, having completed his seventh year, was
officially regarded as being no longer in the custody of women
(though de facto this was scarcely the case), M. Francis Monnier
was appointed to be his tutor. The boy was at that time
inclined to be turbulent and self-willed, and Monnier, a literary
man, often absent-minded and careless, like some of his class,
did not give full satisfaction. His place was taken, then, by
M. Augustin Filon, who remained attached to the Prince's
person in one or another capacity until he quitted the Royal
Military Academy at Woolwich. In addition to a resident
tutor, the boy had several masters. He was instructed in
matters of religion and prepared for his first communion by
Abbe Deguerry of the Madeleine, who came to the Tuileries
twice a week. After the Prince had made his first com-
munion in 1869, the Abbe still gave him certain instruction
once a fortnight. The Prince's handwriting-master was a
M. Simonard, who gave him two lessons a week. A Mr.
Maynard gave him lessons in English, and a M. Levy
lessons in German. Further, still twice a week, he was in-
structed in history by a then young but now distinguished
man, M. Ernest Lavisse, of the French Academy. That was
an age of Latin, and thus there was five Latin lessons each
week, the masters being successively M. Edeline, M. Poyart,
and M. Cuvillier. There was no interruption of the lessons,
whether the Prince were at the Tuileries, or St. Cloud, or
Fontainebleau, or Compiegne. In the two former instances the
masters were fetched and driven home in Court carriages ; in
the latter they travelled by rail as members of the Imperial
Household, and carriages were again at their disposal. With
respect to the Court's sojourn at Biarritz, that coincided with
the l*rince's vacation.
378 THE COURT OF THE TUILERIES
There is no doubt that he was an intelligent boy and made
good progress with his studies. He had artistic inclinations
and could draw very fairly indeed. He was also very plucky,
the result, in some measure, no doubt, of his training even in
infancy, when he was allowed to tumble about and pick himself
up as best he could. It is related that on one occasion in his
early years, when Dr. Nelaton performed some operation on
him, he suddenly winced. " Did I hurt you ? " Nelaton inquired.
" No, monsieur le docteur," the boy answered, " but you startled
me." It may be added that at an early date those about the
Prince impressed on him that the name of Napoleon was a
synonym of bravery, and that, his own name being Napoleon,
it was his duty to be brave. There are many anecdotes of his
childhood, which show that he never forgot that lesson.*
His training for the profession of arms began at a very early
date. As an infant he was taught the military salute, and in
1860, when he was but four years old, he was incorporated, at
least nominally, among the enfants de troupe of the Grenadiers
of the Guard, and began to attend reviews with his father.
A little later real drilling commenced ; he learnt the goose
step, bayonet exercise, fencing, and so forth. The illustrated
newspapers of those days were full of engravings showing him
participating with his young comrades in the drill-lessons
given them. At last, in 186T, when the Prince was only in
his eleventh year, a Military Governor was assigned to him,
this being General Frossard, who had served the Emperor as
aide-de-camp, and who, as we had occasion to point out in one
of our early chapters,! was an officer of considerable merit, in
spite of his defeat at Forbach (Speichern) at the outset of the
Franco-German War. In that connection it may be mentioned
that already in 1867 Frossard prepared for the Emperor an
elaborate plan for the defence of France in the event of a
Prussian attack. When invasion came in 1870, some part of
Frossard's plan was put into execution. It was, notably, in
accordance with his ideas that the battle of Worth, schemed
out by him in 1867, was fought. Frossard, however, had
planned it with a view to victory, not defeat, though in the
* By his father and mother, however, he was invariably called Louis.
t See ante, p. 47.
THE IxMPERIAL PRINCE 379
latter case it was to have been followed by a strenuous defence
in the forest of Haguenau. Unfortunately, Frossard did not
correctly forecast the relative strength of the combatants ; the
success of his plan depended also on the presence of a more able
general than MacMahon, and he never imagined that Worth
would, even in the Avorst case, become such a rout and panic as
to prevent all possibility of resorting to the Haguenau-forest
defence. At the same time, Frossard's scheme (which provided
for four armies totalling 440,000 men) shows genuine ability,
and under other circumstances, had the effective and general
disposition of the French forces been different, it might have
achieved, perhaps, a measure of success.*
The General was a tall, slim, and somewhat reserved man,
whom the Emperor knew to be an excellent father, for which
reason he entrusted the young Prince to his care. They got on
very well together, and the Prince until his last years always
spoke favourably of his military governor. Frossard''s emolu-
ments were ^£^1200 a year, with the use of horses and carriages
of the imperial stables. Under him were the Prince's aides-de-
camp (salary i?400 per annum), who were selected from among
the Emperor's former orderly officers. They included Count
Viel-d'Espeuilles, a lieut.-colonel of cavalry ; Count de Ligniville,
a major of light-infantry (Chasseurs-a-pied) ; Major Lamey, an
engineer officer ; and Captain Duperre, of the imperial navy.
MM. Lamey and Duperre were with the Prince during the cam-
paign of 1870, the last-named accompanying him to Belgium
and thence to England. Both were devoted to the imperial
family. A doctor, M. Barthez, was also attached to the
Prince's person.
The latter's stable was quite distinct from the Emperor's
establishment, except with regard to its expenses, and the
general control of the Great and First Equerries. The Prince's
riding-master was M. Bachon, a Gascon by birth, who had once
belonged to the cavalry school of Saumur, but who, having
participated in Napoleon's attempt at Boulogne, had lost his
* Frossard's plan will be found in Part I. of the French official History of
the War: "La Guerre de 1870-71," Paris, Chapelot, 1902. Frossard's best
achievement was probably the direction of the siege works of Sebastopol under
Pelissier.
380 THE COURT OF THE TUILERIES
position by it. Bachon was already an elderly man when he
began to teach the Prince to ride, but he had remained young
in his ways, with a good deal of joviality, due perhaps to his
Gascon origin. He received, after a time, the title of Equerry
to the Prince. Before the latter could ride, however, he had
his carriage service ; first, of course, the inevitable goat-cart,
then a little carriage drawn by two cream-coloured ponies, and
next for driving about Paris a large landau and a D'Aumont
equipage, while a posting landau was provided for excursions of
any distance, and a parasol-sociable for country drives. When
the Prince was in Paris he was driven virtually every day to
Lord Hertford's charming place, Bagatelle, in the Bois de
Boulogne. The Emperor wished to purchase it, but Lord
Hertford declined the proposal, at the same time begging
Napoleon to send his son to Bagatelle as often as he pleased.
Thus, nearly every afternoon, the little fellow repaired thither
with his governess, nurse, equerry, and an escort of Guides, and
it was chiefly in those beautiful, secluded, private grounds
that he learnt to ride. The first mount he ever had was a
diminutive Shetland pony, Balmoral, which Queen Victoria sent
him. This he rode with a safety-saddle, but he was promoted
to an ordinary one on receiving a pony called Arlequino from
King Victor Emmanuel, who subsequently sent him his first
charger, Bouton d'Or. Next came a pair of Pyrenean mares,
Effy and Fleurette, then an Arab called Kaled, which had been
given to the Emperor in Algeria in 1865. Kaled, one of the
Prince's favourite horses, was his mount in 1870, when he viewed
the engagement of Saarbriicken, and received his baptism of fire.
He also had three other Arabs, the gifts of Sultan Abdul Aziz,
a Russian horse. The Czar, sent to him by Alexander II., and
a young Spanish barb, Solferino, which was a present from
Queen Isabella. He ended by riding extremely well. At an
early age he took lessons in vaulting, and was soon able to
spring into the saddle without setting foot in the stirrup. It is
probable that this was what he tried to do on the 1st of June,
1879, when he found himself faced by the Zulus. Unfortunately
for him, according to the statements of Mr. Archibald Forbes
and others, his mount was over-tall for a young man of his
stature, with the result that he failed in his leap, and was slain.
THE IMPERIAL PllINCE 381
A good many friends of the Prince's boyhood still survive.
First and foremost among them was his particular chum, Louis
Conneau, the son of the doctor, the Emperor''s devoted adherent.
The others were also sons of his father's or mother's friends,
Corvisart, Fleury, Bourgoing, Espinasse, La Bedoyere, and La
Poeze. The lads played together at the Tuileries or in the
reserved garden of the palace, or in the grounds at Bagatelle ;
and the young Prince showed himself extremely companionable,
never evincing any disposition to lord it over the others. What
kind of man he might have eventually become it is difficult to
surmise ; still less is it possible to estimate what might have
been his chances against the Republic which has hitherto
emerged victorious from every attempt against her. The
Emperor dragged the weight of the Coup d'Etat after him
throughout his reign ; the Prince, though not personally re-
sponsible, would also have had to bear the weight both of
Sedan and the lost provinces — for was he not a Bonaparte ? We
think, then, that even had he lived, he would never have reigned
over France.
The thought of the young fellow's chances of peaceful
accession, the thought of the undisputed continuance of the
dynasty, was evidently one which often came to Napoleon III.
as time went by. He, the Emperor, was suffering from an
ailment which became more and more serious — much more
serious indeed than even the doctors, who examined him in
July, 1870, imagined, for organic changes, which were not then
suspected and which " even if suspected could not (according to
Sir Henry Thompson) have been ascertained," were, it seems,
in progress at that period, their development being revealed at
the examination after death. In any case, whether the Emperor
imagined himself to be in actual danger or not, he must have
been well aware that he was no longer the man he had been,
and that it was needful he should look to the future, and
provide for it.
How was he to do so ? He could not leave such a legacy
as personal rule to his widow and his young son. He well knew
what personal rule meant, its difficulties, its dangers, the-
unremitting toil which it entailed. He himself was more or
less tired of the burden to which his failing strength was no
38^ THE COURT OF THE TUILERIES
longer equal. On the other hand there was the growth of the
demagogic spirit in Paris and some other large cities to be
contended with; and how could that be done successfully if
autocratic sway were abandoned ? Perhaps liberal measures
would tend to disarm the demagogy, and at the same time
gather more closely round the throne the more sober-minded of
the nation, the folk who desired the maintenance of order so
that they might pursue their avocations in peace. It was
desirable that it should be to the interest of all those people to
uphold the regime, and that might be best achieved by associat-
ing them in a greater degree with the government of the country.
Thus, in the Emperor"'s opinion, the time was at hand for real
parliamentary rule. He would, moreover, take the country"'s
opinion on the subject by a Plebiscitum, of the result of which
he had little or no doubt, holding, too, that, while sanctioning
his reforms, it would also consolidate the dynasty.
But there was yet another point. The foreign policy of
the Empire had been discredited by repeated failures. The
regime's prestige in that respect could only be revived by
some great success. None was to be hoped for in the field of
diplomacy, but in spite of lost opportunities it might yet be
gained on the field of battle. New lustre would then be
imparted to the Empire, the position of the dynasty would
be yet again strengthened, the demagogues would be silenced
by the acclamations of a victorious nation, proud of its increase
of territory — the extension of the French frontier to the Rhine;
and then he, the Emperor, might depart whenever he were
called, confident that his son would reign. Moreover, the
activity of Prussia in various directions was disquieting, and
required to be checked. South Germany still enjoyed, no
doubt, a measure of independence, but how long would that
last "i If the whole Fatherland became absolutely united,
France would have a perpetual, intolerable menace on her
eastern frontier. For a time, according to the assertions of
certain French diplomatists, notably M. de St. Vallier, it seemed
probable that South Germany, in its dread of Prussia, would
eagerly rise against her, should opportunity occur. But leaving
that as doubtful, there was the possibility of obtaining the
co-operation of Austria, which was still smarting from the
LAST DAYS OF THE EMPIRE 383
reverses of 1866 and regretting its loss of control over German
affairs. Further, Napoleon considered that he had claims on
Italy, for he had rendered her important services, even if he had
kept her out of Rome. Thus a great scheme arose in the
imperial mind.
As a matter of fact war had been threatening ever since
1866 when France had failed to obtain the " compensations "
for which she had negotiated ; but although army reorganiza-
tion was then planned, and afterwards carried out in some
degree — though without sufficient vigour — by Niel (who, how-
ever good he may have been at planning, was, by reason of his
illness, less competent to execute) the actual steps for forming a
coalition against Prussia were not taken until 1869, when
communications on the subject passed between Napoleon and
the Austrian Emperor. Negotiations with Victor Emmanuel
appear to have ensued, and early in 1870 Archduke Albert of
Austria came to Paris to discuss the question. In May the
Emperor Napoleon's aide-de-camp, General Lebrun,* received
instructions to proceed to Vienna to prepare plans there, and
on the 28th he quitted Paris, travelling in the first instance to
Berlin, in the hope of thereby throwing the Prussian govern-
ment off the scent, though in reality he failed to do so.
Reaching Vienna, however, Lebrun there had numerous confer-
ences with Archduke Albert, and it was agreed that Germany
should be invaded by the entire forces of France and Austria
with the support of 100,000 Italians or more — for according to
the statements of both the French Emperor and the Austrian
Archduke to Lebrun, Victor Emmanuel had promised his
assistance. As a matter of fact the King of Italy had already
promised neutrality to Prussia, pursuing a kind of Machia-
vellian policy, prepared as he was, perhaps, to serve the interests
of the side which might prove the stronger, but guided
principally in the course he took by the hope that the chances
of the conflict would ensure him the possession of Rome — so
long the object of Italian ambition. In any case, Italy''s
promises to Prussia were not known to General Lebrun and
Archduke Albert when they met. According to their plan, then,
while one French army was threatening the Palatinate, three
* See ante, p. 47.
S84 THE COURT OF THE Tan.ERlES
others, Italian, French, and Austrian, each 100,000 strong,
were to invade Germany from the south, south-west, and south-
east, and detach the southern kingdoms and states from any
alliance with the north, against which the remaining forces of
France and Austria would co-operate. Moreover, Archduke
Albert appeared to believe that Italy would place not only
100,000 men but her entire army, at the service of the coalition.
General Lebrun estimated that France would be able to
throw 400,000 men across the German frontier in a fortnight,
but he learnt that the mobilization of Austria would require a
period of forty-two days, and Austria, moreover, was unwilling
to begin mobilizing until France had declared war. At an
audience granted to Lebrun by Francis Joseph, he was told by
the latter that the war must be brought about in such a way
that it might appear to be forced upon Austria, and that there
must be every certainty of success. In addition, Archduke
Albert insisted that there should be no hostilities till the spring
of 1871 ; before that year he would be unable to co-operate,
and a later season than spring would, in his opinion, jeopardise
the chances of success. It follows, then, that already in
1869 Napoleon III. was planning a coalition against Prussia,
and that in May, 1 870, it was agreed that Germany should be
invaded in April or May, 1871.*
On the other side, Bismarck and Moltke had regarded war
as inevitable ever since 1866, from which time forward the
latter had been busy preparing for it, while Bismarck on his side
had virtually assured himself of the co-operation of the South
German States by divulging to them the secret " compensation "
projects, so foolishly left with him, in 1866, by the French
representative Benedetti. In France, until the very outbreak
of the war in 1870, it was popularly believed that, whatever
ZoUverein arrangements and other bonds might link North
and South Germany together, the latter would surely rise against
the former; but it seems evident that this illusion was no
longer entertained by Napoleon in the spring of 1870, as the
agreement with Austria provided for the occupation of the
* We have naturally based our account of the negotiations on General
Lebrun's work, " Souvenirs Militaires : Ma Mission a Vienne," Paris, 1895.
Of the general accuracy of that work there can be no doubt whatever.
LAST DAYS OF THE EMPIRE 385
South German States. In that matter, much as the illusion
may still have been shared by some French diplomatists, the
Emperor may have been enlightened by Prince Metternich or
Archduke Albert.
We have said that the war was virtually inevitable after
1866. It nearly broke out in the following year over the
Luxemburg question, and there was again a perilous moment
in 1869, when for the first time the candidature of a Prince of
Hohenzollern to the Spanish throne was mooted.* The idea
seems to have been then an exclusively Prussian one, no offer of
the crown coming from Spain, but Prince Bismarck opening
negotiations with certain Spanish agents in order to bring
about such an offer. Benedetti, the French ambassador at
Berlin, sent word of what was being done to Paris, and
Napoleon promptly put his foot down, Prussia being given to
understand that France would regard such a candidature as a
casus belli. It was thereupon withdrawn, and, outwardly at all
events, no very unpleasant consequences seemed likely to ensue
from the incident ; but it is certain that Napoleon was again
alarmed by the activity of Prussia, and that from the moment
of this first Hohenzollern candidature the idea of invading
Germany, with the assistance of Austria, took definite shape,
resulting, as we have said, in the Archduke Albert's visit to
Paris and the mission of General Lebrun.
While all those momentous diplomatic and military matters
were receiving attention, important changes were taking place
in France. Though the so-called " Liberal Empire " had come
into being in 1860, real constitutional government, as under-
stood in England, was still inexistent. It has been pointed out
* Isabella II. had been overthrown the previous year, and compelled to
flee to France, where she was received with great kindness by the Emperor
and Empress. Purchasing the Hotel Basilewski, in the Avenue du Eoi de
Eome, of a Russian nobleman who had virtually ruined himself in building
it, she re-christened it the Palais de Castille, and lived there in great state,
while Don Francisco de Asis, her husband (a " friendly " separation super-
vening between them) betook himself to a modest ground-floor in the Rue
des Ecuries d'Artois. Other sovereigns in exile to be found in Paris about
that time were the blind King of Hanover, Francis II. of Naples and his wife,
and that old resident, the pink and white Duke of Brunswick, with the flaxen
wig, the chocolate-coloured mansion, the yellow and strawberry coach, and
the safe full of diamonds— recovered after the daring theft perpetrated by
his English valet, Shaw.
2 c
386 THE COURT OF THE TUILERIES
that solicitude for his dynasty, illness, and force of circum-
stances, gradually inclined Napoleon to make a trial of such a
form of sovereignty by giving the nation an increase of liberty,
enlarging still further the sphere of parliamentary action, which
had already been extended in 1860 and 1867, and reviving that
ministerial responsibility to the Legislature which had existed
in the time of Louis Philippe and of the Second Republic. In
1869 the semi-parliamentary regime, over which Rouher had
virtually presided since its inauguration in '67, was in a parlous
state. There had been a succession of very indifferent Ministers
of the Interior, the anti-dynastic party had grown larger and
bolder, and no little rioting occurred in connection with the
general elections, when, despite great Government pressure, the
Republican Opposition increased its numbers, while a Third
Party of some thirty deputies, tinged with Orleanism, came
into being. The political situation was even affected by a
crime at common law — a great and horrible one, it is true — the
murder of the Kinck family by a young fellow named Tropp-
mann — the wildest legends springing up concerning him and
his abominable deed. Briefly, there was considerable unrest of
one and another kind, arising from a variety of causes.
Rouher, Persigny, and others advised the Emperor to revert
to autocratic sway ; but he, on the contrary, became more and
more resolved to try parliamentary rule. The Prime Minister
he finally chose was Emile Ollivier, to whom we previously
referred.*' Born at Marseilles in July, 1825, and the son of a
merchant of that city, who sat in the chambers of the Second
Republic and opposed the restoration of the Empire, Ollivier,
after being called to the Bar, was appointed Commissary of
the Republic in his native city, where he suppressed some
socialist risings in June, 1848. Cavaignac then made him
Prefect, but early in 1849 he returned to the Bar, and pleaded
ably in several important political and other cases. At the
general election of 1857 he was elected as a deputy for Paris,
being one of the famous Five who then formed the sum total
of the parliamentary Opposition to the Empire. At that time
Ollivier pompously claimed to appear in its midst as " the
Spectre of the Second of December'" — that is, of the Coup
* See ante, pp. 177, 232.'
LAST DAYS OF THE EMPIRE S8T
d'Etat ; yet in another four years he was making advances to
the regime which he had denounced. Already, in 1861, his
apostasy was foreseen by the Republicans who had been his
friends. On his re-election in 1863 he accepted from the
Emperor a mission to report on certain differences which had
arisen between the Suez Canal Company and the Viceroy of
Egypt, those differences having been submitted to the Emperor's
arbitration. Further, in 1864, the Duke de Morny became
very gracious with Ollivier, made a show of seeking his advice,
and caused him to be selected to report to the Chamber on an
important working-class societies' bill. In the following year
Ollivier s evolution towards the Empire went further, and he
was rewarded by an appointment as " Commissaire de Surveil-
lance " in connection with the Suez Canal Company, a sinecure
to which was attached a salary of £\.9.QQ a year. The accept-
ance of such a post was contrary to all the traditions of the
Paris Bar, of which Ollivier was a member. The Council of
the Order of Advocates therefore called on him to choose
between it and his position as a barrister. He chose the
salaried post, and his name was struck off the roll.
Having become one of the Empire's creatures, he drew yet
nearer and nearer to it. During the Empress's regency in
1865, he was presented to her, dining en petit comite at the
Tuileries ; and at the close of the following year Count
Walewski placed him in direct communication with the
Emperor, who was then meditating the reforms specified in
his letter of January 19, 1867. Thus the author of the
Coup d'Etat and the man who, when first presenting himself
before the Paris electorate, had claimed to be its ghost, and
had promised to do his duty " in the name of France and the
Republican cause," at last came face to face. Their first
interview took place at the Tuileries, about five o'clock on
January 10, 1867. Walewski had offered Ollivier the offices
of Minister of Public Instruction and general Government
orator in the Legislative Body; but Ollivier declared to the
Emperor that the more independent he might remain, the
more efficacious would be his help. Napoleon therefore gave
him no post, but some correspondence passed between them,
and a second meeting took place, which Rouher was to have
388 THE COURT OF THE TUILERIES
attended. But he did not come, and, after the audience,
OUivier, imagining that he had thoroughly converted the
Emperor to all his views, quitted the Tuileries in a state of
rapture, which impelled him (according to a factum he wrote
somewhat later) to wander for some hours, star-gazing, along
the quays of the Seine. He already pictured himself to be
the Restorer of French Liberty. The Man of that Second of
December, of which Ollivier was the ghost, had appeared to
him charming — absolument I
The best proof that Ollivier did not inspire the reforms
of January 19 is, that when the Emperor's letter announcing
them appeared, he was not satisfied with it. Meantime Rouher
proceeded on his way ; and between him and Ollivier (who was
now altogether shunned by his former Republican associates)
there ensued many a bout of eloquence during the parliamentary
sessions of the next few years. Ollivier's hour came at last.
Disapproving of the Emperor''s evolution towards Liberalism,
Rouher had to retire from active authority in the autumn of
1869, and was appointed President of the Senate in the place
of Troplong, a jurisconsult of some learning and sagacity, who
had held the post for many years. Then came Forcade de la
Roquette's brief administration, and in the last days of 1869,
while the Court was at Compiegne, the Emperor finally decided
on a real parliamentary regime^ and offered Ollivier the chief
ministry.
The first impression of the public after the appointment of
Ollivier and his colleagues on January 2, 1870, was certainly
favourable. The funds rose. Many people had feared a return
of Rouher's rule. That " Vice-Emperor " had made himself the
most unpopular man in Paris. Several amusing songs and paro-
dies, in which he figured, had been circulated about the time of
his downfall. There was a parody of Victor Hugo, beginning —
" Or voici la grande revue
Que passe, lugubre et sans bruit,
Pleurant sa d^faite imprevue,
Eouher a I'heure de minuit."
Another — a very clever parody of Chateaubriand — dating from
the same period, or a little earlier, when the once all-powerful
minister's fate was trembling in the balance, ran as follows : —
LAST DAYS OF THE EMPIRE 389
Combien j'ai douce souvenance
Des premiers jours de ma puissance ;
On faisait a tous mes discours
Silence.
Ma place sera mes amours
Toujours 1
Alors je n'avais qu'a paraitre
A la tribune pour soumettre
La Chambre, qui, foUe de moi,
Son maitre,
Votait, sans demander pourquoi,
Ma loi.
Aujourd'hui la Chambre indocile,
A ma voix n'est plus si facile ;
Son devouement, par contre-coup,
Vacille.
Je n'en viens presque plus du tout
A bout.
Qui ramenera I'inhumaine
Sous ma volont(§ souveraine ?
Son abandon fait tous les jours
Ma peine —
Ma place sera mes amours
Toujours 1
In the new Government Ollivier was Minister of Justice
and Religion. His colleagues included Chevandier de Val-
drome (Interior), Marshal Leboeuf (War), Admiral Rigault de
Genouilly (Marine), Count Napoleon Daru, a godson of the first
Emperor (Foreign Affairs), Buffet (Finance), and the Marquis de
Talhouet (Public Works). The other appointments need not be
specified, but it may be mentioned that Daru * had opposed
the Coup d'Etat and that Buffet and Talhouet had protested
against it. They were, in point of fact, Orleanists, and after
the Plebiscitum they resigned, being replaced by the Duke
de Gramont and MM. Mege and Plichon. At first, the
Orleanist deputies of the Chamber, that Third Party of which
we have spoken, rallied round the new Ministry, their adherents
joined them, and with this support Ollivier basked in a semblance
of popularity. But all that these new partisans desired was to
participate in a new Cwee, a great distribution of favours and
appointments; while on the other hand, the Prime Ministei*
* See also ;post, p. 405,
390 THE COURT OF THE TUILERIES
and his colleagues were cordially detested by all the real
Imperialists and the Republicans, The new appointments
were comparatively few, certain functionaries, like Baron Hauss-
mann, were dismissed and replaced, but the new regime was at
a loss how to fill many offices. The Empire had spent eighteen
years in training its prefects and sub-prefects, and Ollivier,
having few men at his disposal on whom he could rely, was
forced to leave the great majority of the old functionaries in
office. • Again, the Senate presided over by Rouher frowned on
him, all sorts of coteries, too, suddenly sprang up in the
Chamber, while the Court looked on with a feeling of dis-
appointment. It is true that Madame Ollivier was a great
success. The daughter of a M. Gravier, a Marseilles merchant,
she was the Prime Minister's second wife,* their marriage
dating from the previous year. And she came to the Tuileries
quite fresh and young, with bourgeois manners, refusing to
wear a low-necked gown, yet looking quite charming in her
white frock, which was set off neither by lace nor jewels, the
lady's only coquetterie being a sprig of heather in her smooth
fair hair. All that was quite novel to many Tuileries folk. It
seemed as if St. Muslin, so often invoked during the perform-
ances of Sardou's " Famille Benoiton,"" had at last heard the
appeal and come to the rescue. In any case a reign of " Sweet
Simplicity " set in. Trains were almost abandoned, hair was
more simply dressed, the " false " variety being discarded, and
diamonds were left in their cases.
Meantime, however, serious trouble had assailed the new
ministry. Only eight days after its assumption of office, Victor
Noir, the journalist, expired in a chemist's shop at Auteuil,
killed by Prince Pierre Bonaparte.f Then came the demonstra-
tion at his funeral, followed by an infinity of riotous incidents,
wild provocative articles in the advanced Press, the arrest of
Rochefort, exciting scenes at public meetings, turmoil that
never ceased. Amidst all those disquieting symptoms, how-
ever, the new Constitution was drafted. It established parlia-
mentary rule, made the ministers responsible to the Chambers,
* M. Ollivier's first wife was Mile. Blandine Liszt, a daughter of the
famous pianist. She died in 1862.
t See ante, p. 242.
LAST DAYS OF THE EMPIRE 391
gave members of the latter the right to introduce bills, provided
that commercial treaties should be submitted to them, and
limited to twenty the number of senators whom the Emperor
might appoint in any one year. Further, it named Prince
Napoleon as heir to the throne in the event of the death of
the Imperial Prince.* There were two ways of securing the
country's ratification of the reforms, one was by means of a
Plebiscitum, the other by a dissolution and general elections.
The Orleanists in the ministry were really opposed to the
Plebiscitum, for they feared it would consolidate the Empire,
and they had only accepted office in order to undermine it.
However, a Plebiscitum was taken — such being the Emperor's
personal desire — and the solemn presentation of the result to
the Sovereign in the Salle des Etats at the Louvre was the last
great Court ceremony of the reign.
Napoleon, judging by the result of the Paris elections of
1869, had estimated that 6,000,000 votes would be cast in
his favour, but the Ayes were, in round numbers, 7,350,000,
against 1,530,000 Noes, the latter including nearly 50,000
army votes, at least half of which, however, emanated from
men angry at having been kept with the colours (owing to
certain fears) six months beyond their time. That is no
fiction. Nearly all the men at the Prince Eugene barracks
in Paris voted " No," and the Emperor was greatly disturbed
on hearing it. A little later, therefore, he visited the barracks,
and was immediately acclaimed by the men. Their vote had
been dictated solely by their personal grievance, and had no
political signification. The Emperor, well pleased on finding
that such was the case, ordered a distribution of gratuities
among the men — which was not, perhaps, the best course to
pursue. Still there is no doubt that the army vote, generally,
was much less unfavourable than it seemed. At the same
time, great as might be the Imperial majority at the Plebis-
citum, it was noteworthy that the minority had now become
six times larger than it had been when the country was called
upon to sanction the establishment of the Empire. In Paris
and its immediate vicinity the adversaries of the o'egime were
* Previously Prince Napoleon had only been designated by decree. See
ante, p. 61.
392 THE COURT OF THE TUILERIES
24^0,000, another 100,000 being in the departments of which
Lyons and Marseilles are the chief cities. In fact, the " Noes ''
were very numerous throughout southern France ; and, briefly,
if the Emperor was pleased with his majority, the anti-dynastic
party was, on the whole, not dissatisfied at finding itself so
strong, even though some wild Republicans had at one moment
imagined that they would sweep the country.
The Plebiscitum was taken about a week before the de-
parture of General Lebrun on his mission to Vienna — a
circumstance not without its significance. Yet the vote was
certainly no vote for war. Going from Paris to Touraine, and
thence to Brittany about that time, the impression we received
was that the great majority of people desired to enjoy tran-
quillity and to see order re-established in Paris, whence the
newspapers brought all sorts of exaggerated reports. Many
who voted " Yes " scarcely approved of the new Constitution,
and it was more as an expression of confidence in the Emperor
personally that their votes were given. Again, there was
occasionally an old Imperialist who stubbornly refused to vote
at all, not wishing to do so against the Emperor, yet unwilling
to give any support to Emile Ollivier. Apart, too, from per-
sonal observation in central and western France, documentary
evidence shows that the Premier was nowhere more unpopular
than in the south, his native part ; and this, in despite of the
fact that, having been rejected by the Parisian electors as an
apostate, he now sat for the department of the Var. That had
been brought about in some degree by Government influence.
Pressure was also brought to bear on the electors in connection
with the Plebiscitum, but the facts have often been exaggerated
by Republican writers, who have been careful to say little or
nothing of the stupendous effbrts of their own party, which,
counting several men of great personal wealth in its ranks,
disposed of a large amount of money.
In a way, it was possible for Ollivier to deceive himself
respecting his real hold on public opinion. The Orleanists,
hoping to make him their tool, coquetted with him vigorously ;
and the French Academy, then one of their strongholds, became
so gracious, that in this, the last year of the reign, one saw for the
first time a Minister of the Empire elected as a member of that
LAST DAYS OF THE EMPIRE 893
company of Immortals. Moreover, all who sought appoint-
ments, and all who feared lest they might lose those they held,
fawned upon the Prime Minister, who thus had an entourage
by which he might be deceived respecting his popularity. At
last the Orleanists, who, wishing to turn the agitation of the
Republicans to their own advantage, had roused themselves
so suddenly from their prolonged somnolence — and were to
make their influence felt immediately after the approaching
war — unmasked their batteries. The Count de Paris and his
relatives, the Prince de Joinville, the Dukes d'Aumale, de
Nemours, and de Chartres, petitioned the Chamber for per-
mission to return to France as "mere citizens." It was impossible
for the Empire to accede to such a petition, and Ollivier was
forced to oppose it. Scarcely had it been dismissed (July 2,
1870) when France was startled by a thunderclap.
At that time the Court was en residence at St. Cloud.
Nevertheless, on July 1, a very important consultation on
the subject of the Emperor"'s illness took place in great secrecy
in Paris between Drs. Nelaton, Ricord, Fauvel, Germain See,
and Corvisart. Two days later it became known that Prince
Leopold of Hohenzollern was a candidate for the Spanish
throne. From this it will be seen that the consultation of
the Emperor's doctors preceded the incidents which actually
led up to the Franco-German war, and was therefore dictated
by none of them. At the same time, it may not have been
brought about solely by the Emperor's anxiety respecting
his health, as the arrangements for it followed the return
of General Lebrun from his mission to Vienna, and we are
inclined to think that if the Emperor at last decided to
place himself unreservedly in the hands of his doctors for
treatment, it was, in at least some degree, with a view to
his participation in the campaign planned for the spring of
1871. There was no exploratory surgical examination of the
Emperor, but the report of the consultation drawn up by Dr.
Germain See advised such an examination, adding, "and we
think that this is an opportune moment, particularly as just
now there are no acute symptoms."
On July 3, See drafted his report, and on the same day
he gave it to Dr. Conneau (by whom the consultation had
394 THE COURT OF THE TUILERIES
been arranged), asking him to get it signed by the other
medical men, and to show it afterwards to the Empress. But
Conneau did not procure the other signatures, and it is at
least very doubtful whether it was shown to the Empress
at all. According to Dr. See it was not. However, M.
Darimon, a friend of Emile Ollivier, asserts in his work, " La
Maladie de TEmpereur,"" that subsequent to the latter's death,
on Prince Napoleon reproaching Conneau for having kept Dr.
See''s report secret, the latter declared that he had shown it to
the rightful person (a qui de droit), and that the reply it
elicited was : Le vin est tire, il faut le boire, which may be
Englished perhaps as, " The die is cast, we must abide by the
result*" — the communication being made of course after the
Hohenzollern candidature difficulty had arisen with Prussia.
M. Darimon attributes the reply in question to the Empress,
but we are confident he is in error — " the rightful person ""
referred to by Conneau, being none other than Napoleon him-
self, to whom Conneau submitted See's report directly it was
received, in order that he, the Emperor, might know how
serious the doctors considered his case to be. Conneau doubt-
less intended to procure the other doctors' signatures, and he
also meant to show the document to the Empress, but Napoleon
kept it, answering in the manner stated. We also think it
probable that he enjoined secrecy, even as he had done in
Larrey's case in 1865. At all events he did not intend to act
on the report at once; his hands Avere now too full, that
Hohenzollern affair, which had sprung up since the considtation,
must be settled before he could submit to medical treatment ;
and thus it came to pass that the report was suppressed, hidden
away, and only became known when the original was found
among Napoleon's papers, and Dr. See sent his original draft
to U Union Medicale for publication.
For the consequences which followed the suppression of
the report. Napoleon himself must primarily be blamed; but
Conneau, in obeying the master to whom he was so devoted,
was guilty of a grievous error of judgment. It may be that
when he submitted the report to the Emperor, the latter told
him that he would show it to the Empress himself; neverthe-
less, during the fateful fortnight which ensued, the doctor, who
WAR AND REVOLUTION 395
knew the truth, ought to have intervened. He could not have
prevented the war, for Prussia was resolved on it — she was not
going to allow Napoleon time to mature his coalition plans —
but he might have prevented the Emperor from assuming
command. Further, Avhy did not See himself and Ricord,
Fauvel, Corvisart, and Nelaton speak out directly they saw the
Emperor assuming command ? They must have known that
he was unfit for such work, yet they made no protest. The
doctrine of "professional secrecy" seems to have overridden
every other consideration, the interests of the Emperor person-
ally, those of the Empire, and particularly those of France.
Baron Corvisart, for his part, was not satisfied with keeping
his mouth shut, he even participated in the folly of the course
taken by Napoleon, for he accompanied him on the campaign,
and was with him still at Sedan. Both Emile Ollivier and his
colleague Maurice Richard, Minister of Fine Arts, afterwards
told Darimon that had the truth about the Emperor's illness
been known to them, he would not have been allowed to join
the army of the Rhine, but would have been kept in Paris;
apart from which particular point, the report of the doctors
would have exercised the greatest influence on every Govern-
ment decision respecting the war.
As we have said, Prussia was bent on hostilities. The
revival of a Hohenzollern candidature to the throne of Spain
was, so to say, the answer to Lebrun's mission to Vienna,
respecting which Bismarck had received full information from
the Hungarian Ministers of the time, who, being opposed to
the projected coalition, betrayed both Austria and France
to the Prussian Chancellor. He then deliberately prepared
that second Hohenzollern candidature, and hurled it at amazed
France — amazed because it imagined that the project had been
definitely shelved the previous year.
We have not space to enter in any detail into the story
of what ensued. To put the case briefly, if rather crudely,
France objected to the presence of a Prussian Prince on the
Spanish throne, and demanded the withdrawal of the candi-
dature, as she had done already the previous year. Thereupon
the candidature was again withdrawn. Then, as this was the
second attempt of the kind, France requested of the King of
396 THE COURT OF THE TUILERIES
Prussia, as head of his House, a pledge that there should be
no further renewal of such a candidature. That pledge King
William refused to give, and war followed. With respect to
some other points, we doubt whether the Empress Eugenie,
to whom some have assigned so much responsibility, unduly
hurried on what had become inevitable. We do not believe
that she ever called it ma guerre a moi. We think also, as
Trochu generously remarks in his " Memoirs," that Marshal
Leboeuf, the War Minister, honestly believed that France was
in a position to take the field. Further, whatever may be
in some respects our opinion of M. Emile OUivier, however
inexcusable may have been his remark about embarking on the
war with a light heart, we readily acknowledge that the war
was not brought about by him. He wished to preserve peace,
he was at one moment even hopeful of doing so, and he was
not even present at that fateful night-meeting at St. Cloud
when the decisive step of ordering the mobilization of the
army was taken. He only heard of that decision the next
morning.
On the actual diplomatic methods of the Duke de Gramont,
the Foreign Minister, and his subordinate Benedetti, the French
ambassador at Berlin, during the incidents which immediately
preceded hostilities, some rather severe strictures might be passed.
As for the Duke's public statement respecting the co-operation
of Austria, that, we think, was made in good faith. It is true
that according to existing arrangements Austria was not to
co-operate until 1871, and that as M. de Gramont subsequently
admitted, " she was painfully surprised by the haste of France
in declaring war ; " nevertheless, there were serious reasons for
believing that she would co-operate despite the fact that events
had been precipitated. We have also M. de Chaudordy's state-
ments about the negotiations which took place between Paris,
Vienna and Florence between July 20 and August 4, in accord-
ance with which Austria and Italy would have intervened on or
about September 15, provided that a French army should by
that time have crossed the Rhine, invaded southern Germany
and reached Munich, there to join hands with the Austrian
and Italian forces.* Those assertions may have been denied —
* Enquete sur le Governement du 4 Septembre : Deposition de M. de
Chaudordy.
WAR AND REVOLUTION S9T
by Beust and others, denials sometimes being necessary — but
M. de Chaudordy did not speak without authority.
The French, however, failed to cross the Rhine. The lack
of method and the great delay in their mobilization, with
the low strength of their effectives, presaged no good result.
Three years previously Frossard had planned a campaign for
450,000 men, three months previously Lebrun had promised
Archduke Albert 400,000; but only 243,000 was the actual
strength of the forces gathered in Alsace-Lorraine in August,
1870, and the mobilization had occupied thrice the time it
should have done. Moreover, repeated defeats fell on the
Emperor's armies and shattered all hope of a coalition. Italy
seems to have been the first to break away, and Austria,
confronted by a situation so different from what had been
anticipated, relinquished any idea of intervention.
On July 27, Napoleon, leaving the Empress behind him as
Regent, quitted the chateau of St. Cloud with his young son.
A special train was in readiness at a siding in the park. The
great dignitaries of the Empire, the senators and others, were
present to take leave of the sovereign. The Emperor appeared
quite calm; the young Prince showed some excitement; the
Empress was plainly affected, her eyes were moist. Among the
escort accompanying Napoleon to the headquarters of the army
of the Rhine at Metz was Dr. Baron Corvisart, who, knowing
the truth about the Emperor's condition, had with him a case
of instruments for use if any operation should become urgent.
On Auo;ust 2 came the eno;ao;ement of Saarbriicken, at which
the young Prince received the baptism of fire. When the
affair was over, General Lebrun, noticing that the Emperor had
great difficulty in alighting from his horse, proffered assistance.
Napoleon took his arm, and as they walked towards a carriage
some fifty paces away, Lebrun remarked : " Your Majesty
seems to be unwell." " My dear general," replied the Emperor,
stifling a moan, " I am suffering horribly." Thus it was that
aide-de-camp Lebrun first heard of Napoleon's malady. In a
similar way its extreme seriousness only came about this time
to the knowledge of M. Pietri, Napoleon's private secretary,
who, on August 7, after a conversation with the Emperor on
the subject, telegraphed to the Empress advising that the
398 THE COURT OF THE TUILERIES
Emperor should return to Paris and leave Bazaine in chief
command. But at that moment the defeats of Weissenburg,
Speichern, and Worth had followed each other in swift succes-
sion, and the Empress replied that the consequences of the
Emperor"'s return after such reverses ought to be considered,
and that should he decide to go back to Paris, the country must
be given to understand that he only did so provisionally, in
order to organize a second army, and had left Bazaine merely
as temporary commander of the army of the Rhine.
The position in Paris, where only a few weeks previously
the war had been so frantically acclaimed by thoughtless folk,
was certainly becoming difficult. Already, on the evening of
August 6, at the first news of MacMahon's overwhelming
defeat at Worth, the Empress had hurried from St. Cloud to
the Tuileries, where a long night-council was held. On the
morrow, while issuing a proclamation exhorting the Parisians
to be firm and preserve order, she declared a state of siege in
the capital. Then, on the 9th, the Ollivier Ministry was over-
thrown by the Chamber, and replaced by an administration
under General Cousin-Montauban, Count de Palikao, who, as
commander in China several years previously, had looted the
Summer Palace of Pekin. His colleagues were all Bonapartists,
chiefly of the younger school. On the morrow (August 10)
came the news that Strasburg was invested ; on the 12th we
heard that Nancy was occupied. Now it was that, in com-
pliance with the clamour of the anti-dynastic party, the
unhappy, ailing Emperor was deposed from the chief command
and replaced by Bazaine, respecting whose military abilities
there was such extraordinary infatuation. Fate was on the
march. Paris was becoming more and more excited, more and
more uncontrollable.
On August 14, a few hours after there had been some rioting
at La Villette, the last reception of the reign was held at the
Tuileries. The Empress appeared at it garbed in black net
with a jet diadem, and every lady present was in the deepest
mourning for the reverses of France. Even the Court footmen
and other officials wore black, only the military men retaining
their uniforms. The affair at La Villette was, perhaps, the chief
subject of conversation at that gathering, but there was some
WAR AND REVOLUTION 399
hopefulness with respect to the war now that Bazaine had the
supreme control, and that the withdrawal of his army from Metz
had been decided on. Matters would soon improve when the
Marshal and his men were in the open — such was the prevailing
impression. But, as we know, the situation went from bad to
worse. On August 14 Napoleon quitted Metz; on the 16th
Vionville-Mars-la-Tour was fought, and Bazaine's retreat
stopped; and on the 18th, after fighting for nine hours at
St. Privat-Gravelotte, he was driven back under the great
stronghold of Lorraine.
In Paris, that same day, General Trochu stepped upon the
scene. There had been a demand that he should be made Minister
of War, but the post assigned to him was that of Governor of
the capital. As Minister at that stage it is improbable that he
could have retrieved the situation ; but had he held the post at
the very outset his services might have proved most valuable,
for he was a born organizer. At the time of the Crimean War
the French forces might well have found themselves in the same
plight as the English if Trochu, after assembling certain
colleagues at the War Ministry, had not exerted himself in
selecting the units of the expedition, planning staff arrange-
ments, attending to the proper equipment of the men, and
providing them with all necessaries — accomplishing, in fact,
quite a totir deforce, for France was at that time no more pre-
pared for war than she was in 1870. Trochu again proved his
talent as an organizer during the siege of Paris, when he
improvised so much, when he so often turned nothing into
something, and made, if not a successful, at least an extremely
honourable defence.
Unfortunately, after St. Arnaud's death, Trochu was dis-
trusted by the Empire. A Breton, born in 1815, he had been
a great favourite with Louis Philippe's Marshal, Bugeaud, and
having refused a Court appointment from Napoleon III., he was
suspected of Orleanism. Moreover, his repeated criticisms of
French army methods long gave offence in high places. He
had his limitations, and he knew them ; he had never exercised
more than a divisional command in the field (Italy, 1859), and
it was because he felt unequal to field duties that he never com-
manded in person at the sorties during the Paris siege. But in
400 THE COURT OF THE TUILERIES
an office or a camp he was admirable, an adept in laying down
sound rules, in preparing, providing for requirements. Again,
he was not the man to cope with a popular rising, and in that
respect he was not fit for the post of Military Governor of
Paris. If he did not save the Empire on the 4th of September,
neither did he save himself and his National Defence colleagues
on the 31st of October, during the siege days, when he and they
were shut up at the H6tel-de-Ville, at the mercy of a Communist
insurrection. The rescue which was effected was the work of
a civilian, Jules Ferry.
At the same time, if the Empress-Regent had placed more
confidence in Trochu instead of steadily alienating him, he
might at least have attempted to save the Empire at the
Revolution, though we doubt if any one, any St. Arnaud or
Magnan or Canrobert, could really have saved the regime
that day, even if the Empress had been willing, which she
was not, to have the people cannonaded as at the Coup d'Etat.
However, as Trochu bitterly complains in his Memoirs, he was
treated by the Empress with suspicion and distrust from the
moment of his appointment. He was to have been followed to
Paris by the Emperor, and MacMahon's army was to have
retreated on the capital to recruit its strength and cover the
city. But when Trochu informed the Empress of those plans —
agreed upon at a conference held at Chalons between the
Emperor, Rouher, Prince Napoleon, MacMahon, Schmitz, and
Trochu himself — she opposed them violently, saying, " Those
who advised the Emperor to adopt those plans are enemies.
The Emperor shall not return ; he would not return alive. As
for the army of Chalons [MacMahon's] it must effect its
junction with the army of Metz."*
That policy prevailed. The unlucky army of Chalons
started on its march to relieve Metz, where Bazaine was now
shut up, just as the bombardment of Strasburg was beginning.
MacMahon led his forces from Chalons to Rethel, thence in the
direction of Montmedy. But the Germans followed them,
came up with them, routed the corps under General de Failly
at Beaumont, and forced MacMahon and the others on Sedan,
where the supreme catastrophe fell upon them. The unhappy
* TroclLU, "Le Si^ge de Paris," etc., Mame, Tours.
WAR AND REVOLUTION 401
Emperor, who, forbidden to return to Paris, had accompanied
his troops on that anxious, difficult, terrible march, sought
death on the field, and when death refused to take him, made
a last supreme assertion of his authority, ordered the white flag
to be hoisted, and tendered his sword to the Prussian King.
The Empress Eugenie has been violently attacked by scores
of writers for preventing the return of the Emperor and
MacMahon to Paris. It has even been said repeatedly that
she deliberately sacrificed her husband to the chance of saving
the Empire for her son. This narrative has shown that
Napoleon was no faithful husband, and that his consort had
real grievances against him. But we do not believe that she
sacrificed him in the way and for the purpose alleged. We
hold that she was quite sincere when she said to Trochu that
the Emperor would not return to Paris alive — meaning, of
course, that he would be killed if he returned. We were in
Paris at the time, and the unpopularity into which the Emperor
had fallen by reason of all the reverses inflicted on the French
arms, was of such a nature that, even if he had come back at
the same moment as Trochu (by whose sudden popularity he
was to have been covered) we doubt if Trochu could have saved
him. Trochu, as already stated, was not the man to contend
with mobs. And the Emperor's return, and the knowledge
that MacMahon's forces were returning also — abandoning
Bazaine to his fate — would have been like a match applied
to tinder; and in the sudden blaze, the sudden outburst of
popular indignation and wrath. Emperor, Empress, and Empire
would have been immediately swept away. Briefly, the Fourth
of September would now be known as the Eighteenth of August.
By the course which the Empress took, then, she did not
sacrifice her husband, she hoped to save the Empire. As it
happened, she was only able to prolong the agony for fourteen
days.
On the other hand, from the military standpoint, the retreat
of MacMahon on Paris would certainly have been the best
course. But the Empress, haunted, not without reason, by
the thought of Revolution, held, no doubt, that even such a
retreat would have sufficed to stir it up — so acute, so urgent
was the anxiety for Bazaine and Metz, so foul and so odious
2d
402 THE COURT OF THE TUILERIES
would it have seemed to Paris, at that moment, if the Marshal
and the fortress had been abandoned. Besides, if only
MacMahon and his men had returned to the capital, what
could have been done with the Emperor ? The situation was
perplexing, full of serious difficulties, and it is because we know
that such was the case, that, unlike some others, we bring no
charges against the Empress with respect to the course she
followed. It is always easy to fling accusations, it is often
difficult to substantiate them.
Many accounts testify that the Empress, from the time of
her sudden return from St. Cloud to the Tuileries, was haunted,
as we have mentioned, by the thought of Revolution. If, before
all else, she had to discharge her duty to the country, she also
had to perform her duty to the dynasty, whose interests she,
as Regent, held in trust. The vigilance of the Prefect of Police
was not relaxed until the last hour. The expiring Empire was
not uninformed of the planning and scheming of the anti-
dynastic party, which was so watchfully awaiting its oppor-
tunity to seize the reins of government. " Let us destroy the
Empire first, we will see about the country afterwards," was the
motto of too many of the men who subsequently paraded as
zealous patriots. All that was known at the Tuileries, and
apprehension was natural. The Empress, so it has been said,
particularly feared that revolution might break out during the
night, and always felt disturbed when evening fell. In addition
to the military guard, many detectives were on duty around
the palace, never losing sight of the Republican spies by whom
it was watched. There was no actual conflict, we think, each
side was content to remain e7i observation.
With or without the Empress''s knowledge and assent
various schemes for assuring her safety in the event of an out-
break were devised. One plan provided for a temporary retreat
at a Paris convent, whose lady-superior was most willing to be
of service. There were moments, however, when the Regent
shook off* her apprehensions, and when the question of pursuing
a vigorous policy towards the Parisian malcontents was mooted
at the Tuileries. More than once it was proposed to have
certain leaders arrested, but hesitation invariably supervened,
and the question was postponed.
WAR AND HEVOLUTION 403
The decisive moment came with the catastrophe of Sedan.
Though the Empress did not receive direct tidings from
Napoleon until four o*'clock on the afternoon of September 3,
the truth was known to the Government on the afternoon of
the previous day, and both Thiers and Jules Favre became
acquainted with it the same evening. Thiers was vainly
implored by Prince Metternich, in conjunction with Merimee,
to take office and save both France and the Empire; but he
refused his services, even as on the morrow, September 3, he
refused to place himself at the head of the Republicans as
he was begged to do by Favre, Simon, Ferry, Picard, and
others of the Opposition. It was then and then only that the
anti-dynastic leaders really turned to Trochu.
In the Legislative Body, on the afternoon of September 3,
Count de Palikao, the Prime Minister, would only admit that
MacMahon had been compelled to retreat to Sedan, and that
a small body of his troops had sought refuge in Belgium ; but
at a night sitting which was held some hours later, there could
be no further concealment of the truth which Thiers and Favre
had already conveyed to many colleagues. Besides, it had also
begun to circulate through Paris, and during the evening
people flocked to the Palais Bourbon, many of them already
crying : " Dethronement ! dethronement ! " On the Boulevards
the excitement was general, and a foolhardy attack was even
made on a police-station there, whereupon the police charged
the crowd with their swords quite as energetically as they had
ever done in the days of the Empire's power. Many people
then hurried to Trochu's quarters at the Louvre to protest
against the brutality of the police, while others assembled
on the Place de la Concorde to discuss the position and insist
on the Emperor's abdication. When, about two o'clock in the
morning (September 4), the night-sitting of the Chamber ended,
and the many vehicles containing ministers, deputies, and
journalists came rolling across the square, a strong force of
cavalry suddenly swept out of the Palais de I'lndustrie in the
Champs Elysees, where it had been quartered since the after-
noon, and cantering hither and thither, threw the procession of
conveyances into confusion and scattered the spectators. In a
quarter of an hour everybody had been driven from the spot,
404 THE COURT OF THE TUILERIES
and the energy of the troops, following that of the police,
seemed to indicate that any attempt at Revolution after day-
break would be speedily put down. At that moment, then,
quietude prevailed in Paris ; but the Republicans had not lost
their time during the evening, nor did they lose the remaining
hours of the night. The word went round that everybody
must turn up early in the afternoon, as soon as the Chamber
should assemble, and the Palais Bourbon was the appointed
rendezvous. Briefly, although the events which followed were
not exactly organized, the movement was not so spontaneous as
some have imagined.
Bright and clear was that Sunday, September 4. There is
just a possibility that if rain had poured in torrents there might
have been no Revolution. It could not have been prevented
by bloodshed, we think, and the Empress was right in refusing
to sanction extreme measures. She had presided over a Minis-
terial Council at the Tuileries shortly before the night-sitting
of the Legislative Body, and a proclamation had then been
agreed upon, as well as a proposal for a Committee of Defence,
which proposal was met in the Chamber by more or less revo-
lutionary ones emanating from the Republicans and Orleanists.
After the council many of the great dignitaries arrived at the
palace, and only at a late hour was the Empress left with her
immediate entourage. She took very little rest. At six
o'clock on the morning of the 4th she was up and about,
visiting the ambulance which she had installed in the palace
playhouse. Afterwards, repairing to her little oratory, she
heard mass, subsequently conversing with the chaplain, and
supplying him, in her usual way, with money for necessitous
cases. By that time General de Palikao and the other ministers
had arrived, as well as several members of the Privy Council,
including Rouher ; and the course to be pursued at the after-
noon sittings of the Chamber and Senate was then discussed at
length, Rouher taking a leading part in the deliberations.
Lunch was served about half-past eleven, some twenty-eight
persons sitting down to table with the Empress, as the service
d'honneur whose week ended that day was present as well as
the service which was to replace it. The only guest, however,
was Ferdinand de Lesseps. There was no departure from any
WAR AND REVOLUTION 405
of the ordinary etiquette, though the anxiety of everybody was
keen. Despatches arrived at every moment, now from the
Prefecture of Police, now from the Ministry of War, now from
that of the Interior. Most of them referred to the gravity of
the situation in Paris, and proposed or suggested measures for
subduing any popular rising. In that respect the Empress's
authorization was requested ; but she would give none. " Any-
thing rather than civil war," was her invariable answer.
From time to time various visitors, people more or less
attached to the Court, arrived, one and all of them bringing
increasingly serious tidings respecting the disposition of the
Parisians. It became known that bands of people were march-
ing about, already shouting, " Dethronement ! Dethronement ! "
and " Long live the Republic ! " At last some troops suddenly
appeared on the Place du Carrousel, and others in the reserved
garden of the palace. They were all men of the Imperial
Guard, led by devoted officers. Next, however, National Guards
were seen streaming along the quays and the Rue de Rivoli
towards the Palais Bourbon and the Place de la Concorde. On
they huri'ied, like the advanced guard of Revolution. But a
diversion came, for all at once the Third Party, the Orleanist
deputies of the Legislative Body, appeared upon the scene,
seeking audience of the Empress. They were headed by Count
Daru, who, although a godson of the great Napoleon, wished
to pick the crown of France out of the blood and mire of Sedan
to present it to the Count de Paris. A scholarly but despic-
able man, this Daru subsequently penned for the National
Assembly of Versailles some of the most mendacious reports
ever presented to any parliament. And in that hour of France's
grievous misfortune the chief object, the great craving, of Daru
and his friends was the crown for their Prince, the crown at all
costs, at all hazards. Entering the room where the deputies
were assembled, the Empress greeted them with a sad smile,
and they talked to her of — abdication. She answered them,
proudly enough, that the Ministers were in office to propose
whatever measures might be necessary in the interest of France,
and that if they deemed abdication necessary, it would be
signed. They were her constitutional advisers, and she was in
their hands.
406 THE COURT OF THE TUILERIES
In our earlier chapters we have not hesitated to express
an unfavourable opinion of much of the Empress"'s influence in
politics, with regard notably to Italy and Rome. Let us now
say that on the day of Revolution she displayed a dignity and
fortitude entitling her to all respect. Her interview with the
Orleanist deputies was brought to an end by the arrival of a
Prefect of the Palace, who had witnessed the preliminaries of
the invasion of the Palais Bourbon, and of a Chamberlain who
had observed the aggressive tendencies of the huge crowd
assembled on the Place de la Concorde. Moreover, on a window
being opened, the distant roar of " Vive la Republique ! " could
be distinctly heard. Perhaps the Third Party was alarmed by
those tidings and those cries ; at all events, it withdrew, looking
worried and perplexed. The whole affair was extremely charac-
teristic of Orleanism. Louis Philippe's sons and grandsons were
mostly gallant men, and it is a curious phenomenon that the
political supporters of the house should have been, with few
exceptions, so different.
The Empress evinced some sadness after the departure of
the deputation, then became rather excited on learning that the
imperial eagles were already being struck off" some of the public
buildings of Paris. All the Ladies of the Palace who happened
to be in the city were now with her. Marshal Pelissier's
widow and Marshal Canrobert's wife had arrived together at
an early hour. No officer of the Household was absent. Several
usually attached to the Emperor"'s person presented themselves,
eager to render service, some of the younger ones being pro-
vided with revolvers for use if the palace should be invaded
and an affray occur. Princess Clotilde also came over from
the Palais Royal, and there was a brief, touching scene between
her and the Empress. Next a few foreign diplomatists arrived,
including Prince Metternich, who looked extremely affected,
and Chevalier Nigra, who was as calm, as debonair, as usual.
They, like every other new arrival, hastened to kiss the hand
of the Empress, whose emotion became more and more apparent.
Finally, a little before two o''clock, a few Ministers, notably
Chevreau and Jerome David, and various deputies, hurried in
with news of the invasion of the Palais Bourbon by the crowd,
and the proclamation of the Republic on its steps. The leaders
WAR AND REVOLUTION 407
of the Revolution were now hastening to the Hotel de Ville to
act likewise there. Thus all was virtually over. The Empress
conferred for a moment with General Mellinet, who commanded
the troops guarding the palace, repeating to him her orders
that there was to be no bloodshed, and adding that she was
about to depart. She then gave her hand to those officials
to whom she had not previously bidden farewell, and turning
to her ladies, exclaimed, "Do not stay any longer; there is
little time left." Tears started from many eyes, and all her
ladies clustered round her, kissing and pressing her hands.
" Go, go, I beg you ! " the Empress repeated with emotion ;
and now, for the first time, it seemed as if she would break
down. But finally the ladies, reluctantly enough, many of
them sobbing, withdrew — that is, all did so excepting Mme. de
La Poeze, who, like Count Artus de Cosse-Brissac, the Chamber-
lain, was one of the last to leave the palace.
But the Empress herself had retired to the further end of
the salon, and after pausing there and bracing herself for a
moment, she bowed to the whole gathering with the stately,
solemn bow of impressive occasions. Then, turning hurriedly
to hide her twitching face, she withdrew to her private apart-
ments, accompanied by Prince Metternich, Chevalier Nigra, and
Mme. Lebreton, who had succeeded Mme. Carette as her reader.
M. de Cosse-Brissac next faced the assembled officers, and said
to them : "Messieurs, her Majesty thanks you, and invites you
to withdraw." There was some little hesitation, and before
the order was obeyed the Chamberlain had to assure his col-
leagues and friends that their further presence could serve no
useful purpose. As he himself at last went out, an usher
showed him the audience book, in which were inscribed the
names of all who had called at the palace that day. The
man wished to know what was to be done with it. " Give
it to me," replied M. de Cosse-Brissac ; and taking the book,
he tore from it all the pages on which names were inscribed,
and put them in his pocket, remarking, "They would only
serve as food for abuse and slander if they were left here."
The incidents of the Empress"'s departure have been so often
and so minutely described, that we need merely mention that
she quitted the palace virtually unobserved, accompanied by
408 THE COURT OF THE TUILERIES
Mme. Lebreton, and escorted by the Ambassadors of Austria
and Italy, who were desirous of protecting her from insult. A
vehicle was procured, and she safely reached the residence of
her dentist. Dr. Evans, whose Memoirs contain a full account
of the affair. Next the Empress made her way to Trouville,
and crossed over to England on Sir John Burgoyne's little
yacht. The Gazelle.
The Court of the Tuileries had ceased to exist, and the
palace itself was to last but a few months longer. As in our
first chapter we gave some account of its origin, we here append
a brief narrative of its fate.
******
During the siege of Paris, after the fall of the Empire, the
Tuileries garden served as an artillery bivouac, and the palace
was chiefly employed for ambulance purposes — the ambulance
which the Empress had previously installed in the playhouse
being enlarged. A committee, which the Government of
National Defence appointed to examine such of the imperial
papers as had not been removed or destroyed prior to the
Revolution, also met at the Tuileries, in the Emperor's private
rooms. One of the principal members of that committee was
M. Jules Claretie, whose distinguished career, marked by high
integrity as well as ability, supplies sufficient answer to the
charge that documents were tampered with for purposes of
publication — a charge occasionally preferred by one or another
interested party during recent years. There can be no doubt
at all that the publications of the Government of National
Defence were quite genuine, though undoubtedly they were
incomplete. Circumstances interrupted both scrutiny and
publication ; and ultimately the bulk of the papers perished
in the conflagration of the palace. Few further documentary
revelations respecting what one may call the secret side of the
Second Empire can therefore be expected, until, if ever, the
collections of the Empress Eugenie are given to the world.
Immediately after the rising of the Commune of Paris on
March 18, 1871, an ex-soldier of Chasseurs d'Afrique, named
Dardelle, was appointed military governor of the Tuileries. He
quartered himself in the fine rooms formerly occupied by the
Duke de Bassano, the Imperial Great Chamberlain, collected a
FATE OF THE PALACE 409
number of people around him, and frequently entertained them
at dinners and dances. Being musically inclined, he also often
charmed his leisure moments by executing fantasias on the
chapel organ. At this time, for the small admission fee of half
a franc, anybody might visit the state apartments of the palace
between 10 a.m. and 6 p.m. ; and early in May it occurred to
Dr. Rousselle, a prominent partisan of the Commune, who
modestly entitled himself " Chief Surgeon of the Universal
Republic," that concerts for the benefit of wounded National
Guards might well be held at the Tuileries. That idea was
adopted, and every Thursday and Sunday concerts took place,
simultaneously, in the Salle des Marechaux, the palace playhouse,
and the Galerie de Diane. The number of performers in the
various orchestras varied according to the dimensions of the
apartments, in one or another of which the artistes sang or
recited alternately. The charge for admission ranged from half
a franc to five francs, the latter being the tariff in the Salle des
Marechaux, where a large stage was erected, adorned with
crimson velvet draperies, fringed with bullion, and spangled
"with the gold bees of the Bonapartes — these hangings having
been taken from the imperial throne-room and other apart-
ments. The rooms blazed with wax candles derived from the
palace stores; the audiences were numerous and enthusiastic;
refreshments, chiefly red wine and eau-de-vie, were procurable
at moderate charges ; and there was any amount of smoking,
— clay pipes, however, being far more numerous than cigars.
Each performance, which naturally began and ended with the
" Marseillaise,"" included recitations of revolutionary passages
in the poems of Victor Hugo and Auguste Barbier, with a
medley of patriotic and socialistic songs. Mile. Agar, sometime
of the Comedie Franpaise, was the chief reciter, the leading
vocalist being the Citoyenne Bordas, previously of the Grand
Concert Parisien, who invariably raised the enthusiasm of the
audiences to the highest pitch by the manner in which she
thundered forth the refrain of her famous song —
" C'est la canaille ! Eh bien, j'en suis ! "
Besides those concerts, there were occasional /c^g.? de nuit in
the reserved garden of the palace, when countless red and white
410 THE COURT OF THE TUILERIES
lamps glowed amid the shrubberies and orange-trees, while
round the orchestra swaggered the military dignitaries of the
Commune, the ex-hatters, ex-chemists, ex-compositors, and
others, all displaying plenty of gold braid on the sleeves of
their tunics. They were often accompanied by their ladies,
wives or demi-wives, as the case might be.
The last of the concerts took place on the evening of Sunday^
May 21, while the columns of the army of Versailles under
Marshal MacMahon were stealthily advancing into Paris.
That same day or night (there is some doubt on the point)
" General " Bergeret, one of the chief commanders under the
Commune, quitted his quarters at the Palais Bourbon, and
came to the Tuileries, with all his staff. The eventual entry
of the regular troops had been foreseen, and the approaches
to the palace were defended by powerful batteries and huge
barricades. Of the latter the most formidable and elaborate
arose at the corner of the Rue de Rivoli and the Rue St.
Florentin. It was quite five and twenty feet high, constructed
largely of masonry, and defended by two or three guns. There
was another barricade on the Quai de la Conference, and
another near the moat separating the reserved garden of the
palace from the public one ; while on the terrace overlooking
the Place de la Concorde a powerful battery was planted. On
May 22, MacMahon''s troops having reached the Arc de
Triomphe atop of the Champs Elysees, a detachment of his
artillery took up position there, and the Avenue des Champs
Elysees was soon swept by the joint fire of the Versaillese guns
and the Tuileries batteries.
While this duel was in progress eleven vans belonging to
the Crown Furniture service arrived at the Tuileries by way
of the Place du Carrousel. They contained furniture, papers,
and works of art previously removed from M. Thiers"'s house in
the Place St. Georges, which had been demolished by order of
the Commune. The vans, whose contents were piled up in
various ground-floor grooms, may merely have arrived at the
Tuileries that day by a coincidence, but if so it was a strange
one. Meantime, as we have said, the artillery fire was con-
tinuing on both sides. Great caution was invariably observed
by the Versaillese throughout the street-fighting of that Bloody
FATE OF THE PALACE 411
Week which had now begun. Not a single barricade in Paris
was taken by any infantry frontal attack ; all the Communist
positions were seized by flanking movements. Thus about five
o'clock on Tuesday, May S3, some of the batteries defending
the Tuileries having been silenced, and the troops having con-
trived to seize the Palais de ITndustrie and the Elysee, a
detachment, passing by way of the Madeleine, was able to turn
the great barricade at the corner of the Rue de Rivoli, which
they found abandoned. During the artillery duel some damage
had been done on the Place de la Concorde and among the
statuary in the Tuileries gardens ; and the partisans of the
Commune have asserted more than once that the palace itself
was set on fire by Versaillese shells.
There is, however, abundant evidence to the contrary. In
the course of May 23 several vehicles carrying barrels of gun-
powder arrived at the Tuileries by way of the court of the
Louvre and the Carrousel. In the afternoon General Bero-eret
repaired to the Hotel de Ville, where the Committee of Public
Safety was sitting. On his return to the palace he assembled
his principal officers, who included notably a certain Victor
Benot, an ex-private in the 10th of the Line, who had become
a lieutenant in the National Guard during the German siege,
and had risen to a colonelcy under the Commune. Another
was a "Captain'' Etienne Boudin, a bibulous individual,
formerly a hatter, we believe, who had seized 900 bottles of
wine in the Tuileries cellars and shared them with his comrades.
Other men, named Madeuf and Servat, whose exact rank is not
certain, a Pole, "Colonel" Kaweski, and Dardelle, whom we
have previously mentioned, also attended Bergerefs council,
in addition to the latter's immediate staff-officers. It seems
certain that Bergeret had received positive orders from the
Committee of Public Safety to set the Tuileries on fire — there
is only a faint possibility that he may have acted on his own
initiative. In either case, he informed the others that the palace
must be destroyed. To Dardelle he assigned the duty of
removing all the materiel de guerre which the Commune might
still require, while Benot and Boudin willingly, if not eagerly,
accepted the task of firing the palace. Not only had gun-
powder been brought to the Tuileries during the day, there
412 THE COURT OF THE TUH^ERIES
were also some barrels of liquid tar there, and these, as well
as a quantity of turpentine, were used by Boudin in preparing
the Pavilion Marsan for the conflagration. He, like Benot, was
assisted by several acolytes, and with the help of the many pails
and brooms in the palace, the hangings, floorings, woodwork,
and furniture of numerous apartments were coated with tar or
drenched with petroleum. In the chief vestibule Benot placed
three barrels of gunpowder, while two or three others were
hoisted up the well of the grand staircase and then rolled into
the Salle des Marechaux, where several cases of cartridges, some
shells, and other ammunition were disposed. Other barrels of
powder were broken open, and the contents scattered about
the ground-floor rooms. Trains also were laid, notably one
extending to the courtyard, and this was fired by Benot when
everybody had quitted the palace.
It was about ten o'clock when all was ready. The Versaillese
seldom, if ever, stirred after dusk during that terrible week.
They remained on the positions they had gained during the
day. Had they been quicker in their movements, the week
might have been reduced to three days, and many of the
buildings of Paris might have been saved. On the other hand,
no doubt, the casualties would have been much more numerous.
On the evening of May 23 the National Guards still occupied
the garden of the Tuileries, the barricade near the ditch, and
the quay alongside the Seine. They were spread there en
tirailleurs, ready to oppose the advance of the Versaillese, should
the latter attempt to push forward beyond the corner of the
Hue St. Florentin. Others, too, were strongly entrenched in the
Ministry of Finances in the Rue de Rivoli, and defended it
throughout the night, every effort being made to check the
advance of the troops until the conflagration of the Tuileries
should be beyond remedy. As for Bergeret and his staff', they
retired to the Louvre barracks, and it was there, about ten
o"'clock or a little later, that Benot joined them, announcing
that the Tuileries was alight.
The whole company sat down to supper, ate well and
drank heavily. Towards midnight, after coffee had been served,
Benot invited the others to admire his work. They went out
on to the terrace of the Louvre and saw the Tuileries blazing.
FATE OF THE PALACE 413
Flames were already darting from the windows of the great
fapade— over twelve hundred feet in length; and if at times there
came a pause in the violence of the fire, the ruddy glow which
every opening of the building revealed, was a sufficient sign that
the conflagration had by no means subsided. At last a score
of tongues of flame leapt suddenly through the collapsing roof,
reddening the great canopy of smoke which hovered above
the pile. The flames seemed to travel from either end of the
palace towards the central cupola-crowned pavilion, where
Benot, an artist in his way, had designedly placed most of his
combustibles and explosives ; and at about two o'clock in the
morning Bergeret's officers were startled, almost alarmed, by a
terrific explosion which shook all the surrounding district.
Many rushed to ascertain what had happened, and on facing
the Tuileries, they saw that the flames were now rising in a
great sheaf from the central pavilion, whose cupola had been
thrown into the air, whence it fell in blazing fragments, while
millions of sparks rose, rained, or rushed hither and thither,
imparting to the awful spectacle much the aspect of a bouquet
of fireworks, such as usually terminates a great pyrotechnical
display.
" It is nothing," said Bergeret to those of his men whom
the explosion had alarmed. " It is only the palace blowing
up." And taking a pencil, he wrote : " The last vestiges of
Royalty have just disappeared. I wish that the same may
befall all the public buildings of Paris." That note he handed
to a young man named Victor Thomas, who was a nephew of
the General Clement Thomas shot by the Communards on the
18th of March, but who, curiously enough, was serving the
insurrection, in spite of his uncle's fate. Thomas, who personally
witnessed what we have described, carried the note to the
Committee of Public Safety at the Hotel de Ville. When he
returned to the Louvre, Bergeret had disappeared.
Victor Benot, being subsequently taken prisoner, was tried
by a Council of War and convicted not only of his deeds at the
Tuileries, but also of having helped to set fire to the library of
the Louvre — the old library of the sovereigns of France, which
contained 40,000 volumes, valuable not only by reason of their
contents but also of their bindings, which comprised many of
414 THE COURT OF THE TUILERIES
the finest examples of the bookbinder's art in France. Benot
was condemned to death, but on the ground that he had acted
under Bergeret's orders, his sentence was commuted to one of
transportation to New Caledonia for life.
What Benot did not do was done by others. At ten o'clock
on the morning of May 24, columns of smoke arose from,
various parts of Paris, coiling, meeting, and expanding until
they almost hid the sun from view. The Ministry of Finances,
the Palais Royal, the Hotel de Ville, the Prefecture de Police,
the Palais de Justice, the Palais de la Legion d'Honneur, the
Cour des Comptes, the Theatre Lyrique, the Caisse des Depots
et Consignations — all these were burning as well as many houses
in one and another part of Paris, as for instance in the Rue de
Lille and the Rue du Bac, at the cross way of the Croix Rouge,
in the Rue Royale, the Faubourg St. Honore, the Rue Boissy
d'Anglas, the Rue de Rivoli, the Avenue Victoria, the Boulevard
Sebastopol, the Rue St. Martin, the Place du Chateau d'Eau
and the Rue St. Antoine. Never will that awful spectacle
depart from our memory.
Surrounded by all those other conflagrations, that of the
Tuileries continued for three days. It was fortunately cir-
cumscribed by the massive masonry and ironwork of the newer
portions adjoining the quay and the Rue de Rivoli, and for a
similar reason the conflagration of the Louvre library did not
spread to the art galleries. For some years the outer walls of
the palace remained standing — lamentable mementoes of the
madness of Paris in those terrible days of 1871 ; and an im-
pressive water-colour drawing of them was made by Meissonier,
who exhibited it in 1883. On various occasions there were
plans for rebuilding the residence of the Kings and Emperors of
France, but those schemes were ultimately abandoned, and now
only the memory of the Tuileries remains. Perhaps that is
best, for despite all the magnificence, all the festivities, it
witnessed, it was ever a fatal edifice — a Palace of Doom for
both Monarchy and Empire.
INDEX
Abbatucci, minister, 57
Abdul-Aziz, Abdul Hamid. See Tur-
key.
About, E., 171, 222, 223, 224, 371
Absinthe, hour of, 322
Abyssinian page. Empress's, 252
Academy, French, 392
Actors, actresses, and vocalists of the
reign, 322, 325
Adjutant-General of the Tuileries, 41
Agar, Mile., 409
Aguado, Viscount One'sime, 71, 361 ;
Viscountess, Marchioness de Las
Marismas, 71, 253, 259, 361
Aides-de-camp to the Emperor, 45 et
seq., 305 ; to the Imperial Prince, 379
Aigle, Marquis de 1', 358, 361, 364
Ajaccio, Prince Napoleon's speech at,
230, 231
Aladenize, Lieut., 149
Albe, Duke d', 63 ; Duchess d', 61, 62,
63, 64, 173, 174 ; Miles, d', 170, 323,
357
Albert, Archduke, of Austria, 383, 384,
385
Albufe'ra, Duke and Duchess d', 352
Alexander II., Czar. See Kussia,
Algeria, the Emperor in, 337 ; Gover-
nors of, 346 et seq. ; King of, pro-
posed title, 91
Allsop in Orsini plot, 117
Allou, Maltre, 216
Almonry, imperial, 52
Alphand, M., 132
Alton-Shee, 25
Ambassadors to France, some, 298, 299
American beauties at Court, 71, 262
Andre scandal, 186 et seq.
Angouleme, Duke of, 190, 300
Antonelli, Card., 171
Aosta, Amadeo, Duke d', King of Spain,
226, 272 ; Marie Laetitia Bonaparte,
Duchess d', 226
Arago, Em., 204
Archbishops of Paris, 52, 68, 108
Archer. See Gordon.
Arese, Count, 136
Army, the, and the Emperor, 340 et
seq., 391 ; reorganisation of, 270, 274,
345 352
Atholi, Duke of, 372
Auber, 52, 66, 371
Aubin des Fougcrais, Dr., 359
Audiences at Court, 134, 135, 136, 245
Aumale, Duke d', 231, 303, 393
Aurelle de Paladines, Gen. d', 145
Austria, Anne of, 3, 227, 331 ; Francis
Joseph of, 273, 274, 331, 333, 366,
372, 383, 384; to invade Germany,
383 et seq. See also Wars.
Aventi, Countess, 213
Ayguesvives, Count d', 43
Bachon, equerry, 879
Baciocchi, Princess, 58, 209, 212, 218 ;
Count Marius, 42, 43, 112, 113, 136,
185, 187, 189
Baden, Ste'phanie, n^e Beauharnais,
Grand Duchess of, 57, 93, 97
Bagatelle, estate of, 380
Ballets at Court, 260, 285
Balls, Empress's Monday, 257, 258;
fancy and masked, 198, 258 et seq. ;
Hotel de Ville, 273 ; Jockey Club's,
264; Legislative Body's, 77, 78;
Princess Metternich's, 262; Prus-
sian Embassy's, 263; public and
private, 254 ; Tuileries state, 254 et
seq. ; refreshments at, 257 ; Ver-
sailles, 86, 87
Banquets at Tuileries. See Dinners.
Banville, T. de, 235
Baptism of Imperial Prince, 94, 97 et
Baraguey d'Hilliers, Ml., 83, 846, 351
Baroche, minister, 147, 176, 296
Barrot, F., 186 ; Odilon, 186et seq.,220
Bartholoni, Marchioness, 213, 217 ;
Mme. 253, 261,375
416
INDEX
Bartolotti, regicide, 109 et scq.
Barucci, Giulia, 323
Bassauo, Duke de, 42, 70, 81, 361, 408 ;
Duchess de, 42, 67, 70, 355
Baudry, Paul, 371
Bauer, Mgr., 53, 357
Bavaria, Maximilian of, 331
Bayle, Miles., 76, 164
Bazaine, Ml., 147, 350 et seq., 398 et
seq. ; his wife, 351
Eaze, qusestor, 11, 141
Beauffremont, Princess de, 373
Beaufort, Duke of, 183
Beauharnais, Claude de, 57. See also
Hortense, Josephine, and Baden
Beaulaincourt. See Contades.
Beaumont, Count and Countess de, 286
Beauregard, chateau of, 190 ; Countess.
See Howard.
Beaury plot, 120
Beauties, dinner of the, 253
Bechevet, Count de, 183, 190, 193
Beckwith, Miss, 262
Bedoj^ere. See La Bedoyere.
Bees, ballet of the, 260 ; of the Bona-
partes, 95, 260
Be'hague, Countess de, 281
Belgians, kings of the : Leopold I.,
331, 333 ; Leopold XL, at first Duke
of Brabant, 88, 271, 335
Bellanger, Marguerite, 202 et seg.,338
Belle Helene in a crinoline, 314
Bellemare, lunatic regicide, 107, 108
Belmont, Marq. de, 43
Benedetti, Count, 294, 295, 384, 385,
396
Benoit, Tuileries head-cook, 137, 250
Benot, incendiary, 411 et seq.
Berckheim, Gen. de, 48
Berezowski, regicide, 272
Bergeret, Gen. of the Commune, 410
Bernard, Dr., 117, 119
Bernhardt, Sarah, 325
Berri, Duke de, 102, 190; Duchess
de, 31, 92
Berryer, 175, 215
Berthier, Ml., 281. See Wagram.
Berwick. See Albe.
Beville, Baron de, 47, 189
Beyens, Baron, 299
Biarritz, 273, 354 et seq.
Bibesco, Prince, 373
Bidos, M., 41
Biguet, Empress's usher, 158
Billault, minister, 176, 293 et seq.
Billing, Baron de, 225, 266, 271
Bineau, minister, 57
Birth of Imperial Prince, 91 et seq.
Bismarck, Count, later Prince, 147,
256, 272, 273, 294, 295, 372, 384,
385, 395 ; colour, so-called, 315
Bizot, Mme., gov. to Impl. Prince, 90,
376
Black Cabinet, 108, 147
Blanc, Charles, on feminine dress, 314 ;
Fran9ois, of Monte Carlo, 243
Blount, Ashton, 372, 374
Blucher, Ml., 331
Boar-hunting, 358, 364
Bonaparte, Prince Antoine Lucien,
211, 213 ; Charles Lucien, Prince of
Canino, 211 ; Christiane Egypta,
239; Elisa (sister of Napoleon I.),
58, 209 ; Elizabeth, Mrs., n^e Pater-
son, 215 et seq.; Princess Jeanne,
see Villeneuve ; Jerome, Mr., son of
Elizabeth Paterson, 213, 215 et seq. ;
Jerome fils, grandson of E. Paterson,
216, 218, 219 ; Prince Joseph Lucien,
211, 213 ; Laetitia, " Madame Mere,"
215, 330 ; Princess Laetitia Julie,
209, 211 ; Prince Louis Lucien, 92,
211, 213 ; Cardinal Lucien Louis,
211 ; Princess Mariana, 213 ; Prince
Napoleon Charles Lucien, 92, 211,
213 ; Princess Napoleon Charles
Lucien, n^eEuspoli, 211, 212 ; Prince
Napoleon Louis, brother of Napofeon
III., 7, 116; General Prince Napo-
leon Louis Jerome, 226, 233 ; Prince
Napoleon Victor Jerome, 226, 233 ;
Prince Pierre Napoleon Lucien, 148,
150, 15], 211, 213, 240 et seq., 364,
390 ; Princess Pierre Napoleon, 242,
243 ; Prince Kolaud, 243, 244. See
also Aosta, Canino, Jerome, Joseph,
Louis, Mathilde, Napoleon, and
Napoleon (Jerome).
Bonaparte-Centamori, Mme., 214
Wyse, 212, 213
Bonapartes, the, allowances and grants
to, 38, 148, 212 et seq.; at the
establishment of the Second Em-
pire, 209; table of, in 1868.. .213;
their connection with the British
Koyal House, 219
Bonnets and hats, 317, 318
Booker, Mrs. A., 213
Boots, ladies', 318
Bordas, Mme., 409
Bordeaux, Duke de, 2, 92
Bosquet, ML, 97, 253, 345
Boudin, incendiary, 411, 412
Boulevards, Paris, 321, 322; at the
Eevolution, 403
Boulogne, Bois de, 322, 323, 380
Boulogne-?ur-Mei', camp at, SO, 84,
INDEX
417
341; Louia Napoleon's attempt at,
32, 33, 183
Bourbaki, Gen., 47, 346
Bourbon, Palais, 11, 77, 290,403, 404
Bourgoing, Baron de, 51 ; Baroness de,
253, 260
Bouvet. See Carette.
Bovary, Mme., 296
Brabant. See Belgians.
Bran^ion, Mme. de, 90, 376
Brault. See Gordon.
Breakages and losses at Tuileries,
248
Bressant, 234
Bressonet, Major, 350
Bridge over English Channel, 146, 375
Bridges, Mr. (Imperial stables), 304
Brincard, Mme., 260
Brohan„ Augustine, 320 ; Madeleine,
234
Bruat, Mme., Governess of the Children
of France, 90, 93, 97, 98, 376
Brunswick, Charles II., Duke of, 284,
385
Budberg, Baron, 299
Buffet, minister, 389
Bugea^d, Ml., 31, 399
Bure, Crown treasurer, 148, 184, 251
Burgh, Mr. de, 51
Burgoyne, Sir J,, 408
Bussieres family, 280
Buttons of the Hunt, 360, 361
Oabanel, portrait of Napoleon III.
by, 161
Cabinet noir of the post-oflSce, 108, 147
, private, of the Emperor, 129 et
seq.
Cadore, Duchess de, 160, 253
Caesar, Napoleon's life of, 47, 48, 138,
146, 154
Cafe's of Paris, 321
Calzado, 323^ 324
Cambaceres, Duke de, 44, 65, 246,
361 ; Duchess de, 45, 246
Cambridge, Duke of, 341, 344
Cambriels, Gen., 48
Camerata, Count, 58
Camp. See Boulogne and Chalons,
Campana, Marchioness, 150, 151
Campella, Countess, 213
Canino, Lucien, Prince of, brother of
Napoleon I., 11, 209, 211, 239
Canizy, Mme. de, 253
Canrobert, Certain de, Ml., 46, 47, 97,
253, 349, 351, 352
, Mme. de, n^e Macdonald, 46, 253,
260, 279, 353, 406
Caraman-Chimay family, 310, 373
Carbonari, Napoleon III. and the, 7
104
Carbonnel, Gen., 25
Cardigan, Lord, 82
Carette, Mme., nee Bouvet, 72, 73, 167,
256, 332, 333, 336, 357
Carpeaux, 322, 371
Carriages, State, 65, 67, 87, 89, 302,
303; the Emperor's service, 303 et
seq. ; the Empress's, 308 ; the Im-
perial Prince's, 380
Carrousel, Place du, 3, 18
Cassagnac, Paul de, 218, 219, 286
Castelbajac, Count de, 51
Castellane, Ml. de, 17, 30, 32, 59, 198,
346
Castelnau, Gen., 46
Castelvecchio, Count de, 207
Castiglione, Count Verasis di, 110,
200, 202 ; Countess Virginia, 110,
111, 197 et seq., 259, 263. See also
Colonna.
Castries, Duke de, 280
Caulaincourt. See Vicence.
Caumont-Laforce, Duke de, 361
Caux, Marquis de, 51, 258
Cavour, Count, 88, 110, 111, 147, 225,
339
Cellarius, 320
Cent-Gardes, 39, 41, 49, 50, 121 et
seq.; 130,254,255
Ceremonies, Grt. Master of the, and
others, 44, 45
C^sar d^classg, 223
Ch§,lons, camp of, 341 et seq.; Em-
peror ill at, 336; conference at, in
1870.. .400
Chamber of Deputies. See Legislative
Body.
Chamberlains, Emperor's, 42 et seq.,
130, 135, 305 ; Empress's, 74, 75
Chambre bleue, la, by M^rimee, 169
Changarnier, Gen., 141
Channel, bridge over English, 146,
375
Chaplin, Charles, 159
Charades at Court, 285, 373
Chargers. See Horses.
Charities, Empress's, 69, 167, 308
Charles X. of France, 10, 20, 36, 329,
330, 358
Charlotte, Empress. See Mexico.
Charras, Col., 141
Chasseloup-Laubat, Marq. de, 270 ;
March, de, 253
Chassepot rifle, 46, 47, 342
Chassiron, Baroness de, n^e Murat, 212,
213
2e
418
INDEX
Cliaudordy, Count rle, 396 •
Chaumont, Marquis de, 43
Chemist, Court, 54
Cherbourg, 119, 313
Chevandier de Valdrome, 295, 389
Chevrcau, minister, 295, 406
Chignons, 317, 318
Chimay. See Caraman.
Choiseul, Count de, 259
Civil Family of the Emperor, 210 et
seq.
Civil List and its payments, 36, 37,
39, 148, 150, 151, 212, 213, 214
Civita Nuova, Emperor's estate of,
183 191
Chxrendon, Earl of, 372
Claretie, Jules, 324, 408
Ckuide, chief of Detective Police, 115
Clotilde of Savoy, Princess, ■wife of
Napoleon (Jerome), 215, 225, 226,
228, 229, 245, 246, 256, 259, 406
Clubs of Paris, 321
Coalition projected against Germany,
383 et seq., 396, 397
Colonels, French, threaten England,
119
Colonna di Castiglione, Duchess, 373
Colours of the reign, fashionable, 314,
315, 317
Comedie frau§aise, 112, 373
Commentaires de C^sar, Massa's, 285,
374, 375
Commune of Paris and the Tuileries,
408 et seq.
Compiegne, the Court at, 285, 853, 357
et seq., 368 et seq. ; marshals at, 351.
See also Hunt.
Conception, immaculate, dogma, 108
Conegliano, Duke de, 40, 43, 306
Conilagrations of the Commune, 414
Conneau, Dr., 53, 54, 134, 136, 144,
393, 395; Mme., 234; their son, 381
Conspiracies against Napoleon III., 100
et seq.
Constantine, Grand Duke, 18, 19
Constitution of the Empire and its
changes, 16, 60, 61, 84, 89, 173, 175,
176, 269, 270, 385, 386, 390, 391, 892
Consultation on the Emperor's health,
393 et seq.
Contades, March, de, 60, 199, 361
Conti, Chef-de-cabinet, 139, 143
Cooks and assistants at Tuileries, 250,
251
Corbeille de manage. Empress's, 69,
811
Cornemuse, Gen., 155 et seq.
Cornu, Mme., 14, 17, 153, 154
Corps Le'gislatif. See Legislative Body.
Corvisart, Dr. Baron, 53, 54, 357, 393,
395, 397
Cosse-Briesac, Count Artus de, 75, 407
Costumiers, Parisian, 310 et seq.
Council, imperial family, 216
, ministerial, Empress at the, 171,
176, 177 ; her last, 404
Coup d'Etat of Dec, 1851. ,.6, 7, 10
et seq., 27, 28, 48, 881 ; men of the,
23 et seq. ; Mocquard at the, 140, 141 ;
Napoleon's horse at the, 307; victims
of the, 69, 70, 96
Courcelles, Kue de, Princess Mathilde
in the, 234, 285
Cousin-Montauban. See Palikao.
Couture, painter, 371
Cowley, 1st Earl, 16, 27, 299, 361, 366
Cradles of the Impl. Prince, 90
Credit foncier loans to Emperor, 150,
151 ; to city of Paris, 297
Cre'mieux, A., 204
Crimea. See Wars.
Crinolme, the, 164, 165, 813, 314, 355
Crown. See Dotation, Jewels.
Crouy-Chanel, Prince de, 145
Cur^e after hunting, 863, 364 ; of the
Liberal Empire, 248, 389
Cybfele carriage, 302, 303
Czartoryska, Princess Constantine, 285,
378
Czernowitz, Count, 307
Dalmas, M. de, 143
Damas, M. de, 217
Dancing with peasant girls. Emperor,,
14, 840. See Balls.
Darboy, Archbp. of Paris, 52, 53
Dardelle, of the Commune, 408, 409,
411
Darimon, deputy, 394, 395
Daru, Count, 389, 405
Davenport brothers, 265
David, Baron Jerome, 149, 214, 406
Baroness, 214
Davillier, Count, 51, 54
Deauville, 29
Deguerry, Abbe', 53, 163, 258, 377
Dejeuners, Emperor and Empress's,
135; oflScers', 136; at Compiegne,
369
Delangle, minister, 296
Delessert, Mme., 59 ; her son, 361
Delorme, Philibert. See Tuileries.
Demidoff, Prince Anatole, 235, 236
Bemi-monde, the, 264, 328. See also
Pearl, Cora.
Demorny, Auguste, 24. See Morny.
Denmark, King of, 272. See also
Wars: Schleswig.
INDEX
419
Denuelle de la Plaigne. See Luxburg.
Devienne, President, 203 et seq., 338
Devonshire, Duchess of, previously of
Manchester, 198
Dinners at Tuileries, 136, 137, 229,
245 et seq., 251 et seq. ; at Compiegne,
369 ; at Palais Eoyal, 229
Dix, General, 299; Miss, 262
Dogs, the Emperor's, 365, 371
Dotation of the Crovpn, 36, 89
Douay, Gen. Abel, 350 ; Gen. Fe'Iix, 47
Doucet, Camille, verses by, 95, 371
Dmcjees,Ixnpl. Prince's, 125 ; ordered by
Emperor, 196, 197
Drives, Emperor's, 305, 306
Drouyn de Lhuys, M., 57, 295, 298,
338 ; Mme., 261
Dubois, Dr. Baron, 54, 93
Dubufe's paintings at Tuileries, 159
Dufour, Gen., 9, 137
Dumas, Alex., the elder, 322
Dunmore, 7th Earl of, 372
Duperre, Capt., later Adml., 879
Dupuis or Dupuy, comptroller, 249,
251 ; his wife, 164
Dusautoy, Emperor's tailor, 15, 149,
153
Duthe, La, 317
Edinbxjegh, Duke of, 272
Edward VII. See "Wales.
Egypt, Ismail, Viceroy of, 272. See
Suez.
Ely, Marchioness of, 89
Elyse'e Palace, 5, 6, 36, 59, 65, 66, 128,
140, 185, 273, 361, 411
Empire. See Second.
Empress, the. See Eugenie, House-
hold.
England, Emperor and Empress visit,
81, 82. See Great Britain.
Ennery, Adolphe d', 141
Entente cordiaJe, origin of the term,
79,119
Equerries, Emperor's, 50, 51, 255, 300,
301,309; Empress's, 308; Imperial
Prince's, 380
Espinasse, General, 11, 47, 118
Essling, Princess d', 67, 70, 81, 91
Estafettes, imperial, 305
Eugenie, Empress of the French, and
a statue of Peace, 19 ; refuses a
jointure, 38 ; gives General Schmitz
a kiss, 48; her parentage and
marriage, 56 et seq., 189 ; her personal
appearance, 64, 68, 255 ; her house-
hold, 67, 70 et seq. ; her jewellery,
67, 69, 144, 166, 167, 255; her
corheille de manage, 69, 311; re-
proves her reader, 73 ; visits London
and "Windsor, 81, 82 ; receives Queen
Victoria at St. Cloud, 85; attends
the Versailles ball, 87; is friendly
with Nigra but champions Papal
interests, 88, 171 et seq., Ill, 206,
207; birth of her son, 89 et seq.-
present at the State baptism, 97
et seq. ; presented with the Golden
Kose, 99, 163; befriends Griscelli,
104 ; in connection with the Pianori
and Bellemare affairs, 105, 107 ; at
the theatre, 112 ; at the Orsini affair,
114, 115 ; her fears for her son, 120;
portraits of her, 130 ; lunches with
the Emperor, 135 ; her preference
in cookery, 137 ; at dinner, 137, 246,
249, 252, 253; meets Mme. Cornu,
154 ; her rooms at the Tuileries,
158 et seq. ; portrayed as the god-
dess Flora, 159 ; her private sanc-
tum, 161 ; her collections of docu-
ments, 162 ; her wardrobe, 163-166,
311 ; her head maid, 164 ; patronizes
the crinoline, 165 ; her expenditure
on dress, 165, 166 ; her charities, 69,
167, 308 ; the rearing of her son,
168 ; her reading, 169 ; her evening
chats, 170; her travels, 170; her
regencies, 170 et seq., 397 et seq. ;
admires Marie-Antoinette, 170, 177,
201 ; her share in politics, 171 et seq.,
176, 177, 206, 207 ; loses her sister,
172 ; visits Scotland, 174, 175, 199 ;
is opposed by Persigny, 176 ; attends
ministerial councils, 176, 177; her
relations with Kouher, Magne, and
OUivier, 177; in relation to Miss
Howard, 189, 192, 193, 207 ; expels
a scandalmonger from the Tuileries,
195; is no Catherine of Braganza,
196; expels Mme. de Castiglione,
201 ; incensed by the Marguerite
Bellanger affair, 205 ; threatens to
leave the Emperor, 205 ; is estranged
from him, 206, 207 ; her Abyssinian
page, 252; gives a beauty dinner,
253 ; at State balls, 255 et seq. ; her
Monday balls, 257 et seq. ; at fancy-
dress balls, 259, 260, 261 ; patronizes
Home the medium, 266 ; at St.
Cloud fair, 268 ; affected by wounded
soldiers' sufferings, 278 ; visits Morny
before his death, 290 ; gives a
carriage to the Duke d'Aumale, 302,
303 ; her carriages and horses, 308,
309; her costumiers, 311 ; drives in
the Bois de Boulogne, 323 ; dislikes
St. Cloud, 328, 330 ; with Charlotte
420
INDEX
of Mexico, 332, 333; at Biarritz,
354 et seq.; her adventure off St.
Jean de Luz, 357 ; her hunting-habit,
360; is alarmed by her husband's
daring, 362 ; shoots in the preserves,
368 ; her joke with Eouland, 368 ;
p-jts down rabbit-coursing, 368 ; her
tea-parties at Compiegne, 369; is
complimented on her son by William
of Prussia, 372; receives Emile
OUivier at dinner, 387; does not
see the report on her husband's
health, 394 ; unlikely that she pre-
cipitated the Franco-German War,
397 ; becomes Eegent for the last
time, 397 ; is hostile to Napoleon's
return to Paris, 398, 400, 401 ; goes
precipitately to Paris after Worth,
398 ; her last official reception, 398,
399; her distrust of Trochu, 399,
400; the charge of sacrificing her
husband discussed, 401 ; has fears of
a revolution, 401, 402; schemes to
ensure her safety, 402 ; receives
news of Sedan, 403 ; holds her last
councils, 404 ; receives the Orleanist
deputies, 405, 406; takes an im-
pressive farewell of her household,
406, 407; quits the Tuileries and
France, 408
Eugenie, villa. See Biarritz.
Evans, Dr., 408
Escelmans, Gen., later Marshal, 48,
346
Exhibition, Paris, of 1855, 80 et seq^. ;
of 1867, 271 et seq.
Failly, Gen. de, 47, 196, 400
Family. See Civil and Council.
Farnese frescoes, 22
Famesina gardens, 148
Fashions, feminine, 164, 165, 277, 284,
310 et seq., 390; men's, 320, 321,
353
Fat Ox Procession, 267, 268
Fauvel, Dr., 393, 395
Fave, Gen., 47, 175
Favre, Jules, 118, 403
Fechter, 147
Felix, Empress's hairdresser, 81 ;
actress, see Rachel
Feray, Countess, 72
Fei-rifere, Visct. de la, 43
Ferry, Jules, 400, 403
Fetes and fairs in Paris and environs,
267, 268, 269
Feuillet, Octave, 235, 285, 371
Feuillet de Conches, Baron, 45, 170
Fialin. See Persigny.
Fieschi, 102
Filon, Aug., 377
Financial scandals, 324
Flahault de la Billarderie, Gen. Count
de, 9, 23 et seq., 290 ; his wife, 24
Flanders, Count and Countess of, 272,
273
Flandrin's portrait of Prince Napoleon,
222 223
Fleurv, Emile, Gen. Count, 11, 17,
34, 35, 44, 50, 51, 56, 57, 58, 60, 65,
68, 81, 85, 146, 182, 183, 185, 300
et seq., 309 ; his wife, 35, 260
Floquet, Ch., 272
Florence, Louis Napoleon's love affair
at, 181
Fontainebleau, Court at, 16, 353, 354,
362, 363, 365, 368
Fonvielle, XJlrich de, 241, 242
Footmen, palace, 44, 53
Forcade de la Eoquette, minister, 30,
295, 296, 388
Foreign affairs, Ministers of, 297
Forey, ML, 349, 350, 351
Fould, Achille, 35 et seq., 39, 58, 60
66, 270, 283, 361, 363
Fourtoul, minister, 57
Francis Joseph. See Austria.
Fraser, Carolina. See Murat, Princess
Lucien.
Frogs, Pasteur's, 370
Frossard, Gen., 47, 352, 378, 379, 397
Fustel de Coulanges, 169
Gaboeiau, E., on Cornemuse and Miss
Howard, 157, 192
Gabrielli, Prince, 213, 245; Princess,
n^e Bonaparte (Lucien), 210, 211,
213, 245
Galerie de Diane, etc. See Tuileries.
Galliffet, family, 276 ; Gen. Marq. de,
48, 49, 196, 260, 275 et seq., 285,
286, 374; Mme. de, 49, 253, 261,
275, 277 et seq.
Gamble, Mr., of the imperial stables,
307
Garcia the gambler, 323, 324
Gardoni, 234
Garter, order of the, given to Emperor,
82
Garters, fashions in, 318, 319
Gautier, Theophile, verses on the Im-
perial Prince, 94, 194, 371
Germany, coalition to invade, 383, 384,
396, 397. See also Prussia.
Gipsy quadrille at Tuileries, 260
Gipsy's prediction to Napoleon III., 17
Girardin, Emile de, 224; Mme. dq
262
INDEX
421
Golden Rose, the, 99, 163
Goltz, Baron, 298, 356
Gomez, Orsini's servant, 115
Gordon, Col. Archer, 181 ; Mme., n^e
Brault, 181. 182
Gouache, confectioner, 196
Goyon, Gen. Count de, 46
Graces of the Empire, 275 et seg,
Gramont Duke de, 389, 396
Grant, A. S., 192
Great Britain, her relations with
France, 79, 119 ; royal house of, and
the Bonapartes, 219;iVictoria, Queen
of, sounded on the Emperor's matri-
moniall schemes, 56 ; visited by the
Emperor and Empress, 81, 175, 313 ;
visits Paris, 83 et seq. ; in relation
to the Imperial Prince, 89, 93, 380
Great Chamberlain, Great Equerry,
Great Huntsman, etc. See Cham-
berlains, Equerries, Huntsman, etc.
Greco's plot, 120
Greece. See Hellenes.
Grenadiers of the Guard, 344, 372,
378
Gricourt, Marq. de, 43
Griscelli, detective, 104, 109
Grocer, profession of, 152
Grousset, P., 241, 242
Guard, Imperial, 50, 88, 130, 346;
Mobile, 46, 274, 340
Gue'roult, Adolphe, 223
Guides, regiment of, 50, 67, 239
Ham, Napoleon III. at, 52, 54, 59, 76,
140, 144, 183, 184, 336, 337, 371
Hamiltons, 57, 97, 372
Hanover, last King of, 385
Hargett. See Howard.
Harispe, Ml. Count, 346
Haussmann, Baron, 132, 273, 296, 297 ;
Mile., 297
Havre, Le, Miss Howard kept at, 189
Havrincourt, Marquis d', 43, 75
Hawking revived, 364
Heindereich, headsman, 203
Hellenes, George I., King of the, 271
Hertford, Marq. of, 185, 281, 322, 380
Hippodrome plot, 102
Hitchcock, Miss, 263
Hohenlohe, Princess Adelaide of, 56
HohenzoUem candidatures to Spanish
throne, 385, 393, 395
Holland, William III., King of the
Netherlands, 154,372; Sophia,Queen,
154, 155
Home, D.D., medium, 265 et seq.
Honorati-Komagnoli, Blme., 213
Horsemanship, the Emperor's, 10, 83,
84, 307, 343 ; the Impl. Prince's, 380
Horse-racing and the Emperor, 309
Horses, the Emperor's carriage, 306 ;
his saddle, 307, 308 ; the Empress's,
308, 309 ; of the hunt, 360
Hortense, n^e Beauharnais, Queen of
Holland, mother of Napoleon III.,
7, 8, 9, 23, 24, 25, 57, 139
Hounds of the imperial hunt, 358, 359,
360, 363, 364
Household, the imperial, its organiza-
tion and expenses, 35 et seq. ; officers
of, 39 et seq., 135; the Emperor's
military, 45 et seq. ; at the Revolu-
tion, 406, 407 ; the Empress's, 67,
70 et seq., 74 et seq. ; the Impl.
Prince's, 90, 376 et seq. See Chamber-
lains, Equerries, etc.
Howard, Elizabeth Anne Haryett (or
Hargett), Countess de Beauregard,
37, 60, 64, 182-193, 330
Hiibner, Baron, 226, 283
Hugo, Victor, 14, 78, 96, 103, 141, 409
Humbert. See Italy.
Hunt, the imperial, 52, 300, 301, 358
et seq.
Huntsman, the great, 32, 52, 300, 301,
353
Hyrvoix, chief of palace police, 120,
123, 125
Illness, the Emperor's, 139, 335-339
343, 345, 381, 393-395, 397
Immaculate Conception dogma, 108
Imperial Guard, imperial household,
etc. See Guard, Household, etc.
Imperial Prince, the. Napoleon Louis,
Eugene Jean Joseph; his birth, 89
et seq. ; his appearance, 93, 94 ; his
private baptism, 94 ; verses in his
honour, 94 et seq. ; his state baptism,
97 et seq., 148 ; fears for his safety
120 ; his prank with a Cent-Garde,
125 ; his meals, 135 ; a hairdresser's
petition to him, 145 ; his fables, 154 ;
his early rearing, 168, 377, 378 ;
attends fancy balls, 259, 261 ; his
rooms at St. Cloud, 330 ; at Chalons
camp, 342; his adventure at St.
Jean de Luz, 357 ; his first hunt,
362; a pupil of the Grenadiers ot
the Guard, 372, 378 ; in a charade,
373 ; his household, 376 et seq. ; his
masters and lessons, 377 ; his pluck,
378 ; his military governor and
aides-de-camp, 378, 379 ; his horses
and horsemanship, 379, 380 ; his
young friends, 381 ; his chance oi
422
INDEX
succession, 381, 382 ; in the Franco-
German War, 50, 397
Industrie, Palais de 1', 80, 81, 273, 279,
403, 411
Invalides, the, 17, 85, 91, 92, 93
Invasion of Grermany, projected, 341,
383, 384, 396, 397
Isabella. See Spain.
Isly, Duchess d', 260
Italian Opera-house, Paris, 107, 323
Italy, Victor Emmanuel II., King of,
previously of Sardinia, 88, 110, 225,
331, 366, 367, 372, 380, 383 ; Hum-
bert, Crown Prince, later King of,
201, 202, 272, 331; to invade
Germany, 383 et seq. See also Wars.
Jablonowski, Prince, 150, 151 ;
Princess, 261
Jacob, Zouave, 326
Jadin, 235, 360
Jargon of fashions, 317
Jerningham, Sir H., 258
Jerome, ex-King of Westphalia, brother
of Napoleon I., 17, 58, 60, 61, 68, 85,
155, 200, 209, 210, 214-217, 227,
245, 346, 349. See Wurtemberg.
Jewellery, eccentric, 319
Jewels, crown, of France, 67, 144, 166,
167
Joseph, sometime King of Spain,
brother of Napoleon I., 209, 211,
237, 240, 352
Josephine, Empress, 59, 330
Journalists, Parisian, 324
Judith, Mile., 226
Jurien de la Graviere, Adml., 48, 357
Keith and Nairne, Baroness, 24
Kelch's plot, 103, 109
King of Rome. See Rome.
Kiosks, Paris, 192
Kirkpatricks, the, 63
Kisseleff, Count and Countess, 265,
286, 287
Kitchen service at Tuileries, 250, 251 1
La BeddyJibe, Count de, 43 ; Countess
de, 72, 85, 98, 355
Labenne, Count de, 184
Ladies of Honour to the Empress, 70
of the Palace, 70 et seg. ; at the
Revolution, 406, 407
" of the Lake," 264, 284, 323
Laffitte, Charles, 202, 275, 372
L&ge, Baron de, 52, 365
La Grange, Marquis de, equerry to
Empress, 85, 174
Lagrange, Count F., 310, 372
Laisne, Abbe, Emperor's confessor, 52,
53
Lambert, Col. Baron, 52, 358, 360, 363,
374
Land reclaimed by the Emperor, 148,
150, 151, 184, 185, 292, 342
Lansdowne, Marquess of, 24, 372
La Poeze, Countess de, 72, 355, 407
Larrey, Dr. Baron, 54, 336
Las Marismas. See Aguado,
Latomr-Maubourg, Marquis de, 52;
March-de. 72, 98, 195
Lavisse, Eraest, 377
Lawoestine, Count de, 41
Layette of the Impl. Prince, 88, 89, 90
Lebas, P., 9
Lebceuf, Justine. See Bellanger.
, ML, 46, 339, 349, 352, 353, 389,
396
Lebreton, Mme., n€e Bourbaki, 73, 74,
407, 408
Lebrun, Gen., 47, 146, 339, 383-385,
392, 393, 395, 397
Leconte de Lisle, 150, 151, 325
Ledru-Rollin, 109, 111, 143
Leemans, chief huntsman, 359, 360
Lefuel, his Tuileries work, 159
Legislative body, the, 16, 77, 93, 175,
176, 269, 270, 386, 390, 403-406
Lehon, Count Charles, 288, 289 ; Count
Leopold, 289; Countess Zoe, 26,
286, 288, 289 ; her children, 289
Lejeune, Baron, 51
Leon, Count Charles, son of Napo-
leon I., 179 et seq.
Leopold. See Belgians.
Lepic, Gen. Count, 42, 49
Lespes, E., hairdresser, 145
Leo, journalist, 146, 322
Lesseps, Ferdinand de, 63, 371, 404 ;
Mathieu de, 63
Leverrier, 16, 370
Lezay-Marnesia, Count de, 75 ; Countess
de, 72
Librarian, the Empress's, 76
Lincoln, Lord, 2
Liszt, Abbe', 283, 371, 390
Literary men of the reign, some, 324,
325
Liveries. See Uniforms.
Locock, Sir C, 89
Longuet, Prof., 370
Lord Mayor in Paris, first, 82, 83
Losses and breakages at Tuileries, 248
Louis XIII. and the Palais Royal, 227 ;
XIV. and the Tuileries, 3 et se.q.,
18 et seq.; and St. Cloud, 329, 331 ;
XV. and the Tuileries, 4 ; and
Napoleon III., 207, 208; XVI. and
INDEX
423
the Tuileries, 4, 21 ; his civil list,
36 ; and St. Cloud, 330 ; XVIII. and
. the Tuileries, 5, 6, 20 ; his civil list,
36
Louis Philippe and the Tuileries, 6, 18,
102; and the Palais Royal, 227;
and St. Cloud, 330; and Fontaine-
bleau, 354
sometime King of Holland, father
of Napoleon III., 7, 8, 9
Lourmel, Countess de, 73
Louvre Library, 413, 414
Lucien, brother of Napoleon I. See
Canino.
Luxburg, Count, 179 ; Countess, 179
et seq.
Luxembourg Palace, 5
Luxemburg, Grand Duchy of, 269, 272,
385
Lyons, Lord, 299
Macdonald. See Canrobert and
Farente.
MacMahon, Ml., Duke de Magenta, 49,
120, 348, 349, 351, 361, 398, 400, 401,
403, 410 ; Mme. de. 279, 349, 353
Magnan, Ml, Grt, Huntsman, 17, 28,
32, 52, 301, 346, 353, 367; his
daughters, 287 ; Mme. Leopold, n^e
Haritoff, 253, 260, 287
Magne, minister, 177, 296, 367
Maillard, chef de Vargenterie, 247 et seq,
Maitres d'hotel at Tuileries 249, 250
Malakoff. See Pelissier.
Malaret, Baroness de, 72, 81
Malmesbury, 3rd Earl of, 70, 183, 196
Manchester, Duchess of, 198
Mangin, Col., 150, 151
" Marcello," 372
Marie Amelie, Queen, 302
Antoinette, Queen, and the
Tuileries, 4; and St. Cloud, 328,
330 ; her hair, 317 ; and the Empress
Eugenie, 170, 177, 201
Laetitia, Princess. See Aosta.
Louise, Empress, 54, 67, 329, 330
Marksman, Napoleon III. as a, 366
Marriage, the imperial, 56 et seq., 189
Marshal of the Household, great, 39,
41
Marshals of France, 345 et neq. ; dinner
of the, 251, 253. See also their re-
spective names.
Marthe, Mile., 58
Martigues principality, 276
Martyn, Major Mountjoy, 182, 190
Mass, military, at ChS,lons, 344
Massa, Marq. Philippe de, 282, 285,
374
Massol, baritone, 112
Master of the Empress's Household,
great, 74, 75
Mathilde, Princess. 60, 65, 87, 194, 202,
210, 212, 213, 215, 217, 218, 233
et seq., 245, 246, 256, 259, 261, 361,
363
Maupas, M. de, 28
Maussion, Baron de, 41
Maximilian. See Mexico.
Mazurka, the, 325
Mazzini, 108, 109, 111, 117
Medical service, imperial, 53, 54
Medici, Catherine de, 1, 2, 5; Marie
de, 5
Meissonier, 414
Mellinet, Gen,, 374, 407
Men of the reign, some, 322, 324, 325
Menjaud, Bp. of Nancy, 52, 68, 94
Menneval, Baron de, 41
Merante, 260
Mercy- Ajgenteau, Countess de, 373
Merime'e, P., 76, 169, 371, 372, 403
Merle, Count, 41
Mery, 66
Metairie, Abbe, 53
Metternich, Prince Eichard, 283, 285,
286, 322, 361, 366, 385, 403, 406, 407,
408 ; Princess Pauline, 253, 259, 261 ,
262, 263, 368, 282 et seq, 368, 374
Metz and Bazaine, 351, 397-401
Meudon chateau, 215, 229
Mexico, Maximilian, Emperor of, 206,
273, 331, 332 et seq., 335 ; Charlotte,
Empress of, 273, 331 et seq., 338.
See also Wars.
Mingrelia, Salome Dadiani of. See
Murat, Princess Achille.
Ministers of Napoleon III., some, 57,
58, 118, 134, 175, 176, 177, 270, 293
et seq., 345, 346, 386, 388, 389, 398
Miolan-Carvalho, Mme., 234
Mobile. See Guard.
Mocquard, Chef-de-cabinet, 121, 139
et seq., 185, 189, 191, 225
Molitor, Baroness, 260
Mollard, Gen., 46
Moltke, Ml., von, 272, 273, 384
Moncalieri title, 232
Monnier, F., 154, 377
Montalembert, 78
Montauban. See Palikao.
Montaut, Mme. Henri de, 261
Montbrun, Baron de, 41
Montebello, Gen. Count Lannes de, 46,
71, 81, 85 ; Countess, 71, 81, 98, 174,
253
Montijo, Count de, 62, 63; Cjuntesa
de, 59, 62, 63, 67, 76, 91, 148, 372 ;
424
INDEX
Joaquin de, 61. See Albo and
Eugenie.
Montmorency, Carmen, Duchess de,
71, 253
Montpensier, Mile, de, 3
Moon, Sir F. G., Ld. Mayor, 82, 83
Morio de I'Isle, Baron, 41
Morlot, Card., 52
Morny, Charles Auguste, Duke de, 23-
29, 58, 132, 147, 176, 256, 261, 287
et seq., 292, 361, 387 ; Sophie, Duchess
de, later de Sesto, 29, 160, 253, 262,
288, 289, 291 ; their children, 291
Moskowa, Edgar Ney, Prince de la, 17,
52, 72, 81, 104, 185, 262, 300, 301,
358, 363 ; Princess (dowager) de la,
34. See also Persigny, Duchess.
Mosti, Countess, 213
Mouchy, Antoine de Noailles, Duke
de, 211, 238, 245. See also Murat,
Princess Anna.
Moustache, Napoleon III.'s, 133, 161
Miiller's portrait of Napoleon III., 258
Murat, Napoleon Lucien, Prince, 92,
211, 213, 237 et seq., 245, 361;
Princess, nee Fraser, 211, 212, 213,
237, 238, 239, 245 ; Prince Joachim,
211, 238, 239, 245 ; Princess Joachim,
211,212,213, 239,245;PrinceAchille,
148, 211, 213, 238; Princess Achille,
n^e Dadiani, 211, 212, 238 ; Princess
Anna, Duchess de Mouchy, 148, 160,
211, 212, 213, 238, 245, 253, 336. See
also Chassiron and Easponi.
Murats, allowances to the, 212, 213
Music in Paris, 325
Muslin, St., 316, 390
Nancy, Bishop of, 52, 68, 94
Naples, Francis II., King of, 172, 173,
385
Napoleon I., Emperor, and the Tuil-
eries, 5, 19, 20, 21, 67 ; at the Elyse'e,
5, 6 ; his will, 79 ; his tomb, 85 ; plot
against, 101 ; annuls the Paterson
marriage, 215 et seq. ; illegitimate
children of, 178 et seq. ; and the
Palais Eoyal, 227; portrait of, 257;
at St. Cloud, 330; his abdication,
354
Napoleon III., Emperor, some events
of his reign and time, xi. ; occupies
the Tuileries, 6, 15, 16, 17 ; his ap-
pearance, character, and early career
sketclied, 7-15 ; his relations with
women, 9, 14, 181 et seq., 207, 208
[see Bellanger, Castiglione, Florence,
Gordon , Howard, andYergeot]; re-
establishes the Empire, 13, 15, 16 ;
forms his Court, 23 et seq. ; portraits
of, 18, 161, 258 ; in connection with
Morny, 26, 27, 290, 291 ; with Mag-
nan, 32, 33 ; with Persigny, 34, 36 ;
with Fleury, 34, 35; with Fould,
35; his debts, 37, 183, 185; helps
his relatives, 38, 212, 213, 214 ; assists
inventors, 39, 146; in relation to
Vaillant, 40, 41 ; at Sedan, 54, 308,
401 ; his matrimonial negotiations,
56 et seq., 235 ; appoints Jerome and
Napoleon Jerome his successors, 61 ;
marries Mile, de Montijo, 65 et seq. ;
his relations with Great Britain, 79,
80 ; visits England, 81, 82 ; visited
by Queen Victoria, 83 et seq. ; birth
of his son, 89 et seq. ; is godfather to
3000 children, 96 ; attends his son's
baptism, 97, 98 ; conspiracies against
him, 100 et seq. [see Beaury, Belle-
mare, Greco, Hippodrome, Kelch,
Opera Comique, Orsini, Pianori, and
Tibaldi] ; never a Carbonaro, 104 ;
to be poisoned, 128; his private
cabinet, 129 et seq. ; his sanctum,
131 ; his share in the Paris improve-
ments, 138, 297; his valets, 133;
his moustache, 133, 161 ; his morning
work, 134 ; his lunch, 135 ; his after-
noons, 136; his work-day dinners,
136 et seq. ; his evenings, 138, 170 ;
his varied life, 139; his relations
with Mocquard and others, 139 et
seq. ; his truncheon, 145 ; reads
secret reports and intercepted letters,
147; his land reclaiming schemes,
148, 150, 151, 184, 185, 292, 342; his
projected novels, 152 ; finances news-
papers, 153 ; is reconciled with Mme.
Cornu, 154 ; is chidden by the Queen
of Holland, 154 ; an alleged theft in
his room, 155 et seq. ; prefers Ste.-
Beuve to Merime'e, ] 69 ; in relation
to Italy, 171, 172 ; his first consti-
tutional reforms, 173, 175, 176 [see
also Constitution] ; his wife's journey
to Scotland, 174; his illegitimate
children, 181, 184, 190 ; his estate
of Civita Nuova, 183 ; services
rendered him by Miss Howard, 183,
185; his letter to Odilon Barrot
respecting her, 186 et seq. ; his gifts to
her, 190 et seq. ; scandal about him,
193, 195; on bad terms with the
Empress, 205 et seq. ; parallel be-
tween him and Louis XV., 207 ; his
relations with Prince Napoleon, 220,
221, 225, 231 ; at family and state-
INDEX
425
dinners, 229, 245, 249, 253 ; inclines
to liberalism, 231, 232 ; his relations
with the Murats, 238 ; with the
Dudley Stuarts, 240; with Pierre
Bonaparte, 240, 241, 242; at state
receptions, 254, 269; at balls, 257,
259, 260, 261 ; plays parlour games,
265, 370 ; asks riddles, 265 ; patron-
izes Home the medium, 265, 266 ;
receives tlie Fat Ox and Washer-
women's processions, 267, 268; at
the St. Cloud fair, 268 ; his foreign
policy defeated, 269 ; his constitu-
tional changes in 1867.. 269, 270;
studies the housing of the working
•classes, 270 ; receives many foreign
royalties, 271-273; his intercourse
with Bismarck, 273 ; hears of Maxi-
milian's death, 273; his reception
of Galliffet, 278 ; visits the dying
Morny, 290; will not pay for Bil-
lault's sins, 294 ; deprecates Prussian
extortions, 298 ; his stables and hunt,
301 et seq. ; his daily drives, 305,
306 ; his horses and horsemanship,
307, 308, 343 ; his interest in horses
and racing, 309, 310 ; gives his bride
fifty-two gowns, 311 ; his journeys
and sojourns in the provinces and
abroad, 327, 328 ; at St. Cloud, 328
et seq. ; receives Charlotte of Mexico,
331 et seq. ; his illness, 335-339, 343,
345, 381, 393-395, 397; his life at
Vichy and Plombieres, 339, 340;
dances with a peasant girl, 340 ; his
relations with his soldiers, 340 et seq. ;
his visits to the camp of Chalons, 341
etseq. ; at Biarritz, 354-356; alarmed
for his wife and son, 357 ; hunts the
stag, 362 ; views the curves, 363 ; at
shooting parties, 365, 366 ; a doggy
man, 371 ; his interest in a Nicara-
guan canal, 371 ; is amused by
Mellinet as an invalide, 374 ; his
plans for the continuance of his
dynasty, 381-383 ; schemes a coali-
tion against Prussia, 383-385, 396,
397; resents the first HohenzoUern
candidature to the Spanish throne,
385 ; inaugurates parliamentary rule,
385, 386 ; his relations with Ollivier,
386-388; his last plebiscitum, 391,
392 ; consultation respecting his
health, 393 tt seq. ; outbreak of war,
396; leaves for Metz, 397; ill at
Saarbriicken and Metz, 397, 398;
advised not to return to Paris, 398,
400, 401 ; deposed from command,
398 ; quits Metz, 399 ; holds a con-
ference at Chalons, 400 ; surrenders
at Sedan, 401
Napoleon (Jerome), Prince, 27, 60, 61,
65, 66, 68, 87, 116, 210, 212, 213,
215-217, 220-234,236, 246, 245, 256,
293, 339, 366, 367, 391, 394, 400
Narvaez, Ml., 37
Nefftzer, journalist, 223
Ne'laton, Dr., 54, 345, 378, 893, 395
Nelidoff, Mile de, 260
Nero, Emperor's dog, 371
Neufchatel principality, 280, 281
Newspapers financed by the Emperor,
153 ; by Prince Napoleon, 223
Ney, Duke d' Elchingen, 48
Ney, Edgar, ^'ee Moskowa ; Egle',
see Persigny.
Nicaraguan canal and the Emperor
361, 371
Nicholas, Czar, See Russia.
Niel, ML, 46, 270, 274, 345, 351, 352,
383 ; his widow, 352
Nieuwerkerke, Count de, 39, 201, 236,
361, 373
Nilsson, Christine, 234
Nigra, Chevalier, afterwards Count, 88,
225. 366, 367, 406, 407, 408
Nobility, families of the old, 149 ; pro-
posed new, 149
Noir, Victor, 241, 242, 390
Novels, Emperor's projected, 152
Odilon-Baukot. See Barrot.
Ollivier, Emile, 27, 184, '232, 386 et
seq., 392, 393, 395, 396, 398 ; Mme.,
390 ; ministry formed by, 388, 389,
398
Opera, Paris, 39, 101, 112 et seq.
Ope'ra Comique, Paris, 103, 105
Oppenheim, Major, 42
Orange, Prince of, 271
Orderly officers to Emperor, 48 et seq.
Orleanist deputies in the Legislative
Body, 386, 389, 405, 406
Orleans, Gaston, Duke of, 328 ;
" Egalite," Duke of, 227 ; Ferdinand,
Duke of, 25, 26, 61 ; Helfene, his
wife, 32 ; family property, 28, 36 ;
princes' petition in 1870, 392
Ornano, Gen. Count d', 27, 346 ; Count
Rodolphe d', 43, 45
Orphanage, Eugene Napoleon, 69
Orsay, Count d', 183
Orsi, Count d', 104, 150, 151, 183
Orsini and his plot. 111 et seq.
Orx, Count d', 184
Osborne, imperial visit to, 313
Oudinot, Gen., 25
426
LNDEX
Padoue, Duke de, 297
Pageant of all the lands, 261
Pagerie. See Tascher.
Pajol, Gen. Count, 46, 54
Palace Police, 120 et seq., 127
Palais Eoyal, 200, 215, 227 et seg_.
Palikao, Cousin - Montauban, Gen.
Count de, 48, 352, 398, 403, 404
Palmerston and the crinoline, 313
Paris, Archbishop of, 52, 68, 108
Count de, 2, 32, 94, 393, 405
, improvements in, 132, 296, 297
life in, 267 et sect., 271, 310, 321
et seq. ; Queen Victoria in, 84 et seg
revolution in, 398, 403 et seq. ; siege
of, 280, 399, 408
Parisani, March., 213
Parliamentary rule, 385, 386
Partridges, Algerian, 365
Pasteur, 370
Paterson, Elizabeth, 215 et seq.
Patrizzi, Card., 97 et seq.
Patti, Adelina, 51, 258, 323
Pearl, Cora, 227, 230, 323
Peasantry and Emperor, 340
Peel, Sir Eobert, 25
Pelicans as fishers, 366
Pelissier, ML, Duke de Malakoff, 31,
346 et seq. ; Mme., 106, 352, 406
Pepoli-Murats, 212, 213
Performances at Compiegne, 373
et seq.
Persigny, Fialin, Duke de, 11, 33, 34,
36, 57, 148, 150, 151, 176, 182, 294,
361, 386 ; Duchess de, n^e Ney de la
Moskowa, 34, 160, 253, 259
Peyrat, M., 223
Pianori's attempt on Emperor, 104
et seq.
Piennes, Marq. de, 74, 75
Pierrebourg, Baroness de, 253
Pierres, Baron de, 67, 71, 304, 308;
Baroness de, n^e Thorne, 71, 309, 361
Pierri on Orsini affair, 115
Pie'tri, Prefects of Police, 28, 104, 147,
402; Franceschini, 130, 139, 143,
251, 397, 398
Pinard, E., minister, 295, 296
Pius IX., Pope, 91, 93, 94, 97, 99, 133,
171, 206, 334
Phaetons, Emperor's, 168, 305
Pleasantries, 365
Physicians to the Crown, 54
Plate at the Tuileries, 246 et seq.
Plombieres, 203, 225, 337, 339, 340
Plebiscitum of 1852,. .16; of 1870..%
391, 392
Plon, Henri, 37
Plots against Emperor, 100 et seq.
Poilly, Baron H. de, 318, 361, 364;
Baroness de, 318
Police of the Palace, 120 et seq., 127
PoUet, Mme., Empress's head-maid,
164, 166, 251
Pompeian house. Prince Napoleon's
230
Poniatowski, Princes, 144, 289
Pons de Wagner, Mme. de, 73
Poole, tailor, 15
Pope. See Pius.
Popelin, Claudius, 236, 237
Porcelain and glass at Tuileries, 247
Portugal, Dom Luis I., King of, 273 ;
Maria Pia, Queen of, 272
Posse, Prince Arved, 239
Posting service, imperial, 304
Pourtales, account of family, 280 :
Count Edmond de, 280-282 ; Coun-
tess Melanie de, 280 et seq., 375;
fine art collection, 281
Prefects of Police. See Pietri.
of the Palace, 41, 137, 138, 252
Pre'vost, v., Cent-Garde, 124 et seq.
Primoli, Countess, n^e Bonaparte, 210,
211, 213, 245
Prince Consort of Grt. Britain, 80, 83,
84,87
Prince Imperial. See Imperial.
Princess Koyal of Grt. Britain, 83
Privy Purse, expenses of the, 134, 148,
149, 150, 151, 153, 212, 302
Protocole, chief of the, 45
Prussia, William I., King of, later
German Emperor, 272, 273, 366, 372,
396 ; Frederick, Crown Prince, later
Emperor, 272. See also Wars.
Quadrille d'honneur at Court, 256
Quartermasters of the Household, 41,
42
Queen's hair, 317
Queretaro, execution at, 273, 334
Kachel, the tragedienne, 179, 226
Eaimbeaux, equerry, 51, 272
Eandon, Ml. Count, 261, 270, 297, 346,
351
Easponi, Countess, n^e Murat, 212,
213
Eattazzi, Mme., n^e Bonaparte- Wyse,
213, 214, 292
Eavignan, Father de, 53
Eayneval, Countess de, 98, 167
Eeaders, Empress's, 73, 74
Eeceptions at Tuileries, 253, 320, 398,
399
Becreations at Court, 265, 373
Eedorte, Countess de la, 352
INDEX
427
Eeffye, Gen. de, 48
Eegencies, Empress's, 84, 170, 171,
337 397
Kegent diamond, 67, 97, 166, 255
Eeille, Gen. Count, 47
Eegnault de St. Jean d'Angely, Ml.,
346, 351, 352
Eepublic proclaimed, 406, 407
Eeverdy, chief huntsman, 358, 359
Eevolution of 1870, 400 et seq.
Ehine frontier of France, 341, 382
Eichard, Maurice, 395
Eicord, Dr., 54, 290, 339, 393, 395
Eiencourt, Count de, 43
Eigault de Genouilly, Adml., 270, 389
Eimmel, E., 147
Eimsky-Korsakoff, Mme., 261
Eistori, Mme., 107, 113
Eoccagiovine, March., n^e Bonaparte,
210, 211, 213, 245
Eochefort, Henri, Marq. de Lu9ay,
218, 219, 241, 339
Eoche-Lambert, Marq. de la, 72, 355
Eoguet, Gen. Count, 45, 114
Eolin, Gen., 41, 127, 251
Eome, King of, 2, 54, 92, 93; and
France, 35, 88, 106, 171 et seq., 206,
207, 269, 383
Eoquette. See Forcade.
Eose. See Golden.
Eothschild, Baron James de, 281, 322,
367; Baron Alphonse de, 280;
Baroness Alphonse de, 253, 259
Eouher, Eugene, 28, 34, 147, 176, 270,
294, 295, 367, 386-390, 400, 404;
his wife, 295
Eouland, minister, 367
Eousselle, Dr., of the Commune, 409
Eoyalties in Paris in 1867... 271 et seq.
Eudio, with Orsini, 115
Eue, M. de la, 52, 363, 368
Euspoli, Prince, 211 ; Countess, 213
Eussia, Emperors of, Alexander II.,
29, 272, 273, 288; Nicholas, 236,
288
Eute. See Eattazzi.
Saoaley, M., 143, 150
Sandeau, Jules, 371
Saint Arnaud, Leroy de, Ml, 17, 18,
28, 29 et seq., 32, 50, 58, 65, 147, 155
et seq., 345
Cloud, 16, 85, 188, 201, 268, 328
Gratien, 234, 236
Hubert's Day, 361
Jean d'Angely. See Eegnault.
, de Luz, Empress's adven-
ture off, 357
Saint Napoleon's day, 53, 267-269
Vallier, M. de, 382
Sainte-Beuve, 169
Salle des Mare'chaux, Salon d'ApoUon,
etc. See TuUeries.
Salzburg, 273, 328
Sancy de Parabere, Countess de, 72,
295
Sandon scandal, 293
Sandor, Count, 283
Saulcy, M. de, 73 ; Mme. de, 73, 85,
98, 174
Savoy, annexation of, 46, 172
Saxe-Cobourg, Duke of, 113
Saxony, Kings of, 57, 272
Scandalmonger expelled from Court,
195
Scandals, financial, 324; Sandon's,
293
Schleswig-Holstein. See Wars.
Schmitz, Gen., 48, 400
Schneider Eugene, President of Legis-
lative Body, 214, 292, 293
Hortense, 73, 272, 314
Schwalbach, Empress at, 339
Scientists of the period, 326
Scotland, Empress visits, 174, 175
Second Empire founded, 13, 16 et seq. ;
overthrown, 403 et seq.
Secretary, Empress's, 76
Secret Societies, 102
Sedan, 54, 80, 279, 308, 400, 401, 403
See, Dr., 54, 393-395
Seillieres, Baron, 281
Se'iour. Victor, 142
Senate, the, 16, 60, 61, 93, 388, 390,
391
Servants, watch on palace, 121, 127
Sesto. See Morny.
Sevres. See Porcelain.
Shaw, Miss, nurse, 91, 377
Shooting grounds and parties, 365 et
seq.
Sibour, Archbp., 68, 108
Simonel, director of Cabinet noir, 147,
148
Slidell, Miss, 262
Solms, Count, 299 ; Mme. de. See Eat-
tazzi.
Spain, Queen Christina of, 62; Isa-
bella II. of, 99, 385; Francis of
Assisi, King-consort of, 331, 385 ;
HohenzoUern candidatures to the
throne of, 385, 393, 395
Squibs on Eouher, 388, 389
Stables, the imperial, 300 et seq.
Stackelberg, Count, 299
Stage, the, of the period, 325
Stephanoni, March., 213
428
INDEX
stockings, fashions in, 318
Stoffel, Col., 48
Strasburg affair, the, 33, 181
Stuart, Lord Dudley Coutts, 239 ; his
son, 239, 240
Succession to the throne, the, 61, 210,
391
Suchet, Ml., 352
Suez Canal, 170, 230, 371, 387
Suisses at the Tuileries, 44, 255, 305
Surgeons to the Crown, 54
Surtout de table, the great, 246
Sweden, Kings of, 57, 97, 273 ; Queen
of, 93, 94
Sweetmeats, Emperor's, 196, 197
Switzerland, Emperor ill in, 336
Table service at the Tuileries, 249,
et seq.
Tannhauser in Paris, 283
Tarente, Macdonald, Duke de, 43, 150,
151
Tascher de la Pagerie, Count, 57, 67,
74, 75; Count Charles [Duke de
Waldburg], 67, 74, 75, 81, 260;
Countess Stephanie, 75, 259, 260,
281
Tattini, Countess, 213
Texier, E., 223
Thayer, Mme., 363
Theatre fran9ai8. See Comedie.
Theft in the Emperor's room, alleged,
155
Thelin C, keeper of Privy Purse, 134,
139 144 153
Thiers, A.,' 140, 147, 403, 410
Thomas, Ambroise, 371
Clement, 147, 413; Victor, his
nephew, 413
Thorne, Mr., American, 71
Thouvenel, minister, 288, 297
Tibaldi plot, 108, et seq.
Tirmache, Mgr., 52, 108
Titles, queer Spanish, 149
Toilettes, Empress's, 67, 97, 163 et seq.
311,360; seven a day. 317
Tournelles palace, 1, 2
Toulongeon, Marq. de, 52, 81, 185,
358, 365
Trains, court, 320
Trelawny, C, 192
Tre'zel, Gen., 25
Trimm, Timothee, 146, 322
Trochu, Gen., 31, 48, 352, 399, 400,
401, 403
Tropmann, 326, 386
Troplong, M., 57, 388
Troubetskoi, Princess Lise, 260, 261 ;
Princess Sophie. See Morny.
Trousseau, Dr., 290
Truncheon, Emperor's, 145
Tuileries Palace, the, its early history
and architects, 1 et seq. ; an unlucky
palace, 2 ; occupied by Napoleon III.,
6, 7, 15 et seq. ; Second Empire pro-
claimed there, 17, 18 ; is redecorated,
18 et seq. ; visited by Queen Victoria,
87 ; Imperial Prince born there, 91
et seq. ; Miss Howard there, 188 ; at
the time of the Eevolution of 1870,
402, 404 et seq. ; its fate, 408 et seq. ;
See Balls, Dinners, Keceptions, etc.
, rooms in : Emperor's apart-
ments, 129 et seq. ; Empress's apart-
ments, 135, 158 et seq. ; Galerie de
Diane, 21, 138, 257, 409; Galerie
de la Paix, 18, 256, 257 ; Salle des
Mare'chaux, 5, 19, 66, 116, 255, 256
257, 409,412 ; Salle des Travees, 18
135, 267 ; Salle du Trone, 20, 255
Salon d'Apollon, 19, 136, 255, 257
Salon Blanc, 19 ; Salon Bleu, 159
Salons Louis XIV., etc., 3, 20-22
138, 255 ; Salons Marie Therese, 21 ;
Salon de Mars, 21 ; Salon du Pre-
mier Consul, 255, 257 ; Salon Eose,
159 ; Salon des Tapisseries, 21, 136 ;
Salon Vert, 159
Tullibardine, Marq. of, 372
Turkey, Sultans of, 272, 273
Turr, Mme., 213
Unipokms, insignia, and liveries of the
Imperial Household, 42, 44, 74, 75,
121, 122, 158, 255, 257, 305, 309, 360,
361
Ushers of the palace, 43, 44, 135, 158,
249, 255
Vaillant, Count, Great Marshal, 39
et seq., 53, 73, 81, 85, 346, 352
Valabregue, M. de, 51, 104
Valdegamas, Marq. de, 68
Valentini, Mme., 213
Valets, the Emperor's, 133, 134
Varaigne-Dubourg, Baron, 41
Veillard, M., 9
Velocipede, the, 326
Vergeot, Alexandrine, 184
Verger, Abbe', 68, 108
Verly, Col. Baron, 49, 124, 246
Versailles, Bp. of, 68 ; Queen Victoria
at, 86
Vicence, Caulaincourt, Duke de, 300,
361
Vichy, 203, 278, 337-340
Victoria, Queen. See Great Britain.
Vidocq, 144
INDEX
429
Viel Castel, Count H. de, 170, 193, 194
Vignon, Claude, 150, 151
Villa Eugenie. See Biarritz.
Villefermoy, 230
Villegiatura, the Court's, 326 et seq.
Villeneuve, Marq. de, 244 ; March, de,
nee Bonapa;rte, 244
Villeneuve-l'Etang, chateau, 36, 69
Viollet-le-Duc, 132, 371
Viry de Cohendier, Baroness de, 73
Wagbam, Berthiee, Prince de, 300,
301
Waldburg, Duke de, 260 ; Duchess de,
281
Waldor, Melanie, 150, 151
Waldteufel, 256
Wales, Prince of [Edward VII.], 83,
272, 363, 372
Walewska, Marie Lonczynska, Coun-
tess, 27, 45; Alexandrine Eicci,
Countess, 70, 154, 160, 179, 197, 253,
292
Walewski, Alexandre Florian, Count,
27, 56, 57, 179, 185, 214, 225, 256,
261, 26 283 , 292, 297, 349, 387 ;
Antoine Jean, 179 ; Captain Andre,
179
Wallace, Sir E., 280, 281
Walsh, Visct., 43
Wardrobe, Empress's, 163, 165, 166,
311
War ministers of the Empire, 345, 346
Wars of the period, referred to : China,
48; Crimean, 32, 46, 78, 79, 96;
Italian (1859), 35, 46, 48, 143, 171 ;
Two Sicilies, 172; Schleswig-Hol-
stein, 269; Mexican, 29, 146, 148,
206, 269, 277-279, 331, 332 et seq.,
349, 350; Austro-Prussian (1866),
35, 269, 294, 295, 298, 338 ; Franco-
German (1870-71), 279, 299, 351,
378, 379, 382-385, 393, 395-408.
See also Sedan; and Chronological
List, ante, pp. xi. and xii.
Wasa, Princess Carola, 57
Washburne, Mr., 299
Washerwomen's Fete, 267, 268
Waterloo, memory of, 79, 80, 85, 86
Wedding, the imperial, 65 et seq.
Werle', Count A., 364 ; M. (senior), 137
Werther, Baron, 299
Werwoort, first usher, 135
Wines consumed at Tuileries, 137
Winterhalter's portrait of Empress, 130
Workmen's dwellings, 270
Worth, battle of, 378, 379, 398
Worth, Mr., costumier, 268, 284, 311-
313
Wurtemberg, Catherine of, wife of
Jerome Bonaparte, 217, 219, 220
Wurtz, Prof., 370
Wyse, Sir T., 212; Lady, 212, 213
Zouaves, the, 344
THE END
PUINTED BT WILLIAM CLOWES AND BONS, LIMITED, LONDON AND BECCLES.
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