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The Library
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Literary History
®hc tibrarg of titerarg liatorg
A LITERARY HISTORY OF INDIA. By R. W.
Frazer, LL.B.
Other Voluines in Preparaaon.
A LITERARY HISTORY OF FRANCE. Volume I.
From the Origin to 1550. By Marcel Schwob.
A LITERARY HISTORY OF IRELAND. By Douglas
Hyde.
A LITERARY HISTORY OF THE JEWS. By
Israel Abrahams.
A LITERARY HISTORY OF THE UNITED STATES.
By Barreit Wendell.
ETC. ETC. ETC.
In Demy 8j/o, Cloth, gilt.
There is for every nation a history, which does not respond to the
tiumpet'Call of battle, which does not limit its interest to the coufiict of
dynasties. This— the history of intellectual growth and artistic achievement
— if less romantic than the popular panorama of kings and queens, finds its
material in imperishable masterpieces, and reveals to the student something
at once more vital and more picturesque than the quarrels bf rival parlia*
ments. Nor is it in any sense unscientific to shift the point of view from
politics to literature. It is but a fashion of history which insists that a
nation lives only for her warriors, a fashion which might long since have
been ousted by the commonplace reflection that, in spite of history, the poets
are the true masters of the earth. If all record of a nation's progress were
blotted out, and its literature were yet left us, might we not recover the out-
lines of its lost history ?
It is, then, with the literature of nations, that the present series is
concerned.
Each volume will be entrusted to a distinguished scholar, and the aid of
foreign men of letters will be invited whenever the perfection of the series
demands it.
2HE LIBRARY
OF
LITER JRT HISJORT
A Literary History of India
A Literary History
of India
By
R. W. Frazer, LL.B.
Lecturer in Tehigii and Tamil at University College, and the Imperial Institute .
Awards from Govemmettt o/ Madras for High Proficiency in Sanskrit,
Vriya, and Telugu ; Member of Council, Royal Asiatic Society,
Author of ■*
Silent Gods and Sun-Steeped Lands ''
and
British India ("Story of the Nations" Series)
New York
Charles Scribner's Sons
MDCCCXCVIII
PREFACE
-■♦■ ■■-
In essaying to set forth a connected history of India from
such evidences as I have selected from its literature, I have
been obliged to evade, and not to emphasise, difficulties
everywhere patent to the scholar or specialist. In most
cases, however, I have accepted the conclusions of those
who are recognised authorities. In those cases where
scholars still disagree I have indicated in footnotes the
evidences on which I had to form conclusions of my own.
On many points, especially those relating to the signi-
ficance of the early, sacrificial systems, to the origin and
purport of the Epics, and to the Grseco-Roman influence
on the form of the Indian Drama, it was manifestly im-
possible, in a work such as this, to enter on any prolonged
discussion.
The main outlines of the history are never likely to be
materially affected by future decisions on these debatable
points.
X PREFACE
The early incursion of fair-skinned Aryan tribes, amid
the darker aboriginal inhabitants, forms the starting-point
Of these Aryans, the only literary record we possess is that
preserved in the Vedic Hymns, for it does not seem
probable that an unaided Science of Philology will ever
throw much light on their past history or religious beliefs.
The early course of these invading tribes can be traced as
they forced their way among the aborigines, and made
their settlements in the most favoured river tracts north of
the Vindhya range of mountains. The vast area over
which the tribes, whose members can never have been very
numerous, spread themselves prevented them from forming
a united and compact nationality of their own among the
ruder aboriginal races. The tribal deities lost their im-
portance and failed to coalesce into the ideal of one
national God.
As the early sacrificial cult drifted from its primitive
significance the idea was evolved of a Brahman, or self-
existent Cause or Force, underlying the Universe. The
nature of this Brahman was ultimately declared to be
Unknowable to reason, but to have been revealed in the
sacred Vedic literature to the Brahmans, or descendants of
the early poet-priests who composed the hymns, prayers,
or incantations to their tribal deities.
The first hope that Aryans and aborigines might become
infused with a common ideal and faith dawned with the
personality and teachings of the Buddha at a time when the
PREFACE xi
full strength of Aryan intellectual vigour was about to cul-
minate in phases of thought which gave rise to the schools
of formulated philosophic reasoning. I have endeavoured
to trace the political effects of these forces, and to indicate
the causes which prevented the great civilising power
of early Aryanism in India from saving the people from
divisions and dissensions, which left them an easy prey to
foreign invaders. The divisions of the people were stereo-
typed by a system of caste originally based on racial and
intellectual differences. The intrusion of Scythian, Persian,
Arab, Afghan, and Mughal hordes but increased the
diversity of the factors into which the community was
divided. The primary forces which prevented even an
Akbar from implanting vital principles of union among
the people were religious fanaticism, class distinctions,
and race hatred. While these forces still exist, the in-
troduction of printing into India, and the higher education
of the natives through the medium of English, are im-
planting new modes of thought and new principles ot
action among the class which claims to represent public
opinion. The orthodox Brahmans, and the high-caste
natives of the old conservative school, however, remain
hostile to all innovations, determined to maintain the
fundamental doctrines of their religion, and preserve the
best of their ancient social customs. On the other hand,
the more advanced natives of the new school, whose
trend of thought is, for the most part, towards agnosticism
xii PREFACE
and freedom from all caste and social restraints, strive
more and more to assume the position of leaders of the
people and exponents of their views. The position is
one produced by the deliberate and consistent policy of
education in India. The stage is a stage of transition
and unrest but happily for India it seems to be fraught
with fewer elements of danger than the stage through
which the nations of the West seem destined to
pass.
Throughout the work the transliteration of native words
has been of great difficulty. Cerebrals and nasals are
unmarked, as the omission will not confuse any one
acquainted with Eastern languages, and my experience,
after many years teaching of Sanskrit, Tamil, and Telugu,
is that it is impossible for any one unfamiliar with the
sound of the languages as spoken in India to acquire
even an approximate pronunciation of these letters.
I regret that it is impossible for me fully to acknow-
ledge my indebtedness to the many works I have
consulted. To the delegates of the Clarendon Press I
am especially indebted for permission to quote from the
Series of the " Sacred Books of the East " — a monumental
undertaking full of evidence of the scholarship, untiring
"industry and wide sympathies in all matters connected
with the East of Professor The Right Honourable F.
Max Miiller.
To the Rev. Dr Pope, the Oxford Professor of Tamil
PREFACE xiii
my sincere thanks are due for having placed valuable
original translations at my disposal, and I trust that I
have not too freely availed myself of his permission to
quote from them. To the Editor of the Series in which
this history appears I owe much for valuable suggestions
and literary criticism, all of which I have most gladly
accepted. To Miss C. M. Duff I am grateful for having
kindly allowed me to peruse the proof sheets of her forth-
coming "Chronology of India." Had I seen her work
earlier I should have been spared several months of un-
congenial labour in preparing a chronological framework
for the present history.
R. W. FRAZER.
London Institution,
^th November 1897.
CONTENTS
CHAP. PAGE
I. The Aryans ...... i
II. The Grey Dawn Mists . . . lo
III. The Early Bards ..... 17
IV. The Twilight of the Older and the Dawn
OF Newer Deities .... 40
V. Brahmanism ...... 63
VI. From Brahmanism to Buddhism ... 94
VII. Buddhism . . . . . .114
VIII. The Power of the Brahmans . . .148
IX. The Final Resting-Place of Aryan Thought 188
X. The Epics ...... 210
XI. The Attack ...... 242
XII. The Drama ...... 263
XIII. South India ...... 300
XIV. The Foreigner in the Land . . .332
XV. The Fusing Point of Old and New . 384
Frontispiece.— From " Manners in Bengal," by Mrs Belnos.
LITERARY HISTORY OF INDIA
CHAPTER I.
THE arya:ms.
No invasion of India is feasible in the present day save by
a maritime nation holding the supremacy of the seas, or by
a force advancing from Central Asia with strength sufficient
to break its way through the defences on the west and
north-west frontiers. From Chitral in the extreme north,
where the Ikshkamun and Baroghil Passes show the way
across the Hindu Kush to the lonely heights of the Pamirs,
southwards to where the Khaibar Pass gives access to
Kabul,' the Gumal and Tochi Passes lead to Ghazni, and
the Bolan still further south to Quetta and Chaman, on to
the seaport town of Karachi in Sind, a distance of 1200
miles, the whole north-west and west frontiers are held
by British troops, backed by defensive entrenchments and
batteries, prepared to meet the first advancing armies that
venture to tread the historic paths of old that so often led
the nomad hosts of Central Asia to the conquest of India.
From time immemorial, bands of warlike invaders have
swarmed down from beyond these barrier passes to conquer
the effete inhabitants of the fertile river - valleys of the
plains of India, only themselves in turn to fall subdued
A
2 LITERARY HISTORY OF INDIA
by the enervating influence of the climate, and be swept
away by succeeding bands of hardier invading races.
When the history of India first dawns in literature, it is
through these same bleak mountain passes that tribes
of warrior heroes, bred in cold and northern climes, are
seen slowly advancing to seek new homes beneath the
warm and southern sun. Proud in their conquering might,
these tribes called themselves Arya, or "Noble," a term
denoting the contempt they felt for the dark-skinned races
they found in possession of the land. Full four thousand
years ago, these first historic invaders of India must have
stood gazing, in wonder and amazement, from the lofty
heights of some one of these northern passes, on the rich
valleys lying smiling at their feet. To their gods they
sang their songs of thanksgiving that at length their weary
journey from colder realms was at an end, and that victory
had been given them over their foes, who lurked amid the
mountain forests, and opposed their progress with fierce
cries and rude weapons. These invading tribes were a
fair-skinned race ^ with whom all Brahmans and twice-born
higher castes of India now claim kindred,^ holding them-
selves aloof from the darker-skinned descendants of the
aboriginal inhabitants. The birthright of the Brahmans
of India is to keep preserved in their memories the early
hymns sung by their Aryan forefathers. These hymns —
every stress and accent marked as in days long past, every
syllable and word intoned according to ancient usage,
' " A tall feir-complexioned dolichocephalic and presumedly lepterhine race. ''
— Risley, "Study of Ethnology in India," p. 2^<j ; Jottmal Anthropological
Institute (February 1891).
2 It must be borne in mind that in using the term, " Arj'an," with reference to
modem India, it merely refers to those people who speak Aryan languages,
no suggestion being made that these people are necessarily of Aryan descent.
As clearly stated by Max MuUer, in a letter to Mr Risley ("Biographies of
Words," p. 245) : " Aryas are those who speak Aryan language, whatever
their colour, whatever their language. In calling them Aryas, we predict nothing
of them except that the grammar of their language is Aryan."
THE ARYANS 3
remain the sacred treasure of. their hereditary custodians,
so that the utterances of the early Aryan invaders of India
live to-day as clear and distinct as when first sung by the
Vedic poets. These treasured verses, as collected together
in the 1028 hymns, known as the " Hymns of the Rig Veda,"
are all that are left to enable us of to-day to pierce the mists
of the long past history of India. To all orthodox Hindus,
they are held as having been breathed forth as a divine
revelation from before all time. The reducing of them to
writing, and even the hearing of their recitation by foreigners,
or by any but the twice-born castes, is still looked upon as
sacrilege and profanation by those who claim the sole right
to hear their sacred sound.
The iirst of a long line of priestly legislators who strove
to reduce all the laws and customs of the people of India
to ideals founded on priestly ordinances declared ^ that a
Sudra, or one of non-Aryan blood, who dared to listen to
the recitation of the Vedic Hymns, should have his ears
filled with molten tin or lac ; should the Sudra repeat the
words he had heard, his tongue should be cut out; should
he remember the sound, his body should be split in twain.
These Hymns, though they are still held as revelations
from the Creator of the universe, tell nothing of the long,
dark night that preceded the advent of these Aryan tribes,
who loom so indistinct on the horizon of the literary history
of India.
To the Vedic bards, standing as they did on the threshold
of a new world, the story of their nation's past faded into in-
significance before the brightness of its present. Enthroned
in the pride of race, the poet sang of the might of his
people, of his own power to win, by the magic of his words
and cunning of his spells, the favour of the gods, so that
they might lead the Aryan tribes to victory. For him the
hand of time passed by unnoticed. To have told of the
' "Gautama," chap xii. 4-6, S.B.E. vol. ii.
4 LITERARY HISTORY OF INDIA
past in the intoxicated fervour of his imagination, as he
alone could have done it, would have dimmed the glory
of the present. The time had not come when his mind,
grown full of halting fears, would brood in misgivings over
the future. Yet, strange to say, the very words over which
the poets lingered in syllables of soft cadence, or which
came rushing from their lips with the sound of the heavy
roll of war chariots, held the secret, not only of their own,
but of many other people's past.
The torch of learning, set aglow by the first Aryan
invaders of India, was kept for long alight by an hereditary
line of Brahman priests, poets, and philosophers, who
ministered, sang, and reasoned far and wide — from the
holy land of Aryavarta, to the distant seminaries in the
South ; from the Buddhist monasteries in the West, to the
renowned schools of logic in the East Fresh conquerors
appeared in the land, but still the Brahmans kept on their
even way. At length the advancing wave of a Western
civilisation, founded on new ideals, crept up the banks
of the sacred rivers of India, and spread all over the land.
In the eager race for wealth that ensued on the entry of
these new invaders, the whole foundations on which the
fantastic structure of the religious and social life of India
was based remained unnoticed, as though Vedic song had
never been sung in the land, and Brahman had never
existed.
The first to take note of the ancient learning of the land
was the English Governor-General Warren Hastings, who
summoned eleven Brahmans to Calcutta, there to compile
for their new rulers a code of Hindu religions and customs.^
The reasons set forth by the Governor-General for thus
desiring to ascertain somewhat of the laws of the Brahmans
^ The first published translation from Sanskrit into any European language
was " Bhartrihari's Satakas," by Abraham Roger, first Dutch chaplain at
Pulicat (1631-1641), Grierson, "Satsaiya ofBihari," p. 2.
THE ARYANS 5
was, that "the Hindus had for long fallen under the
Muhammadan rule, so that terror and confusion had
found a way to all the People, and Justice was not
impartially administered." ^ The work compiled by these
eleven Brahmans reached England in the year 1776, but
still the Sanskrit on which it had been founded held its
secret safe. Nine years later (1785) a young merchant,
J. Wilkins, sent forth his translation of the Indian Song of
Songs, the " Bhagavadgita,'' and two years later (1787), the
collection of Hindu stories, known as the " Hitopadesa," the
original source of the famed fables of Bidpai. Yet the
West woke not up to the fact that India possessed aught
of more value than bales of calico, rich spices, and gems.
Two years later, a drama of Kalidasa, the Shakespeare of
India, was given to the West by Sir William Jones. This
drama, the now well-known " Sakuntala," showed that India
possessed a literature. To Kalidasa Alexander von
Humboldt allotted " a lofty place among the poets of all
ages," and of the drama itself Goethe sang in raptures in
his well-known lines : —
" Willst du die Bluthe des friihen, die Friichte des spateren Jahres,
Willst du was reizt und entziiekt, willst du was sattigt und nahrt,
Willst du den Himmel die Erde, mit einem Namen begreifen ;
Nenn' ich SakuntaM dich und so ist alias gesagt."
The attention, not only of men of taste but also of
scholars,^ was naturally attracted to these works, and
efforts were made in Europe to study and master the
Sanskrit in which they were composed. So far an interest —
an interest of curiosity — was aroused in the literature of
India, but no expectations were entertained that the West
had anything further to learn from the lore of the East.
^ Halhed's Introduction to "The Code of Gentoo Laws" (London, 1776).
2 F. Schlegel (1808), " Upon the Language and Wisdom of the Hindus,"
where he derives the Indo-Germanic family from India,
6 LITERARY HISTORY OF INDIA
Soon, however, it came to light^ that India not only possessed
a sacred literature, that of the Vedic Hymns, but that the
Sanskrit of these hymns was of a primitive and archaic
type, preserving in structure and grammatical forms
affinities with the Aryan languages of Europe. At once
the belief arose that this Vedic Sanskrit was the primitive
language of humanity ,2 and the old belief that the East
was the cradle of the human race gained new strength.
It was fondly hoped that the Brahmans of India had
preserved the parent speech, out from which had grown
the Greek, Latin, Iranian, Celtic, Lettic, Teutonic, and
Slavonic languages. Soon these hopes were doomed to
disappointment. Sanskrit was found to be but one branch
of the great Indo-European family of languages, and not
even as such to have preserved a structure which can be
considered more primitive than that of the other known
branches.^
The plea for India as the lost home of primitive man
died away, and in its place the belief* that the nations of
Europe had migrated in early days from the Bactrian plains
of Central Asia, was held as a fundamental axiom in all en-
quiries into the origin of the Indo-European races. Even the
routes by which these early people spread from their Asiatic
home towards Europe were clearly traced out,^ and acknow-
ledged as correct. The ablest scholars^ accepted this Asiatic
1 F. Rosen (1838), " Rig Veda, Sanhita Sanskrite et Latine."
2 Weber, "Modern Investigations on Ancient India" (1857).
' " Although no historic conclusions may be drawn from the primitiveness
of Sanskrit, that primitiveness itself remains the same as ever." Max Muller
"Biographies of Words," p. 99.
" Of all the existing tongues of the whole great family, the Lithuanian or
the Baltic retains by far the most antique aspect." — Whitney, "Language
and the Study of Language," p. 203.
< Grimm, "Geschichte der Deutschen Sprache," pp. 113-122.
^ Pictet, "Origines Europ^ennes," 1859.
° Max Muller, " Lectures on the Science of Language."
THE ARYANS 7
theory, while Sayce^ agreed that "it is in the highlands
of Middle Asia, between the sources of the Oxus and
Jaxartes," that the first traces of the Aryan languages
appear in history.
The most pathetic instance of the unrelenting vindictive-
ness meted out by orthodoxy to originality, is to be seen
in the ridicule showered on Dr Latham, when he ventured ^
upon the enunciation of a new suggestion, that the original
home of the Aryans might be sought in Europe rather than
in Asia.* Various theories followed in rapid succession. It
was not long before . grounds were found for locating the
primitive Aryans somewhere to the north* of the Black
Sea, from the Danube to the Caspian, while again on further
investigation, the home was shifted to Central and West
Germany.^ The habitat was then removed to the whole of
North Europe,* from the shores of the Atlantic to the con-
fines of the Ural range of mountains, until at length the theory
was propounded that the Aryan people have always occupied
the same relative position they now hold, and that linguistic
varieties arose in situ!'
In 1878, Poesche,^ met by the difficulty arising from
connoting unity of race, with unity of language, called in
1 "Principles of Comparative Philology" (1874), p. 101.
* First in "Native Races of the Russian Empire," 1854. See Rendall,
"Cradle'of the Aryans," p. 8. 6'«e Schrader, " Prehistoric Antiquities," p. 85.
5 Max Miiller still declares himself " more inclined to the Asiatic hypothesis "
XAthencBum, April 4, 1896).
* Benfey's Introduction to Fichte's " Worterbuch der Indo-Germanischen-
Grundsprache " (1868), p. ix. and "Geschichte der Sprachwissenschaft," 1869.
^ Geiger, "Zur Entwickluiigsgeschichte der Menschheit" (1871). See
Schrader, p. 87.
s Cuno, "Forschungen in Gebiete der alten Volker-kunde '' (1871). See
Schrader, p. 89.
' See Taylor, " Origin of the Aryans," p. 36.
8 "Die Arier, Ein Beitrag zur historischen Anthropologie" (1878). In the
marshes of Pinsk, "the phenomenon of depigmentation or abhnism is of
extremely common occurrence, and is clearly marked in men, animals, and
plants," and accounts for the blonde colour of Indo-Europeans. See Schrader,
p. 100.
8 LITERARY HISTORY OF INDIA
the aid of anthropology and archaeology, and propounded
his theory that there was but one true Aryan race, a race
tall, blue-eyed, fair-skinned, with a dolichocephalic skull,
whose ancestral home he assigned to a clime where plants,
animals, and men soon became bleached, to the Rokitno
swamps of Russia.^
More plausible and fascinating was the theory ^ that
Scandinavia was the original home of the typical Aryans,
who are now only to be found in North Germany and
Scandinavia, language alone being left in other parts of
Europe and in India as a sign of an Aryan conquest, the
Aryan race itself having succumbed in Southern climes to
climatic influences. That there did exist a people, living
united somewhere, probably in Europe,^ known to us as
Aryans, who spoke a language from which the modern
languages of Europe have diversified, as well as the languages
spoken by the Zend-speaking Iranians of Persia, and the
Sanskrit-speaking peoples of Vedic times in India, admits of
but little doubt. That these Aryan-speaking people separated
the one from the other in some ancient period, the ancestors
of the Indo-Iranians travelling East to seek new pasture-
lands and homes, the Europeans holding together until they
reached a halting ground, probably bordered on * the South
^ Taylor, "Origin of the Aryans," p. 43.
2 Penka, " Origines Ariacae" (1883) ; " Die Herkunft der Arier" (1886).
"The Ice Age drove the majority of the human race from central Europe.
The Aryans remained, and it is " the climate of the Ice Age, and the struggle
with their environment that they have to thank for their blonde hair, blue
eyes, gigantic limbs, and dolichocephalous skulls." — Schrader, p. 102.
^Huxley, Nineteenth Century, 1890, pp. 750-777: — "As to the 'home'
of the Aryan race, it was in Europe, and lay chiefly east of the central high-
lands and west of the Ural." Van den Gheyn has in " L'Origine Europeenne
des Aryas " (1885), analysed all these theories.
R. von Iheringin "The Evolution of the Aryan" (tr. A. Drucker, 1897),
has adopted "the prevailing opinion that the original home of the Aryans
was in Ancient Bactria (Central Asia)," and holds that "the ancient Aryans
lived in a hot zone " (see pp. i, 2).
* Schrader, "Prehistoric Antiquities," chap. xiv. p. 434.
THE ARYANS g
by the Danube, and on the West by the Carpathians, where
they evolved the elements of their future civilisation, seems
now the most reliable conjecture. From the Celts who
followed their ever-waning fortunes towards the Main and
Rhine ; from the Teutons who stolidly marched along the
Vistula and Oder ; from the Greeks who found a resting-
place at the foot of Mount Olympus, thence to send South
tribes of lonians, .^olians, Achseans and Dorians ; from the
Latin, Slav and Lithuanian races, the Indo-Iranians parted
for ever, to carry to the East the intellectual vigour and
physical energy they inherited, in common with all races
bred and nurtured amid the harsh necessities of a northern
clime. Of the long pilgrimage of these eastward-travelling
tribes, along the pasture-lands of the Oxus and Jaxartes —
the only natural route — neither archaeology nor philology
can throw any light. On this long march the eastern-going
tribes first became known as Aryans.
Speaking some language, older in its primitive form than
Zend or Sanskrit, the Indo-Iranians held long together, until
at length a feud, probably religious, arose and divided them
for ever. All that is certainly known is, that one division
of the tribes, the Iranian, sought a home in Persia, the other,
the Indo- Aryans, passed onwards towards the Indus, to seek
new homes in the sunlit plains of India.
CHAPTER 11.
THE GREY DAWN MISTS.
For long it was hoped that the Science of Compara-
tive Philology might weave out a history of the period
before the Aryan people separated to build up their own
distinctive languages and civilisations. In spite of the
brilliant results at first obtained/ it is now recognised that
only here and there a few faint clues can be found as to the
mode of life of these Aryans before the time when their
literary records rise from out the dim mists of the pre-
historic days.
The Science of Language, in the words of Dr Schrader,
" can only give us a skeleton, and to cover the dry bones
with flesh and blood is the prerogative of the Comparative
History of Culture. That the Indo-Europeans did possess
the notion of a house the philologists show us, for the
Sans, damd, Lat. domus, Greek Sd/zos, Slav. domU, corre-
spond ; but how these houses were constituted the historian
of primitive culture alone can ascertain." ^
For the construction of such a skeleton, the strict rules of
philological research demand, in order that a word may be
^ The earliest list of common Aryan words was by Colebrooke (1803). See
Max MuUer's " Biographies of Words," p. iz8; Schrader, " Prehistoric An-
tiquities," p. 149.
° Schrader, p. 149.
THE GREY DAWN MISTS ii
taken as a fossil of prehistoric life, that it should not only
be represented in at least one section of the European and
one of the Asiatic groups, but that it should also agree in
suffix as well as root.^ Care must also be taken to
eliminate from consideration such concepts as may possibly
have been borrowed by one language from another.^
Allowing for all these and similar restrictions, which hold
the imagination ruthlessly bound to the dry accuracy of
scientifically-proved fact, some flickering gleam of light can
still be shed on the dim past of the Indo-Aryans — before
history dawns in the Vedic Hymns — as they emerge on the
North-West passes, thence to descend down the river-
valleys of the Ganges and Jumna, take up their abodes in
the fertile plains, send their warriors and missionaries
across the Vindhya range of mountains, only to see their
vaunted pride droop before the eternal decrees of Fate,
which ever bid the Aryan succumb, as he drifts further
from the cold realms wherein his warlike manhood was
first nurtured.
Philology, however, affords but vague and uncertain
evidence respecting the thoughts, beliefs, and ideals of
the primitive Aryans before they left their cold northern
homes. It may be assumed that, as human beings, they
had their own aspirations towards the ideal, and longings
for a knowledge of the Divine. It may be held for certain
that they had not sunk their heritage as reasoning
creatures to the level of the brute instincts of the flocks
they pastured.
The chilling hand of science, however, lies heavy on
those who fain would paint a brilliant sunlit background
to light up the simple picture of the life and homes of our
earliest historic forefathers.
1 Schrader, p. 30 ; Rendall, "Cradle of the Aryans," p. 9.
= See also Max MuUer, " Contributions to the Science of Mythology,"
vol. i. p. xi.
12 LITERARY HISTORY OF INDIA
It has even been held^ that the early Aryans were
devoid of all religious ideas. Again they are declared
merely to have " believed in a multitude of ghosts and
goblins, making offerings to the dead and seeing in the
bright sky a potent deity." ^
Professor Max Miiller, however, still contends ^ that not
only had the Aryans, before their arrival in India, gods who
were the personified representations of the phenomena of
Nature, but thatthey,in common with the undivided branches
of the Aryan family, had an abiding faith in deitieis known
as " asuras," or " devas."* These were the gods of whom the
myths were told, chief of them all being the supreme deity
of the sky ; for, as the same authority says : " Even the
most stubborn opponents of all attempts at tracing Greek
and Indian gods back to a common source seem to have
yielded an unwilling assent^ to the relationship between
the Greek Zeus-^rar^p, the Vedic Dyaush-pitar, the Latin
Jupiter, and the Teutonic Tyr^ ®
Yet in India in the first utterances of the Vedic Hymns,
Dyaus appears merely as a designation of the visible sky,
his personality as a supreme god having faded before the
purely Vedic " devas," or bright ones.'^ According to Dr
1 Otto Gruppe, "Die Griechischen Kulte und Mythen." See Schrader,
p. 410.
^ Sayce, p. 890, British Association (1887).
' Max Miiller, " Contributions to Science of Mythology," vol. i. p. 74.
* Ibid., vol. ii. p. 448, arguing from Lat. crSdo, etc., "the idea of
faith also must have been realised," etc. See, however, Schrader, p.
415.
5 " Many equations of names once made in the first enthusiasm of discovery
and generally accepted, have since been rejected, and very few of those that
remain, rest on a firm foundation. Dyaiis — Tievi, is the only one which can be
said to be beyond the range of doubt." — A. A. Macdonell, " Vedic Mythology "
(Grundriss), p. 8.
* Max MUUer, "Contributions to Science of Comp. Mythology," vol. ii.
p. 498.
' Sans, devds, Lat. deus, O. N. tivdr and div. Lat. flamen Sans.
brahman — worshipping. Schrader, " Prehistoric Antiquities," p. 416.
THE GREY DAWN MISTS 13
Schrader,! " the personification of the sky cannot have gone
very far in that prehistoric period, else it would be difficult
to see why the meaning of ' sky ' should have got the upper
hand again in later times." The Aryans, in fact, present
in their Vedic Hymns the first literary landmarks in
the history of India, and beyond those same Vedic Hymns,
little can be definitely asserted as to their mythology or
their beliefs in God or the after life.
Philology can, however, tell that the Aryans came from a
land where the climate was, for the most part, cold, although
a summer was known.^ Time was there measured by the
moon ; the year was lunar, unadjusted to a solar year,
and time itself was computed by the night, a reminis-
cence of which computation still lives in the English
fortnight and sennight.^
That they had made some advance towards civilisation
is clear. Copper was probably known, but it is doubtful
if iron, gold, or silver were in use.*
The people were grouped together in clans ; each member
within the separate clans bearing, as a distinctive appellation,
the name of some common ancestor or father, under whose
patriarchal authority the "sib," or clan would have remained
if he were living.^ The clans united together for warfare,
defence, or corporate management, formed the tribe.
Strangers were held as enemies, so that with them no trade
or commerce was possible. Inside the tribe, exchange
' Schrader, " Prehistoric Antiquities," p. 417.
^ "That the Aryans did not come from a very southern clime has long
been known, since they possessed common names for winter, such as Sanskrit,
hima, Greek, x^'-l^'^^' Latin, kiems, Old Slav, eima, Irish, gam."— Ma.x.
Miiller, " Biographies of Words," p. 103.
" See Schrader, "Prehistoric Antiquities," p. 311 ; Tacitus, "Germ." XI. :
JVec dieruin numerum sed noctium computant. See Schrader, chap, vi ; Sayce,
British Association (1887), p. 889.
* Max Miiller, "Biographies of Words," p. 180; Kendall, "Cradle of the
Aryans," p. 12.
* Schrader, " Prehistoric Antiquities," pp. 398-9.
14 LITERARY HISTORY OF INDIA
was carried on by barter, the standard of value being the
cow. Marriage was as a rule monogamous, the bride being
purchased from a neighbouring tribe, or captured by force
from a hostile tribe. On entering her new home, the wife
fell absolutely under the dominion of the patriarchal head
of the household. The term " daughter " may be derived
from a common root, which, according to one view, would
pleasantly depict her as filling up the outlines of an idyllic
picture, as the milkmaid of the household,^ or, according
to the more probable, though more prosaic, rendering,
would view her as nothing more than a mere nourisher
of offspring.^ However this may be, the husband's power
over his wife was absolute. He had the right to decide
if her offspring should be allowed to live, or, in consequence
of infirmity or sex, be exposed to die. In the words of
Dr Schrader, "the wife belongs to the man, body and
soul, and what she produced is his property, as much as
the calf of his cow and crop of his fields."* Philology
affords no evidence of any matriarchate system under
which the children and property would belong to the
mother, the father being a subsidiary element in the family
life.*
The word "father" itself may be traced back through
a series of equations which would represent him as the
protector of the family, and the word " mother " ^ through a
parallel series, representing her as a mere maker or fashioner
of children, or, according to Sir John Lubbock and others,
those very terms "Pa" and "Ma," which denote protection
and fostering, may have been evolved from the earliest spon-
' Grimm, "Geschichte der Deutscben Sprache," p. 694; Max Muller,
" Selected Essays," I., p. 124.
*Rendall, p. 11 : "The derivation iiom duh, 'suck,' has rather better
phonetic warrant."
» Schrader, p. 388.
* Max Muller, " Biographies of Words," p. xvii.
» Schrader, p. 371 ; Max Muller, " Biographies of Words," p. xvi.
THE GREY DAWN MISTS 15
taneous utterances of a child by mere labial or dental
suppression of its breath.^
In their original habitat the early Aryans were, for
the most part, pastoral, though agriculture ^ was practised
to some extent The ploughs, however, were primitive
and simple, being made of bent wood shod with stone.
Seeds were sown, the cereal rye at least was grown, the
reaping-hook and mill-stone were used, as was the yoke
for oxen. Cows were milked ; oxen drew such rude
waggons as were fashioned. Horses were kept in droves
for milk or food, but not until Vedic and Homeric times
were they ridden.
The tribes, for the most part pastoral nomads, drove their
flocks from grazing-ground to grazing-ground, ever ready
to migrate and seek more favoured pasture-lands. Their
houses were domed, of basket-work, daubed with mud, or
else the family lived underground. Scraped skins sewn
together by bone-needles, or wool close pressed together
and made with glutinous fat into felt,^ formed their cloth-
ing, while a mead made from honey was an intoxicating
beverage to which they seem to have been addicted.
Such is the main outline of the meagre skeleton which
philology builds up of the life lived in common by the
primitive ancestors of the European peoples, and by those
of the first Aryan invaders of India. It shows them tied
down to a neolithic primitiveness, preparing for an advance
to an Age of Bronze.
At what period these Aryans entered India is unknown.
1 Lubbock, "Origin of Civilisation," p. 427; Westermarck, " History of
Human Marriage," p. 88.
2 "When we say that the Aryas before their separation were agricultural,
we mean no more than that they did not depend for their food on mere chance,
but cultivated the soil and grew some kind of corn."— Max Miiller, "Biographies
of Words," p. 134.
3 "All the other arts which we ascribe to the Ancient Aryans, such as
plaiting, sewing, spinning, weaving, must all be conceived as most simple and
primitive."— Max MUUer, "Biographies of Words," p. 135.
i6 LITERARY HISTORY OF INDIA
Pride of race, and pride of birthright still hold the imagina-
tion of the pious and orthodox Brahman of to-day to the
fond belief that the Vedic Hymns were a revelation from
before all time. Even though this be considered no longer
worthy of credence, yet the Brahman views, with impassive
face, the efforts of historic enquiry to pierce through the
mists of an antiquity he still feels to be beyond the ken of
man. To the unbiassed enquirer the period of civilisation,
which witnessed the composition of the Vedic Hymns,
seems to fade further into distant time, instead of, as might
be hoped, drawing nearer to such historic dates as fall within
the limits even of Homeric time. From 1 200 to 1 500 years ^
before the Christian era was for long held the earliest
period to which, with safety, the composition of the Vedic
Hymns could be assigned.^ Should the latest theories, based
on astronomical data, fail to win adherents to the con-
clusion that the period of Vedic civilisation extended back
as far as 4500 years B.C., and the Hymns themselves to
2500 B.C., it seems daily to grow more probable that the
whole period of early Sanskrit literature must be placed
at a much earlier date than that to which it has until lately
been allotted.*
Be the date what it may, it is in these Hymns that must
be sought the evidences as to what were the hopes and
ideals of the times, for in them is contained all that the
tribe, sib, or family of the poets who composed them
deemed worthy of being preserved as a record of the best
the age knew, as a record of tlie literature of their race.
1 Max Milller, "India: What Can It Teach Us," p. 202 (1500 B.C.);
Kaegi, "Rig Veda," p. 11 (2000 to 1500 B.C.); Haug, " Introd. to Ait
Brah.,"i. 47(2400-14003.0.).
2 Max MuUer, "Bi<^raphies of Words," p. 153 :—" Within sight of the
Indus and its tributaries, the undivided South-Eastern Aryas spoke a language
more primitive than Sanskrit or Zend, about 2000 B.C."
* See Earth, " Ind. Ant.," September 1894.
CHAPTER III.
THE EARLY BARDS.
On the first dawn of Vedic history, the Aryans appear
amid the bleak mountain ranges in the north-west of India,
where the Swat, Kabul, Kumar, and Kuram rivers find their
way through unfrequent fertile valleys to the lowland plains
and land of the Five Rivers of the Panjab. These rivers
the Aryans had to cross before they could set aside their
conquering arms, and, beyond the sacred Sarasvati, seek
rest in the holy land of Brahmavarta,^ thence to spread
their civilising mission down the rich river-valleys of the
Ganges and Jumna, and claim all India north of the
Vindhya as the abode of their race — as the renowned
Aryavarta.^ For weary centuries the tribes had journeyed
on towards the rising sun, their hopes buoyed up by stories
told of the warm, sunlit plains. These once gained,
no longer would the sacred and first duty of each head
of a family be to nourish and cherish, as the chief great
friend of their race, the heaven-sent "Agni," the God
of Fire.
^ " Manu," II, 17 : — " Between the two divine rivers, Sarasvati and Drish-
advatl, lies the tract of land, which the sages have named " Brahma varta,"
because it was frequented by gods." — G. C. Haughton.
^ Ibid,, II, 22: — "As far as the eastern, and as far as the western
oceans, between the two mountains, Himalaya and Vindhya, lies the tract which
the wise have named Arya varta, or "abode of the learned."
B "
i8 LITERARY HISTORY OF INDIA
Then there would be time for peace, and rest, and sleep,
and thought ; for once the dark aborigines were conquered
or propitiated, to them could be allotted all manual labour.
No wonder that the imagination of the Vedic poet was
stirred to its deepest depths as he stood amid the moving
times. From the shadowed recesses of the silent forests
bordering the mountain ranges, murmuring echoes answered
back the poet's exulting song of joy and the tribesmen's
fiercer notes of warlike might. From the far-off plains the
rain-clouds rolled on towards the mountain passes, in black
and heaving billows, while from out them dashed the vivid
gleam of an Indian lightning as the thunder sent its peals
from mountain peak to peak. It was down in the arid,
lowland plains that Indra, the God of Rain, became the
Aryan tribesmen's champion — the god who won their
battles, broke open the heavenly fortresses, and let the
waters forth to cool the parched fields. It was Nature ^ that
held spell-bound the imagination of the new-come Aryans,
and it was to glorify her, and seek the aid of her powers —
vaguely personified as "devas," "deities," or " bright ones," —
that the Vedic poets composed their songs of praise. Of
history, pure and simple, the hymns tell but little. The
comings and goings of the people, the trivial life of mankind,
appeared but as a breath when compared to the mystery of
the unchanging vault of Heaven, the depths of the clear,
starlit nights ever soothing to rest, the sad rise and wane
of the moon, the glad, red blush of the dawn as it awoke
all Nature to life, the unchanging passings of the sun
in its three steps across the sky, until, in the silence of
eventide, it descends towards the land of the fathers, there
to abide until it again rises towards morn over the land
of the living.
» See Regnaud, p. 64, for the theory that the adoration of Nature in Vedic
times was only an illusion produced by the phraseology, or rather by the
rhetoric of the hymns.
THE EARLY BARDS 19
To those whose ears are not attuned to the sound of the
music that throbs through every stanza of the Vedic Hymns,
the whole secret of the power they held over the hearts of
the people will be lost. Held as sacred treasures of the race,
they have been handed down from generation to generation,
as all that has been deemed worthy of preservation, as the
best the age brought forth. In verses full of the sound of the
rush of moving waters, the poet tells, with swelling pride,
the glories of the new-found land his race had come to
claim and make its own, as far as from the Sindhu or
Indus in the West, away to the distant Ganges in the
then unknown East : —
" Let ^ now the poet, here waiting in the place of sacrifice, tell, O rivers,
your chief glories. The Rivers have come forth by seven and seven
from three quarters, the Sindhu surpassing all in her glory. From
the mountains onward towards the sea, the Sindhu hasteneth in her
strength, rushing in the path that Varuna had smoothed out ; eager
for the prize, she surpasses in the race all that run. Above the earth,
even in the heavens, is heard the sound of her rolling waters ; the
gleam of bright light lengthens out her unending course. From the
mountain-side the Sindhu comes roaring like a bull, as from the clouds
the waters rush amid the roll of thunder. The other rivers run to
pour their waters into thee.
"From both sides thou drawest on the flowing streams like to a
conquering king rushing to the front, leading his following hosts.
O Ganges, Jumna, Sarasvati, Sutlej, and Ravi, and you also, O
Asiknl, Marudvridha, hearken O Vitasta and Arjiklya with the
Sushoma, listen now to this my praise. Flashing, sparkling, gleam-
ing, in her majesty the unconquerable, the most abundant of streams,
beautiful as a handsome, spotted mare, the Sindhu rolls her waters
over the lands.
" Mistress of a chariot, with noble horses richly dressed, golden,
adorned, yielding nutriment, abounding in wool, youthful, gracious,
she traverses a land full of sweetness. May she grant us vigour in this
struggle ; for greatly celebrated is the glory of that unconquered,
illustrious, and much-lauded Sindhu.^
1 Re-translated with the aid of Muir's "Sanskrit Texts," vol. v. p. 343;
cf. R.V.,x. 75, andMaxMuUer, "India: What Can It Teach Us? "pp. 164-5
(1892); Griffith, R.V., p. 251.
' Muir, vol. V. p. 344.
20 LITERARY HISTORY OF INDIA
It was in the extreme north-west of India that the Aryans
first made their homes. Thence tribes spread South as far
as the junction of the Indus, with the rivers of the Panjab;*
Yet all those who remained there, as well as all those who
formed alliances, matrimonial or political, with the aboriginal
inhabitants, were held by the orthodox Aryan of later times
as impure. They were considered as having fallen from the
ranks of those Aryans who left the plain-land of the Five
Rivers behind them, and passed onwards to the Sarasvati,
Ganges and Jumna, there to rest and collect the treasured
hymns of their forefathers into what is now known as the
Sanhita of Vedic Hymns. Centuries, not years, represent
the period of the composition of these verses, but 1017 or
1028 ^ in number, which contain 1 5 3,826 words, and now hold
all that will ever be known of the past of the Aryan fore-
fathers of the great priestly families of India.
Of the aboriginal inhabitants whom the Aryans found in
possession of the land history has preserved no record. The
Vedic Hymns merely mention their existence in order to
revile them as Dasyus ' (foes), as slaves. To the fair-skinned
Aryans these dark aborigines were no-nosed and fierce,
eaters of raw flesh, and godless. Yet of their forts and castles
there is mention, and of their wealth there are clear indica-
tions,* while there is ample evidence that with many of
them the Aryans made matrimonial connections, and that
the offspring formed a new cleiss, considered as of more or
less pure blood and social position. The Aryans, however,
' In the North, probably in Kashmir, tribes known as the Kuru-Krivis (in
later times renowned as the Panchalas), are held to have taken up their abode ;
to the further West, in the valleys of the Kabul and Kuram, the tribes known
as the Gandhara found a home ; while even as far South as Sind, tradition
tells of the tribe known as the Yadavas (see Baden-Powell, "Ind. Vill.
Com.," p. 97; and Zimmer, "Alt. Ind. Leben.," pp. 122-124).
* Max MUller, "Hibbert Lectures," p. 153.
s Ste Muir, O.S.T., voL i. p. 174 (ed. 1890) ; Zimmer, " Alt. Ind. Leben.,"
pp. 115-118.
* R.V., 3, 34, 9.
THE EARLY BARDS 21
for the most part lived as joint families, united in their
ancient sibs, or clans, into settlements 1 under a common
chief.2 When the clans or settlements joined together for
war or defence, they formed the tribe.* The king, or " raja,"
was elected from among the chieftains,* as their chosen
representative, though the office soon became practically
hereditary.
By the king's side stood his priestly counterpart, the
"purohita,"^ who, by his solemn invocations and charms
of noted potency, held his position secure. On the
election of a chieftain to be king, the chosen poet of the
people poured forth his benediction in flowing verse, such as
has been so aptly translated by Mr Griffith : * —
" Be with us ; I have chosen thee ; stand steadfast and immovable.
Let all the people wish for thee : let not thy kingdom fall away.
Be even here ; fall not away : be like a mountain unremoved.
Stand steadfast herelike Indra'sself, and hold thekingship in thygrasp.
Firm is the sky, and firm the earth, and steadfast also are these hills.
Steadfast is all this living world, and steadfast is this king of men.
On constant Soma let us think with constant sacrificial gift.
And then may Indra make the clans bring tribute unto thee alone.''
Other verses tell of the power and influence of the king's
" purohita," or domestic chaplain : —
" May this prayer of mine be successful ; may the vigour and strength
' "V\i," Schrader, pp. 399, 403.
" "Vi^ pati," Zimmer, "Alt. Ind. Leben.," p. 172.
' Baden-Powell, "Ind. Vill. Com.," p. 204 (cf. R.V., 2, 26, 3), in which
the tribe, clan, or minor clan, or connected single families held together by
some tie of descent. Robertson Smith, " Religion of the Semites," p. 34.
* Jevons, " Introduction to History of Religion, " for separation of Kingly and
Priestly Functions, originally united, p. 275.
" Probably, as a rule, an Atharva priest (cf. "Yajnavalkya," i. 312), Bloom-
field, S.B.E., vol. 42, p. xlvi, also Iviii.
« R.V., X. 173.
22 LITERARY HISTORY OF INDIA
be complete, may the power be perfect, undecaying, and victorious of
those of whom I am the priest (Jiurohita). . . . May all those who
fight against our wise and prosperous (prince) sink downward, and be
prostrated. With my prayer I destroy his enemies, and raise up his
friends. May those of whom I am the priest be sharper than an axe,
sharper than fire, sharper than Indra's thunderbolt. I strengthen their
weapons ; I prosper their kingdom rich in heroes. . . . Ye with the
sharp arrows smite those whose bows are powerless ; ye whose weapons
and arms are terrible (smite) the feeble. When discharged, fly forth,
O arrow, sped by prayer. Vanquish the foes, assail, slay all the choicest
of them ; let not one escape." *
To their kings the people rendered obedience. The
offerings or tribute to the chosen chief were held to be
voluntary, though there are verses ^ that liken a king unto a
fire that burns up the forest, in the way he sweeps up the
goods of the rich. There are also hymns,* which tell how
the king sat, decked with gold and jewels, in what is described
as a palace, with a thousand pillars and a thousand doors.
Headed by their chosen king or chieftain, the tribes
advanced to battle, and, as they marched, the proud song of
the king's elected "purohita," or poet-priest, rang in their ears.
Not by the king's valour nor by his well-known heroic
might, not by the impetuous rush of the conquering tribes
was the victory to be gained. It was the incantations of
the haughty purohita who summoned the gods to hover
near and win the day, that cheered on the clansmen and
made them sure of victory. The knowledge that the gods
fought on their side, added to the war-chant of the chosen
poet-laureate, inspired the god-intoxicated enthusiasm of
all ranks alike, and held the Aryans united against their
darker foe. The weird influence of the magic of the
priestly spell, the sound of the blast of the tempest, and the
iMuir, O.S.T., pp. 283-4; " Atharva-veda," iii, 19, r.
" R.V., I, 6S. 4-
s Zimmer, "Alt. Ind. Leben.," p. 167; R.V., 8, 5, 38; 1, 83, 8; 10, 78, i.
THE EARLY BARDS 23
howl of battle-rage subtly mingled in the inspiring chant of
the purohita, who proudly sings the song of war : ^ —
" Increased is now this prayer {brahmd), the might, the power. In-
creased the wan-ior sway of which I am the conquering Purohita.
I lengthen out the lordly rule with heaven ascending smoke-incense,
I hew asunder the foemen's arms. Let those who rage against our
mighty king sink low, with this my prayer {brahmd) I vanquish all
who are not friends and raise up those near. Advance and conquer,
heroes ! Let now your arms be fierce. Strike down with pointed arrows
the weak bowmen, strike with fierce weapons the powerless foe."
No translation could give the full force of these lines,
changing as they do in the original from sound to sound to
suit the sense. In the last verse, calling on the tribes to
advance and conquer, the fierce passion of battle strife
seems to shake the utterances of the inspired poet, as he
repeats again and again the harsh sounds which thrill
through the last two sounding lines,^ calling on the Aryans
to strike down the foe.
Though there were kings and purohitas and sacrificial
priests {brahmans) ; though there were warriors and the
great body of the people, cultivators, artisans, or dealers
in articles of food, in grain or merchandise, there is no
evidence that anywhere were the people tied down to
the rigidity of a caste ^ system where a fixed hereditary
occupation was allotted to the members.
The composers of the Vedic Hymns, or Brahmans, as
they were called, belonged to no one class or order. He
on whom the gift of song had fallen became the poet-
priest. One poet * tells how that, although he is a maker
' " Atharva-veda," in, 19.
^ " Preta jayanta nara ugra vah santu bahavah.
Tiksnesavo abala dhanvano hata ugra ayudha abalan ugrabahavah."
* " Caste is a European word, but it has become so completely naturalised in
India that the vagueness of its meaning seems to have reacted on the native
mind.. The Sanskrit word for caste is vama, literally 'colour' or iati,
literally 'breed,' or 'kith.'" — Max Miiller, "Biographies of Words,'' p. 247.
4 " Rig Veda," ix. 112, 3.
24 LITERARY HISTORY OF INDIA
of the hymn he sings, yet his father was a physician, while
his mother ground grain between millstones. Every one,
he says, has a different occupation and varied opinions — the
carpenter seeks something to mend, the physician some
one in distress, the priest one who has an offering to make.
All in the world stand waiting for wealth, even as the cow-
herd stands watching his cattle. The horse longs for a
cart that runs smoothly ; those who love talking long for
those who talk ; frogs long for water, and desire roameth
wild after that which it desireth. In one well-known hymn,^
of which the language and tenor is modern, compared
with the rest of the collection, the people are described
as divided into four distinctive classes.
The hymn tells of the creation of all things from the
sacrifice of a fabulous monster-man, or "Purusha," his severed
limbs giving birth to the world. As is pointed out by Mr
Andrew Lang,^ the same primitive mode of accounting for
creation is found in the Norse legend, where the earth, the
seas, water, mountains, clouds, and firmament, are formed
by dividing up the body of the Giant Ymir. So also in the
Chaldaean story a monster woman is divided in twain by
Bel, to form the heavens and earth. The same story runs
through the myths of the Iroquois in North America,
as well as through those of Egypt and Greece. In the
Vedic legend the monster Purusha has a thousand heads,
a thousand eyes, and a thousand feet. So great was this
primeval being, that he spread over the earth and yet ten
fingers' breadth beyond. By the gods he was offered up in
sacrifice. From him sprang forth all the creatures of the
air and all animals, wild or tame, also the three Vedas — the
" Rig," " Saman," and " Yajur" — horses, and all creatures
having two rows of teeth, goats, and sheep.
So far the story runs close to those of other folk. The
1 R.V., X. 90.
* "Myth. Ritual and Religion," vol. i. p. 243.
THE EARLY BARDS 25
conception points back to a very early phase of thought,
almost to the childhood of mankind. The Vedic account,
however, goes on to add that from Purusha also sprang
four castes or classes of the people. There is no escape
from the conclusion that this is an attempt to force an
antiquity for a modern social system by connecting it with
an undeniably ancient legend. The four castes are held to
have existed from before all time. The Brahmans, as a
distinct class of priests who recited the brahman, or "prayer,"
are said to have been created from the mouth of Purusha ;
the "Rajanya," or warriors, to have sprung from his arms ; the
"Vai^ya," or main body of the Aryan people, agriculturists or
tradesmen, were born from his thighs, while last and lowest
born were the Sudras, the servile conquered foes, created
from the feet of Purusha. The Brahman priesthood were
thus held to have been divinely created, according to the
revealed evidence of the Vedic text, as supreme above
kings, warriors, or servile workers. All alike were made
to feel the power thus placed in the hands of the
Brahmans.
In the " Atharva-veda," where much more of the life-
throb of the people is felt than in the more dignified
and stately "Rig Veda," clear evidence is given of the
unrelenting vengeance of the Brahman priests towards
those who intrigued against them or sought to take their
wealth : —
" He who thinks the Brahman mild," declares one hymn,i " and slays
him, he who reviles the gods, lusts after wealth without thought, in his
heart Indra kindles a fire; him both heaven and earth hate while
he lives."
More fierce than this is the invective poured forth
1 "Atharva-veda," v. 18, S (Bloomfield) ; S.B.E., vol. xlii; Muir, O.S.T.,
vol. i. p. 285.
26 LITERARY HISTORY OF INDIA
against those unbelieving oppressors of the priest who
holds the magic spell : —
" The Brahman's tongue turns into a bow-string, his voice into the
neck of an arrow ; his windpipe, his teeth are bedaubed with holy fire ;
with these the Brahman strikes those who revile the gods, by means
of bows that have the strength to hurt, discharged by the gods."
" The Brahmanas have sharp arrows, are armed with missiles, the
arrow which they hurl goes not in vain, pursuing him with their holy
fire and their wrath, even from afar do they pierce him." *
The earlier Vedic Hymns show the Aryans free from all
caste restraint, priestly aggression or kingly oppression.
The poet or maker of the Vedic Hymns merely calls upon
the king and people to be liberal in gifts,^ for those who
are liberal sink not into sin nor sorrow ; they abide for ever
glorious, living long lives and reaping rich rewards here-
after. One poet praises the liberality of a chieftain who
dwelt on the bank of the Sindhu, or Indus, from whom
one hundred horses, sixty thousand kine, eight cows,
all good milkers, and one hundred necklaces had been
received.
Between the two famed poet-priests, Vasishta and
Visvamitra, of whom every Hindu household in India
to-day holds legends, the rivalry was great to secure
the favour of the renowned king Sudas, who led the
white-robed Tritsu tribe to battle against ten other kings
who had raised the standard of revolt.*
Visvamitra at length was obliged to retire before his rival
Vasishta, who remained to sing the praise of his patron, the
conquering Sudas. It was Vasishta who, by his mystic
prayers, brought the aid of Indra to the king, and hurled
» S.B.E.,_vol. xUi. p. 170; Mulr, O.S.T. (1890), p. 258, for use of word
br^mSn, first as " a sage, a poet," next as an officiating priest, and later as a
special description of priest, or even as " a priest by profession," and Brahmana
as the son of a brahman, denoting the hereditary transmission of the function.
2 R. v., X. 107, 2 ; 7, 33, 6 ; 3, 53, 12.
' Zimmer, "Alt. Ind. Leben.," p. 170 ; R.V., vii. 18, 23.
THE EARLY BARDS 27
back Visvamitra and his warlike friends the Bharatas. To
Vasishta wealth and honour were poured forth ; two
chariots with mares were given him, along with four horses
decked with pearls, so that the seven rivers of the Panjab
might spread abroad the liberality of Sudas. No greater
glory could the devout Aryan win than to bestow his
wealth on the tribal laureate.^ Those who gave rich
garments lived long ; those who gave gold enjoyed
undyingness : ^ liberality was held the best armour for a
wise man to wear. The coming of the rich man is awaited
with joy by maidens gleaming in fine garments ; the abode
of the liberal man is a lake of enjoyment spread with lotus
leaves. The brdhman, or maker of the prayer, became, as
time rolled on and the sacrifices to the gods more frequent,
complicated, and relied on, of greater importance. The
" purohita," or domestic chaplain, swayed the policy of the
tribe and ruled the king's thoughts. The purohita was
elected from among the ranks of the poet-priests ^ or
Brahmans, who knew or had composed hymns honoured
as of special merit or potency. In course of time, as the
ritual developed, other sacrificing priests were appointed to
chant the hymns, perform the sacrifice, or assist in various
subsidiary duties.
The Brahmanas or Brahmans, sons or descendants of the
early poet-priests, were trained to hold in their family the
general supervision over the entire sacrificial system.
Changes such as these came not until the Aryans had
advanced far into India, and found time, leisure, and
opportunity to develop the primitive system of worship of
their deities by mystic prayers.
In the early hymns of the " Rig Veda" the Aryans are,
' R.V., 10, 107, 2.
^ Amritatwam.
3 For the plea raised by the Atharvan priest that from amongst them the
Brahman should be chosen, see S.B.E., vol. xlii. p. Ixv.
28 LITERARY HISTORY OF INDIA
for the most part, pastoral tribes. These tribes are often
referred to as five in number,^ references that, however, can
hardly be taken to denote any special division of the
people, since the word " five " ^ is often used to express any
indefinite number. Although the pastoral habits of the
tribes are often described — horses, kine, sheep and ewes *
being frequently mentioned — yet agriculture was common.
Wheat and barley were sown and reaped, though, strange
to say, there is no reference to rice. Watercourses are
mentioned, and it seems as though they had been specially
constructed for the purpose of irrigation. In course of
time the Aryans allowed all direct agricultural operations
to lapse, for the greater part, into the hands of the
aboriginal darker race, becoming themselves landlords * and
co-sharers of the lands where they found a home, the
darker races being then, as the Dravidians are to-day,
skilled builders of irrigation reservoirs or " tanks," and apt
in terracing sloping land for cultivation. In the Veda the
plough and ploughshare are addressed as objects of Divine
worship. One hymn * is addressed to a deity, vaguely
personified as the lord who presides over the fields, he
being prayed to direct the plough straight in the furrow, or
"stta," to keep the land sweet, so that the husbandman
may cheerfully drive the oxen with his goad.
Trade was carried on by barter, and although the medium
of exchange was the cow, gold pieces are referred to, as are
also usurers, yet there was no recognised system of coinage.
' Muir, Original Sanskrit Texts (3rd ed.), vol. i. p. 177.
" Hid., p. 179.
' R.V., X. 91, 14: — "Horses, bulls, oxen and barren cows offered for sacri-
fice," also (x. 89, 14), " a place of slaughter mentioned " (Muir, vol. v. p. 463).
* Baden-Powell, " Ind. Vill. Com.," p. 89 :— " Whatever customs regarding
lajid are of Aryan origin, they are the customs of a conquering race, or at least
of a race which took the superior position in everything. The tenures that
arose from their State arrangements, and their locations of Chiefe, were all
essentially overlord, or at least landlord tenures."
" R.V., iv. 57.
THE EARLY BARDS 29
Weaving and working in leather were well-known, garments
being made from the wool of sheep.^ Women are described
as well adorned, as wearing jewels, having their hair braided,
and well-oiled. The white-robed tribe of the Tritsus adorn
their hair in special coils, as do also the deities, Rudra
and Pushan.
The raging storm-deities ^ are described as having gold
breastplates and anklets, and as wearing gold crowns, while
their white horses* are depicted as caparisoned with gold
chains and trappings.
Like unto a barber shaving a beard,* so fire is said to
clear the stubble from the earth, while the pious pray that
they may be sharpened even as a razor, or pair of scissors
is sharpened by a barber.
It is doubtful if the early Aryans ever knew of the ocean.
The seas of water they mention may have referred to the
wide-stretching Indus. Ships, however, are frequently
referred to, and one oft-quoted incident records how
Tugra abandoned in the midst of the waters his son
Bhujyu, who was rescued by the Aivins in a ship with a
hundred oars.®
From the earliest Vedic Hymns, making all allowances
for poetic exaggeration, a picture of social life is seen, far
removed from primitive simplicity. The Aryans, in fact,
emerge on the horizon of Indian history as entering through
the North-west Passes, in well-organised tribes, holding
their popular assemblies, led by renowned chieftains or
kings, honouring their bards and priests, free from social
distinction, and possessing many of the arts and refinements
of civilisation. Even physicians ® are mentioned, who collect
herbs for the curing of diseases, magic spells being recited
when the herbs were applied to the patient.''
1 See Muir, O.S.T., pp. 462/: < Bid., viii. 4, 16; x. 142, 4.
=1 R.V., V. 54, II. ^ Muir, vol. v. 245, 465.
» Ibid., V. 54, II ; iv. 2, 8 ; iv. 37, 4. « R.V., x. 97, 6.
' Ibid., X. 97, 19.
30 LITERARY HISTORY OF INDIA
To the A^vins laud is given, for that when, in the
time of battle, a leg was severed like a wild bird's pinion,
" Straight ye gave Vispala a leg of iron that she might move what
time the conflict opened."*
Stranger still, the ASvins restore the eyesight of one
blinded for his evil deeds.
Other traits, however, both social and religious, are to be
found, recalling faint reminiscences from a distant past
The aged ^ were left forlorn and deserted, and their property
divided, a custom not far removed from that of the ancient
Germans, where the useless father, when over sixty, was
either killed or turned to menial work by his son, who took
possession of his property ; or from that of the Romans
who threw the aged into the Tiber.^ The position of woman
had in many respects improved from that of the Indo-
Germanic period, when she was treated as a chattel, the
absolute property of her lord and master. Possibly the
many hardships encountered during the long march of the
Aryans towards India, the losses and opposition met with
from opposing tribes, may have given woman time and
opportunity to work out her own individuality, whilst her
lessened numbers must have gained fpr her a consideration
she would not otherwise have received. The further fact
that the conquered were made slaves,* must have given
the women of the Aryan tribes a dominant position,
independent of household drudgery, the full benefit of
which they naturally would not be slow to avail them-
selves.
' R.V., i. n6, 15.
^ Ibid., viii. 51, 2; Zimmer, "Alt. Ind. Leben.," 327; R.V., L 70, 5 :
" Parting as 'twere an aged fether's wealth."
3 Kaegi (note 50), p. 112 ; Zimmer, "Alt. Ind. Leben.," pp. 326-32S.
*For women being made slaves, viii. 46, 33; ix. 67, 10, 11. For whole
subject of slavery in India, see Article by W. Lee Warner, "Jour. Soc Arts,"
February 1897.
THE EARLY BARDS 31
Polygamy was, no doubt, common in Vedic times,
yet the general custom seems to have favoured mono-
gamy, either from necessity or from the growth of a
refined sentiment.
The woman who was handsome is recorded to have been
allowed to choose her own friend or lover ; ^ and the hymn
which records the custom, states, with dry humour, that no
one would object to a man carrying off the blind daughter
of another.
There is no evidence to show that women were in these
early times curtailed of their freedom or confined to the
solitude of their own homes, as is the custom now in India
among the respectable Hindu families, a custom primarily
due to the fear of insult from foreign conquerors. In one
Vedic hymn ^ the story is told of the wrath of the wife of
Indra, whose path was obstructed by an offending demon.
The goddess rails that, great as were her swelling charms,
great as her joy in Indra's love, the demon had checked
her course, although she urges that it was the custom for
women to go openly to the festival, and to the place of
sacrifice.
Again the Dawn is depicted as coming forth, as women
throng to a festal meeting, while in many cases it was the
custom for husband and wife to perform the necessary
sacrifices together. Not only was this so, but one hymn
to Agni * is ascribed to a poetess Vi^vavara, in which she
prays the deity to maintain the well-knit bonds of wife
and husband.
More suggestive of the true position held by woman in
this early period are the verses * recited at the wedding of
Soma and Surya, the Moon and Sun, an idealised type of
all earthly ones. For the bride and bridegroom fortune,
prosperity, and sons are besought; for the bride it is
1 R.V., X. 27, 12. 2 Ibid., X. 86.
Ibid. V. 28. */6id,x. 85.
32 LITERARY HISTORY OF INDIA
prayed that she may rule over her household and bear
affection to her husband. The assembled people are
prayed to bid the bride good fortune, and as the bride-
groom takes her by the hand, he declares that the gods
have appointed her head of his household, to share his joys,
to twine her arms around him, and love him fitly, so that
they both may reach old age together. At the threshold
of her new home the bride is bidden to enter, and bring
down a blessing on all who dwell there, so that the home
may grow full of happiness, full of joy and mirth, full of
sons and grandsons.
In some respects the life in these archaic times seems to
have been not far different from that to be seen in many
parts of India to-day. One hymn^ tells of the vintner's
house, and of the wine-skins kept within. The Aryans
then ate flesh and drank deep.^ The intoxicating juice
of the Soma plant was poured out at the sacrifice until it
came to be worshipped as a loved deity. The Indo-Aryans,
wandering in search of new homes and gods, may well
have cried out in the words of the Persian poet:* —
" Yesterday this Day's madness did prepare
To-morrow's Silence, Triumph, or Despair,
Drink ! for you know not whence you come, nor why,
Drink ! for you know not why you go, nor where."
Drinking, fighting, and living free, despising the darker
skinned aborigines, the Vedic Aryans, except for their
belief in their gods and sacrifices, stand out as a race in
many points akin to the Greeks of Homeric days. No
gloomy speculations are to be found over the mystery
of the soul and terrors of an hereafter. To the Aryan,
' R.V., i. 191, 10.
^ Ibid., viii. 58, 11, refers to all the gods as being intoxicated. "Ait.
Brah.," v. ii, states that at the mid-day libation the gods are totally drunk.
' Omar Khayyam.
THE EARLY BARDS 33
Nature was instinct with joy, while love was bold and
untamed.
Gambling in ancient, as in modern, India, was a favourite
vice. One despairing gambler pours forth his lament in
terms which, in spite of their archaic setting, might well
find an echo in many a modern Rajput household. He
bemoans^ how, though his wife had never shamed him,
had never blamed him, had never turned away from him
or from his friends, but had been ever gentle, yet for one
throw of the dice he had for ever turned his face from her.
He then continues : ^ " My mother-in-law detests me, my
wife rejects me, I cannot discover what is the enjoyment of
the gambler. Others pay court to the wife of the man
whose wealth is coveted by the impetuous dice. Yet as
soon as the brown dice when they are thrown make a
sound, I hasten to their rendezvous like a woman to her
paramour. Hooking, piercing, deceitful, vexatious, delight-
ing to torment, the dice dispense transient gifts, and again
ruin the winners. They appear to the gambler covered
with honey. They roll downward, they bound upward,
having no hands, they overcome him who has. The
destitute wife of the gambler is distressed, and so, too, is
the mother of a son who goes she knows not whither. It
vexes the gambler to see his own wife, and then to observe
the wives and happy homes of others. In the morning he
yokes the brown horses (the dice) ; by the time when
the fire goes out he has sunk into a degraded wretch.
Never play with dice, practise husbandry ; rejoice in thy
property, esteeming it sufficient."
There is no doubt evidence,^ for those who care to pursue
the subject, that women's vows were as frail in ancient
1 R.V., X. 34.
" Muir, V. 426-7.
' Pischel and Geldner, " Vedische Studien." (1889-92), for evidence of exist-
ence of hetairai.
C
34 LITERARY HISTORY OF INDIA
Vedic times as they are to-day, and that monogamy, the
ideal bond of earthly union, carried in its wake some far
from submissive swains. Charms against rival wives,
charms to hold the flickering love of man or woman, are
given in the hymns of the " Atharva-veda," which evidently
goes back in its underlying basis as far as do the hymns of
the more stately "Rig Veda." Bloomfield, in his recent
translation of the Atharvan Hymns, has given a number
of these spells, some of which are said in the spells
themselves to have travelled from distant places. One of
these spells ^ is as follows : — " From folk belonging to all
kinds of people, from the Sindhu thou heist been fetched,
the very remedy for jealousy. As if a fire is burning him,
as if the forest fire bums in various directions, this jealousy
of him do thou quench, as a fire is quenched by water.''
More pleasing is the love-charm for a bride and bride-
groom, as translated by Griffith : ^ —
" Sweet are the glances of our eyes, our faces are as smooth as balm,
Within thy bosom harbour me, one spirit dwell in both of us."
Another potent charm tells how to bind the love of a
reluctant maiden : ' —
" My tongue hath honey at the tip, and sweetest honey at the root.
Thou yieldest to my wish and will, and shalt be mine and only mine.
My coming in is honey sweet, and honey sweet my going forth ;
My voice and words are sweet : I fain would be like honey in my
look.
Around thee have I girt a zone of sugar-cane to banish hate.
That thou may'st be in love with me, my darling, never to depart."
There are verses of the " Rig Veda " * which allude to the
> A.V., vii. 45 ; S.B.E., vol. xlii. p. 107.
* Ibid., vii. 36.
^ Ibid., i. 34.
* R.V., iv. 19, 9; iv. 30, 16; II, 29, I.
THE EARLY BARDS 35
sons of unwedded women, sometimes to the birth of
children in secret shame.^ The union of a widow in
"levirate" marriage ^ with her brother-in-law, for the purpose
of raising up offspring to the deceased husband, gives
evidence in itself of, at least, the non- universality of the
ancient Aryan custom of the widow being put to death
on the decease of her husband. On death the body
of the deceased was burned,* though burial was also in
vogue. In one hymn* it is prayed that both those who
are burned and those who are not burned may here-
after gain the perfect path,' and a body such as they
desire. One hymn gives the entire funeral surroundings
when the tribe brings forth its deceased kinsman to
restore him to mother earth. Round the burial-place the
friends and relatives of the deceased assemble aind
commence their wail to death.
From amid the throng the cry of the bard goes forth to
Death :—
" Go thou now far away, I speak to thee who seest not, and hearest
not, injure thou not our children nor our fighting men. These all
standing here are now divided from the dead. We look to dance and
song, we long to lengthen out our days. Let all here live a hundred
years. Between those living and him now dead we heap up stones ; let
none advance beyond them ; by this stone we now set up, let death be
kept away. Let first the women not yet widowed, those with noble
husbands go hence, weeping not, strong, adorned with jewels, let them
go first towards the house." Now let the wife of the dead man arise.
Let her go to the world of the living. Your husband's life is fled, you
are now the widow of him who grasps your hand and leads you forth.'
Take now the bow from the hand of him who lies dead. Enter, O
» Zimmer, "Alt. Ind. I^ben.," p. 324.
2 Deuteronomy, ii. 5, 5 ; R. V., x. 40, 2.
3 Oldenberg, " Rel. des Vedas," p. 570.
4 R.V., X. IS, 14.
' AsunitT.
« " Arohantu janayo yonim agre."
' " Du bist die gattin dessen geworden, derjetzt deinc Hand ergreift und dich
aufstehen macht."— Oldenberg, "Rel. des Vedas," 575 {note).
36 LITERARY HISTORY OF INDIA
lifeless one, the mother earth, the widespread earth, soft as a maiden ; in
her arms rest free from sin. Let now the earth gently close around you,
even as a mother gently wraps her infant child in soft robes. Let now
the fathers keep safe thy resting-place, and let Yama, the first mortal
who passed the portals of death, prepare for thee a new abiding-place."
It would be rash to affirm from this hymn that widow-
burning was totally unknown in Vedic times. The custom
was an old one, and survived in India down to very recent
days. In the " Atharva-veda,'' ^ it is referred to as an ancient
custom, so that it will be safer 2 to accept the conclusion that
the custom was not one belonging to the family or tribe of
the poet who composed the Vedic Hymn. The fact, too,
that the bow was taken from the hand of the deceased and
gold substituted, shows an advance on the older custom,
where the belonging? of the dead man were burned with
him,^ and may tend to support the suggestion that the
widow was similarly rescued by a special rite.
The one great perplexing question for all mankind — ^the
question as to what becomes of man after death — still
remained to perplex the Indo- Aryan mind, if haply it might
find some solution, and then hand on the weary quest as
a heritage to occupy the subtle thought and untiring efforts
of succeeding generations. Death, so far as can be learned
from the Vedic literature, was held to be the going-forth
from the living of his breath,* or of the thinking part, the
mind, which was held to reside in the heart. Yama was
the first mortal to find the after world.
Those who had done good in this world ; those who had
'A. v., xviii. 3, I.
' " Dharma purana "als uralte sitte.'" — Zimmer, "Alt. Ind. Leben.,"
pp. 329-31.
' "Nicht anders steht es mit der Wittwe — sie besteigt den Scheiter
haufen, und es bedarf eines eignen rituellen Actes vim sie von dort zur Welt
der Lebenden zuriickzufiihren, " — Oldenberg, ' ' Rel. des Vedas," p. 587.
* For this, the asu, or physical breath, see Oldenberg, p. 525 {note 2). For
the manas, the subtle body of the Sanhhya, R.V., x. 15, i. See Barth for the
ajobhagas, x, 16, 4.
THE EARLY BARDS 37
performed sacrifices, been liberal, warriors or ascetic saints,
gained the happy heaven where dwell Yama, the fathers ^
and the gods who have passed to the land similar to that
described in the Odyssey : ^
"To the plain Elysian, where light-haired Rhadamanthus doth dwell.
Where restful is life and ever with men it goeth full well."
There they met with Yama, who was guarded by two
four-eyed brindled dogs, with broad nostrils, Death's
messengers among men, though again the Dove* is men-
tioned as Death's envoy. They dwell with Yama as the
Fathers who have again gained spirit or breath,* knowing
right, and returning to earth to eat the funeral oblations, to
which they are periodically summoned. These Fathers are
prayed ^ not to injure the living. It is they,^ who, with
Soma, have stretched out the heavens and the earth, set
the stars in the firmament, and given the great light.
In this happy after-life the body of the deceased, though
not in the form it bore during life, takes part, and pines for
raiment and nourishment,^ provided for it by devout sons at
the funeral oblation. So when the deceased is cremated the
deity of the Fire is besought ^ not to consume him entirely,
not to scatter his body or skin, but to give to the
fathers, endowed with breath and clothed with a new body,
any portion that may have been injured by bird, ant, serpent
or beast of prey, fully restored.
^ "Ancestor worship and the cult of the dead have no place in the Homeric
world, and can have none." — Schrader, p. 424.
"Avia, "Odyssey," X. 561.
s R.V., X. I6S, 4-
« Ibid., X. IS, I : " Asum ye iyuh" (Muir, v. 295).
6 Ibid., iii. SS, 2.
6 Ibid., viii. 48, 13.
' Oldenberg, "Rel. des Vedas," v. p. 529. For a later idea, see "Sat.
Brah.," x. 4, 4, 4, where the deceased has human passions in Heaven. " ^at.
Brah.," xi. 2, 7, 33, good and evil deeds are weighed, and recompense given
accordingly (" Sat. Brah.," vi. 2, z, 27 ; x. 5, 4, 15).
8 R.V. X. 16, 1.
38 LITERARY HISTORY OF INDIA
The home of the dead is said to lie at the back of the
sky : 1 it is, again, a place where there is uncreated light,^ a
world wherein the sun is placed ; it is within the skj^s
deepest depths. Again, it is in the third firmament,* in the
third sky, where there is joy and delight, attainment of all
wishes, where one dwells immortal, and the fathers wander
as they will. Another verse* tells how those, who have
given rich offerings to the priests during life, go to the
highest heaven ; those who have given gifts of horses dwell
by the sun. Yet again the deceased is addressed in a hymn ^
which tells the good deeds done by those who have won
the happy shores, where a mead made from honey, or Soma,
awaits those who, by their penance,® have become invincible
and gained the light. There dwell warriors who in the
fight have given up their bodies, and those who have on
earth upheld the right.
Heaven, a happy hereafter, was all that was looked
forward to by these Vedic Aryans. Throughout the
hymns there is no weariness of life, no pessimism. The
day's work had to be done, a new home won with sword
in hand, and there were friendly gods to cheer on the
warriors. The time had yet to come, as come it does to
all, when the sword is laid aside, and man shudders at
the thought that in the fight for advance and progress he
must take his weaker brother's life, and blast all the ideals
which set peace and goodwill to all men as the prototype
of heavenly mercy.
As to the future of the evil-doer and the sinful, there is
' R.V., i. 125, 5.
^ Ibid., X. 14, 7.
' R.V. , ix. 113,9: "In the third sphere of inmost heaven, where lucid
worlds are full of light " (Griffith).
* Ibid., X. 107, 2.
" Ibid., XV. 4.
' Tapasa, " durch askese " (Oldenberg, 534). "Through religious abstrac-
tion " (Muir, O.S.T., vol. v. p. 310). " By fervour " (Griffith).
THE EARLY BARDS 39
but faint allusion. In one verse ^ Indra and Soma are
prayed to cast the wicked into the depths,^ into a darkness
profound, from which they emerge not. Again, in another
verse, it is said that a deep place * has been made for those
maidens without brothers who wander about doing evil;
for women who deceive their husbands, who are sinful,
unrighteous, and untruthful.
' R.V., vii. 104, 3.
2 "Abyss" (Muir, p. 312); "In den Kerker" (Oldenberg, p. 538).
3 R.V., iv. S, S-
CHAPTER IV.
THE TWILIGHT OF THE OLDER AND THE DAWN OF
NEWER DEITIES.
As the Aryan tribes wandered on through mountain passes,
gloomy forests, and scantily cultivated river-valleys towards
the lowland plains of India, the sacred duty of each house-
holder was to preserve bright within his homestead the
once-kindled spark of fire. In Greece, Hestia, the goddess
of the domestic hearth, had the sacred fire ever kept lighted
in the Delphic Temple. Vesta had her temple at Lavinium,
and there the sacred fire brought first from Troy by ^neas
was kept burning with pious care. To-day, in India, when
the sedate Hindu awakes to feel the cold, grey dawn creep
slowly through the early morning mists, he rises, and from
amid the ashes, carefully heaped together the night before
on the household hearth, unfolds the glowing spark, and
■ with his palm-leaf fan kindles again the friendly fire. No
defiling breath from his impure mouth is ever wafted on
the sacred friend of man. No Hindu, however low or
fallen, would dare to extinguish a burning light by pro-
fanely blowing on it as do the foreigners.
Should once the life go from the gleaming spark, and it
lie cold as man lies cold in death, then the kindling sticks of
ArunI wood are brought forth, one twirling piece is placed
40
THE OLDER AND NEWER DEITIES 41
in the bored-out hollow of the other, and twirled round
so that the skilled hand of a native soon brings again to
life the sacred flame. Here to the primitive mind, untrained
in scientific terminology, is an exact type of all birth and
re-creation. To-day everywhere may be seen, in households
and by the roadside, emblems outwardly phallic in their
form, yet symbolic of the wooden implements whereby a
new birth takes place, whereby something is produced
which is endowed with a vital life. The new-born fire
has a will, a potency of its own, as much as has man. It
is animated by a soul, it breathes, it goes free, rejoicing,
laughing, crackling ; it is a friend in the household, a friend
as it rushes through the undergrowth, drives the foe from
his hiding-places, and burns down his strongholds. It is
a god resembling, more or less, in the thoughts of the
perplexed observer, something which must be human,
endowed with human powers and attributes, the assistance
of which must be courted, the great power of which must
be won as an aid to the conquering Aryans. So all the
phenomena of Nature become more or less vaguely per-
sonified in one form or another, and prayers, charms, and
incantations are composed and sung to sway these deities,
to make them more propitious and extend their aid to
their worshippers.
In times of danger from increasing foes, in times of
victory or public rejoicing, in times of drought, in times
when the storms burst forth, the thunder rolls, and the
terror-striking lightning gleams along the clouds, bursts
through the heavens, and sends its thunderbolts to tear
with heavy crash the sobbing earth asunder, then the people
turn to their gods, and the tribal sacrifice is made. Those of
the tribe on whom the gift of music and of song have fallen
are then called forth to carry out the sacrifice, so that the
gods may be drawn near.
In Vedic sacrificial times, an open space, or large thatched
42 LITERARY HISTORY OF INDIA
hall was first prepared. There the sacrificial altar was set
up, and the posts, to which the sacrificial victims were
bound, adorned. Priests^ move busy to and fro amid
the scene. Seven officiating priests ^ are named. The duty
of the Brahman, who in later ritual becomes the chief over-
seeing priest of the entire sacrifice, is referred to as that of
kindling * the fire, and the recital of the hymns to Indra.*
Three fires were the number to be prepared within the
sacrificial hall. The first represented the household fire,
always lighted from fire obtained by drilling one piece of
hard Aruni wood into another. It was the fire before
which, in the private sacrifices, each householder recited
such Vedic Hymns as were held in his family to have
special potency to summon the deities, to whom chiefly the
intoxicating Soma juice was offered, so that it might please
and exhilarate them as it did man. The second, known
as the " Southern Fire," stood to the eastward ; it was kindled
from the household fire. From the South were held to
come unclean spirits, malignant influences, and the spirits
of the departed ; these the " Southern Fire " was supposed
to ward off from the sacrifice held sacred to the gods alone.
The third fire stood yet further to the East It was the
chief fire of the ceremony.
First used and kept ready to destroy all of the offering
not consumed by the gods, it came to be the place whence
amid the flames and incense, nourishment was wafted
towards the heavens and eager deities. Near at hand were
placed seats of sacred grass, on which the gods were prayed
to be seated, and partake of the offering. One strange
relic of bygone days was the offering of human blood.
' R.V. i. 162, 5 (Griffith), for sixteen priests.
= The "Hotir," "Potdr," " Neshtar,""Agntdh," "Pra&star," " Adhvaryu,"
and "Brahman" {see x. 91, 10; Haug, p. 12 ; "Ait. Brah.").
3 R.V., X. 52, 2.
* Oldenberg, p. 396, holds him to be the Brahmanacchamsin. Wise sons
of Brahmans are mentioned in eight hymns.
THE OLDER AND NEWER DEITIES 43
Only this year the natives fled from Bombay in thousands,
not for fear of the plague, but because the whisper had
gone forth ^ that their foreign rulers had prepared a holo-
caust of human victims, to appease the divinity of the
Queen-Empress, whose statue in Bombay had been insulted.
Among the Khonds of the wild hill-tracts of Ganjam, human
victims, purchased from the lowland traders, were until
lately sacrificed, and their blood and flesh given to the
earth to ensure its fertility, and increase the redness of the
turmeric by its magical and physical influence.^
In the Vedic Hymn the story is told of how the youth
Sunashepa was bound as a victim to the sacrificial post,
and by his supplications to the gods released from his fate.
In another hymn * the order of procession, when a horse
is led forward to be sacrificed, is detailed. The horse itself
goes first, then follows a cart, then a human being {rnartyd)
succeeded by cows and troops of maidens.
In the more refined Vedic Hymns there are few traces
to be found of human sacrifice, the commonest form of all
savage rites. In later days, when the details of the fully
developed sacrificial system were set forth in the prolix
and wearisome prose manuals,* it is declared that in the
beginning the sacrifice most acceptable to the gods was
man. The text then goes on to tell how, for the man a
horse was substituted, then an ox, then a sheep, then a
goat, until at length it was found that the gods were most
pleased with offerings of rice and barley. Here in the
' The evidence for this is founded on indisputable authority, and was referred
to by Lord Reay in the course of remarks on Surgeon-Captain Burton Brown's
Paper at the Royal Asiatic Society, on the " Ruins of Dimapur " (March 1897).
" See Fra/;er, J.G., " Golden Bough," vol. i. pp. 384-390.
3 R.V., i. 163, 8; Macdonell, J.R.A.S. (1895), p. 960. See Oldenberg,
" Rel. des Vedas," p. 365 : — " Was sonst fiir die Existenz vedischer Men-
schenopfer angefuhrt wird, scheint mir nicht jeden Zweifel auszuschliessen."
Barth, "Rel. of India," p. 35, for the offerings of melted butter, curdled
milk, rice, soups, and cakes, and Soma mixed with water or milk.
4"Sat. Brab.,"xii. 3, 5.
44 LITERARY HISTORY OF INDIA
ancient manual, is clearly set forth the gradual passing of
mankind through the early stages of primitive culture.
First, they start as wild and savage hunters, then turn
to pasturage, tending horses to be used for food and milk,
then to taming the wilder animals, and at last settle down
to agriculture, from which laborious mode of life — the most
laborious of all save mining — they gained those habits of
perseverance and patient industry which led them onwards
to the invention of mechanical appliances.
One other great offering to the deities was the intoxicating
Soma juice, squeezed from the succulent stems of a plant
now unknown in India. This offering of the Soma juice
became in time the type of all true sacrifices.^
From the Vedic Hymns may be imagined the hall or
open space strewn with grass ; the sacrificial stakes well
decorated ; the trembling animals led near ; the altars
built and prepared ; the three fires flaming upwards. The
Soma plants are standing ready in a cart, to which are
harnessed two goats ; the officiating attendants prepare the
straining presses and goat-hair strainer, through which the
juice drops down like glistening rain ; the sacrificing priest
waits ecstatic, he is already in communion with the gods,
he is indeed a god himself The Vedic Hymns are being
murmured or chanted, every accent, stress, and intonation
carefully marked, for the least mistake would vitiate the
whole ceremony, and bring danger to all present.
The gods are invited to take their places, eat of the
viands or drink the Soma juice, yet nowhere can the forms
of gods be seen. There are no idols present, the time was
yet to come when the sacrificial post, well-carved and
ornamented, would be brought within a temple as the idol
or form of the god, to be honoured, fed with offerings and
worshipped. Who then are the gods invoked by these
early Aryans at the domestic altar, or before the triple
' Stevenson's " Preface to the ' Sama Veda,' " p. vii.
THE OLDER AND NEWER DEITIES 45
fires ? Each god has his defined rank, each has his allotted
ritual. In the mind of the Vedic priest there was no hazi-
ness as to the god he adored.^ Yet the gods all move
to and fro, so far as the hymns depict them, in nebulous
anthropomorphic forms. The singer, as he recites the praise
of each god in turn, lauds and exaggerates the attributes
of the deity he carries for the moment before him in his
imagination. The deity at its highest is some personified
phenomenon of Nature. It is addressed as if it were man-
like, endowed with human will and potency, yet in the
mystic utterances of the poet, it never assumes the objective
reality, with which it would have been endowed by a
Semitic or Greek dramatic genius.
So indistinct is the delineation of the gods, as fashioned
by the Vedic poet, that Professor Max Miiller,^ with all
his vivid imagination, has but been able to trace the
shadowy forms of various gods, each rising in turn to be
supreme and highest god.
First of all the gods is Fire, or " Agni." He is the great
loved god of the Aryans, to whom the opening hymn of the
Vedas is addressed as the deity praised by new poets as
well as by old. Yet though Agni is father of all the gods,
he is but a younger deity ,^ for originally Fire merely con-
sumed the offerings left from the repast of the other gods ;
so he is son * to all the other gods, and had no part in the
drinking of the Soma juice. Thrice born was Agni.
From the heavens he fell to earth as lightning, on earth he
is produced by the rubbing of the firesticks, in the water ^
also he finds his birth as lightning in the clouds, or as
sprung from the wood which holds water as its essence.^
' Oldenberg, "Rel. des Vedas," p. loi (note i).
» Max MuUer, " India : What Can it Teach Us," p. 147.
' Oldenberg, p. 104.
* Muir, vol. V. p. 221 ; Oldenberg, p. 44; R.V., vii. i ; iii. 13, 4.
" Oldenberg, p. 1 08.
* Ibid., p. 114.
46 LITERARY HISTORY OF INDIA
He finds his place in the three sacrificial fires,* and at the
domestic hearth he is worshipped three times a day by all
Hindus. Strong when born^ he never ages, he never
sleeps,' he is ever beautiful, he has ruddy limbs, yet he is
not to be touched * for his locks are flames.' He is the
guest in every dwelling ; * he is the bearer of messages ; his
ears are ever listening, he carries the sacrificial food to the
gods. He is the charioteer of the worshipper. As he goes
on his way, rich in splendour, and adorned with gold and
glittering ornaments, he carries his banner of smoke and
his flames of war, " like the roaring waves of the Sindhu." "^
His black trail is to be seen in the brushwood ; he is never
tired and ever greedy ; when the butter is poured over him
his back shines like that of an anointed youth who runs a
race.* His jaws are fiery, his strength is as that of a bull,
he breaks down the stronghold of the Dasa foe.® To win
his aid " wise men fashion forth spells," i" for " he upholds
the sky by his efficacious spells." To him " three hundred
gods, and three thousand and thirty more did honour." '^
As the poet composes his best song he prays : " May this
well-composed prayer, O Agni, be more welcome than a
badly composed one." *^ It is Agni who protects the man who
speaks the right and the truth.^ To Agni the sinner prays : —
"Whatever sin, O youngest god, we have committed against thee
in thoughtlessness, men as we are make thou us sinless before Aditi ;
release us from guilt on all sides, O Agni." "
1R.V., V. 3, I. •^Ibid.,iv.J,io. » /i5ai , i. 143, 3.
♦ R.V., ii. 10, 5. = Ibid., i. 141, 8.
» Ibid., V. 4, 5. "As dear house friend, guest welcome in the dwelling"
(Griffith).
' Ibid., V. 44, 12 (tr. Oldenberg, p. 38).
' See Pischel, " Vedische Studien.," vol. i. p. 151.
9 R.V., iii. 12, 6.
" Ibid., i. 67, 4.
" Ibid., iii. 9, 9; x. 52, 6.
^'- Oldenberg, S.B.E., vol. xlvi. p. 142.
" "Rita," S.JB.E., vol. xlvl. p. 316; R.V., iv. 2.
" R.V., iv. 12, 4 {,lr. Oldenberg, S.B.E., vol. xlvi.).
THE OLDER AND NEWER DEITIES 4;
Agni is four-eyed ; he watches his worshippers on all
sides ;i he accepts the praise of the poor; to him the
prayer goes up : —
" Have mercy upon us ; thou art great." ^
And again —
" Forgive, O Agni, this our fault, look graciously on the way which
we have wandered from afar." ^
He is prayed to carry the sacrifice to the gods, " for when-
ever we sacrifice constantly to this or to that god, to thee alone
the sacrificial food is offered." * He flames forth against all
those who are wicked, and against all sorcerers.^ He drives
away sickness, and ever stays near his worshippers as a
father stays near to a son ; and he is chief of all the
clans.
He is the god, indistinct, and clothed in all the subjec-
tive mysticism of his worshippers, who is prayed to come
to the sacrifice, and take his place on the sacred grass
among the gods as Hotar, Priest and Purohit, and giver of
treasure.
Such are the Vedic gods of whom it may be said, in the
chastened language of Andrew Lang : ^ " The lights of
ritualistic dogma, and of pantheistic and mystic and poetic
emotion, fall in turn like the changeful hues of sunset, on
figures as melting and shifting as the clouds of sunset."
In such forms the gods everywhere crowd through the
three regions and hover round the altars. Some, abstract
conceptions,^ such as Wrath, Faith, Speed, and Abund-
ance ; others, the personifications of active agencies,
iR.V.,i. 31, 13.
'^ Oldenberg, i. 36, 12 ; S.B.E., vol. xlv. I.
» R.V., i. 31, 16; S.B.E., vol. xlvi.
*• Oldenberg, i. 26, 6 ; S.B.E., vol. xlvi.
6 R.V., i. 12, 5 ; S.B.E., vol. xlvi.
* "Myth. Ritual and Religion," vol. i. p. 161.
■< Macdonell, J.R.A.S. (1895). P- 948.
48 LITERARY HISTORY OF INDIA
as Tvashtar, the lord ^ who forms all things, who fashions
the sun in the heavens and the child in the mother ; Pushan,
the Guide, who shows the path of death to the sacrificer ; and
Savitar,^ the Quickener or Inspirer, who with his raised arms
holds forth his blessing and giveth hope to all. Brihaspati
or Brahmanaspati,the lord of the Brahman, or "prayer," takes
shape and form as does Prajapati, the lord of all creatures,
for " the image of the Creator floats hazily among others in
the great, grey, shapeless mist which surrounds the world of
creation." *
As the imagination strives to pierce through the mists,
and form out one by one the Vedic gods, a figure glides
gently out from amid the rest, rising, clothed in garments
of purest light, as the loved maiden-goddess, the gleaming
bride, the Dawn. As she draws near, the youth with
ruddy limbs and locks of flame, grows pale and fades away,
while the dark Night rises to make place for her loved sister,
the glowing ever-welcome light, the first-bom daughter of
the Sky. Seated on her car she cometh ; ruddy horses
speed her over the land of her worshippers. At her
coming the birds fly up from their nests, and man rises
from sleep to gaze in solemn wonder at the fair goddess
who steals forth as a dancer, never resting, her breasts
bared, her garments adorned, for he remembereth how —
" All those who watched for thee of old
Are gone, and now 'tis we who gaze
On thy approach ; in future days
Shall other men thy beams behold."
With the Dawn rise two horsemen, the A§vins, her twin
brothers or husbands,* sons of Dyaus. They are ever
inseparable, like to the Dioscuri, sons of Zeus, who in
^ Wallis, " Cosmology of the Veda," p. 9.
2 Macdonell, J.R.A.S. (1895), p. 951 ; R.V., i. 93, 7.
» Oldenberg, "Buddha," p. 22.
« Hopkins, " Rel. of India," p. 80.
THE OLDER AND NEWER DEITIES 49
Attica freed their sister Helena from Theseus. They yet
dwell ever apart ; they are wonder-workers.i of " golden
brilliancy." Swift as young falcons, wearing lotus garlands,
their chariot is triple-wheeled and threefold in its parts,
with golden reins and drawn by swift-flying birds.* The
Asvins are the physicians of the gods, bringing health to
all : they are the friends of all lovers.* Yet so indistinctly
do they loom in their forms and attributes, that they have
been held to be the morning and evening star,* and yet
again the blending light and darkness of morning dawn, or
else the Heaven and Earth, the Sun and Moon, or Day and
Night.5
Before Surya, the Sun-god, who supports the sky even
as truth supports or upholds the earth, who springs from
Aurora, his mother,^ and speeds forth on his chariot, drawn
by seven swift steeds, the Dawn fades away : —
" But closely by the amorous Sun,
Pursued and vanquished in the race,
Thou soon art locked in his embrace,
And with him blendest into one." '
It is as Savitar, the Quickener, the Inspirer,^ that the Sun
" stands forth as the golden deity, yellow-haired, surrounded
by a golden lustre,' and with upraised arms holds forth
blessings and hope to his worshippers." As he arises the
chant bursts forth : —
' R.V., viii. 5.
' Muir, vol. V. p. 241.
' Ibid.
* Oldenberg, "Rel. des Vedas," p. 213.
« Macdonell, J.R.A.S. (1895), p. 953, et seq.; Muir, vol. v, p. 234.
' R.V., iii. 61, 4 ; vii. 63, 3 ; Hopkins, " Rel. of India," p. 42.
' Muir, vol. v. p. 196.
8 Macdonell, J.R.A.S. (189S), p. 951.
» Muir, vol. V. pp. 162, 163.
D
so LITERARY HISTORY OF INDIA
" Uprisen is Savitar, this god to quicken, Priest who neglects not
this most constant duty.
To the gods, verily, he gives rich treasure, and blesses him who calls
them to the banquet.
Having gone up on high, the God, broad-handed, spreads his arms
widely forth that all may mark him.
Even the waters bend them to his service ; even this wind rests in the
circling regions." '
In later mythology the solar deity emerges from the
brotherhood of all the Vedic gods as Vishnu, the preserv-
ing god of the world, who moves in three steps over the
universe,^ bearing in his hand as symbol of his origin the
solar disc, and having by his side the heavenly bird,
Garuda.
So Rudra, the bearer of the thunderbolt and father of the
" Maruts " or Storm-gods, arising clear from the seething flux
of changing thought, lives to-day in Indian worship as the
dread god, Siva, the " Auspicious," * the potential Destroyer
of the Universe. In Vedic times he was the demon bred in
forests and in mountains, bearer of his dreaded message of
fever and disease.*
From around the altars of the Vedic Aryans older deities
pass away and are forgotten ; for them hymns are no more
fashioned. Newer deities inspire the poets' praise as
fulfilling new functions in the course of the people's chang-
ing life. Dyaus, the Sky, the Father of the Silent Heavens,
and Mother Earth herself early vanish from the scene. So
also Trita sinks to rest, while the great encompassing Sky,
» Griffith, R.V., ii. 38 ; i. 2.
2 Macdonell, J.R.A.S. (1895), pp. 170, et sef. Oldenbeig ("Rel. des
Vedas," p. 228) holds Vishnu to be the vast wideness of space, and names
him the "Wanderer." Macdonell (J.R.A.S., 1895) holds his three steps to
be in air and earth, and the last leading to his dwelling-place in Heaven.
» Hid., p. 957.
* Oldenberg, " Rel. des Vedas," p. 223 :— " Auf Berge und Wilder sowie
seine schadliche krankheitbringende Macht begiUndet zu sein. "
THE OLDER AND NEWER DEITIES 51
the ancient Varuna/ the Avestan Ahura Mazda, gives place
as a popular deity to Indra, as the Sun-god Mitra, the
Avestan Mithra, does to Savitar. Even the hymns to the
Dawn pale before those to Agni and Soma when fire
became the symbol of sacerdotal power, and Soma the
personified deity of the intoxicating beverage from whence
the seers derived their inspiration.
Yet Varuna was the deity who rose nearest to the heights
of monotheistic greatness as sole ruler of the universe. It
was he who by his magic measured out the earth with the
sun, and he was the god who saw into the hearts of all,
knowing the guilty as they came trembling before him to
confess their guilt : —
" If we have sinned against the man who loves us, have ever wronged
a brother, friend or comrade, the neighbour ever with us, or
a stranger
O Varuna, remove from us the trespass. If we as gamesters cheat at
play, have cheated, done wrong unwittingly or sinned of purpose
Cast all these sins away like loosened fetters, and Varuna, let us be
thine own beloved." ^
The poet prays to Varuna to forgive man for the laws
broken day by day. He seeks to bind the deity with a new
song, as he wails sadly in soft, pleading tones, the full sense
of which lies only in the sound of the Sanskrit : —
" Para hi me vimanyavah patanti vasya ishtaye.
Vayo no vasantir upa.''
No translation can give the full throb which beats
throughout the lines. Like all the rest of the Vedic Hymns
' Hopkins, "Rel. of India,'' pp. 71, 72. The equation Varuna (Oupavos)
is not accepted by Oldenberg; but see Macdonell, J.R.A.S. (1894), p. 528;
also Grundriss, d. I. -A. Philologie u. Altertumskunde, "Vedic Mythology,"
A. A. Macdonell (1897) : — "The equation, though presenting phonetic diffi-
culties, seems possible ; " also Earth, " Rel, of India," p. 17.
2 Griffith, R.V., v. 85, 7, 8.
52 LITERARY HISTORY OF INDIA
the meaning alone can be given : — " Yet my wearied mind
turns only to thoughts of gaining wealth, even as a bird
flies to its resting-place." But the beauty and spirit
of the Vedic Hymns can only be known or judged
when heard recited in the land of their birth. The
poet having in the above lines attuned the sound of his
verses to the lament of his soul over its own impotent
strivings to reach the ideals he had ever set before him,
again bursts forth in a triumphant peal of ringing melody,
skilfully designed to echo forth the glory of the god on
whom all efforts of man depend : —
" Kada Kshatra sriyam narrama Varunam Karamahe,
Mrillkaya urucakshasam."
(" When shall we turn him the Lord of Strength, the Hero,
the Beholder of All, the god Varuna.")
Or as the same idea is expressed later on in the trans-
lations, so often here chosen for the fidelity with which they
express the sense of the original : —
" Thou, O wise god, art Lord of all, thou art the king of earth
and heaven :
Hear, as thou goest on thy way." *
The great heroic deity of the conquering Aryans was not
the passive Varuna, the judge of good and evil, the god who,
with his gentler attributes toned down by philosophic refine-
ments, escaped the vulgar gaze ; it was Indra, the god of
battle and of storm, the Soma-drinking boon-companion of
rough-and-ready warriors. Indra rose to power when the
Dasyu foes had to be driven from their stronghold, when
the Aryans settled in the lowland plain, and prayed for the
Thunde;rer to sound throughout the heavens, and bring the
rain-clouds near. When the lands were parched, and the
1 Griffith, R.V., i. 25, 20.
THE OLDER AND NEWER DEITIES 53
cattle driven to the forest-clad mountains there to graze — as
they are to-day in India in all villages during the long, hot
weather, or when famine rages — the people longed to see
the coming of the rain, and watch with glad joy the herds-
men drive back again their well-fed herds. Indra was the
great deity who slew the dreaded Drought Sushma, which
held back the light and waters. In heaven and on earth.i
the combat raged. The Panis were the robber chieftains,
who held the clouds, or cows, deep hidden in the cave,
where Vala,^ the Demon of the Cave, had concealed them,
and Sarama was the messenger sent by Indra to demand
their release. As the combat rages, and the sacrificing
priests call on Indra to take his seat before the altar and
quaff the invigorating Soma juice, there grows to life no
clear figure of this great deity. If Indra be sought amid the
assembled throng of Vedic deities, the first clue to his
identity is his great thirst. How much more is typical
of Indra, as distinguished from the other gods, so that he
might be painted as a dramatic figure of life-like interest,
would be hard to say. So when Sarama gives her message
to the Panis, with doubting laughter they reply : —
" Who is he ? What does he look like, this Indra,
Whose herald you have hastened such a distance,
Let him come here, we'll strike a friendship with him,
He can become the herdsman of our cattle." '
In his hand Indra carries the flaming lightning ; he is
seated upon a golden chariot, and by his side the Storm-
gods, or " Maruts," H-de through the heavens, with all the
rush and fury of tempests. As he advances to slay Sushma
the Drought, and Ahi the Snake, and Vritra the Demon,
1 Oldenberg, " Rel. des Vedas," p. 151.
2 For connection of Paris with the Panis, etc., see Oscar Meyer, " Qusstiones
Homericse" (1867), p. 10, et seq.; also Kaegi, "Veda," p. 137.
' Kaegi, p. 42 ir. of x. 108, 3.
54 LITERARY HISTORY OF INDIA
he shines with all the beauty of the dawn, with all the
glory of the sun; he "speaks in thunder; "^ he "gleams
like the lightning " : —
" Yet not one form alone he bears,
But various shapes of glory wears,
His aspect changing at his will,
Transmuted, yet resplendent still." "
By the side of Indra hasten the Maruts, with phantom,
anthropomorphic shapes as created in the lyric effusions of
the Vedic Soma-inspired bards.
The cracking of their whips is heard as they advance to
the hall of sacrifice. The earth trembles as the roll of their
chariot wheels is heard ; they drive spotted deer, with a red
one for leader. They are slayers of demons, tall and manly
like unto giants.^ They are seven, thrice seven, and again
thrice sixty in number.* They are born from the clouds,
and Rudra was their father. They are like wild elephants
who eat up the forests, yet they are handsome like gazelles,
and the golden tyres of their chariot gleam as they glide
down to take their seats before the sacrificial altar and
drink the Soma juice. They have golden helmets on their
heads, golden daggers in their hands, golden chains on
their breasts, quivers on their shoulders and glittering
garments. To few is their birth known ; it is a secret,
possessed, perhaps, only by the wise.^ They are prayed to
grant strong sons to their worshippers, and to lead the way
across the waters towards new lands, to be won by their
conquering aid. The Soma juice they drink was the loved
drink of all the deities and of men. As its drops fall to the
ground, pressed forth from the straining pans by the gold-
1 Hopkins, "Rel. of India," p. 92.
^ Muir, " Metrical Sketch of Indra," vol. v. p. 129.
» R.V., i. 64, 2.
* Hopkins, " Rel. of India," p. 98.
" R.V., vii. 56, 2, 4 : — "Verily no one knoweth whence they sprang : they
and they only, know each other's birth " (Griffith).
THE OLDER AND NEWER DEITIES 55
adorned hands of the sacrificial priests, it fell to earth like
the glistening rain, and so was held to induce the clouds
to shed their moisture by the sympathetic magic of its
charm, just as in our later days the frame of man is
supposed to fade when his waxen image was placed before
a fire and melted away. The mystery of the Soma plant
may never be disclosed. No one knows whence it came ; ^
no one knows truly how the intoxicating juice was
fermented and prepared, although the great Soma sacri-
fices are asserted to be still occasionally performed in
India, as are other great fortnightly and four-monthly
offerings before the three sacred fires.^ As on earth the
Soma juice was poured forth, so was it in the heavens, where
the gods themselves were supposed to sacrifice. The yellow
moon, the reservoir of the dew, was held to be the source
of the heavenly Soma juice, and as such to represent the
earthly Soma.^ Yet in the Vedic Hymns this is a secret
known only to the wise, so the identification of the Soma
with the moon, alluded to in the later hymns,* can hardly be
taken to signify that the moon, and not the earthly Soma
plant, personified as a deity, was the centre of the Vedic
worship.*
Each poet as he sang the praises of his favoured deity
strove in his song to magnify its attributes. To him the
main conception of each deity was determined and defined,
yet its glory was enhanced byascribing to it universal powers,
and giving to it praises, couched in sounding words and
sentences, applied equally to it and all the other deities.
The entire worship is pervaded by a common and early
1 Max Muller, "Biographies of Words," p. 234, for a suggestion that "hops
and soma" were one and the same thing (Academy, 1885).
2 See Bhandarkar, "Ind. Ant." (1874), p. 132.
3 Hillebrandt, " Vedische Mythologie," vol. i.
< R.V., *. 8S, 3-
» Oldenberg, " Rel. des Vedas," pp. 599-612.
56 LITERARY HISTORY OF INDIA
pantheistic phase of thought. Nature in all its phenomena
was held to be endowed with soul life.
With patient strife and long pondering the poets strove to
pierce the secret of the Universe, tear from the moaning
tempests the message they bore, catch the whispered voices
that stole, as the evening fell, through the deepening still-
ness of the forest : —
'' Goddess of wild and forest who seemest to vanish from the sight,
How is it thou seekest not the village ? Art thou afraid ?
Here one is calling to the cows, another there has felled a tree.
At eve the dweller in the wood fancies that somebody hath
screamed." '
This is Nature worship ; the expression of the vague
unaided intuitions of the soul as it seeks for some solution
of that which lies beneath the reality of things. It is
expressed throughout the stately Vedic Hymns, the earliest
recorded answer of man, in rhythmic lines, which wail to us
still, with all their echoing charm of solemn and majestic
resonance.
To these poet-priests Nature had indeed manifested
herself in all her solemnity, in all her glory and beauty, so
that their voices burst forth in poetic raptures over their
new deities, and such of their old as had come to dwell
in the new-found homes, with renewed brightness and
vigour.
Old deities fade away amid the moving times ; the forms
of others become more clear, while the faint outlines of
gods, such as Rudra and Vishnu, loom but barely recog-
nisable as the prototypes of those personifications of
Destruction and Preservation, now worshipped everywhere
in Hindu India. At times, as the fervour of some singer
bursts forth in the vague raptures of his Soma-inspired
song, it seems as if the many gods were about to blend into
> Griffith, R,V., x. 146, 1-4.
THE OLDER AND NEWER DEITIES 57
the conception of one supreme god who for a time stands
forth as sole deity.
Thus one hymn tells how
" They call him Indra, Mitra, Varuna, Agni, and he is the heavenly
winged Garutman.
To what is one, the Sages give many a title, they call it Agni, Yama
Matarlsvan." *
And again when the question is asked
" What pathway leadeth to the gods ? Who knoweth this of a truth,
and who will now declare it ? " ^
The answer quickly comes back :* —
" One All is Lord of what is fixed, and moving, that walk, that flies,
this multiform creation."
Yet soon the soul's triumph dies away in the moan of
despair, as the Hymns declare that all the gods are unreal,
that the Universe must have existed before the gods, or
any of the gods arose from out the mundane darkness, that
still the weary search remains to find "kasmai devaya
havisha vidhema " (" to what god shall we now offer our
sacrifices ' ").*
So in vague and mysterious fancies ^ the thought of the
poet wandered. Hymns there are which peal with the
sound of fiercest battle-strife ; others which tell in softer
strains of the daily life of the people ; others which echo with
the triumphant note of some new-born prophet who, in his
lofty pride, declares the will of the gods and the secret of
this and the after-life.
' Griffith, R.V., i. 164, 46.
2 Ibid., iii. 54, 5 (Griffith's translation).
' Wallis, " Cosmology of the Veda," p. 51.
*Muir, R.V., X. 121, i ; vol. iv. pp. 15, 16.
s Earth, " Rel. of India," p. 28.
58 LITERARY HISTORY OF INDIA
From the Vedic Hymns of these Indo-Aiyans, proud
in their intellectual power and subduing strength over
alien foes, glorying in their conquests, standing on the
threshold of creating a philosophy which, in its metaphysical
subtleties, has seen as deep, though perhaps not so clear,
as any Western philosophies, there arises the sad wail, set
to sadder music, of the soul's lament over the defeat of
human hopes to pierce the secret of the Omniscient
and Omnipotent Cause, which existed from before all
time : —
"Then there was not Being, and Non-Being there was not; there was
not Air, nor yet beyond that Sky.
What covered all ? What held all safe ?
Where was the deep abyss of waters ?
There was not Death, and Non-Death there was not, and change
neither of Day nor Night.
One alone then breathed, calm and self-contained, naught else beyond
nor other.
Darkness first was hid in darkness, all this was one Universe
unseen.
What lay void and wrapt in darkness, that by fervour grew.
Desire then in the beginning arose, the first germ of the mind.
The bond 'twixt Non-Being and Being, as knowledge wise men find
hid in their hearts.
The Bond that knit all things, was it below or up above ?
First source of life sprang forth, and all was heaving unrest.
Who knows this ? Who can here tell whence all this issued forth ?
The gods themselves came afterwards.
Who then knows whence it all became ?
Who knows it all, if it was made or not ?
He who rules it all in the highest realms, He indeed knows, or
perchance He knows it not."
The gods were but created in mobile anthropomorphic
form out of the lyric raptures of the poet's heart None
springs to birth instinct with the same dramatic reality
with which the genius of a Hebrew prophet, a Homer, an
yEschylus or Sophocles would have endowed their fancies.
THE OLDER AND NEWER DEITIES 59
It was the mystic ecstatic song, often poured forth under
the influence of the intoxicating Soma juice, just as the
Delphic oracles were declared by the priestess " maddened
by mephitic vapours," ^ that, for weal or woe, held sway over
the imagination of the people, who deemed that the cry
went forth with power to influence even the gods themselves.
The poet-priest was held to be in actual communion with
the deity invoked. The Hymns were considered as prayers,
which not only swayed the deities and held them bound,
but compelled them, when strengthened and invigorated
by the sacrificial food, to hearken to the people's call, and
do their bidding. Without the prayer the sacrifice was in
vain.^ The prayer, the brahman (neuter) had to be intoned
with exact precision by the brahman (masc), or offerer of
the prayer ; one word wrongly pronounced or misplaced
would vitiate its whole magic influence. The prayer could
be offered by any who knew, or who composed the spell, for
though sons and descendants (brahmanas) of brahmans are
mentioned, it is not until later times that the Brahmans
became a hereditary and professional class of overseeing
priests. So words, when poured forth, either in the rhap-
sodies of a Delphic oracle ; in the wild broken accents of
a savage chieftain, who sacrifices all to emotion, that he
may raise his tribesmen's untamed instincts ; in the mystic
effusions of a Vedic seer ; or in the chastened utterances
of an absolute poet, where the forms assimilate more and
more to the " concrete and artistic expression of the human
mind in emotional and rhythmical language,"^ will ever
ensure to him who holds the divine gift of poetry and
eloquence, a certain power over the emotions and thoughts
of man.
' G. L. Dickinson, "The Greek View of Life," p. 29.
' Muir, vol. i. (1878), p. 241 ; vol. iii. pp. 128-144; R.V., x. 105, 8.
' "Encyclopaedia Britannica" {Poetry),
6o LITERARY HISTORY OF INDIA
In the Vedic Hymns themselves, Speech became
personified as the goddess Vac, who declares of her-
self: 1—
" I am the greatest of all deities.' I am the Queen, the first of all
those worthy of worship. I am she to whom the gods have
given many places, set in many homes, and sent for abroad. He
who hears and breathes, who listens to the spoken word, eats
food. They know me not, and yet live near. Let the wise man
hear. I tell that which is to be believed.
I sing myself the truth dear to gods and men.
Whom I love I make mighty, I make him a Brahman, Seer and
Wise.
I for Rudra bend the bow, so that the arrow may pierce the hater of
the hymn.
I make the people join together, I have entered both Heaven and
Earth.
I have revealed the heavens to its inmost depths, I dwell in waters
and in sea.
Over all I stand, reaching by my mystic power to the height beyond.
I also breathe out like the wind, I first of all living things.
Beyond the heavens and this earth here, I have come to this great
power."
One more hymn to Vac, or " Speech," declares that when
she was first sent forth, all that was hidden, all that was
best and highest, became disclosed through love. Through
sacrifice Speech was sought out and found, yet though
some looked, they saw her not, and though some listened,
they heard her not ; her beauty she keeps closed, as the
loving wife shows hers but to her lord alone. He wanders
about in vain delusion who knows not the flower and fruit
of Speech.
With the conscious pride and haughty tone of a nation
which has won its way to victory, these vague guesses
1 R.V., X. 125.
''In the "6at. Brah.," Vac becomes "the mother of the Vedas'' (iii.
8, 8. S)-
THE OLDER AND NEWER DEITIES 6i
swell in solemn resonance through the stately periods of
the Vedic Hymns : yet, under-lying all is no uncertain
sound of the sad wail that ever and again murmurs from
the seer's soul, declaring that man's proud answers but
mock at its yearning cry to know the invisible, the un-
bound. The true end of the struggle is found in the one
verse handed down from Vedic times, and murmured by all
orthodox Hindus of to-day, as they wake to find the reality
of the world rise up around them, and still know that
beyond the reality is that which they still yearn to know.
Like all the best of Vedic Hymns, this hymn, known as the
" Gayatrl," has its form in its sound, and therefore remains
untranslatable in words, even as does music which rouses,
soothes, and satisfies in its passing moods. It still holds its
sway over the millions who daily repeat it, as it also held
entranced the religious fervour of countless millions in the
past. The birthright of the twice-born was to hear
whispered in their ear by their spiritual preceptors this
sacred prayer of India : —
" Om.' Tat Savitur varenyam bhargo devasya dhimahi
dhiyo yo nah pracodayat." ^
Once heard in the land of its own birth, once learned
from the lips of those whose proudest boast is that they
can trace back their descent from the poets who first
caught the music which it holds in every syllable,
it rings for ever after as India's noblest tribute to the
Divine, as an acknowledgment of submissive resigna-
tion to the decrees which bid man keep his soul in
patience until the day dawns when all things shall be
revealed.
1 The syllable is a syllable of permission, for whenever we permit anything
we say, om, " yes." "Taitt. Erah.," ii. p. i.
2 Let us meditate on the to-be-longed-for light of the Inspirer ; may it
incite all our efforts.
62 LITERARY HISTORY OF INDIA
As the life of the nation is traced in its literature, it will be
found that, down to the present day, the ceaseless cry, first
heard in Vedic times, has ever since sent its echo down
through the ages, so that now it sounds as clear as it did
when first moaned sadly forth —
" To what god shall we now offer up our sacrifice?"'
^ R.V., jk. 12, I ; Muir, voL iv. pp. ii, i6.
CHAPTER V.
BRAHMANISM.
From the arid mountains and the intervening fertile
valleys lying to the north-west of India, the Aryans slowly
made their way down to the plains of India. Along the
rivers and close to the mountains they formed their settle-
ments, even as far South as Sind on the lower Indus Valley,
sometimes engaging in conflict, sometimes forming alliances
with the ruder races. In the Vedic Hymns those who
opposed the new-comers are described as demons and
goblins. It was the god, Indra, who conquered those
slaves, as they are also called, and who gave their land to
the Aryan tribes. To the Aryans, these dark, flat-nosed
aborigines were without sacrificial rites or gods ; they
were revilers and despisers of Indra, haters of brahman, or
"prayer"; they were fierce foes and cannibals.^ The colour,
or " varna " of the aborigines, their " black skins " ^ became
the sign of servitude, and Indra was prayed to drive it far
away from the sight of the fair-skinned invaders. There
are no valid grounds for holding that the dark-com-
plexioned and broad-nosed people,* whom the Aryans
1 R.V., X. 87, 2ff.
2 Muir, ii. p. 391 ; R.V., ix. 41, i ; i. 130, 8.
' Risley, " Tribes and Castes of Bengal," vol. i. (Preface), p. 32.
64 LITERARY HISTORY OF INDIA
found in possession of the river-valleys, and cultivating the
cleared lands on the forest sides, differed in essential
characteristics or in the fundamental framework of their
social relationships, from the present Dravidian races of
India.
At the present day the process whereby the rude
aborigines who inhabit the highlands of Central India, the
forest tracks above the eastern and western ghats, and the
slopes of the more important mountain ranges, gradually
receive the impress of civilisation from settlers who
immigrate from the lowland tracts ^ can be clearly traced,
and it cannot be far different from that of Vedic times.
All traces of social intercourse with the darker races have
in the Vedic Hymns been eliminated perhaps by the vanity
of the early Aryan immigrants.
In the later literature evidence is everywhere forth-
coming to show how a compromise was made between the
more advanced religious notions of the Aryans and the
more primitive cults of the earlier inhabitants.^ To
discriminate now in how far the religious practices of
modern Hinduism have been derived from the elements
introduced by the Aryan invaders, and how much is an
accretion from the savage rites of the more primitive
aborigines, would be a task leading to but slight profitable
results, except, perhaps, to the augmentation of the
reputation of the enquirer for ingenuity. Even in the
simple question as to the social position assumed by the
Aryans among the earlier inhabitants, the evidence is
equally evasive and delusive.
In North India of the present day, where the Aryan
influence is more strongly marked than in the South, those
' Hewitt, " Ruling Races of Prehistoric Times," p. 46.
2 For phallic worship, the " sisna deva " of R.V., jt. 27, 19 ; x. 99, 3 ; vii. 21,
5, see Hewitt, p. 207, and Zimmer, "Alt Ind. Lehen.," p. 116; also Muir,
vol. ii. p. 3911.
brAhmanism 65
races who approach most to the typical Aryan type are
found to be in landlord 1 possession of the villages, or to
hold the land in joint-partnership, or under a late developed
system of joint-family ownership,^ the actual cultivation
of the soil being relegated to the dark-skinned folk. In
the South of India, where the Aryan infusion is of a
relatively late date, the land remains, for the greater part, in
the hands of the Dravidian people, who themselves own it
and cultivate it, acknowledging no over-right except that
of the ruling power, to exact its share of the produce in
exchange for its protecting rule.
There are evidences that even in the Vedic times the
aborigines had attained to a considerable degree of material
civilisation.
The Sambara, a race living amid the mountains, against
whom the Aryan chieftain, Divodasa, father of the re-
nowned Tritsu king, Sudas, waged many a war, are said to
have possessed castles of stone, one hundred in number.*
Against the cities and castles of these Sambara the Aryans
advanced again and again, until Indra came to the aid of
his chosen people, and broke in pieces the iron strongholds
of the aboriginal foes with his thunderbolts.* The Hymns
tell how it was to gain the land and cows * of these foes that
the Aryans advanced with their horses and chariots, and
more striking evidence still of the wealth of the aborigines
^ The whole subject has been treated by Hewitt in Essay 11, pp. 106-131,
" Ruling Races of Prehistoric Times," where he brings a store of erudition to
evolve his theory that "village communities originated in India, and that
this communal system, together with the matriarchate form of government
instituted by their founders, was brought by the Indian cultivating races and
their allies into Europe." The main outline of this movement is stated as
follows : — " It was immigrants from the South, who, during the Neolithic Age,
introduced into Europe the agriculture they had learned in these Southern
villages, while North-Western Europe was made uninhabitable to tillers of the
soil by the rigorous climate of the Palaeolithic period" (Preface, pp. vi., vii.).
" Baden-Powell, " Ind. Vill. Com.," p. 241 : — " The joint-village is, in fact,
coterminous with the range of Aryan and later conquests. "
^ R.V., iv. 30, 20. •• Ibid., ii. 20, 8. ^ Muir, vol. ii. p. 384.
E
66 LITERARY HISTORY OF INDIA
is an account given of how they possessed treasures of gold,^
and of rich jewels.
Across the Five Rivers of the Panjab the Aryans pressed
until they reached the land to the East, . renowned ever
afterwards as Brahmavarta, and described as a land
" created by the gods, lying between the two divine rivers,
the SarasvatI and Drishadvatl."* There the Vedic Hymns
were collected together, and the entire sacrificial system
elaborated. The land of the Five Rivers was then no longer
looked to as a fit abiding-place for the Aryan race. The
later literature of the Epic period declared that "in the
region where the Five Rivers flow ... let no Aryan dwell
there even for two days. . . . There they have no Vedic
ceremony nor any sacrifice." *
The Panjab evidently saw no extensive settlement of the
Aryan tribes ; it was in the land further to the East, in
Brahmavarta and Kurukshetra, that the rise of the
Brahmans to power, and the glorification of their priestly
office can be traced. The land left behind became accursed,
the abiding-place of impure tribes, such as the Bahlkas,
" who are outcasts from righteousness, who are shut out
from the Himavat, the Ganga, the SarasvatI, the Yamuna,
and Kurukshetra, and who dwell between the Five Rivers." *
" The women who dwell there are addicted to incestuous
practices, and are without shame ; " ^ they are " drunk and
undressed, wearing garlands, and perfumed with unguents,
sing and dance in public places, and on the ramparts of
the town." ^
As the Aryans advanced further into the plain -country the
time was forgotten when they were designated, as in the
Vedic Hymns, " the five " people,'^ or people of the five tribes.
1 R.V., iu. 34, 9; Baden-Powell, "Ind. Vill. Com.," 84.
^ " Manu," ii. 17, 19. « " Mahabharata," v. 20, 63.
* " Mahabharata," viii. 202, gff. ^ Muir, vol. ii. p. 4S3.
* /iui., V. 20, 35 ; Jiid., vol. ii. p. 4S2.
' Pancajandh.
brAhmanism 67
When they passed beyond the sacred abode lying between
the SarasvatI and Drishadvatl, and reached the fertile land
along the Jumna, praised^ as the country where wealth in kine
and wealth in steed was to be gained, and thence made
their way onward to the high banks ^ of the Ganges, they
no longer preserved their ancient tribal names. The Tritsus,
loved of Vasishta, and the Bharatas to whom Visvamitra
turned in his wrath, had united as friends, and with the
third great Vedic tribe, the Purus — whose king, Kutsa, had
led the Bharatas and' allied ten tribes * in Vedic war against
Sudas, king of the Tritsus — fused together to form the great
alliance of theKurus,* who dwelt in the plains ofKurukshetra,
and who afterwards built their renowned capital at Hastina-
pura on the Ganges, sixty-five miles north-east of Delhi.
South-east of the land claimed by the Kurus,^ a second
Aryan tribe, who early in Vedic times dwelt in the valleys
of Kashmir, and was there known as the Krivi, took up
its abode, and became renowned as the Panchalas, with
its capital at Kampilya on the Ganges. Kurukshetra®
became the great place of sacrifice for the Aryans, the place
where the sacred literature was compiled and elaborated,
the place where the Brahmans consolidated their power,
established their schools of learning, and thence spread
abroad their civilising influence.
From the Brahmanic families of the 'Kuru Panchalas
trained scholars went abroad to the outlying tracts where
adventurous Aryans had made their settlements, until
gradually the whole of India fell subdued to the sacerdotal
1 R.V., V. 52, 17. 2 Ibid., vi. 45, 31.
' &« Oldenberg, " Buddha," pp. 404-5, for original identity of Tritsus and
Bharatas, and Ludwig, "Mantra Literatur," p. 175.
* For identification of these, see Hewitt, p. 115. For the allies of the
Tritsus, see Zimmer, "Alt. Ind. Leben.," p. 434 ; Hewitt, p. 114.
» Zimmer, p. 102 ; Oldenberg, "Buddha," p. 401 ; "6at. Brah.,"xiii. S, 47 ;
Eggeling, p. xli.
» Oldenberg, "Buddha," p. 395.
68 LITERARY HISTORY OF INDIA
ordinances of their priestly guides. The succeeding history of
India, as preserved in its literature, is one unending struggle
of the Brahmanic power to assert its supremacy, and to
promulgate far and wide the ordinances it laid claim to
formulate under Divine sanction. Never, since the Kuru
Panchalas first settled on the upper reaches of the Ganges
and Jumna, has the struggle ceased, and never has the
Brahman failed to take from the hands of his opposing foes
the weapons they used, and add them to his already
skilfully-arranged armoury. Against the priestly ordinances
free thought and philosophy revolted ; against the long
array of Vedic texts, on which the existence of a soul to
man and a Divine Ruler to the Universe was postulated,
the agnosticism of Buddhism strove in vain in its efforts
to win the allegiance of man, born to live in wonder and die
in hope.
The power of the Brahmans, temporal and spiritual,
remained supreme, so that Manu ^ was able to declare that,
from a Brahman born in the plain of Kurukshetra, "im-
mediately after Brahmavarta," where dwell the Kurus, the
Panchalas, the Matsyas, and the Surasenas, all men on
earth should learn their duties, for it was the ever-famed
abode of the Brahmarshis or Brahmanical sages.
, From the collection of hymns known as the " Rig
Veda," such hymns as were chanted by the Udgatar
priest at the sacrifices, where the clarified juice of the
Soma plant was offered to the deities, were collected
together into a " Sanhita," or metrical text, known as the
" Sama Veda," the verses of which were set to a tune or
melody in " Gana," or Song-books. The entire sacrificial
system, with varied explanations of the significance of each
act, were set forth in a third Veda, named the " Black
Yajur Veda," a text-book compiled for the instruction of
the Adhvaryu priests, whose duties were connected with the
^ "Manu," ii. 17, 19, 20, 21.
BRAHMANISM 69
performance of the practical details of the great Horse
and Soma sacrifices. The "Black Yajur Veda" was later
simplified and systematised in a clearer arrangement,
called the " White Yajur Veda."
All this extensive literature was not considered sufficient
for the exposition of the religious history of the Aryans,
and the elucidation of the mysteries of the sacrificial
system. To each of the Vedas were attached, by
succeeding generations of priests, long, wearisome dis-
courses, often in prose, describing in minute detail the
entire Brahmanic ritual, so far as its origin could be traced,
or its significance understood, by the sacrificers themselves,
whose minds were intent more on its practical import at
the time than on its historical purpose or development.
These treatises are known as the "Brahmanas.'' The centre
of the period during which they were composed may be
placed at somewhere not far removed from the tenth
century before our era.i
In these " Brahmanas '' it is found that not only had the
Aryans spread across the Sarasvati, and reached the banks
of the Ganges and Jumna, but that adventuring bands had
penetrated as far to the East as Oudh, Benares, and North
Behar. The Kasis had gone as an advance guard, and
made the land around Benares their own, and the Magadhas
had gone even further East. The KoSalas settled in Oudh,
and the Videhas established themselves in North Behar,
where they were destined to take a prominent position in
the history of India, though in the early period, when the
Brahmanic system was being developed in the homes of
the Kuru Panchalas to the West, they had no part in the
Vedic culture or sacrificial rites.^
During the Brahmanic period the centre of Vedic culture
* Oldenberg, " Buddha," p. i8 : — " Somewhere between the ninth and
seventh centuries before the Christian era."
2 Ibid., p. 391.
70 LITERARY HISTORY OF INDIA
lay from the divine Sarasvati beyond Kurukshetra to the
Jumna in the East. It was there that the Kuru Panchalas
and allied tribes had their homes : it was there that Vac, or
the divine " Speech," was held to be purer than elsewhere; it
was the place where the great Vaidik or 6rauta sacrifices
were performed before the three sacred fires. The full
number of these sacrifices reached to upwards of a thousand,
and some of the more important extended to long sessions
of from ten to one hundred years in length.^
According to the classification of the " Srauta Sutras," the
shorter rules formed for the preservation of the Brahmanic
teaching, the chief sacrifices fall within three chief groups,
each of seven typical sacrifices. The first seven were the
great Soma sacrifices,^ performed with three fires, at one of
which, the Vajapeya, chariot races and games ^ took place,
and the intoxicating "sura" was drunk. The next seven
sacrifices consisted of oblations of butter, milk, rice, and
meat. These were known as the Havir sacrifices. The
first was performed on the setting up of the sacred fires in
the home of a new householder. This rite lasted for two
days, and required the presence of the four priests, the
Brahman, Hotar, Adhvaryu and Agnldh. The other six
Havir sacrifices were those of daily oblation ; those on days
of full and new moon ; those in times of harvest ; four
monthly sacrifices ; animal sacrifice ; and lastly, a special
expiation for over-indulgence in drinking the Soma.
These fourteen were the types of Vaidik ceremony.
The third group of seven sacrifices consisted of rites per-
formed before the domestic hearth with oblation of cooked
food. These seven were called the Paka* sacrifices,
* "The legendary history of India knows of such sessions, which are said to
have lasted for one hundred and even for a thousand years." — Haug, "Ait,
Brah." (Introd.), 6.
^ The great type was the Agnishtoma sacrifice, which lasted five days.
3 Weber, " Ueber den Vajapeya " Sitz. ber. Berlin Acad., 1892.
* "Sankhayana Grihya Sutra," i. i, 15 ; "Gautama," viii. 15.
BRAHMANISM 71
performed in winter, on new and full moon days, at times
of the Sraddha, or funeral sacrifices, and four falling due
in specified months — ^ravana, Agrahayani, Chaitra, and
A^vina.
For all sacrifices there had first to be a sacrificer, and by
him were selected the priests to whom gifts and presents
were given. The place of sacrifice was usually a room
within a Brahman's house. For important sacrifices, such as
the Soma sacrifices, a large shed was erected in an open place,
the floor in all cases being covered with the sacred Kuia
grass, the favourite food of the black antelope. The East,
or Ahavanlya fire-place was square ; the South, or Dak-
shinagni, was spherico-triangular,i the West, or Garhapatya,
was round. The altar itself was a low wall running in a
serpentine curve from fire-place to fire-place. One direction ^
for the construction of an altar for a Havir sacrifice stated :
" Let the Altar measure a fathom across on the west side ;
they say that namely is the size of a man, and the Altar
should be of the man's size ... let him make it as long as
he thinks fit in his own mind."
A significant description is given as to the shape of the
altar in the same text : * " The altar should be broad on the
west side, contracted in the middle, and broad again on the
east side ; for thus shaped they praise a woman, broad about
the hips, somewhat narrow about the shoulders, and con-
tracted in the middle (or about the waist). Thereby he
makes it (the altar) pleasing to the gods."
A further essential feature of the altar follows imme-
diately after the above direction. " It should be sloping
towards east, for the east is the quarter of the gods ; and
also sloping towards north, for the north is the quarter of
men. To the south side he sweeps the rubbish (loose soil),
for that is the quarter of the deceased ancestors. If it (the
' Stevenson, "Sama Veda" (Introd.), viii.
" " 6at. Brah.," i. 2, 5, 14. ' Ibid., i. 2, 5, 16.
72 LITERARY HISTORY OF INDIA
altar) were sloping towards south, the sacrificer would
speedily go to yonder world."
In the case of the sacrifice of animals, besides the three
fires and altar, a sacrificial pillar, for the tying of the animal,
has to be hewn and erected, for it is directed : ^ " There are
both an animal and a sacrificial stake, for never do they
immolate an animal without a stake. And as to why this
is so — well, animals did not at first submit thereto that
they should become food, as they are now become food ;
for just as man here walks two-footed and erect, so did they
walk two-footed and erect."
The pillar was hewn with an axe, care being taken to
utter the incantation : " O axe, hurt it not." ^
As a further precaution, a blade of " darbha " grass was
placed between the axe and the tree, so that it might
receive the first blow. When the tree, out of which the
sacrificial part had to be hewn, was cut down, offerings were
made upon the stump, " lest evil spirits should arise there-
from." * The sacrificial stake was then carved eight-sided,
ornamented with a top ring, anointed and dedicated to
Vishnu.* The Adhvaryu priest then girds (the stake with
a rope of KuSa grass). Now it is to cover its nakedness
that he girds it, wherefore he girds it in this place (viz. on
a level with the sacrificial navel) for it is thus that this
(nether) garment is (slung round). He thereby puts food
into him, for it is there that the food settles ; therefore he
girds it at that place." ^ One of the chips hewn off the post
was then placed beneath the rope. In the description of the
ceremonies, as given in the " Aitareya Brahmana,"" the Hotar
priests recited the Vedic Hymn, and adored the sacrificial
post as a youth ' well robed, fastened by the sacrifice to the
' " Sat. Brah.," iii. 7, 3, l. * Ibid., iii. 6, 4, 10. ^ /^^-^^ {jj g_ ^^ , j
* IbiJ., iii. 7, I, 19. ° Ibid., iii. 7, 19.
" Haug, "Ait. Brah.," p. 77.
' R.V., iii., 8, 4-6; see Oldenberg (^?-. ), S.B.E., vol. xlvi. pp. 252, 253.
BRAHMANISM 73
earth, fashioned by the axe, as divine, as standing before
the worshippers to grant them treasures and offspring.
To the ancient Brahmanic expounders of the sacrificial
system the whole primitive significance of the sacrifice had
been lost. The protracted ceremonies are minutely
described, and laboured explanations of them are given, but
nowhere is there any clue given as to the true history of
their primitive origin. The altar itself was clearly but a
developed table, or hearth, arising out of the primitive
altar, which, as " among the northern Semites as well as
among the Arabs, was a great stone or cairn at which the
blood of the victim was shed " ^
The importance of these details of the early sacrificial
system in the history of India is self-evident. The ten-
dency would have been for an advance from the worship
of the Vedic deities to a grand conception of monotheism,
if the Aryan tribes had remained combined into united and
compact bodies, with a commonly accepted ideal of one
tribal God. The actual result was a lapse into idolatry
and unrestrained polytheism after the political forces
widened and weakened themselves by compromises with
worshippers of strange idols and fetishes. Of peculiar
significance are the words in which Jehovah directed Moses
to deliver unto the children of Israel His ordinances as to
the setting forth of the altar : —
"An altar of earth thou shalt make unto me, and shall sacrifice thereon
thy burnt-offerings, and thy peace-offerings, thy sheep and thy oxen. . . .
And if thou wilt make me an altar of stone, thou shalt not build it of
hewn stone : for if thou lift up thy tool upon it, thou hast polluted it." ^
In the Canaanite and Hebrew sanctuaries was the altar,
and also near at hand the pillar of stone, such as Jacob set
up and anointed, so that it " shall be God's house." The
altar was the place on which the sacrificial blood was
• Robertson Smith, " History of the Semites," p. 185.
^ Exodus XX. 24, 25.
74 LITERARY HISTORY OF INDIA
drained, so that its sanctity should not pass into the earth,
and the pillar on which the blood was sprinkled ''was
a visible symbol or embodiment of the presence of the
deity "^ which, in process of time, came to be fashioned
and carved in various ways, until, ultimately, it became " a
statue or anthropomorphic idol of stone, just as the sacred
tree or post was ultimately developed into an image of
wood." ^ It can be traced ^ how the pillar or post became
gradually more artistically developed, was placed in a house,
or temple, and became the idol.
According to the Brahmanic theory, the sacrifice on earth
took place merely as a counterpart of a divine sacrifice
held periodically by the gods. Prajapati, the Lord of all
Creatures, was held * to have been the first sacrificer, the
reason given for the motive which impelled him to sacrifice
being, that he " having created living beings, felt himself, as
it were, exhausted." Eleven were the sacrifices he offered,
so that " the creatures might then return to me ; the
creatures might abide with me, for my food and joy." *
In imitation of the sacrifice by Prajapati, all sacrificers
were directed to offer eleven victims. The first victim was
sacrificed to Agni, chief of all the gods, the father of the
gods, and by that sacrifice the offerer becomes reunited with
Agni. By a second sacrifice to Sarasvati, the goddess Vac,
or Speech, the sacrificer " becomes strong by speech, and
speech turns unto him, and he makes speech subject unto
himself."* By a third sacrifice to Soma, food becomes
subject ; by a fourth to Pushan cattle become subject ; by a
fifth to Brihaspati, the priesthood becomes subject ; by a
sixth to the Vi^ve Devas, or all gods, the sacrificer becomes
'Jevons, Introd. to " History of Religion," pp. 13, 178.
" Robertson Smith, " History of the Semites," p. 187.
3 Jevons, p. 135. * " Sat. Biah.," iii. 9, i, i.
= Ibid., iii. 9, 1, 2. In "Sat. Brah.," xi. 7, i, 3, flesh is called the highest
food. Raj. Mitra, " Indo- Aryans," vol. i. pp. 361-374.
' Ibid., iii. 9, I, 7.
BRAHMANISM 75
"strong by everything; everything turns to him, and he
makes everything subject to himself." By a seventh
sacrifice to Indra, the God of Warrior Might, the sacrificer
gained valour and power. By the eighth sacrifice, that to the
Maruts,! who are said to personify the clan and abundance,
abundance was made subject; by a ninth to Indra and Agni
the double energies of these gods were made subject ; by a
tenth to Savitri, the Impeller of the gods, all wishes were
made subject to the sacrificer, while by the eleventh and last
sacrifice, that to Varuna, the sacrificer freed himself " from
every noose of Varuna, from every guilt against Varuna."
So far, it can be seen that the sacrifice of an animal was
supposed to be efficacious in endowing the sacrificer with
both natural and supernatural powers, similar to those he
sacrificed to obtain. There was but a slight advance on
the primitive idea, generally found at some stage in the
history of humanity, of the sacrifice of an animal, and the
actual drinking of its blood and partaking of its flesh in
order that the sacrificer might become endowed with the
supernatural powers of the animal he thus sought to
become kin with. The phase of thought on which these
ideas are based has risen naturally from the primitive
construction of society.
Everywhere primitive man is found to hold together in
sibs, or clans, where the bond of blood relationship is the
sole security from attack or treachery. Should a stranger
seek to join the brotherhood, the blood of the adopted
kindred must be made to flow in his veins by actual
inoculation.^ This is the blood covenant, and outside its
limits there is neither friendship nor kindred. Not only
with his brother man does primitive humanity in the early
struggle for existence find himself at variance, but he is
^ Jevons, p. 242, for Mars as a vegetable deity ; and Haug, p. 92, for the
Maruts being the " Vaisyas," or subjects of the gods.
^ Ibid., p. 97.
^6 LITERARY HISTORY OF INDIA
confronted with the whole supernatural powers of Nature,
with which he would willingly be in alliance. Man finds
himself surrounded by strange manifestations of an un-
known power, over which his mind knows not how to
reason. The very animals have strange cunning, and in
all savage folk-tales they speak naturally as human beings.
For defence or attack animals unite together ; their kinship
within their own species is as that of man within the
brotherhood. Should an animal be slain, the enmity of its
species is aroused against the slayer ; it can be equally a
friend or a foe, though different from man, its powers are
outside the reach of primitive intelligence.
So the savage seeks to be on good terms with, and win
the friendship of, such animals as he is most brought into
contact with, or regards with special fear and reverence.
To do this, there is but one way, and that is to follow the
analogy of the human race and claim a blood relationship.
The savage, therefore, wears the skin of some animal loved
or feared of his sib ; he decorates his head with its horns,
and, similarly to its body, he mutilates or paints his own, so
that he may become endowed with its virtues or super-
natural powers. There is but one step further, and that is
to cement a blood covenant with the clan * or species to
which the animal belongs. The animal or object whose
alliance is thus sought, then becomes the " Totem " ^ of the
common brotherhood. A social bond has been made with
the species. The animal and the human clan are regarded
as having sprung from a common ancestor, the animal, and as
being of one kindred. More important is the aspect of the
religious bond which binds the human clan in affection to
1 Frazer, J. G., " Golden Bough," p. 26.
^ Ibid., "Totemism," p. I : — " A Totem is a class of natural objects which
a savage regards with superstitious respect, believing that there exists between
him and any member of the class an intimate and altc^ether special relation."
See, however, Frazer, J. G., "Golden Bough," vol. ii. p. 38 : — " It is not yet
certain that the Aryans ever had Totemism."
BRAHMANISM -jj
the animal supposed to be supernaturally endowed. There
can be no more fitting way to cement these bonds than for
the human clan periodically to assimilate to themselves all
the qualities of the animal, by actually partaking of its flesh
and blood.
The animal is of necessity slain for this purpose, yet the
act of killing is one arising from affection,^ not from lust or
desire for food. The act itself is sacrilegious. The blood
as it falls is " taboo " ; it is received on the altar, no part
must touch the ground. Everywhere throughout the
Brahmanic sacrifice, traces are to be found of the repug-
nance to shed the blood of the victim, and scrupulous care
is taken to remove all traces of it, the pillar being left as a
sign that the ground is to be avoided. One peculiar result
is recorded in the " Brahmanas " : — " Now those who made
offerings in former times touched the altar and the
oblations while they were sacrificing. They became
more sinful, and those who sacrifice not become righteous,
they said." ^
It was the sacrificer who struck the first blow and who
partook of the flesh and blood that became endowed
with the supernatural qualities of the animal slain. He
became reborn with the powers of the animal slain. He
emerged from the sacrifice as the god himself, possessed of
all the powers which the alliance of the animal had brought.
The sacrifice in its primitive signification in no way
indicated a gift or payment by the worshippers to their
deities. It was a bond, an act of communion® between
the worshippers and the animals, or any natural object they
held possessed of supernatural powers, whose aid they
sought to win for themselves.
> The cow, though sacred, was slain for sacrifice.
2 " Sal. Brah.," I, 2, S, 24.
' Robertson Smith, " History of the Semites," pp. 365, 442 : — " The sacrifice
was in no sense a payment to the god, but simply an act of communion of the
worshippers with one another and their god."
78 LITERARY HISTORY OF INDIA
The sacrifice had its foundation laid securely in the
mental structure of all mankind. It was the highest
expression of religious instincts which at all times and in
all places impelled the individual to seek close union with
the ineffable mystery of the Divine, in which no powers of
reason will ever persuade him he has no part With the
forces which he sees underlying all Nature — animals, trees,
and plants — he hopes at first to form a bond of friendship.
As the animals become domesticated, and agriculture is
introduced, the sacrifice assumes the form of a gift of
an animal, or harvest offerings to the god whose aid it was
sought to secure, the primitive idea of the necessity of
incorporating it as kin to the clan fading away.^
In India, even down to the time of Manu, it was held
that the land "where the black antelope naturally roams,
one must know to be fit for the performance of sacrifices ;
the tract different from that is the country of the " Mlecchas "
(barbarians).^ It would be hazardous* at present to
assert that the Aryans in India held the black antelope
for a Totem, or that it ever was a Totem for them, inasmuch
as they had for long passed beyond the early stage of
civilisation out of which the primitive ideas of sacrifice
arise. Nevertheless, the place taken by the black antelope
during the Brahmanic ceremony shows that it had assumed,
metaphorically at least, the position which would have been
devoted to a tribal Totem. The great sacrifices were, in
these Brahmanic times, performed for the benefit and at the
1 See Jevons, Inlrod. to the "History of Religion," p. 331, et seq., for the
introduction into Greece in the sixth century B.C. of the North Semitic
tendency to abandon, under stress of national calamity, the gift idea of sacrifice,
and to revert to the primitive conception of the sacrificial meal being an
actual participation of the essence of the god by the worshippers.
2 " Manu," ii. 2, 3.
' Hewitt, " Ruling Races of Prehistoric Times,'' p. 367 ; Max MiUler,
" Mythology," vol. i. pp. 8, 200 : — " Sanskrit scholars would certainly
hesiiate before seeing in Indra a Totem, because he is called bull."
Sei Oldenberg, "Rel. des Vedas," pp. 85, 415.
BRAHMANISM 79
cost of some pious householder, who had first to prepare
himself by a ceremony of initiation/ through which he
became re-born into a condition in which he was supposed
to enter into actual communion with the deity worshipped.
The ceremony as described in the "Brahmanas" is conclusive
on the subject. The sa.crificer is first sprinkled with water,
" for water is seed." ^ He is then anointed with butter, for
by such anointing, " they make him thrive." His eyes are
then darkened with collryrium by which lustre is imparted,
and he becomes a " Dikshita." They then " rub him clean
with twenty-one handfuls of darbha grass," they thus make
him pure. He then enters a place prepared for him, which
represents a place of birth ; he is thus supposed to become
an embryo. " In this place, he sits as in a secure abode,
and thence he departs. Therefore the embryos are placed
in the womb as a secure place, and thence they are brought
forth (as fruit). Therefore the sun shoiild neither rise nor
set over him, finding him in any other place than the spot
assigned to the Dikshita; nor should they speak to him."
The succeeding portion of the ceremony is so clear as to
the underlying significance of the rite, and points out so
unmistakably the origin of the triple thread still worn by
all people of India to-day, who call themselves twice-born,
that it is quoted in full from Dr Haug's valuable translation,
which unfortunately is now out of print. The sacrificer
remains in the place chosen for the new birth, while the
priests " cover him with a cloth. For this cloth is the cowl
of the Dikshita (with which he is to be born like a child).
^ Max Miiller, in his " Comp. Mythology," p. 227, contending against
Oldenberg's views that this Diksha, or initiatory ceremony, was " to excite an
ecstatic state which helps forward an intercourse with gods or spirits," con-
cluded by stating his opinion "that this initiatory ceremony was meant as an
act of propitiation and sanctification ; or, like the Upanayana, as a symbolical
representation of that new birth which distinguishes the three upper classes as
fit for sacrifice."
SHaug, "Ait. Brah.,"p. 8.,
So LITERARY HISTORY OF INDIA
Outside (this cloth) there is (put by them) the skin of a
black antelope. For outside the cowl there is the placenta.
Then they cover him (symbolically by the skin of the
antelope) with the placenta. He closes his hands. For
with closed hands the child is born. As he closes his
hands, he thus holds the sacrifice and all its deities in his
two hands closed." i
The ceremony ends by the sacrificer removing the skin
of the black antelope, and then, still wearing the cloth,
purifying himself by bathing.
A similar account of the initiatory ceremony is given
in the well-known " Satapatha Brahmana," ^ attached to the
" White Yajur Veda."
Here the place of sacrifice is where the ground is higher
than any surrounding ground, "for it was thence that
the gods ascended to heaven, and he who is consecrated
indeed ascends to the gods."
An enclosed shed is erected, with its beams running
West and East, for the gods come from the East, and the
sacrifice is to be performed facing East The sacrificer
must be one of the Aryan race, a Brahman, Kshatriya, or
Vaisya, for the gods have no commerce with Sudras.
The sacrificer's hair and beard is shaved,^ the hair being
first touched with the sacred grass, both the hair and grass
being laid in water ; his nails are cut, and he then bathes,
so as to become pure. He then clothes himself in a new
linen garment, and is anointed five times, for the five
^ The original is — "jajnam ca eva tat s^rvas ca devata mushtyo kurute."
2 "6.it. Brah.,"ui. i, I.
^ The explanation, according to the Biahmana, of the shaven head is as
follows : — " Then as to the Sacrificer shaving his head all round. Now yonder
sun, indeed, faces every quarter ; it drinks up whatever moisture it dries up
here ; hence this Sacrificer thereby faces every quarter, and becomes a con-
sumer of food." — "isat. Brah.," ii. 6, 3, 14. An objector to this theory
remarks : — "What in the world has it to do with his face, even if he were to
shave off all the hair off his head ? . . . let him therefore not trouble himself
about shaving his head." — "Sat. Brah.," ii. 6, 3, 17.
BRAHMANISM 8i
seasons, from head to foot with fresh butter ; his eyes being
touched with a reed stalk. When further purified by being
stroked with one, seven, or twenty-one stalks of sacred
grass, he then enters the hall of sacrifice, and walks about at
the back of the Ahavanlya fire, which faces the east door,
and in front of the Garhapatya fire, which faces the west
door, the altar lying between these two fires. " The reason
why this is his passage until the Soma pressing is this : the
fire is the womb of the sacrifice, and the consecrated is the
embryo ; and the embryo moves about in the womb." i
Two black antelope skins are then spread on the ground,
on which the sacrificer sits down with his hands folded, like
unto an embryo. He then places round himself a triple
hempen cord, in which is twined a reed ; he covers his head,
ties a black deer's horn to his garment, and lays hold of a
staff of Udambara wood {JFicus glomeratd) ^ and so remains
silent. " Thereupon someone calls out, ' Consecrated is this
Brahman, consecrated is this Brahman,' him being thus
announced, he thereby announces to the gods : ' Of great
vigour is this one who has obtained the sacrifice ; he has
become one of yours, protect him.' " ^
The sacrificer remains silent until sunset, when he
becomes reborn, a god himself, and is fed with milk and
barley to which vegetables are sometimes added. The
reason why the food must be cooked is because " he who is
consecrated draws nigh to the gods and becomes one of
the deities. But the sacrificial food of the gods must be
cooked, and not uncooked : hence they cook it, and he
partakes of that fast-milk and does not offer it in the
fire."*
It must be borne in mind that the speculations of the
1 " Sat. Brah.," iii. I, 3, 28 ; S.B.E., vol. xxvi. (Eggeling's translation).
" For the Ficus glomerata as the parent tree of the trading races who
introduced the Soma sacrifice, see Hewitt, "Ruling Races of Pre-historic
Times," p. 367-
3 " Sat. Brah.," iii. 2, i, 39. ^Ibid., iii. 2, 2, 10.
F
82 LITERARY HISTORY OF INDIA
priestly compilers of the " Brahmanas " were earnest and
sincere efforts to explain the hidden meaning of the
complicated ritual that had in process of time grown up
around the sacrifice. Not only are the rules which bear on
fhe ceremony set forth, but every effort is made to give
rational explanations of every step of the ritual.
Philosophic disquisitions abound as to the intention of
the early sacrificers, and philological reasons are given for
special uses of Vedic texts. Stories of ancient sacrificers
and legends of former sacrifices are introduced, with an
evident intention of expounding, so far as it was understood,
the necessity for the due performance of the religious
ceremonies in the new-found homes of the Aryans. In the
course of ages the true meaning of much of the ritual had
been lost to the priesthood, much remained obscure, and on
many points in the ceremony there were held varied
opinions and practices.
At times the sacrifice is declared to be man ; it is the
representation of the sacrificer himself; i therefore the altar
extends as far as a man's outstretched arms on the West
side, and it is in human shape. Again the sacrifice is
prayer, or speech,^ for it is handed down from priest to
priest by speech. It was first taught by the gods to man,
who handed it on from father to son.* By the sacrifice the
gods gained their place in Heaven, and then fearing that
man by the same means might conquer their celestial
home, they concealed it until man found it again for
himself.*
The most striking and most important account of the
ancient sacrifice is that given in connection with the
legend of the Flood, as preserved in the " Satapatha
Brahmana." The account differs in so many respects from
1 "Sat. Brah.," i. 3, 2, I ; Eggeling, S.B.E., vol. xii.
2 Ibid., i. 5, 2, 7. 3 Ibid., i. 6, 2, 4.
* Ibid., iii. 4, i, 17 ; iii. 9, 4, 22.
BRAHMANISM 83
the Biblical record of the deluge, that at present there is no
evidence to connect the Indian with the Semitic tradition.
In the Brahmanic story, Manu^ takes the part of
Noah in the Old Testament, though with striking dissimi-
larities. The story commences with a description of how
when Manu was one day washing his hands he found
that he had seized a small fish. To his surprise the fish
spoke, and prayed to be saved from destruction, promising
in return that he would in time to come preserve Manu
from a great danger. The danger that was to come was
foretold by the fish to be a flood, that would sweep away
all creatures. So Manu kept the fish and placed it in a jar.
When the fish grew large it told Manu the year in which
the flood would come. It then counselled Manu to build
a great ship, and enter into it when the waters rose, saying,
" I will save thee from the flood." Manu accordingly built
the ship, and as the fish had grown too big to remain in the
jar, he placed it in the sea. As the fish had foretold, the
flood came. When Manu entered into his ship the fish
swam towards him, and Manu tied the ship to a horn on
the fish's head, and was towed to the Northern Mountain
where he tied the ship to a tree. Then the waters receded
and Manu was left alone. The narrative is simple, natural
according to primitive ideas, and, as annual floods are
common in all tropical lands, there is at present no
necessity for holding that it contains more than the record
of a wide-spread catastrophe. The real interest of the
story is not in the suggested connection of the words
Manu, ship, flood, with Noah, ark, deluge, but in the side
light which is thrown on the primitive history of the sacri-
ficial cult. This is to be seen in the steps taken by Manu
to acquire supernatural power and reproduce creation.
At first Manu, "being desirous of offspring, engaged
1 "^at. Brah.,"i. 8, I, i.
84 LITERARY HISTORY OF INDIA
in worshipping and austerities ; during this time he also
performed a 'paka ' sacrifice : he offered up in the waters
clarified butter, sour milk, whey, and curds. Thence
a woman was produced in a year." The woman then
announced to Manu that she was his daughter, that she
had been produced through his offerings, declaring to him :
" I am the blessing : make use of me ^ at the sacrifice ; thou
wilt become rich in offering, and cattle." With the woman
" Manu went on worshipping and performing austerities.
Through her^ he generated this race, which is the race of
Manu ; and whatever blessing he invoked through her, all
that was granted to him."* A further important reference
to the position of the woman * in the sacrificial ritual is the
injunction given that after the rice had been poured from
the winnowing basket into a mortar ^ preparatory to its
being ground between the two mill-stones * as an offering,
the sacrificer should be summoned forward, an injunction
followed by the important remark, so full of significance in
the history of the development of the ritual, that, " now in
former times it was no other than the wife of the sacrificer
who rose at this call."
The ancient custom of the participation of women ^ in
harvest offerings, as well as harvest festivals — a custom to
be traced in much of the folk-lore of India to-day — is in
1 "6at. Brah.," i. i, 4, 16-17, for the actual sacriSce of Manu's wife :—
" When she had been sacrificed the voice went out of her, and entered into the
sacrifice." Also Ibid., i. 8, I, 9.
2 "Ida. 6at. Brah.,"i. 8, 1, 11.
3"6at. Brah.,"i. 8, i, 10.
* " As a rule, the wife of the sacrificer was present, with hands joined to her
husband" ("Taitt. Brah.," iu. 3, 10). "The wife has to confess at the
sacrifice" ("Sat. Brah.," ii.' 5, 2, 20).
''"^at. Biah.,"i. i, 4,8.
^ Ibid., i. I, 4, 13.
' " Gobhila Grihya Sutras," i. 3, 15 :_'< if they like, his wife may offer the
morning and evening oblations over the domestic fire. For his wife is (as it
were) his house, and that fire is the domestic fire." Su also Hillebrandt
" Rituel Litteratur," p. 7a '
brAhmanism 85
the above texts clearly referred to as being remembered
at the time of the Brahmanic sacrifice, although for priestly
reasons it was overlooked, or but obscurely hinted at.
The explanation of this appearance of women on the scene
arises from the fact ^ that in primitive times the duties of
agriculture lay, for the most part, in the hands of women.
The historical development of this portion of the sacri-
fice is tersely summed up in the words of Mr Jevons : " It
is therefore an easy guess that the cultivation of plants
was one of women's contributions to the development of
civilisation ; and it is in harmony with this conjecture that
the cereal deities are usually, both in the Old World and
in the New, female."
Agriculture, however, when its benefits became thoroughly
understood, was not allowed amongst civilised races to con-
tinue to be the exclusive prerogative of woman, and the
Corn Goddess, maiden or mother, had to admit to the circle
of her worshippers the men as well as the wives of the
tribe. The gradual transition from the early sacrifice of
human beings, to the stage in which horses, kept in droves
and tended by man during the pastoral stage, were sacri-
ficed, thence on to the substitution of various animals as
they became domesticated, ending with the offering of the
fruits of the earth when agriculture became known, is set
forth as a recognised fact in the " Aitareya Brahmana." The
account given is that man was the primitive form of sacri-
fice, but that in time the sacrificial essence went out of man
and passed into the horse.^ From the horse the sacrificial
essence went to the ox, which was sacrificed ; in the same
manner for the ox, sheep were substituted, for sheep, goats,
which remained the best suited for sacrifice. From the
goat the sacrificial essence passed into the earth, and so
1 Jevons, Introd. to "The History of Religion," pp. 240-1.
2 For the great Horse Sacrifice, see "Taitt. Brah.," iii. 8. For the year
the horse was allowed to roam, sacrifices being performed by day.
86 LITERARY HISTORY OF INDIA
finally the sacrificial part turned into rice.^ It is also laid
down as an injunction that no one of these animals, out of
which the sacrificial essence had gone, should be eaten.
This special prohibition evidently indicated that the eating
of flesh was a custom in ancient India. In the " Satapatha
Brahmana " there is a direction that the flesh of cows or
oxen should not be eaten, although Yajnavalkya declared :
" I for one eat it, provided that it be tender."
When the animal was killed for the sacrifice, every limb
was preserved, the offal being buried in the earth.
According to the later custom, the animal was killed by
beating it to death.^ The priest during the slaying averted
his eyes ; * any blood that fell was received on the sacred
grass, and considered an offering to the Rakshasas, or
demons. To the officiating priest, and to the sacrificer,
allotted parts of the cooked food were presented. In the
" Aitareya Brahmana " * the animal had to be divided into
thirty-six portions, for the priests, the sacrificer, and his
wife.
To those who thus divided the offering into thirty-six
parts, the animal "becomes the guide to Heaven. But
those who make the division otherwise, are like scoundrels
and miscreants, who kill an animal merely for gratifying
the lust after flesh."
The origin of human sacrifice may be traced back
to early Aryan times,^ when a chieftain's wives and at-
tendants were slain, in order that they might accompany
him to the after-world. Its introduction into the
Brahmanic ritual as an atonement for the guilt of some
» Haug, "Ait. Biah.," p. 91. 2 Ibid., p. 85.
s "6at. Brah.,"iii. 8, I, 15: "Then they step back to the altar and sit
down — lest they should be eye-witnesses to its being strangled."
* Haug, "Ait. Brah.," p. 443.
'Tylor, "Primitive Culture," vol. i. p. 464; Jevons, Introd. to "The
History of Religion," p. 161.
BRAHMANISM 87
member of the community^ is indicated in the well-
known story of Sunah§epa, as narrated in the "Aitareya
Brahmana."
The story is one always to be recited with an accom-
paniment of one hundred Vedic verses before a king, so
that his blood-guiltiness as a warrior may be removed.
The Hotar who recites it must be rewarded with a gift of
a thousand cows and a silver ornamented carriage drawn by
mules. To the Adhvaryu priest who, during the recital
makes the fitting responses, a hundred must be given, and
upon Adhvaryu and Hotar, as an additional reward, a gold-
embroidered carpet must be bestowed. To all who hear
the story, the gods will allot long days and offspring.
The story is as follows : —
Hari^chandra of the Ikshvaku race, mighty king though
he was, had no son. To his household priests he poured
forth his sorrow, asking them why it was that every one
had so great a desire for male offspring. The answer,
ancient though it may be, is one that would be given by
all pious Hindus of modern India. " A son is ever to be
desired, for a son hands down his father's life ; the wife who
bears a son re-creates the father : a son shines as a light
in Heaven. He is the greatest of all earthly possessions ;
he gains immortality for the father. A daughter is but an
object of compassion" The holy advisers of the king told
him that the desire was unconquerable, that all wondered
at such Brahmans as turn from a family life, and go forth
as wanderers over the earth to live as hermits in the forest,
or as religious mendicants.
So the king prayed to Varuna, the god who fulfils all
wishes, and swore that were he but permitted to see the
face of a son, he would sacrifice the child when born to
' "This was probably the origin of the sacrifice of human beings to the
gods amongst the Mediterranean peoples. Amongst the Americans it was . . .
due to the lack of domesticated animals." — Jevons, p. l6i.
88 LITERARY HISTORY OF INDIA
Varuna. The god granted the king's desire, and a child,
Rohita, was born. The king put off from day to day the
fulfilment of his vow, until Rohita grew to manhood, and
became a warrior. When his father's vow was made known
to Rohita, he fled into the wilderness, and there hid himself,
whereupon Varuna caused a grievous illness to fall upon
the king. Rohita remained concealed for the space of six
years, at the end of which time he met a Brahman sage,
who had three sons, the second of whom was named
SunahSepa. For a gift of one hundred cows, the Brahman
gave his son Sunah^epa as a ransom sacrifice to Varuna.
The good god Varuna on hearing of this, bowed his head
and accepted Sunahtepa as a sacrifice in place of the king's
son, for he knew that the offspring of a Brahman was of
more value than the son of a king.
At this time the great priest Visvamitra was the Hotar
to King Hari^chandra, and the renowned Vasishta was the
" purohita," yet no one could be found to bind SunahSepa to
the sacrificial post. Then the father of Sunahsepa, on
receiving a further gift of one hundred cows, consented to
bind his own son to the sacrificial post. The sacrificial fire
was prepared, the Vedic texts ordained for such a sacrifice
were duly recited, yet no one could be found to slay
SunahSepa. For a fourth gift of one hundred cows, the
father of Sunahsepa agreed to slay his own son.
When the sharpened knife was raised, Sunahsepa prayed
to Prajapati, to Agni, to Savitri, to Varuna, to the All
Gods, to Indra, to the Asvins, and to the Dawn, and as he
prayed, the fetters which bound him fell off one by one,
and King Harl^chandra was restored to heedth.
The evidence for the actual existence of human sacrifice '
* The "Taitt. Brah.'' gives a list of various men and women fit fur sacrifice
to one hundred and seventy-nine gods." — Earth, " Rel. of India," pp. 57, 58.
" Der Furushamedha ist eben der Uberrest eines barbarischen Zeitallers des
wir fur Indiens so evenig wie fur andere Lander zu leugnen haben." — HjUe-
brandt, " Rituel Lilteratur," p. 153.
BRAHMANISM 89
during the Brahmanic period, rests on accounts such as
that of ^unahSepa, where, however, as in the Biblical ac-
counts of Abraham and Isaac, the victim is released, show-
ing that the rite was one then no longer in use. In the
" Satapatha Brahmana " ^ it is stated that the animals used
for sacrifice are " a man, a horse, a bull, a ram and a he-goat."
With regard to these the direction to the sacrificer is : ^
" Let him slaughter those very five victims as far as he
may be able to do so ; for it was those Prajapati was the
first to slaughter, and Syaparna Sayakayana the last, and
in the interval also, people used to slaughter them. But
nowadays only these two are slaughtered, the one for
Prajapati, and the one for Vayu." The two animals here
referred to are he-goats.^ The fact that the compiler of
the texts records the name of the last sacrificer who per-
formed a human sacrifice, shows that the practice had died
out in the home or family of the compiler.
It would be futile to seek for clear matter-of-fact state-
ments or commonplace explanations of the sacrificial system
in the early Brahmanic literature.
The entire ritual was a cult falling more and more into
the hands of a hereditary class of priests, determined to
hold the power they thus obtained free from outside
criticism or attack. The commanding position the priest-
hood obtained in the community by their exclusive know-
ledge of the complicated details of the sacrificial system,
which so closely hemmed in the whole life of every Aryan
householder, would naturally incline them to attach to their
office and to all its duties not only an esoteric significance,
but further in every way to heighten and exaggerate the
supernatural basis on which they were primitively founded.
Over the whole ceremony the superintending Brahman
priest hovered, as a man possessed of divine knowledge and
divine power.
1 "Sat. Etah.," vi. 2; I, 1.5. ^ Ibid., vi. 2; I, 39. ^ Ibid., vi. 2, 2, I.
90 LITERARY HISTORY OF INDIA
He was the central figure, looming mysterious in his care-
fully preserved silence, yet held to possess powers potent
enough in their overshadowing might never to call for
their actual manifestation. For days or for years the rites
might drag on their mysterious ways ; it was the Brahman
alone who held the knowledge and power to set in motion
the whole performance ; his nod or word could break the
thread of the ceremony, and bring the direst results to all
engaged.! At the morning libation he gave permission
that the Vedic Hymns might be chanted by uttering the
words, " Bhur ! ye may sing ! " ^ So at the mid-day libation
he muttered, " Bhuvah ! ye may sing ! " and at the evening
libation he says, "Svar! ye may sing!" He stood over-
seeing all as a very god. " Verily there are two kinds of
gods, for indeed the gods are the gods, and the Brahmans
who have studied and teach sacred lore are the human
gods. The sacrifice of these is divided into two kinds;
oblations constitute the sacrifice to the gods ; and gifts to
the priests that to human gods."
The Brahman wisely left all the outward signs of power
in the hands of his serving priests. At the bidding of the
Brahman, the reciting priest, the Hotar, a class from which
the Brahmans were chiefly recruited,* commenced the
recitation of such Vedic Hymns as were ordained for use.
As the stately music of the words, intoned by the Udgatar
priest, rose and fell, it cast around its spell of magic power,
moving amid the people as though it subtly bound their
souls to the gods who thronged around them. Should the
Hotar desire to deprive a sacrificer of life, or sense, limb,
strength, or speech, he had but to omit a Vedic verse in his
' A special remark made by the renowned Aruni, who composed many of
the sacrificial formute, is as follows: "Why should he sacrifice who would
think himself the worse for a miscarriage of the sacrifice ? I for one am the
better for a miscarriage of the sacrifice." — " 6at. Brah.," iv. 5, 7, 9.
= Haug, "Ait. Brah.," pp. 377, 37S.
^S.B.E., vol. xii.; Eggeling (Introd.), xx.
BRAHMANISM 91
recitation, or pronounce it confusedly, it was held that by
his so doing the union of the sacrificer with the gods would
at once be broken, and the whole sacrifice rendered futile,^ the
wish of the Hotar alone resulting. To deprive a sacrificer
of his wealth, or a king of his subjects, the Hotar had but to
recite a hymn out of its proper order, and so great was the
inherent power of the sacred word that the required result
would inevitably follow. Should the priest desire to
deprive a sacrificer of the whole fruit of the sacrifice, he had
but to pronounce a verse in a different tone from that in
which it should be pronounced, and the sacrifice would fall
useless. Not only did the priestly power reign supreme
over the religious life of the people, but, politically it
extended side by side with that of the tribal chieftain or
king.2 No king could succeed in deeds that were not
founded on priestly advice, and the gods are said to turn
away from the food of a king who has no " purohita " or
Brahman guide.
It is said that a king who appoints no family priest or
"purohita" is cast out from Heaven,* deprived of his heroism,
of his dignity, kingdom, and subjects. To the king who
has a " purohita," Agni Vaisvanara gives protection ; he
surrounds the king * as the sea surrounds the earth ; such a
king dies not before he has lived one hundred years ; he
dies not again, for he is not reborn ; his subjects obey
him " unanimously and undivided." ^
Imprecations almost fiendish in their malignity are called
down on one who should curse the Hotar at any part of
the ceremony, all being finally summed up : ® For in " like
' The various means for rectifying blunders are given in the " Kauskitaki
Brahmana," vi. II. One opinion is given : "As far as the blunder extends, so far
let him say it again, whether a verse, a half verse, a foot, a word, or a letter."
2 For union of the two offices, king and priest, as the first sacrificer, see
J. G. Frazer, " Golden Bough," vol. i. pp. 8, 223.
^ Eggeling, xiv. * Ibid., S.B.E., vol. xii. p. xii.
5 Haug, p. 530. " " Sat. Brah.," i. 4, 3, 22 ; S.B.E., vol. xii.
92 LITERARY HISTORY OF INDIA
manner, as one undergoes suffering, on approaching the fire
that has been kindled by means of the kindling verses, so
also does one undergo suffering for cursing a priest
(brahmana) who knows and recites the kindling verses." ^
With the " purohita " swaying the councils of the king by
his sacerdotal power, backed as it was by an assumed
knowledge of sorcery and incantation ; with the priesthood
enclosing the whole daily life of the people with com-
plicated religious rites, the efficacy of which depended on
the supposed supernatural influence of the Brahmans over
the gods themselves, the national independence of thought
and exuberant free-play of imagination, which in earlier
times had produced the poetry and visions of the " Rig
Veda," passed away for ever, to give place to fatalism and
the quiescence of pantheism.
To their growing powers the priesthood failed not to add
that of wealth. For each sacrifice the officiating priests
demanded their " dakshina," or reward of gold and kine ;
one text ^ mentions the liberality of a worshipper who gave
85,000 white horses, 10,000 elephants, and 80,000 slave
girls adorned with ornaments, to the Brahman who
performed the sacrifice.
Throughout the early history of India, tradition tells
of fierce conflicts between the Brahmans and the warrior
class, out from which the Brahmans ever emerged victorious.
Prajapati,* the lord of all creatures, was held to have
created divine knowledge and the sacrifice for Brahmans,
not for warriors. At the inauguration of a king, when he
was anointed by the sprinkling of water and admitted to
' The ancient mode of destroying an enemy by making an image of wax and
placing it before a fire is narrated in the " Samavidhana Brahmana" : — "The
image of the person to be destroyed or afiSicted is made of dough, and roasted,
so as to cause the moisture to exude, and then cut in pieces and eaten by the
sorcerer." — Burnell (Introd.) p. xxvi.
2 Weber, " Ind. Stud.," x. p. 54. See also " Sat. Brah.," ii. 6, 3, 9 ; iv. 5,
I, II ; iv. 3, 4, 6; "Taitt. Brah.," iii. 12, 5, 11-12.
» Haug, "Ait. Brah.," p. 471 (Ir.).
BRAHMANISM 93
the drinking of the Soma juice, he had for the time being
to lay aside the signs of his warriorhood.^ his horse, his
chariot, his armour, his bow and arrow, and take up the
signs of the sacerdotal power, the sacrificial implements,
and become a Brahman so long as the inauguration lasted.
With the natural tendency of a class rising to almost
supreme power, the priesthood sought in every way to
consolidate its position and enforce its rules and ordinances
on those whom it could force to submit.
The king and his " purohita," originally holders of a joint
ofifice,2 stood apart and separate in their functions, both a
type of the class or caste division into nobles and priests,
of those who held power over the labouring community.*
The agricultural or trading members of the Aryan clans
held themselves proudly aloof from the despised black-
skinned and broad-nosed aborigines, with whom for the most
part they abstained from intermarriage or social inter-
course.
The road was gradually being prepared for the division
of the people into distinctive classes, a system ultimately
to develop into a modern' theory of caste, founded on
differences of colour, descent, occupation, or livelihood.
The Aryans by the close of the Brahmanic period had
spread far to the East, where those tribes or clans, who were
furthest removed from the homes of the Kuru Panchalas
and the sacrifice, were to rise in opposition to the whole
theory on which Brahmanic supremacy was founded, and
inaugurate a revolt which culminated in the formulated
doctrines of Buddhism.
» Haug, "Ait. Brah," p. 472 (tr.).
2 Frazer, " Golden Bough," vol. i. p. 224.
' Senart, " Castes dans I'Inde," p. 149.
CHAPTER VL
FROM BRAHMANISM TO BUDDHISM.
THE"Brahmanas" tell how, from the plains of Kurukshetra,
from the abodes of the Kuru Panchalas, Brahman priests
went to carry to the homesteads of those adventuring
warriors, who had gone further east to seek new fortunes,
the knowledge of the sacrificial mysteries, the power they
held to sway the gods, and to claim in return some share
of the wealth that had fallen to the Aryan race. To the
East, as far as to the banks of the Sadanira, or Modem
Gandak, which flows into the Ganges near Patna, the
Ko^alas had made their homes, while the Videhas had
ventured to cross the cold water of the same stream, and
take up their abode in the rich land beyond.
The ancient literature of India still tells how once the
land to the east of the Sadanira, " she who is always filled
with water," was for long " very uncultivated and very
marshy," ^ and how no Brahmans dwelt there. By the
advancing Aryans the sacred fire was at length carried
across the deep stream, and by it the undergrowth burned
away and the forest trees cleared. The story as told in the
" Brahmana of One Hundred Paths," is one of the few facts
regarding the people and their movements that the times
thought it worth while recording.
1 " 6at. Brah.," i. 4, i, 15.
FROM BRAHMANISM TO BUDDHISM 95
" Nowadays," narrates 1 the chronicler of the advance
of the Aryans eastward to Videha, " the land is very culti-
vated, for the Brahmans have caused Agni to taste it
through sacrifices. Even in winter that river, as it were,
rages along : so cold is it, not having been burned over
by Agni Vaisvanara."
" Madhava, the Videgha, then said to Agni, ' Where am
I to abide ? ' 'To the east of this river be thy abode,' said
he. Even now this river forms the boundary of the
Ko^alas and Videhas ; for these are the Mathavas or
descendants of Madhava."
The wandering course of tribes other than the Ko§alas
and Videhas can also be traced in early Vedic literature.
Tribes known as the Kasis found an abiding-place round
the modern city of Benares, the sin-destroying Kasi, within
sight of whose myriad temples all who die are said to pass
straight to the heavens of the Hindu gods. Beyond the
Kasis lived the Magadhas and Angas, tribes who wandered
far beyond the pale of Aryan civilisation ^ to venture their
fortunes amid the fever-smitten tracts,^ where they might
live free from the strict rnles of sacerdotal orthodoxy.
In the history of the times there is no evidence that over
any of these tribes — far as they may have gone to the East,
or long as they may have settled in the fertile valleys of
the Ganges and Jumna — the enervating influence of
climate, sloth, or luxury, had cast its fatal spell. The wild
untrammelled play of fancy that had inspired the lyric out-
burst of early Vedic song gave place, it is true, to the
reasoned and more ordered train of thought, seen in the
prose, diffuse and artificial though it be, of the "Brahmanas,"
1 S.B.E., vol. xii. ; "Sat. Brah.," i. 4, i, 16-17.
= See Oldenberg, " Buddha," p. 400.
3S.B.E., vol. xlii.; " Atharva-veda," p. 2:— "Destroy the fever that
returns on each third day, the one that intermits each third day, the one that
continues without intermission, and the autumnal one. To the Gandharis, the
Mujavantas, the Angas, and the Magadhas, we deUver over the fever, like a
servant, like a treasure."
96 LITERARY HISTORY OF INDIA
" Aranyakas," and " Upanishads." Full as the " Brahmanas "
are of evidences how the Kuru Panchala Brahmans sought,
for the purpose of their own aggrandisement, to gain a
temporal and spiritual dominion over the superstitious
mass of the people, yet in Magadha, in the far East, the
almost sublime figure of Buddha stands forth, not only as
a personification of stately self-restraint, but also of heroic
protest against the usurpation by men of power over the
eternal destinies of their fellow-creatures. In the leading
principles of the "Upanishads," which contain the free and
earnest speculations of a rising class of philosophers — priestsi
kings, and warriors alike — ^who thronged to the courts of
the chieftains of KoSala and Videha, there is to be found
the bursting forth of an advanced order of thought, and
though this may be peculiarly, and exclusively Indian
in the deeply religious and intensely subtle mode of its
expression, yet as a phase of thought, it was a natural
growth from the preceding religious history of the people,
and as such shows nothing unworthy ot taking a foremost
place in the intellectual history of the world at the period
in which it arose. That the Aryans advanced into India
in numbers suflScient to oust the aboriginal tribes, and them-
selves to colonise the vast area over which their influence
can be traced, has never been held as probable, or even
possible. The previous inhabitants were numerous, and
more or less civilised. At the present day, the only evidence
India affords of an invasion of Aryan people in Vedic
times, outside the literary record and existence of the
great group of northern Aryan languages, derived from
Sanskrit, is the presence of an upper stratum of fair-skinned
and refined families in the great mass of the dark-skinned,
and more illiterate agricultural population.^ The very
1 The case of South India, where the Aryan influence spread later, is typical.
" It has often been asserted, and is now the general belief of ethnologists, that
the Brahmans of the South are not pure Aryans, but are of mixed Aryan and
Bravidian race." — H. A. Stuart, " Madras Census Report" (1891). Mr Edgar
FROM BRAHMANISM TO BUDDHISM 97
denunciations in the early Sanskrit literature against
matrimonial relationship between members of the Aryan
community and those of the aboriginal tribes, as well as
the relegation of- any offspring to despised or inferior
classes of mixed descent, show plainly that the intermingling
of the newcomers with the earlier inhabitants was far from
uncommon. Even though this may have been so, to a
greater extent than at present it would be safe to assert,
it is certain that the Aryans, in the course of their
migrations from the SarasvatI to the limits of Western
Bengal, left the impress of their language and culture over
the whole of this extensive area, assuming, as must be
done for the present, that Buddhism, in its primary signifi-
cance, was a legitimate outcome of Aryan thought. These
Aryans, as they spread far and wide, remained, for the most
part, united into clans and tribes, each under its own
local chieftain. As in the earliest Vedic times so down to
the time of Buddha in the sixth century B.C., and even
later, these scattered tribes show no inability to push their
way amid opposing foes, or even, if opportunity afforded, to
take possession of the territories of those of their own race
than whom they found themselves more powerful. The
Thurston, who has taken a series of anthropological measurements (" Madras
Government Museum Bulletin," No. 418, 1896), states that the Brahmans of the
South "are separated from all the classes or tribes of Southern India which I have
as yet investigated, with the exception of the Kongas of Coimbatore, by the relation
of the maximum transverse diameter to the maximum antero-posterior diameter
of the head (cephalic index). Though the cephalic index of the Kongas is
slightly greater, the mean length and breadth of their heads are considerably
less than these of the Brahmans, being I7"8 cm. and 137 cm. against
l8'6 and I4'2." Again: "The length of the head of Brahmans, Kam-
malans, Pallis, and Pariahs show that the average length is the same in
all except the ICammalans, in whom it is slightly ('2 cm.) shorter." Also : " In
all except the Paniyans the average width of the nose is the same, but the
length is slightly greatest in the Brahmans." "I came across many dark-
skinned Brahmans with high nasal index." Finally, he sums up his results :
" The Brahmans are characterised by the greatest weight, greatest breadth of
head, greatest distance from the middle finger to the patella, and the largest
hands " (p. 229).
G
98 LITERARY HISTORY OF INDIA
more the once-united and compact body of Aryans dif-
fused themselves over the vast extent of Northern India,
separating into groups under chieftains, each desirous of
extending his possessions and influence by conquest over,
or by alliances with, other rich and powerful chieftains,
aboriginal or Aryan, the more their life-history becomes
disseminated into devious courses, never again to re-unite
into one combined nationality.
Popular religious movements, such as those of Buddhism
and Jainism, which appealed to the understanding and
sympathies of the mass, had undoubtedly an influence in
infusing the community with a common purpose and
enthusiasm.
These movements had their results in ancient India,
as similar popular religious movements have had, and
undoubtedly will have in the future, in modern India,
and were taken advantage of by chieftains anxious to seize
the opportunity of extending their local influence. Yet
from their very nature they proved powerless to unite for
long the diverse elements which went to make up the
community into a combined body, powerful and coherent
enough to resist the disintegrating effects of a rude shock
from foreign invasions. These movements left their own
peculiar literary record, though the history of the phase of
thought out of which they arose, preserved as it is in the
earlier " Brahmanas " and " Upanishads," is one of the most
obscure in the whole range of Indian literature.
While the Aryan people were bereft of all hope of ever
seeing a great national leader arise among them to combine
the scattered elements, into which the people were drifting,
into one political unity, it would be as vain to seek, in the
history of the times, for the growth of any tendency to
evolve a clearly-defined conception of a monotheism, as it
would be to seek for any great literary outburst in which
could be read the national expression of the desire of the
FROM BRAHMANISM TO BUDDHISM 99
race for expansion. At the most, it must be expected that
the literary history of the period is one in which all that
was left of the past was fostered and elaborated or developed
along its own inherent lines by the peculiar genius of a
gifted race, able to preserve its intellecual power amid the
crumbling ruins of its political career. In the literature
we find not the record of an intellectual movement, sinking
deeper into despondency and despair from climatic or
priestly influences,^ but rather the free discussion among
the outlying portions of the community of the whole
religious tradition and new-founded claims of the priest-
hood, the enunciation of doctrines in many cases sub-
versive of such claims, and, unhappily, in many cases
showing evidences of the incorporation of beliefs, super-
stitions, and debasing cults of alien races, with whom the
more orthodox Aryans had entered into social and political
relations.
The evidences for the changing order of things are to
be sought in the philosophic disquisitions of the earlier
"Upanishads."2
At the court of the renowned Janaka, the patron of all
wise men and chieftain of Videha, there stands forth the
figure of a celebrated Brahman priest, Yajnavalkya,^ who
was deeply versed in all the ritual of the sacrificial cult as
practised in the holy land of the Kuru Panchalas. The
fame Yajnavalkya brought to the land of the Videhas*
* Garbe, "Monist," p. 5° (1892): — "India was governed by priests, and
the weal of the nation was sacrificed with reckless indifference." The same
learned writer also remarks that "it is no exaggeration to say that priest-rule
was the ruin of India." It should not, however, be forgotten that the drifting
of the destinies of a nation, or even of a movement, into corrupt or incompetent
hands, is but one of the symptoms of decay, not the cause.
2 P. Regnaud, " Mat^riaux pour servir a I'Histoire de Philosophic dans
I'Inde," p. 30.
s For his instructor, ArunI, see Oldenberg, " Buddha," p. 396 («»/'«) ; "Sat.
Brah.," iii. 3, 4, 19.
" Where he compiled the "White Yajur Veda" and its " Satapatha Brahmana."
100 LITERARY HISTORY OF INDIA
even aroused the anger and jealousy of Ajatasatru, the
chieftain of the distant Kasis.
Janaka, proud of the fame he had won, held a great
sacrifice,! and offered a reward of one thousand cows,
bearing each ten pieces of gold fastened to their horns, to
the wisest of all the assembled Brahmans, who had
gathered together at his court from the western lands of
the Kuru Panchalas. Then Yajnavalkya directed his
pupil to drive away the cows, for he held himself to be
the wisest of all wise men. Challenged as to his knowledge,
he silenced all enquirers by repeating the whole sacrificial
cult. Yet there was one question put to him he would not
answer before the assembled warriors, or in the hearing of
those who placed their salvation in the hands of the priest-
hood and in the efficacy of the duly performed sacrifice.
So Yajnavalkya turned to his enquirer with the remark :
" Take my hand, O friend, we two alone shall know of
this ; let this question of ours not be discussed in public." ^
The question Yajnavalkya would not answer before the
assembled crowd was for him a perplexing one, an answer
to which it was the mission of Buddha to proclaim openly
before all men. It was the question as to what became of
man after he departed from this world, and in the heavens
had received the reward of all his labours.
In the hands of the Brahmans the rites of the sacrifice
lay. It was solely on the efficacy of the sacrifice that the
welfare, here and hereafter, of all depended. The practical
result of the disquisition was that the two friends arrived
at the conclusion that, from all good deeds, sacrifice
included, only good results would flow, and from bad deeds,
non-sacrifice included, only bad results would flow. The
words of the "Upanishad" state : — " Then these two went out
' "Sat. Brah.," i. 4, i, 10; Oldenberg, p. 398; S.B.E., vol. xii. p. xUii.;
" Brih.-Aian. Up.," iii. i, 2, i :— " Many presents were offered to the priests of
the Aivamedha."
2 "Brih.-Aran. Up.," iii. 2, 13.
FROM BRAHMANISM TO BUDDHISM loi
and argued, and what they said was Karman ("work"); what
they praised was Karman ; viz. that a man becomes good
by good work, and bad by bad work."
The soul might pass after death into different habitations
according to its acts ; but the question referred to the
position of those who had gained a knowledge that was to
lead to the overthrow of the whole sacrificial system. It
opened up the whole question of the knowledge which
man possesses of the true nature of the world as it is
presented by the senses, including, as it necessarily does,
the relationship of man to the changing scene of birth and
re-birth, of ever -ceaseless becoming and never-abiding
being, in which he finds himself move as a factor in the
great scheme of creation.
The weary cry raised by the Vedic poets that their gods
were many, and that, amid them all, they still wondered to
what god they should offer their sacrifice, had died away in
echoing murmurs that though all the gods are of equal
might and majesty, yet no man knew where stood the tree,
nor where grew the wood out from which the heavens and
earth were fashioned.^ At the close of the early Vedic
times, when all the sacerdotal learning of the priestly caste
of Kurukshetra had been brought to the Eastern lands,
where dwelt the Videhas, Ko^alas, Kasis, and Magadhas,
there to be sifted by the ruthless logic of more independent
minds, the triumphal answer came that " Brahman " was
the tree, that "Brahman" was the wood out from which
the world was hewn.^
When Yajnavalkya was again questioned at the court of
Videha by a proud woman, GargI Vachakanavl : " In what
are the worlds of Brahman woven, like warp and woof? "
he answered : " O Gargi, do not ask too much lest thy head
• R.V., X. 8l, 4 :— " Ye thoughtful men enquire within your spirit whereon
He stood when He established all things" (Griffith).
^ "Taitt. Brah.," ii. 8, 9, 6 ; see Deussen, "Das System des Vedanta,"
p. SI-
I02 LITERARY HISTORY OF INDIA
should fall off. Thou askest too much about a deity about
which we are not to ask too much." ^ When the woman
cried out against the learned priest : — " O Yajnavalkya, as
the son of a warrior from the Kasis and Videhas might
string his loosened bow, take the pointed foe -piercing
arrows in his hand, and rise to battle, I have risen to
fight thee." ^ He was forced to reply to the question she
put to him : " That of which they say that it is above
the heavens, beneath the earth, embracing Heaven and
earth, past, present, and future, tell me in what it is
woven, like warp and woof?" The answer given forms
the basis of the whole philosophic thought of the time.
The sacrificial system was once for all placed in a sub-
sidiary position in relation to a new doctrine of salvation
which looked upon the performance of religious practices,
and the doing of good deeds, merely as a basis whereon
should be founded the true aim of mankind : the attain-
ment of a true knowledge of the relationship of the Self
to the Self of the Universe.
Yajnavalkya declared to Gargi, of him who did not
possess this true knowledge, that " though he offer oblations
in this world, sacrifices, and performs penances for a
thousand years, his works will have an end." He " departs
this world ; he is miserable, like a slave."
There remained but two simple concepts for the future
of India to brood over with all the fervour and subtlety
of its unrivalled powers of insight into the true nature of
things. First, the whole reality of the world, as perceived
by the senses, had to be pierced through, and that which
underlay it, that which gave it being, ascertained and
defined. So when Gargi questioned Yajnavalkya as to
what underlay all objective reality, what permeated all,
what wove all together, like warp and woof, there came
the answer that there remained only " Brahman," that which
1 " Brih.-Aran. Up.," iii. 6, I. 2 Jbid., iu. 8.
FROM BRAHMANISM TO BUDDHISM 103
" is unseen but seeing ; unheard but hearing ; unperceived
but perceiving ; unknown but knowing. There is nothing
that sees but it ; nothing that hears but it ; nothing that
perceives but it ; nothing that knows but it." ^
So far there remained, as the result of the earliest
phase of philosophic thought in India, nothing but the
Unconscious Brahman, yet, as the Indian sage himself
asserts, he knew, too, that he himself also exists, for no
man says, " I am not."
It was not given to the East to undertake an analysis of
the human thinking faculties, and see how far the external
appearances of things were thereby conditioned.. It therefore
became necessary to explain in what relationship that which
man postulates the existence of — his own Self, his own Soul
— stood in regard to the Imperishable, the Brahman. The
Indian mind had to seek for knowledge that was of more
value than sacrifice or good deeds, the knowledge not only
of Brahman, but of that which told all men that even if
their perceptions of the objective reality of the world be
founded on nescience, there yet remained, calling for some
explanation, the subjective evidence man possesses of his
own Self, of his own existence.
Whilst the Indian mind was thus searching for the Cause
from which issued the objective form of the world, it was,
at the same time, seeking out from the subjective reality
the underlying Self or Soul by which man knows he
exists. The answer respecting the Cause was clear.
From " Brahman " proceeded the creation of the world, the
form of whose arrangement no mind can grasp, where all
becoming has its own time, and place, and cause.^ The
word Brahman itself is formed from a root, brih, signifying
bursting forth, expanding, spreading, growing.* From brih
1 " Brih. -Aran. Up.," iii. 8, II ; S.B.E., vol. xv.
- " Brahma SStras," i. i, 2.
3 " Ibid., i. 1, I :— " Root iriA=to be great " ; see Gough, " Philosophy of
the Up'inishads," p. 38; Max MuUer, " Vedanta," pp. 21, 148.
I04 LITERARY HISTORY OF INDIA
the word Brahman was first formed ; it was the prayer sent
forth by the Vedic seer to invoke the near presence of the
deities. Brihaspati was the lord of prayer,^ the lord of
speech.^ From the prayer, from the creative fervour of the
poet's imagination and aspiration, all the gods had sprung
to birth, the triple " Vedas," on which all truth is founded,
had sprung to life. " Brahman " was that from which all the
universe, extended in name and form, was issued forth.
It was the tree and the wood from which the heavens and
earth were hewn ; it was that in which all things are woven,
like warp and woof. In its full definition, as later given,*
" Brahman " was held to be that Omniscient and Omnipotent
Cause from which came the birth, the stay, and the decay
of this Creation, as seen spread out by name and form,
wherein abide many actors and enjoyers, wherein arises
the fruit of good and evil deeds, all having their own time,
and place, and cause ; a Creation, the planning of whose
form no mind can grasp. The answer respecting the Soul
or Self had further to be formulated.
From earliest times the wondering powers of the
primitive mind were set to fathom sleep and death, and
their surrounding mysteries. In sleep are seen visions of
well-known faces ; scenes are fancied forth ; joys and fears
come and go ; yet, as man moves not, the first solution is
that something — the breath, the spirit, or the soul — has gone
forth to wander free. From death there is no awakening ;
the shade,* the breath, soul, or spirit has gone forth and
1R.V., ii. 23, I:— "Als Priestlicher Schachtgott" ; Oldenberg, "Rel. des
Vedas," p. 67, as "sacerdotal side of Agni's nature"; Macdonell, J.R.A.S.
(1895). P- 948-
= R.V., A. 98, 2, 3; X. 71, I. Vachaspati, see Max Miiller, " Vedanta," p. 149.
For Brahman as Logos of Fourth Gospel, see Deussea, p. 51 ; Max Miiller,
"Vedanta,"p. 148:— "He created first of all the Brahman ";«/: S.B., vi. i, -.,
8, which is translated : — " He created first of all the word."
3 "Brah. Sutras," i. 1,2.
* Huxley, " Romanes Lecture," p. 40 ; Rhys Davids, " Hibbert Lectures,"
p. 83.
FROM BRAHMANISM TO BUDDHISM JOS
returns not. The lifeless body is still loved by friends,^
and feared by those who were foes. Efforts are made by
friends to recall the soul, to guide it to the place where
it once dwelt, food is placed near, offerings made, and all
the means so familiar to students of folk-lore, taken to
hasten it on its journey. To these spirits, Pitris, or fathers,
who had gone away ^ (" preta ") along the path first trodden
by Yama, the Vedic Soma^ was poured forth, and they
were summoned to take their place* among the assembled
gods, and partake of the sacrifice. In the "Taittiriya
Brahmana " the souls of the deceased are said to dwell in
the heavens above as stars,^ and again® in the stars are
" the lights of those righteous men who go to the celestial
world." In the " Satapatha Brahmana " ^ death is the sun
whose rays attach to mortals their life breath, yet, as the
" Katha Upanishad " ^ declares : " No mortal lives by the
breath that goes up and the breath that goes down. We
live by another in whom these two repose."
There was something which went out of man in sleep
and death ; something underlying the Ego, the I, the vital
breath, more subtle than life.
In the " Rig Veda," » the sun, though it holds the life
breath of mortals, is something more. It is the Self, or the
"Atman," of all that moves and moves not, of all that fills
the heavens and the earth. So of man there is also the
Atman,!" « the Self, smaller than small, greater than great,
hidden in the heart of that creature." A man who is free
^ Jevons, " History of Religions," pp. 46, 54.
2 Max Mliller, " India : What Can It Teach Us?" p. 220.
' R.V., X. IS, I : — "The fathers who deserve a share of the Soma."
'■Ibid., X. 15, II :— "Fathers whom Agni's flames have tasted, come ye
nigh: in proper order take ye each your proper place. Eat sacrificial food
presented on the grass " (Griffith).
5 " Taitt. Brah.,'- v. 4, 13. « " 6at. Brah.," vi. S, 4, 8.
' " Sat. Brah.," x. 3, 3, 7, 8. ^ << Katha Up.," ii. 5, 3 ; S.B.E., vol. xV.
9 R. v., i. 115, I. , " "Katha Up.," i. 2, 20.
io6 LITERARY HISTORY OF INDIA
from desires and free from grief sees the majesty of the
Self by the grace of the Creator. ^
It is this Atman, or Self, more abstract in its conception
than soul, Psyche, or "anima," that becomes also the
Universal Self, the Self of the World, " bhumiyah atman,"
of which the " Veda " ^ speaks : " When that which had no
bones bore him who has bones, when that which was
formless took shape and form."
The Indian sage, seeking out the primal cause of
creation, had first to sweep away all that which had been
produced, even the gods themselves, and to his gaze there
remained but the neuter essence. Brahman, from which
all things issued forth, and into which all things resolve
themselves. There remained also the Self, the Soul, the
Atman of man. There was but one step further to be
reached by the Indian mind, and that was taken when all
duality vanished, and the Brahman became the Great Self,
the " Paramatman," the Universal Self, into which was
merged the Atman, or Self, of man.
In the closing scenes of the teachings of the priest,
Yajnavalkya, at the court of Videha, this doctrine of the
Atman, which was to have so great an influence on the
future of India, is set forth in clear and plain language.
Maitreyi, the wife of Yajnavalkya, appeared and prayed
her husband, who was preparing to go forth from his home
and end his days, according to the custom of the time,
as a hermit in the forest, to expound unto her the secret
of death and immortality. Yajnavalkya replied to his wife :
" Thou art, indeed, dear to me, therefore I will explain it to
you, and mark well what I say." *
So he told her that to all the world was dear ; that wives
and sons were dear ; wealth, the gods, sacrifice, and know-
ledge, for the simple reason that they were all held in the
• "Dhatu piasadat," see Max Muller, " Vedanta,'' p. 50.
2 R.V., i. 164, 4. » " Brih.-Aran. Up.," iv. 5, 5.
FROM BRAHMANISM TO BUDDHISM 107
Self, that they were all permeated by the Self, that they
were all one in the Self. " Verily, the Self is to be seen,
to be heard, to be perceived, to be marked, O Maitreyl !
When the Self has been seen, heard, perceived, and known,
then all this is known." ^
The futility of the efforts to inculcate these philosophic
speculations among the people, so that they might become
potential principles of a new religious movement, a con-
summation only effected by Buddha with respect to the
doctrines he taught, is dramatically set forth and artistically
foreshadowed by generally putting forth women such as
GargI and Maitreyl to receive instruction. This can be
seen in the answer made to Yajnavalkya by his wife.
Then Maitreyl said : " Here, sir, thou hast landed me in
bewilderment. Indeed, I do not understand."*
The remark gave Yajnavalkya the opportunity for setting
forth, in the simplest language, the doctrine of the unity
of the Self of Man and the Self of the Universe, the peculiar
Eastern mode of expressing " the Monistic doctrine of the
All in One which has had the greatest influence on the
intellectual life of modern times."* In the answer of
Yajnavalkya there is no exulting cry of one seeking, by
the keenness of his intellect, to overthrow rival creeds;
there is no vaunting boast that the riddle of existence had
been solved ; there is but the sad wail that the mind had
pierced as keenly into the nature of things as it was able,
and that even then there was room for wonder — room not
only for wonder, but room for doubt that any reasoned
thought of man would ever satisfy the eager thirst of
humanity to seek out a living faith in keeping with the
instincts which make its manhood. Nowhere in the
history of the world's thought can there be found more
earnest efforts to seek out for suffering mankind some
1 " Bnh.-Aran. Up.," iv. S, 6. = j^f^^^ ■„_ 5^ j^.
5 Garbe, "The Monist," p. 58 (Oct. 1894).
io8 LITERARY HISTORY OF INDIA
solution of the perplexing questions which surround his
life than in those sedately and reverently-expressed specu-
lations of the awakened thought of India. Yet, strange to
say, these speculations never touched the hearts of the
people. They worked no such revolution as did the crude
agnosticism of Buddha.
From the sedate and learned priest, prepared as he was
to leave wealth and fame, wives and sons, and end his days
in subdued submission to the scheme of things which held
him powerless, and was soon to claim his life, came the
gentle answer to his wife Maitreyl : —
" O Maitreyl, I say nothing that, is bewildering. Verily, beloved,
that Self is imperishable and of an indestructible nature. For when
there is, as it were, duality, the one sees the other, one smells the
other, one tastes the other, one salutes the other, one hears the
other, one perceives the other, one touches the other, one knows
the other ; but when the Self alone is all this, how should one see
another, how should one smell another, how should one taste an-
other, how should one salute another, how should one hear an-
other, how should one touch another, how should he know another ?
How should he know him by whom he knows all this? That
Self is to be described by no, no ! He is incomprehensible for
he cannot be comprehended; he is imperishable for he cannot
perish ; he is unattached for he does not attach himself; unfettered,
he does not suffer, he does not fail. How, O beloved, should he
know the knower? Thus, O Maitreyl, thou hast been instructed.
Thus far goes immortality. Having said so Yajnavalkya went away
into the forest."
The Indian mind had, however, long to wait before it
clearly saw its course to Monism, notwithstanding the
answer here given by Yajnavalkya as the last result of his
long efforts to rest within the dreamy depths whence the
reality of the world fades away into the Universal Self,
outside of which there is no duality.
As yet this Self is but that which pervades and under-
lies all things ; it stands apart, yet from out it springs
Creation. Close to a pure idealistic conception of the
FROM BRAHMANISM TO BUDDHISM 109
Universe and the unreality of everything, the perception
of which by our senses is mere delusion, comes the well-
known teaching of Uddalaka to his son ^vetaketu in the
"Chandogya Upanishad''^ where it is declared: "In the
beginning, my dear, there was that only which is (to oV)
one only without a second. Others say, in the beginning
there was that only which is not (rb /t^ ov), one only without
a second, and from that which is not, that which is, was
born."
" But how could it be thus, my dear ? " the father con-
tinued. " How could that which is, be born of that which
is not? No, my dear, only that which is, was in the
beginning, one only without a second."
So far it might seem as if there could exist no reality
nor duality from which the creation of anything outside the
One Universal Self could rise. Yet the teaching goes on
to declare that what in the beginning was one only without
a second thought, "may I be many, may I grow forth.
It sent forth fire."
It remains still that Self out of which the heavens
and earth were made.^ It is still, as the one piece of clay
gives its name to the whole piece of clay,* that from which
all creation derives its name and form. It still has thought,*
and from its thought plurality springs forth, first fire, then
water, food, and earth. It is still the Self which Death
declares to Nachiketas, who had gone to the realms of Yama
to redeem a vow made by his father.^ From Yama
Nachiketas claimed a boon, for Death, who had been busy
among mortals, had kept him waiting, and the boon he
claimed was, that Yama should declare to him what was
' " Ch. Up.," vi. z I. 2"Taitt. Brah.,"ii. 8, 96. » « ch. Up.,'" vi. i, 4.
* Ibid., vi. 2, 3 : — " It thought, may I be many, may I grow forth. It sent
forth fire." S.B.E., vol. i.; Oldenberg, "Buddha," p. 41 :— Therefore "in-
volving the duality of the subject and object."
s " Katha Up.," p. 54, for which Oldenterg claims a pre-Buddhistic origin.
no LITERARY HISTORY OF INDIA
the great secret beyond the grave. In vain Death prayed *
not to be asked the question. He offered to Nachiketas fair
maidens, and chariots, and song. Yet of them Nachiketas
cried : " They last till to-morrow, O Death ; they wear out
the vigour of all the senses. Even the whole of life is
short. Keep thy horses ; keep dance and song to thyself."
'Nachiketas but desired to know the mystery of death. So
Death told him all that the mind of man had been able
to fathom of the unknown the portals of which had been
fashioned out from fantastic dreams of evanescent fancy,
still more dear to the mystic mind of the East than the
stately portals of Western constructive thought, where each
line is laboriously laid down to serve a purpose. So Death
weaves a web through which one may seek the infinite,
fine-spun and vague as the thread of thought which
stretched from Vedic times towards Buddha's feet.
" Fools and blind leaders of the blind," ^ Death says, " are
they who fall into my hands. They are those who deem
there is no world but theirs, who know not the truth of
Self. The Self is not to be known by the ' Veda,' nor by
the teaching. It is not born ; it dies not ; it sprang from
nothing ; nothing sprang from it* It is hidden in the heart
of every creature. The wise who knows the Self as bodiless
within the bodies, as unchanging among changing things,*
as great and omnipresent, does never grieve, but he who has
not turned away from his wickedness, who is not tranquil
and subdued, or whose mind is not at rest, he can never
obtain the Self (even) by knowledge." Amid all these
strange guesses which the enquiring mind of the Indian
philosopher hazarded respecting the nature of Soul and
' Max Miillec, "Hibbert Lectures," p. 335.
" S.B.E., vol. XV. pp. 10-12 ; Oldenberg, " Buddha," pp. 53-7 ; Max
MUUer, " Hibbert Lectures," pp. 333-7.
»"KathaUp.,"i. 2, 18.
* Ibid., i. 2, 23: — "He whom the Self chooses, by him the Self can be
FROM BRAHMANISM TO BUDDHISM iii
Supreme Being, and their connection, in which all of the
old is held fast, for as yet the sage is not satisfied that he has
pierced to the truth, there comes one belief stranger to our
ears than all others, declared as follows :i "Self cannot be
gained by the 'Veda,' nor by understanding, nor by much
learning. He whom the Self chooses, by him the Self
can be gained. The Self chooses him (his body as his own)."
So from thought to thought the mind wandered on in its
own course, over the anxious questions never to be solved
yet never silenced. " Breath to air, and to the immortal," ^
cries the dying soul ; " then this my body ends in ashes.
Om ! mind, remember ! Remember thy deeds. Mind,
remember ! Remember thy deeds."
" He who knows at the same time both the cause and the
destruction of the perishable body, overcomes death by
destruction, and obtains immortality through knowledge of
the true cause."
" When to a man who understands the Self has become
all things, what sorrow, what trouble can there be to him
who once beheld that unity ? " * " And he who beholds all
beings in the Self, and the Self in all beings, he never turns
away from it." * " All who worship what is not the true
cause enter into blind darkness ; those who delight in the
true cause enter, as it were, into greater darkness." "
The full doctrine of the "Brahman" and the "Atman" is
set forth in the well-known " ^andilyavidya," ^ or sayings
of the sage, Sandilya, so often quoted in succeeding
disquisitions : —
"All this is Brahman (neuter). Let a man meditate on that (visible
world) as beginning, ending, and breathing in it (the Brahman).
Now man is a creature of will. According to what his will is in this
1 "Katha Up.," i. 2, 23. " Mandukya Up.," iii. 2, 3, gives the same.
» " Isa. Up.," 17 ; S.B.E., vol. i. p. 313. = Ibid., vol. i. p. 312.
* " Isa. Up." ; S.B.E., vol. i. p. 312. " Ibid., vol. i. p.312.
« "Ch. Up.," iii. 14; "Vedanta Sutras," iii. 3, 31.
112 LITERARY HISTORY OF INDIA
world, so will he be when he has departed this life. Let him therefore
have this will and belief.
The intelligent, whose body is spirit, whose form is light, whose
thoughts are true, whose nature is like ether (omnipresent and
invisible), from whom all works, all desires, all sweet odours
and tastes proceed ; he who embraces all this, who never speaks,
and is never surprised ; he is my Self within the heart, smaller
than a corn of rice, smaller than a com of barley, smaller than
a mustard seed, smaller than a canary seed or the kernel of a canary
seed. He also is my Self within the heart, greater than the earth,
greater than the sky, greater than Heaven, greater than all these worlds.
He from whom all works, all desires, all sweet odours and tastes
proceed, who embraces all this, who never speaks, and who is never
surprised — he, my self within the heart, is that Brahman (neuter). When
I shall have departed from hence, I shall obtain him (that Self). He
who has this faith has no doubt ; thus said ^andilya, yea, thus he
said."
This is the teaching which has ever had the deepest
fascination for all succeeding thought in India. It was the
teaching in which Ajatasatru, King of the Videhas,
instructed the proud Brahman, Gargya Balaki, remarking
as he did so : " Verily, it is unnatural that a Brahmana
should come to a Kshatriya hoping that he should tell him
the Brahman."^
It was the knowledge of the Self and its oneness with
Brahman that inspired Brahmans to give up all desire for
sons, for wealth, and a life amid the gods, to go forth from
their homes and wander as mendicants.^ The knowledge
was not one to be obtained by argument,^ and " he who has
not first turned away from his wickedness, who is not
tranquil and subdued, or whose mind is not at rest, he can
never obtain the. Self even by knowledge." * The path to
the Self is difficult to pass over ; it is sharp as the edge of a
razor.* The Self is seated in the body as if in a chariot ; the
intellect drives, the mind becomes the reins, yet the senses
^ " Brih.-Aran. Up.," ii. I. 15 :— "Then let me come to you as a pupil."
2 Ibid., iii. s, I. s '• Katha Up.," i. 2, 9.
^ Ibid., i. 2, 24. " Ibid., i. 3, 14.
FROM BRAHMANISM TO BUDDHISM 113
are as vicious horses which speed it along, over a road
strewn with the objects of sense.^
The Agnihotra, the new moon, the full moon, the four-
monthly, the harvest sacrifices ^ lead to the heaven of the
gods. They lead the sacrificer, " as sun rays,* to where the one
Lord of the Devas dwells ; they lead him to where there is
rejoicing * over his good deeds." But they are ^ " fools who
praise this as the highest good ; (they) are subject again and
again to old age and death."
" Fools, dwelling in darkness, wise in their own conceit,
and puffed up with vain knowledge, go round and round,
staggering to and fro like blind men led by the blind.
Considering sacrifice and good works as the best — these fools
know no higher — and having enjoyed (their reward) in the
height of heaven, gained by good works, they enter again
this world or a lower one."
Yet, before the teaching of the " Vedas" and "Upanishads''
was systematised in the " Brahma Sutras," and commented
upon by the greatest of all commentators, Sankaracharya, a
strange belief had arisen in India, which for upwards of one
thousand years set its impress on the history of the land,
and gave to its literature a rich wealth of treasure, the full
value of which is but now dawning on the nations of the
world. The belief was that known as Buddhism, claiming
for its founder the Sakya chief, Siddartha, greater than
whom there came but One other among the sons of men to
preach the gospel of peace and goodwill unto all.
1 " Katha Up.," i. 3, 4. " "^andukya Up.," i. 2, 3. ^ Ibid., i. 2, S-
* Ibid., i. 2, 6. 5 Ibid., i. 2, 8, 10.
CHAPTER VII.
BUDDHISM.
The sacrificial fires still burned in India. From the three
altars still arose to the gods the incense-bearing smoke.
The Brahmans still chanted their Vedic Hymns, and pre-
served the ancient traditions of their race ; still strove to
hold their place amid the councils of the local chieftains,
and gain rich lands, kine, and wealth.
The sacrificial victims were still slain, harvest-offerings
made to all the gods. Priestly ordinances hemmed in the
life of each Aryan householder to fixed and immovable
rites, to customs all bearing a divine sanction. There
were Brahmans and laity, men and women alike, who had,
however, turned their gaze from the sacred fires, and no
longer saw their gods personified as in days of yore.
Beyond the heavens, beyond the gods, beneath the throb
of life, there lay, not one great personal God, Creator of
the World, but the imperishable Brahman, " the Unconscious
Self of the Universe," " never contaminated by the misery
of the world." ^ Deeper than the transmigratory soul, which
reaped the reward of good and evil deeds, lay the Self of
man, that moved free, undivided from the Self of the
i"KathaUp.,"ii. 5, 11.
Hi
BUDDHISM 115
Cosmos, when man rests in dreamless sleep,^ when he no
longer distresses himself with the thought : " Why did I
do what is good ? Why did I do what is bad ? " By a
knowledge of the true nature of Brahman, and Self, all
duality vanishes ; 2 the Self of man recognises itself as but
temporarily separate from the Self of the Universe. " All
the world is animated by the supersensible. This is true ;
this is Self. That art thou." ^
The mystic charm of idealistic Monism stole over the
minds of many with all the soothing rest of a mid-day
siesta in a tropical clime, where the heavens, the waters, the
earth, and all that it contains, the very air itself, seems to
rest profound and calm in the unison of sleep.
From the earliest Vedic times* there had been ascetic
sages who had cut themselves adrift ^ from all the cares
of life to wander free from observance of sacrificial rites
or priestly ordinances. In the laws* set forth by the
Brahmans for all the Aryan community, the position of
these ascetic dreamers had to be considered, and their
claims to sever themselves from the duties of a house-
holder acknowledged.
So it was held ^ that the ascetic might leave his home,
and discontinue the performance of all religious ceremonies,
1 "Ch. Up.," vi. 8, 4; Huxley, "Romanes Lecture," p. 18 :—" Practical
annihilation involved in merging the individual existence in the unconditioned,
the Atman in Brahman."
2 " In zahlreiche Gleichnissen suchen die Upanishads das Wesen des
Brahman zu beschreiben, aber diese Betrachtungen gipfeln in dem Satze, dass
das innerste Selbst des Individuums eins ist mit jener alles durch dringenden
Urkraft (tat tvam asi, das bist du)."— Garbe, " Sankhya Philosophic," p. 109.
8 "Ch. Up.," vi. IS; Gough, "Phil, of the Upanishads," p. 90.
* R.V., i. 154, 2 ; i. 69, 2 ; see Earth, " Rel. of India," p. 34.
» For the existence of women ascetics, s^e Oldenberg, "Buddha," pp. 62,
154 ; Fichte, " Die Sociale Gliederung in N.O. India," p. 42, et seq.; Arrian,
"Indica,"xii. 8, 9.
s "There can be no doubt, from the laws laid down respecting them, that
they had a recognised position about the eighth century B.C." (Jacobi).
' " Vasishta," x. i, 4.
ii6 LITERARY HISTORY OF INDIA
" but never let him discontinue the recitation of the ' Veda.'
By neglecting the ' Veda ' he becomes a Sudra, therefore he
shall not neglect it."
There were other rules laid down, even before the time
of Buddha.i for these wanderers from village to village and
hermit-dwellers in the forest. Those who chose to wander
free from all bondage or restraint, from all Vedic observ-
ances, had first to take five great vows. The first great
vow was not to injure any living thing. The other four
vows were to be truthful, to abstain from the property of
others, to be content and liberal. Besides these five chief
vows there were five lesser for all these saddened sages
who withdrew themselves from the busy ways of men, and
turned their backs for ever on the blind struggle to live as
others lived, preferring to go to the forest and dream out
their own lives apart, or wander from land to land seeing if
any knew or had heard the truth of the Brahman and the
Self. Many of these wandering folk were, no doubt, corrupt
and vicious, given to the practice of unholy rites, hoping
to obtain insight into the unknown and gain supernatural
powers by self-imposed tortures, by mesmeric trances, and
by all the varied means so common in later India. For
the guidance of these strict rules were necessary, so it was
held that a true ascetic should take the vows to be free
from all anger, to be obedient,^ not rash, cleanly, and pure
in eating.
The ground had been well prepared for the growth of
new beliefs* and new doctrines outside the orthodox
bulwarks of Brahmanism.
^ " He who has finished his studentship may become an ascetic im-
mediately."— " Baudhayana," ii. lo, 17.
" To his guru.
> See BUhler, "Ind. Ant." (1894), p. 248:— For the worship of Narayana, as
taught by the Bhagavatas or Pancaratras, had taken root, a cult afterwards to
develop into the deification of the heroic Krishna. For reference to Krishna
and dramatic representations of scenes in his life by Patanjali (take as second
century B.C.), see Bhandarkar, "Ind. Ant." (1874), p. 14.
BUDDHISM 117
It was amid this changing flux of thought that Buddha
moved, and wove out for himself the solution of the riddle
of the Cosmos, which placed man's fate, for weal or woe,
here and hereafter, in man's own hands, and taught him to
look not beyond himself for hope or aid.
The birthplace of Buddha has lately been sought and
found in the now forest-grown and fever-laden tract of
country lying along the southern slopes of the Himalayas,
almost 200 miles to the northward of Benares.^ Burial
topes and mounds, inscriptions carved on stones, all still
lie buried beyond the dense jungle that, during the last
fifteen hundred years," has crept over the rich land where
once the Buddha lived happily.
According to the account of the Chinese traveller,
Hiouen Tsang who left his own country in 629 A.D., to
learn in India the tenets of Buddhism, the country of
the Sakya people, among whom Buddha was born, "is
about 4000 li (sixty-four miles) in circuit. There are
some ten deserted cities in this country, wholly desolate
and ruined. The capital, Kapilavastu, is overthrown and
in ruins. The foundation walls are still strong and high.
It has been long deserted. The people and villages are
few and waste. . . . The ground is rich and fertile,
and is cultivated according to the regular season. The
climate is uniform, the manners of the people soft and
obliging." ^
Different from the account of the Chinese traveller is
that recorded in the Pali Scriptures by a Brahman,
^ Biihler, Athenaum (March 6, 1897) : — Where Nigllva is placed 13 miles
from Paderia, the site of Buddha's birth, 8 miles from Kapilavastu.
Earth {Jour, des Savants, Feb. 1897) places Nigliva "a 37 miles au nord-
ouest de la station Ushka du North Bengal Railway, par 83° E. of Greenwich."
" " In Fa Hian's time, about a.d. 400, the country was already a wilderness,
with very few inhabitants, and full of ancient mounds and ruins." — Biihler,
Atkeneeum (March 6, 1897).
= Beal, " Budd. Rec. of West. World," vol. ii. p. 14.
ii8 LITERARY HISTORY OF INDIA
Ambattha,! who visited Kapilavastu, and there found
that the rude warrior clan had no respect for the lofty
claims advanced by the haughty priest. "The Sakyan
race," the young Brahman angrily complained, "is fierce,
violent, hasty, and long-tongued. Though they are naught
but men of substance, yet they pay no respect, honour, or
reverence to Brahmans."
More full of interest is the Buddha's recorded reply to
the Brahman, pointing out that there was no occasion for
wrath, for it was well known that the Sakyas, as Kshatriyas,
held themselves aloof from the Brahmans ; that they refused
to acknowledge the offspring of one of their class and a
Brahman as a true Sakyan, while the Brahmans accepted
such as pure Brahmans. In the important article by Mr
Chalmers here quoted, it is further pointed out that " the
young Brahman is forced to admit that, if a Kshatriya is
expelled by his fellows, the Brahmans will welcome him as
one of themselves, and he will rank ^ as a full Brahman ;
whereas, an expelled Brahman is never received by the
Kshatriyas." The position of Brahmanism in relation to
Buddhism is clearly indicated in the words of the " Sutta," ^
where it is declared that "it is mere empty words to
give it out among the people that the Brahmans are the
best caste, and every other caste is inferior; that the
Brahmans are the white caste, every other caste is black ;
that only the Brahmans are pure, not the non-Brahmans ;
that the Brahmans are the legitimate sons of Brahma, born
from his mouth, Brahma born, Brahma made, heirs of
Brahma."
The land of the Sakyas lies within the Nepalese Terai,
north of the district of Gorakhpur. To the south of it lay,
> Chalmers, "Madhura Sutta," J.R.A.S. (April, 1894):— Where he quotes
above from the " Ambattha Sutta of the Digha Nikaya."
^ See Rhys Davids, " Hibbert Lectures" (1881), p. 24; "In Valley of
Ganges": — "No Kshatriya could any longer become a Brahman."
» Chalmers, J.R.A.S. (1894), p. 360.
BUDDHISM 119
in the time of Buddha, the land of the Ko^alas, before whose
power it was soon to fall subject. The Sakyas themselves
were a warrior clan, and if of Aryan descent, had, in their
distant retreat, mingled their blood with non-Aryan folk,
and accepted many of their habits. They refrained from
intermarriage with other Aryan families, being forced from
their isolation "to develop the un-Aryan and un-Indian
custom of endogamy." ^ The tradition, however, still
remains that they claimed descent from Ikshvaku,^ the
fabled first king of Oudh, the son of Manu, and progenitor
of Purukutsa, the king of the Purus. With the Vedic sage,
Gotama, they also claimed alliance, so that the great glory
of their race was known not only as Buddha, " The
Enlightened," and Siddartha, "one whose aim has been
accomplished," but as the ascetic Gautama, the descendant
of Gotama, the reputed founder of his family.
In the land of the Sakyas, the father of Buddha owned
some part of the fertile lands that now lie waste, and there
he became renowned as Suddhodhana, " the possessor of
pure rice." These are but dull facts. Better tradition with
its imagination, its romance, and poetry, that tells how the
Buddha's father was a king, and how the queen, Mayadevi,
conceived miraculously. Facts seem now to support
tradition so far that in the middle of the sixth century
B.C. the Buddha was born to Mayadevi in the garden
Lumbini. The route to this spot was marked out towards
the close of the second century by a row of pillars stretching
north from Patna, the capital of Asoka, the Constantine of
Buddhism, who journeyed to Kapilavastu, there to see for
himself the place where the Sakya prince was born.
It was to the West, with all its stern love for realism,
that the honour fell of discovering the long-fabled garden
1 Buhler, Athenaum (March 6, 1S97).
^Zimmer, "Alt. Ind. Leben.," p. 130; Oldenberg, "Buddha," p. 403;
"Sat. Brah.," xiii. S, 45-
I20 LITERARY HISTORY OF INDIA
where MayadevI housed on her journey to her father's
home, and where the Buddha was born. The news came
to England in a brief telegram of the Times of December
28, 1896, and there it passed unnoticed and unremarked.
From the time when Hiouen Tsang and Fa Hian visited
the spot, the miasma of the forest had warded off all
stray travellers, and left the deserted ruins a grazing-place
for cattle until, in the strange vicissitudes of time, the
mystery was unravelled that had so long hung round the
birthplace of the sage, whose teaching held India spellbound
for one thousand years, and is now accepted, in more or
less perverted forms, by so large a proportion of the human
race in Ceylon, Siam, Burma, Nepal, Tibet, China, and
Japan.^
Asoka, who visited the spot in his own day, erected a
pillar there, engraved with an inscription. This pillar was
seen and described by Hiouen Tsang during his travels.
Since then all memory of the pillar and its inscription faded
away from memory until it was found by Dr Fiihrer, and
the inscription thereon interpreted by Hofrath Professor
Biihler as follows : " King Piyadasi (or Asoka), beloved
of the gods, having been anointed twenty years, himself
came and worshipped, saying : ' Here Buddha Sakyamuni
was born,' . . . and he caused a stone pillar to be
erected, which declares, ' Here the worshipful one was
born.' "2
In his father's home the future Buddha must, like all
other Kshatriyas, have been trained to take his part in
defence of his home and homestead. All had to join in
the tribal fights against surrounding clans or encroaching
principalities. Hiouen Tsang states that when he visited
the ruins of Kapilavastu, " within the eastern gate of the
city, on the left of the road, is a stupa (burial mound);
' Set Max MfUler, " Chips from a German Workshop," p. 214.
' BUbler, Athenaum (March 6, 1897)
BUDDHISM
121
this is where the Prince Siddartha practised athletic sports
and competitive arts." ^ The tribe, not able to hold its own,
was soon subdued by another more powerful, and the
tradition tells how the Kshatriyas murmured because
Siddartha neglected to train himself as a warrior and
prepare himself to fight in case of war. Thus challenged,
Siddartha came forth and "contended with Sakyas in
athletic sports, and pierced with his arrows the iron
targets."
Round all the early life of the Buddha, tradition loves
to set a halo of mystery and miracle. Hiouen Tsang
states that he himself had seen a fountain, the clear waters
of which had miraculous powers of healing the sick, for,
as he says, " there it was, during the athletic contest, that
the arrow of the prince, after penetrating the targets, fell
and buried itself up to the feather in the ground, causing a
clear spring of water to spring forth." ^ So succeeding
ages have woven into the early life of Buddha a fantastic
web of legends, which find their source in the poetic and
pious imagination of those who saw in all the deeds of the
ascetic sage something more than human.
From all this legend may be sifted out the fact that, at
the age of sixteen, the Buddha was married to his cousin,
Yasodhara, daughter of the Koliyan chief, and ten years
later a child, Rahula, was born. The story has been
framed in poetic fancy of how, to Buddha, the woes
of life were borne home by visions of decrepitude, of
old age, of palsied sickness, and of death. Buddha
at length saw a means to escape these haunting terrors
in the vision of an ascetic sage who had wandered
forth from his home, resolved that never more should
his eyes behold the unaided sufferings of those to whom
he had knit his soul. So Buddha rose and in the
' Beal, " Hiouen Tsang," vol. ii. p. 23.
" Ibid., vol. ii. p. 211.
122 LITERARY HISTORY OF INDIA
night-time passed forth from his wife and child, from his
home and homestead, to find if, amid the fair villages
and peaceful groves of India, where sedate and learned
Brahmans, ascetic hermits, and strange recluses dwelt,
there were any who knew the secret of the mystery of life
and death, of sorrow and suffering.
The time was one when strange unrest and strange fore-
bodings had everywhere been borne to the soul of man.
Near at hand in Persia, Zoroaster had proclaimed, as some
solution of the bitter wail of mankind, the existence of
the two ever-conflicting principles of good and evil. In
Palestine, Jeremiah poured forth his lament "that all his
days are sorrow, and his travail grief That which befalleth
the sons of men befalleth beasts." At Ephesus, Thales
had struck the first note of independent thought and un-
orthodox belief by declaring that water was the primal
germ of all things, to be followed by Heraclitus, who saw
everywhere evidences of unresting change, the mere glow
and fading away, like unto fire, of all things, an eternal
becoming, and a never-existing Being, as of flowing water,
wherein no firm resting-place remained for man but in
some negation of change,^ some cessation of the entire
scheme of Creation.
So to the soul of Buddha crept the sad murmur of the
bitter wail that " the millions slept, but a hushed and weary
sound told that the wheel of life still revolved."^ There
was a question Buddha had perforce to face — a question
to which if there came no answer, to the soul of man all
joys and pleasures fade as transient dreams. What to
Buddha, what to all men, are the rewards of life, the love
of wife, of parents, offspring, the fond memory of those
who have passed the chilling gates of death ; what the
hopes and aspirations that hover round life if they are all
' Huxley, "Romanes Lecture," p. 39 (note 2).
2 E. Garnett, "An Imaged World," p. 91.
BUDDHISM 123
but mockeries of man's vain efforts to raise himself
above the brute beasts? All had better be relinquished
than be retained at the relentless nod of a jeering
destiny, than grow bright only to be severed by the
decrees of an impotent Cosmos, that answers back the
moan of suffering with the cold stare of nescience, wherein
can be read no gleam of purpose working to an omniscient
end. Better for Buddha that he should have cast from him
all ties which daily grew closer round him, and made life
more dear, than that they should clasp him tighter and
drag him down to a darkness profound amid his unavailing
cries for help, when neither from Brahmans nor from burned-
offerings could he find the aid for which his soul cried out.
For Buddha, and for all men in whom reasoned thought
had risen, the religious systems of the time held forth no
hope. The Vedic gods were gods for a conquering folk
whose future had but dawned. They were friendly gods
who led the way to victory, and so long as victory was
assured, a united people sang their praise.
The Sakyan land was far removed from homes where
the Aryan brotherhood held its traditions firm amid alien
foes. The echoes of an Aryan past that came to its
borders were vague and uncertain ere they fell on Buddha's
ears. He may have heard of the doctrines of the early
" Upanishads," ^ how rest was to be sought by knowledge of
the Brahman and Self. His efforts, after he had left his
wife, and child, and fatherland, seem to have been to gain,
by asceticism, morbid fancies, and religious austerities,
some supernatural or mystic power whereby his soul might
rise free from all the trammels of the desires of the body,
and be no longer subject to the domain of death. If
Buddha was versed in Brahmanic lore,^ as many have
* Rhys Davids, "American Lectures," p. 29.
^ Ibid., p. 102, states that Buddha, iti his early probation at Rajagriha,
received a teaching on the problems "discussed by such /«<«;- schools as the
^ankhya and Vedanta." He continues : " It is certainly evident that Gotama,
124 LITERARY HISTORY OF INDIA
sought to prove, he must have been appalled not only by the
visions of a hereafter, which confronted himself and those
he held dear, but by the drear future which lay before all
mankind. Long before his days the weird doctrine of the
transmigration of the soul through endless births and re-
births had crept its way into the beliefs of the people.
In the early Vedic times there seems to have been no.
gloom or despair surrounding the idea of death or the
hereafter.
Agni ^ was besought to bear those who died to the abode
of the Fathers, where there was joy and happiness. Later ^
Agni was declared to be the bond, the bridge leading to
the gods, with whom the dead dwell in friendship. The
man who sacrifices goes * after death to abide with the gods.
The more he sacrificed, the greater was his piety, the
closer he became in his nature to that of the gods.* As
the thought grew, it was with his own true body^ that
man gained immortality, and great became the care* in
Indian life that none of the bones of the deceased were
missing when his funeral rites were performed.
There were some who sacrificed, and some who neglected
the sacred duty, some who gave rich rewards to the priests,
some who were niggardly, against whom the sacred texts
are vehement in their denunciations. So for the Aryan
either during or before this period, must have gone through a very systematic
and continued course of study in all the deepest philosophy of the time." I
agree with the learned Professor, with the exception that I do not see that any
evidence is forthcoming that Buddha had any such knowledge when he left
Kapilavastu ; he obtained it in Magadha. Even if the ^ankhya, as a philosophy,
existed before the time of Buddha, there is no evidence that it was known to,
or influenced, Buddha. See Oldenberg, "Buddha," p. 64; Rhys Davids,
"American Lectures," p. 29;* and for opposite view, Garbe, "SanlAya
Philosophie " ; and Huxley, "Romanes Lectures," p. 17.
1 R.V., ix. 133, 66. " "Taitt. Brah.," iii. 10, ii. i.
» "6at. Brah.," ii. 6, 4, 8. < Rid., x, i, 5, 4.
^ Ibid., iv. 6, ti, xi. 1,8, 6, xii. 8, 3, 31 ; Weber, Z.D.M.G., ix. 237^;
quoted in Muir, " Sans. Texts," vol. v. 314-15.
" " 6at Brah.," xi. 6, 3, 11, xiv. 6, 9, 28.
BUDDHISM 125
householder there grew to be the rewards and punishments
in the next world according to how he performed his
duties in this world, according as he completed the full
course of the stated sacrifices. The idea was that in the next
world his deeds were weighed in a balance,^ and according
to the result his award was meted out, for he " is born into
the world which he has made." ^
So the thought wanders hazily along. The whole world,
to the primitive mind, is animated with soul life. The trees,
animals, the running brook and solitary mountain, the
petrified fossil over which man wonders, the dreaded snake
and abhorred reptile, are all endowed equally with souls
or spirits ; there is no broad line drawn between man and
the rest of that into which the Divine has breathed life. So
the bewildering idea is set forth — bewildering only to the
learned, not to those who love to watch the flowers in the
changing warmth and cold of Spring-time, who conjure up
the eager contest between St George and the dragon, and
who dread to see in May the "Three Great Ice Kings."
"Now the Spring assuredly comes into life again out of
the Winter, for out of the one the other is bom again ;
therefore, he who knows this is, indeed, born again in this
world." 3
Not in modes of formal thought, but in the dreamy fancy
of one who loves to walk in the fallacious paths of specious
analogy, comes the reasoning over the soul of him who has
not won by his acts release from the common course of
Nature's working. " Whoever goes to yonder world not
having escaped Death, him he causes to die again and
again in yonder world." * Of all good acts that man could
do, the performance of the sacrifice was highest, and of all
sacrifices the Agnihotra sacrifice was best. So " verily he
' "^at. Brah.," xi. 2, 7, 33, xi. 7, 2, 23.
2 IMd., vi. 2, 2, 27 : — " Man is bom into the world made by him."
» Ibid., i. 5, 3, 14.
* i^^also Ibid,, ii. 3, 3, i.
126 LITERARY HISTORY OF INDIA
that knows that release from death is the Agnihotra, is
freed from death again and again." ^
The full tragedy of this phase of thought, of this des-
tiny of mankind — a destiny to which the direst of Greek
tragedies, pursuing to its relentless end the result of act or
omission, presents but a pale and colourless contrast — ^is
summed up in the appalling words of the " Chandogya
Upanishad," ^ believed not only in Buddha's time, but also
in India to-day : " Those whose conduct here has been
good will quickly attain some good birth — the birth of a
Brahman, or of a Kshatriya, or a VaiiSya. But those whose
conduct here has been evil will quickly attain an evil birth
— the birth of a dog, or a hog, or a chandala" * Another
" Upanishad," having allotted the place of the Soul to the
Moon, sets forth the same idea of transmigration, in more
laboured fashion : " According to his deeds he is born
again here as a worm, or as an insect, or as a fish, or as a
bird, or as a lion, or as a boar, or as a serpent, or as a
tiger, or as a man, or as a something else in different
places."
Probably no scholar has shown more dogged deter-
mination to view Buddhism from a purely historical and
philosophic standpoint than Professor Rhys Davids, yet,
when he approaches the realms of metempsychosis, he
seems almost to shudder at the monstrous aberrations of
thought which beset man in his cherished beliefs over the
soul theory : " Thus is the soul tossed about from life to
life, from billow to billow, in the great ocean of trans-
migration. And there is no escape save for the very few
who, during their birth as men, obtain to a right knowledge
of the Great Spirit and then enter into immortality, or as
* " Sat. Biah.," ii. 3, 3, 9 ; see also u. 3, 3, 8 :— " Whoever goes to yonder
world not having escaped Death, him he causes to die again and again in
yonder world."
" « Ch. Up.," V. lo, 7 ; S.B.E., vol. i.
' O&pring of a Sudra and a Brahman woman.
BUDDHISM 127
the later philosophies taught, are absorbed into the Divine
Essence." ^
Some such doctrines the Buddha must have learned
during his early probation near Rajagriha, the capital of
Magadha. It was his mission to view with his own master-
mind all the current phases of thought that were struggling
forth among the scattered people, as the expression of what
the ages had produced, and combine them into the
structure known as Buddhism. This master-work of
Buddha stands out colossal in awe-inspiring loneliness as
a memorial that the Eastern world had, for the time, closed
itself in from all hope of knowledge of the Divine. It is well
typified by the dome-shaped mounds of Sanchi, Bharhut,
and Amravati, wherein were shut all that was left for
the Buddhist to reverence, the relics of the Sakya prince.
These mounds remain the outward form of Buddhist
thought, just as the Parthenon and the memory of Pallas
Athene remain the memorials of Grecian ideals of beauty
and of reasoned thought ; just as Shah Jahan's Taj Mahal
and Akbar's tomb shadow forth the hopes that were burst-
ing forth in India in Mughal times, only to fade away in
dreams, as soft and pleasing as those of the sister Taj
Mahal and stately bridge that was designed to span the
waters of the far-stretching Jumna.
So the dome-shaped mounds in India, left as memorials
of the artistic conception of Buddha's mission, tell their own
story — the story of how man turned his gaze from the
heavens above and entombed his soul, so that never more
might his aspiring hopes be roused to fancied dreams by
stately minarets or soaring spires.
The new reformer had been bom into the world to view,
from a lonely standpoint, and weave into an artistic whole,
the thoughts the age had brought forth. From the earliest
1 Rhys Davids, " Hibbert Lectures," p. 86.
128 LITERARY HISTORY OF INDIA
Vedic times there were those who had denied the existence
of even the Vedic deities.^
The Vedas themselves had been denounced, reviled, and
held as unworthy the consideration of wise men.^ Atheists
(fidstikas = na asti, i.e. non est) flourished and spread
abroad their unbelief. A worldly sect known as the
Lokayatas had freely declared : ^ —
" There is no heaven, no final liberation, nor any soul in another
world.
Nor do the actions of the four castes, or orders, produce any real
effect.
While life remains let man live happily, let him feed on ghee even
though he runs in debt.
When once the body becomes ashes, how can it ever return again ?
If he who departs from the body goes to another world.
How is it that he comes not back again, restless for love of his
kindred ?
Hence it is only as a means of livelihood the Brahmans have
established here
All these ceremonies for the dead — there is no other fruit anywhere.
The three authors of the ' Vedas ' were buffoons, knaves and demons.''
There is yet another phase of thought which must be
considered in connection with the underlying factors out of
which grew Buddhism.
In the sixth century B.C., a great reforming preacher,
Mahavira, had spread abroad the doctrines of Parsva, the
founder of the Jaina sect, who had lived in the eighth
century B.C.* He, like Buddha, was a Kshatriya. His
father is said to have been named Siddartha, a chieftain of
the Kundagrama village, his mother being a sister of the
chieftain of Vaisali, the chief town of the Licchavis, and
also related to Bimbisara, King of Magadha. At the age of
1 R.V., ii. 12, 5 :— " They ask, Where is He ? Or verily they say of Him,
He is not " (Griffith).
2 Monier-Williams, "Buddhism," p. 8.
' Cowell and Gough, " Sarva Darsana Sangraha," p. lo.
< " Ind. Ant," p. 248 (Sept. 1894).
BUDDHISM 129
twenty-eight he set forth on his mission, and became
known as the Jina, "The Conqueror," and his teaching as
Jainism, just as Buddha is l<nown as " The Enlightened," '
and his teaching properly as Bauddhism.
By the Jains the world is held to be eternal, and made
up of atoms. Time revolves in two ever-recurring cycles
of fabulous age, in the first of which goodness increases only
to decrease in the next. Twenty-four Jinas appeared in
the past cycle ; they are now reigning as gods ; twenty-
four have appeared in the present cycle — a cycle in which
goodness is ever decreasing — and twenty-four are yet to
appear in a future cycle.
The great object of the Jain is to attain victory over all
worldly desires ; to free his soul and so become divine like
unto the Jinas. These were known as Nirgranthas.i " those
who have no bonds,'' and in the middle of the fourth century
B.C. they parted into two great sects, those known as the
Svetambaras, " who are attired in white raiment," and those
known as the Digambaras, or "sky-clad," who show how they
have cast off from themselves everything of the world by
wandering about unclothed. The Jains are still numerous in
India,^ the faith being followed by the wealthj' Seths, the
great banking families. The costly Jaina temples, where
the images of the Jinas live in lonely isolation on the
summit of Mount Abu, still preserve the highest ideals of
pure Hindu architecture. In many points the history of
Jainism closely resembles that of Buddhism, a system from
which it was for long considered an offshoot. The Jains, like
the Buddhists, have lay members," Sravakas," who are in and
of the world, and also ascetic monks, " Yatis," who live apart
in monasteries. For the Jaina generally there were three
" gems " by which the soul obtained liberation, or " Moksha."
' Jacobi, Z.D.M.G., xxxviii. 17 ; Hopkins, " Rel. of India," p. 284.
^ " Census of India," (1891) : — "Jains now number 409,715 ; Buddhists only
243.677-"
I
I30 LITERARY HISTORY OF INDIA
These three were, right insight {darSana), right knowledge,
and right conduct. In the observance of the last injunction
the monastic Jaina monks were vowed never to tell lies ;
never to steal ; never to be immoderate in thought, word or
deed; never to desire too much; but above all, never to kill
or injure any living thing. So the Jaina monk to-day up-
holds hospitals for the care of all animals, even for the
nurture of foul insects. The water they drink they first
strain in hopes of removing all life ; they sweep the ground
before them as they walk, so that their feet may not fall
on any living thing ; they even wear veils over their mouths
that nothing with life may be drawn in by their breath.
Even if Buddha had not heard in his own home of any
of these doctrines of the Vedantic or Sankhyan philosophies,
of Jainism, of agnosticism, or of the Brahman and Atman,
nevertheless, the spirit of the times was moving towards
them, and the practical success of his mission shows that
he had, with true insight, set forth an ideal which in the
East received assent from wondering myriads of men and
women who lived and died in simple and devout reverence
of his teaching and his Order. The force he sent forth
was sufficient for a time to overshadow that on which the
rising power of Brahmanism was based.
Inasmuch as Buddhism found its truest abiding home
in Scythian or Turanian lands, it might be held that it was
not the true outcome of Aryan thought, yet a parallel is to
be seen in the spread of Christianity among Teutonic races.
When Buddha, at the age of twenty-nine, departed from
the northern home of the Sakyas, he made his way towards
Rajagriha, where ruled Bimbisara, the chieftain of the
Magadhas, over a district extending over one hundred miles
south of the Ganges, and one hundred miles east of the
Son. To the north of the Ganges were the Licchavis,
whose chieftain, Kataka, ruling at his capital, Vaisali, was
brother to Trisala, the mother of the Jaina saint, Mahavlra.
BUDDHISM 131
Still further to the east of Magadha was the land of the
Angas, with their capital at Chompa, while away to the
north-west lay the Kosalas, whose king, Prasenajit, ruled
at Sravasti, whither the ancient capital had been removed
from Ayodhya. At Rajagriha Buddha met two Brahmans,'
Udraka and Alara, and from them he learned the means
whereby they sought to vanquish all that held them bound
to take their part in life — a part which at its best, many of
to-day would say, is not worth taking unless some firm
faith or trust in its Divine purpose be the guiding light.
From the two Brahmans Buddha could have obtained
no such light. They could but point to their wasted frames,
to their own sunken eyes. They could but have told him of
their austerities, of their hopes that light might some day
come, when the mystery which shrouded their lives would
pass away, and they become as gods with insight more
than human.
From the two Brahmans Buddha parted. His quest
still lay before him, for still he knew and felt
" I am as all these men
Who cry upon their gods and are not heard,
Or are not heeded. — Yet there must be aid !
For them, and me, and all, there must be help ! " *
From Rajagriha he wandered on to the lonely forests of
Uruvela, near to the present temple of Buddha Gaya, south
of Patna, where pilgrims now bring from far lands their
votive gifts to lay, in lowly reverence, on the spot where the
feet of their master and teacher once pressed.
For five weary years Buddha strove to seek out his own
salvation. Penances, austerities, fastings and contemplation
brought neither superhuman knowledge nor power. Five
ascetic sages sat by and watched the lengthened struggle,
1 Oldenberg, "Buddha," p. 106; Hopkins, "Rel. of India," pp. 303-4
Rhys Davids, "American Lectures," p. 102.
2 Edwin Arnold, " Light of Asia."
132 LITERARY HISTORY OF INDIA
wondering if at last one mortal might pierce the Infinite,
and grasp eternal knowledge of the Divine.
From the lips, thin and bereft of colour, there came no
murmur; from the eyes, sunk deep beneath the arching
brows, there came no gleam to show that the soul of the
sage had been quickened by a knowledge more sustaining
than earthly food. The Buddha remained silent and suffer-
ing. At length in despair he turned from his asceticism,
and his five companions left him.
One night — the sacred night of Buddhism — while Buddha
dreamed on alone beneath the sacred Bo-tree,i whose shade
yet falls on Buddhist pilgrims, he clearly grasped in his
own mind the whole cause of the world's sorrow, and the
means whereby the soul might free itself for ever from the
continued course of birth and re-birth. The attainment of
enlightenment by Gotama, who by it became the Buddha,
" The Enlightened," has been surrounded by later tradition ^
with miraculous events and supernatural portents. When
the powers of darkness struggled to hide the light from
Sakya Muni, the mountains trembled, the earth shook, the
storms broke loose, the sun hid itself away, and the stars
moved from their spheres. The truth, however, slowly
worked its way to Buddha's soul. Then Mara, " the Evil
One,"crept close and sought, with soothing words and visions
of delight, to stay The Enlightened from proclaiming abroad
the knowledge he had attained. Muchalindra, " the King of
the Snakes," folded itself as a safeguard round the Buddha's
body. Brahma Sahampati descended from his heaven
and bade the Muni go forth and free all mankind from the
bondage of birth, old age, and death. While Buddha
wondered to whom he should first proclaim his doctrine,
he learned that his two former teachers, Alara and Udraka,
were dead, so he turned towards Benares to seek out the
* Ficus religiosa.
' Rhvs Davids, "American Lectures," p. 104.
BUDDHISM 133
five ascetics who had watched his early struggles. He
found them seated in the Deer Park, three miles north of
Benares, then known as Varanasi. But as he approached
they said one to another : ^ " Friends, yonder comes the
ascetic, Gotama, who lives in self-indulgence, who has given
up his quest and returned to self-indulgence. We shall
show him no respect, nor rise up before him, nor take
his alms-bowl and his cloak from him ; but we shall give
him a seat, and he can sit down if he likes." Their sub-
sequent conduct, however, shows how it was Buddha's own
personal influence, an influence founded on an absolute
belief in himself and in his own mission, supported and
extended by his overpowering eloquence, and the mesmeric
charm a powerful and determined mind has over others,
that won for him success as a teacher and propagator of
his doctrines. When all this had departed, Buddhism lived
in its purity only so long as those who remembered his
personality exercised their influence to preserve the faith
simple and uncorrupted.
He was the first to show that the races of India were
capable of being infused by a firm master-mind with a
common purpose, and of being held together by a common
bond of union. It was through the work commenced by
Buddha that Asoka,^ the first temporal Chakravarti, or
emperor, was able to unite the scattered Aryan tribes and
alien races beneath his sceptre.
Once Buddha's personality faded away, his religion found
its chief rallying-point in the cohesion of a mendicant
order of monks, who transformed their Buddha into a
god,' and mingled legend, miracles, idolatrous practices
1 Oldenberg, "Buddha," p. 125 (quoted from "Mahavagga," i. 6-10).
* Neither Chandragupta nor Bimbisara were Buddhists, nor Asoka until the
twentieth year of his reign.
3 Rhys Davids, "Buddhism," pp. 200-1, for the rise of the worship of the
Buddhist trinity, Maitreya Buddha, Manju Sri, and Avalokitesvara ; also
p. 128: — " Gautama was very early regarded as omniscient, and absolutely
sinless" ; p. 189 : — "After his death the miracles and exaggeration increase."
134 LITERARY HISTORY OF INDIA
and debasing beliefs with the moral teachings of the
founder which they had forgotten to follow.
When Buddha approached nearer to the five ascetics,
who watched his approach in the Deer Park near Benares,
they could no longer abide by their resolution to show him
no respect. They rose and prostrated themselves before
him, and as they listened to his burning words, poured
forth in the soft and pleading Pali, each of the ascetics felt
as though the Master addressed him alone. These five
were his first disciples, so that, " at that time there were
six Arahats (persons who had reached absolute holiness)
in the world." ^
To the five ascetics the Master first declared that he
had at length found the great truth which all had sought
— a truth giving freedom from bondage and from re-birth,
leading to enlightenment, to Nirvana in this life, and then
to Parinirvana, when the body falls to decay bereft of all
Karma. He then told them how the truth could not be
found in wordly pleasures nor yet in morbid asceticism.
There was but one path whereby it could be reached.
This was the Middle Path, journeyed through by the
following of the Eightfold Precepts, whereby he had
obtained emancipation of the mind which "cannot be
lost ; this is my last birth ; hence I shall not be born
again." 2 This Eightfold Path consisted of Right Views,^
Right Aspirations,* Right Speech,^ Right Conduct,* Right
Living,^ Right Effort.^ Right Thought,^ and Right Self-
Concentration.i* Such was the simple Middle Path for
* " Mahavagga," i. 7, 3 ; S.B.E., vol. xi. (Rhys Davids' translation).
^ S.B.E., " Mahavagga," i. 6, 29. ' Free from superstition and delusion.
* High and vf orthy of the intelligent, earnest man.
° Kindly, open, and truthful. « Peaceful, honest, pure.
' Bring hurt or danger to no living thing.
* In self-training and self-control. ' The active, watchful mind.
'» In deep meditation on the realities of life. — Rhys Davids, " American
Lectures," pp. 137-38.
BUDDHISM 135
those to follow who desired to obtain peace, enlighten-
ment, and freedom from re-birth.
The centre point of Buddha's faith, round which all his
teaching revolves, was the doctrine of Karma, one of the
most important and far-reaching philosophic theories ever
reached by the intuitive reasoning powers of man. It was
a new and enormous contribution to the sum of human
speculation. Its importance in the history of Indian social
and political life cannot be over-estimated. No other
theory at all similar to it was ever enunciated by any of
the philosophic schools of India with the same clearness,
the same breadth and depth of view regarding its bearings,
and absolute certainty regarding its transcendent import-
ance, as was this master-stroke of one who " saw deeper
than the greatest of modern idealists." 1
Two of the most important philosophic theories which
the thought of India has produced — important not only in
their practical influence in the past, but in being the two
theories forming the whole basis on which the orthodox
classes in India at present confront the advances of
Christianity — are theories which rest on assumptions in-
capable of substantiation or proof. They have to be
taken on faith, and therein consists the strength of their
position. The first is the doctrine of Karma.
The ancient doctrine of transmigration of the soul
had taught the Indian sage that : " Every sentient being
is reaping as it has sown, if not in this life, then
in one or other of the infinite series of antecedent
existences of which it is the latest term."^ It was the
act, or character, of individuals "which passed from life
to life and linked them in the chain of transmigrations;
and they held that it is modified in each life, not merely
by confluence of parentage, but by its own acts. They
1 Huxley, " Romanes Lecture," p. 19.
2 Ibid., p. 14.
136 LITERARY HISTORY OF INDIA
were, in fact, strong believers in the theory, so much
disputed at present, of the hereditary transmission of
acquired character."^
Inasmuch as Buddha denied the existence of a Soul,
for which his scheme had no place,^ he had, by some
other theory, to account for that which was continually
taking place, the ever-becoming, the never-being.
Buddha had to show a cause for the condition of sorrow
into which man is born ; he had to give some reason for the
necessity of following his Eightfold Path, which had four
stages leading from acceptance of his doctrines on to
greater and greater freedom from re-birth to absolute
Arahatship. If there were no soul, and all enquiry
respecting the existence of God were but vain labour, as
Buddhism asserted, then there must be some cause
to condition the becoming, the re-birth, which Buddha
admitted. This re-birth was that of a sentient being in
no way connected by bonds of blood with the previous
being ; it had no bond with the past except through
the one mystery of Karma, or act. It must, however,
* "That the manifestation of the tendencies of a character may be greatly
facilitated or impeded by conditions of which self-discipline, or the absence of
it, are among the most important, is indubitable ; but that the character itself
is modified in this way is by no means so certain. It is not so sure that the
transmitted character of an evil liver is worse, or that of a righteous man
better, than that which he received. Indian philosophy, however, did not
admit of any doubt on this subject; the belief in the influence of conditions,
notably of self-discipline, on the Karma, was not merely a necessary postulate
of its theory of retribution, but it presented the only way of escape from the
endless round of transmigrations." — Huxley, " Romanes Lecture," p. 15.
' "Granting the premises, I am not aware of any escape from Berkeley's
conclusion, that the ' substance ' of matter is a metaphysical, unknown quantity,
of the existence of which there is no proof. What Berkeley does not seem to
have so clearly perceived is that the non-existence of a substance of mind is equally
arguable, and that the result of the impattial application of his reasonings
is the reduction of the AH to co-existences and sequences of phenomena,
beneath and beyond which there is nothing cognoscible. It is a remarkable
indication of the subtlety of Indian speculation that Gautama should have
seen deeper than the greatest of modern idealists." — Huxley, "Romanes
Lecture," p. 19.
BUDDHISM 137
be clearly borne in mind how this theory differs from
the modern theory of evolution and the disputed theory
of transmission of character from parent to offspring.
When a man died, when the elements which Buddha
held to constitute man passed away — and in these elements
there was no abiding soul — all that remained, according to
Buddha, was his Karma — his doing, the result of his good
and evil actions, of his words, and of his thoughts. This
Karma had to work out its potentiality ; it had to receive
punishment or reward ; so a new conscious existence, un-
connected with the old, was produced as a habitation for
its working.
The assumption was an ingenious hypothesis to account
for transmigration without the necessity of assuming the
existence of a soul, or of any underlying substance of
matter or of mind.
It is but seldom that the weakness of the entire system
of Buddhism is recognised. Professor Rhys Davids, who
has so clearly recognised the historical importance of
Buddhism, has pointed out^ the factors which inspired
the faith of its followers : " On one side of the key-
stone is the necessity of justice, on the other the law
of causality." At the same time he clearly recognises
how they "have failed to see that the very keystone
itself, the link between one life and another, is a mere
word." 2
According to Buddha, man is made up of aggregates, or
Skandas, of " material qualities, sensations, abstract ideas,
tendencies of mind, and mental powers" *
Nowhere amid these Skandas, nor in their sub-divisions,
is there any such thing as Soul. The Skandas exist alone,
ever passing from change to change, leaving no abiding
1 Rhys Davids, " Buddhism,'" p. 105. ^ Ibid., p. 106.
' Ibid., p. go; or Oldenberg, " Buddha" p. 128 (note) : — " Corporeal form,
sensations, perceptions, conformations (or aspirations), and consciousness."
138 LITERARY HISTORY OF INDIA
principle whatsoever. When a sage attains Nirvana, when
there is no result of his Karma calling for new existence
to work out its effects, the body truly remains, and " while
his body shall remain, he will be seen by gods and men
but after the termination of life, upon the dissolution of
the body, neither gods nor men will ever see him."
The first of the "Four Noble Truths" laid down by
Buddha shows that sorrow is inseparable from birth, old
age, disease, and death ; from union with those not loved,
and separation from those loved ; from non-attainment of
what one desires — in fact, a clinging to all that springs from
the five Skandas.
The second "Truth"' was, that the thirst {Trisknd) for
existence led to new becomings " accompanied by pleasure
and lust, finding its delight here and there." i
The third " Truth " was, that sorrow comes only from
" the destruction in which no craving remains over, of this
very thirst ; the laying-aside of, the getting-rid of, the being-
free from, the harbouring no longer of, this thirst." *
The fourth " Truth " was, that if the Eightfold Path of
Right Discipline be followed, suffering will be extinguished.
By following the Eightfold Path, the Buddhist first frees
himself from all delusion of Self, from doubt as to the
teachings of Buddha, from trust in rites and ceremonies,
and reaches a stage, " better than universal empire in this
world, better than going to heaven, better than lordship
over all worlds." ^ By further progress in the Right Path
the Buddhist becomes almost freed from all bodily passion,
from ill-feelings towards others, from desire to live on
earth ; his Karma will but act to produce one new birth.
So the course goes on, until all remnant of longing for life
on earth or in heaven, all pride, ill-feeling, bodily passion,
1 S.B.E., " Mahavagga," i. 6, 20.
^ Rhys Davids, " American Lectures," p. 137.
' Ibid., " Buddhism," p. 108.
BUDDHISM 139
self-righteousness, and ignorance vanish, the man becoming
a perfect Arahat having attained Nirvana.^
The Nirvana gained, there ensues the one great sinless
and actionless state of mind, in which the Karma is deprived
of " potential." The " wheel of life " ^ stands poised, there
being no longer a motive force, springing out from igno-
rance and leading on to despair, to speed it on its saddened
round of desire, attachment, birth, death, and re-birth.
It was strength, and daring strength, that sent Buddha
forth to seek out for his times some solution of the
question of how the Creator
" Would make a world and keep it miserable,
Since, if, all powerful, he leaves it so.
He is not good, and if not powerful.
He is not God?"3
It was genius unequalled among the sons of men that
inspired the Buddha's teaching. It was genius, command-
ing in its dictatorial strength, that held together his Order.
It was genius, the first and last that India saw, that, in its
lofty aims and universality, foreshadowed the possibility
of uniting the people into one great nationality, if such had
ever been possible.
It cast no shadow over Indian thought. It gave it in the
doctrine of Karma the best and surest motive it could ever
reach unaided for the deepening of a sense of individual
responsibility,* for act, thought, deed, or speech.
* It is neither annihilation nor everlasting bliss, it is "but an epithet of a
state of mind to be reached and enjoyed only in the present life." — ^J.R.A.S.
(1S97), p. 407.
^ Rhys Davids, "American Lectures," pp. 120-21.
3 Arnold, Sir E., " Light of Asia."
* See an important article (J.R.A.S. 1897, p. 410) by Mrs Rhys Davids,
pointing out the danger of introducing " ill-fitting Western terminology " into
questions dealing with Eastern modes of thought. It may be generally said
that all the plausible similarities pointing to connection between Eastern and
Western modes of thought, are either fallacious or unhistorical. Their dis-
cussion would entail a considerable space, and the result, in nearly all cases,
would be so problematic that they have been unnoticed to a great extent in
I40 LITERARY HISTORY OF INDIA
In viewing Buddhism in its historical significance, in its
being the culminating point to which the wave of Indian
thought had reached, the wreckage of the past that still
clung around it, and was carried on with it, must not be
confused with the wave itself. Amid this wreckage much
can be found to delight the prurient mind, much from which
a system could be framed for morbid mysticism, and much
to encourage those who seek for themselves a reputation
for the possession of prophetic and supernatural powers,
such as were undoubtedly ascribed by the common mind
to Buddha, if not in his own days, at least shortly after
his decease. To those who study the past of India down
through the ages, and look for the future which is yet to
dawn, when all her latent intellectual and spiritual forces will
once again awaken to add their strength to the history of
the world's progress, the chief point of interest in Buddhism
is to ascertain how high the wave of thought reached in
Buddha's time, not to probe how low to the earth the
instincts and superstitions of the mass could creep.
Buddha, in his own life-time, could defend his teaching
and maintain his Order by his own power of eloquence
and by the force of his own character and personal
influence. Of these the Order was deprived on his death.
The stately structure that the architectonic genius of
Buddha had raised to impress and fascinate the Eastern
world had to be sustained by means other than those which
the master-builder could alone employ. So long as he
lived he claimed no Divine birth, no miraculous power,
no supernatural insight
From the literature as we now possess it — for we possess
the body of this manual. The author is not prepared to admit any classical
influence on the Indian drama, and can only see very special and exceptional
evidences of Greek or Roman art having affected Indian architecture. The
whole of Indian thought and art is impressed indelibly with an individual
stamp of its own, and for the present the evidences of this must remain more
a matter of feeling than one for profitable discussion.
BUDDHISM 141
no work of which even the author or date is known before
the middle of the third century B.C.,* and books in manu-
script* are not known until long afterwards — it is almost
impossible to extricate the real teachings of Buddha as he
formulated them, yet the earliest burial mounds erected to
his memory, and temples wherein his sayings were recited,
show plainly that the whole system is free from superstition,
idolatry, or the worship of Buddha as a divine being to
whom miraculous or supernatural powers were ascribed.
For forty- four years Buddha wandered to and fro,
enrolling Brahmans, Kshatriyas, Vai§yas, low-caste men,
and even women within his Order. There was no dis-
tinction made on account of caste ; the Buddhist monks
had but to declare that they desired to take refuge in
Buddha, his Law, and his Order. Once they donned the
orange - coloured robes of Buddhism and assumed the
Eastern form of tonsure, they abandoned their families, went
forth as mendicants to live a life of seclusion, meditation,
chastity, and moderation in all things. Far and wide the
monks were sent, yet never in twos, to preach the fame of
Buddha, and proclaim the knowledge that had dawned
from out the Sakyan race. Buddha himself journeyed all
through the Aryan homes inculcating everywhere his
Four Great Truths, his Eightfold Path, and Four Stages
leading to Nirvana. To those who sought his help and
counsel he told the stories of the good deeds done in
former births by good or evil livers, the Karma of which
was but working out its results in the joys and sorrows the
people suffered. From Magadha to Kapilavastu, from
Koi^ala to Videha, his fame went forth : it was soon evident
1 "The Katha Vatthu : or, Account of Opinion," " written by Tissa, son of
Mogali, about the year 250 B.C." — Rhys Davids, "American Lectures," p. 64.
'^ Professor Bendall, whose search for Sanskrit MSS. in Nepal have yielded such
valuable results, informs me that an MS. of the third century a.d., in Kliarosthi
character,"^as been found recently by a Russian Consul in Kashgaria. See
also J.R.A.S. (April, 1897).
142 LITERARY HISTORY OF INDIA
that a new power had arisen among the Aryan people,
and that strange changes would arise from out the new
awakened life. At Magadha, the chieftain, Bimbisara,
listened to the words of Buddha, and gave him a grove ^
close to his capital. At Kosala the chieftain, Prasenajit,
received him at his capital Sravastl,^ and there a wealthy
merchant, Anathapindika, purchased land for golden pieces
sufficient to cover its extent, and gave it to Buddha, and
there the monastery, Jetavana, arose.
At Kapilavastu he enrolled his son, Rahula, in the Order,
but conceded to the request of his father, Suddodhana, that
no more would sons be admitted to the Order without the
consent of their parents. At first the people cried out
against Buddha and his Order, for the system meant the
destruction of family life. This Buddha could not help.
The Buddhist had to remain celibate, for a woman was,
above all things, to be avoided ; she was as " a burning pit
of live coals." * At length the Buddha gave way so far as
to allow women to enter the Order, and his widowed wife,
Yasodhara, was admitted in the fifth year of his travels,
and in the following year, Kshema, the wife of Bimbisara.
In temporal affairs Buddha's influence was- soon felt.
In a dispute between the Sakyans and Koliyans respecting
their claims to the waters of their boundary river, Kohana,
he had to adjudicate. When Ajatasatru* ascended the
throne of Magadha — it is said by the murder of his father,
Bimbisara — ^he consulted Buddha as to the success of an
expedition he was about to undertake against the advanc-
ing tribe of Wajjian Turanians, north of the Ganges, and
Buddha's answer was that those who remained united,
and held to their ancient customs, would retain their
independence.
^ Veluvana, identified in Cunningham's "Ancient Geography of India,"
p. 451.
" Ibid., p. 407. » " CuUavagga." < 485 to 453 B.C.
BUDDHISM 143
Towards the end of his career, in the forty-fourth season
of his itinerary, Buddha crossed the Ganges at the site of
the modern city of Patna. There he found the ministers
of Ajatasatru laying the foundations of Pataliputra, the
modern Patna, a city destined to become the capital of
the rising kingdom of Magadha, and the centre of Indian
life for almost one thousand years, a greatness foretold by
Buddha. Thence he passed on to Vaisali, the chief town
of the Licchavis, whose proud nobles he insulted by
receiving, in preference to theirs, the hospitality of the
dancing-girl, Ambapall, who refused to give up to her
rivals her right to feed the Buddha : " My lords, were you
to offer all Vaisali, with its subject territory, I would not
give up so honourable a feast."
From Vaisali he journeyed on to Belugamaka, and
thence to Kusinagara, a town eighty miles east of
Kapilavastu, and one hundred and twenty north-east of
Benares.
To his favourite disciple, Ananda, he poured forth his
last injunctions : " I, too, Ananda, am now grown old and
full of years ; my journey is drawing to its close. I have
reached my sum of days ; I am turning eighty years of age.
Therefore, O Ananda, be ye lamps unto yourselves. Be
ye a refuge to yourselves. Betake yourselves to no
external refuge. Hold fast to the truth as to a lamp.
Hold fast as a refuge to the truth. Look not for refuge
to any one besides yourselves."
To Ananda he also declared : " I have preached the
truth, Ananda, without making any distinction of exoteric
or esoteric doctrine ; for, in respect of the truths, the
Tathagata has no such thing as the clenched fist of a
teacher who keeps some things back." ^
To his disciples Buddha left no other guide save the
Law and Rules of his Order. They were to work out their
' Rhys Davids.
144 LITERARY HISTORY OF INDIA
own salvation, ever following the Eightfold Path. His last
words for the Mendicant Brotherhood were an exhortation
that they should remember how " everything that cometh
into existence is ever passing on ; permanency abideth
nowhere ; and so strive without ceasing." ^
The clearer the simplicity of Buddha's teaching stands
out, the more sublime rises the figure of the Eastern sage
with saddened face and folded hands, a man born of
woman, not divine nor arrogating to himself any divinity,
sending forth his plaintive wail that man is for ever shut
out from piercing the mysteries of creation so long as he
hopes to find the clue through his own limited intuitions of
time, space, and cause.
It was not long after the death of Buddha that strange
changes crept over the land as well as over the spirit of his
religion. The year before Buddha's death, Ajatasatru, the
King of Magadha, conquered Sravasti, the chief town of
the Ko^alas and centre of Buddhism, and razed to the
ground Kapilavastu.
Not much more than one hundred and fifty years
from the date of the death of Buddha, Chandragupta,^
with whom the successor of Alexander the Great in
the East was forced to make a treaty, became King of
Magadha, and Emperor of all North India, an empire
consolidated by the greatest native ruler India has seen,
the famed Asoka, the Constantine of Buddhism, whose
\ Ijfe^ and deeds have, strange to say, founcl^ no place in
the " Rulers of India " Series^ Though Asoka adopted the
'Buddhist faith, many changes had taken place in it since
it had lost the guiding hand of its founder.
On the death of Buddha, five hundred of his disciples
gathered together in a cave, known as the Satapanni Cave,
near Rajagriha, where all the teachings, the rules, and
" Oldenberg, " Buddha," p. 202 ; see also Rhys Davids, " Buddhism," p. 83.
' 315 to 291 B.C.
BUDDHISM 145
precepts, as remembered by those who had listened to
Buddha's words, were collected together, learned, and
recited by the whole Council, so that they should ever be
remembered. The stricter Buddhists of Ceylon hold that
in these Pali books of the three Pitakas, they possess the
full doctrines of Buddha as chanted at the first Council.
One hundred years rolled on during which time but little
more is known of the Buddhists. India was on the verge
of revolution. The Empire of the Magadhas had not only
broken in pieces the separate power of the outlying
chieftains, and brought them under its own sway, but low-
caste usurpers 1 were to seize the empire for themselves,
while the time was approaching when Alexander the
Great was to break through the isolation which separated
India from communion with the thought and beliefs of the
Western world.
The second great Buddhist Council met at Vaisali, the
ancient capital of the Wajjians, in 377 B.C., and signs of
coming changes were apparent. The edifice raised by
Buddha was to receive the first rude shock which ultimately
shattered it to pieces in India, and left its crumbling ruins
to form a relic of the past in Ceylon, Burma, and Siam, and
an ignoble and debasing refuge for the myriad peoples
classed as Buddhists in China and Tibet. The Wajjians
of Vaisali, at the Council, strove to formulate ten indulgences,
including the right of the Buddhists to receive gold and
silver, and over these ten indulgences the Council divided.
With the Wajjians the Buddhists of Malwa joined, while
the representatives of the more remote outlying Southern
and Western countries clung to the older and more
orthodox teaching of Buddha. But of the orthodox and un-
orthodox parties, eighteen sects arose, all belonging to the
1 The Sisunaga dynasty of Magadha lasted from 600 B.C. to 370 B.C., and
then the Sudra dynasty of the Nandas held possession for fifty years, till the
time of Chandragupta, 32 B.C.
K
146 LITERARY HISTORY OF INDIA
Little Vehicle, or Southern school,i and not to the Northern,
or Turanian school, which followed what came to be known
as the Great Vehicle, a debased form of Buddhism. The
unorthodox party subsequently formed a council of their
own, known as the Great Council, and by the Southern
school their proceedings were denounced as heretical : —
" They broke up the old scriptures and made a new recension.
A discourse put in one place they put in another.
These monks, who knew not what had been spoken at leng^th.
And what had been spoken concisely.
What was the obvious, and what the higher meaning.
Attached new meaning to new words as if spoken by the Buddha,
And destroyed much of the spirit by holding to the shadow of
the letter." 2
Henceforth the history of Buddhism in India no longer
touches the life-history of the thought of the people. It
merges itself into the political history of the time, being
used as a state religion to support the authority and
position of emperors whose existence it had made
possible.
In the early burial mounds, such as that of Bharhut,
where the freest and most artistic indigenous work in
sculpture that India has ever produced is to be found,
the bas-reliefs merely depict the good deeds done by
Buddha in previous births ; and in the early temples, such
as those of the Lomas Rishi, and those at Bhaja, and
Karli, between Bombay and Poona, there is no trace of
idolatrous worship of Buddha or infusion of debasing
superstition or primitive native cults. All is severe and
simple, such as Buddha himself might have designed. In
1 Rhys Davids, J.R.A.S. (1892-3) ; Dutt, " Ancient India," vol. ii. p. 295,
where he states that the " Eastern opinions were subsequently upheld by the
Buddhists of the Northern (Turanian) school."
^ Rhys Davids, "Buddhism," p. 217 (quoting the " Dipavamsa ").
hUDDHISM t47
the later burial mounds, such as those at Sanchi, some-
where about 250 B.C. to the first century A.D., and Amravati,
perhaps one hundred years later — domes adorned with all
the art which India could furnish forth or bring to her aid
from foreign lands — Buddha is fashioned as a god, not
man, crowned with a nimbus, guarded by snakes, while
near at hand are sculptured trees and snakes all equally
entitled to worship. In time the old forms of spirit-worship
grew again and claimed the people's superstitious awe. The
Soul of man assumed its old place. Buddha became the
immaculate offspring of his mother, Maya ; he was enthroned
a god in the highest heaven, there to be adored in an out-
ward form of worship, more simple in its forms, and more
congenial to the monks and laity than the tedious
following of his precepts. Bodhisatvas — those enlightened
saints who have deemed it best not to follow Buddha's
path and gain Nirvana, but allowed their Karma to work
so that their good deeds might benefit humanity — were
placed side by side with Buddha, and claimed the rever-
ence once paid solely to the founder of the Buddhist
doctrines. The whole future history of Buddhism in
India is the history of the receding of the wave of thought
that in the sixth century B.C. had reached its culminating
point. The surging force that sent it onward was
Brahmanism, and that was a force with strength enough
to sweep Buddhism from before its path, and drive it to
its natural resting-place amid the Scythian race. The
final wave of Brahmanism covered in its course all India,
and there it still rests, so that the dove may wing its way
to and fro and never find a resting-place from which it can
discern any sign that the flood may pass away, and leave the
land and people free from its depths of brooding waters.
CHAPTER VIII.
THE POWER OF THE BRAHMANS.
While Buddha held aloft the standard of revolt against
priestly hierarchy, endeavouring to establish among the
people of the land through which he passed a religious
order, whose rallying point was a disregard of all dis-
tinction founded on race, class, or caste, the Brahman
pojver was carrying on the ancient tradition of its
own past.
The Brahmans had been for long, the sole custodians
of the treasured wealth of Aryan lore. They had grown
to power side by side with kings and chieftains. They
held the sacred guardianship of the mysteries of the
sacrificial cult, the necessity of which was, from an
unknown past, implanted in the very mental fibre of
those who gathered round the smoke-ascending incense
The power which Buddha strove to eradicate had its roots
implanted in the religious, social, and racial instincts of
the Aryan folk. So long as this was so, and so long as
Brahmanism allowed not its strength to be wholly sapped
by the ever - increasing foreign elements with which it
was surrounded, its vitality remained unimpaired.
Down to the present day Brahmanism preserves its
power through all the wreck of ages — possibly as a
148
THE POWER OF THE BRAHMANS 149
mere . phantom shadow of its past — because those it
admits within its ranks acknowledge not only the high
claims of the Aryan priesthood to be the custodians of
Divine ordinances, but also bow before the laws and
customs of caste, which ever tend to preserve them from
change in creed, thought, or mode of life.
Buddhism, viewed from its political aspect, strove to
break through those mighty barriers which separated
race from race and caste from caste. It was a con-
summation which even centuries of advanced thought
have been unable to accomplish in the West, even
between the neighbouring Celts and Teutons, where
none but a Celt feels how deep the separation lies.
India saw the fatuity of Buddha's efforts, not in the
thrusting out of his religion by the Brahmanic power, but
in the impossibility for an Asoka, a Sivaji, or Ranjit
Singh,! to combine the varied peoples of India into one
united whole, capable of sending forth the message that,
as their land holds one-fifth of the human race, they can
demand a recognition of their right to stand forth as more
than a subject people.
From the extreme north-west, in early days, the Aryans
had spread their influence from the sacred Sarasvati to far
beyond Magadha in the east, so that the land where they
settled became renowned as Aryavarta, " the land of the
Aryans," where " the rule of conduct which prevails is
authoritative."^ From the Himalayan mountains south
to the Vindhya range, over the rich land where the black
antelope wanders,* the Brahmans established their sway,
' The failure of Akbar is not a case in point.
2 " Baudhayana," i. I, 2, 9 ; " Vasishta," i. lo.
^ Ibid., i. 13; "Baudhayana," i. i, 2, 12. "The Oryx cervicapra selects
for its home the well-cultivated rich plains of India only, and is entirely
wanting in the sandy, mountainous, or forest districts, which are now, just as
in ancient times, the portion of the aboriginal tribes." — Biihier, S.B.E,, vol.
xiv. p. 3 [note).
ISO LITERARY HISTORY OF INDIA
holding that where they dwelt could alone be found
" spiritual pre-eminence." ^ Down the valley of the Indus
other tribes, such as the Yadava, went and made their
settlement in Sind ; others took up their abode in the
Panjab, the Land of the Five Rivers. For long the
Vindhya range shut out the south from the Aryan advance.
As time went on,^ even this geographical barrier to all
incursion from the north gave way before the fair-skinned
race that spread along the Narbada and Tapti, across the
Deccan, so that even before the Christian era a great
kingdom — that of the Andhra * — was established between
the Krishna and Godavari, with its capital at Amravati,
not fifty miles from the eastern sea. As the Aryan people
spread to the further east and to the south, the Brahmans
followed in the wake of the conquering chiefs, gaining
reward in land and wealth for their learning, sacred
knowledge, and the right they held to dictate the laws
and ordinances of the people. Writing must have been
known in those days,* but the Brahmans preferred to hold
their sacred texts preserved in their own memories, so that
^ " Baudhayana," i. i, 2, 12 ; " Vasishta," i. 13.
^ Even earlier than the sixth century B.C. Earth, " Ind. Ant." (1894),
p. 246 ; see Bumell quoted, p. 91 ; Nelson, " View of Hindu Law " ; Biihler,
S.B.E., vol. ii. p. xxxvi. i " There can be no doubt that the South of India
has been conquered by the Aryans, and has been brought within the pale of
Brahmanical civilisation . . . long before the authentic history of India begins, at
the end of the fourth century B.C." Baden-Powell, J.R.A.S. (1897), p. 247 ;
' ' Study of the Dakhan Villages " : — " At the western extremity the ' Vindhy an '
barrier ceases, some way before the coast is reached, and thus the interesting
country of Gujarat is open . . . and once in Gujarat, it would not be difficult
to dominate the Narbada valley, and to extend to the Tapti valley, to Berar,
and to the Dakhan."
' S.B.E., vol. ii. p. xxxvi.
^ For the Northern alphabet, known as Kharosthi, used in Asoka's inscrip-
tions, and on the Graeco-Indian coins, and derived from the Aramaic alphabet,
used by the Achaemenlan dynasty, ruUng N.W. of India from 550 B.C. to the
time of Alexander the Great, 327 B.C., as well as for the Brahmi alphabets,
derived from Phoenician traders, see BUhler, " Indische Palseographie," p. 19,
(t siq.
THE POWER OF THE BRAHMANS 151
as far as possible — for Aryans other than the Brahmans
claimed a right to be taught the texts — their power and
influence should remain in their own hands.
Trained as the memories of the Brahmans were — and
even yet there are Brahmans able to repeat the Vedic text
of their own school by heart, and others who learn the
whole grammar of Panini, with all the "Vartikhas," or
explanation of Katyayana, and the interpolations of the
"Mahabhashya" of Patanjali — it would have been impos-
sible thus to preserve, free from corruption, the long prose
ramblings of the Brahmans, and the later sacred literature.
At every centre of Brahmanism there were schools for
imparting instructions in the sacred texts, and from these
schools trained Brahmans went forth to act as priests,
advisers, and counsellors of kings and chieftains, or to
become teachers of their particular recension of the " Veda,"
and subsidiary treatises founded thereon. The rules for
the Vedic sacrifices, for the domestic rites, for the con-
struction of the altars, and for the duties and customs of
the Aryans, were therefore reduced to the most concise
and condensed form possible, and strung together in
leading aphorisms, or " Sutras," so that they might be easily
carried in the memory. These " Sutras " were not held, like
the previous literature, to be of Divine revelation. They were
professedly compiled by human authors for the convenience
of teaching the essential elements of the subjects they
expound. So there grew to be different " Sutras " ascribed
to different authors, who followed in their teaching one or
other of the recensions of the four " Vedas " preserved in
their family.^
1 See Max Muller, letter to Prof. Henry Morley, S.B.E., vol. ii. (Preface)
pp. ix., X. The "Sutras" relating to the Vedic sacrifices were known as the
"Srauta Siitras"; those of the domestic rites, the "Grihya Sutras"; those
relating to laws, the " Dharma Sutras " ; and those relating to the building of
the altars, which dealt with geometry, the "Sulva Sutras." The whole four
being known as the " Kalpa Siitras.''
152 LITERARY HISTORY OF INDIA
It may be safe to take the whole of this Sutra period as
extending from the fifth to the first century B.c.i
One Brahmanic family, known as the Manavas, followed
their own recension of the "Black Yajur Veda," and though
the Sutra Aphorisms of their laws are now lost, they are often
quoted, and from them the later metrical law book, popu-
larly known as the " Laws of Manu," was compiled. The
earliest work in which an account of the laws and customs of
the Aryans is to be found, is that known as the " Aphorisms
of Gautama," a Brahman law-giver, who followed the
recension of the " Sama Veda " of his own school. Gautama
was succeeded by Baudhayana, whose teaching is accepted
in India, south of the Vindhyan range ^ of mountains, after
whom came Apastamba in the fifth century, B.C.,* who,
like Baudhayana, followed the " Black Yajur Veda," and
is of authority in the south.* The school of the fourth
great law compiler, Vasishta,^ who followed the ^'Rig
Veda," was probably that in vogue in a school of North
India.^ From the Brahmanic codes of law, it can be
clearly seen that, wherever the Brahmans spread over India,
north of the Vindhya, and south to the Godavari, the ideal
aimed at, whatever the practice may have been, was to
preserve the sharp distinction between the Aryan race and
the aboriginal inhabitants ; to stereotype for ever the
traditions that had set the priestly clans as custodians of
^ Max Miiller fixes the date of the Sutra period between 600 and 200 B.C.
Biihler places the origin of the Apastambiya school probably "in the last five
centuries before the banning of the Christian era." — S.B.E., vol. ii. p. xviii.
See "Jaina Sutras," p. 30; "Encyclopaedia Britannica," p. 279; "Ind. Ant."
(1894), p. 247 ; Jolly, " Recht und Sitte," pp. 3, 6.
""There are also some faint indications that the Andhra country is the
particular district to which Baudhayana belonged." — Biihler, S.B.E., vol. xiv.
p. xliii.
' Ibid., vol. ii. p. 43. * Ibid.
* For connection with the Vasishta of the "Rig Veda," see S.B.E., vol. xiv.
p. 12.
" Ibid., vol. xiv. p. 22.
THE POWER OF THE BRAHMANS 153
the Divine decrees and expounders of the laws and customs
of the people.
The dark-skinned Sudras,^ the aboriginal settlers, were
outside the Aryan pale. If the Sudra " assumes a position
equal to that of a twice-born man in sitting, in lying
down, in conversation, or on the road, he shall undergo
corporal punishment." ^
No pride of conquering race, or pride of white-skinned
birth could run higher than it did in India over two
thousand years ago. Should a Sudra dare raise his eyes
to an Aryan woman, the law declared that he should be
slain or mutilated. If he listened to a recitation of the
Vedic texts his ears were to be filled with molten lac or
tin ; if he repeated the sacred words his tongue was to be
cut out ; if he remembered them, " his body shall be slit
in twain." ^ The penalty for the slaughter of a Sudra was
the same as that for killing " a flamingo, a crow, an owl, a
frog, or a dog." * Elsewhere a higher price was placed on
the dark man's skin, the penalty for slaying a Sudra being
placed at ten cows.^ The sole object for which the Sudra
was created was servitude ; yet contact with him was so
abhorred that " a Brahman who dies with the food of a
Siidra in his stomach will become a village pig in his next
birth, or be born in the family of that Sudra." ^ Food
touched by a Sudra becomes unfit for eating.^ Should an
Aryan, when eating, even be touched by a Siidra, he had
to abandon his food.^
' " Nous ne saurions discerner si la population comprise sous la denomination
de Sudras ^tait uniquement compos^e de ces ^I^ments aborigtees qui rencon-
trerent les Aryens en immigrant du nord - ouest dans I'Inde, ou si elles
englobaient des ^I^ments melangfe. La point est secondaire. D'Aryens a
Sudras il y a certainement a I'origine une opposition de race, qu'elle soil plus
ou moins absolue." — Senart, "Les Castes dans I'Inde," p. 146.
2 " Gautama," xii. 7 ; " Apastamba," S.B.E., vol. ii. 10, 27, 16 ; " Manu,"
viii. 281.
' " Gautama," xii. 6. * " Baudhayana," i. 10, 19, 6.
' "Baudhayana," i. 10, 19, 2. ' " Vasishta," vi. 27.
' "Apastamba," i. 5, 16, 22. ' li/id., i. 5, 17, i ; ii. 2, 3, 4.
IS4 LITERARY HISTORY OF INDIA
Apastamba,^ however, also declares that a Sudra may
prepare the food of a householder if he is under the
superintendence of men of the three higher castes.
Gautama,^ while laying down that the duty of a Sudra
is to serve the three higher castes, to wear their cast-off
shoes and garments, to eat the remnants of their food,
shows that the rules of class differences had not in his time
crystallised themselves into the strict laws of the pro-
fessional and trade castes of later times. His laws state
that the Sudra may live by mechanical arts. The laws of
Manu, some three hundred years later, declare that a
Sudra could only support himself by handicraft when he
was unable to find service under a twice-born Aryan, or
when he was in danger of dying from hunger.
From intermarriage, and from all fellowship and contact
with the Sudras, the three Aryan classes of Brahmans, and
Kshatriyas, and Vai^yas were, above all things, exhorted
to abstain. The Sudra race was a burial-ground,' there-
fore "let one not give advice to a Sudra, nor eat what
remains from his table, nor let him explain the holy law to
such a man, nor order him (to perform) a penance." * The
twice-born Aryan who " declares the law to such a man,
and he who instructs him in (the mode of) expiating (sin),
sinks together with that very man into the dreadful hell."
The practical tendency of such rules was to exclude the
great mass of the population from entering into combination,
or alliance, with the Aryan race to form a new nationality.*
1 " Apastamba,'' x. SS-67.
" See also Ibid., x. 40, where a Sudra of eighty years of age was to be
honoured.
2 Ibid., i. 3, 9, 9 ; " Vasishta,'' xviii. II.
* "Vasishta," xviii. 14, 15 ; " Manu," iv. 80-81.
' " The Indian caste system is a highly developed expression of the primitive
principle of taboo, which came into play when the Aiyans first came into peace-
ful contact with the platyrhine race, which we may provisionally call Dravidian.
This principle derived its initial force from the sense of difference of race as
indicated by difference of colour, and its great subsequent development has
THE POWER OF THE BRAHMANS 155
The division between race and race, thus stereotyped by
the Brahmanic laws, was to penetrate even further as the
tendency became stronger for each separate group to
formulate for itself its own peculiar laws and customs, and
to engage only in such occupations as were hereditary.
Intercommunication, eating or drinking with members of
outside groups was surrounded with the same Divine
sanction as the Brahmans fulminated against those of the
Aryan race who mingled, ate, or drank with the darker-
skinned Sudras.
The offspring of a Sudra with a Brahman woman became
a Chandala,! whom " it is sinful to touch ... to speak to,
or to look at." 2 The son of a Brahman and a Sudra
woman is as " that of one who, though living, is as impure
as a corpse." * By the Brahmanic law the varied peoples
and races of India sprang from the forbidden union between
those of a different class. The offspring, for instance, of
a Sudra and Vai^ya became a Magadha,* with whom the
Yavanas, the lonians, or Bactrian Greeks were classed
likewise as descendants of a Sudra woman.
been due to a series of fictions by which differences of occupations, differences
of religion, changes of habitat, trifling divergences from the established standard
of custom, have been assumed to denote corresponding differences of blood, and
have thus given rise to the formation of an endless variety of endogamous
groups." — Risley, ' ' Study of Ethnology in India" {Anthropological Journal, \%<)i,
p. 260). Mr J. Kennedy, in a peculiarly instructive review of " The Tribes and
Castes of the North- Western Provinces and Oudh," by W. Crooke, has sum-
marised the results of Mr Crooke's laborious work by his conclusion : — " The
cephalic index proves that the whole population has a large intermixture of
Dravidian blood ; the nasal index shows, with equal clearness, that the higher
castes are of purer blood than the lower. " The question of caste and nationality
therefore reduces itself, according to Mr Kennedy, to this position : — " We know
on historic and linguistic grounds that the Dravidian population which covered
Northern India were invaded at various times by Aryan and Turanian tribes.
These invaders were exogamous, and intermarried freely with the aborigines ;
they subsequently formed themselves into endogamous groups, and the whole
social hierarchy now professes to be based on a superiority of descent." —
J.R.A.S., July 1897.
1 " Vasishta," xviii. I. = " Apastamba," ii. I, 2, S.
8 "Vasishta," xviii. 10. ■* " Eaudhayana," i,^9, 7.
156 LITERARY HISTORY OF INDIA
To Baudhayana,! the inhabitants of Malwa, Behar,
Guzarat, the Deccan, Sind, and the South Panjab were all
of mixed origin and not pure Aryans. For an Aryan
who visited the people of the Panjab, those of South India,
or those of Bengal, a penance had to be performed ;
while " he commits sin through his feet who travels to the
country of the Kalingas.^ This prohibition against visiting
tribes held to be degraded, such as the Kalingas, the people
dwelling south of Orissa to the mouths of the Krishna,
shows clearly how the Aryan law-givers strove, with
what at first sight seems an infatuation almost suicidal, to
curb any tendency towards cohesion of the varied people,
or intrusion of outside influence which might have infused
the old with new life. The power of these Brahmanic laws
in their own sphere was no mere phantom. Down to to-day,
no Brahman can dwell among the nations of the West
without risk of forfeiting his social rank, or without being
obliged to perform costly and irksome penances on his
return home. The history of this subject is dismal, and
would be trivial were it not that it forms the turning-point
for the future of India. It shows how the Aryans spread
among inferior races in numbers insufficient to exterminate
them, or drive them from before their path, as was done
by the Aryans in America or Australia. They dared not
chance the risk of intermingling with them, and depend on
their own physique and constant recruitment from new
arrivals to preserve their own racial characteristics pre-
dominant. As a consequence, the Brahmans followed the
only course open to them if they were to preserve their
own national characteristics, and impress their language
and culture, such as it was, over the lands where they
spread. They had to hold themselves, as far as possible,
free from any contaminating influence which might pro-
bably have undermined their very existence as a more
' " Baudhayana," i. I, 2. ^ Ibid., i. i, 2, 15.
THE POWER OF THE BRAHMANS 157
gifted, more refined race, with higher developed mental
tendencies than the dark-skinned people with whom they
found themselves in contact. As the Brahmans spread in
ever-diminishing numbers to the extreme south, into Bengal
and Orissa, the disaster followed which the race foresaw,
and in their own wisdom sought to provide against, for in
these lands it would often be impossible to discern how
those dark-skinned Brahmans, who claim Aryan ancestry,
have preserved any of the typical Aryan characteristics ;
they have, in fact, been swamped by intermarriage with
other peoples.!
One very important statement of Baudhayana^ shows
how confusion had already sprung up in his time, and how
carefully it had to be guarded against. He states that in
the south the custom was for Brahmans to eat in the
company of one uninitiated,* " to eat with one's own wife,
to eat stale food, or marry the daughter of a maternal
uncle or of a paternal aunt." He also states that in the
north, Brahmans, as they do now in Kashmir,* were wont
to deal in wool. There were also those who drank
spirituous liquors — an evil which is becoming all too
prevalent in India — and of which Apastamba declared, " A
drinker of spirituous liquor shall drink exceedingly hot
liquor so that he dies." ^
Another custom of the northern Brahmans was to go to
' Senart refers to Mr Nesfield in the following words : — " La communaut^ de
profession est, ^ ses yeux, le fondement de la caste — il exclut d^lib&^raent
toute influence de race, de religion. C'est pour lui illusion puie que de dis-
tinguer dans I'lnde des courants de populations diverses, aryens et aborigines,
etc."—" Les Castes dans I'lnde," p. 1 86.
'^ " Baudhayana," i. i, ii, 3.
' " A Rome il suffit de la presence d'un Stranger une sacrifice de la gens
pour oflfenser les dieux. La Sudra est une ^trangere elle n'appartenent pas a
la race qui par I'investiture du cordon sacre, nait a la plenitude de la vie
religieuse." — Senart, "Castes dans I'lnde," p. 212.
* Biihler, "Baudhayana," note to i. i, 2, 4.
6 "Apastamba," i. 9, 25, 3.
1 58 LITERARY HISTORY OF INDIA
sea.^ Another was " to follow the trade of arms," a custom
which at the time of the Mutiny led to fatal results. With
respect to this northern custom of Brahmans becoming
warriors, Gautama held that a Brahman might only use
arms if his life were threatened, while Apastamba declared
that a Brahman shall not take a weapon into his hand
though he be only desirous of examining it.^ The follow-
ing of any other practices in any country except where
they prevail is, according to Baudhayana,* a sin. The
standard rule of conduct was that which obtained in
Aryavarta.* Gautama, on the other hand, held that the
laws of countries, castes, or families, are of authority if
they are not opposed to the teachings of the " Vedas," and
subsidiary sacred books ; while, at the same time, " culti-
vators, traders, herdsmen, money-lenders, and artisans have
authority to lay down rules for their respective classes. *
From the time of Warren Hastings the Brahmanic law
books consulted — or such of them as were known to the
Brahmans — have been held to set forth the laws and
customs of the people of India. As a matter of fact, the
great mass of the population has never heard of the
sacred law books of the Aryans.® These law treatises
were separately compiled as the received tradition of a
school or class of Brahmanical families, who strove, by
all means at their command, to inculcate their teaching
among the community, and impress the importance of
their observances at the courts of the kings or chieftains
with whom they had gained influence. As for the mass
of the people, the dark-skinned aborigines, they could
' " Apastamba," ii. I, 2, l. A custom which he afterwards declares entails
loss of caste.
" Ibid., i. lo, 29, 6. ' " Baudhayana," i. I, 2, 5.
* " Baudhayana," i. I, 2, II, 12. ' " Gautama," xi. 21.
8 " That any class of Hindus, sive perhaps the Manavas, at any time re-
garded the " Manava Dharma Sastra " as a law book of paramount authority,
no person who has the most elementary knowledge of thingsHindu can for a
moment suppose. "- -Nelson, "View of Hindu life," p. 13.
THE POWER OF THE BRAHMANS 159
preserve their own habits and customs so long as they
remained in a servile condition. When these non-Aryan
folk became of social importance, or wealthy enough to
demand recognition of their position, they themselves
tended to rise to an Aryan status and amalgamate their
customs, cults, and superstitions, on such terms as the
Brahmans were inclined, from prudence, to offer, with the
laws and religions of the ruling class.^
On the Brahman, as well as on the king, the whole moral
welfare of the world was held to depend.^ So the king
chose as a " purohita " a Brahman austere and righteous, and
of a noble family.® The man who raised his hand against
a Brahman was declared to be shut out from Heaven for
one hundred years.* If he struck a Brahman he lost
Heaven for one thousand years. The shedder of a
Brahman's blood was debarred from entering Heaven for
the number of years to be counted by the particles of
dust held together by the shed blood.^
According to Baudhayana,^ " the murderer of a Brahman
shall practise the following vow during twelve years :
" Carrying a skull and the foot of a bedstead (instead of a
staff) ; dressed in the hide of an ass ; staying in the forest ;
making a dead man's skull his flag ; he shall cause a hut to
be built in a burial - ground and reside there ; going to
seven houses in order to beg food ; while proclaiming his
deed, he shall support life with what he gets there, and
shall fast if he obtains nothing." Vasishta '^ held that the
expiation for Brahman murder was the burning by the
murderer of his own body piecemeal. A milder penance ^
1 See Nesfield, "Caste Systems," pp. 171-2.
''■ "Gautama," viii. I : — They "uphold the moral order in the world."
s Ibid., xi. 12. ^ Ibid., xxi. 20-21.
5 " Baudhayana," iii. i, 2, 3. ' Ibid., ii. i, i, 3.
' "Vasishta," xx. 25-26.
8 " Les r^dacteurs des livres ont simplement soude en ce systeme des faits
isoles, plus ou moins exceptionnels qu'un ideal de perfection rarement r^alis&,"
— Senart, " Castes dans I'Inde." p. 126.
i6o LITERARY HISTORY OF INDIA
set forth by the same law-giver for the murderer was: "Let
him fight for the sake of the king or for the sake of the
Brahmans, and let him die in battle with his face turned to
the foe." 1
There are clear evidences, however, that between the
four ideal classes no insurmountable barriers had grown
up at the time of the earliest law-giver, Gautama,^ who
fnay be ascribed to before the sixth century. His laws
lay down the rule that a Brahman, in time of distress,
might assume the occupation of a Kshatriya, Vai^ya,^ or
Sudra,* though in no case should he mix with, or eat with,
a Sudra. The ordinary duties of a Brahman were, how-
ever, held to be sacrificing for others, accepting gifts, and
teaching.5 Apastamba^ similarly allowed a Brahman to
trade, although, ordinarily, trade was not lawful for a
Brahman. Vasishta held, that those who were unable to
live by their own occupations might adopt those of the
lower classes, but never those of a higher class.
The one great permanent division between the Brahmans,
Kshatriyas, Vaisyas, and Sudras was the rite of initiation
into the Aryan brotherhood. This was the consecration,
in accordance with the texts of the " Veda," of a male who
" is desirous of, and can make use of, sacred knowledge." ^
It was this initiation which made the three higher classes
twice-born. It excluded Sudras and women from ever
taking part in the religious life of the Aryans ; the
knowledge sufficient for them was dancing, singing, and
such arts.
The initiation for a Br hman took place from the age
1 "Vasishta," XX. 27.
""Apastamba" is placed by Buhler (S.B.E., vol. ii.p. 43) two hundred
years before the third century B.C.
3 " Gautama," vii. 6-7.
* Ibid., vii. 22-23 ; " Manu," x. Si ; " Yajn.," iii. 35.
5 "Vasishta," ii. 14.
* "Apastamba," i. 7, 20, 10.
' Ibid. i. I, I, 8.
THE POWER OF THE BRAHMANS i6i
of eight to sixteen. He was then invested with the girdle
of sacred grass and taught the holy verse to Savitri. The
age of initiation for a Kshatriya was from eleven to twenty,
when he received a girdle made from a bow-string. The
age for a Vai^ya was from twelve to twenty-two ; his girdle
was of wool. Before the initiation took place the neophyte
was viewed as a SQdra, and as such was presumed to act,
speak, and eat as he felt inclined.^ After the initiation the
twice-born Aryan passed from the care of his father to the
care of a teacher, or"" guru," with whom he dwelt for the
purpose of being instructed in his sacred duties, for as
Apastamba held : " Virtue and sin do not go about and
say, ' Here we are ; ' nor do gods, Gandharvas, or Manes
say, • This is virtue, that is sin.' But that is virtue, the
practice of which wise men of the three twice-born castes
praise ; what they blame is sin." ^
Twelve years was the time fixed ^ for a student to remain
under tutelage. This was the time required for learning
by rote one of the " Vedas," so that if the four " Vedas " had
to be learned, the time had to be extended to forty-eight
years.* This rule was, no doubt, an injunction which it
would be meritorious to obey. It was no doubt followed in
many 'cases, yet, like nearly all the laws of the Brahmanic
order, it was an ideal counsel of perfection, to be modified
according to circumstances ; one law-giver declaring that
studentship might last only so long as it was necessary
to impart the sacred instruction. During his training the
pupil should remain restrained in all his acts, be chaste,
refrain from all spirituous liquor,^ and live only on food
obtained by begging.
The student, during his pupilage, was under the absolute
1 " Gautama," ii. I. » " Apastamba," i. 7, 20, 6, 8.
3 "Gautama," ii. 45.
^ "Apastamba," i. I, 2, 12; " Manu," iii. I ; "Gautama," ii. 46.
5 "A Brahman always, a Kshatriya and Vaisya during studentship." —
Ibid., ii. 20 {note).
L
i62 LITERARY HISTORY OF INDIA
control of his Guru, who was to be revered and reverenced
as holy. Apastamba, while explaining that a Brahman
could alone be chosen as a teacher, clearly shows that no
great rigidity of class distinction had taken place up to his
time, for he allows that, in a matter of such great import-
ance as that of choosing a spiritual preceptor, a Brahman
might, in times of distress, study under a Kshatriya or
Vaisya.^ More striking still is the injunction that the
Brahman, " during his pupilship must walk behind such a
teacher. Afterwards the Brahman shall take precedence
of his Kshatriya or Vai^ya teacher."
The course of study ended, the Guru received a fee, and
the pupil underwent a new rite, that of ceremonial bathing,
a ceremony that set him free to face the world. He then
became a householder, and took to himself a wife. Three
wives 2 were allowed for a Brahman,* two for a Kshatriya,
one for a Vaisya.
By all Aryan householders there were forty great sacri-
fices to be performed, including the nineteen domestic
ceremonies, the seven Paka sacrifices, the seven Havir
sacrifices, and the seven Soma sacrifices. Once the sacred
fire was lighted in the householder's home,* his chief daily
duty was to worship the gods, the manes, the goblins and
sages of old, to daily recite such portions of the " Veda " as
^ "Apastamba," ii. 2^ 4, 25-26.
* The wife should not belong to the same Gotra, nor be a Sapinda relative
of his mother." — Gobhila, "Grihya Sutras," iii. 4, 4, 5. "Gautama,"
xiv. 13; "Manu," v. 60, ii. 4, 5 ; Jolly, " Recht und Sitte," p. 62:— "Da
diese exogamische Princip schon in den Grihyasutras auftiitt so besteht kein
Grund an den hohen Alter desselben zu zweifeln wenn die Fotderung hinsieht
sich und erst allmahlig gesteigert haben." The term "caste," as used in
the "Census Report," p. 182, is defined as "the perpetuation of status or
function by inheritance and endogamy."
3 "The Census of India" (1891), p. 254, states of polygamy that "the
extent to which it exists among the Brahmanic section of the people must be
very slight."
« " Gautama," v. 7.
THE POWER OF THE BRAhMANS 163
he had learned from his Guru, and as far as possible perform
the sacrifices. Yet, although he performed these duties, it
was declared that, " all the four ' Vedas ' together with the
six Angas and sacrifices, bring no blessing to him who is
deficient in good conduct." ^
The whole forty sacrifices were vain if the Aryan house-
holder was not endowed with the eight good qualities of the
soul. These eight good qualities comparable to the Eightfold
Path of Buddha are: Compassion on all creatures, for-
bearance, freedom from anger, purity, quietism, auspicious-
ness, freedom from avarice, and freedom from covetousness.*
The path for the Aryan was made easy ; he had but to take
the place allotted to him by the Brahmans and all would
go well with him. " He, forsooth, who is sanctified by a few
only of these forty sacraments, and whose soul is endowed
with the eight excellent qualities, will be united with
Brahma, and will dwell in his Heaven." *
The guest was ever to be welcomed in the Aryan home-
stead, honour being first paid to old age, then to learning,
after which followed in due order, birth, occupation, rela-
tions, and lastly, wealth. When life was drawing to its
close* the householder passed out from amid his people
to take upon himself the fourth stage of life, and prepare
his soul for its final doom. He then became either a
hermit {yaikhanas), living in the forest on roots and fruits,
practising austerities,^ yet still keeping up the sacred fire,
and worshipping the gods, the Brahmans, the forefathers,
men and goblins, or else he passed at once into the last
stage of all, that of the ascetic sage {bhikshu). The ascetic
' " Vasishta," vi. 4.
^ See " Apastamba," i. 8, 23, 6.
' See Hopkins, ' ' Rel. of India,'' p. 255.
* "Gautama," iii. I ; "Vasishta," vii. 3; " Baudhayana," ii. 10, 17, 2, for
the student after his studentship directly assuming the life of a hermit or
ascetic.
5 " Baudhayana," ii 10, 17.
i64 LITERARY HISTORY OF INDIA
sage^ was to be dead to all around him. He entered
the haunts of men but to beg for food, and then only
when all others had finished eating. He was merely to
wear a rag to cover his nakedness, and to have no
regard to either his temporal or spiritual welfare. For
him the scene was ended and was fading into the dimness
of the past.
So every man's lot in life was mapped out by the
Brahmans. Those enfolded within the twice-born Aryan
ranks were stamped for all eternity as separated from the
Sudra^ and far-removed alien races. Rules forbidding
intermarriage, eating and drinking, or habits of social
intercourse between the ever-increasing divisions among
the people were, under Brahmanic guidance, given the
sanctity of Divine ordinances. As with the sacrificial rites,
customs that had sprung from principles underlying all
primitive social life became stereotyped and preserved for
ever, as sacred and inviolable laws of caste.
The Aryans of Vedic times were divided into their tribes,
and clans, and groups of families.^ The great binding tie
of the family was descent from some common ancestor.
The sacrifice was alone for the benefit of the group that
held together in the very closest bonds of descent from the
same blood. No one outside of these bonds could partake
of the sacrificial feast* The feast became a sign of relation-
ship, and the very act of eating — among primitive people
restricted to the family for whom the food is laboriously
' "Gautama," iii.
''Zimmer, "Alt. Ind. Leben.," p. 204; Caldwell, "Gram, of Dravidian
Languages," p. 112: — "Whatever may have been the origin of the word
' Sudra,' it cannot be doubted that it was extended in course of time to all who
occupied or were reduced to a dependent condition ; whilst the name ' Dasyu '
or ' Mleccha ' came to be the appellation of the unsubdued non-Aryanised
tribes."
= Baden-Powell, " Ind. VUl. Com.," 194, 206.
* " A Rome il sufEt de la presence d'un Stranger au sacrifice de la gens pour
offenser les dieux." — Senart, " Castes dans I'Inde," p. 214.
THE POWER OF THE BRAHMANS 165
acquired, and carried on with a reserve and secrecy which
civilisation but slowly breaks down — became surrounded
with greater importance and significance. It grew to be
a sign of blood-fellowship. The drinking of water together
typified a family union ; the accepting of salt made the
accepter, for the time, one with the sib of him from whom
it was accepted. The prohibitions and restrictions that
hemmed round intermarriage were founded on primitive
customs. In savage life, in many cases, female infanticide
is a common, if not a necessary, custom, when food
is hard to obtain. From this cause it is difficult, if not
impossible to find a wife within the clan or family ; ^ one
has to be stolen or bought from an outside group more
favourably circumstanced. The group possessing female
children naturally looked upon them as valuable articles of
merchandise.
The tendency was to place strong restrictions on these
females being acquired or married by young men of their
own group. Robbery of a bride can only take place from
a hostile tribe, the purchase of a bride in primitive society
only by barter with a friendly tribe. The principle would
thus be soon established that a marriage could only take
place outside a specified group,^ and within the limits of
a .nore extended group.
These primitive restrictions as to communality and
connubuism are at the very foundation of the divisions
which separate the different castes in India from one
another at the present day. They grew deeper as the
racial and class divisions became of greater import in the
^ " Au temoignage de Plutarque les Romains dans la p&iode ancienne n'^pou-
saient jamais de femmes deleur Sang." — Senart, "Castes dans I'lnde," p. 209.
^ " Vielleicht ist die Exogamie uberhaupt zuerst bei den Rajputen (Kshat-
triyas) aufgekommen, bei denen sie sich, wie dies Sir A. Lyall anziehend
schildert ('Asiatic Studies,' pp. 219-21) in Rajputana in verbindung mit den
noch jetzt ubiichen Schein raub und dem ehemaligen Frauenraub und der
Geschlechter verfassung noch in ihren urspriinglichsten Form studieren lasst,"
—Jolly, " Recht und Sitte," p. 63.
i66 LITERARY HISTORY OF INDIA
social life of the people under the fostering care of the
Brahmanic hierarchy. In the books of law and domestic
custom,! the limits within which the twice-born may marry
within their own groups are restricted^ more and more
between those where no traces of common descent from
accepted ancestors, saintly or heroic, can be recognised ; just
as among the lower races intermarriage is forbidden
between those who trace their genealogy from the same
animal, or totem.'
So in the present day, although marriage is forbidden
between members of the varied groups into which the
people of India have been subdivided under the persistent
pressure of the hierarchial pretensions, yet, within these
groups, marriage has its exogamous limits.*
In the metrical law book, ascribed to the fabled Manu,
"First-born of the Creator," composed at a late date, probably
about the commencement of the Christian era, the law of
marriage within the caste is stated to be in the northern
^ "Manu," iii. 5; "Apastamba," ii. 5, ii, 15; "Gobhila,'' iii. 4, 3-5;
"Vishnu," xxiv. 9 ; " Baudhayana," i. I, 2, 3. In " Recht und Sitte," Jolly
gives the full reference to the literature of the subject. Grierson, " Bihar
Peasant Life," § 1354.
2 Hopkins, " Rel. of India," p. 270.
' Risley ("Caste Systems of N.W. Provinces and Oudh"), in discussing
Nesfield's statement that "function, and function alone, has determined the
formation of the endogamous groups which in India are called castes," pro-
pounds his theory, that "community of race, and not, as has been frequently
argued, community of function, is the real determining principle, the true
causa causarum, of the ' caste system ' " (p. 254). " In Bengal proper, castes
with a platyrhine index have totemistic exogamous divisions " (p. 253). " The
Brahmanical system which absolutely prohibits marri^e within the gotra"
(p- 245)-
* " Differences of religious practice, within the limits of Hinduism, do not
necessarily affect thenar connubii." — Risley, p. 241, he. cit. "In Southern
India differences of religion (Vaishnavism, Saivism, etc.), and even narrower
divisions, are a bar to marriage between members of what is strictly called the
same caste." — Burnell, note to "Manu," iii. 12-13. -S^e Grierson, " Bihar
Peasant Life," § 1354, for the custom of the Soti Brahmans of East Tirhut
keeping registers of genealogical descent, and giving certificates of lawful
marriage to show that "the patres are not within prohibited degrees of affinity."
THE POWER OF THE BRAHMANS 167
country where the rules were in vogue as follows : " A
damsel who is neither a Sapinda on the mother's side, nor
belongs to the same family {gotrd) on the father's side, is
recommended to twice-born men for wedlock and conjugal
union." 1 According to the two great commentators of
Manu, Medhatithi and Kulluka, the bride must be one
" between whose father's and the bridegroom's family no
blood relationship is traceable." 2 Buhler further expands
the meaning by stating that it is very probable that the full
meaning of the text is, " that in the case of Brahmanas,
intermarriage between families descended from the same
Rishi, and in case of other Aryans, between families bearing
the same name or known to be connected, are forbidden."
It is sufficiently clear that the people were subdividing up
into groups, separated from each other by restrictions in-
evitably tending to prevent the creation of any national
life or spirit, whereby social, sectarian, and racial distinctions
might become obliterated or give place to higher ideals.
From violation of the laws of marriage, from intermarriage
or illicit union of members of the original four theoretical
groups, that of Brahmans, Kshatriyas, Vai^yas, and Sudras,
it was held that the confusion of castes had arisen as the
offspring had to be relegated to inferior positions, there to
intermarry and form new sub-groups. The law book of
Manu,* having described the baser castes which had been
created from the abhorred irregular union between members
of the four castes, proceeds to point out how to each caste
there were specific functions. " These races," he declares,
"which originate in a confusion of the castes, and have
been described according to their fathers and mothers, may
be known by their occupations, whether they conceal or
1 "Manu," iii. 5 (S.B.E., vol. xxv.). See, as mentioned in the note to
"Apastamba," ii. S, II, 15-16 ; "Gautama," iv. 2-5 ; " Vasishta," viii. 1-2 ;
"Baudhayana," ii. 11, 37 ; " Yajn.," i. 53.
2 Note to " Manu," iii. S (S.B.E., vol. xxv.).
^ Ibid., X. 40.
i68 LITERARY HISTORY OF INDIA
openly show themselves." "Those who have been men-
tioned as the base-born offspring of Aryans, or as produced
in consequence of a violation of the law, shall subsist by
occupations reprehended by the twice-born."
It is, in fact, the life-history of a struggling group of
foreigners shut out from aid, vainly fighting that their
life's strength should not be slowly sucked from out them
by parasitic growths.
The world is strewn with monuments of the past, and the
saddest tomb the world has ever reared is the tomb of
despairing Aryanism in India. Stone by stone, as the tomb
is built, it tells its own story, and down through the pages
of history the same story runs that, in conquering, the
Aryan always succumbs.^
In India the Aryan threw round himself the bulwark
which his genius told him could alone ward off final decay
— the bulwark of caste. Down to the present day the
Aryan has preserved much of his heritage from being
entombed in the structure he has raised, and the great
problem for England to face is whether she has brought
aid to the beleaguered camp in time to infuse it with new
life. If England has not succeeded in warming into
vitality the latent spirit of Aryanism, in spreading new
hope amid the cultured classes of India, that they may
come out from their caste restrictions to aid her without
fear of defeat in the crusade against superstition and
ignorance, her mission is a failure and her past in the East
must inevitably be entombed in the same grave as that over
which she found Aryanism hovering on her advent into
India. For this reason alone it is necessary to note the
faintest light that breaks through the mists shrouding so
much of the past history of India from our ken. So much
remains steeped in the doubt that a Brahmanic genius, keen
enough to rise and respond to the beating mark of time
1 Kendall, "Cradle of the Aryans."
THE POWER OF THE BRAHMANS 169
would not have been equally subtle to screen its deeper
movements from vulgar gaze. The suspicion of wilful
reticence, of predesigned purpose, stays the mind as it
ventures to trace the lines of Brahman ic thought in the
pages of its own literature.
A vague gleam of light from Western sources flickers for
a moment over the social and political life of India during
the few centuries preceding the Christian era. From the
time when the Aryans first sang their victorious songs of
praise, as they marched in their manhood and tribal
strength, down to the days when the Brahman theocracy
strove to isolate the scattered fragments of the I'ace from
the contaminating influence of more uncivilised people, the
unhappy remnant of the great Indo-European family
remained closed off from all share in the heritage that had
fallen to its brethren in the West. The fables that are told
by Diodorus of the expeditions of Sesostris or Semiramis
to the far East may serve to adorn a tale told in hopes of
rousing the youthful interest in the past history of India,
but nowhere can the sober historian, as he views the
teak found in the city of Ur, the indigo or porcelain found
in ancient Egypt, discern evidences that the east and west
Aryan-speaking people had joined hands in these early
days.^ Herodotus shows that India was not unknown by
repute to the West. He narrates^ how Dareios, son of
Hystaspes sent Skylax of Karyanda on an expedition
of discovery down the Indus, and how Skylax reached
the ocean and returned home by way of the Red Sea.
Herodotus, in enumerating the possessions of Dareios, who
had advanced his conquests as far as the Panjab, states
that India formed the twentieth satrapy of the Persian
monarch whence he drew a tribute of three hundred and
i.SseM'Crindle, "Homeric Use of ICassiteros and Elephos," p. 3; Birdwood,
Athenceum; Griinwedel, "Buddh. Kunst," p. 8; M'Crindle, " Ancient India
as Described by Megasthenes and Arrian," p. 5.
2 "Herodotus," book iii. 98.
I70 LITERARY HISTORY OF INDIA
sixty talents of gold dust, a tribute exceeding that paid by
all other people.^ Indian soldiers^ marched with the
Persian troops of Xerxes into Thessaly and fought under
Mardonius * at Plataea*
Ktesias of Knidos, a physician who remained in Persia
for seventeen years, from 416 B.C. to 398 B.C., learned there
something of India, and the fragments of his "Indika,"
preserved by later historians,* give marvellous tales of the
mysterious home of fables. They tell of a fountain from
which could be drawn pitchers full of gold, fluid when
drawn but soon solidifying. The sun appeared ten times
larger in India than in other lands, and the sea, for four
fingers in depth, was so hot that fish never came to the
surface.
His fragments of history also give a graphic account of
a man-eating monster living in India, with a face like a
man, with double rows of teeth, with a tail like a scorpion's,
a cubit long, from which it discharged darts capable of
killing every animal save the elephant.
They are full of stories of burning mountains, miraculous
lakes, and healing fountains, four-headed birds which
guarded the gold of the desert, slaying all who came in
quest of the precious metal that had to be sought for in
the night-time by bands of men, one and two thousand
strong. They also describe a race of pygmies less than
two cubits high, and a tribe one hundred and twenty
thousand in number, who are men, and yet have heads,
teeth, and claws like those of dogs, their speech being
carried on by barking and signs, yet they are, " like all the
other Indians, extremely just men." The stories of Ktesias
are not unlike many which delight a credulous, wonder-
loving public, who still believe that Yogis remain buried
> " Herodotus," iii. 94 ; M'Crindle, " Ancient India as Described by Ktesias,
the Knidian."
« /Wr/., vii. 65. ^ Ibid., s\\\. \\i. * /iid., in. 31. = /i«f., iii. 94.
THE POWER OF THE BRAHMANS 171
beneath the earth for long spaces of time, without food or
nourishment ; who believe that Mahatmas can rival the
feats of Maskelyne and Cooke ; that magicians can remain
suspended in the air without support and make mango trees
grow from out a juggler's bag ; that scorpions sting them-
selves to death with their own poison ; and that the
mongoose when smitten by a cobra knows of a plant to
free itself from death.
The remark of Strabo ^ that, " generally speaking, the men
who have hitherto written on the affairs of India, were a
set of liars," was harsh, for there was much of truth in the
accounts he had before him. These accounts were derived
from the description of the country by the trained historians
who accompanied Alexander the Great in the first effort
of the West to pierce through the mysteries that had so
long separated it from the East. Alexander the Great, son
of Philip of Macedon, found himself in 336 B.C., at the
early age of twenty. King of Macedonia, with the fortunes
of Greece at his disposal. Within one year he had curbed
the Northern barbarians, put Attalos to death, reduced
Thebes to submission, and stood prepared to set forth as
the conqueror of the world, and fulfil the mission of his
father as humbler of the proud Persian.
The Persian Empire, founded by Cyrus, stretched from
the shores of the Aegsean and Levant to the far east
Jaxartes and Indus. Its king, Dareios Kodomameos, how-
ever, lacked the power to hold beneath his sway the satraps
who longed to have for themselves the provinces into which
the kingdom had been divided, and over which they held
a more or less independent rule. On the plains of Issgis,
the King Dareios fled in his chariot from before the new-
risen Conqueror of the World, and left his treasures, his
wife, children, and mother, at the mercy of the Macedonian
king. Alexander turned aside for a season to reduce
1 M'Crindle, p. i8.
172 LITERARY HISTORY OF INDIA
Phoenicia, and crowned himself with glory by capturing the
island fortress of Tyre, though he tarnished his fame by
slaying and selling into captivity its inhabitants and
merchant princes. In Egypt he founded Alexandria so
that the commerce of the world should follow the path which
he saw, with commanding genius, was marked out for it,
and then turned again to follow his relentless purpose. On
the field of battle known as Arbela,i Dareios fled in dismay
to perish by the treachery of his own kinsman, the Satrap
of Bactria. Into Babylon Alexander entered in triumph,
gave back to the people their own gods, and restored to the
priesthood the wealth they had enjoyed under their Assyrian
kings.2 At Susa^ he found wealth greater than he had
left behind him in Babylon, and as he passed on toward the
far East, he left naught to tell of the wealth and power of
the Persian nation save the burned ruins of Persepolis, and
the rifled tomb of Cyrus.* A new Alexandria was built by
him at the gateway of India, now known as Herat, whence
he over-ran Bactria and Samarkhand, piercing to the
Jaxartes, along the banks of which he established his own
soldiers in fortified positions, in order to shut out from his
possessions the Northern Scythian hordes.
Early in the year 327 B.C. his troops marched down on
the plains of India. Crossing the river Indus near Attock,
on a bridge of boats, he passed unopposed through the land
of a Turanian people called the Taxilas, there being no one
between the Indus and the Jhelum (Hydaspes) to com-
bine the petty chieftains and tribes against the invading
force. Beyond the modern battle-field of Chilianwala,
Alexander the Great crossed the Jhelum, and was there
iM'Crindle, p. 31. ^ Ibid.
3 "The sums contained in the treasury amounted to 40,000 talents of
uncoined gold and silver, and 9000 talents of coined gold, and there was
other booty besides of immense value, including the spoils which Xerxes had
carried off from Greece." — M'Crindle, p. 32.
' See CuTzon, " Persia,'' vol. ii. p. 76.
THE POWER OF THE BRAHMANS 173
met by Poms, a Paurava chieftain of the Lunar race, the
first Indian prince to come forward and defend his
dominions. In the battle that ensued Porus was wounded,
his son slain, and his troops trampled down by his own
elephants. With Alexander, the Indian chieftain made
an alliance, and received back his territories. Near the
battle-field Alexander founded a new city, and called it
Bucephala, after his famed charger, Bucephalus, slain during
the fight. He thence marched through the land of the
Arashtra, made alliance with the king of the Sophytes,
pierced as far as Amritsar, and then razed the city of the
Kathians, who, in the history of Diodorus the Sicilian, are
recorded to have possessed the custom that widows should
be burned with their husbands, so that the men might
not go in fear of being poisoned by their wives during their
lifetime. Strange rumours soon reached the Macedonian
camp of the desert lands and fierce tribes to the far East.
Outcast adventurers, however, told Alexander the truth, that
there was no chieftain powerful enough to stay his conquer-
ing the land as far as the Ganges. The Macedonian soldiers
were laden with wealth and weary from travel ; they longed
to see their homes once again. On the banks of the Beas
(Hyphasis), Alexander saw the visions he had dreamed — of
piercing to the eastern seas, and enrolling the whole world
under one sceptre — fade away as his troops refused to
follow him further past the Sutlej, towards the broad Jumna
and river- valleys of the Ganges.
The Conqueror of the World turned from the rich prize,
and led his troops down the banks of the Indus towards
the unknown ocean. In an impetuous assault at Multan,
on the fortress of the fierce tribe of the Malloi, Alexander
was wounded almost to death by an arrow, yet he founded
another Alexandria at the modern Ucch, before he left
India to commence his perilous journey across the sandy
deserts of Gedrosia towards Babylon, where he died at the
174 LITERARY HISTORY OF INDIA
early age of thirty-two from fever and drink. The records
of the historians and scientific men who accompanied the
Macedonian king on his expedition into India have
perished, and the accounts given of them by later writers,
such as Arrian, Strabo, and Pliny, remain the only light
that comes from the West regarding the social life of
the people of India during the period.
While Alexander remained in the Panjab, a base-born
adventurer, one Chandragupta, destined to become the
first Emperor of North India, is said ^ to have told the
monarch how he might advance down the Ganges and
spread his conquests over all the divided tribes and people.
Chandragupta, finding his advice not taken, left the Mace-
donians and sought refuge in Magadha. There he offended
the reigning Nanda king, and again returned to the
Panjab, where he found that the Greek governor, Eudemos,
left by Alexander, had foully murdered Porus, and that
the greater part of the Greek garrison had been withdrawn
from the cities of the Panjab to join in the dissensions
that had broken out in the West on the death of Alexander.
Chandragupta at once headed an uprising of the native
tribes, and soon found himself in power as sole ruler over
the Panjab and lands of the lower Indus.
Remembering the weakness of the kingdoms in the
valley of the Ganges, he returned to Magadha, and there
by his intrigues secured for himself the throne by the
assassination^ of the last of the Nanda dyucisty. India,
for the first time, saw, in the low-caste Chandragupta,* a
ruler whose empire extended from the Indus to the lower
Ganges.
In the meantime, Seleukos Nikator, the successor to
' " Sandrakottos (Chandragupta) was of obscure birth, and from the remark
of Plutarch that in his early years he had seen Alexander, we may infer that he
was a native of the Panjab." — M'Crindle, p. 405.
^ The story is told in the " Mudrarakshasa," by Visakadatta, see p. 294 (post).
' His accession dates from 315 b.c, or 312 b.c.
THE POWER OF THE BRAHMANS 175
the eastern dominions of Alexander, marched from Syria
and Asia Minor to re-establish his power in Bactria and
Western India. With the new Maurya Emperor of
Northern India, Seleukos Nikator found it prudent to
make an alliance. The Syrian king gave his daughter in
marriage to Chandragupta, and sent his ambassador,
Megasthenes, to reside at Pataliputra, the city whose
foundations Buddha had seen laid by the generals of
Bimbisara as a fortress to check the raids of the Wajjians.
At Pataliputra, Megasthenes resided for eight years, from
306 to 298 B.C. In what remains, in the writings ^ of later
Greek and Roman writers, of the " Indika of Megasthenes,"
the Western world has preserved its only literary record
of the condition of India, at a period of time when the
Aryan race was approaching a doom from which it was,
for a time, saved by the dread of the Macedonian soldiery
to penetrate further into the East and raise the veil which
the priestly chronicles have drawn over the political life
of the times.
From Strabo ^ it is learned that Megasthenes held that no
reliance could be placed on any previous Western account
of India, for " its people he says never sent an expedition
abroad, nor was their country ever invaded or conquered
except by Herakles and Dionysus in old times, and by
the Macedonians in our times."
The belief held by the Indians themselves evidently
was that they were autochthonous, and for some reason,
perhaps to gratify the pride of Megasthenes, they also
asserted that their gods, myths, and philosophies were
similar to those of Greece.
The history of Megasthenes was evidently founded on
^"/Ancient India as Described by Megasthenes and Arrian,' being a
translation of the fragments of the 'Indika of Megasthenes,' collected by Dr
Schwarbach, and of the first part of the 'Indika of Arrian'" (M'Crindle).
2 Strabo, xv. I, 6-8; M'Crindle, p. 107. See Pliny, "Hist. Nat.," vi.,
x.\i. 4-5-
176 LITERARY HISTORY OF INDIA
facts he had himself observed, or on the evidence of witnesses
he deemed credible. The more it is examined the more
it is found to be trustworthy, while the whole account of
Indian social and political life falls in with what might
have been imagined forth from the vague references of the
sacred literature of India. Pataliputra, the capital of
Chandragupta, the walls of which have recently been
unearthed 12 to 15 feet beneath the modern city of Patna,
is described as the greatest city in all India, stretching
80 stadia along the river to a breadth of 15 stadia. The
ditch surrounding its wooden palisades— for all cities near
rivers were of wood, those on eminences alone being
constructed of mud and brick — was 600 feet broad,
and 30 cubits in depth, the walls of the city having sixty-
four gates and five hundred and seventy towers. To the
king there were six hundred thousand foot soldiers, thirty
thousand cavalry, and nine thousand elephants. It would
be difficult to enumerate all the different tribes scattered
over India who were mentioned by the ambassador of
Seleukos Nikator and of whom many cannot now be identi-
fied. It is evident that over the vast continent separate
stable governments existed, many holding vast resources
at their command. The King of Kalinga, although he
was subject to Chandragupta, held independent possession
of his own dominions along the eastern coast, while a
branch of the race he ruled over seems ^ to have been
the people of Lower Bengal, near the mouth of the
Ganges. The capital of this great eastern viceroy was
at Parthalis, and the army consisted of sixty thousand
foot soldiers, one thousand horsemen, and seven hundred
elephants.
The great Andhra kingdom between the Godavari and
the Krishna, where the law books of Baudhayana and
Apastamba were revered, stretched far and wide, having
" M'Crindle, "Alexander," p. 364; " Megasthenes," p. 155.
THE POWER OF THE BRAHMANS 177
numerous villages,^ thirty walled and defended towns, and
a king having an army of one hundred thousand foot men,
two thousand cavalry, and a thousand elephants.
On the west coast were varied tribes, now more or less
identified, while in the basin of the Chambal were the
Pandae, a branch of the famed Pandus,^ " the only race in
India ruled by women. They say that Herakles having
but one daughter, who was, on that account, all the more
beloved, endowed her with a noble kingdom. Her
descendants ruled over three hundred cities,^ and com-
manded an army of one hundred and fifty thousand foot,
and five hundred elephants."
Many of the stories told by Megasthenes seem incredible,
but then it would be unwise to stigmatise the historian as
wilfully setting forth false statements. Some of the stories
he relates were furnished by credulous narrators, and when
these are eliminated there is generally a solid substratum of
historic facts in the remaining portions of his writings. The
danger into which a too incredulous reader might fall in
rejecting everything as false, the evidence for which lies
not on the surface, may be seen from a single example.
Pliny narrates * that, according to Megasthenes, there lived
a race in India whose feet were turned backwards. This
palpably cannot be accepted as a true statement of fact.
Nevertheless, the historian merely recorded statements he
had heard from what he deemed reliable sources, and the
very fact that he mentions this strange race shows that his
sources of information must have been numerous and
varied.
1 M'Crindle, " Megasthenes," p. 138.
^2 See Ibid., p. 147 {note).
^ Ibid., p. 147: — "They further assert that Herakles was also bom among
them. They assign to him, like the Greeks, the club and the lion's skin. . . .
Marrying many wives he left many sons, but one daughter only." See also
p. 39 {note), "apparently Siva is meant."
* Pliny, "Hist. Nat.," tii. 11, 14, 22.
M
178 LITERARY HISTORY OF INDIA
This belief in the existence of spirits and witches who
wander about with their feet turned backward is common
not only in India but elsewhere.^ The following account
of one of this race of Churels, as they are called, is told by
Mr Crooke, who has done much to probe the depths of
primitive belief in India, and no doubt the Greek historian
had heard somewhat similar stories on which he based his
record. One of the race of Churels generally " assumes
the form of a beautiful young woman and seduces youths
at night, particularly those who are good-looking. She
carries them off to some kingdom of her own, keeps
them there till they lose their manly beauty, and
then sends them back to the world grey-haired old men,
who, like Rip Van Winkle, find all their friends dead
long ago. I had a smart young butler at Etah, who
once described to me vividly the narrow escape he had
from the fascinations of a Churel who lived in a pipal tree
near the cemetery. He saw her sitting on a wall in the
dusk and entered into conversation with her, but he
fortunately observed her tell-tale feet and escaped. He
would never again go by that road at night without an
escort."
The sources of information at the disposal of Megas-
thenes, and the accordance, for the greater part, of the facts
narrated by him with what is known to have been the
state of affairs at the period during which he visited India,
make his statements of peculiar value for the purposes
of adding reality to the hazy outline of the Brahmanic
texts.
The population of India is by him divided into seven
main classes. At the head of all in dignity and importance
were those whom he called the philosophers, easily recog-
nised as the Brahmans. They, according to Megasthenes,
' Crooke, " Popular Religion and Folk-lore in Northern India," p. 169 ;
Tylor, " Primitive Culture," vol. i. p. 307.
THE POWER OF THE BRAHMANS 179
are of great benefit to the people, for, "when gathered
together at the beginning of the year, they forewarn the
assembled multitudes about droughts and wet weather, and
also about propitious winds, and diseases, and other topics
capable of profiting the hearers." ^
Should a philosopher make any error in his prognostica-
tions, he incurs " no other penalty than obloquy, and he
then observes silence for the rest of his life." These
philosophers not only confer great benefits on the people,
they also " are believed to be next door to the gods, and to
be most conversant with matters pertaining to Hades."
They perform all sacrifices due by the people ; they
perform the funeral rites, and, in " requital of such services,
they receive valuable gifts and privileges."
The philosophers, according to Megasthenes, were
divided into two orders. First, the Brahmans proper, who
live as students for thirty-six years,^ and then become
householders, when " they eat flesh, but not that of animals
employed in labour." " The Brahmans keep their wives
— and they had many wives — ignorant of all philosophy, for
if women learned to look on pleasure and pain, life and
death, philosophically, they would become depraved, or
else no longer remain in subjection." ^ This statement is
in accord with the teaching of the "Vedanta," which ex-
cludes all women from its scheme of salvation. The basis
of much of Indian thought is contained in his summing-up
of the Brahmanic speculations of his time : " They consider
nothing," he records, " that befalls man to be either good
or bad ; to suppose otherwise being a dream-like illusion." *
Their views regarding the soul and creation were declared
to be the same as the Greek, and "they wrap up their
doctrines about immortality, and future judgment, and
kindred topics, in allegories, after the manner of Plato."
1 M'Crindle, "Megasthenes," p. 41. = "Manu," iii. I.
s See M'Crindle, " Megasthenes," p. 100, * Ibid., p. lOO.
i8o LITERARY HISTORY OF INDIA
The second order of the Brahmans was the Sarmanes, or
" ascetics," of whom the most honoured were the Hylobioi,^
who "live in the woods, where they subsist on leaves of
trees and wild fruits, and wear garments made from the
bark of trees." ^ Besides the orthodox Brahmans,* there
were numerous diviners and sorcerers living on the super-
stitions of the people, begging their way from village to
village, and even women were said in some cases to
"pursue philosophy."
The second class into which Megasthenes divided the
population was that of husbandmen. They, as they do
to-day, formed the gross mass of the population living in
scattered villages.
The land, according to the Greek account, was the
property of the king, to whom a land tribute was paid,
as well as a fourth part of the produce raised by each
cultivator. The husbandmen are depicted as remaining
supremely indifferent to the change of their rulers, to the
coming and going of new invaders : even in those days they
were as they are to-day, when, " the Mogul, the Afghan, the
Pindari, the Briton, and the mutinous Sepoy, with others,
have swept to and fro, as the dust storm sweeps the land,
but the corn must be grown, and the folk and cattle must
be fed, and the cultivator waits with inflexible patience till
the will of Heaven be accomplished, and he may turn again
to the toil to which he is appointed." *
The picture of the agricultural labourer was much the
same over two thousand years ago. The Greek historian
1 Haradatta, in his tiote to " Gautama," iii. 2, says : — " The Vanaprastha
is called the Vaikhanasa, because he lives according to the rule promulgated by
Vikhanas ; " and adds, ' ' for that sage chiefly taught that order. " See Buhler,
" Manu," p. xxviii.; S.B.E., vol. xxv.
^M'Crindle, " Megasthenes," p. 102.
5 " Among the Indians are those philosophers also who follow the precepts
of Boutta, whom they honour as a god on account of his extraordinary
sanctity."— M'Crindle, p. 105.
^ lyockwood Kipling, " Man and Beast in India," p. 154.
THE POWER OF THE BRAHMANS i8i
narrates how, when soldiers fought their way to over-
lordship of the soil the cultivators remained silent
spectators. "While the former are fighting and killing
each other as they can, the latter may be seen close at
hand tranquilly pursuing their work, perhaps ploughing
or gathering in their crops, pruning the trees, or reaping
the harvest."^
The shepherds, artisans, soldiers,^ and overseers formed
the next four classes into which the people were divided ;
the seventh and last being that of the councillors, or
assessors, to whom belonged " the highest posts of govern-
ment, the tribunals of justice, and the general administra-
tion of public affairs." *
The salient features of the system of caste division of
the people into distinct groups, ranging from the Brahman
downwards,* is described in an extract from Megasthenes
preserved by Arrian : " No one is allowed to marry out of
his own caste, or to exchange one profession or trade for
another, or to follow more than one business. An ex-
ception is made in favour of the philosopher, who, for his
virtue, is allowed this privilege." ^
The Indians, as a nation, are depicted as frugal and
abstemious in their habits. Wine was only drunk at sacri-
fices. They seldom went to law. Theft was rare ; houses
and property were left unguarded. The women were
purchased as wives for a yoke of oxen.^ The care of
' M'Crindle, " Indika of Arrian,'' p. 210.
^ "The fifth class consists of fighting men, who, when not engaged in active
service, pass their time in idleness and drinking. They are maintained at the
king's expense, and hence they are always ready, when occasion calls, to take
the field, for they carry nothing of their own with them but their own bodies."
—M'Crindle, p. 85.
3 Ibid., p. 85.
* See also Ibid., p. 213: — "It is permitted that the sophist only be
from any caste ; for the life of the sophist is not an easy one but the hardest
of all."
'■> Ibid., p. 86. 8 Ibid., p. 70.
i82 LITERARY HISTORY OF INDIA
the king's person, in his palace and when hunting, was
entrusted to female guards. Famine is affirmed never to
have visited India. "The greater part of the soil, more-
over, is under irrigation, and consequently bears two
crops in the course of the year." ^
Arrian, in his history, gives a realistic, matter-of-fact
account of the form of marriage, so often poetically and
prettily alluded to in the epics and drama as that of the
Svayamvara, or " choice by the bride of a bridegroom " :
" The women, as soon as they are marriageable, are brought
forward by their fathers and exposed in public, to be
selected by the victor in wrestling or boxing or running,
or by some one who excels in any other manly exercise." ^
Differing from Strabo, who fixed the ordinary price of a
bride at a yoke of oxen, Arrian says that there was no
dowry given or taken.
The worship of the god 6iva, or his counterpart — a deity
finding its birthplace among the fiercer Scythian tribes,
and then accepted into Brahmanism as a form of the Vedic
Rudra — as well as the worship of Krishna, born amid
shepherd folk, are both described by Megasthenes as having
been fully incorporated into Brahmanism.
Writing of the philosophers, Megasthenes records, that
"such of them as live on the mountains are worshippers
of Dionysos, showing, as proofs that he had come among
them, the wild vine which grows in their country only, and
the ivy, and the laurel, and the myrtle, and the box-tree, and
other evergreens. . , , They observe also certain customs
which are Bacchanalian. Thus they dress in muslin, wear
the turban, use perfumes, array themselves in garments dyed
of bright colours ; and their kings, when they appear in
public, are preceded by the music of drums and gongs. But
the philosophers who live in the plains worship Herakles." '
' Diodorus, " Epitome of Megasthenes," ii. 36 ; M'Crindle, " Megasthenes,''
P-3'-
2 /ii/., p. 222. '/«M'.,p. 97.
THE POWtm. OF THE BRAHMANS 183
While these and other strange changes had crept into
Brahmanic orthodoxy, there was one task remaining for it
to accomplish before it had to withdraw within the defences
it had reared, and there await the attacks soon to be made
against it, the last of which has come from all the forces
at the command of a Western civilisation.
The enormous mass of sacred literature of the varied
schools, the knowledge of which led towards Heaven, made
it almost impossible that it could be all remembered, or
serve as a guide through life.^
The special rules of the early " Sutras " were more guiding
principles of life than practical expositions of the civil and
criminal law. Some authoritative statement of the practical
relationship of the varied classes, and of the civic duties of
each member of the Aryan community, had to be set forth
with a prestige sufficient to inspire the allegiance of all.
Father Manu was a name wherewith to conjure. It was
a name held sacred throughout the pages of literature.
From him all men had sprung. At the time of the Flood
he had preserved in his own self the human race for re-
creation. He was ruler of all law and order, father and
revealer of the sacrifice, the author of Vedic Hymns, and the
great legendary forefather and guide of all Aryan people.
Among the varied Brahmanic schools for the preservation
and teaching of Vedic texts, the ritual, and subsidiary
branches of learning, there was one great school of the
Manavas — a branch of the Maitrayanlya Black Yajur Veda
school — whose founder became, in time, identified with the
primeval Manu.
The ancient Sutra law book of the school is lost.
' See the exhaustive and learned treatise on the whole subject prefixed by
Buhler to his translation of " Manu " (S. B.E., vol. xxv. p. xlv.), under the four
heads : — (l) What circumstances led to the substitution of a universally binding
" Manava Dharma ^astr.--. " for the manual of the Vedic school? (2) Why
was so prominent a position assigned to the remodelled " Smriti " ? (3) How
was the conversion effected ? (4) When did it probably take place
i84 LITERARY HISTORY OF INDIA
This was the text seized on by the Brahmans, out of
which they composed a systematic treatise^ on law and
order, free from sectarian strife, so that it might stand
forth as a code of civil and criminal jurisdiction for all
Aryan people. The well-known law book of Manu has thus
obtained the sanction of an antiquity held to date back to
primeval days, when the Divine decrees were revealed by
Manu, the offspring of the Self-Existent,^ the mythical
progenitor of the human race. The date of the composition
of the work can now be confidently placed somewhere near
the commencement, of the Christian era.^
Tradition, however, holds that the Creator, having created
the universe, composed the law, and taught it to Manu,
who taught it to the ancient seers. The work itself was for
the Aryan community, for the use of those Brahmans * who
assisted kings and princes to administer the law. The
peculiar customs of countries, peoples, and families lying
outside the sphere of Brahmanism were always acknow-
ledged to have retained their own validity.* Not until
much later did the idea grow up that local laws ^ should
give place to Brahmanic ideals, and not until English
lawyers fell into the error of seeing in the law books of
Manu the sacred and common source from which the
habits and customs of the entire people of India had sprung,
did it become the text by which disputes between people,
who had never heard of its existence, were decided.
^ In the easy metre of the late epic " Anushtubh Sloka." — Biihler, p. mx.
2 "Yaska, Nirukta," iii. 4; Buhler, p. Ixi.; "Manu," i, 102.
' Buhler, p. cxvii. : — " It certainly existed in the second century a.d., and
seems to have been composed between that date and the second century B.C."
Burnell, "Ordinances of Manu," p. xxiv.: — "Between about i A D. and 500
A.D."
^ "Manu,"' viii. 1.
^ Ibid., i. 118; Burnell, p. xxxvi. ; " Baudhayana," i. i, 2, 1-7; "Apas-
tamba," ii. 6, 15, I ; "Gautama," xi. 20-21.
« Burnell, p. xxwi!. .S^ee Lee Warner, W., "Jour. Soc. Arts" (February
1897), p. 170.
THE POWER OF THE BRAHMANS 185
In the words of the late profound scholar and jurist,
Dr Burnell, the result is that "we shall soon see 'Jack
the Giant Killer ' cited as an authority on the law of
homicide." 1 The laws of Manu grew out of a natural
development in the political and social life of Brahmanic
India. The ruder races, as they rose in the social scale,
naturally fell under the influence of the system formulated
by the learned and priestly classes, and modified their own
usages and customs so that, as far as possible, they might
conform to the ideals of the higher castes. It was the
Brahmans ^ alone who could expound the laws of Manu,
and it was to the three higher castes alone that the right
of studying them was given.*
All women, Sudras, and tribes outside the Aryan pale,
were excluded from " these Institutes " by the very words
of the text* The pretensions of the Brahmans were rising
higher, and signs of change are evident in the laws them-
selves. In one verse the ancient custom of the sale of
women in marriage is condemned, for "no father who
knows the law must take even the smallest gratuity for
his daughter."*
The Greek historian narrated how brides were sold for
a yoke of oxen, and Manu bears witness to the fact that
the sale was in vogue, for "some call the cow and bull
given at an Arsha wedding a ' gratuity,' but that is wrong,
since the acceptance of a fee, be it small or great, is a sale
of the daughter." «
Again the same want of consistency, showing how varied
the local customs were, is seen from the fact that in the
law book it is declared that not even a Sudra ^ should sell
his daughter, that such a custom had never been heard of
in any creation. And again, in a different chapter, ^ treating
' Burnell, "Manu,"' p. xxxviii. - Ibid., i. 103. ' Ibid., ii. 16.
* Ibid., A. 126. " Ibid., iii. 51. « Ibid., iii. 53.
''Ibid., ix. 98. ^ Ibiil., viii. 204.
i86 LITERARY HISTORY OF INDIA
of the sale of chattels, the text lays down : " If after one
damsel has been shown, another be given to the bride-
groom, he may marry them both for the same price ; that
Manu ordained."
The confusion arose from the fact that the laws and
customs of the people were changing in the course of time,
and were varied among the different sections of the people.
The Brahmans, however, hoped to stereotype the conditions
of life and society to which they owed their position, wealth,
and power ; and so far they have succeeded, for, from the
time Warren Hastings drew from the Brahmans their
"Gentoo Code," down to the time when the Queen
issued her proclamation after the Mutiny, declaring that
the " ancient rights, usages, and customs of India " should
be duly regarded, it has been held that " Manu " and later
law books were codes wherein to find a sure and safe
guide for the administration of civil law to all Hindus.
There were Sudras and Sudra kings in India at the time
of the compilation of the laws of Manu, who, according to
its tenets, would have been excluded from its purpose, while
the Kshatriyas and Vaisyas, for whom it was compiled,
find few or no representatives in India of to-day.i The
Brahmans sought but to frame laws for the preservation
of the usages and customs of the people with whom they
were concerned, and whom they recognised as within the
sphere of Aryanism.^
These efforts of Brahmanism have received a finality and
sanction which not even Brahmanism itself now would
claim, or if it did, be powerful enough to sustain. The
law but follows and recognises the changing course of
social life. In accepting the Brahmanic law books as final,
' Nelson, " Scientific Study of the Hindu Law," p. 5.
^ ' ' The authority of the inferior castes to make their own laws was early
admitted "("Baudhayana,"i. I, ;:, 1-7 ; "Gautama,"xi. 20, 21 ; "Apastamba,"
ii. 6, iSi l). "Neither were the Sanskrit Brahman laws forced on them, nor
were their own customs ignored, as is now the case. " — Burnell ( Pref. ), p. xxxvi.
THE POWER OP THE BRAHMANS 187
the whole transition of the society from its ancient con-
dition to that of an advancing civil community has been
retarded, if not frustrated, while much of its progress has
been reduced to a chaos, out of which few can see any
possibility of restoring law and order.
CHAPTER IX.
THE FINAL RESTING-PLACE OF ARYAN THOUGHT.
The Brahmans had, with all the care and pains granted
only to high genius, with all the insight bred of long
hereditary training, striven manfully in the fight they had
to fight — the fight for the consolidation and preservation of
their own race, class, and power.
They were to abide immutably the intellectual guides of
the people, for so Divine ordinance had decreed. Kings
and warriors had their appointed places as upholders of
the State, and favoured allies of the Brahmanic might.
The varied classes of those who were Aryan by descent,
or had been admitted within the ranks of Aryanism, were
one and all allotted their appointed place in life, and bid
look for their spiritual welfare in obedience to the priestly
dictates.
The very gods had come on earth to dwell personified
as the Brahmans. The Creator of the Universe had
resigned his earthly sceptre to the high keeping of those
whose hands and feet still show that their ancestors, for
generations past, have never sullied themselves by sub-
mission to vulgar toil and labour, and whose features bear
the stamp of conscious knowledge of their high calling.
All alien races and tribes were the polluted offspring of
THE FINAL RESTING-PLACE 189
those who had confounded the divinely-decreed divisions
between class and class.
The Brahmans based their claim to rule supreme solely
on their traditional lineage from Vedic bards, on their
high intellectual power and sacred calling. It was thought,
not action, mind alone, not mind working out its ideals
in dramatic, sculptured, or artistic forms, that enslaved
the nation. The architect, the builder, or sculptor, were
relegated to the lower classes, in common with all those
who worked with their hands. No great architectural
buildings, no temples, no works of sculpture, whose origin
can be traced back to Brahmanic genius, remain in
India. The Aryan had set before him but one ideal,
and that was to unravel the secret that set strife on earth
as the stepping-stone to law and order, to solve the
mystery of the seeming endless struggle wherein the evil
and the strong men often prosper while the good and
weak are swept away. It is a problem yet unsolved, a
problem Nietsche has newly set forth with the all too-
overpowering earnestness of one born into a world out
of joint to set it right.
Even the weak, diseased, and contaminated are nurtured
and left free to send their taint to future generations by
civilisations which hold forth, as their highest ideals, sym-
pathy towards the suffering, and protection towards the
feeble. Yet these same civilisations take heed to stand
armed at every point, straining every nerve to add to their
strength, knowing well that speedy decay and dissolution
await the nation not stern enough to fling its boasted
shibboleths of peace and goodwill to the winds when
assailed by stronger foes. India, subdued to her own
ideals, fell, and so remains fallen. Before she fell, all
that she held of intellect or genius had prepared her course
down to a soothing resting-place. If she ever rises it
will be because those before whom she fell will wake
i90 LITERARY HISTORY OF INDIA
her from a peaceful sleep and send her forth to find new
leaders, who no longer seek to see their fitting end in
striving to reconcile man's ethical notions of right and
wrong, justice and injustice, with the struggle and strife
of life, but simply rest assured that, while they take their
part in the battle of the world's strife, the lofty ideals they
held aloft when Europe was plunged in barbarism will, in
the appointed time, be fully realised, and until then can
but be held as guiding hopes.
While Brahmanism was cradling its wasted strength in
the summit of the many-storeyed wicker-work edifice of
caste, into which all outsiders might creep from below, and
work their way upward from storey to storey, it sent
abroad throughout the land those bright rays of thought
which are the sole guiding stars to those who still in India
love to tread the paths of old.
The cry, the incessant cry sent forth by Aryan India,
was that life was pain — pain from the body, pain from the
world, pain from the heavens, and the gods.*
The cry went up from Brahmanism. The first answer
philosophy had to give is ascribed to Kapila, said to be the
founder of the Sankhya philosophy. By him the Aryan
people were directed to fix their gaze on two facts — the
world as they saw it spread out before them, and their own
souls. So far they knew and no more. The phenomenal
world was self-evident. Kapila undertook to prove the
existence of soul in five ways. Firstly, he held the soul to
exist from an inverted doctrine of design.^ If one beholds
a bed, he naturally concludes there must be a sleeper ; so,
when one sees the world, he must conclude that there is
soul to enjoy it. Secondly, soul is shown to exist because
every one is conscious of something inside himself distinct
from ma,tter. Thirdly, soul must exist as a superintending
'' - See Garbe, "Sankhya Philosophie," p. 133.
" Davies, " Hindu Philosophy," p. 46.
THE FINAL RESTING-PLACE 191
power. Fourthly, it must exist to enjoy ; and fifthly, and
lastly, because all men feel within themselves that the soul
exists, yearning, striving to free itself from the contamina-
tion of matter. So far the existence of soul, soul transmi-
grating from birth to re-birth, having been proved, the
connection between it and the world had to be traced, for
in this connection lay pain and sorrow. Freed from
matter the soul would remain isolated, inactive, and
uncreative, unconsciously self-existent and self-contained.
It would remain quiescent, placid as a lake on whose
surface no ripples break. The Indian sage loves to brood,
in a dreamy semi-hypnotic trance, over that calm resting-
place to which the soul might take wing, having shaken
off from itself all bonds that keep it fettered. The soul,
however, is constrained to rouse itself from painless isola-
tion. The allurements of the flesh and the evidences of the
senses constrain it to lend its reluctant consent to join
in the drama sent forth by matter. Primordial matter,
unmanifested, is, according to Kapila, that which originally
existed outside, and independent of, soul.^ This matter,
the primordial germ substance, eternal, indivisible, self-
developed, ever invisible, had potentially to send forth
real existence.^ This primal matter has, as its nature, the
three modes ^ of goodness, passion, and darkness. The
system knows no idealistic monism ; germ matter and
soul remain distinct — the soul, when separated from
matter, being self-existent, with no object of thought.
So far Kapila held forth before the astonished gaze the
Prakriti, into which he had resolved all objective reality,
and the inward light, the soul, having an existence of its
' The Prakriti or Pradhana.
2 "After all, what do we know of this terrible ' matter,' except as a name
for the unknown and hypothetical cause of states of our own consciousness." —
Huxley, " Lay Sermons," p. 142, quoted Davies {note), p. 19.
' These three modes, or gunas, are not to be taken as qualities of Prakriti ; the
clear distinction between substance and its qualities had not been marked out
at this period. The three gunas are the very constituents of Prakriti.
192 LITERARY HISTORY OF INDIA
own. From Prakriti he had to create a rival world
wherein the soul would find its sorrow. With all the
limitation of man's knowledge of time, and space, and cause,
the Eastern Frankenstein had to set to work and evolve the
spectral vision of a world, and then, haunted by the terror
of the scene of woe and desolation, point out a means to
mankind how they might escape from their brooding fears.
A change had to take place in primordial matter, so that
the different forms of matter might become manifest.
Prakriti had, as its essential nature, but the three equipoised
qualities of goodness, passion, and darkness. From the
proximity of soul to matter a disturbance takes place in
matter. The quality of passion is roused, matter no longer
remains quiescent. She manifests herself to soul i so that
soul may contemplate creation, and learn for itself the bliss
of its primeval condition of isolated self-existence. In this
action of Prakriti there is no intelligent design. The
system knows of no Creator, matter is unintelligent. The
favourite simile is that matter manifests itself unconsciously,
without intelligence, just as milk is secreted without any
design on the part of a cow.^ Prakriti is blind, it cannot
see ; the soul is lame, it cannot act. So " it is that the soul
may be able to contemplate Nature, and to become entirely
separated from it, that the union of both is made, as of the
halt and the blind, and through that (union) the universe
is formed." 8
In the tragedy evolved by unconscious Nature for the
soul's training, the soul remains inactive, receiving as a
sovereign all that is presented to it, yet preserving its
freedom from contact with matter. Prakriti first sends
forth intellect {buddhi) for the benefit of soul. From
intellect, consciousness, or egoism, is evolved, and from
' " As the loadstone is attracted by iron merely by proximity, without re-
solving (either to act or to be acted upon), so by the mere juxtaposition of the
soul, Nature {Prakriti) is changed." — Davies (note), p. 37 ; see Garbe, p. 222.
" See Davies, p. 93. ^ Ibid., p. 51.
THE FINAL RESTING-PLACE 193
consciousness the mind (manas)} The mind-matter receives
from the senses such sensations as are to be passed on to
consciousness, thence to the intellect, for presentation to
the soul, so that the pulsating and heaving life may be
viewed by Soul, as though all passed before it like objects
seen in a mirror. From consciousness are evolved five subtle
elements — sound, touch, odour, form, and taste.^ From
these five subtle principles proceed the five gross elements
— ether, air, earth, light, and water. From consciousness
also proceed the five organs of sense and the five organs
of action. Intellect, consciousness, and mind, with the
five subtle elenjents^ form a subtle body,^ which covers in
the soul, and remains connected with it,from transmigration
to transmigration, passing in its course to celestial abodes,
ranged in order of rewards for virtue or vice.* The soul
is thus held in bondage, subject to imperfections, disease,
decay, and transmigration. Until it sees the sadness of
life spread out before it, in all its hopeless gloom, it is
unconscious, with no object of thought, knowing nothing
of the unfruitfulness of desire. To reach again this self-
existent, unborn, and undying stage, it has but to gain
knowledge of itself, of Prakriti, of intellect, consciousness,
mind, the five subtle elements, the five gross elements, the
five senses, and the five organs of action. The soul then
becomes freed from pain, freed from the subtle body which
sinks back into Prakriti ; for " as a dancer, having ex-
hibited herself on the stage, ceases to dance, so does
Nature (Prakriti) cease (to produce) when she has made
herself manifest to Soul." ^
Such was the new-found solution held forth for man who,
looking within himself, found there the problem raised
which is the mission of all higher art, philosophies, and
religion to present in one form or another.
1 iea Davies, p. io8. ''Ibid., -p. 19. ^ The linga sdrh a.
* See Davies, p. 82. " Ibid., p. 94.
N
194 LITERARY HISTORY OF INDIA
The great aim for the Eastern sage was to obtain rest
from transmigration, from re-birth, wherein the higher castes
might descend to lower ranks, and thence into bestial and
degraded forms. The problem was set forth, worked, and
solved, in methods peculiarly Eastern, and therefore evasive
in their subtle mysticism. Nature, or Prakriti, abstract and
self-existent, was beyond the ken of the Sankhyan sage.
It could but be connoted by its triple gunas ^ of goodness,
passion or energy, and darkness — the threefold essence
afterwards personified in the triple gods, Vishnu, " The Pre-
server," Brahma, " The Creator," and 6iva, " The Destroyer."
The Eastern mind, trained from Vedic times to trace all
creation from human analogy, could not escape the fatal
step, and so Soul had to approach close to Nature, with the
result that passion was aroused and creation ensued — a hazy
generalisation that could only find its fitting place, not in
a philosophy to be couched in occidental phraseology, but
in the half-man, half-woman symbolic form in which the
god Siva came to be represented. The Eastern sage
wandered on in a priori guesses, here and there betraying
his trend of thought when he likens Nature to a female
dancer who exposes her charms ^ that Soul may satiate
itself, and then send forth the wail that its yearnings for
the Infinite, the Ideal, the Absolute, have been mocked, with
the result that Nature retires abashed, leaving Soul to its
own loneliness.
The mystic charm is everywhere, gently persuading the
mind to accept the analogy by which Nature is represented,
retreating from the gaze of wearied Soul "as a modest
maiden who may be surprised in deshabille by a strange
man, but takes good heed that another shall not behold
her off her guard." *
^ These gunas, or qualities, are taken as the actual substance of Prakriti.
See note to p. 208.
a " Sankya Kar.," p. 59. » VVUson, " Tattwa Kaumudi," p. 173.
THE FINAL RESTING-PLACE 195
The descent from the high idealistic beauty of the poet's
dream is apparent in the setting of ^ankhyan fine-spun
thought in terms of formal philosophy, as well as in the
hazy speculations of the Eastern dreamer, who, in his hopes
to cast a halo of reality about his visions, sends them
forth as a guide towards the unknown, with the declaration :
" He who knows the twenty-five principles, whatever order
of life he may enter, and whether he wears braided hair,
or a top knot only, or be shaven, he is free ; of this there
is no doubt." ^
This doctrine was one too far removed from the yearn-
ing hopes of humanity to find acceptance outside the
schools of esoteric thought. Its theological completion,
however, found expression in a system by Patanjali, who
in the second century B.C. compiled his " Yoga Sutras," in
which the idea of a Supreme Being is introduced. This
Supreme Being, or Lord, is an Omniscient Soul, addressed
as the mystic syllable " Om," infinite, directing and presiding
over Nature, yet living far away, untouched by good or
evil and their results. With this Divine Essence the indi-
vidual soul hopes to gain union (yoga), and in it find
absorption. By self-restraint, religious observances, by
sitting in strange postures, by suppression of the breath,
subduing the senses, fixing the mind by contemplation and
meditation, the senses become stayed, the will falls into a
mesmeric trance in which the soul is supposed to wander
free with occult powers, finding nearness and ultimate
union (joga) with the Supreme Soul. The far-famed
Yogis 2 of India identify this Supreme Spirit with the
dread god 6iva, and in their austerities and self-inflicted
tortures give ample evidence of how slight the partition
is 'twixt sanity and reason.
' Davies, p. $$.
^ For Yogis, astral bodies, Mahatmas, etc., see the interesting account in
" Indian Life," by Professor Oman.
196 LITERARY HISTORY OF INDIA
The great crown and glory of Indian thought is to be
found in the tenets of the system known as the " Vedanta,"
or the summing-up of all the revealed knowledge of the
Vedic literature.
Believers in, and expounders of, the "Vedanta" are to be
found in every Hindu village. Of all philosophies of the
East it is the only one which presents a seemingly unassail-
able front to metaphysic doubt, and at the same time extends
its principles far enough to win the adherence of those who
would seek some simple explanation of the lonely cravings
of their soul for peace and rest in the moving changes of
life. So the most learned admirer of the " Vedanta " in the
West has recently declared, in the course of an address to
the Bombay branch of the Royal Asiatic Society, that " the
' Vedanta,' in its unfalsified form, is the strongest support of
pure morality, is the greatest consolation in the sufferings of
life and death. Indians, keep to it." *
The full " Vedanta " doctrines were systematised and re-
duced to terse leading phrases in the " Brahma Sutras " of
Badarayana, which probably date from the fourth century
B.C. ^ The full meaning of the " Sutras " was commented on
by various commentators, the greatest of whom was the re-
nowned reformer of the eighth century, 6ankara Acharya.*
The iirst "Sutra" of Badarayana gives the keynote to
the system in the short rule : " Then, therefore, a desire to
know Brahman." This rule as well as the remaining rules
' Deussen, " Elements of Metaphysics,'' p. 337.
2 See Telang, " Bhagavad Gita," p. 52 ; Max MttUer (" Vedanta Philosophy,"
note, p. 29) assigns Badarayana to 400 a.d.
' It would be out of place to enter here upon the question as to whether
Sankara Acharya's interpretation of the " Siitras" b most consistent with the
framework of the system. His commentary sets forth the accepted view of
at least 75 per cent, of Vedantists in India, and though the system of
Ramanuja may be more in accordance with the letter of the "Sutras," it is more
to the purport of this history to accept the more advanced and typical rendering
of 6ankara. The four schools of Vedantic teaching are known as Advaita,
Visishthadvaita, Dvaita, and Suddhadwaita, having as tiieir representatives
Sankara, Ramanuja, Madhava, and Vallabha,
THE FINAL RESTING-PLACE 197
are to be carried in the memory ; tlieir full meaning must
be expounded and explained by a competent teacher.
Each word had to be commented on, and in course of time
new commentaries and explanations arose. The word
"then " denotes that something is antecedent to all enquiry
into the " Vedanta." The person who desires to obtain the
full benefit of the salvation promised by the system must,
before he commences the enquiry, be in the frame of mind
which the word " then " presupposes him to have acquired.
This antecedent qualification draws the line closely round
those select few who are competent to enter on the enquiry.
It limits all enquiry, and resulting salvation, to those whose
minds have been chastened by long training, to those
who can claim the same heritage of refined thought and
religious instincts that has fallen to the lot of the twice-
born Aryans of India. The essential requisites are that
the enquirer should discriminate between eternal and non-
eternal ; that he should be free from all desire for the reward
of his acts here or hereafter ; that he should be tranquil and
self-restrained ; that he should renounce the performance of
all religious rites and ceremonies, and have patience in
suffering, concentration of mind, and lastly, faith. These
essentials are all the products of Eastern modes of life and
thought ; they strike at the basis on which are founded most
of the great religious systems of the world. This much
springs from the first word " then " of the " Brahma Sutras."
The word following is " therefore," on which depend equally
important results. The whole of the teaching of the
"Vedanta" is professedly founded on the sacred and revealed
character of the Vedic literature in which were recorded all
the past hopes and aspirations of the Aryan race, now
called upon to venture on a hope of a higher salvation
than that to be obtained from good deeds or burned offer-
ings of the priesthood. The word "therefore" indicates
that, as the revealed texts themselves declare, "as here
198 LITERARY HISTORY OF INDIA
on earth whatever has been acquired by action perishes, so
perishes in the next world whatever is acquired by acts of
religious duty." ^ There must be some higher aim for man-
kind. This highest aim is itself declared in one Upanishad
to be the knowledge of Brahman, for " he who knows the
Brahman attains the highest." ^ From this it " therefore "
naturally follows that one has " a desire to know Brahman,"
and the object of the whole system is to show that the
nature of Brahman is revealed in the sacred literature
of India; and that he who knows the true nature of
Brahman obtains release from the weary transmigration of
Soul.
From the use of the word " Brahman " in the " Sutra," it
is intended that the derivation of the term from its
verbal root brih, which indicates its chief attributes of per-
vading and eternal purity, will be brought to mind. It is
further stated that there is " a desire " for a knowledge of
Brahman. This implies that the desire will not be
frustrated ; that the nature of Brahman will be fully ex-
plained, and an exhaustive analysis made of all subjects
necessary for its comprehension, so that ignorance may be
removed and the soul be prepared to reach freedom from
the causes leading on to transmigration. The second
aphorism of the " Vedanta" is, shortly : " From which the
origin, etc. of this." The expanded meaning is that Brahman
is that from which the origin, stay, and decay of this world
proceed. From out this aphorism springs the starting-
point of cleavage between the varied schools holding
diverse opinions as to the true interpretation of the
Vedantic teaching. In the system of Sankara Acharya — a
system of uncompromising monistic Advaita, or "non-
duality " — Brahman is held to be sole entity, defined as »
iThibaut, S.B.E., vol. xxxiv. p. 12; also "Ch. Up.," viii. i, 6.
="'Taitt. Up.,"ii. I.
* S.B.E., "Vedanta," vol. xxxiv. p. 16.
THE FINAL RESTING-PLACE 199
"that omniscient, omnipotent cause from which proceeds
the origin, subsistence, and dissolution of this world —
which world is differentiated by names and forms, contains
many agents and enjoyers, is the abode of the fruits of
actions, these fruits having their definite places, times, and
causes, and the nature of whose arrangement cannot even
be conceived by the mind — that cause we say is Brahman."
Still the question remains unanswered as to what is the
nature of Brahman before the production of the world takes
place, and what caused it to produce. According to
Sankara, the above definition of Brahman applies to a
Universal Being, of the nature of pure thought or in-
telligence as its sole constitution, beyond which nothing
exists save an illusive principle called Maya.^ With this
Maya, Brahman is associated, and through it sends forth an
imaged world, just as a magician produces illusive effects, or
a man in sleep fashions forth appearances of animate and
inanimate beings.^
Brahman, the Supreme Soul, which alone existed in-
divisible, in the beginning, as pure thought without any
object of thought, had no desire nor purpose to create
until Maya produced the illusive appearance of divisibility,
through which individual souls {Jlvas) seem separated
from the Supreme Soul. In its ignorance Soul knows not
its true nature, which is veiled from its knowledge by Maya,
and the web of seeming reality which Maya has woven. Not
only is the creation unreal and delusive, but, moreover, it is a
^ Avidya, or "ignorance." The subject has been ably handled in the "Doctrine
of Maya : its Existence in the Vedantic Siitra, and Development in the Later
Vedanta," by Raghunath N. Apte (Bombay, 1896). His conclusions are, that
the doctrine of Maya, although it had its germ in the " Upanishads," does not
exist in the "Siitras," and that it arose from the fourth century A. D. on a
revival of Brahmanism and vigorous speculation of Gaudapada and Sankara.
" Gaudapada explained and formulated the doctrine, and Acharya worked out
its details."
■■i Thibaut, S.B.E., xxxiv. p. xxv.
200 LITERARY HISTORY OF INDIA
profound error consequent on the action of Maya. Once
the individual soul holds for true its surrounding environ-
ment of mind, body, and organs of sense, it becomes a
partaker in their merits and demerits, unable to shake itself
clear from the necessity of birth and re-birth as the result
of its acts. At the end of each period, or "kalpa," of
creation, the Supreme Soul rests free from the power of
Maya, and all individual souls merge back into the pure
Brahman. The great object of the " Vedanta" therefore is to
teach the individual souls the true knowledge of Brahman
and the delusive working of Maya. From knowledge the
individual soul recognises itself truly as Brahman — a know-
ledge which nullifies the delusion of Maya and obtains for
the soul immediate release and freedom, or union and
identity with Brahman. The great cry of Vedantic release
from transmigration is : " Tattwam asi" (" Thou art That") ;
or in Western phraseology. Thy soul is not merely Divine
or God-like, it is Divine, it is God ; and there is no real exist-
ence anywhere save God and Soul which are identical.
The world is a dream, presenting passing visions of sin
and sorrow amid which the soul moves in lonely separation
until it finds its safe abiding-place in eternal union with
Brahman. The " Vedanta " further, according to Sankara,
teaches a twofold knowledge. It teaches that there is a
Lord, or "I^vara,"a lower Brahman, conditioned by attributes
and related to the world so long as the delusive action of
Maya subsists. By following the practices of meditation
and devotion, as laid down in the Vedic texts, which declare
the nature of, and the conduct to be pursued in relation
to, the lower Brahman, the individual gains his reward here
and hereafter, and rises to higher and higher spheres of
activity and enjoyment. Yet these are but preparations for
the knowledge of the higher Brahman ; pure consciousness
without any object to be conscious of; pure joy without
anything to rejoice over ; pure being without anyvsecond,
THE FINAL RESTING-PLACE 201
which is taught also in Vedic texts, the expounding of
which is the purport of the " Vedanta." ^
Kant, followed by Schopenhauer, showed how the
phenomenal world, as existing in space, and time, and
moved throughout ^ by causality, is but a representation of
these three innate perceptive forms of our intellect. So
Sankara Acharya held that the highest Brahman, being
devoid of all these three innate perceptive forms of time,
space, and cause, can only be defined by negation. The
one loved answer to all enquiries as to the qualities of
Brahman is, " No, no," for there is no power of mind that
can fathom its true nature. Sankara simply held that the
human intellect had not arrived at that stage of develop-
ment in which it could postulate that its innate perceptive
form of time, space, and causality were applicable in
dealing with the nature of a Brahman and its mani-
festations, transcending, as these do, all finite limitations.'
The world seen is but the shadowed-forth form of the sub-
jective forms of intellect, and therefore but realised so far
as the imperfectly-developed condition of the intellect
permits it to be conceived. The man who dreams, and an
organism imagined as moving in space of two dimensions,
or even of one dimension, have as limited a knowledge of
the true mysteries of life and existence as the man whom
the Vedantist holds to be bound by the spell of Maya.
The " Sutras " * themselves declare that, in the pursuit of
knowledge, reasoning which disregards revelation is of no
value. Sankara, in his interpretation of the "Sutra,"
declares that arguments, ingenious in themselves, are but
^ Sad-cid-dnanda, the triple constitution of Brahman, just as saiwas, raja,
■ tamas was the triple constitution of the ^ankyan Prakriti.
2 Deussen, "Metaphysics," p. 331.
3 S.B.E., vol. xxxviii.; " Sutras," iii. 2, 3 :— " But the dream-world is mere
illusion— Maya, on account of its nature not manifesting itself with the totality
of the attributes of reality."
* S.B.E., vol. xxxiv. 2, I, II.
202 LITERARY HISTORY OF INDIA
advanced by clever men to be afterwards found fallacious
by others more clever. He holds that " the true nature of the
cause of the world, on which final emancipation depends,
cannot, on account of its excessive abstruseness, even be
thought of without the help of the holy texts." ^
As sources of knowledge, the " Upanishads " ^ are held by
Sankara to be the chief works, and as confirmation for their
import, the " Smriti." The lower Brahman, as limited by
attributes, and as seen by ignorance, is but an object of
worship. "According as a man worships him that he
becomes." ^ The highest Brahman, as free and pure, can be
only an object of revealed knowledge. Yet remains the
question as to why Brahman, through this association with
Maya, should be under any necessity to create the world,
for it acts just as a " person when in a state of frenzy
proceeds, owing to his mental aberration, to action without
a motive." * The answer is that " Brahman's creative
activity is mere sport, such as we see in ordinary life." *
Even then comes in the question why the Creator has
cruelly awarded merit and demerit indifferently. Eastern
pessimism holds that the gods are happy, men less happy,
and animals eminently unhappy ; yet the Scriptures declare
the Lord to be of essential goodness. The answer given
is similar to that given by Hamlet, unable to explain to
himself why he should be thrust into a world out of joint
to set it right : " For if the sun bred maggots in a dead
dog" — is that to be argued as against the purity of the
sun ? Sankara answers : « " The position of the Lord is to
be looked upon as analogous to that of Parjanya, ' The Giver
of Rain.' For as Parjanya is the common cause of the
production of rice, barley, and other plants, while the
' See S.B.E., vol. xxxiv. p. 316.
- Not only the older " Upanishads," but also the later, as well as the
" Mahabharata " and " JBhagavad Gita.''
»S.B.E., vol. xxxiv; "Sutra," i. i, 11.
* Ibid., ii. I, 32. 6 Ibid., ii. I, 33. 6 jbi^_^ p 358_
THE FINAL RESTING-PLACE 203
difference between the various species is due to the various
potentialities lying hid in the respective seeds, so the Lord
is the common cause of the creation of gods, man, etc.,
while the differences between these classes of beings are due
to the different merit belonging to the individual souls."
If the enquirer ask further how the Lord came to be
bound in His creation by a regard for past merit and
demerit, the answer is, that it is known from the revelation
of Vedic texts, that " a man becomes good by good work, bad
by bad work." 1 And the " Gita" declares in confirmation :
" I serve men in the way in which they approved me." ^
The answer is, in fact, that the emanation of the trans-
migratory world is without a beginning, and that merit and
demerit arise like seed and sprout, without which no one
could come into existence.*
If the Brahman alone exists "'without parts, without
actions, tranquil, without fault, without taint,"* and his
nature is only to be described by silence, or by the ever-
repeated formula, " No, no," ^ it may be asked how it. One
only without a Second, can cause the creation of the world,
which existed from before all time. The only answer is, that
it is by a " peculiar constitution of its causal substance, as
in the case of milk " which turns into curds,^ or analogous
to the manner in which the " female crane conceives with-
out a male, and as the lotus wanders from one pool to
another without any means of conveyance."^ It is, in short,
impossible, without the aid of Scripture, to conceive " the
true nature of Brahman, with its powers unfathomable by
thought."
If the objector answers that he cannot, from holy texts,
» "BiTh.-Aran. Up.," iii. 2, 13 ; S.B.E., vol. xv.
2 " Bhagavad Gita," S.B.E., viii. iv. p. 59.
* S.B.E., vol. xxxiv. p. 360. * " Svetas. Up.," vi. 19.
5 " Brih.-Aran. Up.," vi. 6, 15 : — " That Self is to be described by No, no ! "
* Ibid., ii. I, 24; "Vedanta Sutras," S.B.E., vol. xxxiv. p. 346.
' "Brih.-Aran. Up.,"ii. i, 25; "Vedanta Sutras," S.B.E., vol. xxxiv. p. 347.
204. LITERARY HISTORY OF INDIA
understand what is apparently contradictory, the reply is
that the apparent inconsistency is due to the fact that all
these questions are mere matter of names and forms, for
Brahman itself is raised above the world and the " element
of plurality which is the fiction of nescience."
The individual soul remains, according to Sankara,
ever eternal. Its essence is intelligence or knowledge. It
is identical with Brahman, from which it is separated at the
time of creation by its illusive connection with its adjuncts.
" It is not born ; it dies not ; it is immortal. It is, indeed.
Brahman." *
So long as the soul gains not freedom by knowledge
of its true nature, it passes ^ to reap its reward for good
deeds to the moon, and then descends to earth again.'
By meditation on Brahman, and by Divine knowledge,
the soul " shakes off all evil as a horse shakes his hair, and
shaking off the body as the moon frees herself from the
mouth of Rahu, obtains, self-made and satisfied, the
uncreated world of Brahman." *
The wise man who sees through the unreality of pain
and sorrow, and recognises that this whole fabric of a
vision will vanish as a dream, will find that " the fetter of
the heart is all broken, doubts are solved, extinguished
are all his works." ® And yet again, " as water does not
cling to a lotus leaf, so no evil deed clings to him who
knows this."® The full sublimity of this freedom from
the results of even past acts on the attainment of know-
ledge is shortly summed up as follows : " Brahman am I,
hence I neither was an agent nor an enjoyer at any
previous time, nor am I such at the present time, nor
1 " Vedanta Sutras," ii. iii. 17.
^ Surrounded by subtle elements {bhuta sukshma), the abode of the eleven
pranas (bitddhindriyas, Karmedriyas, and the manas).
3 " Brihad. Up.," iii. I, 8-10. < " Ch. Up.," viu. 13.
' "Mandukya. Up.," ii. 28. « "Ch. Up.," iv. 143.
THE FINAL RESTING-PLACE 205
shall I be such at any future time."i More definitely
and tersely is summed up freedom from all results of good
or evil deeds in the verse : ^ "If one should recognise
the Soul saying, I am Brahman, desiring what, or for the
love of whom should he trouble himself." As enunciated
by ^ankara, the crown and glory of his system is, that once
Brahman is comprehended all duties come to an end, all
work is over.
It is not meant here that the Vedantic system is non-
moral in its essence ;* it simply means that when the soul
becomes free from the delusion of belief in a world as set
forth by Maya, it is one with Brahman. It rests in sovereign
isolation, untouched by the sin or sorrow of the world,
"watching over all works, dwelling in all beings, the
witness, the perceiver, the only one, free from all
qualities."
The system of ^ankara stands supreme as the loftiest
height to which Eastern intuitive thought has reached.
It has more influence in India than all other phases of
thought. It is part of the life-blood of the nation. It is
as natural to the land as the miasmic vapours which rise
and permeate, with their heavy taint, the brain-matter of
1 "^ankara Com.," p. 355 ; S.B.E., vol. xxxiv.
2"Brihad. Up.," iv. 4, 12.
' See Deussen, p. 433 : — " Die Erlosung durch keine Art von Werk, auch
nicht durch moralische Besserung, sondern allein durch die Erkenntniss —
vollbracht wird." An objection to the teaching is given by Prof. R. K.
Bhandarkar in his " Visit to the Vienna Congress" (J.R.A.S., Bombay, vol.
xvii. p. 76), where he narrates a conversation he had on the subject with Prof.
Max Miiller : — "As I am not an admirer of the doctrine in the form in which
it is taught by Sankara Acharya, and which is now the prevalent form in India,
I observed that though, according to his system, a man must rise to the know-
ledge, ' I am Brahma,' previous to his entering on the state of deliverance or of
eternal bliss, still it is essential that the feeling of me or egoism should be destroyed
as a necessary condition of entrance into that state. The me is the first fruit of
ignorance, and it must be destroyed in the liberated condition. A soul has no
individual consciousness when he is delivered, and in that state he cannot have
the knowledge, ' I am Brahma.' "
2o6 LITERARY HISTORY OF INDIA
the dwellefs in the land where man has thought much that
at times astounds for its deep and clear insight, and much
that astounds for its lack of freedom from the trammels
of a time-worn past. In the Vedantic philosophy there
lies one assumption — that of Maya — which pervades and
vitiates the whole philosophic purport of the teaching.
Once accepted as a working hypothesis it solves the
problem that Kant and Kapila had to take for granted
— the objective reality of the perceptions of the senses.
With this doctrine the school of Ramanuja, who follows
the more exoteric teaching of qualified non-duality, will
have naught to do. Brahman, according to his rendering, is
truly the deity Vishnu, or Narayana, who is endowed with
all good qualities, intelligence being but its chief attribute.
He is all-knowing, all-merciful, all-pervading, and all-
powerful, matter and soul being the very essential elements
of his nature, though in but a germinal state till creation
occurs.i At the beginning of great " kalpas," or periods of
creation, this Lord, by his own volition, acts on unevolved
matter and non-manifest soul, so that the former becomes
manifest, and souls acquire material bodies corresponding
to their good or bad deeds in previous existences. Ac-
cording to this doctrine of modified non-duality, Vishnu,
Brahma, or the Lord, is, by nature, a personal deity, evolv-
ing the world and individual soul out from himself. The
soul remains personally existent, and on its release from
migration, passes into an undisturbed bliss in Heaven.
The systems of the "6ankhya," "Yoga," " Vedanta," and
that of the " Bhagavad Gita," stand naturally together as
seeking to free the soul from its ceaseless transmigration.
Starting from the ^ankhya assumption that matter —
Pradhana, or Prakriti — is roused to action by the near
proximity of Soul, just as a magnet, by its inherent nature,
acts on the keeper brought close to it, the constant yearning
' Thibaut, S.B.E., vol. xxxiv. p. xxix.
THE FINAL RESTING-PLACE 207
of the Indian mind is to seek some means whereby the act
of creation may be nullified, and the soul once more set free
from the force which condemned it to conscious existences,
compelling it to proceed from birth to birth, through long
periods, or " kalpas," during which the initial force, set in
action at the commencement of creation, continues its
potentiality.
All these systems, down to that of the "Bhagavad Gita,"
which takes a more strictly theological than philosophical
view of the question, are allied as consecutive phases of
investigation by the same order of mind, tied down by its
environment, physical and climatic, to a mode of viewing
life and reasoning thereon in a manner essentially Eastern.
Everywhere there is an exuberant play of fancy, as
though the soul was but dreaming dim visions of a
mirrored life, and the mind was not sternly laying down cold
and logical facts concerning the injustice of God, and the
deeps of despair into which His act has hurled the pleading
soul. The whole treatment of the subject is mystic,
unemotional, except in so far as the theoriser is concerned.
The mind has reached, by the deepest intuitive stretch of
thought that the history of the world's philosophy knows of,
to an a priori solution of some of the profoundest problems
before science of to-day. Nevertheless, when the mind
turns back to trace the course by which it arrived at these
conclusions, it is constrained to linger ever}rwhere along
the path, and lose itself in dreamy ponderings over some
idea conjured up by the fancy or lose itself in play over
its own marvellous guess-work.
Even when the whole subject has been reduced to dry
and formal aphorism, it is the ingenuity, and the craft, and
delicate manipulation and cunning whereby everything is
so set, as in mosaic that no flaw is left to found thereon a
hostile criticism, that remains as the chief charm, and
constrains the admiration rather than the dignity of the
2o8 LITERARY HISTORY OF INDIA
subject-matter or importance of the facts set forth.
Though a deeper ring of earnestness runs through the
cogitations of the Indian philosopher than through the
corresponding schools of Greek philosophy, yet this is
purely subjective and not objective. Never could it pass
beyond the observer, and become actively interested in the
practical application of his methods. To the Vedantist
all nature is GOD ; nothing truly exists except God.
Man is God if man but chooses to recognise himself as
such ; yet all Sudras, all women, all not twice-born, were
absolutely shut out, after careful consideration, from
participation in the knowledge of the "Vedanta," and from
any hope of arriving at that knowledge.
Two schools of philosophy — those known as the Nyaya
and Vai^eshika — stand apart from the more orthodox schools
as individual in themselves, and are more allied to the
purely scientific order of thought that produced such works
as the "Grammatical Aphorisms of Panini,"and those dealing
with the subjects of medicine, geometry, or astronomy.
The " Nyaya of Gautama " deals not only with the general
subjects of human knowledge, but also gives an analytical
exposition of the laws of thought and reasoning.
The Vaiteshika system of Kanada^ obtains its name
from the doctrine that the world is supposed to be formed
from the aggregation of atoms, each atom having an
eternal essence, Vi^esha, of its own ; the atoms, which are
eternal and existing without a cause, uniting, form the
' Jacobiintracing(S.B.E., vol. xlv. p. xxxiv.) the relative position of Jainism
with reference to other systems, points out the unscientific phraseology of the
"Vedanta"and"Sankhya,"arisingfirom the confusion of the category of substance
with that of the category of quality : " Things which we recognise as qualities
are constantly mistaken for and mixed up with substance." Alluding to the
more scientific and philosophic arrangement of the " Nyaya- Vai^eshika," he
further remarks that " the categories of substance and qualities had been
already clearly distinguished for one another, and had been recognised as
correlative terms ... in the Vaiseshika philosophy which defines substance as
the substratum of quality, and quality as that which is inherent in substance."
THE FINAL RESTING-PLACE 209
world. Colebrooke describes the process of creation as
follows : ^ — " Two earthly atoms concurring by an unseen
peculiar virtue (adrishtd) or by the will of God, or by
time, or by other competent cause, constitute a double
atom of earth ; and by concourse of these binary atoms a
tertiary atom is produced, and by concourse of four triple
atoms a quaternary atom, and so on to a gross, grosser, or
grossest man of earth, the great earth is produced."
By the side of this atomic theory is the theory of
existence of eternal souls, and a Supreme Soul of the
Universe. " The seat of knowledge is the Soul. It is two-
fold— the living and the Supreme Soul. The Supreme
Soul is Lord, omniscient, one only, subject to neither
pleasure nor pain, infinite and eternal."
• Monier- Williams, " Indian Wisdom," p. 83.
CHAPTER X.
THE EPICS.
One great task remained in India for Brahmanism to set
its hand to. If in that task Brahmanism may be said to
have failed, the failure cannot be ascribed to lack of genius.
In all spheres of higher art, genius is ever confined to work-
ing on the lines along which it is impelled by its own
instincts. Outside these limits it may venture and attain
to results that astound and compel admiration, but in those
results there will be ever found wanting the true touch of
that inspiration which demands the universal and abiding
recognition of humanity that something has been pro-
duced that the world would not willingly let die.
India has sent forth work stamped with all the peculiar
impress of its own genius — works such as the lyric outbursts
of the " Vedas," the mystic ponderings of the " Upanishads "
and " Vedanta," as well as the highly dramatic productions
of Sur Das and Tulsi Das in the later days of Akbar —
which will ever demand a place in the very first ranks of the
world's literature, but this place could never be claimed for
the two great Herculean labours of Brahmanism — ^the con-
struction of the two Indian so-called epics, the " Maha-
bharata," and " Ramayana." These two vast poems were
THE EPICS 211
compiled by Brahmans for the purpose of giving sacerdotal
recognition to the floating folk-lore and epic traditions of
the people, which have thus been preserved in the only
form that Aryan genius could have preserved them, and
that is a form curtailed of nearly all that was realistically
and dramatically essential to the true epic.
Side by side with the Vedic literature ^ there existed in
India, from times that may stretch back to the mists of
Indo-Germanic antiquity, the legends of tribal warriors
and their heroic deeds. These were held among the people
as their national folk-songs, and were sung from court to
court, from homestead to homestead, by travelling bards.
Even to-day the professional bard, with his store of songs,
is known everywhere in India, from north to south, from
east to west. Not only are the tales of Rajput chivalry
and Maratha daring recited in the homes where those of
Rajput or Maratha descent dwell, but even the wars,
victories, and defeats of the French and English, in their
conquests over the petty chieftains and great feudatories,
are sung from village to village. All of these ruggedly-
versed stories are instinct with dramatic power. With
true epic genius they are more concerned in the characters
than in the historic setting. It is impossible to generalise
for a vast continent such as India, especially when there
are no written records dealing with the subject, so it can
only here be asserted that, so far as South India is con-
cerned, where the author has listened to, and copied the
songs, of many travelling bards, these narratives are of
absorbing dramatic reality. So deeply do the bards enter
into the moving scenes they so vividly picture forth, and,
strange to say, their imagination seems to dwell more, so
far as the West is concerned, on the exploits of French
generals, such as Dupleix, Bussy, and' Labourdonnais, than
on the deeds of the English, that the emotions of the
1 Holtzmann, " Mahabharata " :— „ Epos und Veda sind gleich alt,"
212 LITERARY HISTORY OF INDIA
reciters follow in quick, changing moods each scene and
incident. So intensely are the feelings of these impulsive
Eastern bards aroused, that as their tears fall, and their
feelings rise at the most pathetic lines — such as those
describing how the women of Bobbili sought death in the
flames to escape from the French conquest, and their fight-
ing men rushed forth to die, arms in hand — they, to conceal
the deep hold the narrative has taken over them, often
burst forth for a moment into a jingling verse of meaning-
less import, or even of ribald nonsense.
Throughout the two great compositions known as the
" Mahabharata " and " Ramayana," there lies a substratum
of this old, true, epic narrative.
In the West, in the lands of the Kuru Panchalas, and in
the East, in the land of the Ko^alas, the local bards, from
time unknown, had sung the heroic deeds of the tribal
heroes and deities, mingling fact and fiction, natural and
supernatural, into short and disconnected dramatic pictures,
wherein the characters move free and life-like.^ All these
folk-songs and supernatural legends of local aboriginal
deities were outside the stately purposes for which early
Brahmanism had set itself, in sovereign isolation, apart
from the mass of the people. The time, however, came
when it had to recognise the existence of traditions,
thoughts, and aspirations, other than its own. Some
compromise had to be made ; a bond of friendship and
alliance had to be entered into with the mass of local
history, superstition, and religion, so that they might be
assimilated into Brahmanic literature, and pass as part of
the armoury of priestcraft. The compromise was one of
1 Professor Ker, in his " Epic and Romance,'' says that " to require of the
poetry of an heroic age that it shall recognise the historical incoming and
importance of the events in which it originates, and the persons whose names
it uses, is entirely to mistake the nature of it. Its nature is to End or make
some drama played by kings and heroes, and to let the historical framework
take care of itself."
THE EPICS 213
bondage ill-suited to the Aryan genius, and as a conse-
quence, the traces of it are patent everywhere. ^
The cultured and learned Brahmans — the "Mahabharata "
is ascribed to one Vyasa — accordingly wove into two
colossal verse poems, one for the West of India, one for
the East, all the floating mass of epic tradition, demonology,!
and local hero-worship, essaying, in the effort, to unite the!
whole into connected stories. So far as the epic portion
was concerned, its movements were foreign to Brahmanic
instincts and genius. The Brahmans were subtle dreamers
and thinkers. They had drawn themselves apart from the
warrior class and warrior ways, yet they now found them-
selves called upon to glorify and dramatise the acts of
heroes, and to depict the stirring scenes of strife and
bloodshed. So far as demonology and hero-worship were
concerned, the Brahmans had long since ceased to build
up for themselves even the indistinct outlines of the Vedic
gods, and yet they essayed to clothe the local heroes,
demons, goblins, and fierce deities, with the cast-off
armoury and attributes of their Indra, Surya, Rudra, and
following train of Devas. The task^ has been accom-
plished ; the " Mahabharata '' runs to 20,000 lines in eighteen
sections, and the " Ramayana" to no less than 48,000 lines.
In the " Ramayana " the legends of the hero Rama, as
sung by the Eastern bards in their vernaculars, were strung
together in the classical Sanskrit verse by the Brahman
poet, Valmiki. Rama, a local conquering warrior and deified
1 Here I part altogether from Mr Dahlmann's theory that the union of epic
and law is a chemical union and not a mechanical union. J. Dahlmann, " Das
Mahabharata als Epos und Rechtsbuch" (Berlin, 1895-98); see BShler and
Kirste, "Ind. Stud." (1892).
2 "Not re-edited or re-published in the polished Sanskrit language till the
adaptation of Sanskrit to profane literature somewhere about thirteenth century
of our era." — Grierson, " Ind. Ant." (December 1894), p. 55. "It has been
conclusively shown" (Buhler and Kirste, "Contribution to Study of Maha-
bharata") "that the poem was recognised in 300 A.D., and by 500 A.D. was
essentially the same as it now exists."
214 LITERARY HISTORY OF INDIA
hero, rises in the " Ramayana " to be exemplar of all morality
and duty, a descent on earth or incarnation of the god
Vishnu for the repression of wrong and the inculcation of
virtue. This didactic element is the Brahmanic infusion
which in the " Ramayana," as well as in the " Mahabharata,"
strings the detached epic elements and disconnected
episodes together, to the unavoidable weakening of the
dramatic force and epic character of the narrative.
In the " Ramayana " the deeds of Rama, the descendant
of the Solar race of Ikshvaku, form the epic background.
Rama, the eldest son of Da.saratha, the fabled king of
Ayodhya, or Oudh, was banished from his father's kingdom
in consequence of Da^aratha's submission to Kaikeyl, the
wicked mother of Rama's younger brother Bharata, for
whom she longed to procure the crown. Rama and his
gentle wife, Sita, departed from Ayodhya to spend their
term of fourteen years' banishment in the southern
forests. The unity of the narrative centres round the
adventures in the forest and heroic deeds of Rama to
regain his wife, Sita, who was forcibly borne away by a
fierce ten-headed monster, Ravana, King of Lanka, an
island which some, forgetting the unhistorical motive of the
early preservers of epic tradition, have identified with
Ceylon. In the hands of Tulsi Das, the Shakespeare of
Akbar's time, the characters rise from out their didactiffl
surroundings and live not in their lost original epic
reality, but with a dramatic vividness that has raised them
into romantic ideals. Whatever of interest for a study of
the history of the Indian people is preserved in the ancient
Sanskrit so-called epic, " Ramayana," will therefore be found
in the much more popular vernacular rendering of Tulsi
Das, where it can be best considered.^
The"Mahabharata" remains unaltered from its chaotic and
early Sanskrit redaction. Whatever historic value it may
* See p. 367 (post).
THE EPICS 215
have lies not in its scattered and subdued epic fragments,^
loosely strung together by didactic teachings, irrelevant
episodes, artificial battle scenes, and classic descriptions of
scenery, but in the evidences it affords of the existence of
beliefs and creeds that were aspiring to the patronage of
Brahmanism, with which they were to unite to form the
popular religion, known as Hinduism, of the mass of Aryan
and non-Aryan people classed as Hindus.
The central story of the epic revolves round the rivalries
between the Kurus, the hundred sons of Dhritarashtra,
descendant of Bharata of the Lunar dynasty, the fabled
conqueror of all India north of Delhi, and the five Pandava
princes, said to be sons of Dhritarashtra's ^ elder brother,
the pale -skinned Pandu. The " Mahabharata " is thus
made to represent a great contest between the descendants
of Bharata for the possession of North India, ever known
as the land of Bharata, or Bharata Varsha.
The rivalries of the warrior heroes end in eighteen battles
fought on the plain of Kurukshetra, in which the Kurus are
exterminated and the Pandavas gain the kingdom, perform
the great horse sacrifice, denoting their universal sway, and
finally, after a glorious reign, take their long and lonely
journey towards Mount Meru, there to enter the Heaven of
Indra. Asinthe"Ramayana"and" Iliad," thewrongs suffered /
by a woman supply the motive force to rouse the heroism ;
of the warriors, for the true epic ever rises free above all the/
' " I believe that the Hindu epic is ancient, as ancient in its origin as the
earliest traditions of the nation."— Barth, " Ind. Ant." (1895), p. 71.
2 Holtzmann ("Das Mahabharata,"!. 156; ii. 174) has advanced weighty
reasons for concluding that Bhishma, the uncle of the Pandavas, was the real
father of the five princes, having been appointed to marry his brother's wife.
The Niyoga, similar to the Levirate, allowed the sonless widow to bear a child
to her brother-in-law on her husband's death, so as to continue the femily. In
the early law books the custom was restricted by very definite directions. It
was not until the time of the revised epic that the Brahmans made efforts to
become the chosen partners of sonless wives or widows. The meaning is quite
obvious, and totally opposed to Mr Dahlmann's theory of the epic as a law book.
2i6 LITERARY HISTORY OF INDIA
restraining facts of prosaic history. Draupadi, the common
f wife of the five Pandava brothers is, in the "Mahabharata,"
the cause of the great slaughter on the plain of Kuruk-
shetra, where, as the narrator of the poem tells, " in that
great battle of the Kurus came hundreds and thousands
of monarchs for fighting against each other. The names
of that innumerable host I am unable to recount even in
ten thousand years." Kurukshetra, the scene of slaughter,
where the ancient race of Kurus was defeated by a
confederacy of hostile tribes, headed by a band of non-
Aryan warriors, to whom Brahmanic power was obliged
to submit and assign a fictitious relationship with Aryan
folk, became one of the holiest places of pilgrimage
for all Hindus. This holy place of sacrifice, the plain
on which Aryanism and Brahmanism^ suffered their first
crushing defeat at the hands of the despised non-Aryan,
probably Dravidian, races, was the very spot over which
Brahmanism sang its loudest songs of triumph, so that
all record of the defeat might be passed over in the
pages of history. The battle-field was lauded as so sacred
that " he is freed from all sins who constantly sayeth, ' I
will live in Kurukshetra.' The very dust of Kurukshetra,
conveyed by the wind, leadeth a sinful man to a blessed
course in after life. They that dwell in Kurukshetra,
which lieth to the south of the SarasvatI and the north of
the Drishadvatl, are said to dwell in Heaven. O hero, one
should reside there, O thou foremost of warriors, for a
' Even if this defeat be held not to be conclusively shown to have happened
at the hands of an un-Aiyan foe (see Jolly, " Recht und Sitte,"p. 48), and even
if it be contested that there is not sufficient evidence, though I do not see that
the weight of the evidence does not establish it, that a custom such as polyandry
may be no more than a family custom, still this does not affect the main point
which it is here the object to lead up to, the intrusion of Krishna and 6iva
worship into Brahmanic circles. The whole history is doubtful and obscure.
The view that presents itself as most plausible and readily understood is here
accepted, though I am perfectly aware of the insecurity of the position. In the
" Lalita Vistara " the Pandavas are a rude tribe. See Weber, " Indian Litera-
ture," pp. 136-35.
THE EPICS 217
month. Thou, O Lord of the earth, the gods with Brahma
at their head, the Rishis, the Siddhas, the Charanas, the
Gandharvas, the Apsaras, the Yakshas, the Nagas, often
repair, O Bharata, to the highly sacred Kurukshetra. O
foremost of warriors, the sins of one that desireth to
repair to Kurukshetra, even mentally, are all destroyed,
and he finally goeth into the region of Brahma." The
" Mahabharata " is steeped in exordiums such as this, in-
culcating sacred duties and expounding moral principles,
all necessary for a Brahmanic purpose ej^er desirous of
extending its influence over established systems and
supporting de facto principalities.
The Pandavas are stated in the poem to have been in-
structed, at Hastinapur, in the use of arms and in warrior
feats, along with their fictitious cousins, the Kuru princes,
by Drona, a Brahman preceptor. When the time came for
Yuddhisthira, the leader ever firm in war, the eldest of the
Pandava brothers, to be crowned King of Hastinapur, he
and his brothers were persuaded by the intrigues of the
one hundred Kuru princes, to depart from the city on a
visit to a town eight days' distance. The Pandavas were
thus removed from Hastinapur, where it was necessary, for
the purpose of the poem — to give them a relationship with
the Kurus — that they should spend their childhood. It
was further necessary to account for the mode whereby
they afterwards appeared as leaders of a great national
movement against the exclusive system built up by
Aryanism. The Pandavas, as ultimately the winning side,
are glorified as models of all virtue, law and justice. It has
even been held that the whole poem is an allegory sym-
bolising the ever-recurring strife between the might of
righteousness and the evil of passion, between justice and
injustice, between right and wrong,^ justice being personi-
^ Dahlmann, ' ' Das Mahabharata als Epos und Rechtsbuch " (Berlin, 1895-98).
Although the theory of Dahlmann is ingeniously worked out, I am unable to
accept it as in any sense setting forth the purport of the poem.
2i8 LITERARY HISTORY OF INDIA
fied in Yuddhisthira, the leader of the Pandavas, injustice
being personified in Duryodhana, the eldest of the Kurus.
It could not, however, have been until long after these events
— until the Pandavas, in fact, had won their cause, and estab-
lished their position — that they wereglorified by the Brahmans
as incarnations of divinity, and all evidence of their rude
habits and alien descent obliterated as far as possible. The
Pandavas, with their mother, are represented as leaving
Hastinapur for their pleasure-trip to the eight-days'-away
town, amid the weeping and wailing of all the inhabitants.
The Kurus, in the meantime, prepared for their reception
a house, into the walls of which had been skilfully built
"hemp, resin, heath, straw, and bamboo, all soaked in
clarified butter." The Pandavas found out the details of
the plot laid against their lives and at once prepared to
escape. They dug an underground passage from the house
to the outside forest, and then enacted a part more fitting
to rude savages than to incarnations of justice. They pre-
pared a feast, " and desirous of obtaining food, there
came, as if impelled by the fates, to that feast, in course
of her wandering, a Nishada woman, the mother of five
children, accompanied by all her sons. And, O king, she
and her children, intoxicated with the wine they drank,
became incapable." The cunning of the Pandavcis had
succeeded. They set the house on fire, and disappeared
through the underground passage. The low-caste woman
and her five children, whom Brahmanic justice sees no
moral wrong in slaying, were burned to death, and when
their charred bodies were recovered, the rumour was spread
abroad that the Pandavas had vanished off the scene.
The trick is one of stage melodrama. The Pandavas were
cut adrift from Hastinapur, and free to commence their
true career. The entrance of the brethren on the new scene
has a true epic touch, although it be in the uncertain
realms of the supernatural. The figure of Bhlma, the fierce
THE EPICS 219
and savage warrior, the smasher, in the last great fight, of
the thigh of Duryodhana, emerges from the underground
passage, with all the avenging might of a demon foe let loose
to pursue his relentless course. He was the fierce Vrikodara,
the "Wolf Stomached," who hovered near his brethren
endowed with more than human powers, and armed with
magic missiles. The supernatural shrouds him round, but
from it he rises clear and distinct, the life-like creation of
true epic genius. The wooden hut is burning fiercely ; the
first links uniting Aryanism with its new fetters are being
forged ; while from out the darkness of the cavern arises
Bhima, " taking his mother on his shoulders, the twin-
brothers, Nakula and Sahadeva, on both his arms, Vriko-
dara, of great energy and strength, and endowed with the
velocity of the wind, commenced his march, breaking the
trees with his breast, and pressing deep the earth with his
steps."
The s£erLe_£rov^s darker _anjd .Roomier. Brahmanism
has to watch the coming struggle, note its course, and side
with the winning force. New ways and customs have to
be temporised with, new gods accepted, and new super-
stitions made room for. The storm the Pandavas and
their allies were to raise was coming fast. The epic fades
away as the Brahmans set the story to a purpose. BhIma
hastens on, bearing his mother and his brothers, to seek
the deep recesses of the forest, whence he and the Pandavas
emerge on their true career. " The twilight deepened, the
cries of birds and beasts became fiercer; darkness sur-
rounded everything from view, and an untimely wind
began to blow that broke and laid low many a tree, large
and small, and many a creeper with dry leaves and fruit." ^
Brahmanism had for long remained in sovereign isolation.
As Bhima cried out in his wrath against the Kurus : " He
who hath no jealous and evil-minded relatives, liveth in
1 "AdiParva,"§iS3.
220 LITERARY HISTORY OF INDIA
happiness in this world, like a single tree in a village. The
tree that standeth single in a village with its leaves and
fruits, from absence of others of the same species, becometh
sacred and is worshipped and venerated by all." ^
The first great friendship made in the forest by the
Pandavas, was with the sister of a demon Rakshasa. This
Rakshasa was a cannibal, an eater of raw flesh, such as the
early Aryans described their Das)^! foes to have been.
This fierce dweller in the forest recesses, where dwelt the
rude aboriginal races, " was now hungry and longing for
human food."*
A long fight ensued between Bhlma and the fierce
Rakshasa, until at length "the Rakshasa sent forth a
terrible yell that filled the whole forest, and deep as the
sound of a wet drum. Then the mighty Bhlma, holding
the body with his hands, bent it double, and breaking it
in the middle, greatly gratified his brothers." *
The sister of the demon stood by watching the fight,
for, at the bidding of her brother, she had assumed the form
of a fair woman to entice the Pandavas into her brother's
power, but had relented of her purpose on beholding the
beauty of the fierce Bhlma. For one year she remained
with Bhlma, and then her son was born, and named
Ghatotkacha, or "pot-headed," for his head was bald.
Ghatotkacha became the famed warrior, an incarnation
of Indra, who fought in the foremost rank against the
Kurus, only to be slain by Kama.*
The further allies of the Pandavas had now to be
accounted for. News came to them that DraupadI, the
daughter of the King of the Panchalas, was about to hold
her Svayamvara. DraupadI is described as having "eyes
like lotus leaves, and features that are faultless ; endued
with youth and intelligence, she is extremely beautiful."
1 "Adi Parva," § 153. = Ibid., p. 446. ' Hid., p. 454.
* Son of KunU — the son miraculously conceived before her marriage with
Fandu.
THE EPICS 221
She is "the slender-waisted DraupadI, of every feature per-
fectly faultless, and whose body emitteth a fragrance like
unto that of a blue lotus full two miles round." ^
To her Svayamvara came monarchs and princes from
various lands, and "from various countries, actors, and
bards, singing the panegyrics of kings and dancers, and
reciters of ' Puranas,' and heralds, and powerful athletes." ^
All failed to bend a wondrous bow, the test of the skill and
strength of the competing suitors. The five Pandu princes
advanced, disguised as Brahmans, and Arjuna, the ideal
type of manly heroism and knightly courtesy, drew the
bow and pierced the mark, so that DraupadI became his
prize, and the Pandus won the alliance of the Panchalas.
So far the poem is free from taint, but, unfortunately for
Brahmanic purposes, the early epic preserved the unfettered
truth that the Pandavas were of a polyandrous race, like
many of the present aboriginal races of India. DraupadI,
in the original epic, was the common wife of the five Pan-
dava brethren. This was a custom opposed to all Aryan
habits, for, as the present poem itself contends, "it hath
ever been directed that one man may have many wives,
but it never hath been heard that one woman may have
many husbands. O son of KuntI, pure as thou art, and
acquainted with the rules of morality, it behoveth thee
not to commit an act that is sinful, and opposed to usage
and the ' Vedas.' " This is the Brahmanic objection urged
by the father of DraupadI to Yuddhisthira, the eldest of the
Pandu brothers. The Pandus and their polyandry, and
all the aboriginal customs, superstitions, and tribal deities,
had, nevertheless, to be brought within the fold of Brah-
manism. The marriage of DraupadI to the five brothers
is explained away by the Brahmanic apology that it arose
out of a mistake. The Pandus, when they brought DraupadI
home to their mother, who resided in a potter's house, a
' " Adi Parva," p. 525. » Ibid., p. 528.
222 LITERARY HISTORY OF INDIA
house in which a Brahman may still take up his residence,
are represented in the poem to have cried out that they had
obtained alms that day. The mother, not understanding
that her five sons referred to Draupadi, directed them to
share together,^ and as the command of a mother could not
be recalled or broken, Draupadi had to consent to wed the
five Pandus. With their new-won allies the Pandavas
appeared again in Hastinapur and demanded their share
in the kingdom. Their claim was compromised, and they
received the land lying along the Jumna, where they laid
the foundations of the ancient Delhi, known from of old
as Indra-prastha.
At Indra-prastha the five princes measured out the
limits of their new abode. There they cleared the forest,
reclaimed the land, and raised the walls of India's great
capital, " and surrounded it by a trench wide as the sea,
and by walls reaching high into Heaven, and awhile, as the
fleecy clouds or the rays of the moon, that foremost of
cities rose adorned like the capital of the nether kingdom,
encircled by the Nagas. And it stood adorned with
palatial mansions and numerous gates, each furnished with
a couple of panels resembling the outstretched wings of
Garuda. And the gateways that protected the town were
l^igh as the Mandara mountain, and massy as the clouds.
And furnished with numerous weapons of attack, the
* " Adi Parva," IT 193. The whole accounts in the poem are disjointed and
disconnected. Three solutions are set forth to explain the action of the five
brothers, all equally evasive of the main issue. I fail to follow the fantastic
theory of Dahlmann, that the united marriage of the five brothers symbolised
the undivided unity of a joint family. The subject of the joint family, as well
as of the Niyoga, have been so far carefully avoided. The whole evidence on
the subject is fully in the hands of scholars, and as yet no historical treatise on
the subject is forthcoming. The law books (" Gautama," xxvii. 4) show that
division was favoured by the Brahmans, as encour^ing an increase of responsi-
bility and rites. The undivided family exists in India down to the present day
(j«^ Jolly, "Tagore Law Lectures" (1883), p. 90). It is the one dividing line
between Aryans and non- Aryans in India (su Baden- Powell, "Ind. Vill.
Com." (1896).
THE EPICS 223
missiles of the foe could not make the slightest impression
on them. And the turrets along the walls were filled
with armed men in course of training. And the walls
were lined with numerous warriors along their whole length.
And there were thousands of sharp hooks and machines
slaying a century of warriors, and numerous other machines
on the battlements. And there were also large iron wheels
planted on them. And with all these was that foremost
of cities adorned. And the streets were all wide, and
laid out excellently. And there was no fear in them of
accidents. And, decked with innumerable white mansions,
the city became like unto Amaravati, and came to be
called Indra-prastha ('like unto Indra's city'). And in a
delightful and auspicious part of the city rose the palace
of the Pandavas filled with every kind of wealth. And
when the city was builti there came, O King, numerous
Brahmans well acquainted with all the ' Vedas ' and con-
versant with every language, wishing to dwell there." 1
As the Pandavas reared their city, the gods whose aid
they sought were not the Aryan gods of old, though they
were to become the gods of the people, and the gods before
whom Brahmanism had to bow down. To fuse these new
deified heroes and fierce deities into Brahmanism, Arjuna
is represented as going forth from Indra-prastha to seek
their aid for the Pandava brethren. The Brahmanic poem
tells its own tale.
" Then Arjuna, of immeasurable prowess, saw, one after
another, all the regions of sacred waters and other holy
places that were on the shores of the Western ocean, and
then reached the sacred spot called Prabhasa."^ Here
Arjuna meets Krishna, the deified hero destined to become
the loved deity whose name is heard in every village, at
' every festival, at every place of pilgrimage, throughout all
India. "And Krishna and Arjuna met together, and,
1 " Adi Parva," pp. 577-78. ^ Ibid., p. 602.
224 LITERARY HISTORY OF INDIA
embracing each other, enquired after each other's welfare.
And those dear friends, who were none else than the Rishi
Nara, and Narayana of old, sat down."^ The meeting
ends with the establishment of a great fellowship between
Krishna and Arjuna, the Pandu prince ultimately falling
in love with Krishna's sister. Arjuna told Krishna of his
love, and the Western chieftain, whose love-adventures are
the favourite themes of all Indian women, placed his
experience at the disposal of his friend. " O thou bull
amongst men, the Svayamvara hath her ordained for the
marriage of the Kshatriyas. But that is doubtful, as we
do not know this girl's temper and disposition. In the case
of Kshatriyas that are brave, a forcible abduction for
purposes of marriage is applauded, as the learned have
said. Therefore, carry away this, my beautiful sister, by
force, for who knows what she may do in a Svayamvara ? " ^
This translation of the poem, by the pious and charitable
Protap Chandra Roy, clearly shows how impossible it
would be for a Western to attempt to understand the true
spirit of the Brahmanic redaction. It requires a simplicity, a
directness, a firm faith in the perfect unison of the whole,
to avoid the fatal error of so manj' Western adaptations
in endeavouring to improve on the tone of the original.
There is no attempt here to trifle with the loved personality
of Krishna, the deity glorified as a very incarnation of
the Vedic Vishnu, who strode through the three spaces,
placing his last footstep over the heavens. In the poem
itself Krishna takes his place as highest among the gods.
When Yuddhisthira was finally established as sovereign
over all known India, and had performed the great horse
sacrifice, symbolic of his universal sway, he bowed down
before Krishna as chief of all the gods. Krishna was then
declared to be the first of all warriors, the regent of the
universe, therefore " do we worship Krishna amongst the
- " Adi Parva," § ?20. = Bid., p. 605.
THE EPICS 225
best and the oldest and not others." 1 Krishna is he who
"is the origin of the universe, and that in which the
universe is to dissolve. Indeed, this universe of mobile and
immobile creatures hath sprung into existence from Krishna
alone. He is the unmanifest primal matter (avyakta
prakriti), the Creator, the eternal, and beyond the ken of
all creatures. Therefore doth he of unfailing glory deserve
the highest worship." *
The legends and character of Krishna ^ stand out clear
in the underlying epic. He was the son of DevakI, and
was saved by his father, Vasu-deva, of the Lunar race, from
the wrath of the King of Mathura, whose death had been
foretold would take place at the hands of a descendant of
Vasu-deva. In his youth he was sent to be nursed by
Yaioda, the wife of a cowherd of the Yadava race, in whose
home he lived first at Gokula or Vraja, then at Vrinda-
vana, now the holy places of pilgrimage for all worshippers
of Krishna.* There he loved the "gopis," or milkmaids, de-
stroyed a great serpent,and held upthe mountain Govardhana
on his finger to save the " gopis " from the anger of Indra.
There he also lived happy with Radha,^ his favoured and
often forsaken loved one, and it was from there that he took
the inhabitants of Mathura to his holy city of Dvaraka*
' "Sabha Parva," p. lo8. ^ Ibid., p. 109.
' ' ' The earlier legends represent Indra as created from a cow. . . . Krishna
was probably the clan deity of some powerful confederacy of Rajput tribes.
Cow-worship is thus closely connected with Indra and with Krishna in his
forms as the 'herdman god' . . . and it is at least plausible to conjecture
that the worship of the cow may have been due to the absorption of the animal
as a tribal totem of the two races." — Crooke, "Religions and Folk-Lore of
N. India," vol. ii. p. 229.
^ Monier- Williams, " Ind. Wisdom," p. 334.
' See Hewitt, ist Series, p. 450 : — " Radha means the maker {dhd) of Ra,
the darkness or chaotic void from which the sun-god of light was bom, and is
thus another form of Rama, the darkness, the mother of Ra."
^ " This story telling of the removal of the Yadavas to the sea-shore is the
mythical form assumed by national history, when it told how the inland race of
the sons of the tortoise had settled on the sea-shore and become a race of
mariners." — Hewitt, 1st Series, p. 469.
P
226 LITERARY HISTORY OF INDIA
in Guzarat. Krishna had to win his way slowly to Brah-
manic recognition and favour. Even in the "Maha-
bharata," Sisupala, King of Chedi, reviled him, asking
how is it that they i " who are ripe in knowledge are eager
to eulogize the cowherd who ought to be vilified even by
the silliest of men. If in his childhood he slew Sakuni, or
the horse and the bull who had no skill in fighting, what
is the wonder? ... If the mountain Govardhana, a mere
anthill, was held up by him for seven days, I do not
regard that as anything remarkable. . . . And it is no
great miracle that he slew Kansa, King of Mathura, the
powerful king whose food he had eaten." For this speech
the King of Chedi had his head smitten off by Krishna
with a discus, so that he "fell like a mountain smitten
by a thunderbolt." To Krishna the place of honour at
the Rajasuya, or " coronation ceremony," performed by
Yuddhisthira, had been given, and before Krishna the
Pandava chief bowed down and claimed him as the one
great deity of the people. " Owing to thy grace, O Govinda,
have I accomplished the great sacrifice ; and it is owing to
thy grace that the whole Kshatriya world, having accepted
my sway, have come hither with valuable tribute. O hero,
without thee, my heart never feeleth any delight" ^ So
the black, deified, hero of a shepherd clan, fabled king of
Dvaraka, and chief of the Yadavas, became the adored
incarnation of Vishnu, who came on earth to aid the
Pandavas and allied alien tribes in their struggle for
supremacy, and in their demand for recognition of their
cults and customs at Brahmanic hands. The Pandavas
had to pass through sore tribulation and trial before they
gained their ends. Yuddhisthira, the eldest brother among
the Pandavas, the righteous guide and apotheosis of all
virtue, fell before the guile of the Kurus. A challenge to
war or gambling was a challenge no warrior could with
> Muir, "Sanskrit Texts," vol. iv. p. 210. * " Sabha Parva," p. iz6.
THE EPICS 227
honour refuse, so Duryodhana, chief of the Kurus,
challenged Yuddhisthira, chief of the Pandavas, to show
his skill with dice. The Kurus, over whom Brahmanism
had to pour forth its condemnation in its praises of
the Pandavas, are said to have played unfairly. At each
fall of the dice Yuddhisthira lost to Duryodhana his
wealth, his kingdom, his brothers one by one, and then
himself There remained but one more stake — the fair
figure, trailing hair, beauty and love of Draupadi. The
stroke was made, the dice rolled and fell, and Draupadi
became the prize of the exulting Duryodhana. The
scene, in its underlying pathos, is the finest picture of the
poem. One can imagine the vivid reality of what must
have been the original epic as sung in the vernacular by
the rude and impulsive wandering bard. There the deep
pathos of the reciter, as he told the shame and sorrow of
the noblest type of womanhood that Indian literature knows,
found its relief — in a manner seen constantly in Western
drama — in rude and ribald jeers and gibes even against
Draupadi herself In the Brahmanic poem, as we now
possess it, pathos and obscenity all have been mingled
together by the Brahmanic redactor into the most repulsive,
cold, and unrealistic description of suffering womanhood that
the literature- of any country has preserved. The scene
has been described in English adaptations over and over
again as typifying the Indian ideal of womanhood,
and as showing from the manner in which her sufferings
were respected, the high place she had acquired. This
ideal probably did underlie the original epic story. The
" Mahabharata " version is untranslatable, unreadable, with-
out feelings of horror. Draupadi has been degraded, accord-
ing to all sane thought, by her Brahmanic redactors to depths
from which she never again can rise. She has become the
centre figure of a scene, once realised from the Sanskrit,
that could only be willingly forgotten for ever. If she is to
228 LITERARY HISTORY OF INDIA
be remembered it must be by striving to recreate her as she
lived in the lost epic of the rough and ready minstrels, who
first sung her moving story to crowds of simple folk. The
god Krishna, in the preserved version, is drawn into the
scene to clothe the outraged woman with numerous
celestial robes, as her single raiment was torn repeatedly off
her suffering body in the gambling room before the
humbled Pandavas and one hundred rejoicing sons of
Kuru. There is some excuse for the horrors which follow.
The fierce and raging Bhima swore to hew the head of
DuhSasana — ^who dragged DraupadI, a woman who had
never seen the sun, from her private apartments to the
assembly — from off his body and drink his heart's blood, a
vow he fulfilled on the plains of Kurukshetra. He also
vowed that he would smash Duryodhana's thigh, and this
he did by a foul stroke in the final fight, and left the vile
Kuru to die amid his brethren on the avenging battle-
field.
The Pandavas had to wait long for their revenge. In
the gambling hall, Dhritarashtra, the aged and blind father
of the Kurus, stayed the rising wrath of the assembled
heroes. The Pandavas were judged to have lost all, yet
they were not to be treated as slaves. DraupadI they
received back, but only on their promising that they would
go with her for twelve years into exile, and then remain
concealed for one year longer, when, if they were undis-
covered, they should receive back their kingdom. The story
of the exile is the crowning glory of the " Mahabharata."
Here, in the classic beauty of its language, in its depth of
thought, and in its incident, and to an Eastern in its descrip-
tion of scenery and didactic teaching, the poem is unrivalled
in the history of India's literature. All the beauty of the
poem, however, pertains to the form of the literature itself
and not to epic narrative, dramatic reality, or even the
prosaic history told by that literature. Outside its form
THE EPICS 229
the " Mahabharata " is only valuable ^ as showing the change
from Vedic Brahmanism towards the tangled growth of
modern Hinduism. The older Vedic deities — Agni, and
Surya, Vayu, Varuna, and Indra — truly remain, but shorn
of their ancient power and brilliancy. Indra still has his
Heaven, the. Valhalla of the warriors. Yama is no longer
Death, but grows more akin to Justice.^ The great Vedic
sacrifices, and the occasional sacrifices, are performed, but
by their side, equally sacred, are pilgrimages to hoiy places,
sacred rivers and bathing in streams, the worship of snakes
and trees, idolatry and bowing down before painted images.^
The great deities of modern Hinduism rise distinct and
clear as the sole personal objects of worship, in whom all- the
subsidiary deities of India merge, and are held to have their
source. The Supreme Spirit * assumes the triple form of
the personal Creator, Brahma, the personal protector, Vishnu
or Krishna, and the fierce Siva, the potential destroyer.
6iva, to the Brahmanic mind, is the Rudra of the Vedas.^
In the underlying epic of the " Mahabharata," he was even
greater than Krishna ; he was the wild, fierce deity of an
aboriginal folk, and the chief aid of the Pandavas. When
the five brethren stayed with their restored wife, DraupadI,
in the forest, Arjuna was directed by Indra to go to the
Himalayas and seek the aid of the fierce deity, Siva. The
abode of 6iva was in the Heaven, Kailasa, where he was
waited on by the Yakshas, once gods among men, and had
as his consort, the goddess. Kali, or, as she is otherwise
known, Uma, the gracious, Devi, Durga, Gauri, Bhairava,
the various names, along with her many others, that still echo
' " Let the reader attach no value to the names which are mostly myths, or
to the incidents which are mostly imaginary." — Dutt, "Ancient India," vol. i.
p. 189-
2 Hopkins, "Religions of India," p. 380 (note 2).
3 Ibid., p. 374-
« See Holtzuiann, Z.D.M.G., xxxviii. p. 204; Hopkins, p. 412.
= >Tuir, "Sanskrit Texts," iv. p. 283.
230 LITERARY HISTORY OF INDIA
from the weary bands of pilgrims who travel to her many
shrines all over India. It was not until Arjuna saw and
submitted to the might of 6iva that he obtained the
divine missiles which were to scatter the Kuru force. The
promise held out by Indra to Arjuna declared the rising
sway of ^iva. "When thou art able to behold the three-
eyed, trident-bearing 6iva, the lord of all creatures, it is
then, O child, then I will give thee all the celestial weapons.
Therefore, strive thou to obtain the sight of the highest of
the gods, for it is only after thou hast seen him, O son of
KuntI, that thou wilt attain all thy wishes."
Arjuna set forth to seek the deity, and, being defeated
in a fierce fight, acknowledged the power of Siva, fell
down before him, and sang the Brahmanic song of re-
cognition of the fierce god of his race.i " I am unable to
declare the attributes of the wise Mahadeva, who is an all-
prevailing god, yet is nowhere seen, who is the creator and
the lord of Brahma, Vishnu, and Indra, whom the gods from
Brahma to the demons worship, who transcends material
natures as well as spirits, who is meditated upon by sages
versed in contemplation i,yoga) and possessing an insight
into truth, who is the supreme, imperishable Brahman, that
which is both non-existent, and at once existent and non-
existent. He is the deity who has a girdle of serpents, and
a sacrificial cord of serpents, in his hand he carries a
discus, a trident, a club, a sword, and axe — the god whom
even Krishna lauds as the supreme deity."
Deep as the worship of Siva is steeped in the underlying
epic, it fades away before the worship of Krishna, the
incarnation of Vishnu, who led the Pandavas to victory,
and whose adoration is inculcated more than that of Siva
by the Brahmanic framers of the " Mahabharata."
The dark figure of Krishna hovers mysteriously in the
background of early Indian history. In the " Mahabharata "
1 Muir, "Sanskrit Texts," vol. v. p. 187.
THE EPICS 231
Krishna rises to such prominence, that it has been held that
the whole poem must have been written to extend his wor-
ship, and establish it for ever as the true faith for all India.
The entire conception of a religion, founded on a faith in
the saving grace of Krishna, is declared by some^ to be
merely the Hindu mode of inculcating the doctrines of
Christianity, which first reached India in the second and
third centuries of our era.
It has been asserted that in the " Mahabharata " itself, a
clear reference is made to Christian doctrines and Christian
worship in an account of a pilgrimage made to the White
Country, or Svetadwipa.^ In the White Country the
pilgrims are said to have " beheld glistening men, white,
appearing like the moon, adorned with all auspicious
marks, with their palms ever joined in supplication,
praying with their faces turned to the East. The prayer
which is offered up by these great-hearted men is called
the ' mental prayer.' "
The pilgrims further heard those who in the White
Country offered oblations to the god, singing their song of
praise. " Thou art victorious, O lotus-eyed one. Hail to
thee, O Creator of the Universe ! Hail to thee, thou first-
born Supreme Being ! " *
There is nothing to show that the worship of Krishna
had not arisen in India as the natural outcome of the life
and thought of the period immediately preceding, or
' Lorinser (1869) ; Weber, " Krishna Gebilrts Fest.," p. 316; see Hopkins,
' ' Religions of India, " p. 429. The whole subject is luminously treated in J. M.
Robertson's " Christ and Krishna " (Freethought Publishing Company, 1890).
'^ "The ancient Bhagavata, Satvata, or Pancharatra sect, devoted to tha
worship of Narayana and its deified teacher, Krishna Devakiputra, dates from
a period long anterior to the rise of the Jains in the eighth century B.C."
— Earth, "Ind. Ant.," p. 248 (September 1894). Krishna Devakiputra is
referred to in "Ch. Up.,"iii. 17, 6, though no effort is made afterwards to
connect him with Krishna, the son of Vasu-deva. See "^andilya Satras"
(ed. Ballantyne, tr. Cowell), p. 51 ; S.B.E,, vol. i. p. 52 {note).
8 See Hopkins, " Religions of India," p. 432.
232 LITERARY HISTORY OF INDIA
subsequent to, the Christian era. Throughout all early
thought in India there runs an individuality of its own,
removing it far from all lines of thought with which it is
so frequently compared. Fresh inspirations have, un-
doubtedly, for a time, acted in the past from outside, and
influenced certain phases of Indian literature and art, but
the Indian mind soon sinks back to its own accustomed
mode of thought and expression, so that, when the first
motive force of the new influences fades and dies away,
little is left in the essential form that the keenest eye of
the scholar or artist can detect as not truly native in its
execution, genesis, or tendency. Resemblances between
phases of Indian philosophic thought and those of the
West, from the time of Xenophanes^ down to that of
Schopenhauer and Von Hartmann, have been sought, and
though there are coincidences everywhere, none has been
shown not to have been evolved by independent, though
similar, orders of thought. The whole case, on the side
of those who claim an Eastern source for certain Western
forms, has been recently examined in connection with
certain practices referred to in the Buddhist Canon, as
settled in the Council at Pataliputra, or Patna, in 259
B.C., by order of Asoka. Yet even here^ failure has to
be confessed : " If the celibacy of the clergy, if con-
fessions, fasting, nay, even rosaries, were all enjoined in the
Hinayana Canon,^ it followed, of course, that they could
not have been borrowed from Christian missionaries. On
the contrary, if they were borrowed at all, the conclusion
' Garbe, "Sankhya Philosophie " ; Davies, "Hindu Philosophy," p. 143.
Huxley {" Romanes Lecture," p. 19) comparing Buddha and Berkeley. Better
would be a comparison with Hume.
2 Max MUUer, "Coincidences" {Trans. R.S.L.), vol. xviii. part 2,
p. 16.
' " To avoid all controversy, we may be satisfied with the date of VattagSmani,
88 to 76 B.C., during whose reign the Buddhist Canon was first reduced to
writing." — Max Miiller, Ibid., p. 14.
THE EPICS 233
would rather be that they were taken over by Christianity
from Buddhism. I have always held that the possibility
of such borrowing cannot be denied, though, at the same
time, I have strongly insisted on the fact that the historical
reality of such borrowing has never been established."
The form in which the worship of Krishna is set forth
and inculcated in the " Mahabharata" precludes any possi-
bility of its historical connection with the West ever being
established, if, indeed, there are any grounds why it should
be suspected. The same doubts, the same efforts to seek
for the soul a secret hiding-place from the injustices of the
world, the same black pall of despairing pessimism that
can only be rent by belief or faith in the teachings of
revealed truths by a qualified preceptor, all are woven into
the very texture of the " Mahabharata," even more than
they are throughout the fuller exposition of Indian
thought as seen in the " Vedanta." In India of the past,
humanity had to tread the path that leads through life to
death, and mark, as it marched, how the road was narrow,
and the pitfalls many, how those who wandered from
the track sank deep and were for ever lost to human
aid or help. The whole of the best of Indian thought was
one ceaseless effort to mark each snare and pitfall, to map
the line out clear and plain, so that the age might pass
from off the scene with something of hope and certainty.
The beacon lights that were set ablaze to direct the
quivering soul in its flight through time may appear
dim and uncertain to us of to-day, who stand listening
wearily to thfe muffled sound that comes from the
chambers of science, in vain expectation that it may
break forth into a cry that the secret of the Universe
has been disclosed and matter reigns supreme. Never-
theless, those beacon lights, that in India guided those
now passed away, and still guide many, were all the
outcome of the deep and earnest brooding thought of
234 LITERARY HISTORY OF INDIA
generations of devout and holy men, who placed on
record in their literature the efforts they had made
to direct all things for the best, although those efforts
often bear the taint, as all human efforts must, of selfish
interest.
The underlying current of Indian thought, leading
naturally, as it does, through faith in the teachings of the
" Vedas," " Upanishads," and " Vedanta," or in a spiritual pre-
ceptor, on to faith in the teachings of the divine Krishna,
has its keynote fully set forth in the song of despair
sung by DraupadI to Yuddhisthira when the Pandava
brethren lived in the forest, bereft of all hope or aid.
Here Draupadi bewailed to her husband how he, the chief
of the Pandava brothers, the very incarnation of virtue,
uprightness, and fair-dealing, was powerless against the will
of the Creator, who had ordained all things, and in whose
hands all are as playthings. All men, urged the despairing
queen, are subject to the will of God, and not to their own
desires.i " The humble and forgiving person is disregarded,
while those that are fierce, persecute others. It seemeth
that man can never attain prosperity in this world
by virtue, gentleness, forgiveness, and straightforwardness.
Like the shadow pursuing a man, thy heart, O tiger
among men, with singleness of purpose, ever seeketh virtue.
Yet virtue protecteth thee not. The Supreme Lord and
Ordainer of all, ordaineth everything in respect of the weal
and woe of all creatures, even prior to their births. O
hero amongst men, as a wooden doll is made to move its
limbs by the wire-puller, so are creatures' made to work
by the Lord of all. Like a bird tied with a string every
creature is dependent on God. Like a pearl on its string,
or a bull held fast by the cord passing through its nose, or
a tree fallen from the bank into the middle of the stream,
every creature followeth the command of the Creator.
» "VanaParva,"§28, 30.
THE EPICS 235
They go to Heaven or hell urged by God Himself. Like
light straws dependent on strong winds, all creatures, O
King, are dependent on God. The Supreme Lord, accord-
ing to His pleasure, sporteth with His creatures, creating and
destroying them like a child with his toy. Beholding
superior, and well-behaved, and modest persons persecuted
while the sinful are happy, I am sorely troubled. If the
act done pursueth the doer and no one else, then, certainly,
it is God Himself who is stained with the sin of every act."
The wail of condemnation of the Cosmos was here again
raised. The Brahmanic mind was framing, in its own
mode, the expression of the people's thought. It remained
for an answer to be given which all classes might recognise
as consonant with their own religious conceptions, and
yet one that blended in with the prevailing philosophic
notions of the age. This answer is fully set forth in the
divine song, the " Bhagavad Gita," set, as a mosaic, in the
"Bhishma Parva " of the "Mahabharata." It is here declared
that those who worship whatever god they choose, or
perform whatever rites they will, are all sure to gain
the Heaven they long for. It is Krishna himself who
makes their faith firm. It is Krishna alone who grants
the desires of all, though the foolish, in their ignorance,
worship other deities, and fail to recognise him as
the Supreme Spirit, and understand not his saving help.^
Krishna is the sole Lord, Divine, without a belief in whom
all sacrifices are in vain.^
In the "Bhagavad Gita," this doctrine of belief or faith
in Krishna is distinctly declared to contain the whole
sum of man's duty on earth. When the Pandavas, with
their allies from all quarters, crowded round the Kurus to
claim back their kingdom, they sought the active aid of
Krishna, as greater than all human aid, an aid sought
also by Duryodhana, chief of the Kurus. To both Krishna
' Davies, " Bhagavad Gita," vii. 20-5. - Ibid., vii. 28.
236 LITERARY HISTORY OF INDIA
gave the same answer. He would take no part in the
coming fight ; they could choose between him, as passive
spectator, and a hundred million warriors he threw into
the other scale. Arjuna chose Krishna, Duryodhana chose
the warriors. On the plains of Kurukshetra, the great
battle-field of India, the old and new met for the first
time.
Krishna, though he would not fight, appeared as charioteer
to Arjuna. When Arjuna saw the vast host of warriors
drawn up in hostile array his heart failed. The cry once
raised by DraupadT unnerved his arm. He prayed to
Krishna to instruct him as to the meaning of the strange
conflict between his innate conceptions of justice and the
deeds of blood towards which fate had now drawn him
near. Between Arjuna and Krishna question and answer
followed, as told in the " Bhagavad Gita."
The object of the poem might be shortly summed up,
according to Western notions, as inculcating that it is best
for man to do the duty that lies nearest to his hand, and
to leave the rest in God's keeping. There the poem might
be left, were it not that the whole guidance of India's future
has been assumed by the English nation, and that this is
a task doomed to failure unless the leading principles are
understood which still holds India tied to its own past.
Above all, the wide-spread faith in Krishna, the mystic
broodings of the soul over a longed-for union with the
Supreme Spirit, are factors that missionary enterprise in
India must first probe down to their roots before it can
be said that the ground, which it is sought to clear and
prepare for the sowing of new seed, has even been surveyed.
Were the task an easy one it would have been long ago
accomplished. There is no more illusive phase of thought
than that of Eastern mysticism. To the Western mind it
is evanescent, and only perceived in the peculiar stage in
which it passes from the ideal to the real and becomes
THE EPICS 237
impossible of recognition. In the " Bhagavad Glta," where
it finds its chief source, it is bound up with some of the
most perplexing problems in the whole course of the
history of Indian thought.^
To some it would appear that the " Bhagavad Gita " pre-
ceded any formal system of Sankhyan or Vedantic philo-
sophic thought,^ while to others, with what appears a surer
view, it presents an unscientific exposition of existing
philosophies, simplified in order to make them readily in-
telligible to the mass of the people.
All these critical points fade away into insignificance
when the true purport, and subsequent influence, of the
teachings which the poem promulgates are fully realised.
It is sufficient for all practical purposes to direct the
attention to the words of the poem itself, and the doctrines
therein laid down. The poem dates from some time before
the Christian era, and holds its place in the imagination of
the people down through the ages to the present day.
Not by knowledge of the true nature of matter and soul,
as in the Sankhyan system, not by piercing through the
misty film of delusion which separates the individual soul
^ "This much is certain, that the student of the 'Bhagavad Glta' must, for
the present, go without that reliable historical information touching the author
of the work, the time at which it was composed, and even the place it occupies
in literature, which one naturally desires when entering upon the study of any
work." — Telang, S.B.E., vol. viii. p. I.
^ See Hopkins, " Rehgions of India," p. 400. The question of the date
of the "Bhagavad Glta," and the opinions of Dr Thibaut, Dr Bhandarkar,
and Telang, are learnedly discussed in a small pamphlet of Prof. T. R.
Amalnerkar's (Bombay Education Society's Press, 1895). With his opinion
that the song is Post-Buddhistic, and after the time of the " Vedanta Sutras,"
I agree. "The decay of philosophy, to which the 'Gita' bears testimony,
may be roughly estimated as having taken place in the second century B.C.,
which brings us to the end of the Siitra period" (p. 7). See Davies,
"Bhagavad Gita," p. 194, fixing date "not earlier than third century B.C."
See Telang, S.B.E., vol. viii. p. 34, for the opinion that "the latest date at
which the ' Glta ' can have been composed must be earlier than the third
century B.C." Weber and Lassen are of opinion that the song was not written
before the third centuiy B.C.
238 LITERARY HISTORY OF INDIA
from its own true essence, the Supreme Soul, as taught by
the Vedantists, nor yet by pious meditation, as in the "Yoga, '
is deliverance from the bonds of transmigration to be found.
The way is declared by Krishna, the charioteer to the
warrior, Arjuna : ^ —
" Hear now once more my deep words, most hidden in their meaning.
Firmly you are desired of Me, therefore I will declare that
which is for your welfare.
" Fix your mind on Me, praise Me, sacrifice to Me, reverence Me.
" To Me only you shall come, truly to thee I promise, for dear you
are to Me. All duties ^ having forsaken, to Me only for pro-
tection come.
" I will release you from all sins, do not sorrow."
\This doctrine of salvation, by devotion to, and faith in,
rishna, finds its conclusion in the instruction : ^ —
" This doctrine is not to be declared to him who practises not austere
rites, or who never worships, or who wishes not to hear, nor
to one who reviles Me.
" He who shall teach this supreme mystery to those who worship Me,
he, offering to Me this highest act of worship, shall doubtless
come to Me.
" Nor is there any one among mankind who can do Me better service
than he, nor shall any other on earth be more dear to Me
than he.
" .And by him who shall read this holy converse held by us, I may
be sought through this sacrifice of knowledge. This is my
decree. And the man who may hear it in faith, without reviling,
shall attain, when freed from the body, to the happy region
of the just."
' " Bhagavad Gita," xviii. 64-6.
^Telang, S.B.E., vol, viii. p. 129 {fiote 3): — "Of caste or order such as
Agnihotra, and so forth." Davies, p. 176 : — " All religious duties."
' The Eastern form of the poem is given in the translation by the late
Kasinath Trimbak Telang in S.B.E., vol. viii. p. 129, and shows how
a very different impression is left in the mind as to the relationship of
the song to the New Testament: — "This (the 'Gita') you should never
declare to one who performs no penance, who is not a devotee, nor to one
who does not wait on (some preceptor), nor yet to one who calumniates
Me. He who, with the highest devotion to Me, will proclaim this supreme
mystery among my devotees, will come to Me fi-eed from all doubts. No one
THE EPICS 239
Krishna further declares that, surrounded as he is by
the delusion of his mystic power.^ he is not manifest to all.
"This deluded world knows me not, unborn and inex-
haustible. I know, O Arjuna ! the things which have been,
those which are, and those which are to be. But Me nobody
knows. All beings, O terror of your foes, are deluded at
the time of birth by the delusion." ^ Krishna is represented
as the Supreme Spirit, as Brahman, the indestructible
spiritual essence, the origin and cause of men and gods.
He is the indivisible energy pervading all life and the
divisible forms of men and things, so that " he who leaves
this body and departs from this world, remembering Me
in his last moments,- comes into my essence." ^
The supreme object of mankind therefore should be de-
votion, and not action, just as meditation was the supreme
state for the Yogin. The " Bhagavad Gita " accordingly
holds a strange casuistical doctrine respecting action.
Krishna declares, "the truth regarding action is abstruse.
The wise call him learned whose acts are all free from
desires and fancies." Arjuna, as a warrior, was directed by
Krishna to perform his duty as a soldier and fight, although
by devotion alone was he to gain salvation. All acts must
therefore be done without attachment to them. " He who,
casting off all attachment, performs actions dedicating them
to Brahman, is not tainted by sin, as the lotus leaf is not
tainted by water." * The man is saved, according to the
words of Krishna, " who sees Me in everything, and every-
among men is superior to him in doing what is dear to Me. And there will
never be another on earth dearer to Me than he. And he who will study this
holy dialogue of ours will, such is my opinion, have offered to Me the sacrifice
of knowledge."
' "Yoga maya samavritah,'' vii. 28.
^S.B.E., vol. viii. p. 78.
' " Even if you are the most sinful of all sinful men, you will cross over all
trespasses by means of the boat of knowledge alone." — Ibid., p. 62.
'^ Ibid., p. 64.
240 LITERARY HISTORY OF INDIA
thing in me, I am never lost, and he is not lost in me."
The reply of Arjuna pursues the question still further. " O
Krishna, the mind is fickle, boisterous, strong, and obstinate,
and I think that to restrain it is as difficult as to restrain the
wind." 1 So Krishna continues his teaching regarding re-
nunciation of attachment to works, at length weighing
down all objection by the cry : —
" I am death, the destroyer of the worlds, fully developed, and I now
am active about the overthrow of the worlds. Even without
you the warriors, standing in the adverse hosts, shall all cease
to be. Therefore, be up, enjoy glory, and, vanquishing your
foes, obtain a prosperous kingdom. All these have been
already killed by Me. Be only the instrument, O shooter, with
the left as with the right hand." ^
All action is, in short, tainted with evil, yet, by doing
one's duty without attachment, one does not incur sin,
so Krishna holds that one, " even performing all actions,
always depending on Me, he, through my favour, obtains
the imperishable and eternal seat" Arjuna, therefore, has
to do his duty and fight. For the four castes the duties
to be done are laid down in the following words : * — " Tran-
quillity, restraint of the senses, penance, purity, forgiveness,
straightforwardness, also knowledge, experience, and belief
in a future world, this is the natural duty of Brahmans.
Valour, glory, courage, dexterity, not slinking away from
battle, gifts, exercise of lordly power, this is the natural
duty of Kshatriyas. Agriculture, tending cattle, trade, this
is the natural duty of Vai^yas. And the natural duty of
Sudras consists in service. Every man intent on his own
respective duties obtains perfection." The wise man, how-
ever, looks upon "a Brahman possessing learning and
humility, on a cow, an elephant, a dog, and a low-caste man
as alike." Such are the teachings of the " Bhagavad Gita,"
1 S.B.E,, vol. viii. p. 71. ^ y^^_^ p gj_ 3 /i,y_^ p_
126,
THE EPICS 241
as set forth by Krishna, who promises salvation to all who
believe in his saving grace.
" Devote thy heart to Me ; worship Me, sacrifice to Me, bow down
before Me ; so shalt thou come to Me. I promise thee truly
for thou art dear to me.
" Forsaking all religious duties, come to Me as the only refuge. I will
release thee from all thy sins ; grieve not." *
^ Da vies, p. 176 (trans.).
CHAPTER XI.
THE ATTACK.
India was fast marching towards its doom. The monarch
who claimed universal sovereignty performed the horse
sacrifice as symbolic of his sovereignty. For one year a
horse was let loose to wander where it would ; he who
stayed its course was presumed to show he did not
recognise the ruling right of the sovereign over the lands
where the horse had strayed. Should the wanderings of
the horse not be opposed, it was sacrificed with due rites.
The Pandava brethren were fabled in the epic to have
performed a horse sacrifice, a custom in its origin essentially
Turanian or Scythian.
With the Pandavas, and all their surrounding fierce and
heroic gods, superstitions, and aboriginal beliefs, Brahmanism
had to compromise ; it could no longer stay their course.
It had to recognise that the great mass of the people of
India would never accept the abstract teachings of the
" Upanishads'' or " Vedanta " philosophies ; they would ever
follow their own ways and gods. Asoka, sprung as he was
from the outcast Chandra Gupta, found it wise to embrace
the Buddhist faith, so that his renown and sway might
increase among the people by his standing forth as the
supporter of a religious syste^m recognising no distinction
of caste or family name.
Brahmanism had marked its descent from its lofty ideals
212
THE ATTACK 243
when it compromised with behefs alien to its own true
spirit. Asoka showed the signs of his empire's decay when
he set forth as principles on which sovereignty should rest
those inculcated by the Buddha, instead of those principles,
symbolised by the rough and ready defiance of horse
sacrifice, on which his rule could alone abide amid the
dark days it had soon to face.
Although Asoka succeeded his father, Bimbisara, son of
Chandra Gupta, about 259 B.C., yet it was not until the
twenty-ninth year ^ of his reign that he stood forth as the
champion of Buddhism. From Kabul and Kandahar to
Kalinga on the east coast, which he conquered in the ninth
year of his reign,^ from Kapilavastu in the north, to Mysore
in the south, he had established his fame and sovereignty.
All over this vast tract he gave orders that his edicts
should be engraven on stone pillars, on the rocky sides of
mountains, and in caves,^ so that his ordinances should
abide for ever. The inscriptions in the north, such as that
at Kupardagiri, or Shahbazgahri on the Afghan frontier, are
all written from right to left in a character derived from a
Phoenician source, known for long as Northern Asoka, or
Arian, sometimes as Arian Pali, Bactro Pali, or Gandharian,
and now called Kharosthi. Those to the south, such as
that at Girnar in Kathiawar on the west coast of India, run
from left to right, and were in what is known as the
Southern Asoka, Indo Pali, Mauriya writing, to which the
name of Brahml is now applied.
The thirteenth edict states that Asoka sent missionaries
to Antiochus II. of Syria, Ptolemy II. of Egypt, Antigonos
' " Epigraphia Indica," vol. ii. p. 246 : — "His conversion to Buddhism fell
... in the twenty-ninth year of his reign." Rhys Davids ("Buddhism,"
p. 222, 1894) says : — " After his conversion, which took place in the tenth year of
his reigp, he became a very zealous supporter of the new religion."
2 Edict XIII.
' Hunter ("Indian Empire,'' p. 190) gives the sites of the fourteen rock and
seventeen cave inscriptions as described by Cunningham.
244 LITERARY HISTORY OF INDIA
Gonatas of Macedonia, Magas of Cyrene, and Alexander
II. of Epirus.
On the historic ridge, near Delhi, a pillar, broken in four
pieces by an earthquake, is inscribed with the most interest-
ing of these inscriptions of Asoka.
The edicts 1 tell their own story of the king's efforts to
frame rules of ideal governance for his kingdom.
Edict I. — King Piyadasi, beloved of the gods, speaks thus : — " After
I had been anointed twenty-six years I ordered this rehgious edict
to be written. Happiness in this world and in the next is difficult
to gain except by the greatest love of the sacred law, the greatest
circumspection, the greatest obedience, the greatest fear, the
greatest energy. . . . And my servants, the great ones, the
lowly ones, and those of middle rank, being able to lead sinners
back to their duty, obey and carry out (my orders) likewise also
the wardens of the marches. Now the order is to protect
according to the sacred law, to govern according to the sacred
law, to give happiness in accordance with the sacred law, to
guard according to the sacred law."
Edict II. — King Piyadasi, beloved of the gods, speaks thus : — "(To
fulfil) the law is meritorious. But what does (the fulfilment)
of the law include ? (It includes) sinlessness, many good
works, compassion, liberality, truthfulness, purity. The gift of
spiritual insight I have given (to men) in various ways ;
on two-footed and four-footed beings, on birds, and aquatic
animals I have conferred benefits of many kinds, even the boon
of life, and in other ways I have done much good. It is for
this purpose that I have caused this religious edict to be written
(z/z>.) that men may thus act accordingly, and that it may endure
for a long time. And he who will act thus will perform a deed
of merit."
Edict III. — King Piyadasi, beloved of the gods, speaks thus : — " Man
only sees his good deeds {and says unto himself), ' This good
deed I have done.' But he sees in no wise his evil deeds {and
does not say unto himself), ' This evil deed I have done ; this is
what is called sin.' But difficult, indeed, is this self-examination.
Nevertheless, man ought to pay regard to the following {and
^ Buhler, "Epigraphia Indica,' vol. ii. pp. 248254.
THE ATTACK 245
say unto himself), ' Such {passions) as rage, cruelty, anger,
pride, jealousy {are those) called sinful ; even through these I
shall bring about my fall.' But man ought to mark most the
following {and say unto himself), 'This conduces to my welfare
in this world, that, at least, to my welfare in the next world.' "
Edict IV. — King Piyadasi, beloved of the gods, speaks thus : — "After
I had been anointed twenty-six years I ordered this religious
edict to be written. My Lajiikas are established {as rulers)
among the people, among many hundred thousand souls ; I
have made them independent in {awarding) both honours and
punishments. Why? In order that the Za;V//5aj may do their
work tranquilly and fearlessly, that they may give welfare and
happiness to the people of the provinces, and may confer
benefits {on them). They will know what gives happiness and
what inflicts pain, and they will exhort the provincials in
accordance with the principles of the sacred law. How ? That
they may gain for themselves happiness in this world and in
the next. But the Lajukas are eager to serve me. My (other)
servants also, who know my will, will serve {me), and they, too,
will exhort some {men) in order that the Lajukas may strive to
gain my favour. For as {a man) feels tranquil after making
over his child to a clever nurse, saying unto himself, 'The
clever nurse strives to bring up my^child well,' even so I have
acted with my Lajukas for the welfare and happiness of the
provincials, intending that, being fearless and feeling tranquil,
they may do their work without perplexity. For this reason I
have made the Lajukas independent in {awarding) both honours
and punishments. For the following is desirable. What?
That there may be equity in official business, and equity in the
award of punishments. And even so far goes my order, I
have granted a respite of three days to prisoners on whom
judgment has been passed, and who have been condemned to
death. Their relatives will make some {of them) meditate
deeply (and), in order to save the lives of those (men), or in
order to make (the condemned) who is to be executed meditate
deeply, they will give gifts with a view to the next world or will
perform fasts ! For my wish is that they {the condemned), even
during their imprisonment, may thus gain bliss in the next
world; and various religious practices, self-restraint, and
liberality, will grow among the people."
In the year 246 B.C., the eleventh 1 year of Asoka's
'^ See Monier- Williams, "Buddhism,"' p. 59: — "Sixteenth or seventeenth
year." Oldenberg, "Vinaya Pitakaiii" (Inlrod.), xxxi.; S.B.E., a., xxvi.-xxxix.
246 LITERARY HISTORY OF INDIA
reign, the whole Buddhist Canon was fully recited at a
Council of one thousand Buddhist monks, who assembled
together at Pataliputra. Missionaries were then sent
to far - off lands to propagate the Buddhist faith.^
Mahendra, the son of Asoka, carried the three " Pitakas,"
or "books of law," in the Pali language to Ceylon, and
was soon after followed by his sister, Sanghamitta, who
brought a branch of the sacred bo - tree, under which
Buddha had attained enlightenment, a branch planted
at Anuradhapura, from which grew the famous tree, for
long held to be the oldest historical tree in the world.*
The alliance made by Asoka with Buddhism brought
to him no peace, nor to his empire security. His end
was full of trouble and sorrow. He lived to see his own
son's eyes put out by the woman he loved, and himself
restrained in his pious gifts to the so-called Buddhist
mendicants.
Buddhism, though it might tend to break down the
racial and class distinctions of an enslaved people, and
unite them into one nation, yet rose above all the
practical considerations of real life. And so it remains
in its ideals a dream for the philosopher, in its degraded
form a refuge for the indolent, in its results a warning
to the man of action. Those who truly joined the Order
became celibate monks, recluses, men of thought, not
action. When they were slain or driven from their
monasteries by the later Muhammadan invaders, and
possibly by the reforming Brahmans, the religion died
out in India, for the lay professors of the faith had no
guides nor preceptors, no mendicant monks to feed,
clothe, or endow with wealth. The more a temporal
1 " Dipavamsa,'' chap, viii.; "Mahavamsa," chap. Jtii.
2 Tennent, " Ceylon," vol. ii. p. 613. In the reign of Vattagamini (88-76
B.C.) the Buddhist Canon was reduced to writing, and in 450 A.D. the faith
spread to Burma through the great Buddhist commentator, Buddha Ghosha,
.Jcc Rhj-s Davids, " Buddhi.sm," pp 234, 237.
THE ATTACK 247
sovereign and his subjects drifted towards the ideals
inculcated by Buddha, the more unfitted they became
for the war and strife on which alone an empire could be
founded and maintained, so long as alien foes pressed
round, prepared and eager to carve out a kingdom and
heritage for themselves and their own race. Asoka had
framed an ideal state.^ A minister of religion had been
appointed, in the fourteenth year of his reign, to supervise
morals ; wells were dug, resting - groves and wayside
avenues planted, medical aid provided for man and beast.
All, Aryans and aborigines alike, were to be constrained
to the ideals set forth by Buddha with gentleness and
kindness, not by force. The picture is the most pathetic
in the whole vista of the struggles of humanity to reach
and realise the ethical ideal, regardless of the stern dictates
that decree the victory to the best fitted, physically and
mentally, to maintain his place in the strife of life. The
ideal must remain for the real to strive towards and
never attain.
Asoka strove to realise the ideals personified in the
passive figure of the Buddha, just as many of to-day
would urge England to do, and stay her stern career
wherein she sets before herself no other ideal than that
of justice, unswayed by sentiment or emotion.
In the days of Asoka there were rough and ready
Northern hosts, even as there are to-day, should England
fall back from her high mission, ready to break down
from their Northern homes and win a heritage for them-
selves amid a people unprepared, and too disunited, to
defend their own birthright.
On the death of Asoka, the great Empire of Magadha
drifted to decay. Of his grandson and successor,
Dasaratha, history knows but little except what is
contained in a few inscriptions, of interest alone to
' Hunter, " Indian Empire,'' pp. 190-91.
248 LITERARY HISTORY OF INDIA
archaeologists.^ New dynasties* arose, among which one
monarch figured as the hero in Kalidasa's well-known
play Malavikagnimitra.^ By the middle of the fifth
century Pataliputra,* the ancient capital of India, lost
its importance, and was described by the Chinese
pilgrim, Hiouen Tsang,^ as "an old city, about 70 li
round. Although it has been long deserted, its founda-
tion walls still survive."
The history of India, from Asoka's time down to the
dark days of Muhammadan raids, is, in fact, a history of
a disunited people, ruled over by local chieftains, among
whom one here and there rose to a more or less extended
sovereignty, and of invasions from Northern foes.
When first the rapid, moving, hardy horsemen, known
as Turanians, commenced their raids across the Jaxartes,
nothing loth to leave their arid grazing-ground of Central
Asia for the richer Southern lands, is a question still out-
side the limits of historic evidence. It has been held, and
excavations at Kapilavastu may prove the surmise true,
that the Sakya race, among whom Buddha was born, was an
early incursive band of these Northern warrior tribes, whom
history loosely classes together as Scythian. Alexander
the Great, before he ventured to invade India, had estab-
lished posts along the Jaxartes to hold these Northern
barbarians in check. Two hundred years later, a Tartar
tribe drove out the Greeks from Bactria, and by the first
century B.C. a yellow race, described as of pink and white
complexion, and known to the Chinese chroniclers as the
* "Mahavam^a," cxx.; Miss Manning, "Ancient India," 316.
^ Pushpamitra overthrew the Maurya dynasty, and established Sunga
dynasty (178 B.C.). See Burgess, " Cave Temples of India," p. 25.
^ Agnimitra, son of Pushpamitra, who fought against the Bactrian Greeks.
See Shankar P. Pandit, " Malavikagnimitra " (Preface).
* V. A. Smith (J.R.A.S., p. 24, 1897) holds that Pataliputra was the early
capital of Samudra Gupta (345-380 A.D.). Fleet, "Gupta Inscrip.," p. 5;
Biihler, "Origin of the Gupta and Valabhi Era," p. 13.
" Visited India 629-645 a.d.
THE ATTACK 249
Yueh-Chi,^ came riding down into the Panjab to take their
place in the annals of Indian history.
In Kashmir these Scythians established their rule. Of
the Scythian monarchs little is known from the time they
poured their fierce bowmen across the north-west mountain
passes until they disappear at the close of the sixth
century A.D. Vikramaditya, the enemy of the Scythians,
stands out as the sole national hero of North India at
this period, and round him is centred all that was glorious
of the times which commenced with the new Indian era of
56 B.C.2
The greatest of all the Scythian conquerors was Kanishka,^
who extended his rule beyond Kashmir, as far south as
Guzarat, and east to Agra, founding for himself and his
race an era known as the Saka era, which dates from
78 A.D. Kanishka, in his new home, accepted Buddhism as
his state religion. It is known that he summoned a great
council of five hundred monks to a monastery at Jalandra
in Kashmir, and there formulated, in Sanskrit, the doctrines
of Northern Buddhism, designated as those of the Mahayana,
or " Great Vehicle," accepted by all Scythian races. The
full record of this Council now lies buried beneath some
vast mound of earth. The only guide left to direct the
searcher after these lost treasures was given thirteen
hundred years ago by the Chinese pilgrim, Hiouen Tsang
as follows : * —
" Kanishka-raja forthwith ordered these discourses to be
engraven on sheets of red copper. He enclosed them in a
^ For connection of the Yueh-Chi with the Goths, as well as with the Jats of
India, and the Rajputs, see Max Miiller, "India : What Can It Teach Us?"
p. 86. Also Hunter, "Indian Empire," chap, vii., where the whole intricate
history is summed up. J.R.A.S., N.S., xiv. p. 47.
' See J. F. Fleet, ' ' Corpus Inscriptionum Indicarum," vol. iii. p. 37.
^ The " Raja-Tarangini " gives as predecessors Hushka and Jushka. See
Albiruni, "Sachau,"ii. II.
* Eeal, " Buddhist Rec. of Western World," vol. i. p. 156.
2SO LITERARY HISTORY OF INDIA
stone receptacle, and having sealed them he raised over it
a stupa with the Scriptures in the middle."
The sheets of copper probably still remain beneath the
mound where Kanishka deposited them, and fame and
wealth awaits him who searches out the Scriptures, and
reveals to the world the long-lost Canon of the Mahayana
of the Northern Buddhists. On the death of Kanishka
his kingdom fell to pieces. Inscriptions and coins are all
that tell of the fluctuating fortunes of various dynasties
that rose to power and extended their sway during the
succeeding centuries through which India passed, before
it fell a prey to foreign conquest.
At Surashtra, or Guzarat, the Sena kings are traced by
their coinage from 70 B.C to 235 A.D., while in the east
the Andhras of the Deccan ruled over Magadha from
26 B.C. to 430 A.D. A long line of Gupta monarchs ^ is
known to have held imperial sway all over North India
and Kathiawar, from the middle of the fourth century A.D.
until 530-33, when the empire passed to Yasodharman^ of
West Malwa, who held the whole north until it fell to
a Varman dynasty, that ruled down to 585 A.D., from
whom it passed to the Vardhana kings of Thaneswar and
Kanauj.
Among the Vardhana chieftains, one monarch rose to
supreme power, the great Harsha Vardhana, known as
Siladitya II., ruler of Kanauj from 606 to 648 A.D.* Down
to the time of the Arab raid into Sind, in the eighth century,
the Vallabhis held rule in Guzarat (480-722 A.D.) among
"Gupta, 320 A.D.; Ghatotkacha, 340; Candra Gupta I., 360; Samudra
I Gupta, 380 (345-380).— Vincent Smith, J.R.A.S. (1897), part i, 19. Candra
Gupta II., 400-414; Kumara Gupta I., 415-454; Skanda Gupta, 455-468;
Pura Gupta, 470; Narasimka Gupta, 485; Kumara Gupta II., 530.—
Hoemle, "Inscribed Seal of Kumara Gupta," vol. Iviii.; J.R.A.S. (Bengal)
p. 88.
' Hoernle, Ibid., 96, for connection with Hunas.
^ Cowell and Thomas, "Harsha Charita," p. x.; Bendall, "Catalogue
Buddhist Sanskrit MSS.," xli.
THE ATTACK 251
whom a new supreme emperor, Slladitya III. held the
imperial rule in 670 A.D.
How far these later Indian rulers consolidated their
conquests, and held under their own sway the territories
over which their sovereignty is recorded to have spread,
would now be impossible to ascertain. So long as tribute
was paid, local principalities and chieftains might hold
and administer their own territories, though the suzerain
counted them as subject states.
Samudra Gupta, who ruled first at Pataliputra,^ and then
changed his capital westward, until it finally rested at
Kanauj, is referred to in an inscription as " the restorer of
the Aivamedha sacrifice " ^ — the great horse sacrifice. In
one inscription, still preserved on a pillar at Allahabad,
the praises of Samudra Gupta are recited, and all his
conquests set forth in order.*
Nine kings of Aryavarta were " violently exterminated ; "
kings of forest countries became his slaves. Twelve
kings, whose names are given in the inscription, were
subdued and then set free. These included the King of
KanchI, or Conjeveram, near Madras, the King of all the
Western Malabar coast, the King of Central India and
Orissa, the King of Kottara in Coimbatore, in South India,
as well as kings over lands in the present Godavari district,
and south of the Krishna. From the kings of Lower
Bengal, Nepal, and Assam, he is recorded to have exacted
homage and tribute, as he also did from frontier tribes,
while from foreign nations, and from Ceylon, he received
services and presents. More astounding than this record
of the Empire of Samudra Gupta, in the middle of the
fourth century of our era, is the record of the conquests of
his son and successor, Chandra Gupta II., who extended
the Gupta Empire to its furthest limits. The pillar on
1 V. A. Smith, J.R.A.S. (1897), p. 27 Innate I).
' m^i., p. 22 («o.V 2). " Tbid., p. 27,
252 LITERARY HISTORY OF INDIA
which the fame of Chandra Gupta is set forth, has re-
mained for long one of the many strange marvels of
the East. The pillar stands in the courtyard of a great
mosque, built by Katb-ud-din, about 9 miles south of
modern Delhi. The pillar rises 22 feet above the ground,
there being i foot 8 inches below ground. The whole
pillar is solid, of malleable iron, wrought and welded into a
mass of over six tons' weight The pillar was erected in or
about the year 415 A.D., by order of Kumara Gupta I., son
and successor of Chandra Gupta II. The construction of
such a pillar of wrought-iron at so early a date seems,
even to the Western world, a feat almost beyond belief.
" It is not many years since the production of such a
pillar would have been an impossibility in the largest
foundries of the world, and even now there are com-
paratively few where a similar mass of metal could be
turned out." ^
The inscription on the pillar has been translated by Mr
Vincent Smith, in his valuable article on the " Ancient
History of India from the Monuments " : —
"This lofty standard of the divine Vishnu was erected on Mount
Vishnupada by King Candra, whose thoughts were devoted in
I faith to Vishnu. The beauty of that king's countenance was as
that of the full moon {candra) ;— by him, with his own arm,
sole worldwide dominion was acquired and long held ; — and
although, as if wearied, he has in bodily form quitted this earth,
and passed to the other-world country won by his merit, yet,
like the embers of a quenched fire in a great forest, the glow of
his foe-destroying energy quits not the earth ; — by the breezes
of his prowess the southern ocean is still perfumed ; — by him,
having crossed the seven mouths of the Indus, were the
Vahlikas^vanquished in battle ; — and when, warring in the Vanga
countries,^ he breasted and destroyed the enemies confederate
against him, fame was inscribed on (their) arm by his sword."
^ Valentine Ball, " Economic Geology of India," p. 338.
^ Balkh or Baliichistan.
* Bengal Lower generally. Vincent Smith, J.R.A.S. (1897), p. 8.
THE ATTACK .353
These details of the reigns and deeds of the kings of the
varied dynasties, who, in the first seven centuries of the
Christian era strove, with a success never lasting long, to
bend the various chieftains, races, and people of India into
recognition of one central power, capable of swaying the
destinies of an empire, are preserved in the evidence
recorded on coins and inscriptions. The evidences are
not such as to enable any vivid picture to be drawn that
would present a life-like history of the period. Such
results as may be obtained are of interest to the antiquarian
and archaeologist ; they can never throw a clear light on the
causes whereby India was advancing to her doom, as an
easy prey to foreign conquerors.
The self-control of Buddhism, the intellectual supremacy
demanded by Brahmanism, the gross ignorance of super-
stitious Hinduism, were all but products of the life of the
times. The centre fact that the historian longs to arrive
at, is the clue to the subjection of the East to the West.
The enervating iniluence of climate may afford a solution
when a Southern race is debarred from recruiting its more
active and ruder instincts by hardier immigrants from colder
climes, as Mughal and Portuguese rule found to their cost,
and the Aryan has ever found in his migrations south. This
may explain the present condition of the people of India ;
and if it be so, then the prospect in the future, both for
Bengal Sikh, border Pathan, and Southern Pariah, is one
of submission, to the dictates of Nature. In the early ages
there is no evidence that in the north, at least, the barriers
of India had ever been closed to new-comers.
Persian, Greek, and Scythian alike swarmed in and
made their own settlements, without great show of
opposition. The Scythian element has been traced far to
the east, among the Jats.i in Central India, and among
' Now four and a half millions in number. See Hunter, " Indian Empire,"
p. 226.
254 LITERARY HISTORY OF INDIA
the Rajputs — a race that rose with all its chivalry and man-
hood to oppose Muhammadan fanaticism, at a time when
in the land there were no other signs of any tendency
towards national life and spirit. North of the Vindhya,
each chieftain and petty king strove to secure his own
position, increase his forces, raid the territories of his
neighbours, and win for himself the favour and support of
Brahmanism or Buddhism as the times inclined him.
South of the Vindhya, great and ancient dynasties
— Rashtrakuta, Chalukyan, Pallava, Chera, Chola, or
Pandyan — preserved and increased, as they could, the limits
of their own kingdoms.
A welcome light is thrown across the history of this
early period by the account of the Chinese Buddhist
traveller, Hiouen Tsang. The great ruler of North India
was then Sri Harsha, or Harsha Vardhana, the King of
Thaneswar and Kanauj. He is described by the Chinese
traveller as wavering between Buddhism and Brahmanism,
one day setting high a statue of Buddha, the next that of
the sun, or the great god, 6iva. The " believers in Buddha
and the heretics"^ were described as about equal in
number, there being some hundred of monasteries, with
ten thousand priests, studying both the Great and Little
Vehicle, and two hundred Hindu temples. The king, in six
years, according to Hiouen Tsang, conquered all the Five
Indies, subdued all who were not obedient, and his army
reached the number of one hundred thousand cavalry and
sixty thousand war elephants.^
In one great assembly held by the king at Kanauj, or
Kanya Kubja, as it was then called, kings of twenty
countries are described as forming part of the king's escort,
as he marched in procession with a golden statue of
Buddha, high as himself, carried in front. Not only does
• Beal, " Buddhist Rec. of Western World," vol. i. p. 207.
' For his defeat by PuUkesin, see Ibid., p. 213 {twte 21).
THE ATTACK 255
the presence of the twenty kings indicate the divided
authority of Harsha Vardhana, but a more serious element
of disunion is apparent from the recorded fact that the
Brahmans, jealous of the wealth showered on the Buddhists,
laid plots to take the king s life, so that " the king punished
the chief of them and pardoned the rest. He banished
the five hundred Brahmans to the frontiers of India." *
This account of Hiouen Tsangis fortunately supplemented
by a realistic description of the court and camp of Harsha
Vardhana, by the contemporary poet, Bana, whose work is
the only romance of any historical importance in the
literature of the period. The work, so far as it goes — for it
is unfinished in the original — has happily recently appeared
in an English translation, most skilfully rendered from the
difficult Sanskrit of the original.^ There is but one other
book comparable to it, in the manner in which it lays bare
the very facts that are of peculiar interest and value for
realising the exact chances of success any of the early so-
called monarchs of North India had of uniting the scattered
principalities and races into a political entity, containing
permanent elements of stability. The position of affairs
is strikingly similar to the account left in the " Letters
from a Maratha Camp," during the year 1809, by Colonel
Broughton, who travelled with the predatory and irre-
sponsible forces of Maharaja Scindia, in the raids, or, as a
native chronicler would describe them, victorious progress
of a universal monarch, into the semi-feudatory state of
Rajputana.
The impression left by the two accounts — that by Bana,
contemporary in the seventh century with Harsha
Vardhana, and that by the English resident at the court of
Scindia, at the beginning of the nineteenth century — may be
' Beal, "Buddhist Rec. of Western World," vol. i. p. 221.
2 "The Harsha Charita of Bana," translated by Prof. Cowell and F. W.
Thomas (Oriental Translation Fund, 1897).
256 LITERARY HISTORY OF INDIA
summed up in the words of Sir M. E. Grant Duff, in his
preface to the letters of Colonel Broughton : —
" First, how far away seem the scenes which they describe . . . and
secondly, how soon they would come back if the power which
saved, and saves India from tearing her own vitals, were to be
withdrawn for a single lustrum. . . . Who can doubt that all
the jealousies, all the passions, all the superstitions, which are set
forUi ... are still there ready to break forth at any moment ? "
It seems almost sacrilege to tear from out their setting,
in a work of beauty such as the " Harsha Charita" of Bana,
such few references as may serve to furnish facts for
history.
Bana wrote for a purely artistic purpose, his only effort
being to combine in his narrative " a new subject, a diction
not too homely, unlaboured double meaning, the sentiment
easily understood, the language rich in sonorous words." ^
The motives that incited him to recount the deeds of his
lord are plainly indicated, and were purely artistic. He
tells how one dramatist ^ " gained as much splendour by
his plays, with an introduction spoken by the manager, full
of various characters, and furnished with startling episodes,
as he would have done by the erection of temples, created
by architects, adorned with several storeys, and decorated
with banners " ; and how all are delighted at "the beautiful
expressions uttered by Kalidasa, as at sprays of flowers
wet with honey sweetness.'' Accordingly his narrative is
merely to be viewed as " like a bed, which is to wake up its
occupant happily refreshed," and how it has been " set off
by its well-chosen words, like feet, luminous with the clever
joinings of harmonious letters." It would be well if the
narrative could be left in the beauty of its own repose, for
" a return of the mind to itself from seeking fact after fact,
^ Introductory verse, p. 2 (Cowell's Translation).
' Bhasa. See Weber, " History of Indian Liteiature,'' p. 205 {note 213).
THE ATTACK 257
and law after law, in the objective world ; a recognition
that the mind itself is an end to itself, and its own law."^
This is the proper realm of all Sanskrit literature, indeed,
of all Indian life and thought — a realm far more seductive
in its pleasant paths than that furnished by unending
research in the objective reality of the world's phenomena.
The whole of Bana's narrative must therefore be taken in
its own setting, if the true spirit of its composition is to
be properly judged. Bana commenced his stoty by pointing
out, to those whom he addressed, his limitation : "What man
could possibly, even in a hundred of men's lives, depict his
story in full ? If, however, you care for a part, I am ready."
The descent of Harsha Vardhana is first traced down to
that of his father, Prabhakara Vardhana, King of Thanes-
war, who was " famed far and wide under a second name,
Pratapaclla, a lion to the Huna deer, a burning fever to the
King of Indus land, a troubler to the sleep of Guzarat, a
bilious plague to that scent elephant, the lord of Gandhara,
a looter to the lawlessness of the Jats, an axe to the
creeper of Malwa's glory." ^ To YasovatI, wife of this
monarch, two sons were born, Rajyavardhana and Harsha,
the hero of the story. There was also one daughter,
Rajya 6ri, who married Grahavarman, son of a Mukhara
King of Kanya Kubja, or Kanauj.*
Prabhakara Vardhana is described as being a sun-
worshipper. " Day by day at sunrise he bathed, arrayed
himself in white silk, wrapped his head in a white cloth, and
kneeling eastwards upon the ground, in a circle measured
with saffron paste, presented for an offering a bunch of red
lotuses, set in a pure vessel of ruby, and tinged, like his own
heart, with the sun's hue." *
On the birth of the king's second son, Harsha, the
1 W. P. Ker, "Essays in Philosophical Criticism," p. 173 ; quoted in "The
Philosophy of the Beautifiil," by William Knight (1891).
2 " Harsha Charita," p. loi. = See Ibid. (Introd.), p. xii.
^ Ibid., p. 104.
R
258 LITERARY HISTORY OF INDIA
capital held high revel. A weird light is thrown on the
scene, where the populace are depicted as having lost their
sense with joy : —
" Entrance to the harem in no wise criminal ; master and servants
reduced to a level ; young and old confounded j learned and
unlearned on one footing ; drunk and sober not to be dis-
tinguished ; noble maidens and harlots equally merry. The
whole population of the capital set a-dancing."*
As the young princes grew up, the king appointed, as
their companion, Kumara Gupta and Madhava Gupta, sons of
the king of Malwa. When Rajya ^ri, the king's daughter,
came of age, it was determined that she should be married
to Grahavarman, the son of the Mukhara King of
Kanya Kubja, for, " now at the head of all royal houses
stands the Mukharas, worshipped, like diva's footprint, by
all the world." ^
The political struggles of the time now commenced.
When Rajyavardhana, the king's eldest son, grew old
enough to wear armour, he was sent " at the head of an
immense force, attended by ancient advisers and devoted
feudatories, towards the north to attack the Hunas."*
During the prince's absence, the king, Prabhakara,
was seized with illness, resulting in his death. Harsha,
who had accompanied his brother towards the Himalayas
to encounter the Hunas, hastened back to the capital
where the people were plunged in grief. Rarely has a
more fearful description of Hindu superstition been
summed up in a few lines than in the words describing the
appearance of the grief-smitten city. "There young
nobles were burning themselves with lamps to propitiate
the mothers. In one place a Dravidian was ready to
solicit the Vampire with the offering of a skull. In
another an Andhra man was holding up his arms like a
rampart to conciliate Chandi. Elsewhere distressed young
^ "Harsha Charita," p. m. ^ 3ul., p. 122. • Tiid., p. 132.
THE ATTACK 259
servants were pacifying Mahakala by holding melting
gum on their heads. In another place a group of
relatives was intent on an oblation of their own flesh,
which they severed with keen knives. Elsewhere again
young courtiers were openly resorting to the sale of human
flesh." 1
The panorama referred to in the drama of the " Mudra
Rakshasa" is also described as being displayed. The
showman displays his painted canvas, whereon is depicted
Yama, " the Lord of Death," seated on his dreaded buffalo,
while he recites his verses to the assembled crowd : *
"Mothers and fathers in thousands, in hundreds children
and wives, age after age have passed away, whose are
they, and whose art thou ? " ^
The whole narrative, in fact the whole romance, in its
perfect translation by Professor Cowell and Mr Thomas,
gives more real information respecting the inner life of the
people than any other work relating to India. From
every page new life dawns, and in every sentence some
unexpected beauty lies half-concealed.
On the king's death, Harsha Vardhana's grief was
assuaged by " Brahmans versed in ' 6ruti,' ' Smriti,' and
' Itihasas,' anointed counsellors of royal rank, endowed with
learning, birth, and character; approved ascetics, well-
trained in the doctrine of the Self; sages indifferent to
pain and pleasure ; Vedantists skilled in expounding the
nothingness of the fleeting world ; mythologists expert in
allaying sorrow."*
In the midst of the city's grief, news arrived that
Grahavarman had been slain by the King of Malwa, and
Rajya Sri cast into fetters. Rajyavardhana, the elder
brother, who had returned to the capital after driving
1 " Harsha Charita," p. 136. See also p. 222 : — "Yet a seller of human flesh."
* Kipling, Lockwood, "Man and Beast in India," p. 123: — "God looks
out of the window of Heaven and keeps account."
5 " Harsha Charita," p. 136 {frans.). * flid.^ p. 16?,
26o LITERARY HISTORY OF INDIA
back the Scythian Hunas from the north-west, set forth with
a mighty army, and defeated the King of Malwa only to
fall a victim to the intrigues of the King of Gauda. Harsha
Vardhana now steps forth, as the true hero of the romance,
to avenge the ill fate of his race. Before starting on his
avenging expedition he vowed that he would establish his
supremacy as sole monarch. "By the dust of my honoured
lord's feet I swear that, unless in a limited number of days
I clear this earth of Gaudas, and make it resound with
fetters on the feet of all kings who are excited to insolence
by the elasticity of their bows, then will I hurl my sinful
self, like a moth, into an oil-fed flame." ^
Harsha Vardhana started on his conquering career
amid the beat of drums, the bray of trumpets, the bustle
of an Eastern camp, and general lack of all system or
controlling authority over the semi-independent chieftains
who joined in the foray. "Elephant keepers, assaulted
with clods by people starting from hovels which had been
crushed by the animals' feet, called the bystanders to
witness the assaults. Wretched families fled from grass
cabins ruined by collisions. Despairing merchants saw
the oxen, bearing their wealth, flee before the onset of the
tumult A troop of seraglio elephants advanced where
the press of people gave way before the glare of their
runners' torches." ^ Looting of the standing crop goes on
at all sides. The cries of the rabble are heard : " Quick,
slave, with a knife, cut a mouthful of fodder from this
bean field. Who can tell the fate of his crop when we are
gone ? " The picture is dramatically true to life. " There
poor unattended nobles, overwhelmed with the toil and
worry of conveying their provisions upon fainting oxen,
provided by wretched village householders, and obtained
with difficulty, themselves grasped their domestic appur-
tenances, grumbling as follows : — ' Only let this one
1 "Harsha Charita," p. 187. 2 yj^^ p_ 2o,_
THE ATTACK 261
expedition be gone and done with.' ' Let it go to the
bottom of hell.' ' An end to this world of thirst.' " ^
On all sides the peaceful villagers fled, "others, despondent
at the plunder of their ripe grain, had come forth, wives
and all, to bemoan their estates, and to the imminent risk
of their lives, grief dismissing fear, had begun to censure
their sovereign, crying : ' Where's the king ? ' ' What right
has he to be king?' ' What a king ! '" 2
The king on his march turned aside to save his sister,
Rajya Sri, from burning herself to death, and vowed that he
and she would both join the Buddhist order when all his
designs had been accomplished.
The narrative ends before Harsha Vardhana finally
overthrew all his opponents, and established himself as
one of the few monarchs who essayed to build up an
empire from out the shifting interests of rival creeds and
divided principalities.
The extent of India was, however, too vast ; the incon-
gruous race-elements it held too diverse and scattered ;
the caste restrictions too firmly planted ; the religious
divisions too deeply founded in the life-history of the
people, to give hope in those early ages that India from
the Himalayas to the Vindhyas, much less to Cape
Comorin, from Dvaraka to Kalighat, would ever throb
with the one great racial feeling and purpose that makes
a Fatherland. It remains for the future to watch and
mark how the dividing lines of old are breaking down,
and how, where race and caste and creed no longer hold
the people asunder, they may combine to demand the
ruling of their own national life.
In the midst of the changing scene Aryanism and
Brahmanism remained unmoved, watching all and noting all
from their own safe retreat, heedless of kings and warriors,
battles and contests, greed for empire and the coming
1 " Harsha Charita," p. 207. ' Ibid., p. 209.
262 LITERARY HISTORY OF INDIA
storm, the tramp of passing bands of fighting men, the
flames of burning towns, the wreck of principalities, the
aggrandisement of new conquerors, and the submission of
the people, all of which were but the crude factors where-
with poets and dreamers might fashion their drama of the
world's history.
The classic beauties of the early drama, the romances
and lyrics are all that later Aryanism has left us, from
which may be shadowed out something of the " very age
and body of the time."
CHAPTER XII.
THE DRAMA.
To understand the full significance of the influence
Aryanism had on the language and literature of India as
a whole, somewhat must be realised of the actual results
attained, and the elements on which these influences had
to work.
From the last Census returns^ the population of India,
excluding Burma, was numbered at nearly 295,000,000
of people ; Indo- Aryan vernaculars were spoken by
210,000,000; the Dra vidian languages by only 53,000,000,
the rest of the populace speaking other languages.
While in the literature of India the Vedic Sanskrit
became modified into the later classical language, more
or less artificial in its structure, it further, from about
some five hundred years before Christ, broke down into a
vernacular known as " Prakrit," ^ which existed up to about
1000 A.D.
, The Eastern branch of this Prakrit was the Magadhi,
spoken in Magadha, or South Behar, while the Western
branch was the Sauraseni, spoken in the lands lying between
the Ganges and Jumna. Intermediate between these two
distinctive homes of the Aryan culture lay the land, the
vernacular of whose people showed traces of connection
'■ Census of 1891.
" Grierson, " Indo-Aryan Vernaculars," Calcutta Review (October 1895).
263
264 LITERARY HISTORY OF INDIA
with both the Magadhi and the Sauraseni, so that it was
called the Ardha Magadhi, or Half Magadhi.
Outside these three distinctive branches of the Aryan
vernacular, the spoken language of the North- Western dis-
trict was known as the " Apabramfia," or decayed language.
From these four vernaculars all the modern Aryan
vernaculars of India have descended, as shown in the
following table taken from Mr Grierson's article in the
Calcutta Review, to which reference heis been already
made.
Vbdic Sanskrit
Old Prakrit Vernacular
i i
Wkstern Prakrit Kastbrn Prakrit
,-^ i I
Apabram^a Sauraseni Prakrit ArsmamagadhI Prakrit Magadhi Praksit
I
I I I I
Magadhi GaudI UtkalI VaidarbhI
I
MarathI
SiNDHl Kashmir! Sauraseni GaurjarI AvantI MahaeashtrI
FanjabI Hindi
Dialects
1. Braj
2. KananjI
3. Urdii
4. Hindustani
5. High Hindi
The term Hindi is here used by Mr Grierson, not as
including the dialects of Rajputana, the Baiswari of Oudh,
and the distinct dialect of Behar, but more scientifically
to connote all the dialects of the North- West Provinces
from Cawnpur westwards.^ The Braj dialect is that of
the Gangetic Doab, south to Agra, northward to Multan
and Delhi, thence beyond the Sivalik Hills. Kanauji
runs down the lower Doab to the south-east of Cawnpur
towards Allahabad, where it merges into Baiswari.
Urdu is the mixed language that grew up in the camp
' Grierson, " Indo-Aiyan Vernaculars,'" p. 264.
THE DRAMA 265
of the Mughal invaders of India who used the local
grammar, chiefly that of Braj, to cement together a
vocabulary mainly composed of Indian and foreign words.
When used for literary purposes by the Mussalmans, the
vocabulary employed was mainly Persian or Arabic.
When used as a lingua franca for the people speaking
the varied dialects of Hindustan, the vocabulary is mainly
composed of the common words of the market-place, and
the language itself called Hindustani is readily intelligible
to Hindus and Muhammadans alike. High Hindi is
purely a book language evolved under the influence of
the English, who induced native writers to compose works
for general use in a form of Hindustani, in which all the
words of Arabic or Persian origin were omitted, Sanskrit
words being employed in their place.
Great as has been the spread of languages finding their
source in Aryan Sanskrit, still greater has been the classic
influence of the Aryan literature itself on the whole
thought and mode of expression of the great mass of the
population with which Aryanism has come in contact.
Everywhere, even to the remotest South, the Aryan
literature of India spread, and became the model for all
classic composition, and the means for the education and
advancement of the people towards trained and ordered
thought. The drama here exercised its own influence.
There is a vast difference between the stately repose
of the cultured though somewhat artificial early Sanskrit
dramas, and the primitive revel of dance and song, to be
seen in every Indian village, when the temple deity is led
forth on its high and costly decorated car, and the dancing-
girls,^ with measured step and mystic gestures, march in
front, singing the deeds the god has done, and the joys of
which its worshippers partake. In every step, and every
motion, in every sign of the upheld hands and movement
1 " Rig Veda," i. lo, i, 1,924; "Alharva-veda," xii. 1,41.
266 LITERARY HISTORY OF INDIA
of the dancing-girl's swaying body, the dramatic gestures
and rhythmic movements all denote an advance in reasoned
thought far beyond the fierce dances of the wild untamed
tribesmen, who still live in the hill tracks in their barbaric
freedom.
In their remote mountainous and fever-smitten homes
the savage folk in their tribal war dances love to rehearse
their fierce fights and the slaying of their enemies, or
sometimes in their gentler moods to imitate the dancing
and cooing of birds, peacocks, or jungle-fpwl. Even in
these forest tracks, it may be seen how the play instincts
of the rude untutored races are even to-day being
trained to higher purposes.
To the chance traveller in these tracks, perhaps nothing
may be visible but these imitative dances of the savage
folk. In the half-frenzied dance the warriors still revel in
their mimic combats ; every now and then some aged chief
falls into an ecstatic trance, and his gesticulations show
that he believes himself possessed by some evil spirit or
some god whose commands or decrees he pours forth in
wild cries that rush incoherently from his foaming lips.
The savage expresses in his own way the instincts and
superstitious fears his reason has not yet restrained.
Animism rules the people who fancy that each burning
hill, haunted grove, and fever-laden rill is endowed with
spirit life.
These are the factors Brahmanism has to work on and
mould to its own purpose.
As the forests are cleared from the mountain's side, and
the land prepared for permanent cultivation, Brahmans
and lowland traders take up their abode among the
ruder indigenous races, and Hinduism slowly works its
way towards its own advancement. The Brahmems
to be found in such districts may be schoolmasters,
village merchants, land-owners, or agents for some over-
THE DRAMA 267
lord, to outward appearance coldly indifferent to the
ways and beliefs of the rude hill folk from whom they
hold aloof in their pride of learning and pride of birth.
The influence of the Brahman, and the spell of Hinduism,
is, nevertheless, ever at work in its tendency to turn the
people from their more savage rites, and bring them
within the fold of Hinduism, with all its gods and class
restrictions.
The stranger may move among the villages and mark
somewhat of outward change. The elder people are
becoming more settled ; their axes may perhaps be losing
their ancient form, and changing gradually to forms suited
for agricultural purposes. The belt of cultivated land is
extending deeper into the surrounding forest, and a school
perhaps has been established. Should the stranger desire
to see how the Brahman schoolmaster trains the village
children, he can note how these children sit for hours
learning to make letters and figures, by using their fingers
to write in the dust, and to read, reckon, and recite by
repeating all together sentence after sentence their simple
lessons. There is, however, the legendary history of the
god honoured by the preceptor to be learned, and so
much as is necessary of the myths and fables, on which
popular Hinduism is based.
Here the drama plays its part. In Vedic literature, in
the temple dances, and in the wild, savage war dances and
uncouth revels of the aboriginal folk, its past origin can be
traced, but nowhere can its course of development into the
form in which it first appears, full grown in the masterpieces
of classic Sanskrit times, be followed. The form in which
it is found among the people themselves can be best seen
by asking the Brahman preceptor to bid his pupils perform
an act or two of some drama he has taught them. No
preparations are necessary. The play will take place in
the centre of the village or near the traveller's tents. There
268 LITERARY HISTORY OF INDIA
in the evening time the villagers will assemble, seat them-
selves in rows, all sedate and grave, unnoticing the clear
starlit canopy of Heaven above, and ring of fire that,
running along the distant mountain side, clears the fevered
jungles.
In the centre of the front rank will be seated the
stranger; at his side, sitting on a rug, will be the few
Brahmans the village contains — it may be only the
Brahman preceptor — the village traders, and officials.
Behind, the ruder folk and aboriginal tribesmen stand
or sit on their heels in native fashion.
There is no scenery. Two torch-bearers stand to right
and left, their flaring torches dripping burning oil on to
the ground. To one side sit the musicians, both in-
cessantly and untiringly beating with their fingers a
hide-covered drum. The actors stand at first behind
one of the torch - bearers. Many are the disputes as
to the setting of the piece and arraying of the boy
actors. All, audience, actors, and torch-bearers, talk in
high tones, yet all goes pleasantly.
Slowly from among the actors one boy moves forward,
with feet shuffling along the ground in unison with the
beat of the drum. He wears a high head-dress covered
with tinsel and coloured glass, which sparkle now and then
as the torches flare up ; his face is fixed in an immoveable
stare; his hands are held still, the palms turned towards
the audience. His part he recites in prose and verse, his
voice ever in rhythm with the music. The spectators are
wrapped in dreamy bliss ; they glance furtively at the
foreigner to see if he is pleased, yet they no more than
the foreigner understand one word of what is said, for
the opening lines are in Sanskrit verse, composed by
the preceptor. The audience merely knows the purport
of the story represented.
As the chief actor plays his part the others move to and
THE DRAMA 269
fro as they will. Until the time arrives for them to take
part in the action they hold a white or coloured shawl in
front of them, to let the audience understand that they
are not supposed to be seen.
They now drop their screen and commence their part.
They are five in number, all dressed as girls. In the
meantime, the first actor, with his shawl concealing him, is
hoisted by some attendants, with much talking, on to the
top of a post, and held there, seated on a cross-piece of
wood. A light at last dawns on the spectators. The first
actor is the god Krishna in his youth, the five others are
the five milkmaids who have come to bathe in the river
Jumna, not knowing that the god is watching them. The
play goes on ; the five milkmaids lay their outer white robes
on the ground and pretend to bathe, singing songs in the
local vernacular, mingled with praise of Krishna, all now
more or less intelligible to the audience. Krishna descends
from the tree, creeps near where the girls are supposed to
be talking, steals their clothes, and then is hoisted back to
the cross-piece on the top of the pole. The milkmaids
discover their loss and come wailing to Krishna, declare
their love and devotion, and beg the return of their
garments.
For hours the play continues. The people never weary
of the monotonous cadence of the actors' voices, relieved
now and then by the local jokes and coarse allusions of
the buffoon, generally represented as a Brahman.
Beneath the whole performance can be seen the effort
to represent, as it were, in the guise of a mystery play, the
deeds of Krishna and the joy of those who worship him,
for though "some knew him and sought him as a son,
some as a friend, some as an enemy, some as a lover;
in the end all obtained the blessing of deliverance and
emancipation." ^
•Wilkins, "Hindu Mythology, "p. 176.
2;o LITERARY HISTORY OF INDIA
It is impossible to trace any connection between repre-
sentations such as these or other dramatic forms found
among the people, and the artificial drama of classic
Sanskrit. This classic drama appears in India perfected
and formed, affording no conclusive evidence as to whether
it arose indigenously, or derived its classic impress from
outside sources. The derivation of the terms " natya " and
" nataka," applied to dramatic representations,^ from a root
" nat," a corruption of " nrit," " to dance," brings no fresh
light to bear on the subject The no doubt striking
resemblances between the best known Sanskrit plays and
those of Terence and Plautus have been held to justify the
assumption that the Indian classic drama borrowed its form
from Grecian and Roman sources.^ The question, so far,
has received no final answer.*
The drama that may be taken as most typical of the
earliest form of the classic school, and as giving a picture
, of Indian life about the commencement of the Christian
J era, more life-like and less artificial than any other known
Indian drama, is the play of the " Mud Cart," the
" Mricchakatlka," of unknown date and author.*
The play itself has movement enough and is sufficiently
realistic to be easily adapted to ensure a favourable
' Wilson, " Theatre of the Hindus," p. xix.
' Lassen, " Indische Altertumskunde," ii. 507.
* See Levi, "Theatrelndien,"for the connection between (l) the "vidusaka"
and "servus currens" (p. 358) ; (2) the "vita" and "parasitus edax" (p. 360) ;
(3) the "sakara" and "miles gloriosus" (p. 360) ; (4) the Indian curtain, or
"yavanika" as derived from "yavana"; the recognition ring, prologue,
division into acts, etc. (p. 348). As the subject relates to literature, it is not
further referred to here. It still remains for those who assert foreign influence
to prove it more conclusively than up to the present has been done. See
especially, " Graeco-Roman Influence on the Civilisation of Ancient India"
{J.R.A.S., Bengal, No. III. 1889).
* Ascribed to Dandin of the sixth century A.D., by PischeL See Col. Jacob
"Notes on Alankara Literature," J.R.A.S. (1897), P- 284. From internal
evidence I should, if discussing the work ficom a literary standpoint, place it
before the time of Kalidasa.
THE DRAMA 271
reception in an English theatre. It was played only a
few years ago at the Royal Court Theatre in Berlin, as
well as at the Court Theatre at Munich, where it roused
enthusiasm sufficient to recall the actors eight times before
the curtain. The play as there acted was adapted for the
stage from the well-known and accurate German translation
of Bohtlingk. For the English student of literature, or for
the lover of the drama, there is a translation by Horace
Hayman Wilson, which, meritorious and skilful though it
be, fails to preserve the form of the original.
The play is in Sanskrit, mingled with the Prakrits, eleven
of the characters speaking Sauraseni, two AvantI, one
Praciya, six Magadhi, the king's brother-in-law, the keeper
of the gambling - house, the low caste Chandalas and
acolytes speaking ApabramSa. The play opens with a
benediction to 6iva, the dread god, whose blue neck,
when encircled with the clinging arm of his wife,
ParvatI, gleams like a dark cloud crossed by a running
line of lightning.
The " Sutradhara," ^ or stage-manager, first enters, and
speaks in praise of the play and its author. The play, he
states, is to treat of love and real life. The name of the
author is declared to be Sudraka, "first of warriors," with the
walk of a noble elephant, the eye of a chakora bird, the face
of a full moon, who, though a king, became a poet of
unfathomable learning. He knew well the " Rig and Sama
Vedas," mathematics, the art of singing, dancing, and
wanton dalliance, and the management of elephants. The
stage-manager then narrates how this kingly author lost
his eyesight, had it restored to him by the favour of Siva,
then placed his son on the throne, performed the great
horse sacrificej and, at the age of one hundred years and
ten days, ended his life by entering the fire. By this
Sudraka the play was written to tell how, in the town of
1 Wilson, "Theatre of the Hindus," vol. i. p. xxxv.
272 LITERARY HISTORY OF INDIA
Avanti, a young but poor Brahman, Charudatta, was loved
by Vasantasena, a wanton like unto the goddess of Spring,
and how from that pleasant love-feast arose in the course
of fate the triumph of right conduct over the wickedness of
judicial enquiry and the behaviour of the bad. The place
of action of the drama is in the wealthy city of Avanti, or
Ujjain. The time of opening is a day of festival. The
streets are decorated ; girls grind paint to adorn the house
fronts ; flowers are being strung to form festoons ; from the
houses comes the scent of savoury cooking. The giver of
the feast but waits for a worthy Brahman to partake iirst
of the viands so that the feast may commence. This gives
opportunity for the mention of Charudatta's name, for no
actor may appear until his name is introduced. Charudatta
then at length appears, dejected and downcast, sighing
deeply as he presents an offering before the threshold of
his house to the household gods. As he scatters the scanty
store he sighs, and looking upward recites in Sanskrit verse
his lament :—
"The ample offering to this, the threshold of my home, was quickl>,
in former days, borne away by swans and cranes ; now it falls
but a mere handful on the half-grown grass to be sought out
by worms."
[His friend Maitreya, a Brahman, the " Vidushaka," or familiar
companion of the hero, then enters and presents Charudatta
with a jasmine-scented robe, sent by the giver of the feast.
As Charudatta receives the robe, he remains plunged in
thought.]
" Bho ! " cries Maitreya, "why should you now ponder?"
"Alas, my friend," answers Charudatta, "happiness to one plunged in
sorrows gleams but as the glimmer of a lamp amid deep dark-
ness. The man who sinks from wealth to poverty is dead
indeed ; he lives but bound to the body."
Maitreya \asks\.—" Is then death to be preferred to poverty?" And
quickly comes the answer :
" Death is by me preferred to poverty. Death is but fleeting pain,
poverty is unending sorrow."
THE DRAMA 273
Maitreya. — Nay, in you, your wealth all bestowed on loved friends,
your poverty is to be admired, just as is the glory of the waning
moon when its full brightness is snatched away by the immortal
gods.
Charudatta. — Friend ! Truly I take no heed of my lost wealth. By
the course of fate riches come and go. One thought burns me,
and that is how the world falls off from friendship with one
whose wealth has fled. Then from poverty flows shame ;
wrapped round by shame one's fame is lost ; devoid of fame
one is despised ; then come deep despondency and grief. The
mind then sunk in sorrow grows weak, the man sinks low.
Wealth once gone, all other losses follow.
Maitreya. — Cease lamenting, friend. Wealth is but a trivial thing.
Charudatta. — Friend ! Poverty overwhelms one with thought.
Sneered at by strangers and the true strength of our enemies,
it is the jest of friends and cause of scorn of one's own relations.
It makes one long for the solitude of the forest, there to be
free from the reproach of one's own wife. The fire of sorrow
lingers in the heart, it burns not out. Friend, go, the offerings
to the household deities have now been made ; go, offer them
to the Mothers at the cross-roads.
Maitreya.— I go not.
Charudatta. — Why ?
Maitreya. — Why should one honour the gods ? By you they have
been long honoured, yet they are not favourable.
Charudatta. — Friend ! Not so, not so. Where the gods are wor-
shipped by holy men with offering, penance, mind and words,
they are ever pleased. Consider, bear the offerings to the
Mothers.
Maitreya. — Bho ! I shall not go. Send some one else. For me
everything appears turned the wrong way round ; right is left,
and left right, just like an image seen in a mirror. Besides this,
at this time of night on the high road dancing-girls, lewd men,
servants and relations of the king wander about, and I might
be seized just as the mouse was by the black serpent on the
look-out for a frog. What shall you do seated here ?
Charudatta. — So be it. Stay then, and I shall engage myself in
religious meditation.
Woice is heard behind the screen]. — Stay, Vasantasena, stay.
[Then enters Vasantasena, followed by the king^s brother-in-law,
his companion a lewd parasite and a servant.]
The Companion. — Vasantasena ! stay, stay ! Why, from fear, your
8
274 LITERARY HISTORY OF INDIA
gentle grace abandoned, your feet ever gleaming in the dance,
thrown here and there, your eyes throwing out side glances,
anxious and trembling, do you fly like a deer startled by the
pursuing hunter.
King's Brother-in-law, the Prince. — Stay, dear Vasantasena, stay.
Why are you going ? Why do you run? Why fly stumbling?
Gentle one, be quieted, you shall not die, therefore stay.
My heart with love is burning like flesh fallen on the burning
coal.
Attendant. — Stay, honoured lady, stay. Frightened, you go, sister
mine, like a hot weather pea-hen with spread-out tail, while
my respected master quickly follows like a young hound in
the forest.
Attendant. — Vasantasena ! stay, stay. Why do you go shaking
like the young plantain tree, the edge of your red robe fluttering
in the wind, scattering forth the opening buds from the masses
of red lotuses, just like a cave of red ochre burst in pieces by
an axe.
Prince. — Stay, Vasantasena. stay ! Inflaming my love, bom of the
bodiless god of love, cn;ielly driving sleep from my couch by
night, you fly, stricken wdth fear, stumMing and slipping, you
have fallen into my possesgion, as Kunti into that of Ravana.
Attendant. — Vasantasena ! Why do you with your steps exceed
mine? Like a snake dreading the king of birds you speed
away. But I outstrip the rushing wind. In seizing you, O
best of limbed, there is to me no effort.
Prince. — Sir, Sir ! I have called her the scourge of money-stealers,
the fish-eater, the wanton, no-nosed, destroyer of families,
unowned, the treasure-casket of Cupid, a keeper of lewd houses,
an adorned post, a parrot, a harlot ; by me these ten names
have been made for her, yet she loves me not.
Attendant. — Why do you fly disturbed by fear ? With your cheeks
beaten by your swaying earrings, just as the Vina struck by a
Vita with the finger-nails.
Prince.— Why do you fly, like Draupadii from Rama, all your
ornaments jingling as you go ?
Attendant. — Take now the king's brother-in-law, and you shall
eat fish and flesh. Dogs wait not in a dead man's house in
search of these. Honoured Vasantasena, why do you fly
overcome with fear, bearing on your hip your garland of many
folds, gleaming with speckled stars like pearls, with your face
deep dyed with red paint, like the city goddess ?
' The speaker here, as elsewhere, malces humorous blunders.
THE DRAMA 275
Prince. — You are now being closely followed by us, as in tlie forest
the fox by dogs ; you fly quickly, hurrying with speed, bearing
my heart with its covering.
[ Vasantasena cries for }ielfi\.
Prince \infear\. — Sir, Sir ! There are men.
Attendant. — Fear not, fear not.
Vasantasena. — Madanika ! Madanika !
Attendant \laughing\. — Fool, she summons her attendants.
Prince. — Sir, Sir ! She seeks women.
Attendant.— Then what ?
Prince. — I am a hero. I can kill a hundred women.
Vasantasena \seeing no one]. — Alas, alas ! Even my attendants
have disappeared. I must indeed protect myself.
Attendant.— Search ! search !
Prince. — Dear Vasantasena ! Cry, cry out for aid. Who can help
you, followed by me ? I, myself, having seized you by the hair
of the head. Now see, now see, the sword is sharp and the
head ready. We ciit off the head or we slay. There is enough
of your running away. One who is about to die does not truly
live.
Vasantasena.^ — Sir, I am but a woman.
Attendant. — For that alone you will be preserved.
Prince. — For that alone you will not die.
Vasantasena [asicie']. — How even his very courtesy engenders fear.
Let it be so then [a/oud] — Then you desire some jewels.
Attendant. — Forfend us, Lady Vasantasena. The gardener desires
not to steal flowers. Therefore there is no fear for your jewels.
Vasantasena. — Then what indeed now ?
Prince. — That I, a god-like hero, a man, an incarnation of wealth,
am to be loved.
Vasantasena [wiih anger]. — Shame ! Shame ! you speak unworthily.
Prince \clapping his hands and laughing gently, mistaking the ex-
clamation Shame! (Santa) for "sranta" {weary)]. — Noble sir,see
now, how courteous is this young dancing-girl, since she asks
me. Are you weary, are you tired. I have gone to no other
village nor town. Lady, I swear by your head, and by my
feet, that by following close on you I have become weary
and tired.
Attendant. — The fool imagines the girl says " be rested," when she
cries "forfend us!" Vasantasena, your house is that of a
dancing-girl, open to all. You, a wanton, are like the wayside
creeper swayed equally by peacock and crow.
Vasantasena. — Merit and not power is truly the only cause of love.
276 LITERARY HISTORY OF INDIA
Prince. — She is a dancing-girl from her birth. From the day she
first saw Charudatta in the temple of the God of Love, she has
become enamoured of him, and will not bend to my will. Take
care, his house is near, see that she escape not from our hands.
Attendant on Prince \aside\. —What ! the fool blurts out what he
should hide. Vasantasena in love with Charudatta ! then truly
pearls match pearls. Let the fool go. I shall aid Vasantasena.
[Aloud] Hullo ! all in deep darkness. The house of Charudatta
is to the left [In a whisper] Vasantasena, conceal yourself in
the evening darkness like lightning shut in by heavy clouds ;
let not the perfiime from your garlands nor sound of your jewels
betray you.
[Vasantasena removes her garlands and jewels, and feels her way
by the side wall of Charudatta's house. Charudatta is seen
inside his house with Maitreya and a female servant.]
Charudatta. — My prayers are now ended. Go, present the offerings
to the Mothers.
Maitreya. — I go not
Charudatta. — Alas ! From poverty of a man, even his friends heed
not his words. His power is laughed at ; none desires his
acquaintance, nor speaks to him with respect Truly poverty
is the sixth great sin.
Maitreya. — O friend, if I must go, then let the servant go with me
as a companion.
Charudatta. — Be it so.
[As the servant takes a light, W'aitreya opens the side door, near
which stands Vasantasena, who, as the servant approaches,
blows out the light with the end of her garment]
Maitreya [exclaims], — Ah ! by the opening of the door the light has
been extinguished. Pass out, servant, while I go again inside to
relight the lamp.
[The servant goes into the street, where she is seized by the prince
and his attendant. She cries out]
The Prince.— See, see, I have seized Vasantasena. Recognising her
flying by the perfume of her gariand I have seized her by the
hair of her head. Now let her cry, weep, and rage on all
the gods.
[ITie servant cries out, and Maitreya returns with an upraised
stick.]
Maitreya.— Shame ! a dog in his own house would be outraged by
this violence. How much more I, a Brahman ? With this
THE DRAMA 277
knotted stick, rough as our fate, I shall grind like dried-up
reeds your heads with blows. {Seeing the prince'\ Are, Are, bad
man, this is not fit. If the honoured Charudatta be poor, what
then ? Has he not made all Ujjayin renowned by his merits.
Why, then, is there this disgrace of strangers entering his
house ?
Attendant on Prince.— Great Brahman, stay, stay, we came not
through insolence ; one loved by us was sought.
Maitreya.— Who ? This servant ?
Attendant. — Avert the sin. No, one who is as fire. She is now
lost. By our mistake this insolence has occurred. Take now
this sword, and let all be yours \offering sword and falling at
Maitreyds feet^
The Prince. — Of whom are you afraid ? Who is this Charudatta who
has no food in his house ? Who is he ? slave from his birth>
and son of a slave from her birth. Is he a renowned warrior
or one of the heroes of old ?
Attendant \rising\.—Yoo\ ! he is the noble Charudatta. The tree of
plenty to the poor, bowed down by its own good fruits. He is
the support of all good people, the model of all training, the
touchstone of good behaviour, the boundary shore of decorum,
the doer of good, the despiser of none, a mine of manly merit,
courteous, gentle, and strong. He alone is worthy of praise.
He alone lives, others merely breathe. Let us go.
Prince. — What ! without Vasantasena ? I shall not go until I
get her. ^
Attendant. — An elephant may be held by a rope, a horse by a
bridle, but have you not heard that a woman can only be held
by her heart ? Let us go [departs by himself^
Prince [turning to Maitreyd\. — Hold ! you crow-foot headed fool.
Tell that beggar, Charudatta, that since the day Vasantasena
saw him in the temple of the God of Love she has become
enamoured of him. As I sought to seize her by force she has
now entered his house. If now he deliver her into my hands
he wins my firm affection, if not, my deadly hatred. Go in and
tell him this, else I shall chaw your head like a nut crunched
beneath a door [departs^
[Maitreya commands the servant to say nothing of the affray to
Charudatta, so as not to increase the distress of his ill-fate.
Charudatta in his house mistakes Vasantasena, who has entered in
the darkness, for his servant, and holds out to her the jasmine
robe, directing her to take it to his child, Rohasena, as the
night is cold.]
27-8 LITERARY HISTORY OF INDIA
Vasantasena \astde\. — He conceives that I am one of his servants
[taking the roie.] Strange, the robe is scented with the perfume
of jasmine flowers. Then he is not yet indifferent to everything.
[Charudatta, on discovering his mistake, apologises. Vasantasena
asks permission to leave her casket of jewels at his house ;
Charudatta consents, and the first act ends by her being
escorted home by Charudatta and Maitreya.]
The second act introduces the home of Vasantasena,
both the inside of the house being seen and also a street
with a small, empty temple.
A servant plys Vasantasena with questions concerning
Charudatta. A cry is heard from the street, announcing that
a gambler has fled from a gaming-house without having
paid ten gold pieces which he had lost. The keeper of
the gaming-house and other gamblers are pursuing him to
make him pay his debts. The gambler appears, bemoan-
ing his bad luck and passion for gambling. Seeing the
temple empty he enters, and stands there as if he were the
image of the god. The pursuers sit down before the temple
and proceed to play. The first gambler, unable to listen to
the rattle of the dice, rushes from his place in the temple
to join in the game. He is seized and beaten ; a riot
occurs, during which he escapes and flies for safety into
the house of Vasantasena, who, on hearing that he had
been in the service of Charudatta, sends out to the keeper
of the gambling-house and his associates a bracelet in
payment of the debt. The gambler, overcome by his
disgrace, departs, declaring his intention of becoming a
Buddhist mendicant.
In the third act a dissipated Brahman, in love with an
attendant of Vasantasena, steals the jewel casket confided by
Vasantasena to the care of Charudatta. The midnight scene,
depicting the cutting through of the wall of Charudatta's
house, the entry and seizure of the casket, is a most subtle
picture of Hindu ingenuity. It is too long and minute in
its descriptions for Western ideas, but in the East, where
THE DRAMA 279
every restless want is soon satiated, an audience gladly
luxuriates in these subdued effects.
When Charudatta's wife hears of the loss, she sends all
that remains of her wealth — a wondrous string of pearls —
to her husband, telling him to save his honour by forward-
ing them to Vasantasena in exchange for the lost casket.
The fourth act shows Vasantasena's house. The burglar
of the night before brings the casket of jewels to his
mistress, the attendant of Vasantasena, by whom the
casket is restored to Vasantasena, who rewards her
servant by giving her in marriage to the now reformed
Brahman robber.
So far the imagery throws a vivid light on the people,
their thoughts and mode of life. The unity of action is
now broken by introducing into the main plot a second
plot, in which is well depicted the petty intrigues surround-
ing the downfall of a local chieftain and uprising of a new
dynasty.
As the Brahman robber and his wife depart from the
house of Vasantasena a herald's cry is heard : —
" Ho ! ho ! there, Bho ! The king's brother-in-law hereby proclaims.
It has been prophesied that one Aryaka, a cow-herd, shall yet
become king. Now let each one hear and remain content in
his own place, for the King Palaka has taken the cow-herd
Aryaka and placed him in a deep dungeon."
The Brahman Robber. — Alas ! the King Palaka has bound my dear
friend Aryaka, and I am about to marry. Ah, fate ! In this
world two things are very dear to a man, a friend, and a wife.
Better, however, than even one hundred fair girls is one dear
friend. I go not home.
[The Brahman at once sends his new wife to his home, and
hastens himself to raise a band to release Aryaka from the
violence of the reigning king, Palaka. Maitreya next enters
Vasantasena's house, and tells her of the loss of the casket.
He presents to her the string of pearls in exchange, and she
smilingly announces her intention of visiting Charudatta.]
The fifth act ushers in the tempestuous suddenness of a
28o LITERARY HISTORY OF INDIA
tropical storm preluding the love of Charudatta and
Vasantasena. Charudatta is seated in his pleasure-garden,
awaiting the visit of Vasantasena, who hastens to his side,
defying all the evil omens that hover round.
" Let the clouds fall in torrents, thunder roar,
And Heaven's red bolt dart fiery to the ground.
The dauntless damsel faithful love inspires
Treads boldly on nor dreads the maddening storm." •
[Charudatta receives her gently, and prays her not to revile the
cloud : ]
" Reprove it not, for let the rain descend,
The heavens still lour and wide the lightnings launch
A hundred flames ; they have befriended me,
And given me her for whom I sighed in vain." ^
In the sixth act Vasantasena awakens in the house of
Charudatta to find that he has gone to a neighbouring
pleasure-garden, having left a message that she is to follow.
Her carriage awaits her. Before she enters, the driver
discovers that he has forgotten the cushions, and drives off
to fetch them. In his absence, the carriage of the king's
brother-in-law passes down the street. In the press of the
traffic its driver stays it at the door of Charudatta's house,
and descends to clear the road. Vasantasena, taking it for
her own, ascends, and is driven away.
The rebel Aryaka now appears on the stage. He is
fettered, having escaped from the king's dungeon. He
bewails his lot, and, seeing Vasantasena's empty carriage,
ascends it, and is driven to the pleasure-garden, where he is
met by Charudatta, who, pitying his condition, removes his
fetters, gives him a sword, and directs him to escape from
the town.
The seventh act takes place in the same pleasure-garden.
The gainbler, who has turned a Buddhist mendicant,
' Wilson, "Theatr? of the Hindus," vol, i. p. 97. ^ ji,i^_^ p. 280,
THE DRAMA 281
appears, and is met by the king's brother-in-law. In fear
he cries out : —
" Alas ! here comes the king's brother-in-law. We know that he was
once insulted by a mendicant, and now he slits the nose of every
Buddhist beggar he sees, and drives him forth. Where shall I
unprotected fly ? The lord Buddha is now my only refuge."
[As the Buddhist conceals himself, Vasantasena arrives, and as she
alights the king's brother-in-law falls at her feet and pleads
his false love] :
" Mother, sister, hear my prayer. Here, O large-eyed one, at your feet
I fall. With upraised hands I pray you, O fair-limbed one, to
forgive the fault that in my passion I may have committed."
[Vasantasena spurns him with her foot, and upbraids him for his
ignoble behaviour. In his rage he drags her by the hair of
her head from the carriage, and calls on the driver of the
carriage by threats and bribes to slay her. The driver cries
in horror that Vasantasena has done no wrong; she is young,
the ornament of the whole town. Should she be slain, the four
quarters would bear witness to the deed, as would the sylvan
gods, the Moon, the Sun with its bright rays. Justice and the
Wind, the Inward Self, the Earth, the true witnesses of Right
and Wrong.
[The king's brother-in-law beats the driver, who flies from the
garden. An attendant alone remains concealed close at
hand. The prince again pleads his suit, and Vasantasena
answers] : ^
" I spurn you ;
Nor can you tempt me, abject wretch with gold.
Though soiled the leaves, the bees fly not the lotus,
Nor shall my heart prove traitor to the homage
It pays to merit though its lord be poor."
[The enraged Prince taunts her for still remembering Charudatta,
and she replies] :
" Why should I not remember that which is planted in my heart."
Prince.— Then that which is planted in your heart, and you also,
lover of a mean, wealth-forsaken Brahman, I shall slay. Stay,
stay.
Vasantasena. — Speak again those words, for they flatter me.
1 Wilson, " Theatre of the Hindus," vol. i. p. 135.
282 LITERARY HISTORY OF INDIA
Prince.— Let then that Charudatta, son of a dancing-girl, now protect
you.
Vasantasena. — He would protect me if he could but see me.
[Prince seizes herJ\
Vasantasena — Ho ! mother, where are you ! Ha, noble Charudatta !
The vile wretch slays me even before my wish has been
accomplished. Yet I shall not cry out. No, that were shame
should Vasantasena's cry be heard. Let there be only this :
salutation to the noble Charudatta !
Prince. — Again, the slave from her birth, uses the name of Charudatta
[seizes her by the throai]. Remember, slave from your birth,
remember.
Vasantasena. — Salutation to the noble Charudatta [falls senseless"].
Prince. — Now, at last, this bamboo box of wickedness, this abiding
place of incivility, who came to meet her lover Charudatta, has
met her death.
[The prince covers Vasantasena with leaves, and then departs.
The Buddhist mendicant appears, and discovers Vasantasena.
He pours water over her, and she revives. Fearing to touch
a woman, he bends down a branch of a neighbouring tree,
so that Vasantasena may seize it, and rise. They depart for
a neighbouring convent, where dwells a holy sister, the
Buddhist mendicant reciting his lay that the man whose acts,
and thoughts, and senses are subdued, has naught to do with
affairs of the world, for he holds in his grasp the next world
firm.]
The ninth act gives the only picture of a Court of
Justice in Indian literature. There the prince carries all
before him. Charudatta is accused of the crime, condemned,
and led forth to execution sorrowfully lamenting : —
"Alas, my poor friend !
Had due investigation been allowed me,
Or any test proposed, water or poison.
The scales or scorching fire, and I had failed
The proof, then might the law have been fulfilled
And I deservedly received my doom.
But this will be avenged, and for the sentence
That dooms a Brahman's death, on the mere charge
Of a malicious foe, the bitter portion
That waits for thee, and all thy line, O king,
Is Hell — proceed — I am prepared."'
' Wilson, "Theatre of the Hindus," vol. i. p. 159.
THE DRAMA 283
The tenth act occurs at the place of execution. At the
last moment the truth is made known, and Charudatta is
released. The news is then announced that the king
Palaka has been slain, and Aryaka placed on the throne.
Charudatta is raised to high office, and signalises his
accession to power by ordering the immediate release of
the prince, whom the mob would have torn to pieces. The
Buddhist mendicant is made chief of all the Buddhist
monasteries in the land. Charudatta is restored to his wife,
and the last words of the play are uttered : —
" Fate views the world,
A scene of mutual and perpetual struggle
For some are raised to affluence, some depressed
In want, while some are borne awhile aloft.
And some hurled down to wretchedness and woe."'
The play differs essentially from all other plays of the
classic period. In its dramatic interest, in its realistic view
of life, in its humour and raciness, it is unique in the whole
literary history of India. Many of the scenes are un-
doubtedly filled in with all the exuberance and artificiality
of an Eastern poet's imagination, which makes it rash to
assert that the whole play is the work of one hand.
Nevertheless, to any one acquainted with the inner life of
India, especially that phase of it dealt with in the " Mud
Cart," the position of the dancing-girl, the surroundings and
associates of a debauched Indian prince, the life of the
merchant Brahman, Charudatta, the behaviour of the officers
of the household guard,- of whom two are depicted in the
play as falling to fisticuffs over the escape of Aryaka, the
condition of affairs, and appearance of effeminate men, in the
pleasure-garden of Vasantasena, are all life-like, and founded
on what must have been facts at the period treated of. The
great value of the play is contained in the side-light it
throws on the history of the people, revealing them, not as
1 WUson, "Theatre of the Hindus," vol. i. p. iSo.
284 LITERARY HISTORY OF INDIA
seen in the ideal descriptions of the law books and more
recondite literature, but as types well known to the audience
for whom the play was prepared. Although the simplicity
of the style and structure of the language afford no
conclusive evidence respecting the age of the play, still
it may, in the absence of any reliable evidence to the
contrary, be accepted as giving a poetic description,
drawn from life, of the manners of the country where it
was produced, at or about the commencement of the
Christian era.
/ The difficulties in the way of ascertaining the dates of
any of the earlier Sanskrit dramas seem to be almost as
insurmountable as those for arriving at any unanimous
opinion regarding the genesis of their form. While
Kalidasa is universally accepted as the Shakespeare of the
Indian drama, it must be remembered that this is merely
meant to indicate that his plays represent the purest and —
according to Eastern ideals — highest artistic form of the
classic drama.
'^ Any natural tendency of the classic drama to recognise
and assimilate to itself the common life-history of the
people, and their modes of thought and expression, was
unfortunately checked by foreign conquest Kalidasa,^
1 Peterson, J. R. A. S. (Bombay), vol. xviii. p. I lo : — "For it is certain now that
Kalidasa must be put earlier than has lately been very generally supposed.
He stands near the beginning of our era, if indeed he does not overtop it, and
dates from the year one of Vikrama's era." See more particularly G. R.
Nandargikar, " Meghaduta of Kalidasa " (Bombay, 1894), p. 84 : — "And it is
also probable, nay almost certain, that Kalidasa, the Virgil of the Hindus, may
have lived some forty years before the beginning of the Christian era, and may
also have been a poet in the imperial court of Vikramaditya, who began to
reign from 57 B.C."
To Miss Duff I am indebted for the following note: — "The Jaina poet
Ravikirti flourished 610 A.D., being contemporary with Pulikesin II., 'Early
Chalukya.' He was the composer of Pulikesin's Aihole Meguti inscription,
in which he claims equality with the poets Kalidasa and Bharavi, thus inci-
dentally proved to-have flourished before this time. No definite date can, as
yet, be fixed for Kalidasa, but, according to Kielhorn, he cannot be placed later
than 472 A.D., the date of Kumara Gupta's Mandasor inscriptions, a verse of
THE DRAMA 285
therefore, remains the sole, unrivalled exponent of the pure,
classic mode of representing life and thought in the
early ages.
While with Wilson it may be said that " it is impossible
to conceive language so beautifully musical and so mag-
nificently grand as that of many of the verses of Bhavabhuti
and Kalidasa," the two great dramatists of classical India,
it must be remembered that these dramas are studied
compositions, the Sanskrit portions being intended ex-
clusively as an intellectual feast for the learned. So much
of the life of the period as is shadowed forth in the
dramas of Kalidasa can only be fully understood in the
form in which the poet's mind conceived it in the original
Sanskrit. Bereft of this, the vision is blurred and indistinct,
lifeless facts alone remaining in any translation, however
perfect. In the Sanskrit alone can the lines be traced on
which the poet's fancy modelled a form such as grew to
life in " Sakuntala," who spoke in a music, each note of which
was skilfully attuned to her own gentle grace.
The play itself is a true Nataka, considered the highest
form of Indian dramatic art, having for its object the
representation of heroic or god-like characters, and the
presentation of good deeds. The play does not profess to
give a realistic picture of the life of the people. It is
idealistic in its conception, full of lofty sentiment, artificial
and wilfully elaborate in its diction, the Sanskrit portions
being unintelligible to the greater part of the audience which
heard the play.
The play opens with the appearance of the legendary
king, Dushyanta, of the Lunar Race, descendant of Puru.
which so closely resembles Kalidasa's ' Ritusanhaia ' as to justify ^ the inference
that this work was in existence when the inscription was incised. Similarly
the Buddha Gaya inscription of Mahavarnam contains a passage closely re-
sembling one in the 'Raghuvansa.'" — B.D., 59, vol. iii. 121 ff; "Ind. Ant.,"
xix. 285; XX. 190; J.B.R.A.S., xix. 35.
^ 1 fail to see that there are any grounds for the conclusion
286 LITERARY HISTORY OF INDIA
He is seated in his chariot and is armed with bow and
arrow. The absence of stage properties gives opportunity
for the description of the scenery. The king's horses are
being urged in pursuit of a flying deer. As Dushyanta
gains on the deer he prepares to shoot an arrow, when a
voice is heard, declaring that he is trespassing on a sacred
hermitage, south of Hastinapur, the dwelling of the sage
Kanva and his disciples.
Sakuntala, the daughter of a heavenly nymph sent from
Heaven by Indra to allure the ascetic sage Visvamitra
from his penances, dwells in the hermitage under the care
of her foster-father Kanva. Her lips gleam with the gleam
of the young bud, her arms are twining like the tender
creeper, while over all her limbs youth glows as in the
blossom of a flower. The king stands in the midst of the
hermitage, the peace of which he has so rudely broken.
The hermits move quietly to and fro ; the smoke of sacrifice
rises here and there in the sacred grove, lingering amid
the foliage of the variegated forest trees ; fawns graze fearless
on the sacred griiss ; water led in channels flows through-
out the grove ; parrots flit from out the hollow trunks of
trees ; the garments made of bark for the sage's pupils hang
here and there. Kanva, the sage, is absent from the
hermitage, having gone on a pilgrimage to the sea-coast
near Gujarat
As Sakuntala appears on the scene the king stands
watching her, wondering if he, a warrior, can ever hope to
win one whom he takes to be the daughter of a Brahman.
Though the king knows that among hermits, whose only
treasure is their store of forbearance, there lies deep hidden
a burning and passionate wrath which may blaze forth
against those who oppose their sacred calling, still he knows
that though the maiden is in the charge of the ascetic sage,
his heart cannot turn back from her, no more than water
can from the low land. The same is true of Sakuntala.
THE DRAMA 287
Gentler, more winning in her grace, more youthful than
Gretchen or Juliet, she has a deeper note, a more human
charm than either. Eastern, subtle, evasive, throbbing
with love, veiled with reserve, there yet grows within her a
passionate and seething love for the king, which she tries
to stifle, but from which she can find no peace. The king
learns the secret of her descent from the warrior sage
Visvamitra, and so all impediment to their union is;
removed. No adaptation, however skilful, no wealth of^
scenery, however gorgeous, could ever prevent the play
from being laughed off an English stage. The languor of
the movement as the love scenes subtly blend the
whole ascetic grove into throbbing sympathy with the
drama of life woven out by the poet is too essentially
Eastern to stay the quick eagerness of Western thought.
The king and Sakuntala twine their lives together,
according to the Gandharva^ form of marriage, a simple
plighted troth, by which, as Dushyanta urges, other
daughters of great sages have been led away, unblamed by
their fathers. Dushyanta has soon to leave Sakuntala,
on an urgent summons to return to his kingdom. To
Sakuntala he leaves as sign of future recognition his token
ring. She, dreaming of her departed husband, neglects to
receive with due rites of hospitality a great sage, whose
anger and imprecations were so feared that even the gods
went in dread of him. This fierce sage, enraged by the
neglect, cursed Sakuntala, declaring that the king would
never more recollect her face. He afterwards relented in
so far as to declare that the king's memory would be
restored on sight of the token ring.
The remainder of the play is the working out of the
result of the sage's curse. Sakuntala lost the ring when
bathing, and it was swallowed by a fish. The king dis-
owned her when she arrived at the court with her child,
1 "Manu," iii. 32.
288 LITERARY HISTORY OF INDIA
the famed Bharata. The plays ends with the recovery of
the ring by two fishermen, the restoration of the king's
memory, and the recognition of Sakuntala as queen, and
of her son Bharata as heir to the kingdom.
The second great drama of Kalidasa, the " VikramorvasI,"
or " Urvasi, Won by Valour," depicts in five short acts the
adventures of a heavenly nymph, Urvasi, who was rescued
Jrom a demon by her lover, the heroic king, Pururavas.
The third play deals with history. It is the story of
'Agnimitra, the son of Pushpamitra, who having put to
death the last of the Maurya monarchs, founded the
Sunga dynasty of Magadha. In spite of the opposition of
his two queens, Agnimitra falls in love with a girl of his
court, Malavika, and ultimately succeeds in marrying her,
and in having her recognised by her rivals.
The second great romantic dramatist of India was
Bhavabhuti, who flourished at the end of the seventh
century of our era. To him three plays are ascribed, the
"MalatI Madhava," the " Maha-vira-Charitra," and the
" Uttara-Rama-Charitra."
The over-elaborated and fantastic style of Bhavabhuti,
especially in the "Malati Madhava," has produced a result
so artificial and purely literary, that Mr Grierson declares :
" I do not believe that there ever was even a pandit in
India who could have understood, say, the more difficult
passages of Bhavabhuti at first hearing, without previous
study."
The poet in his opening prologue shows that he
wrote his play with no attempt to appeal to any but
scholars and learned pandits. " How little do they know,"
he wrote, " who speak of us with censure. The entertain-
ment is not for them. Possibly some one exists, or will
exist, of similar tastes with myself, for time is boundless,
and the world is wide."
Notwithstanding the extreme artificiality of much of the
THE DRAMA 289
style of the " MalatI Madhava," it is invaluable for the strong
light it throws on certain phases of the more obscure
superstitious rites of Hinduism. In order to produce his
effects, the dramatist conjures up scenes that seize the
imagination, with a reality more vivid and a spell more
weird and uncanny than even the witch's scene in Macbeth,
or the Walpurgis Night in Faust. In the play, MalatI is
the daughter of the minister of Ujjayin, and Madhava, the
son of the chief minister of the state of Viderbha or Berar.
Malati is nursed by a Buddhist nun at Ujjayin. There
Madhava is also sent, for, as the drama declares, it was
customary in these days for students to crowd to the
schools of the Buddhists to learn logic. The King of
Ujjayin demands Malati in marriage for a favourite of his
own. The chief value of the story, as a revelation of
Indian thought, consists not only in the evidence it affords
as to the position of Buddhism at the period, but also in
the light it throws on later Hindu beliefs and practices. /"
In the more important eighteen "Puranas" a full
account is given of Hinduism, so far as it is concerned
with the worship of Brahma, Vishnu, and Siva, while
in the numerous "Tantras," the tenets of the 6aktas, or
worshippers of the Sakti, the active, creative side of each
deity, personified as a female energy, bearing the Sankhya
relationship of the Prakriti to Purusha, are detailed in all
their forbidding reality.
In the drama of Bhavabhuti, these Tan trie practices are
pictured forth in scenes which never could have been
imagined unless they were based on a substratum of fact.
Though these practices are reprobated in the text, and set
forth in their more unholy aspect as fit only for outcasts
and heretics, yet there is ample evidence that they were
not uncommon.
The goddess whose worship is described in the " Malati
Madhava," is Chamunda, a form of Durga, the consort of
T
290 LITERARY HISTORY OF INDIA
Siva.' Her high priest has vowed to present to the dread
goddess a chaste virgin as a sacrifice, and the choice falls
on Malati. The maiden is led by sorcery to the temple
of the goddess, there to be slain. Kapala Kundala,i the
serving priestess, sings the praise of the goddess, the
personification of divine energy. The scene takes place
in a burning ground, near which stands the temple of the
dread deity. Inside the temple Malati lies bound. In
the midst of the horrible scene, the most horrible that
genius has ever made sublime, Madhava enters. Deter-
mined to call in the aid of foul demons and sorcery to win
Malati for his bride, he has come to put the unholy Tantric
rites into practice on the very ground where stands the
temple of Chamunda. He is unaware of the fact that
Malati has been entrapped, and lies bound near at hand.
The darkest aspect of Indian superstition is now revealed in
the play : —
" Now wake the terrors of the place, beset
With crowding and malignant fiends ; the flames
From fmieral pyres scarce lend their sullen light
Clogged with their fleshy prey to dissipate
The fearful gloom that hems them in. Pale ghosts
Spirit with foul goblins, and their dissonant mirth
In shrill respondent shrieks is echoed round." ^
Madhava enters bearing the flesh of man, " untouched
by trenchant steel," to present to the fell demons and
unholy spirits, and so gain their aid.
The priestess enters, " in a heavenly car, and in a hideous
garb" to disclose the means whereby, some have imagined,
the Yogis of India acquire mystic powers : —
" Glory to Saktinath, upon whose steps,
The mighty goddesses attend, whom seek
Successfiilly alone the firm of thought
He crowns the lofty aims of tho^e who know
And hold his form, as the pervading spirit,
' The title chosen for one of Sankim Chandra Chatteiji's novels,
' Wilson, "Theatre of the Hindus," vol. ii. p. 55.
THE DRAMA 291
That, one with their own essence, makes his seat
The heart, the lotus centre of the sphere
Sixfold by ten nerves circled. Such am I.
Freed from all perishable bonds, I view
The eternal soul embodied as the God,
Forced by my spells to tread the mystic labyrinth,
And rise in splendour throned upon my heart.
Hence through the many channelled veins I draw
The grosser elements of this mortal body,
And soar unwearied through the air, dividing
The water- shedding clouds. Upon my flight,
Horrific honours wait ; — the hollow skulls.
That low descending from my neck depend.
Emit fierce music as they clash together.
Or strike the trembling plates that gird my loins." *
The scene that follows is horribly revolting. To those
before whom it will bring up memories of the true records
of the Aghoris, or human flesh-eating religious maniacs of
recent days in India, it is a scene of extreme interest, as
well as to all students of Indian thought, who cannot
neglect anything that tends to throw light on a subject
which is ever fascinating — the strange diversity of the
wanderings of Eastern beliefs. Madhava shakes off the
demon host and unclean spirits : —
" Race dastardly as hideous. All is plunged
In utter gloom. The river flows before me.
The boundary of the funeral ground that winds
Through mouldering bones its interrupted way.
Wild raves the torrent as it rushes past,
And rends its crumbling banks, the wailing owl
Hoots through its skirting groves, and to the sounds
The loud, long moaning jackal yells reply." ^
Within the temple the human-sacrificing priest dances his
Tantric dance around his victims, invoking the goddess : —
" Hail ! hail ! Chamunda, mighty goddess, hail 1
I glorify thy sport, when in the dance
That fills the court of ^iv^ with delight,
Thy foot descending spurns the earthly globe-.
1 Wilson, " Theatre of the Hindus,'' vol. ii. p. 53. " Ibid., p. 56.
292 LITERARY HISTORY OF INDIA
" The elephant hide that robes thee, to thy steps
Swings to and fro : the whirling talons rend
The crescent on thy brow ; from the torn orb
The trickling nectar falls, and every skull
That gems thy necklace laughs with horrid life."*
Madhava breaks in upon the scene. He slays the priest
and rescues MalatI, happily ending one of the most awe-
inspiring pictures that the history of the literature of any
nation could fashion from real life, and clothe in the
brilliant colours so typical of all the work of Bhavabhuti.
The play moves on through many more incidents, the
most interesting being the appearance of a Buddhist
priestess towards the end of the drama, who, by practising
all the principles laid down in the " Yoga," has arrived at a
command over sorcery even greater than that reached by a
Bodhisattva.
' The second great play of Bhavabhuti, the "Mahavira-
Charitra," dramatises the first six books of the " Ramayana,''
detailing the story of Rama, who rescues from the grasp of
the ten - headed monster, Ravana, the King of Lanka
(Ceylon), his wife, Sita, the loved of all Indian women.
In the " Uttara-Rama-Charitra," the third play of Bhava-
bhuti, the seventh book of the " Ramayana " is dramatised, in
which the chastity of Sita is questioned, and she is for
a time divorced from Rama, to be reunited after many
trials : —
"'Tis Sita: mark.
How lovely through her tresses dark
And floating loose, her face appears
Though pale and wan and wet with tears.
She moves along like Tenderness
Invested with a mortal dress." °
In the " Uttara-Rama-Charitra " is introduced the strange
1 Wilson, "Theatre of the Hindus," vol. ii. p. 58.
* Ibid., vol. i. p. 327.
THE DRAMA
293
story of Sambuka, a Sudra, who was slain by Rama for
that he, being a Sudra, dared to engage in pious penances.
To Rama —
"... There came a voice from Heaven
Commanding him go forth and seek Sambuka,
One of an outcast origin, engaged
In pious penance : he must fall by Rama.''
In Manu ^ the duty of a Sudra is distinctly laid down as
meekly serving the three higher castes. In the " Raghu-
vamsa"* of Kalidasa the same story of Sambuka is repeated.
Here Rama finds the Sudra practising penance by hanging,
head downwards, from a tree, his eyes full of smoke. On
Rama questioning the Sudra, the " drinker of smoke," as he
is called, replied that he desired to attain the position of a
god, whereon Rama cut off his head as a punishment for
overstepping the duties of his caste and engaging in
penance. In both these cases the Sudra obtained the
heavenly reward,* not because of his penance, but because
he had been slain' by the deified hero, Rama.
By some the legend of this punishment of the Sudra
Sambuka is held to contain a reference to Christian
influences on the west coast of India.*
The " Nagananda " is remarkable as being the only
Buddhist drama known. It is often ascribed to the king,
Siladitya II., whom Hiouen Tsang, the Chinese pilgrim,
found as King of Kanauj in the seventh century when he
visited India, but it was more probably the work of a poet
Dhavaka.^ The two last acts of the play are laid in the
western Ghats, where the Garuda, the king of birds, is
engaged in daily devouring a Naga, a man-like snake.
The hero of the drama, Jimutavahana, gives his own
1 " Manu," i. 91. ^ " Raghuvamsa," 15, 50.
s "Satamgatim, 15, S3; "Raghuvamsa."
*SeeV. A. Smith, "Civilisation of Ancient India," J. B.R. A. S., vol. Ixi.
part I, p. 76.
• See Cowell's Introduction to Boyd's translation.
294 LITERARY HISTORY OF INDIA
body to be devoured, so as to save the Naga race from
desecration. The Garuda, recognising him as a Bodhisattva,
exclaims : —
" What a terrible sin have I committed ! In a word, this is a
Bodhisattva whom I have slain."
Jimiitavahana revives and expounds to the Garuda the
Buddhist doctrine of respect for all life.
" Cease for ever from destroying life ; repent of thy former deeds ;
labour to gather together an unbroken chain of good actions
by inspiring confidence in all living beings."
The " Mudra Rakshasa,'' ascribed to one Visakadatta, a
play of the twelfth century, is based on the revolution that
placed Chandra Gupta, the Sandrakottos of Megasthenes, on
the throne of Pataliputra, in the commencement of the
fourth century B.C., by the aid of the crafty Brahman
minister, Chanakya, who slew the reigning Nanda king.^
The plot is, for the most part, the winning over of
Rakshasa, the minister of the deposed monarch, to the
party of the new king, Chandra Gupta I., of the Maurya
dynasty. The play opens with Chanakya devising means
to secure the kingdom he had won for Chandra Gupta against
all future intrigues.
'"Tis known to all the world,
I vowed the death of Nanda and I slew him.
The current of a vow will work its way
And cannot be resisted. What is done
Is spread abroad, and I no more have power
To stop the tale. Why should I ? Be it known,
The fires of my wrath alone expire
Like the fierce conflagration of a forest
From lack of fuel, not from weariness." ^
The rumour has been spread throughout the city
that the murder of Nanda had been perpetrated by
^ The story of Nanda, as given in the "Brihad Katha " of Vararuchi, is
detailed in Wilson's " Theatre of the Hindus," vol. ii. pp. 138-41.
^Wilson's translation, vol. ii. p. 157.
THE DRAMA 295
Rakshasa, the late minister, and the cunning craft of
Chanakya has now to work to gain Rakshasa to the
winning side. So Chanakya soliloquises how to effect his
purpose : —
" I have my spies abroad — they roam the realm
In various garb disguised, in various tongues
And manners skilled, and prompt to wear the show
Of zeal to either party, as needs serve." '
One of the spies is depicted as wandering through the
country with a panorama,^ describing the terrors of hell,
and the tortures there suffered by the wicked. The same
travelling show* is common in India to-day, and is also
alluded to in the " Harsha Charita " of Bana, showing how
slowly changes take place in habits and customs.
This showman in his travels, while displaying his
panorama and singing his ballads, enters the house of
one, Chandana Das, where the wife of Rakshasa is concealed.
The spy observes her, manages to secure the signet ring
she wears, and bring it to Chanakya, who recognises it as
that of Rakshasa. The wily minister has obtained the
clue he sought, and lays his plans accordingly. Chandana
Das is cast into prison, there to await his death for
refusing to declare where he has hidden the wife of
Rakshasa. The news of his friend's danger is brought to
Rakshasa by a spy of his own, a snake-charmer, who
obtains entrance into the houses he wishes to inspect by
his cry : " Tame snakes, your honour, by which I get my
living. Would you wish to see them? Those who are
skilled in charms and potent signs, may handle fearlessly
the fiercest snakes." In the conference between the snake-
charmer and Rakshasa, the former refers to the late revolt,
1 Wilson, "Theatre of the Hindus," vol. ii. p. 159.
^ Wilson, in his footnote, p. 160, confesses his ignorance of the meaning of
the text. "The person and his accompaniments is now unknown," is his
remark.
' The panorama is described in the " Harsha Charita."
296 LITERARY HISTORY OF INDIA
in which Chandra Gupta advanced against the city, accom-
panied by a wild multitude
" Of Sakas, Yavanas, and mountaineers ;
The fierce Kambogas, with the tribes who dwell
Beyond the western streams, and Persia's hosts,
Poured on us like a deluge."
Rakshasa still longs to revive the hopes of the ancient
dynasty, but against his plans the subtle brain of Chanakya
has devised counter-plans. These plans Chanakya works
out himself. The opponents of Chandra Gupta are driven
to quit the city, so that inside no intrigues may be fomented,
and Rakshasa remains alone and unsupported. Even the
king Chandra Gupta is ignorant of his minister's intrigues,
and when he ventures to question the haughty Chanakya,.
the answer given shows the proud consciousness of intel-
lectual superiority of the Brahman : —
" What I have done.
Is done by virtue of the state 1 hold ;
And to enquire of me why I did it,
Is but to call my judgment or authority
In question, and designedly offend me."
The moral to be drawn is clear ; without Brahmanic aid
the warrior-might, even of a monarch such as Chandra
Gupta, could be of no avail. Chandra Gupta attempts to
rule unaided. He defies the Brahmanic power, and in his
anger at feeling himself a puppet in the hands of the
minister, dismisses Chanakya. He does so, however, in fear
and trembling for the result. As he watches the angry
face of the Brahman, he wonders in doubt : —
I" Is he indeed incensed ? methinks the earth
\ Shakes apprehensive of his tread, recalling
■ The trampling dance of Rudra, from his eye.
Embrowned with lowering wrath, the angry drops
Bedew the trembling lashes, and the brows
Above are curved into a withering frown." '
* Wilson, "Theatre of the Hindus," vol. ii. p. 203.
THE DRAMA
297
He has, however, made his choice, and the third act closes
in with his dejected forebodings : —
" My mind is ill at ease
Oh, how can those who have indeed provoked
The awful anger of their sacred guide,
Survive the terrors of such dread displeasure."
The king's fears are soon to be realised. The son of the
late king approaches Pataliputra, with a hostile force to
avenge his father's death. The intrigues of Chanakya work
out their purpose. Dissension and distrust are sown in
the camp of the advancing prince. Spies spread the
falsehood that Rakshasa, not Chanakya, had murdered the
late king, and insinuate that Rakshasa was now luring the
last of the Nanda race to his doom.
Rakshasa, in disgrace, is driven from the cause of the
Nanda dynasty he has so long and faithfully supported,
and no course remains open to him except that prepared
by Chanakya, the saving of his friend, Chandana Das, who
is condemned to death for sheltering his wife and family.
A scene similar to the execution scene in the " Mud Cart,"
opens the seventh act. As Chandana Das is led forth,
followed by his wife and children, to be impaled, Rakshasa
rushes forward, demanding that the penalty should fall on
him alone. He is brought before Chanakya, and there
acknowledges how he and the Nanda cause have fallen
before the subtler brain and power of Chanakysu
" Mine ancient faith
And grief for Nanda's race, still closely cling,
And freshly, to my heart ; and yet perforce
I must become the servant of their foes ! "
Chanakya declares to Rakshasa and to Chandra Gupta the
intrigues whereby the designs of the discontented within
298 LITERARY HISTORY OF INDIA
the city were frustrated, and the advancing host from
outside broken to pieces by a cunningly devised stratagem.
Chandra Gupta bows before the Brahmanic keenness of
Chanakya's intellect : —
" And yet what need of prowess, whilst alert,
My holy patron's genius is alone
Able to bend the world to my dominion ?
Tutor and guide, accept my lowly reverence." *
The whole drama ends with the strangest and most
impressive strokes of genius that Brahmanism could ever
have evolved. Chanakya had firmly established the rule of
the new monarch Chandra Gupta, won the allegiance of
Rakshasa, the hereditary minister of the ancient dynasty,
but the crowning master-touch still was wanting. Above
all personal considerations, Chandra Gupta, as fount of all
honour and support of the Brahmanic power, has to be
planted firm. Chanakya accordingly resigns to his rival,
Rakshasa, the right to remain sole minister, so that all
friends and upholders of old and new might be reconciled,
and the State dwell in unison.
From Vedic times down to the dark days of the Mutiny,
the Brahman power never failed to work its way, and
never lost its cunning. To-day it moves on in subtle
paths, for the Brahman is still prepared, before all his hopes
fade away, to watch unmoved —
" From numerous pyres, and undisturbed, the smoke
Spread a long veil of clouds beneath the sky.
And blurr the light of day, expectant flights
Of vultures hover o'er the darkness, and clap
Their wings with hope."
' Wilson, "Theatre of the Hindus," vol. ii. p. ?48.
THE DRAMA 299
So the Brahman will yet remain as determined, proud,
and cunning as the crafty Chanakya.
" Rather let me own,
The wise Chanakya ; an exhaustless mine
Of learning — a deep ocean stored with gems
Of richest excellence. Let not my envy
Deny his merits."^
^ Wikon, "Theatre of the Hindus," vol. ii. p. 247.
CHAPTER XIII.
SOUTH INDIA.
The land claimed by the Aryans had for its extreme
northern boundary the Himalayan range of mountains
stretching from extreme East to West as far as from the
mouth of the Thames to the Caspian Sea. In the centre
of this vast tract were the districts now known as the
North-West Provinces and Oudh, with an area equal to
that of Italy, and a present population nearly as large as
that of the German Empire. Bengal to the east has now
a population almost equal to that of the United States and
Mexico, while its extent rivals that of the whole United
Kingdom. Aryanism had, however, to extend its conquests
still further until they spread down to Cape Comorin, and
embraced the whole of India, a continent equal in area to
all Europe, leaving out Russia, and with a present popula-
tion of about one-fifth of the human race. As a result of
Aryan influence in the North, almost i two hundred millions
of people in India to-day speak languages based on Sanskrit,
while even raore^ designate themselves as Brahmanic by
religion. Besides Aryanism, powerful though its influence
has been, there are other factors to be considered in deal-
ing with the problem of the history of the Indian people.
^195.463.807- '307.731.727.
800
SOUTH INDIA 301
One -fifth of the entire population class themselves as
Muhammadan, and look back to Mecca and Muhammad as
their guiding lights.
Again, over seven millions of the people speak languages
known as Tibeto-Burman. These Tibeto-Burman-speaking
races are the descendants of early invaders, who pressed
in through the North-East passes and found abiding-places
in the higher slopes of the Himalayas, along the upper
reaches of the Brahmaputra, or in Burma. Nearly^ three
millions of the population speak languages classed as
Kolarian. The ancestors of these so-called Kolarians
are held to have entered India through the North-East,
at some unknown period, and to have fallen back from
the plain country and river-valleys before more vigorous
and civilised invaders. At present they dwell in isolated
and detached groups, in the more inaccessible hill-tracts,
preserving traces of a common origin in speaking dialects
which, from linguistic similarities, must be classed as having
originally sprung from one parent stock. Of these the
Santals dwell along the Eastern edges of the central plateau,
where it slopes down to the Ganges, while allied tribes, such
as the Kurku,^ Mundas, Kharrias, and Bhunjias, carry the
Kolarian speech across India, until it almost reaches the
sea-coast on the West, where it is spoken by the Bhils. Far
away from their own Kolarian kinsmen are found, in the
hill-tracts of Orissa and Ganjam on the East coast, the still
almost uncivilised Juangs, Savaras, and Gadabas.
All these rude races, as well as the great mass of the
labouring population of Indir., find the natural expression
of their thoughts and feelings more in the local folk-songs
and folk-lore than in any formulated writings or records
that can be classed as literature. There is thus a whole
life-history of a large proportion of the people which must
remain untold. For the greater part, the literary history
1 2,959,CX36. "" Census Report," p. 147.
302 LITERARY HISTORY OF INDIA
of the people of India must be an effort to note and mark
the culminating waves of thought that rise on the great
stream of Aryan literature that flows from Vedic times
down to our own days.
There still remains to be noted the wave of thought that
swept across the central range of mountains to rouse the
Dravidian people of South India to new ideals and lead
them to claim the gods of the Hindu Pantheon as their own.
From Vedic times, down to late Brahmanic days, the
South was shut off from the Aryans of the North by the
lofty range of mountains known as the Vindhycis. This
range is the second great barrier to all invaders from the
Northward, a barrier that up to the advent of the English
had effectually prevented even an Aurangzib from con-
solidating his rule from the South to " Far-off Delhi."
To the Aryans, all beyond the Vindhyas was for long an
impenetrable forest It was held to have been the abode
of Rakshasas, fierce demons and ape-like men. It was
the Dakshina, or " southern " part, a Sanskrit word that in
the Prakrit, or broken vernaculars, became corrupted into
" Dakkhina," thence into the modern Dekkan or Deccan,
now used to designate the centre table-land lying between
the Eastern and Western mountain ranges. By the people
of South India the tradition still is held that the sage
Agastya was the first to cross the Vindhyas and bring the
Northern language, grammar, and religions, to Dravidian
homes. At Agastya's bidding the mountains, once loftier
than the Himalayan peaks, are said to have bowed down,
so that the sage might cross them. As Agastya passed on,
he bade the range remain bowed down until his returning,
but as he remained in the South, the Vindhyas still have
their heads lower than the Northern range.
The Dravidians, however, probably once had possession
of the whole of Indi^ long before the arrival of the fair-
skinned Aryans, and still retain their own languages and
SOUTH INDIA 303
civilisation in the South. North of the Vindhyas almost
all traces of their former existence have faded away before
the stronger forces of Aryan speech and culture. The
long pause given to the fair-skinned invaders, who found
their course and progress stayed by the forest and central
mountain ranges, preserved the indigenous languages,
customs, and forms of land tenure of the South, free
from the dominating force of the Northern influence.
So the Aryans, when at length they reached the South,
found the Dravidian speech too well established and
the literature too formed to accomplish more than to enrich
them with words from the new vocabulary, and mould
them to Sanskrit forms of thought, rules of prosody and
metre.^
Down to the present day the Dravidian languages,
such as Telugu, Tamil, Canarese, and Malayalam, have
accordingly preserved a rich literature of their own.
Long before Aryan influences commenced to work, the
Southern people sang their own songs of love and war,
had their own sacrificial rites and cults, and worshipped
their own tribal gods, akin to the deities the Aryans
had in the North accepted from the aborigines and
included in the Hindu Pantheon as forms of Vishnu,
Krishna, or Siva. Like the Dravidians of to-day, they
were, as can be ascertained from linguistic evidences,
skilled potters, weavers, and dyers. They were builders
of ships, and traded far and wide from their coast villages,
known then as now, as " patnams" or " pattanams" (villages),
seen in the native termination of so many towns, such as
Cennapatnam^ (Madras), and Masulipatam, Fish Village.
^ The Sentamil or classic Tamil has, however, preserved its own structure
and alliterative form of metre free from any foreign mixture. See especially
SenathI Raja, " Pre-Sanskrit Element in Ancient Tamil Literature," J. R. A. S.,
vol. xix. p. SS^-
" For suggestion that it may mean Chinatown, see Burnell and Yule,
" Glossary of Anglo-Indian Words."
304 LITERARY HISTORY OF INDIA
The great mass of the people were skilled agriculturists,
cultivators of rice, and builders of the Vcist tanks and
works of irrigation, still used and preserved under British
rule. Each cultivator held and cultivated his own clearing,
as is done to-day under the form of tenure known as the
"Raiatwari," or individual holding, of the Madras Presidency.
The agricultural population crowded together in well-
watered tracts, where their town bore the common
Dravidian termination "ur," or village, a term often seen
still in some places as Nellore, Tanjore, Coimbatore, and
Mangalore. The most noted town in the South was
Madura, or Mudur, the old town. The same form may,
perhaps, be traced in the Northern Mathura,^ the home
of Krishna, the dark deity, who finds his counterpart
and probable prototype in the Dravidian deity still
worshipped by the simpler folk of the South, as Karuppan,
or "dark one."*
The management of the external policy and internal
economy of such villages fell naturally into the hands of
the oldest or most renowned member of the community,
who became known as the " Kiravan," or " Pandiyan," *
both terms having the common meaning of "elder," or
"old man."
When robber bands came sweeping down on the rich
villages the sturdy retainers of the land-owners beat their
rude drums, or " parrais," to summon the villagers forth to
man the mud-walls that enclosed the settlement Down to
our own days the servile classes of South India are known
as the Parriyars, or " beaters of drums," though their Ceiste
name has become a term of abuse to Western ears long
^ See Madura, "Glossary of Anglo-Indian Words," where Mathura of
North is said to have its name " modified after Tamil pronimciation."
^ SenathI Raja, J.R.A,S., vol. xix. p. 578, note 3.
" For connection with the Northern Pandavas, see Caldwell, " Gram.
Dravidian Languages," p. 16; and "Senathi Raja," p. 577.
SOUTH INDIA 30s
accustomed to hear the pariahs, or " servile workers with
their hands," reviled by those who live on their labours. As
time rolled on the forests around the parent villages were
cleared, and new lands were brought into cultivation.
Hamlets and new villages (JPerur) were established, which
all looked back to the old village (Mudilr) and its Pandiyan
as their ancient home and chieftain. So from earliest times
history holds record of a Pandiyan or Pandya chieftain ruling
the far South from his capital at Madura. Other chieftains
claimed for themselves the open land along the eastern and
western sea-coast. The Cheras, or Keralas, held the power
in Malabar and South Mysore. Another dynasty — that of
the Cholas — had, from the second century, their capital at
the ancient town of Uraiyur, changed in the seventh cen-
tury for Combaconam, and then in the tenth century for
Tanjore.^ The Cholas held the land to the north and east
of the Pandiyans, leaving the land north of Conjeveram to
fall to the dynasty known as that of the Pallavas.
It was long before the Aryans of North India penetrated
to these Southern villages, there to work their way to
power and spread abroad their civilising influence. The
" Ramayana," according to tradition, is the allegorical story
of the Aryan conquest of South India. Sita, the loved
wife of the hero Rama, is, according to this view, the " field
furrow " sung of In the Vedic Hymns. As she advanced
South, Rama, the incarnation of Vishnu, followed and
established the worship of the Hindu gods. The monkey
army, who aided him against the fierce demon Ravana,
represented the wild races of the South, while Lanka, the
island home where Sita was kept bound, has, without any
support from the epic, been held to represent Ceylon. The
" Mahabharata," however, shows a greater knowledge of
the Southern region than even the " Ramayana." ^
1 Sewell, " Lists of Antiquities in Madras," vol. ii. p. 154.
" Bhandarkar, "History of the Dekkan" (1895), p. 10.
U
3o6 LITERARY HISTORY OP INDIA
The latter epic, although it mentions the Cholas and
Keralas, and refers to the golden gates, adorned with
jewels, of the Pandya city,^ only knows the whole country
south of the Vindhyas as the Great Southern Forest, or
" Dandakaranya," where Rama lived in his hermitage,
Pancavati, on the banks of the Godavari.
The " Mahabharata," on the other hand, mentions many
places in the Deccan as then well known.^ To both poems
the land of the King of Vidarbha, or modern Berar, wjis
known, as it had been early entered by Aryans who
advanced along the eastern coast.
In the " Aitareya Brahmana," the Andhras, or Telugu-
speaking Dravidians of the Northern Circars, probably
then dwelling near the mouths of the Godavari, are
referred to as the people to whom the fifty sons of
Visvamitra were banished, so that " the Andhras, Pundras,
Sabaras, Pulindas, and Mutibas, and the descendants of
Visvamitra, formed a large portion of the Dasyus." * It is
clear that in the seventh century B.C., this country of the
Andhras and the east coast, or Kalinga, were known in
North India. They are mentioned by the grammarian,
Panini, who makes no reference to the existence of the
Southern kingdoms of the Pandyans, Cheras, and Cholas,
although, in the sixth century B.C., these kingdoms were so
famed for their importance and wealth that a king, Vijaya,
is recorded * to have been sent from Magadha m the north
to Ceylon, and to have married a daughter of a Pandya
monarch.
^ "Ramayana," iij. 13, 13.
* Foulkes, "Civilisation of the Dekkan."
» "Ait. Brah.," vii. 18; Bhandarkar, "History of Dekkan," p. 6.
* Caldwell, p. 15, quoting Mahavamsa; Tumour, pp. 55-57. Vijaya of
Magadha is supposed, on authority of Dipavamsa and Mahavam&, to
have conquered Ceylon in 543 B.C. See "Ind. Ant." (October 1872) for
Bumell's view that the Dravidian people held aloof fiom Aryan influence,
until at least the advent of Kumarila, who reached the South on his mission of
Brahmanic reform in the eighth century of our era.
SOUTH INDIA , 307
The first clear literary references to the kingdoms of South
India occur in the first half of the fourth century B.C., in the
" Vartikas," ^ or explanation to the rules of Panini by the
commentator, Katyayana, who adds to the examples given
by the earlier grammarians, for the formation of the names
of tribes and kings, the two instances of the Pandyas and
Cholas, showing that he knew the Southern kingdoms then
extending from the modern district of Tanjore to Madura.
By the middle of the third century B.C., Asoka, in his
second and thirteenth edicts, mentions the Andhras, Cheras,
Cholas, and Pandyas, as well as Maharashtra along the
Godavari, then governed by the Rattas and Bhojas. One
hundred years later, in 1 50 B.C., the grammarian, Patanjali,
shows his knowledge of Behar, Conjeveram, and Kerala or
Malabar. From this time forth the political history of
South India has to be pieced together from inscriptions
on rocks, temples, and in caves, from copper-plate grants,
local traditions, and the uncertain evidence afforded by
later Puranic accounts of kings and principalities. South
of the Vindhyas, in the northern Deccan, a dynasty, known
as that of the Buddhist Andhrabrityas, ruled for a period
extending from 73 A.D. to 218 A.D., during which the
Buddhist mound at Amravati was built.^
Local chieftains succeeded until, in the sixth century,
a new dynasty, known as that of the Chalukyas,
arrived from Ayodhya, or Oudh, and held sway up to
the middle of the eighth century (747 A.D.). Under the
rule of this new-formed dynasty Buddhism gave way to
Jainism, and a revival of the Brahmanic sacrificial system,
along with a worship of the Hindu deities, chief among
whom was ^iva. The greatest of all the early Chalukyan
monarchs was " He with the Lion Locks," or Pulikesin II.,
whose rule, from 61 1 to 634 A.D., forms a landmark in the
elarly political and literary history of India. Some idea of
• " Panini," iv. I, 168. See Bbandarkar, p. 7.
' ' .?'« bewell, "Lists of Antiquities of Madras," vol. ii. p. 141.
3o8 LITERARY HISTORY OF INDIA
the divided rule of the various dynasties and principalities
of India, at the period when this Chalukyan monarch rose
to paramount power, and Jainism and Brahmanism gained
new life and influence, can be obtained from the inscriptions
setting forth the conquests of this great Southern monarch,
Pulikefiin II. He is recorded to have subdued the prince
of the Ganga family, who ruled over the Chera kingdom,
then extending over the modem province of Mysore, as
well as the chieftain who held the Malabar coast " With
a fleet of hundreds of ships he attacked Purl, which was
the mistress of the western sea, and reduced it" The
kings of Lata, Malava, and Gurjara were conquered, and
became his dependents.
Harshavardhana, King of Kanauj, then endeavoured to
extend his power to the south of the Narmada, but was
opposed by Pulikesin, who killed many of his elephants
and defeated his army. Thenceforward, Pulikesin received,
or assumed, the title of " Paramesvara," or lord paramount
This achievement was considered so important by the later
kings of the dynasty, that it alone is mentioned in such of
their copper-plate grants as record the deeds of Pulikesin II.
" Pulikesin appears to have kept a strong force on the
banks of the Narmada to guard the frontiers. Thus, by his
policy as well as valour, he became the supreme lord of the
three countries called Maharashtrakas, containing ninety-
nine thousand villages. The kings of Kosala and Kalinga
trembled at his approach and surrendered. After some
time he marched with a large army against the King of
Kanchipura, or Conjeveram, and laid siege to the town.
He then crossed the Kaverl and invaded the country of the
Cholas, the Pandyas, and the Keralas. But these appear
to have become his allies. After having, in this manner,
established his supremacy throughout the South, he entered
his capital and reigned in peace." ^
* From Bhandarkai, " History of the Dekkan," p. 51.
SOUTH INDIA 309
The newly-founded kingdom of the Chalukyas fell to
pieces in 747 A.D. Local Kshatriya warriors, the Rash-
trakutas, then held sway for some two hundred and fifty
years.i
A new and later Chalukyan line again rose to power,
and kept a divided rule down to the end of the twelfth
century, during which Buddhism and Jainism disappeared
before Brahmanism and the rise of the sect of Lingayatas.^
The Hoy^ala Ballalas, Yadavas of Halibid in Mysore,
succeeded and ruled the whole Deccan, contending with
the remaining dynasties of the South, the Pandiyas and
Cholas,* down to the year 1318, when the Muhammadans
invaded the country from Delhi, captured Devagiri, the
Southern capital, and flayed alive the last Hindu monarch,
Harapala. A Vijayanagar chieftain at length succeeded
in driving out the Muhammadans, and his successors main-
tained native independence down to the time when it fell,
to rise no more, on the fatal field of Talikota in 1565.
So far history traces the fluctuating fortunes of the rulers
who in the early ages held the sovereign power south of the
Vindhyas. The literature of the South, like that of the North,
takes but little note of the political history of the times.
Before Brahmanism, Jainism, and Buddhism came from
Aryan homes to Dravidian villages, there exist no evidences
in literature from which the previous religious notions of
the people can be ascertained. The Dravidian languages
show that there was a word for a god, and a word for a
temple, still, all the great temples of South India are later
than the days of Aryan influence, and are dedicated to the
Hindu gods, Vishnu, and 6iva. From folk-lore, from a
study of the primitive beliefs of the more uncivilised Dra-
vidian people of to-day, as well as from noting the sacri-
ficial customs, the gbds, demons, or godlings worshipped
' Kielhom in " Epigraphia Indica," vol. iii. p. 268, gives nineteen Rashtrakuta
kings. '■* Bhandarkar, " Dekkan," p. 96.
' Sewell, "Antiquities of Madras," vol. ii. p. 143.
3IO LITERARY HISTORY OF INDIA
by the wild hill races, some clue may be gained as to the
religious ideas of the Dravidian people in pre-Aryan days.
From such sources, however, little more can be culled than
is to be found in all primitive life, that is, superstition,
animism, demon-worship and devil-dancing, human sacri-
fices and offerings to local deities. Amid the numerous
deities worshipped in pre-Aryan times by the Dravidians
there may have been prototypes of such gods as Siva, and
his son Skanda, and Krishna or the Black One, introduced
in the " Mahabharata " by the Pandus into Brahmanism.
Brahman priests, Buddhist monks, and Jaina ascetics must
have reached the land before the Christian era, and estab-
lished themselves at the court of ruling princes, where
they founded schools of learning, and exercised their in-
fluence on the thought of the times. The local gods,
national deified heroes, and sacrificial cults of the people
became in time absorbed into Brahmanism. At the same
time the local literature and poetry were assimilated to
Sanskrit models and forms, so that the new ideas might
be disseminated among the Dravidian races. The oldest
Tamil grammars ^ cite treatises evidently compiled on the
Sanskrit system of Vyakarana, or Grammar. The ancient
classic Tamil poetry, in which the epics and folk-songs of
the people were composed, had, however, sufficient vitality
of its own to resist the foreign influence, and so it retains
down to the present day, alone of the Dravidian languages,
its own peculiar forms of alliterative metre and rhythm.
The infusion of Aryan thought and learning among the
Southern people soon produced its effect in the awakening
of Dravidian literature to proclaim the new message it
had received from Northern lands. It was through the
fostering care of the Jainas,* that the South first seems to
1 For the "Tolkappiyan," «e J.R.A.S., vol. xix. p. 550.
^ Rice (" Early History of Kannada Literature," J.R. A.S., vol. xxii. p. 249)
holds that in the first half of the second century the Jaina poet, Samantabhadra,
preached from Kanchi in the south to Pataliputra, Benares, Ujjayini, Malwa,
SOUTH INDIA 311
have been inspired with new ideals, and its literature
enriched with new forms of expression.
In the words of the veteran Dravidian scholar, Dr Pope,
the " Jain compositions were clever, pointed, elegant, full of
satire, of worldly wisdom, epigrammatic, but not religious."
Jainism has faded away in South India of to-day, and
the worship of Siva remains the prevailing faith of all
Tamil-speaking people. This worship of Siva is also pre-
valent, in a bigoted form, among the Canarese-speaking
Vira ^aivas, or Lingayatas, and recognised by the Smarta
sect of Brahmans ; ^ in the West, however, it is popularly
considered as degrading in its outward forms, and revolting
in its rites and practices.
The phase of thought which inculcates a devout faith in
the saving grace of this deity, 6iva, contains much that is
worthy of study, not only by the student of humanity and
by the missionary, but also by the administrator.
India can never be severed from its own past or be
drilled into entirely new modes of thought. Her past
must be studied and understood before a commencement
can be made in training her genius into directions in
which its tendencies can alone attain results beneficial
to the world at large. Mills and factories, science and
matter-of-fact realities are products of the West To
hope to transplant them into the enervating plains of South
India, with the prospect of attaining the advancement they
should court amongst races to whom they are more con-
genial, would be a hope as visionary as to expect that the
oak could thrive in the East, overgrow and dwarf the
and Panjab in the north. Fleet, J. F. , in his exhaustive " Dynasties of the
Kanarese Districts " (Bombay, 1896), p. 320, places the authenticated evidences
for the earliest Western Gangas after about 750 A.D.; vol. xv. pp. 3-4. See
Pope, Introd. to " Naladiy ar, " p. ^., also xiii.
^ "History of Manikka Vasagar" (paper read at Victorian Institute, May
17. 1897).
" Sundaram Pillai, " Some Milestones in Tamil Literature," p. j,
312 LITERARY HISTORY OF INDIA
drooping grace of the palm-tree. If Christianity can be
said to have failed in awakening the mass of the people
of India, it is because Christianity has been, for the greater
part, presented to them by those who had not grasped the
secret of their thoughts and feelings, which can alone be
read in the literature they have handed down to the ages
as a record of their deepest aspirations.
In the West there are patent evidences that the thoughts
of many are swinging back from realism, and the hastily-
raised hopes that the misunderstood aims of science were
to solve the ultimate truth of all things, to old-world dreams
of spiritualism and supematuralism, mysticism, idealism,
and their ancient faiths. In this movement the thought
of India has had no small influence. Eastern Buddhism,
mysticism, spiritualism, and Vedantism have all played
their part in America, India, and France, affecting their art,
literature, and emotions. Strong as this influence is, and
will continue to be, the movements in India itself have
drifted between an Eastern mode of idealisation and
assimilation of Christianity and a reaction towards Vedism,
Vedantism, and supematuralism.
To the missionary who is unacquainted with the
"Vedanta," with the spirit of the true mysticism under-
lying the worship of Krishna, with the "Ramayana" of
Tulsi Das, with the quatrains of the " Naladiyar," the task
set before him is one that must always lack somewhat of
its full promise of success. He cannot throw aside litera-
ture such as the Indian people love and cherish as though
it were nothing but folly and superstition. Of the best
of the Dravidian, as well as the Aryan, literature it
can be said, in the words of the learned scholar and
missionary, who has assimilated the language and the
thought of the people of the South as though they were
his own, that " there seems to be a strong sense of moral
obligation.an earnest aspiration after righteousness, a fervent
SOUTH INDIA 313
and unselfish charity, and generally, a loftiness of aim, that
are very impressive." ^
These words refer specially to the "Naladiyar," still
taught in every vernacular Tamil school. It consists of
four hundred quatrains of moral and didactic sayings, each
one composed, according to tradition, by a Jaina ascetic.
The story goes ^ that eight thousand Jains came in time of
famine to a monarch of the Pandiya kingdom, who strove
to retain them when the famine had departed, so that he
might add an additional lustre by their presence to his
kingdom. They, however, departed in secret, leaving each
a verse behind. The indignant king threw all the verses
into the river, when, to his surprise, four hundred of them
floated against the current, and, in consequence of this
miraculous event, were preserved and formed into the
present collection, dating, according to native belief, from
some two thousand years before our era. The whole of
the verses, however, treat of topics familiar to a student of
Sanskrit literature, the misery of transmigration, the effects
of Karma, and the joy of release from bondage and re-birth.*
The unconnected four hundred verses of the " Naladiyar "
present no definite philosophic or religious teaching, although
generally they have a didactic tendency. Each aphorism
is lighted up with a brilliant play of fancy and revels in
an Eastern love for soothing sounds, apt and startling
similes, quaint conceits, and sensuous imagery. The poem
deals with the three great objects of life — virtue, wealth,
and pleasure ; each subject being treated in typical Eastern
modes of thought so skilfully rendered in Dr Pope's
' Pope, "Naladiyar," p. xii.
2 See Rev. G. U. Pope, Introd. to "The Naladiyar," p. x. See also Rice,
"Early Kannada Authors," J.R.A.S., vol. xv. p. 295 :— "That an extensive
old literature exists in the Kannada (or so-called Canarese) language is ad-
mitted by more than one eminent writer on Oriental subjects, but of the nature
and history of that literature little or nothing is known, beyond the fact that
it was of Jaina origin."
' See Introd. to " Naladiyar," p. xi.
3i4 LITERARY HISTORY OF INDIA
translation here quoted. Before all things, the poet de-
clares, let virtue be practised by man, even as if Death
had already seized him by the hairs of the head : —
" Like a cloud that wanders over the hills, the body here appears, and
abides not ; it departs and leaves no trace behind."
Youth fades away, love dies, beauty sinks to decrepitude,
and losses crowd round as man prepares to leave the scene
wherein his part was played : —
" Then look within and say what profit is there in this joyous life of
thine ? The cry comes up as from a sinking ship."
The fancy plays round the same pessimistic wail of the
soul's unsatisfied longings.
"Youth decays. Desire not her whose eyes gleam bright as darts.
Full soon, she too will walk bent down with a staff to aid
her dim sight."'
" Considering that all things are transient as the dewdrop on the tip
of a blade of grass, now, now at once, do virtuous deeds.
'Even now he stood, he sat, he fell, while his kindred cried
aloud he died.' Such is man's history." ^
"Though worthless men untaught should fret my soul, and rave of
teeth like jasmine buds and pearls, shall I forego my fixed
resolve, who have seen in the burning ground those bones — the
fallen teeth strewn round for all to see." '
" Lord of the sea's cool shore, where amid the wave swans sport, tearing
to shreds the Adamba flowers. When those whose hearts are
sore with urgent need stand begging, and wander through the
long street in sight of all, this is the fruit of former deeds."*
" They went to bathe in the great sea, but cried, ' We will wait till all
its roar is hushed, then bathe.' Such is their worth who say,
' We will get rid of all our household toils and cares, and then
we will practise virtue and be wise.' " '
1 Pope, " Naladiyar," 17. 2 Ibid., 29. » Ibid., 45.
^ Ibid., 107. ^ Ibid., 333.
SOUTH INDIA 31 5
The following verse brings up a vision worthy to form
the subject of an artist's picture : —
" She of enticing beauty, adorned with choice jewels, said forsooth,
' I will leap with you down the steep precipice ; ' but on the
very brow of the precipice, because I had no money, she,
weeping, and pointing to her aching feet, withdrew and left me
alone." ^
The same three subjects of virtue, wealth, and pleasure,
are further exhaustively dealt with in the two thousand six
hundred and sixty short couplets of the " Kurral," the
universally acknowledged masterpiece of South Indian
genius. These verses were composed for the Tamil people
by Tiruvalluvar, a pariah weaver, who lived on the sea-coast
in a suburb of Madras named St Thom4 in memory of the
doubting Apostle, St Thomas, who, for very long, was
supposed to have suffered death at the hands of a fowler,
who, legend and tradition hold, accidentally shot the
Apostle when he was engaged in prayer. As told in the
" Acts of Thomas," the Apostle declared to the Saviour,
who appeared before him in the night-time : " Wheresoever
Thou wishest to send me, send me elsewhere, for to the
Indies I am not going." There can be no doubt that St
Thomas never did go to India.^
That the weaver pariah, who lived within sound of the
ceaseless swell and break of the waves along the sandy
shore near Mayilapur, or St Thom6, may have heard of the
teachings of Christianity is not impossible, though there
is no evidence of any Christian influence or doctrines in his
verses.^ Every Hindu sect, including the Jains, claims that
the poet designed to set forth in his work, the dogmas of
their special creeds. The teaching of Tiruvalluvar is,
1 Pope, "Naladiyar," 372.
2 See Geo. Milne Rae, "The Syrian Church in India" (1892), p. 24 :— " In
short, we look in vain among the writings and monuments of the first five
centuries for any attestation of the existence of the ' South Indian Church.' "
3 See Pope, "The Sared Kurral," p. iv.
3i6 LITERARY HISTORY OF INDIA
however, purely eclectic, and inculcates such principles
as are common to all systems of morality. The first
couplet of the " Kurral " gives the poet's eclectic view of
the deity called Bhagavan, the Lord who stands first in
all the world, just as the letter " A " stands first in all speech.
As in the " Bhagavad Glta," they who have faith in this
deity, " they who dwell in the true praise of this Lord,"
"Affects not then the fruit of deeds done ill or well"
The poet, having thus first enunciated the cardinal dogma
of faith in a primal deity, proceeds to build up an entire
system of an ideal state, treating of Virtue under its different
aspects — in domestic life, in ascetic renunciation, and in the
effects of fate or former deeds. Wealth, or property, is
viewed as it relates to royalty, to ministers of the king,
to the State itself, and the individual. The third object
of enquiry. Love, is subdivided into two chapters — the first
treating of concealed love, the second of wedded love.
Domestic virtue is inculcated in a string of short epi-
grammatic verses, rivalling, in their crisp and cutting
vigour, the soft languid grace of the aphorisms of the
"Naladiyar:"—
" In Nature's way who spends his calm domestic days,
'Mid all that strive for virtue's crown hath foremost place." *
The patient Griselda of the household stands out in all
her plaintiveness, finding, in adoration of her husband, her
sole faith : —
" No god adoring, low she bends before her lord ;
Then rising serves : the rain falls instant at her word."*
In describing, under the division Wealth, the qualities of
a great king, a plea is set forward for what now would be
called the unrestricted liberty of the Press : —
1 Pope, " Kurral," 47. a Ibid. , 55.
SOUTH INDIA 317
"The king of worth, who can words bitter to his ear endure,
Beneath the shadow of his power the world abides secure." ^
The minister of state is provided with some salutary
advice, which might be accepted with advantage by not
a few modern politicians : —
" Though knowing all that books can teach, 'tis truest tact,
To follow common-sense of men in act." ^
The following hint, if judiciously acted on, might serve
to establish the reputation of a man as wise in council : —
" Speak out your speech, when once 'tis past dispute
That none can utter speech that shall your speech refute."'
Although it is full one thousand years since Tiruvalluvar
composed the following aphorism, it has a strange homely
truth for us of to-day : —
" Who have not skill ten faultless words to utter plain.
Their tongues will itch with thousand words men's ears to pain." *
The full power of Tiruvalluvar to compress into the
intricate setting of the Vempa, the most difficult metre in
his language, some of the most perfect combinations of
sound, set to the most delicate play of fancy, is to be best
seen in his verses on love. The intimate and perfect
acquaintance of Dr Pope with the people and their
language, has enabled him to preserve, in an unrivalled
manner, the form of the Eastern setting. Every verse is
perfect in the original : —
" A sea of love, 'tis true, I see stretched out before.
But not the trusty barque that wafts to yonder shore." '
" The pangs that evening brings I never knew.
Till he, my wedded spouse, from me withdrew."'
" My grief at morn a bud, all day an opening flower.
Full-blown expands in evening hour." '
» Pope, "Kurral," 389. ^ Ibid., 637. ^ /^^v;,^ 645. * Ibid., (iA,<3.
'Ibid., 11^^. ^ Ibid., 122(>. ^ Ibid., iziy.
3i8 LITERARY HISTORY OF INDIA
" Or bid thy love, or bid thy shame depart ;
For me, I cannot bear them both, my worthy heart."*
The short sayings of the "Kurral" end with what may have
been the poet's own experience of the subject he treats so
gracefully : —
" Though free from fault, from loved one's tender arms
To be estranged awhile hath its own special charms." ^
" In lover quarrels, 'tis the one that first gives way
That in reunion's joy is seen to win the day." '
• ■■•••■a
" Let her whose jewels brightly shine, aversion feign.
That I may still plead on, O night, prolong thy reigrn." *
Unfortunately, no certain date can be ascribed to these
early outbursts of song, the first sign of the awaken-
ing of the Dravidian genius after contact with Aryan
civilisation. They are fabled to have been issued from the
Sangan, or College of Madura, where the Pandiyan
monarch assembled learned Jaina and Buddhist monks.
Tradition holds that this famed seminary of learning at
-Madura ceased to exist when its chief members drowned
themselves in despair, on the miraculous preservation of the
despised " Kurral " of the low-caste Tiruvalluvar.*
However that may be, the early Brahmanic influence
soon reasserted itself, and led to the downfall of both
Jainism and Buddhism, which virtually disappeared from
the Tamil country by the eleventh century of our era.
The first great sign of the coming change was seen in the
revival of the worship of 6iva, the deity early accepted by
the South as the Brahmanic representation of the ancient
1 Pope, "Kurral," 1247. 2 y^^,^ ^^^S. ' Ibid., 1327. « Ibid., 1329.
• See Caldwell, " Gram, of Dravidian languages," p. 130 : — " We should not
be warranted in placing the date of the ' Kurral ' later than the tenth century
A.D." See also p. 122 : — " There is no proof of Dravidian literature, such as
we now have it, having originated much before Kum^rila's time (700 A.D.},
and its earliest cultivators appear to have been Jainas."
SOUTH INDIA 319
Dravidian god,^ or gods. This revolt, from the dominating
agnosticism of the times, found its earliest literary expres-
sion in the "Tiru VaSakam," or " Holy Word," composed by
Manikka Va^agar,^ who turned the thoughts of the people
once more to the weary quest of the suffering soul for rest
in a union with a personal deity.
This fierce opponent of the heretical Jains and Buddhists
was born near Madura, where his father was a Brahman at
the court of the Pandya monarch, Arimarttanar, "The
Crusher of Foes." The poet is said to have acquired all the
Sanskrit learning by the age of sixteen, when he was made
prime minister at Madura. The dread god, Siva, with rosary
round his neck, his body smeared with ashes, with a third
eye in his forehead, is said to have appeared before the
sage, while on a journey, and revealed his true nature, as
the Divine Essence, in knowledge of which there is alone
enlightenment and salvation. The poet at once bowed
down before the deity, whose worship was to spread all
over South India, and in whose honour the great 6aivite
temples were built, and in many cases covered over with
plates of gold.
The longings of the poet's soul had found no answer in
the agnosticism of Buddhism or Jainism. The answer had
come to the henceforth bitter opponent of the dominant
Jains, and to 6iva he poured forth his prayer :^ "Henceforth
I renounce all desires of worldly wealth and splendour.
To me, thy servant, viler than a dog, who worships at thy
^ Probably the earlier form was Skanda. See SenathI Raja, " Pre-Sanskrit
El. in Ancient Tamil Lit.," J.R.A.S., vol. xix. p. 376 («ofe i).
2 See Pope, " History of Manikka Vasagar," p. 3 (wofe) : — " The date here
given for the poet is 1030 a.d., reckoning two hundred years before Sundara
Pandiyan's time and Sambhanda's time. If the date of Sambhanda be, how-
ever, taken as the middle of the sixth century, then Tiru Vasagar must be placed
in the fourth century, along with the Saivite revival. As these dates depends
largely on the ' Tiru Vilaiyadal Purana ' and ' Periya Purana,' no certainty can
be claimed for them." See, however, P. Sundaram Pillai's article quoted later.
3 See Pope, Ibid., p. 7.
320 LITERARY HISTORY OF INDIA
feet, grant emancipation from corporeal bonds. Take me
as thy slave, O King of my Soul ! "
No finer picture could be given of an Eastern enthusiast,
stirred by emotions that are sis deep in India to-day as
they were when the soul of Manikka Va^agar was roused to
preach a salvation through a faith in Siva, than that sketched
forth of the converted sage in the earnest words of Dr
Pope;!—
" From his head depends the braided lock of the ^iva devotee, one
hand grasps the staflF, and the other the mendicant's bowl : he
has for ever renounced the world — all the worlds, save Sivan's
self. And he is faithful henceforward, even to the end. In the
whole legendary history of this sage, whatever we may think
of the accuracy of many of its details, and whatever deductions
we are compelled to make for the exaggerations that have
grown up around the obscurity of the original facts, there
stands out a character which seems to be a mixture of that of
St Paul and of St Francis of Assisi. Under other circum-
stances what an apostle of the East might he have become !
This is his conversion as South India believes it ; and in almost
every poem he alludes to it, pouring forth his gratitude in
ecstasies of thanksgiving, and again and again repeating the
words, ' I am Thine, save me ! ' His poetry lives in all Tamil
hearts, and, in the main and true essence of it, deserves so
to live ! "
Persecutors of the new reformer now succeeded, and, as
is usual in all Eastern biographies, miracles, more or less
absurd and meaningless, are recorded to have been worked.
The news of the revived faith in Siva was preached by the
reformer in the land of the Cholas, and in Cithambaram,
where he is still held as the patron saint To Cithambaram
the King of Ceylon is said to have come, and there with
all his court, to have been converted from Buddhism to
Saivism, by the sage's argument which showed that,
according to the heretic monks, there can be "neither
god, nor soul, nor salvation." *
The poems of Manikka VaSagar are held to have been
> Su Pope, " Manikka Vasagar," p. 7. 2 Ibid., p. 16.
SOUTH INDIA 321
transcribed in one thousand verses by the god 6iva himself.
They still " are sung throughout the whole Tamil country
with tears of rapture, and committed to memory in every
temple by the people, amongst whom it is a traditional
saying that ' he whose heart is not melted by the " Tiru
VaSagam " must have a heart of stone.' " ^
To learned and unlearned alike, these mystic raptures, in
perfect verse, over the soul's faith in the deity are sacred
treasures, and have a deep importance to all who would
seek to read the spirit of the best of Indian religious
thought. Happily these are soon to be published in an
English translation by the Oxford Professor of Tamil.
They are all but unknown to the West, yet a careful and
wide-read scholar, in whose native language the poems
are written, states : ^ " There are, indeed, but few poems in
any language that can surpass ' Tiru Vaiagam,' or the ' Holy
Word ' of Manikka VaSagar, in profundity of thought and
earnestness of feeling, or in that simple, child-like trust
in which the struggling human soul, with its burdens of
intellectual and moral puzzles, finally finds shelter."
The whole essence of the teachings of the new reformer,
who did so much to rouse an active opposition to the
debased Buddhism then in vogue, and whose followers
inaugurated the temple-building era in South India, has been
summed up as follows : ' —
" He taught the people that there was one supreme personal God, no
mere metaphysical abstraction, but the Lord of Gods and men.
He also taught that it was the gracious will of Siva to assume
humanity, to come to earth as a guru, and to make disciples
of those who sought him with adequate preparation. He an-
nounced that this way of salvation was open to all classes of the
' Pope, "History of Manikka Vasagar," p. 17.
2 P. Sundaram Pillai, M.A., M.R.A.S., Fellow of the Madras University,
and Professor of Philosophy, "Some Milestones in the History of Tamil
Literature," p. 3. (The news of the early death of this able scholar was
received after the above was written. )
3 Pope, "Manikka Va&igar," p. 18.
X
322 LITERARY HISTORY OF INDIA
community. He also taught very emphatically the immortality
of the released soul — its conscious immortality — as he said
that the virtual death of the soul which Buddhism teaches
is not its release. It will be seen how very near in some
not unimportant respects the ^aiva system approximates to
Christianity ; and yet, in some of the corruptions to which it
has led, by what almost seems a necessity, are amongfst the
most deplorable superstitions anywhere to be found."
How popular are these lyric raptures of a soul tossed in
doubt, yet still seeking some answer to its wail of loneliness,
may be judged from the fact that a whole series of them
is still sung as a rhythmic accompaniment to a game,
played by six girls sitting in a circle, who toss balls or
pebbles from one to the other. The forthcoming transla-
tion of the poem will, it is hoped, give these verses ; at
present it must suffice to quote one verse as sung by the
six girls in chorus as they play their game, known as
" Ammanay " : —
" While bracelets tinkling sound, while earrings wave, while jetty
locks
Dishevelled fall, while honey flows and beetles hum.
The Ruddy One, who wears the ashes white, whose home
None reach or know, Who dwells in every place, to loving ones
The true. The Sage Whom hearts untrue still deem untrue.
Who in Ai Arru' dwells, sing and praise, Ammanay see ! "'
Many personal details of the poet's own life are scattered
through his poems. The allurements of earthly love, which
drag the soul from its calm repose, are fought against in
verses that tell of the bitter grief of a lapse from high
ideals : —
" Flames in forest glade, Sense-fires bum fierce with smoky glare.
I bum ! Lo, thou'st forsaken me ! O Conquering King of Heaven,
The garlands on Whose braided locks drip honey, while the bees
Hum softly 'mid Mandaram buds, whence fragrant sweetness
breathes.''
' A shrine near Tanjore, lit. " The Mve Rivers."
' For this and the following verses I am indebted to the great kindness of
the Rev. Di Pope.
SOUTH INDIA 323
And again : —
" Sole help, whilst thou wert near I wandered, wanton deeds my help.
Thou hast forsaken me, Thou Helper of my guilty soul ;
The source of all my being's bliss j Treasure that never fails.
I can't one instant bear this grievous body's mighty net."
The same theme is sung again, ending with the prayer
for faith : —
" Choice gems they wore, those softly-smiling maids ; I failed, I fell.
Lo, thou'st forsaken me. Thou gav'st me place 'midst Saints who
wept,
Their beings fiU'd with rapturous joys ; in grace did'st make me
Thine !
Show me thy feet, even yet to sense revealed, O Spotless One."
The monistic essence of the deity, Siva, is summed up
in one verse : —
" O King, my joy, mean as I am, who know not any path !
O Light, Thou hast forsaken me,
Thou the true Vedic Lord,
Thou art the First, the Last !
Thou art this universal Whole.''
These poems of the earliest exponent of pure Vedantic
teachings were included in a renowned collection of
Hymns which forms the " Vedas," " Upanishads," and
" Puranas " for the great mass of Saivas of South India.
The first three books of this Saiva Bible contain the three
hundred and eighty-four hymns of a virulent opponent
of all heretic Buddhist and Jaina monks — the renowned
patron saint and impromptu lyric poet of the Tamil people,
the sage, Tiru Nana Sambandha,^ whose fame in the South
is so renowned that there is scarcely a Siva temple in the
' An interesting contribution towards the elucidation of the literary history
of South India has been recently made by P. Sundaram Pillai in his Essay,
"Some Milestones in the History of Tamil Literature," in which he has
advanced very strong proof that Sambandha must have lived before ^ankara
Achaiya, i.e. in the seventh century a.d.
324 LITERARY HISTORY OF INDIA
Tamil country where his image is not daily worshipped.
In most of them special annual feasts are held in his
name, when the leading events of his life are dramati-
cally represented for the instruction of the masses.^ As
is usual in the case of poets, the life of Sambandha begins
with miraculous events and ends in mystery. Born, as
there is no reason to doubt, of Brahman parents in the
Chola country, a few miles south of Chidambaram, he is
said to have composed, when a child, his earliest lyric hymns
of praise to Siva which were set to a music, now lost,
and played on an instrument, the form of which is now
no longer remembered. To account for his unrivalled
mastery over form and verse, tradition holds that, when as
a child Sambandha was left alone, the local goddess
appeared and nourished him herself, whereon the child
recited the first of his inspired hymns and received the
name of Tiru Nana Sambandha, or " He who is united to
the deity through wisdom." In all, three hundred and
eighty-four hymns were composed by this poet, who, with
his disciples,^ strove vehemently to uproot the Jaina faith
and establish the worship of Siva. The reigning Pandiyan
king was led by Sambandha to renounce Jainism, and soon
the people of the Tamil land forsook Buddhism, or at least
the debased form of it then existing, though the cult did
not finally become extinct until the eleventh century.
The tenth verse of each hymn of Sambandha was launched
against Buddhists and Jains alike, though there is no
certainty as to why these heretics had aroused the hate of
1 See also " Epigraphia Indica," vol. iii. pp. 277-78 :— " The two great 6aiva
devotees, Tirunavukkarayar (or Appai), 573 A.D., and Tinmana Sambandha
. . . were contemporaiies of the two Pallava kings, Mahendravarman I.
and Narasimhavarman I." " Tirunana Sambandhar was a contemporary of »
general of the Pallava king, Narasimhavarman I., whose enemy was the
Western Chalukya ki:^, Pulikesin II."
2 ;5'e« Caldwell, "Dravidian Grammar," p. 138. See P. Sundaram Pillai,
"Milestones in Tamil Literature," p. 7 (note 1), for the six companions of
Sambandha, who accompanied his impromptu lyric songs with music.
SOUTH INDIA 32s
the Saivite sage. With the passing-away of Sambandha
and his disciples, a new era dawned in South India.
Temples to Siva and Vishnu took the place of Buddhist
monasteries, while a series of Acharyas, or theological
teachers, spread far and wide in one form or another
the philosophic doctrines of the " Vedanta " until the close
of the twelfth century, when darkness settled down over
the whole literary history of the people with the advent
of the Muhammadans.
It would have been strange if the extension and revival of
Brahmanism and downfall of Jainism and Buddhism had
not inspired those who stood forward as victors with a new-
awakened fire of enthusiasm for the cause they championed.
So it came that Sankara Acharya, the greatest revivalist
of Aryanism, and the greatest commentator that India has
known, arose in the South, and that at a period when he
might have been expected — the period round which centres
the " Kurral " and Brahmanic revival, towards the eighth
century of our era.^
This greatest of all great ascetic sages ^ bears a name
revered by every learned Hindu, all over the land where
he preached and taught from his monastery of Badrinath
in the south to that of Sringiri in the north, from Dvaraka,
the city of Krishna, in the west, to Jagannath, once the
Buddhist place of worship, now the common ground of
assembly for all Hindus, on the coast of Orissa in the
east. All sects claim him* as their own patron saint
^ "It is certainly inadvisable to assail Sankaia's date {i.e. 788-820 a.d.),
which is given most circumstantially by his own followers." — Yajiiesvar Sastri,
"Aryavidya Sudhakara," p. 226, etc. etc.; Biihler, "Ind. Ant.," xiv. 64.
Othei: references are : — "Ind. Ant.," xiv. 185 {note 13); xi. 174; xiii. <)<,ff.;
xvi. 42, 160; J.B.R.A.S., xviii. 88^., 218, 233; W.L., 51; Bhandarkar,
Report, 1882-3, 15. See Pathak, J.R.A.S. (Bombay, 1891), xviii. p. 88 ; also
Barth, "Ind. Ant." (1895), p. 35.
" For Kumarila Bhatta, see Hunter, " Indian Empire " 240, 259, 388 ;
Cowell and Gough, " Sarva Darsana Sangraha."
3 Monier-Williams, " Brahmanism and Hinduism,'' p. 58; Wilson, "Rel. of
Hindus," vol. i. p. 28.
326 LITERARY HISTORY OF INDIA
All scholars, Eastern and Western, honour his learning
and scholarship. He seems to have risen as an inspired
genius to throw a quick, bright light, like to the momentary
after-glow of an Indian sunset before darkness descends
over the land, on the fading glories of Aryanism before
they sink into the dimness of the drear days of Hinduism.
Of his life almost nothing is known. In legendary lore
he appears everywhere in India ; now persecuting the
Buddhists, now vehemently denouncing the sectarian
differences whereby Hinduism was being divided against
itself, so that it could not abide. Again he appears cis
the miraculously - born son of a Brahman woman, his
father being the dread god, 6iva, and as finally departing
from the world no one knows how.
The " Great Conquest," ^ or life of ^ankara Acharya, was
told in a work supposed to have been composed in the
ninth or tenth century, while the sage's " Great Conquest
of the Quarters"^ was written by the second great
commentator of South India, Madhava Acharya, in the
fourteenth century.
From these accounts and others, no safe historical facts
can be deduced. At most, it may be held that Sankara
was born in Malabar in the eighth century of our era, and
that he died at Kedernath, in the Himalayas, at the early
age of thirty-two, after having enriched, in the short course
of his life, the literature of India by commentaries on most
of its later sacred texts. He is popularly held to have
been an incarnation of Siva. The Smarta sect of Brahmans,
recognisable by wearing on their foreheads one or three
horizontal lines of sandal paste, with a red or black spot in
the middle, hold him to have been the founder of their
Order. These Smartas look upon Siva as the Unconscious
^ "This spurious work." — See Earth, " Ind. Ant.," vol. xxiv. (February 1895).
" See Telang, " Ind. Ant.," vol. v. p. 287, who places it before the fourteenth
century.
SOUTH INDIA 327
Spirit of the Universe, with which the soul unites to realise
its ideals.
According to the teachings of Sankara, the entire system
of Vedantic thought finds its natural culmination in an un-
compromising declaration that the sole object of the sacred
literature of India was to reveal the delusive appearance
of what appeals to the senses as reality and the doctrine of
non-duality.
The evidences of the senses are wiped away as merely
delusive. The question of metaphysic is solved, not as
Kant resolved it, by referring all objective reality to
perceptions of the intellect where he sought a solution,
but in endeavouring to pierce, in the manner of Plato, and
Parmenides, beyond the reality itself. This objective
form was held by Sankara to be but the mode in which
the delusion of life was mirrored forth. This phase of
idealistic monism which is ably expounded in 6ankara's
commentary on the "Vedanta Sutras," finds a popular
exposition in a song that can be obtained from any
travelling pedlar of books in South India for about one
twelfth of a farthing.
The song itself contains but twelve verses, said to have
been addressed by Sankara to a learned Brahman, whom
he found studying the rules of Sanskrit grammar outside
a Hindu temple. One or other of these verses is con-
stantly recited with a smile or a sigh by educated Hindus
of the South. The refrain all through is, " Bhaja Govinda ! "
or " Praise the Lord ! " It means to a Hindu what " Praise
God" means to a Salvationist. There is a yawning
gulf of thought and feeling, bred of race and climate,
between the two modes of expression of the aspirations of
those who in East and West use the words.
The verses of Sankara are so terse, hold so much the
sense in the sound, that it is impossible to give their
meaning in a translation. As they are unknown in the
328 LITERARY HISTORY OF INDIA
West, and so often quoted in the East, their meaning is
here given as true to the original as possible.
The sage stands before the Brahman, who has paused
in his studies, and declares the truth of the emptiness of
the vain dream of life, and its struggles after wealth and
fame.
" Give up this greed," is the sad reproof, " for storing
wealth, O Fool ! place in your mind the thirst for know-
ledge of the Existent, satisfied with what each day brings
forth."
" As the water drop lies trembling on the lotus leaf, so
rests our fleeting life. The world is full of sorrow, seized
by pain and pride of self. Gain wealth, and then your
friends cling near ; sink low, and then no one seeks news.
When well in health, they ask your welfare in the house ;
when the breath of life goes forth, then the loving wife
shrinks from that body. Gain leads but to loss ; in wealth
there is no lasting happiness ; in childhood we are attached
to play; in youth we turn to love ; in old age care fills the
mind. Towards (para Brahman) God alone no one is
inclined. As the soul moves from birth to birth, who re-
mains the wife, the son, the daughter, who you, or whence ?
Think truly, this life is but an unreal dream."
" With mind fixed on truth, one becomes free from attach-
ment. To one freed from attachment, there is no delusion •
undeluded, the soul springs clear to light freed from all
bondage. When youth goes, who is moved by love ? When
wealth goes, who then follows ? When the great truth, that
the Soul and Brahman are One is known, what then is this
passing show? Day and night, morning and evening,
Spring and Winter come and go, time plays and age goes,
yet desire for life passeth not. Take no pride in youth,
friends, or riches, they all pass away in the twinkling of an
eye. Give up all this made of Maya, gain true knowledge,
and enter on the path to Brahman."
SOUTH INDIA 329
Such has ever been the incessant cry of cultured
Brahmanic thought, and of much of Western pessimism.
It was the cry with which was to be met the fierce
fanaticism of Muhammadanism, soon to burst forth in
relentless warfare against all idolaters and unbelievers in
God and Muhammad as His sole Prophet.
Though the darkness of desolation, unrest, rapine, and
war was to settle over the land, the Brahmans of the
South could hold on to the even tenor of their ways, and
proclaim that the moans of the suffering, the gleam of the
sword, the lust of conquerors, and the rule of the foreigner,
were but the unreal visions of a passing dream, woven out
by the fictitious power of Maya.
The strict Advaita doctrines of Sankara Acharya were no
doubt useful in their own way, as opposing the heretic
agnosticism of Buddhism. In their inculcation of ideal-
istic non -duality, and of non-reality of the intuition
of perception, they had also their own charm for the
dreamer and religious mystic who turns away from a crude
materialism.
An intermediate resting-place had, however, to be found
for the mass of the people who placed their faith in the
saving grace of a personal deity. In the system of
Sankara, this was supplied by the sectarian schools, which
hold that the god Siva was a personal manifestation of the
Unconscious Spirit of the Universe, and claim that, by
a worship of this deity, the soul finds its salvation.
The true revolt from the teachings of Sankara, and the
drifting of the thought of India back to its more orthodox
beliefs, came in the reformation led by the second great
commentator of South India, the Brahman Ramanuja, born
at the beginning of the eleventh century.^ Ramanuja held
the doctrine of qualified non-duality, according to which the
1 Monier-Williams, "Brahmanism and Hinduism,'' p. 119: — "Born 1017
A.D. at Parambattur."
330 LITERARY HISTORY OF INDIA
Supreme Spirit is both the cause of the visible world and
the material from which it is created. He further proclaimed
the adoration of the god Vishnu, as representative of the
Supreme Spirit, so that the Heaven of the god might be
ultimately gained, and freedom from re-birth obtained.
Until this consummation was arrived at, when the separate
spirits are reunited with the Supreme Spirit, re-birth occurs
in its incessant round, there being a plurality of form
continued in respect of that which is Soul, and that which
is non-Soul.^
The final step was taken by Madhava, the last of the
Southern Teachers, a renowned Brahman of the Kanarese
country in South India, who died towards the close of the
twelfth century.^ By him the worship of Vishnu, or Hari,
was preached as the worship of one Supreme God, eter-
nally existent, the world subsisting as his form, on Whom
the souls of men are dependent, though abiding themselves
distinct So the thought of India, North and South,
remained divided between a salvation, from transmigration,
by a faith in Krishna, or by a worship of Vishnu, or Siva ;
the aspiration of the soul ever being to find a closer union
with, or knowledge of, the Supreme Cause that manifested
itself in the works of Creation.
Vedism, and the gods of the Vedas, had passed away
from the memories of the people ; the South had found the
exponents of its intellectual life in the persons of the great
scholars, ^ankara, Ramanuja, and Madhava. The deep
moral tendencies of the age were preserved in the
" Naladiyar," and " Kurral " of Tiruvalluvar, and the Devaran
Hymns of Sambandha and his disciples. The crude super-
stitions, lusts, and ignorance of the mass of the people
who passed from the scene, leaving no literary record
' "Sarva Darsana Sangiaha," p. 75.
^ Died 1198 A.D. P. Sundaram Pillai, "Some Milestones in Tamil Litera-
ture," p. 27 {note 1).
SOUTH INDIA 331
behind them, were satisfied with worship of the village
godlings, ghosts, and demons, with foul and obscene
carnivals of Tantric orgies, and with stray and furtive
visits and offerings to the great temples of the Hindu
deities. New conquerors had come to guide the destinies
of the land and leave the people to work out their own
ideas.
CHAPTER XIV.
THE FOREIGNER IN THE LAND.
When in 631 of our era Muhammad proclaimed war
against the civilised world, he had first given to all
idolaters the choice between the Koran and the sword.
All Jews and Christians who would not accept a belief
in the unity of God, and in Muhammad as the Prophet
of that God, were to be subdued and made to pay tribute.
The creed of the Prophet known as Islam, or "submission to
the will of God," was outwardly simple — simple enough to
ensure for it an early and speedy success. The creed is
shortly: "There is no God but God, and Muhammad is His
Prophet."
There are further five daily prayers, fastings in due
season, giving of alms, and a pilgrimage to Mecca, the
birthplace of the Prophet
The fanatics of the Arabian desert, inspired by the wild
rhetoric of the new Prophet who denounced idolatry,
licentiousness, infanticide, drunkenness, and gambling,
came swarming from their tents, drunk with zeal, to
propagate the creed and to revel in the slaughter and
plunder of their opposing foes.^
^ See an article by Sir Roland K. Wilson in the Indian Magazine and Review
(December 1896), p. 634, criticising Mr Arnold's statement in ' ' The Preaching
of Islam," that " it is due to the Muhammadan legists and commentators that
THE FOREIGNER IN THE LAND 333
Against the Western frontier of India, from Sind to
Peshawar, the Muhammadan wave of conquest ilowed and
ebbed for four hundred years.^ In Sind the Rajput
garrisons, unable to hold their strongholds against the
fierce Arabs, placed their women and children on the
funeral pyre there to find in death safety from dishonour,
and fell themselves in one last despairing and avenging
onslaught on their enemies. From Lahore the Hindu
chieftains chased back, through the passes of Afghanistan,
the raiding Turks of Ghazni only to court their own
avenging fate.
The full wave of desolation spread over the north-west
when, in 1002 A.D., Muhammad of Ghazni, born of a TurkI
father and a Persian mother, burst down on Lahore,
that ancient meeting-place of many races. Its wealth was
carried back to Ghazni, and its chieftain, the twice-defeated
Jaipal, mounted the funeral pyre, according to the stern
dictates of his Hindu subjects. For twenty-five years
Muhammad of Ghazni continued, year by year, his raids.
From the holy city of Thaneswar, not far from Delhi, he
carried off to his Afghan home the riches of its great
temples, and two hundred thousand of its inhabitants he
made slaves to his soldiery. At Kanauj, north of Cawnpur,
jihad comes to be interpreted as a religious war against unbelievers, who might
be attacked even though they were not the aggressors. . . . But though some
Muhammadan legists have maintained the righteousness of unprovoked war
against unbelievers, none (as far as I am aware) have ventured to justify com-
pulsory conversion, but have always vindicated, for the conquered, the right of
retaining their own faith on payment oi jizyah." He writes: " What Mr
Arnold will find it difficult to disprove is, that the intimate companions and
immediate successors of Mohamet considered, without a shadow of doubt, that they
had ample warrant in the Koran, and in the example of their master, for
extirpating idolatry and enforcing the whole law of Islam throughout Arabia at
the cost of a most sanguinary struggle, and for pushing hostilities against the
two neighbouring empires feir beyond any possible requirements of self-defence
in fact, without any other limit than the enemy's power of resistance." Sir
Roland Wilson, however, continues : "We are willing to allow that mediseval
Islam was, by one degree, less tolerant than mediaeval Christendom."
^ From 647 to 1030, the death of Muhammad of Ghazni,
334 LITERARY HISTORY OF INDIA
he received the submission of its garrison, said to have
consisted of eighty thousand men in armour, fifty thousand
cavalry, and five hundred thousand foot men. With the
weahh of Muttra — the rubies, sapphires, and pearls of its
idols — he raised Ghaznl from a hovel of mud huts to a
city of marble palaces, mosques, domes, and pillared halls.
From the ocean-beaten temple of Somnath in Guzarat,
with its vast array of Brahman priests and dancing-girls, he
carried away the massive gates, twelve phallic emblems,^
and a vast store of treasure, and left nothing behind him
but the slain garrison and dejected priesthood.
Aryanism in India was about to realise what, happily in
the West, remained but the shadow of a passing danger.
The fate that overtook the East was one visioned forth for
the West in the words of Freeman : " If Constantinople
had been taken by the Muhammadans before the nations
of Western Europe had at all grown up, it would seem as if
the Christian religion and European civilisation must have
been swept away from the earth."
Spared from Muhammadan dominion, a Sivaji, or a
Ranjit Singh might have arisen in India and founded a
more lasting native rule than even that of Chandra Gupta,
Asoka, or Harsha Vardhana. Even had that been so, it
seems impossible that Maratha could ever have coalesced
with Sikh or Rajput to bend the distant Easterns and far-
off Southerns to yield obedience to the supremacy of any
one indigenous dynasty. Even had a Hindu Akbar, or
Aurangzlb sprung up and extended his rule over Maratha,
Rajput, Sikh, Bengali, and the clansmen of South India,
the sceptre would soon have passed from the hands of one
or other of his degenerate descendants, and the land been
plunged in anarchy such cis that from which the Mughal
* R. P. Kaikaria, Calcutta Reuiew (October 1895), p. 411 : — "It is clear
from Albiruni that the idol of Somnath was merely a solid piece of stone,
having no hollow in which jewels and precious stones could be concealed to
reward the pious zeal of an iconoclast."
THE FOREIGNER IN THE LAND 335
Aurangzib, with his army of three hundred thousand horse
and four hundred thousand men, could not for long preserve
it. As it was, the rivalries between the Rajput Prithivi
Raja,^ the last great Chauhan king of Delhi and Ajmere,
and the Rahtor prince of Kanauj led, before the close of
the twelfth century, to the defeat and overthrow of both by
the Afghans of Ghor. The new Muhammadan Emperor
raided the country as far as Benares and Gwalior, while his
generals drove out (1203) the distant Sen king of Bengal
from the ancient capital at Nadiya.^
This very lack of unity and central authority, however,
saved Brahmanism from disappearing before the attacks of
a rival creed or foreign rulers. The whole fabric of
Buddhism disappeared, for when once its mendicant and
celibate monks were slain, and their monasteries burned,
it fell to decay. The idols and temples of the Hindus were
shattered to pieces, and their wealth carried off to Ghaznl
and Ghor ; the Brahmans were slain in Kanauj, Muttra,
Benares, and at distant Somnath. Nevertheless, the roots
of Brahmanism remained firmly fixed in the very structure
of Indian life, social observances, and in its undecaying
literature. For three hundred years the Muhammadan rule
in India strove in vain to hold the outlying nationalities
subject to its sway. The early Muhammadan invaders of
India swarmed into the land in the double rdle of religious
enthusiasts with a mission to root out unbelief in the
teachings of the Koran, and of roving bands of adventurers
eager to seize the wealth of the Hindu temples. Disunited
1 PrithiRaja-Rayasaof Chand. Todinhis " Rajasthan"(vol. i. p. 254, note)
states he had translated thirty thousand stanzas. Grierson ("Literature of
Hindustan ," p. 3) gives an account of the work done on this history ; but
in the "Padumawati Bib. Ind." (Calcutta, 1894, Introd.), he states that the
genuineness of this work is doubtful. See also J.B.R.A.S. (1868), vol.
xxxvii. p. 119; vol. xxxviii. p. i.
2 The Rajput clans of North India departed to the desert east of the Indus,
where they established their chieftainship over their new homes, still known
as Rajputana.
336 LITERARY HISTORY OF INDIA
among themselves as these raiders were, they were for long
unable to gain a resting-place east of the Indus, and when
at length they came in numbers sufficient to force their way
to Delhi, and there establish a permanent centre for revenue
exactions, they were ever menaced with the swarming-down
of new robber bands from central Asia; while the basis on
which Muhammadanism was founded precluded their com-
promising with, or conciliating of, the Hindu people in order
to gain their aid or support in repelling new invaders. The
Rajputs might be driven to the deserts of Rajputana, their
proud reserve survived not only to defy the august power of
Akbar,but for the best of their chivalry and manhood to come
forth and parade the London streets and grace the triumph
of their sovereign lady, the Queen-Empress of India.
Though the unwarlike people of Bengal were obliged
to submit, in 1203, to Bkhtiyar Khiljl, the general of
Muhammad of Ghor, the lower province soon became
independent of the distant authority of the Delhi emperor,
and in 1340 set up an independent ruler of its own, in the
person of the local governor, Fakir-ud-din, who was suc-
ceeded by a line of twenty sovereigns until Akbar, in 1 576,
reconquered the revolted province.
Muhammad of Ghor, who may be classed as the first
Muhammadan ruler of India, fell before a fierce attack of a
body of hill Gakkars, from the Sewalik hills, who crept into
the monarch's tent and, as he lay sleeping, stabbed him to
death with no less than twenty-two wounds, before the
gaze of his petrified attendants.^ On his death, Katb-ud-
dln, a Turki slave — whose name is remembered by the great
mosque he built at Delhi, and the majestic minar, rivalling
in finish and moulding, though not in height, the Campanile
at Florence — proclaimed himself, at Delhi, monarch of all
India. His d3masty, which lasted until 1290, continued
the ceaseless contest against Rajput princes, fierce hill
* See Syed Mahomed Latif, " History of the Panjab," p. 94.
THE FOREIGNER IN THE LAND 337
tribes, revolting Hindu principalities, and incursive bands
of warlike Mughals, who rode down to pillage the plain-
country east of the Indus. The Khiljl and Tughlak
dynasties followed, until at length, in 1 393, the lame Timur,
or Tamerlane, named by Ferishta " The Firebrand of the
Universe," collected together his wild horsemen, swept
down through the north-west passes of Afghanistan, and
marched towards Delhi. " My principal object in coming
to Hindustan," says Timur, " and in undergoing all this toil
and hardship, was to accomplish two things. The first was
to war with infidels, the enemies of the Muhammadan
religion, and by this religious warfare to acquire some
claim to reward in the life to come. The other was a
worldly object, that the army of Islam might gain some-
thing by plundering the wealth of the infidels : plunder in
war is as lawful as their mother's milk to Mussulmans
who fight for their faith, and the consuming of that which
is lawful is a means of grace." ^
The famed city of Delhi was captured by a ruse, and for
five days the newly-proclaimed emperor sat in the mosque,
constructed by Firoz Tughlak, giving praise to God that
the idolaters had submitted like " sheep to the slaughter,"
and that the Hindus lay dead in heaps so that the streets
were impassable. The fabulous wealth of Delhi was borne
away; a hundred thousand Hindu prisoners were slain "with
the sword of holy war " ; the women were dragged into
slavery, and the stone masons and workers in marble were
driven across the wasted land of the Panjab, and beyond
the bleak passes of Afghanistan, to build, for the new
conqueror of the world — from Delhi in the south to Siberia
in the north, from Syria in the west to China in the east —
a mosque at Samarkhand. His descendants were to found
the great Mughal Empire of India, and point the lesson
which Timur had learned before he ventured on his rapid
1 Ilolden, E., " Mughal Emperors," p. 52.
y
338 LITERARY HISTORY OF INDIA
raids into the country. The lesson was plainly taught to
Timur in the answer given by those of his court whom he
consulted on the enterprise : " If we tarry in that land our
posterity will be lost, and our children and our grand-
children will degenerate from the vigour of their forefathers
and become speakers of the language of Hind." ^
For over a century after the passing-away of Timur,
weak dynasties, Sayyid and Lodi, held a feeble rule around
Delhi and Agra until the so-called Mughal invasion of Babar.
During the early centuries of Muhammadan raids and
rule, the intellectual life of Northern India seems to have
been seized with a paralysis that crept even as far to the
east as Mithila or North Behar, which had remained the
great centre of philosophic thought since the days of
Janaka, King of the Videhas. It was a palsy under which
Mithila sank to decrepitude.
In the eighteenth century the great logician of India,
Raghunath, had to turn to where vitality alone re-
mained— to the land where the torch of learning has
been kept burning down to the present day — to Bengal,
where he established, at Navadvip, the most renowned
school of logic in all India. It was Bengal that saw
almost a second Buddha appear in the ecstatic dreamer
and revivalist, Chaitanya, in the fifteenth century, and not,
as might have been expected, in Magadha or South Behar.
Here Kullaka Bhatta wrote his famous commentary on
"Manu" in the fourteenth century, almost five centuries
after Mithila had had learning enough to send forth
Medatithi, the second great commentator of the same
sacred law book of the Hindus. It was in Bengal also
that Jimutavahana wrote, in the fourteenth century, the
"Dayabhaga," a work which has become there the re-
cognised law book on Hindu succession and inheritance,
^ "Institutes, Politicalaiid Military, writtenoriginallyintheMogulLanguageby
tJie Great Timour," published. Clarendon Press (1783), by J. White, B.D.,p. 131.
THE FOREIGNER IN THE LAND 339
a task that Vijnanesvara had done in his " Mitakshara,"
or " Commentary on the Law Book of Yajnavalkya," in the
eleventh century for Behar and the West.
Bengal had, however, produced for itself a poet as early
as the twelfth century. Set to the sweetest music of sound
and of moving rhythm of which the Sanskrit language has
been found capable, Jaya Deva had sung the theme that
became, in one form or another, universal in subsequent
Indian literature. It was the mystic theme of the longing of
the soul to find union with, or absorption into, the Divine
Essence, personified in one or other of the Hindu deities,
Rama or Krishna. There is no direct evidence that the
poem itself was written with any religious purport. It
simply tells of the longings and laments of Radha, the
favourite of Krishna, for her lord and lover. Still, all
Vaishnavites take the poem as the mystic rendering of the
longing of the soul for the Divine.^ Jaya Deva ^ was born
in the Birbhum district of Bengal, in the twelfth century.
The poem opens with the customary reverence to
GaneSa, the opposing deity of all good efforts. The
praises of Vishnu are then sung, and the deeds recited
done during his descent on earth in various forms, in which
he still retained his Divine Essence. His first descent
was as the Fish that bore to a resting-place, on the northern
mountains, the ship in which Manu escaped from the
Flood. The second form in which Vishnu appeared was as
a Tortoise, on whose back was suspended the mountain
Mandara, round which was wound the huge serpent Sesha,
to form a rope that the gods and demons might churn the
waters of the flood, and bring to the surface the fourteen
precious treasures lost during the deluge. The last of
^ Webf r, " History of Indian Literature," p. 210.
^ Monier- Williams, " Hinduism," p. 139. The Nimbarkas, a Vaishnavite
sect, without a literature, who worship Krishna and Radha, claim Jaya Deva
as a follower of their founder, Nimbarka, or Nimbaditya, of the twelfth
century.
340 LITERARY HISTORY OF INDIA
these lost treasures was the poison which would have
destroyed humanity had it not been drunk by Siva, whose
neck it burned so badly that he still bears the mark — the
symbol of the sufferings he bore for man — and is therefore
called " The Blue-throated God."
Again Vishnu descended in the form of a Boar, to raise
the earth from below the waters and hold it firm. As the
Man-Lion, Vishnu came on earth to tear to pieces the
monster, Hiranya Kasipa, whom the god Brahma had
given security from mortal injury. The fifth incarnation
the poet reverences is that of the Dwarf, the form in
which Vishnu appeared before the demon, Bali, who had
usurped dominion over the three worlds. Bali, in jest,
offered the Dwarf so much of the worlds cis he could stride
over in three steps, whereon, in three strides, the deity re-
annexed the three worlds. The sixth incarnation is that
of Parasu Rama, or " Rama with the Axe," who came to
extirpate the warrior caste, and re-establish Brahmanical
might. The seventh was that of Rama Chandra, "The
Moon-like Rama," whose victory over Ravana is told in
the " Ramayana." The eighth form was that of Krishna,
" The Dark God," the chief of the Yadus, the charioteer to
Arjuna when the Pandavas fought against the Kurus. The
ninth incarnation was that of Buddha, who came to free
the land from Vedic sacrifices of animals. The last in-
carnation, one yet to come, is that of Kalki, who will
appear seated on a white horse, bearing a sword to slay
all those who in the Kali, or " depraved age," do wrong and
work unrighteousness. The Kali, or "present age," is
that described in the " Vishnu Purana" :^ —
"The observance of caste, order, and institutes will not prevail in the
Kali Age, nor will that of the ceremonial enjoined by the ' Sama,'
'Rik,' and 'Yajur Vedas.' Marriages, in this Age, will not be
conformable to the ritual, nor will the rules that connect the
1 Wilson, H. H., "Vishnu Purana," pp. 622-23.
THE FOREIGNER IN THE LAND 341
spiritual preceptor and his disciple be in force. The laws that
regulate the conduct of husband and wife will be disregarded,
and oblations to the gods with fire no longer be offered. In
whatever family he may be born, a powerful and rich man will
be held entitled to espouse maidens of every tribe. A regenerate
man will be initiated in any way whatever, and such acts of
penance as may be performed will be unattended by any results.
Every text will be Scripture that people choose to think so :
all gods will be gods to them that worship them, and all orders
of life will be common alike to all persons. In the Kali Age,
fasting, austerity, liberality, practised according to the pleasure
of those by whom they are observed, will constitute righteous-
ness. Pride of wealth will be inspired by very insignificant
possessions. Pride of beauty will be prompted by (no other
personal charm than fine) hair. Gold, jewels, diamonds,
clothes, will all have perished, and then hair will be the only
ornament with which women can decorate themselves. Wives
will desert their husbands when they lose their property ; and
they only who are wealthy will be considered by women as
their lords. He who gives away much money will be the
master of men, and family descent will no longer be a title
of supremacy. Accumulated treasures will be expended on
(ostentatious) dwellings. The minds of men will be wholly
occupied in acquiring wealth, and wealth will be Spent solely
on selfish gratifications. Women will follow their inclinations,
and be ever fond of pleasure. Men will fix their desires upon
riches even though dishonestly acquired. No man will part
with the smallest fraction of the smallest coin, though entreated
by a friend. Men of all degrees will conceit themselves to be
equal with Brahmans. Cows will be held in esteem only as
they supply milk. The people will be almost always in dread
of dearth, and apprehensive of scarcity, and will hence ever
be watching the appearances of the sky ; they will all live,
like anchorets, upon leaves, and roots, and fruit, and put a
period to their lives through fear of famine and want. In truth,
there will never be abundance in the Kali Age, and men will
never enjoy pleasure and happiness. They will take their food
without previous ablution, and without worshipping fire, gods,
or guests, or offering obsequial libations to their progenitors.
The women will be fickle, short of stature, gluttonous ; they
will have many children and little means. Scratching their
heads with both hands, they will pay no attention to the
commands of their husbands or parents. Tney will be selfish,
abject, and slatternly ; they will be scolds and liars ; they will
342 LITERARY HISTORY OF INDIA
be indecent and immoral in their conduct, and will ever attach
themselves to dissolute men. Youths, although disregarding
the rules of studentship, will study the ' Vedas.' Householders
will neither sacrifice nor practise becoming liberality. Anchorets
will subsist upon food accepted firom rustics, and mendicants
will be influenced by regard for fiiends and associates. Princes,
instead of protecting, will plunder their subjects, and under
the pretext of levying customs, will rob merchants of their
property.''
The poet, having duly honoured Vishnu, commences the
special subject of the poem, the love of Radha for the dark
god Krishna.
With all the sensuous languor of an Eastern mind, the
loves of the gopis, or shepherd girls, who woo the god, are set
to the gentle music and soft sound to which the Bengali
poet has moulded the sounding Sanskrit. As the love-sick
shepherdesses flit round the god, Radha, the favourite of
Krishna, remains apart pouring forth her longings for the
near presence of her lover. She conjures up to herself
memories of his might and majesty, his once-whispered
words of love, when she alone was his loved bride.
The love of Radha is also remembered by Krishna when
he has freed himself from the allurements of the five
shepherdesses — perhaps allegorical of the five senses. The
form of Radha rises up before him ; he prays her to return,
to fear no more, for he no longer bears the form of the
fierce god who roams with ash-besmeared and matted
locks. He has covered himself with the dust of the sweet
sandal-wood, and wears a dark lotus leaf to conceal the
blue stain his throat bears. The words of Radha are then
borne to Krishna. The messenger tells how she sits
beneath the moonbeams weeping over her deep sorrow,
and the separation of her soul from that of her beloved.
The soft south wind, as it steals round her limbs, soothes
her no longer ; it is as though it had crept through sandal
trees where it had received the taint of the poisoned breath
THE FOREIGNER IN THE LAND 343
of serpents. She is languid and weary ; she pants to be
once more near to her beloved in whom alone her hopes
are centred. Krishna cries for her to come, but as she
approaches, adorned with all her ornaments, her steps
falter. She weeps, she cries on Hari, her lord, to come and
support her failing feet ; she sinks to the ground, to embrace,
to kiss the shadow of the passing dark blue cloud, imagin-
ing that it is Krishna who approaches near. Her strength
fails to bear her further. She weeps, she wails, for in her
fancy she sees the lips of a rival touching those of her
lord, the rival's long black hair trailing over the dark god's
face, like to evening clouds sweeping past the clear moon ;
the rival twines white flowers in his dark locks. Radha's
companion prays her to tarry not, to hasten to the god,
for she has teeth with the gleam of the moon ; she has but
to fall at her lord's feet and claim his love with gentle words
of faith.
Let the lyric raptures of the poem be taken as they fliay,
either as an allegory of the soul striving to pierce through
the bondage of the sense and find rest, or else as a love
song, too sensuous and unrestrained for Western ideas,
it is a poem that found its way to the hearts of the myriads
of pilgrims who have, for centuries past, journeyed to the
birthplace of Jaya Deva, crying out the praises of Vishnu,
Krishna, Hari, Lord of the Braided Locks, Lord of the World.
Although portions of the poem are untranslatable from
the poet's unrestraint, yet his artistic reserve saved him
from the gross lewdness which is too often, especially in
Bengalj the besetting sin of so many of his imitators and
successors. The poem of Jaya Deva marks the gradual
development in the twelfth century of the doctrine of faith
iphakti), of devotion, and personal love towards a deity in
human form. The Krishna of the " Gita Govinda " is now
usually taken by all the Vaishnavites as an incarnation of
the Divine Essence. In the poem itself there is no direct
344 LITERARY HISTORY OF INDIA
indication that its object was to found any phase of religion
based on the saving grace of a faith in Krishna. One
verse is often quoted in proof of the poem's mystic and
religious significance. Krishna, in despair at the anger of
Radha, is represented as kneeling down, and praying her to
place her feet on his head. Later tradition holds that the
poet could never have so far forgotten the divine nature of
Krishna as to represent him thus addressing Radha, and
asserts that Krishna himself wrote these words. The story
is that, in the absence of Jaya Deva, the god entered his
house and inserted these words in a half-finished line.
The poet had commenced the line with the words : " On my
head as an ornament," and then, pausing, had gone out to
consider how he could possibly represent the god as having
a foot placed on his head. In his absence, Krishna, in the
form of Jaya Deva, appeared and finished the line, so that
it now reads : " On my head as an ornament place thy
beauteous feet."
This doctrine of " bhakti," or faith, so often ascribed to
Christian influence, became from its inculcation in the
" Bhagavad Gita," and fuller exposition in the " Bhagavad
Purana," and " Bhakti Sutra " of Sandilya in the twelfth
century, the almost pervading theme of Indian literature.
It passed from the system of Yoga, or attainment of
absorption of the Soul into the essence of the deity in
whom faith is placed, to its final development in the hope
of salvation, following from a faith or absolute belief in
the words and doctrines of the great teachers, such as
^ankara Acharya, Ramanuja, Ramanand, Bassava, Vallabha
Acharya and the Sikh gurus.i
From the commencement of the fourteenth century,
almost coincident with the disappearance of Tamerlane,
with his blood-stained horsemen across the passes to the
• For erotic literature, MfiBeames, J., "Ind. Ant.,"i. 215 ; "Vishnu Purana,"
xiv. (Preface) ; Wilson, " Select Works," vol. i. 161. Muir, " Metrical Trans.''
(Introd.), gives full account of connection between Christianity and Hinduism.
THE FOREIGNER IN THE LAND 345
north-west, when the Muhammadan Sayyid^ and Lodi^
dynasties ruled from Delhi with what feeble power they
possessed until the arrival of the Mughal Babar, the
Gangetic valley and the East saw a great literary revival
centring itself around the doctrines of Vaishnavism.
Ramanand* early heralded in the worship of Vishnu, as
incarnated in Rama, the hero of the " Ramayana," and
in the lands where he sang his songs, especially near
Agra, his sects, the Ramavats, or Ramanandls,* still form
a large community.
The most famous of all Ramanand's early disciples
was one Kablr,^ a weaver of Benares, reputed* to have
been the son of a virgin Brahman woman. His writings,
especially the "Sukh Nidhan," are quoted widely at the
present day, and mark the tendency of the time, under
the stress of contact with Muhammadanism, to break
free from the exclusive bondage to Hindu sacred litera-
ture, and rise above the restrictions of caste, sect, and the
bowing-down to idols. In place of these there was
inculcated faith in one Vedantic^ conception of a deity
addressed as "Ali" by the Muhammadans, and "Rama" by
Hindus. To this was added a belief in the guidance of
a guru, or spiritual preceptor, the principle that in time
welded the religious sect of Sikhs, or disciples of Nanak,
into a political power under the tenth Panjab guru, Govind
Singh.
In the " SabdabalT," or " One Thousand Sayings of Kablr,"
the Vedantic doctrine of Maya, the Jaina, Buddhistic, and
Brahmanic doctrines of compassion towards all life were
1 1414-50. ° 1450-1526.
3 Grierson, " Modem Literature of Hindustan,'' p. 7: — " I have collected
hymns written by, or purporting to have been written by him, as far east as
Mithila."
* Wilson, H. H., " Religious Sects," p. 67.
' Hunter, "Indian Empire," p. 269 (1380-1420).
« In the " Bhakta Mala." ' Earth, "Rel. of India," 239.
346 LITERARY HISTORY OF INDIA
brought side by side with the monotheistic conception of
Vishnu : ^ —
" To Ali and Rama we owe our existence, and should therefore show
similar tenderness to all that live. Of what avail is it to shave
your head, prostrate yourself on the ground, or immerse your
body in the stream, whilst you shed blood you call yourself
pure and boast of virtues that you never display. Of what
benefit is cleaning your mouth, counting your beads, performing
ablution, and bowing yourself in temples, when, whilst you
mutter your prayers, or journey to Mecca and Medina, deceit-
fiilness is in your heart ? The Hindu fasts every eleventh day,
the Mussulman during the Ramazan. Who formed the remain-
ing months and days that you should venerate but one ? If the
Creator dwells in Tabernacles, whose residence is the universe ?
Wlio has beheld Rama seated amongst images, or foimd him
at the shrine to which the Pilgrim has directed his steps ? . . .
Behold but one in all things, it is the second that leads you
astray. Every man and woman that has ever been bom is of
the same nature with yourself."
On the death of Kabir, the Hindus and Muhammadans
are represented by tradition as disputing over their re-
spective rights to claim the body of the teacher. The
Muhammadans, according to their custom, desired to
bury it, the Hindus to burn it. Kabir, it is said,
appeared in the midst of the disputants and directed
both Hindus and Muhammadans to raise the cloth
covering his supposed remains. Beneath the cloth they
found nothing but a heap of flowers. In the holy city
of Benares half of the flowers were burnt by the Hindus,
and there the ashes were kept as sacred relics ; half
were claimed by the Muhammadans, who buried them
beneath a tomb near Gorakhpur.^
All over the land the loves of Sita for Rama, of
Radha for Krishna, were sung in more or less realistic
or mystic significance. As all hopes of a national
1 Wilson, H. H., " Religious Sects," "Sabda,"lvi. p. 8i.
^ Flourished in 1400 a.d.
THE FOREIGNER IN THE LAND 347
existence were further fading away, the people seemed
in their loneliness to be wailing forth their despairing cry
for the sympathy of a human or Divine love or aid.
To the East, in Behar, Bidyapati Thakur told in his
passionate and never - imitated sonnets, in the Maithili
dialect, the longings of the Soul for God, in the
allegorical form of the love of Radha for Krishna. In
the songs of Chandldas, the imitator of Bidyapati in
Bengal, a deeper note, though not so sweet, is given of
the same phase of thought which sent the intellectual
life of the time in on itself to brood over a love of God
for humanity, and humanity for God, in times when
Mughal raids had, for their rallying cry, the Prophet's
declaration of a Divine revelation : " Slay the unbeliever
and infidel where he may be found." ^
Chandidas sang the same wail of love in which the
Soul, personified as Radha, pours forth her love for the
Divine, as incarnate in Krishna.
This surrender of the Soul and the Self, as dreamed of
in all the true mystic symbolism of Jaya Deva, reached its
tenderest, though perhaps not its truest, depths in the
vision of Mira Bai,^ of Mewar, in the West of Hindustan,
in the fifteenth century, as it did in the sixteenth century
in Spain in the ecstasies of Santa Theresa.^ Mira Bai's
commentary on the " Gita Govinda " shows her passionate
devotion to the form of Krishna she worshipped, while
songs of her own composition* are sung far and wide,
from Dvaraka to Mithila. Tradition loves to tell how,
as she worshipped the image of Krishna, pouring forth
her impassioned appeal for its love, the image opened and
^ Timur, " Designs and Enterprises," p. 2.
2 Wilson, H. H., " Sects of the Hindus," p. 138 ; Grierson, " Modern
Literature of Hindustan," p. 12.
=* G. C. Cunningham, " Santa Theresa : Her Life and Times," Edinburgh
Review (October 1896).
^ Tod, J., " Rajasthan," vol. i. p. 289.
348 LITERARY HISTORY OF INDIA
closed around her so that she for ever disappeared from
earth.^ The piety of Mira Bai, the devoted follower of
Krishna, and founder of the Mira Bai sect, did not save
her from scandal and from persecution by her family.
The theme she sang had its own fascinations and dangers.
The mystic brooding over the longings of the Soul which
found expression in the burning terms of human love used
by Jaya Deva in the twelfth century in India, and by San
Juan de la Cruz ^ in the West, tottered on the verge of a
steep precipice.
In the soft, relaxing lowlands of Bengal the step was
early taken that sped mysticism down to realism. The
safeguard of spiritualism once abandoned, all was lost on
which the theme could preserve itself free from the con-
taminating taint of the earth and earthly. The tendency
of the whole literature was to sink lower and lower into
the abyss of lewd imaginings and sensuous fancies. The
outward and popular expression of the same realistic
tendency took the form of foul Tantric orgies, until at
length literature and religion dragged down in their fall
all the best on which they were founded.
Both phases of thought, the realistic and spiritualistic,
found their fullest expression and glorification in the
writings, teachings, and influence of two great founders
of distinct Vaishnava sects — the one, Vallabha Achatya, still
having numerous followers in Central India, Bombay, and
Gujarat, the other, Chaitanya, a name familiar in every
household of Bengal.
Vallabha Acharya, the founder of the Swami Vallabha
sect, is held to have been an embodiment of a portion of the
Divine Essence of Krishna, and numerous are the stories
current of his superhuman intelligence and power. His
great work was a commentary on the " Bhagavata Purana."
1 Tod, J., " Rajasthan," vol. ii. p. 760.
^ Lewis, D., " St John of the Cross : Life and Works."
THE FOREIGNER IN THE LAND 349
According to his teachings, the human soul, though
separated from the Divine Essence of Krishna, is identical
with it, and, as such, is as though it were a divine spark of
the Supreme Spirit itself The body, as the abode of this
portion of the Divine Essence of Krishna, should be
honoured and revered, not subjected to asceticism, but
nourished with every luxury in the way of eating, drinking,
and enjoyment. The doctrine was one destined to attract
a numerous following. The personality and undoubted
genius of Vallabha secured for it the recognition of the
wealthy and influential members of the community who
were shut out from all national life or political power.
These Epicureans of India might be passed over in silence,
along with all the worshippers of Sakti, or " force personified
as a goddess," and followers of Tantric rites, inasmuch as
they show no strife against the more debasing factors of
human nature, were it not that the most remarkable libel
case that could ever have arisen in a Court of Justice
respecting the privileges of a priesthood was heard in 1862
before the Supreme Court of Bombay, when a charge was
brought against the Maharajas, or modern successors of
Vallabha, that they claimed, as actual manifestations of
Krishna, to be entitled to receive from their disciples not
only adoration, expressed by submission of mind and
outpourings of wealth, but also by dedication of the bodies
of their female worshippers to probably the most eccentric
whims the depraved imaginings of a sect, working out
perverted ideals, could evolve.
Chaitanya, held to have been an absolute incarnation of
Krishna, and a worker of many miracles, represents to the
mystic-loving East what Luther represents to the West.
Born at Nadiya (Navadvip) in 1485 A.D., this enthusiastic
reformer and preacher, Chaitanya, gave expression in Bengal
to the peculiar mode in which its life and thought had
become modelled under climatic and political pressure, just
3SO LITERARY HISTORY OF INDIA
as Kabir before him had proclaimed the form the religious
thought of the people was taking in North India.
Of all the varied phases of Indian thought arising within
the lull that preceded the final conquests of the Mughals,
that phase which it was the mission of Chaitanya to proclaim,
with all the power of his eloquence and mesmeric influence
of his presence, shows most clearly how deeply the time
was moved by a faith or devotion in a deity, with whom,
as a consummation, complete union is sought Chaitanya,
first inspired at Buddha Gaya by the universal sympathy
of the Buddhist sage, and then roused to enthusiasm by
the memories of the thought of past ages as they swept
round the temple of Jagannath, went forth from his wife
and child as an enthusiast, to proclaim the love for, and of,
Krishna, at a time when Luther was preparing to rouse
Europe by his preaching. Five hundred years have passed
away since the time Chaitanya spread a faith in the saving
grace of Krishna throughout the land, nevertheless, down
to the present day, the same spirit that inspired Chaitanya
continues still to dwell among his followers.
In an interesting account of the life and precepts of
Chaitanya,^ lately^ published by his devout and aged
follower, Sri Kedar Nath Dutt, Bhakti Vinod, it can be
read how this spirit preserves its vitality undiminished
amid the changes that are sweeping over the land. This
exponent of the hopes of the present followers of the
teachings of Chaitanya declares his firm faith that, from a
devoted love to Krishna, a love like that of a girl for a
loved one, shown by constant repetition of his name, by
ecstatic raptures, singing, calm contemplation and fervour,
a movement will yet take place to draw to the future
church of the world "all classes of men, without distinction
of caste or clan to the highest cultivation of the spirit
This church, it appears, will extend all over the world, and
* The standard life is that of Krishna Das Kavi Raj. ^ ,ggj_
THE FOREIGNER IN THE LAND 351
take the place of all sectarian churches, which exclude out-
siders from the precincts of the mosque, church, or temple."^
The spirit that is to animate this new church is to be
founded on the principle that " spiritual cultivation is the
main object of life. Do everything that keeps it, and
abstain from doing anything which thwarts the cultivation
of the spirit." A devoted love to Krishna is to be the
guiding light, as preached by Chaitanya : " Have a strong
faith that Krishna alone protects you, and none else.
Admit him as your only guardian. Do everything which
you know Krishna wishes you to do, and never think that
you do a thing independent of the holy wish of Krishna.
Do all you do with humility. Always remember that you
are a sojourner in the world, and you must be prepared
for your own home." ^
The simple piety of this latest preacher of the teachings
of Chaitanya holds that Chaitanya " showed in his character,
and preached to the world, the purest morality as an
accompaniment of spiritual improvement. Morality, as a
matter of course, will grace the character of a bhakta (one
who has faith)." ^
The perplexing question of idolatry receives its usual
explanation in the following manner : " Those who say
that God has no form, either material or spiritual, and
again imagine a false form for worship, are certainly
idolatrous. But those who see the spiritual form of the
deity in their soul's eye, carry that impression as far as
possible to the mind, and then frame an emblem for the
satisfaction of the material eye, for continual study of the
higher feelings are by no means idolatrous." *
The words seem as if they pointed to the images Chaitanya
in his trances used to vision up before him of the deity and
the shepherdesses. In one of these trances, Chaitanya is
1 Dutt, K. N., "Chaitanya: His Life and Precepts," p. 60.
2/i5«<^., p. 57. » /(SjV., p. 58. ^/izV^., p. 47.
352 LITERARY HISTORY OF INDIA
held by tradition to have seen a vision of Krishna and the
shepherdesses, sporting in the glistening waters of the sea
near Puri, in Orissa, and, as he walked out towards them,
passed away forever from the world, having gained the
heaven of Vaikuntha in 1527 A.D., at the age of forty-two.
While Chaitanya in Bengal, moved by the same spirit
that had inspired the sonnets of Bidyapati in Behar, the
ecstatic trances of Mira Bai in Mewar, and the languid and
enervated sensualism of Vallabha Acharya in Benares, was .
pouring forth his mystic raptures over the loves of Radha
and Krishna, a new line of conquerors, whose song was
the " Song of the Sword," and whose love was a love for
plunder and the firebrand, was biding its time until all
things were prepared for the raid on Hindustan, and capture
of Agra, where all of the army were to gain presents in
silver and gold, in cloth, in jewels, and in captive slaves.^
In 1526, Babar, "The Lion," fifth in descent from Timur, or
Tamerlane who had conquered Kabul in 1 504, received an
invitation from the contending rulers of the north-west to
enter India with his TurkI hordes, and proclaim himself
Emperor of Hindustan.
Babar and his hardy troops soon swarmed down through
the Khaibar Pass, and on the fatal field of Panipat broke
in pieces the forces of the last king of the Lodi dynasty.
The new emperor, in his " Memoirs," narrates how this, his
fifth invasion, was crowned with success : —
" In consideration of my confidence in Divine Aid, the most High God
did not suffer the distress and hardships I had undergone to be
thrown away, but defeated my formidable enemy and made me
the conqueror of the noble country of Hindustan. This success
I do not ascribe to my own strength, nor did this good fortune
flow from my own efforts, but from the fountain of the favour and
mercy of God." ''
Though the rule of Babar and his descendants is known
^ Holden, E., " Mughal Emperors," p. 87.
' Leyden, John, " Memoirs of Babar," p. 310.
THE FOREIGNER IN THE LAND 353
as that of the Mughals, Babar himself, as descended from
Tamerlane, was a Turk, and, although his mother was a
Mughal, he speaks of that race with disdain and contempt,
as composed of wretches who plundered foes and allies
alike : —
" If the Mughal race were a race of angels, it is a bad race.
And were the name Mughal written in gold, it would be odious.
Take care not to pluck one ear of corn from a Mughal's harvest.
The Mughal seed is such that whatever is sown with it is execrable." '
Babar, having overthrown the power of the Lodi king,
found that, beyond the immediate neighbourhood of Delhi,
Hindu princes and Afghan governors and garrisons held
independent rule over such lands as yielded revenue, while
the outlying tracts were left at the mercy of marauding
bands, and of such petty chieftains as were capable of
raising themselves to power. Thus, when in 1526 Babar
reached the Chenab, he recorded how
" Every time that I have entered Hindustan, the Jats (of the Panjab)
and the Gujyars have regularly poured down in prodigious
numbers from their hills and wilds in order to carry off oxen and
buffaloes. These were the wretches that really inflicted the
chief hardships, and were guilty of the severest oppression on
the country. These districts, in former times, had been in a state
of revolt and yielded very little revenue that could be come
at. On the present occasion, when I had reduced the whole of
the neighbouring districts to subjection, they began to repeat
their practices. As my poor people were on their way from
Sialkot to the camp, hungry and naked, indigent and in distress,
they were fallen upon by the road, with loud shouts, and
plundered." ^
Babar's own views of the country, its religions and people,
show how he and his race came to the land as much
foreigners as the succeeding European adventurers. His
^ Leyden, J. " Memoirs of Babar," p. 93.
" Ibid., p. 294.
2
354 LITERARY HISTORY OF INDIA
accounts read almost as though they were the superficial
observations of some stray traveller of to-day : ^ —
" Most of the natives of Hindustan are Pagans. They call the
Pagan inhabitants of Hindustan, Hindus. Most of the Hindus
hold the doctrine of transmigration. The ofticers of revenue,
merchants, and work-people, are all Hindus. In our native
countries, the tribes that inhabit the plains and deserts have
all names, according to their respective families ; but here
everybody, whether they live in the country or in villages, have
names according to their families. Again, every tradesman
has received his trade from his forefathers, who for generations
have all practised the same trade. Hindustan is acfeuntry
that has few pleasures to recommend it. The people are not
handsome. They have no idea of the charms of friendly
society, of frankly mixing together, or of familiar intercourse.
They have no genius, no comprehension of mind, no polite-
ness of manner, no kindness or fellow-feeling, no ingenuity or
mechanical invention in planning or executing their handicraft
works, no skill or knowledge in design or architecture ; they
have no good horses, no good flesh, no grapes or musk-melons,
no good fruits, no ice or cold water, no good food or bread in
their bazars, no baths or colleges, no candles, no torches, not
a candlestick."
His " Memoirs " give a vivid picture of the times in his
famed siege of Chanderi, one hundred and thirty-five miles
south of Agra. He describes the despairing valour of the
garrison in words which recall the incident so proudly
sung of in the Rajput ballads : —
The troops likewise scaled the walls in two or three places. In a
short time the Pagans, in a state of complete nudity, rushed
out to attack us, put numbers of my people to flight, and
leaped over the ramparts. Some of our people were attacked
furiously and put to the sword. The reason of this desperate
sally from their works was, that on giving up the place for lost,
they had put to death the whole of their wives and women, and
having resolved to perish, had stripped themselves naked, in
which condition they had rushed out to the fight, and engaging
with ungovernable desperation, drove our people along the
ramparts. Two or three hundred Pagans . . . slew each other
' Leyden, J., "Memoirs of Babar," pp. 332-33.
THE FOREIGNER IN THE LAND 355
in the following manner : One person took his stand with a
sword in his hand, while the others, one by one, crowded in
and stretched out their necks, eager to die. In this way many
went to hell ; and by the favour of God, in the space of two
or three hours, I gained this celebrated fort.' *
One short couplet of Babar sums up the sentiments that
inspired the fierce valour of the new-come, hardy Northern
warriors, in their contests with the gentler and less physically
capable Hindus of the East and South.
" Let the sword of the world be brandished as it may.
It cannot cut one vein without the permission of God." ^
His remark to his son on the subject of style in letter-
writing, shows how much sympathy Babar himself would
have had for the sensuous languor, the musical cadence of
word and rhythm, the use of brilliant metaphor and startling
allegory so loved by all Hindu poets. In writing to his
son, Humayiin, Babar records with all the frankness and
unpleasing truth of a Cobbett : " You certainly do not excel
in letter-writing, and fail chiefly because you have too great a
desire to show your acquirements. For the future you should
write unaffectedly, with clearness, using plain words which
would cost less trouble, both to the writer and reader."^
Babar had but short time to do more than extend his
rule from Multan to Behar. He died in 1530, leaving
an empire which extended from " the River Amu in Central
Asia, to the borders of the Gangetic delta in Lower Bengal." *
His son Humayiin, after a troubled reign, from 1530 to 1556,
during which he was driven from India by the previous
Afghan settlers under Sher Shah, the Governor of Bengal,
left the task of founding and consolidating the Mughal
rule to his son and successor, Akbar.
During the long and glorious reign of Akbar (1556-
1605), coinciding almost with that of Elizabeth in England,
India, for the first time, saw hopes that her varied peoples,
^ Leyden, J., "Memoirs of Babar," p. 377. ^ I6id., p. 415.
' /bid., p. 392. * Hunter, " Indian Empire," p. 344.
356 LITERARY HISTORY OF INDIA
divided as they were one from the other by race, language,
creed, and customs, might, under one sole ruler, tolerant of
all beliefs, and setting forth as his ideal the principle that
" every class of the community enjoys prosperity," ^ lay aside
their differences, unite and acknowledge "the suzerainty
of one prince who would protect and not persecute." ^
From first to last the endeavour of Akbar, with the aid
of his friend and biographer, Abul Fazl, was to reconcile
the contending claims of rival creeds and of varied races
that clamoured for recognition in the body politic. Hindus
and Muhammadans were employed alike. To win the
allegiance of the Rajput princes he intermarried with their
daughters. No one was persecuted for conscience sake,
and India obtained what it had never before possessed,
some hope that union, peace, and prosperity might be
secured within its borders. Akbar, in the words of one
of the most brilliant historians of India, "had convinced
his own mind that the old methods were obsolete ; that to
hold India by maintaining standing armies in the several
provinces, and to take no account of the feelings, the
traditions, the longings, the aspirations of the children of
the soil — of all the races in the world the most inclined
to poetry and sentiment, and attracted by the strongest
ties that can appeal to mankind to the traditions of their
forefathers — would be impossible." *
He early abolished the poll tax imposed by former
Muhammadan rulers on those of their subjects who did
not follow the faith of Muhammad. In the same year he
put an end to the inland tolls which each semi-independent
local governor had levied on the confines of the separate
provinces. He further relinquished a lucrative source of
revenue by refusing to continue the imposition of the
pilgrim tax on Hindus whose religion necessitated the
^ " Ain-i-Akbari," quoted in Holden's "Mogul Emperors.''
^- Malleson, "Akbar" (Ruler of India Series), p. 98. ' Ibid.^ p, 154.
THE FOREIGNER IN THE LANXl 35;
performance of pilgrimages to holy shrines, temples, and
sacred bathing-places.
There were, however, Hindu customs and ancient rites
which Akbar, tolerant as he was, refused to recognise.
These he strove vehemently to suppress, and by his efforts
and laws forestalled the British Government in some of
the most important enactments by which its administration
has been signalised. He put an end to the time-honoured
custom of making slaves of those captured during war.
He made the re-marriage of widows legal, forbade infant
marriage, and prohibited, unless the act was voluntary on
the woman's part, the practice of SatI, or the burning of a
widow on her husband's death.
In his efforts to form a state religion, wide enough to be
acceptable to all his subjects, he was actuated by the spirit
that had already given rise to the teaching of Kabir, and
was to infuse the army of the Khalsa with a bond of Sikh
unionism.
He directed his " king of poets," and friend Faizi,^ the
brother of Abul Fazl, to prepare a translation of the New
Testament into Persian, and his historian, Abul Kadir
BadaunI, the author of the " Tarikh-i-BadaunI," to translate
the " Ramayana," and part of the " Mahabharata."
To strict Muhammadans Akbar was an apostate from
the true dictates of his own religion. In his efforts to
frame a religion eclectic enough for both Muhammadans
and Hindus, he went so far as to erase the name of
Muhammad from the creed, " There is but one God, and
Muhammad is His Prophet." He himself was to be the
declarer of the more merciful decrees of the one God, and
he was to be the sole arbitrator in religious matters and
the source of all legislation.
1 Raja Birbal was the Hindu Poet Laureate, and Faizi, the Persian
Laureate.— Blochmann, " Ain-i-Akbari," p. 404 {fiott l). "Faizi also
translated the 'Lilawati,' and Abul Fail the 'Kalilah Damnah.'"— /iJzi,
p. xvii.
358 LITERARY HISTORY OF INDIA
The full meaning and result of this design of Akbar is
set forth in the introduction to Blochmann's translation of
the "Ain-i-Akbari, or Account of the Religion, Politics,
and Administration of the Times," by. Abul Fazl: —
" If Akbar felt the necessity of this new lav/, Abul Fazl enunciated it
and fought for it with his pen ; and if the Khan Khanans gained
the victories, the new policy reconciled the people to the foreign
rule ; and whilst Akbar's apostasy from Islam is all but forgotten,
no emperor of the Mughal dynasty has come nearer to the ideal
of a father of his people than he. The reversion, on the other
hand, in later times to the policy of religious intoleration, whilst
it has surrounded, in the eyes of the Moslems, the memory of
Aurangzib with the halo of sanctity, and still inclines the pious
to utter a ' May God have mercy on him,' when his name is
mentioned, was also the beginning of the breaking-up of the
empire."'
Although Akbar encouraged Brahmans, Mussalmans,
Jews, Parsis, and Christians, to proclaim freely before
him their creeds, beliefs, and faiths, and although tradition
tells, though perhaps on no strong evidence, that one of
his wives was a Christian, still the task to which he had
set his hand was one impossible to accomplish. His
desire to see good in every religion and good in every
man, his very tolerance and efforts to extract the best
from every faith, left him indifferent to the carping dis-
tinctions of dogmas and creeds.
For himself he fashioned forth an eclectic creed of his
own. Not only did he bow down before the Sun, as the
representative and ruler of the Universe, but he claimed
for himself the homage and adoration of his subjects — a
worship which strict Muhammadans held to be due to God
alone. As a result, the bigotry of Muhammadanism led to
the assassination of Abul Fazl, and, on the death of Akbar,
the contending interests of rival religions and races broke
forth afresh with' a vigour and animosity renewed from
their long slumber.
' Blochmann, "Ain-i-Akbari," p. xxix. (Introd.).
THE PORBtGNER IN THE LAND 359
Akbar's own Poet Laureate Birbal, was a Brahman Bhat,
or minstrel of KalpI, whose wise sayings and bon-mots are
still remembered in North India.^ In 1583 Birbal was sent
to fight against the Yusufzais, and there, to the grief of
his devoted friend, Akbar, met his death. The poet gained
the lasting hate of all orthodox Muhammadans for the
part he was supposed to have taken in influencing the
emperor to forsake Islam.
Badauni, the historian, in recording the defeat of the
army, the severest defeat suffered by Akbar, grimly says : —
" Nearly eight thousand men, perhaps even more, were killed. Birbal
also, who had fled from fear of his life, was slain, and entered
the row of the dogs in hell, and thus got something for the
abominable deeds he had done during his life-time."^
The same historian, while narrating the events of the
year 1588, mentions : —
" Among the silly lies — they border on absurdities — which, during this
year, were spread over the country, was the rumour that Birbal,
the accursed, was still alive, though in reality he had then for
some time been burning in the seventh hell. The Hindus, by
whom His Majesty is surrounded, saw how sad and sorry he was
for Birbal's loss, and invented the story that Birbal had been
seen in the hills of Nagarkot, walking about with Jogls and
Sannasis. His Majesty believed the rumour, thinking that
Birbal was ashamed to come to court on account of the defeat
which he had suffered at the hands of the Yusiifzals ; and it was,
besides, quite probable that he should have been seen with
Jogls, inasmuch as he had never cared for the world." '
What shape the course of Indian history might have
taken had the Mughal dynasty produced a successor
worthy of Akbar is now impossible to foresee. He
himself, it is said, had designed his tomb to be crowned
with a dome.* Perhaps he foresaw in the early death of
^ Blochmann, ' ' Ain-i- Akbari "p. 404 ; Grierson, ' ' Literature of Hindustan,"
P- 35-
'■^ Ibid., p. 204. ' Ibid., p. 404.
^ Purchas, "His Pilgrims," vol. i. p. 440, quoted by Fergusson, p. 587.
36o LITERARY HISTORY OF INDIA
his sons, and the debaucheries of the heir-apparent, Prince
Salim, who had instigated the assassination of Abul Fazl,
the speedy decay of the empire, and left his design un-
completed, dreaming, as he is pictured by the late Poet
Laureate : —
" I watch'd my son
And those that follow'd, loosen stone from stone
All my fair work ; and from the ruin arose
The shriek and curse of trampled millions, even
As in times before ; but while I groan'd
From out the sunset poured an alien race
Who fitted stone to stone again, and Truth,
Peace, Love, and Justice came and dwelt therein."
There is no evidence that the hopes of Akbar would
have been realised even if his work had been continued by
successors gifted with a genius equal to his own. The
rule of the earlier Muhammadan emperors had shown how
impossible it was to keep the land from being turned into
a battle-field whereon the rival claims of divided chieftciins,
princes, and robber bands should be for ever contested and
never finally placed at rest.
Guzarat, in the West, had thrown off the authority of the
Delhi Sultan, and remained an independent kingdom, from
1371 to 1573, gaining strength to include, in 1531, within
its dominions the territories of the adjoining ruler of
Malwa. Even the independent Muhammadan state of
Jaunpur, which included Benares, the sacred city of the
Hindus, continued independent from 1393 to 1478.
In the South the kingdom of Vijayanagar, until over-
thrown at the battle of Talikot, in the middle of the
sixteenth century by the Muhammadan rulers of the
Deccan, held independent rule from its ancient capital,
whose ruins now lie scattered along the banks of the
Tangabhadra, and the last of its kings had authority
enough to grant the site of Madras to the English in 1639.
THE FOREIGNER IN THE LAND 361
More convincing still of the impossibilityof a native central
authority being able to preserve touch with all the outlying
states of India, and to conquer and compel the allegiance
of, or to conciliate, the varied races and nationalities, is the
fact that, on the break up of the great Bahmani dynasty,
which exercised independent rule over the Deccan from the
middle of the fourteenth century to the end of the six-
teenth century, the five great Muhammadan governor-
ships, with their capitals at Bijapur, Golconda, Bidar,
Ahmadnagar, and Ellichpur, founded dynasties known as
those of the Adil Shahi, Katb Shahl, Barid Shahl, Nizam
Shahl, and Imad Shahl, and preserved sovereign indepen-
dence until overthrown, the first four by Aurangzib, and
the last two, which had united in 1572, by Shah Jahan in
1636.
The whole of the difficulties of the situation are indicated
in the summing-up, by Sir W. Wilson Hunter,^ of the
results attained by the early Muhammadan rulers at Delhi,
where he shows how "they completely failed to conquer
many of the great Hindu kingdoms, or even to weld the
Indian Muhammadan state into a united Muhammadan
empire." ^
By the time of the death of Babar, Muhammadan rule
had shown no sign of obtaining a permanent abiding-place
in India. In 1541, Humayun was a fugitive in Sind, and
returned not to Delhi until 1554, and then only for a few
months' reign.
Four years later, when Akbar came to the throne,
Benares, Behar, and Bengal were independent, and India,
South and West, was beyond the^ limits of his empire. It
was not until he had reigned almost twenty years, that all
' "Indian Empire," p. 343.
^ In the fourteenth century Muhammad Tughlak had conquered the Deccan,
but at his death the Afghan dynasty of the Bahmani kings, whose possessions,
at the close of the fifteenth century, were divided into the five kingdoms
of the Deccan, assumed possession.
362 LITERARY HISTORY OF INDIA
India north of the Vindhyas, and Orissa, acknowledged
his sway. After subduing Berar and capturing Ahmad-
nagar in the Deccan, he had to be content with tribute
and vows of friendship from the kings of Bijapur
and Golconda.
The spirit of Akbar's time and genius has its memorial
written imperishably in stone, in the tomb built for him at
Sikandra. In itself, it typifies the limit reached by
Muhammadan and Hindu compromise.^
The tomb, like Akbar's eclectic religion, represents the
conception his master-mind had worked out, of a recon-
ciliation of all racial and religious difference, so that the
best that India held of valour and genius might unite to
rule the land for the benefit of all, and evolve in peace and
rest new ideals of law and order.
The early Muhammadan architecture, like its rule, was
essentially foreign to the people, and to the soil of India.
The dynasty of Ghor built its mosques with high front
walls, overlapping courses and ogee-pointed arches. The
dynasty of Khiljl lapsed into horse-shoe arches and elaborate
decoration, while the house of Tughlak stamped the impress
of its heavy hand on its great sloping walls, plastered
dome, and pointed stucco arches. The commencement of
the rule of the Mughals was marked by their own peculiar
style, as seen in the tall Persian domes and glazed tiles of
the tomb of Humayun. During the long reign of Akbar,
the compromise with the Hindu architecture ran parallel
with the development of Akbar's eclectic religion and
philosophic systems, the Hindu bracket and horizontal
style of building leading gradually to the disappearance of
the arch. The great fort and palace at Agra, and the
' "A design borrowed, as I believe, from a Hindu or, more correctly,
Buddhist model. "—Fergiisson, "Ind. Architecture," p. 583. "The consequence
is a mixture throughout all his works of two styles, often more picturesque than
correct, which might, in the course of another half century, have been blended
into a completely new style if persevered in. " — Fergusson, p. 574.
THE FOREIGNER IN THE LAND 363
magnificent ruins at Fatehpur Sikri tell the spirit of Akbar's
reign as distinctly as do the " Ain-i-Akbari" of Abul Fazl,
the history of Badauni, or the " Tabakat-i-Akbari" of Nizam-
ud-dln- Ahmad.
The buildei-s of the Mosque of Katb-ud-dln at Delhi had
razed the Hindu temples to the ground, hewn the idolatrous
decorations from the stately pillars, and then used them as
supports for their own arched colonnades. The tombs of
the Ghori Altamsh and his son, the great majestic south
gateway of the Katb Mosque, the Tughlak Mosque of
Khan Jahan at Delhi, and the later Afghan Kila Kona
Mosque at Indrapat, as well as the tall, domed tomb of
Humayun, all stand forth uncompromising, in their stern
severity and strict adhesion to their own ideals and
purposes. The palaces of Akbar, the ruins of his build-
ings at Fatehpur Slkri, and his own tomb, show, step by
step, the weakening of the vigour, and simplicity of the
foreign influence, the drooping of the fanaticism and
intolerant spirit of Muhammadanism, until, finally, the
palaces and tombs, with their pictured mosaics and lavish
decorations, of the luxurious and pleasure-loving sensualist.
Shah Jahan, tell not of a tolerance, but of an indifference
and submission to the bondage of climatic influence, which
all the bigotry and fanatic Muhammadanism of Aurangzlb
could not strive against. There were elements of danger
and decay underlying the whole of this spirit of toleration.
The climate was quickly producing its enervating effect on
the rude and rough soldiers who had won Babar his
empire. From beyond the frontiers no new recruits were
coming to preserve the pristine vigour of the ancestors of
Aurangzlb. Bijapur and Golconda had yet to be
conquered. The Marathas, in their mountain homes, were
a race waiting to rise to power, defy the whole army of
Aurangzlb, and sorely try the valour of British troops. The
proud Rajputs would support an Akbar who respected
364 LITERARY HISTORY OF INDIA
their chivalry and honour, yet their aid could easily be
turned into defiance. The great general of Akbar,
Bhagavaa Das, the Raja of Jaipur, gave his daughter
to the Mughal Emperor, and bears a name among the
Rajputs which is still " held in execration, as the first who
sullied Rajput purity by matrimonial alliance with the
Islamite."^ The successor of Akbar, born the son of a
Rajput princess, continued more from indifference than
toleration the policy of his father, a policy followed by
Shah Jahan, also the son of a Rajput princess, daughter of
the Raja of Manvar. The intolerance and bigotry of
Aurangzlb, however, roused the Rajputs to rebellion, and
Hinduism showed its power and strength when the stiff-
necked Aurangzlb imposed again the odious poll tax, and
gave orders " to all governors of provinces to destroy, with
a willing hand, the schools and temples of the infidels, and
... to put an entire stop to the teaching and practising of
idolatrous forms of worship."* The effete Mughals were
left to continue their work of the conquest of the South,
with new forces rising around them on all sides, threatening
to sweep away the structure already undermined and sapped
of its strength.
Brahmanism remained with its undying vitality of
intellectual life to continue its own course unmoved.
The glorious reign of Akbar had seen an outbreak of
native genius that, in its own lines, rivals that seen in
England in Elizabethan times. In his days, his great
finance minister, Todar Mai, a Kshatriya of Oudh, not
only wrote vernacular poems himself on morals {nlti)}
but translated the " Bhagavata Purana " into Persian, to
induce the Hindus to learn that language, in which he
ordered that all government accounts should be kept, a
^ Malleson, "Akbar," p. 182, quoting Tod's " Rajasthan."
^ Quoted in S. Lane-Poole's " Aurangzlb," p. 135.
' Grierson, " Vemac. Lit. of Hindustan," p. 35.
THE FOREIGNER IN THE LAND 365
determination that soon gave rise to the new Urdu
dialect.
Typical of the time is the story of Hari Nath, a poet who,
having received one lakh of rupees from Man Singh for
one verse, and two lakhs from another prince for two
verses, met, on his way home, " a mendicant of the Naga
sect, who recited a Sloka to him, at which he was so pleased
that he gave the beggar all the presents he had collected
and returned home empty-handed."^
The two poets who stand forth as shining stars of the
period were the blind bard, Sur Das, and the greater poet,
Tulsi Das, whose life and work extended into the reign of
Jahangir. Mr Grierson, whose every word in criticism is
weighed and uttered after a thorough and unique mastery
of his subject in all its bearings, classes the master-pieces
of Sur Das and Tulsi Das as not far behind the work of
Spenser and Shakespeare. These two names in them-
selves would have made the reign of Akbar the most
renowned in the history of Indian literature since the
days of Kalidasa. Sur Das, the blind bard of Agra, sang
of the faith in Krishna, in his " Sur Sagar," — said to contain
sixty thousand verses ^ — as the deity to whom he was de-
voted, and who, according to popular tradition, appeared and
wrote down the verses as the blind poet spoke them. The
story goes that the poet, finding that his amanuensis wrote
faster than his own thoughts flew, seized the deity by the
hand and was thrust away, on which the poet wrote a verse
declaring that none but the deity himself could tear the
love of Krishna from his heart : —
" Thou thrustest away my hand and departest, knowing that I am
weak, pretending that thou art but a man,
But not till thou depart from my heart will I confess thee to be a
mortal."'
' Grjfirson, " Literature of Hindustan," p. 39. ^ Hid., p. 24 {note j).
^ Jbid., p. 24 (note 4).
366 LITERARY HISTORY OF INDIA
Referring to verses^ of the later poet, Biharl Lai, who
sang, in his incomparable seven hundred lyric couplets in
the Braj Basha, near Mathura, the same mystic raptures
over the loves of Radha and Krishna as did Sur Das,
Mr Grierson^ has happily expressed himself, with no
uncertain meaning, as to the importance of a correct
appreciation of Eastern mysticism within its proper
limitations. Dealing first with the Christian expression
of love to God, and the answering love of God for his
creatures, the Eastern mode of thought is then fearlessly
put forward in words that must be weighed by all who
would read the native mind : —
" Hence the soul's devotion to the deity is pictured by Radha's self-
abandonment to her beloved Krishna, and all the hot blood of
Oriental passion is encouraged to pour forth one mighty flood
of praise and prayer to the Infinite Creator, who waits with
loving, outstretched arms to receive the worshipper into his
bosom, and to convey him safely to eternal rest across the seem-
ingly shoreless Ocean of Existence. . . . Yet I am persuaded that
no indecent thought entered their minds when they wrote these
burning words ; and to those who would protest, as I have oflen
heard the protest made, against using the images of the lupunar
in dealing with the most sacred mysteries of the soul, I can
only answer : —
' War den Dichter will verstehen
Muss in Dichters Lande gehen.' "'
A deeper, though less mystic, expression of the deep
religious broodings of the people was given by Tulsi Das
in his rendering of Valmikl's " Ramayana," a work in which
he showed the latent powers of Eastern dramatic genius.
The drifting of the soul and self into a mystic dream of
ecstatic union with the throbbing life that beats throughout
the universe had found in India a congenial resting-place
1 For 1617-1667. For the "Sapta Satika" of Hala, see Von Schrader,
" Ind. Literature," 575.
® The remarks of Mr Grierson in his Introduction to the edition of the
"SatsaiyaofBihari,"bySriLalluLalKavi(Calcutta, 1896), were unfortunately
received too late for more than reference here.
' Grierson, " Satsaiya" (Introd.), p. 8.
THE FOREIGNER IN THE LAND 367
in the spiritualising by Jaya Deva of the pastoral loves of
Radha and Krishna. This phase of thought rose to its
culminating point in the raptures of such great mystics of
the Middle Ages as Vallabha, Mira Bai, and Bidyapati, and
the greater poets of Akbar's days such as Krishna Das and
the blind bard, Sur Das. A love and faith in Rama, a
more human and heroic figure than that of Krishna, and
the love of Sita, a more perfect and womanly love than
that of Radha, were the themes that inspired Ramanand,
Kabir, and the great master poet of North India, Tulsi Das.
The Western mode of estimating the value and influence
of the work is given in the words of Mr Grierson : —
" Pandits may talk of ' Vedas ' and of the ' Upanishads,' and
a few may even study them ; others may say they pin their
faith on the 'Puranas,' but to the vast majority of the
people of Hindustan, learned and unlearned alike, their sole
norm of conduct is the so-called ' Tulsi krit-Ramayan.' " ^
The real title of the famed work is the "Rama
Charit Manas," or " Sea of Wanderings of Rama." It was
commenced in 1574, but the date of its completion is un-
known. Tulsi Das, however, died in 1624 A.D. Rama
represents the Supreme Being, through faith in whom all
intuition of Self fades away, leaving the soul in a trance-
like ecstasy to sink into placid oneness with the deity's
own true nature, the Universal Essence from which pro-
ceeded all Creation.
The poem of Tulsi Das was founded on the story of
Rama and Sita, as told in the second great epic of India,
the " Ramayana " of Valmlki. In the well-known " Bhakta
Mala," or " Legends of the Saints," by Nabha Das, giving,
in a hundred and eight verses, a short account of the
Vaishnavite poets who flourished in the sixteenth and
seventeenth centuries in Hindustan, one verse being given
to each poet, it is declared that the pronunciation of a
* Crieison, " Literature of Hindustan,'' p. 43.
368 LITERARY HISTORY OF INDIA
single letter of the " Ramayana " of Valmiki, written as it
was in the Treta Age for the salvation of mankind, would
suffice to save from all sin, even that of Brahman murder.
In the same " Legends of the Saints," Valmiki is said to
have appeared again on earth, in this the vile Kali Age, in
the person of Tulsi Das, so that a new " Ramayana " might
be constructed to lead mankind, as if in a boat, across the
ocean of endless births and re-births.
In the " Ramayana " of Valmiki, Rama was the son of
Da^aratha, King of Ayodhya of the Solar dynasty. As the
king for long had no son, a great horse sacrifice was
performed, and the gods thus propitiated. Rama was bom
to the king's first wife, Kau^alya, Bharata to the second
wife, Kaikeyl, and Lakshmana and Satrughna to the third
wife, Sumitra.
Rama, who possessed in the epic half the essence of
Vishnu, while still a youth, bent the wondrous bow of Siva,
kept by Janaka, King of Videha, and, by doing so, won as
his reward the king's daughter, Sita, the type of ideal love
and womanly grace. Through the intrigues of Kaikeyl,
who desired the kingdom for her son, Bharata, Rama was
banished by his father. King Dasaratha, from Ayodhya.
During the sojourn of Rama and Sita in the forest retreat,
Ravana, the demon king of Lanka, bore off Sita to his
island home where he in vain sought to win her love.
The recovery of Sita by Rama and his ally, Sug^Iva, King
of the Monkeys, who built the bridge of Rama and burned
down the stronghold of the demon, Ravana, has been held
as the metaphorical rendering of the Aryan conquest of
South India and Ceylon, the monkeys representing the
aboriginal inhabitants. The epic finds its fitting close in
the return of Rama and Sita to Ayodhya, and their corona-
tion as king and queen.
The story, however, is continued in a seventh book,
dramatised by Bhavabhuti in his " Qttara-Rama-Charitra,"
THE FOREIGNER IN THE LAND 369
where Rama hears of the lying rumour spread among his
subjects of Sita's submission to the love of Ravana. Rama,
though he knew the falseness of the rumour, held that a
king's first duty was the care of his subjects, so he banished
Sita from his kingdom, loth to have her share his throne
until all suspicion had been set at rest. In the end he
and Sita found once more reunion and passed to final
rest.
The rendering of the epic story in the " Sea of Wander-
ings of Rama," by Tulsi Das, stands as an abiding land-
mark in the literary history of North India, for not only
did it spread far and wide the doctrines of Ramanand,
and of a faith in Vishnu, but saved the people by the
influence of its chastened style and purity of sentiment
and thought from falling into the depths of that lewdness
and obscenity towards which the realistic rendering of the
mystic and spiritual loves of Radha and Krishna was ever
tending, and reached in Tantric and ^aivite orgies.
The mission of Tulsi Das was simply to set before the
people of North India, in their own vernacular, the figure
of Rama as a personification of the underlying Essence of
the Universe, as a revelation beyond the senses and reason,
to be received with faith, and cherished with love and
piety. In the commencement of his poem, Tulsi Das
deplores, in the orthodox manner, his own want of ability,
genius, or even capacity, for the theme he has undertaken.
He, however, proceeds with the task from the belief that
even an enemy would turn from censure if so exalted a
theme be told in clear style.^
In terms of mysticism he then calls on the reader to
repeat and ponder over the name of Rama, as symbolising
more than mere form, as connoting all that shadows
forth the path along which the soul must be led before
every semblance of the material is spiritualised. By thus
' Growse, K. S., " Ramayana," p. lO.
2 A
370 LITERARY HISTORY OF INDIA
fixing the thoughts, the soul "enjoys the incomparable
felicity of God, who is unspeakable, unblemished, without
either name or form." ^ In the first age of the world the
poet declared that salvation was to be found in contem-
plation; in the second age, in sacrifices; in the third,
Dvapara Age, in worship in temples, " but in this vile and
impure Iron Age, where the soul of man floats like a fish
in an ocean of sin, in these fearful times, the name is the
only tree of life, and by meditating on it, all commotion
is stilled. In these evil days neither good deeds, nor piety,
nor spiritual wisdom is of any avail, but only the name of
Rama." 2
The deep sincerity of Tulsi Das, the purest of all the
poets of his day, in seeking this refuge for the longings
of his soul, breaks forth in the words of Janaka, King of
Videha, whose daughter, Sita, is won by the warrior Rama : —
" O Rama how can I tell thy praise, swan of the Manas lake of the
Saints and Mahadeva's soul, for whose sake ascetics practise
their asceticism, devoid of anger, infatuation, selfishness, and
pride ; the all-pervading Brahman, the invisible, the immortal,
the Supreme Spirit, at once the sum and negation of all qualities,
whom neither words nor fancy can portray, whom all philosophy
fails to expound, whose greatness the divine oracles declare
unutterable, and who remainest the self-same in all times, past,
present, or fiiture. Source of every joy, thou hast revealed
thyself to my material vision ; for nothing in the world is
beyond the reach of him to whom God is propitious." ^
The true power of Tulsi Das as a descriptive poet is
shown in his treatment of the intriguing and crafty hunch-
back maid of Kaikeyl, the mother of Bharata, who is led to
demand, on the day when Rama was to be installed as heir
to his father's kingdom, the fulfilment of a vow made to
her by the king, that her own son, Bharata, should receive
the inheritance, and that Rama should be banished from
1 Growse, F. S., " Ramayana," p. 15. " Ibid., p. 18. ' Ibid., p. 167.
THE FOREIGNER IN THE LAND 371
the kingdom for fourteen years. The whole poem must
be read if any conception is to be obtained of its artistic
unity and dramatic power — a power unequalled in the
whole history of Indian literature.
The translation of Mr Growse happily preserves the
spirit and the form of this almost new Indian mode of
thought
The handmaid of the queen Kaikey! thus prepares the
motive for the poem : ^ —
" Taking Kaikeyi as a victim for the slaughter, the Humpback whetted
the knife of treachery on her heart of stone, and the queen,
like a sacrificial beast that nibbles the green sward, saw not
the approaching danger. Pleasant to hear, but disastrous in
their results, her words were like honey mingled with deadly
poison. Says the handmaid : ' Do you or do you not, my lady,
remember the story you once told me of the two boons pro-
mised you by the king ? Ask for them now, and relieve your
soul : the kingdom for your son, banishment to the woods for
Rama. Thus shall you triumph over all your rivals. But ask
not till the king has sworn by Rama, so that he may not go
back from his word. If you let this night pass it will be too
late ; give heed to my words with all your heart.' . . . The
queen thought Humpback her best friend, and again and again
extolled her cleverness, saying : ' I have no such friend as you
in the whole world ; I had been swept away by the Flood but
for your support. To-morrow, if God will fulfil my desire, I
will cherish you, my dear, as the apple of mine eye.' Thus
lavishing every term of endearment on her handmaid, Kaikeyi
went to the dark room. Her evil temper being the soil in
which the servant-girl, like the rains, had sown the seed of
calamity which, watered by treachery, took root and sprouted
with the two boons as its leaves, and in the end ruin for its
fruit. Gathering about her every token of resentment, she
undid her reign by her evil counsel. But meanwhile, the palace
and city were given over to rejoicing, for no one knew of these
wicked practices."
Rama, with his wife Sita, and his brother Lakshmana,
' Growse, F. S., " Ramayana," p. 191.
372 LITERARY HISTORY OF INDIA
go for fourteen years as hermits to abide in the forests,
where Rama is represented as a mere man, yet, by his
wisdom and heroic virtues, pointing out the path of duty
and virtue by which such of his devotees, as might realise
him as truly Divine, should pass over the sea of trans-
migration as if by a bridge. Lakshmana, as he watches
Rama and Sita sleeping in the forest on their bed of
leaves, declares the lesson to illustrate which the poem has
been composed. The doctrine of the delusive unreality of
all external form and appearance is first expounded, and
then Lakshmana continues : —
" Reasoning thus, be not angry with any one, nor vainly attribute blame
to any. All are sleepers in a night of delusion, and see many
kinds of dreams. In this world of darkness they only are awake
who detach themselves from the material, and are absorbed in
contemplation of the Supreme, nor can any soul be regarded
as aroused from slumber tiU it has renounced every sensual
enjoyment Then ensues spiritual enlightenment and escape
from the errors of delusion, and finally, devotion to Rama.
This ... is man's highest good — to be devoted to Rama in
thought, word, and deed. Rama is God, the totality of good,
imperishable, invisible, uncreated, incomparable, void of all
change, indivisible, whom the 'Veda' declares it cannot define.
In his mercy he has taken the form of a man, and performs
human actions out of the love he bears to his faithful people,
and to earth, and the Brahmans, and cows, and gods." ^
Again, when the pilgrims visit Valmiki 2 in his retreat in
the forest, the ascetic sage declares that Rama alone is
lord over all gods ; that man is but a puppet, playing the
part allotted to him in the dream of life, not knowing the
eternal truth until Rama, by his grace, bestows knowledge
so that all may become united with the deity, with Rama
himself, pure joy and bliss. This grace is only vouchsafed
to those who simply love Rama, and not to those who beg
for favours. The love for Rama is summed up in the
1 Growse, F. S., " Ramayana," p. 223. "- Ibid., p. 238.
THE FOREIGNER IN THE LAND 373
words : " Perish property, house, fortune, friends, parents
kinsmen, and all that does not help to bring one to
Rama."i
The universal salvation held out by faith in Rama to all
classes of the people, irrespective of caste, is set forth in the
words : —
" Even a dog-keeper, the savage hill people, a stupid foreigner, an
outcast, by repeating the name of Rama becomes holy and
renowned throughout the world ^ . . . for he is omniscient,
full of meekness, tenderness, and compassion." '
The best of all that Hinduism holds is sublimely rendered
in one grand hymn to Rama : * —
" I reverence thee, the lover of the devout, the merciful, the tender-
hearted ; I worship thy lotus feet which bestow upon the un-
sensual thine own abode in heaven. I adore thee, the
wondrously dark and beautiful ; the Mount Mandar to churn
the ocean of existence ; with eyes like the full-blown lotus ; the
dispeller of pride and every other vice ; the long-armed hero of
immeasurable power and glory, the mighty Lord of the three
spheres, equipped with quiver, and bow, and arrows ; the
ornament of the Solar race ; the breaker of Siva's bow ; the
delight of the greatest sages and saints ; the destroyer of all the
enemies of the gods ; the adored of Kamadeva's foe {i.e. of
Siva) ; the reverenced of Brahma and the other divinities ; the
home of enhghtened intelligence ; the dispeller of all error ;
Lakshmi's lord ; the mine of felicity ; the salvation of the saints.
I worship thee with thy spouse and thy brother, thyself the
younger brother of Sachi's lord. Men who unselfishly worship
thy holy feet sink not in the ocean of existence, tost with the
billows of controversy. They who, in the hope of salvation, with
subdued passions, ever delightedly worship thee, having dis-
carded every object of sense, are advanced to thy own sphere
in Heaven. I worship thee, the one, the mysterious Lord, the
unchangeable and omnipresent power, the eternal governor of
the world, the one absolute and universal spirit ; the joy of all
men day after day. I reverently adore thee, the king of incom-
parable beauty, the lord of the earth-born Sita ; be gracious to
me and grant me devotion to thy lotus feet."
' Growje, F. S., "Ramayana," 264. "^ Ibid., 268.
' Ibid., 271. * Ibid., 335.
374 LITERARY HISTORY OF INDIA
Under the indifferent tolerance of Jahangir, the able,
though drunken and debauched, son and successor of
Akbar, this faith in the saving aid of Rama was taught
by Tulsi Das in North India, by the disciples of Dadu,^
a cotton cleaner of Ahmadabad, throughout Ajmere and
Rajputana.
The long and peaceful thirty years' reign of Shah Jahan
left to the country prosperity, and to the emperor, in his
later days, wealth and leisure to build, at Delhi, his great
fort and palace, and the stately Juma Musjid, or " Great
Mosque." At Agra, the chastened beauties of the Gem
and Pearl Mosques, the magnificence, pomp, and splendour
of the palaces, long the wonder of the world for their
mosaics set in precious stones, depicting flowers, and
fruits, and birds, even human faces and figures, some
the work of Italian or Florentine artists, the stories
left by travellers of the Peacock Throne and its inlaid
sapphires, rubies, pearls, and emeralds, all give evidence
of the easy luxury of the times. The Taj built by Shah
Jahan to his devoted wife, Muntaj Mahal, the mother of
his fourteen children, remains, for the Mughals, the great
memorial of how their fierce wrath and lust for war and
plunder fell on gentle sleep in the soothing plains of India.
On the death of Shah Jahan, his vast treasures and empire
fell to his third son, Aurangzib, the ascetic saint and
bigoted adherent of Islam. The new emperor, in his
fanatic zeal for the Sunni faith, changed the Deccan from
a Dar-al-Hab to a Dar-al-Islam, and by his poll tax on all
Hindus, whose idolatry he hated, turned the Rajputs from
supporters of his throne to sullen foes. The Sikhs he
changed from caste followers of the meek and humble pre-
cepts of the " Adi Granth " of their first Guru, Nanak, to a
race of fiercest fighting men, who gave up all claim to caste,
' Founder of the Dadu Panthi sect, who worship Rama from a Vedantic
standpoint.
THE FOREIGNER IN THE LAND 375
so that, under their tenth Guru, Govind Singh, they might
unite " to wreak bloody revenge on the murderers of his
father, to subvert totally the Muhammadan power and to
found a new empire upon its ruins." ^ By his cold contempt
for Sivajl, " the Mountain Rat," he allowed the wily chieftain
— the protector of all " Brahmans and cows " — to weld the
Maratha peasantry into roving bands of predatory soldiers
with a burning religious zeal and hatred of Muhamma-
danism, until they grew into a power capable of exacting
a tribute of one-fourth of all the revenue up to the limits
of the English factory at Surat,^ away to the " Maratha
ditch," which had to be dug around Calcutta as a defence
against their raids.
While Aurangzlb wasted his strength and resources in
futile efforts to reduce the last two strongholds of in-
dependent rule in South India, hejd by the representatives
of the Katb Shahi dynasty at Golconda, and the Adil
Shahi dynasty at Bijapur, the people of the Panjab had
welded themselves into a bond of the fiercest warriors
the English ever met in India, while the Marathas were
laughing at the feeble efforts of the emperor to follow
their quick course.
Nanak, the founder of the religious faith of the Sikhs,
was born of Hindu peasant parents in the year 1469, at a
village named Talvandl, on the banks of the Ravi, not
far from Lahore. Following close on the lines of his
predecessor Kablr, a large number of whose verses are
included in the "Adi Granth," the first utterances of
Nanak which stirred the fanatic fury of both Hindu and
Muhammadans against him were: "There is no Hindu
and no Musalman." * Of his real life but little is known.
He is said to have visited Ceylon, thence returned home
' Trumpp, Ernest, "Adi Granth," p. xc.
* Burned as far as the English factory by Sivaji in 1664.
' Trumpp, Ernest, "Adi Granth," p. iv.
376 LITERARY HISTORY OF INDIA
performed miracles, and to have been captured by the
troops of Babar, on the conquest of the Panjab in 1524,
and then to have been released.^ Before his death, in
1538 A.D., he appointed his servant and disciple, Lahana,
to succeed him as Guru in his teachings, though it was not
until the time of the fifth Guru, Arjuna, that the writings of
Nanak and his successors were collected into the " Sikh Adi
Granth," or Scriptures, held to be of Divine revelation. The
system inculcated by Nanak, the first Sikh, was, in its
essentials, that taught by the "Bhagavad Gita," by Kabir,
and by Vedantism.
It was the worship of One Supreme Being, manifesting
itself in a plurality of forms, under the power of Maya, or
delusion, which produces the fallacious appearance of duality.
To the Sikh, this Supreme Being was known as " Brahm,
the Supreme Brahm, Paramesur, ' the Supreme Lord,' and
especially Hari, Ram, Govind."^
" All is Govind, all is G5vind ; without Govind there is no other.
As in one string there are seven thousand beads (so), is that Lord
lengthwise and crosswise.
A wave of water, froth, and bubble, do not become separate from the
water.
This world is the sport of the Supreme Brahm, playing about he does
not become another."'
Like all Vedantic and Eastern Pantheistic teaching the
system of Nanak had no quarrel with Hindu idolatry
and the gods of the Hindu Pantheon. The various forms
in which the Supreme Being manifests itself as sport,
through the delusion of Maya, were, however, not to be
mistaken for the real, uncreated, invisible, incomprehensible,
and indescribable Essence : —
' Trumpp, "Adi Granth," p. v.
^ Ibid., p. icviii.
^ Jbid., p. xcix.
THE FOREIGNER IN THE LAND 377
" Kablr says : A stone is made the Lord, the whole world worships
it.
Who remains in reliance on this, is drowned in the black
stream." ^
The position has been clearly put by Ernest Trumpp,
the late learned translator of the " Adi Granth " — a work
no Sikh Guru could read until he had first prepared a
grammar and dictionary of the old Hindu dialect, for,
as he records, " the Sikhs, in consequence of their former
warlike manner of life, and the troublous times, had lost all
learning." ^ According to his view
" It is a mistake if Nanak is represented as having endeavoured to
unite the Hindu and Muhammadan idea about God. Nanak
remained a thorough Hindu, according to all his views, and
if he had communionship with Musalmans, and many of these
even became his disciples, it was owing to the fact that Sufism,
which all these Muhammadans were professing, was, in reality,
nothing but a Pantheism, derived directly from Hindu sources,
and only outwardly adapted to the forms of the Islam. Hindu
and Muslim Pantheists could well unite together as they enter-
tained essentially the same ideas about the Supreme ; the Hindu
mythology was not pressed on the Musalmans, as the Hindu
philosophers themselves laid no particular stress upon it. On
these grounds tolerance between Hindus and Turks is often
advocated in the ' Granth,' and intolerance on the part of the
Turks rebuked."^
The Nirvana, or absorption of the Soul into the Supreme
Essence, was to be obtained by meditation on, and repeat-
ing of, the name and qualities of the Supreme Being, Hari,
which must be taught by the Sikh Guru : —
"After the true Guru is found, no wandering (in transmigration)
takes place, the pain of birth and death ceases.
From the perfect word all knowledge is obtained, he (the disciple)
remains absorbed in the name of Hari." *
^ Trumpp, "Adi Granth," p. ci.
'•* Ibid. (Prejace), p. vi.
' Ibid. . D. ci.
' Ibid. , p. ci.
* Ibid., p. 95.
378 LITERARY HISTORY OF INDIA
Devotion to the Guru and faith in his teachings, lead to
the true knowledge of Brahman and the power of Maya,
whence flows freedom from all delusion of duality : —
" In whose heart there is faith in the Guru :
Into that man's mind comes Hari, the Lord.
That devotee is heard of in the three worlds, '
In whose heart the One is.
True is his work, true his conduct,
In whose heart the True One is, who utters the True One
with his mouth.
True is his look, true his impression.
That the True One exists, that his expansion is true.
Who considers the Supreme Brahm as true :
That man is absorbed in the True One, says Nanak." ^
Though Nanak received all men without respect of
caste, and claimed for himself no divinity, no sanctity of
learning, the power placed in the hands of the Gurus soon
led to their very deification as the form of the Supreme
Being itself
In the days (1581-1606) of the fifth Guru, Arjuna, the
verses of Nanak, and the later saints and Gurus, were
collected in the " Adi Granth," as the guide to the people,
whose hitherto voluntary contributions to the Guru were
reduced to a form of regulated taxation. Arjuna himself
grew in wealth ; the Sikh faith spread fast throughout the
Jat population of the Panjab, until at length the fears of
Jahanglr were roused. The Guru was arrested, imprisoned
at Lahore, and there, it is said, he died from torture
and ill-treatment. Guru Har Govind (1606-1638), the son
of Arjuna, roused the Sikh disciples to arms against the
murderers of his father, and sent them forth to blackmail
the local governors of the Mughal emperor. Shah Jahan, and
retaliate for the insults levied on the Sikh Gurus. The
ninth Guru, Teg Bahadur (1664-1675), was seized by the
fanatic, Aurangzlb, at Delhi, cast into prison, and there
1 "Adi Granth," p. 407.
THE FOREIGNER IN THE LAND 379
cruelly tortured along with some Brahmans, in hopes that
they might consent to embrace the Muhammadan faith.
The Guru in despair, and wearied of his tortures, bowed
his head before the keen sword of a Sikh disciple, his
companion in misfortune, sending word to his son, GSvind
Singh, the tenth and last Guru, to avenge his death : —
" My strength is exhausted, fetters have fallen upon me, there is no
means of escape left ;
Nanak says : Now Hari is my refuge, like an elephant he will become
my helper." ^
Guru Govind Singh first summoned from Benares some
Brahmans to prepare him for the course he had set be-
fore him — a religious war against Muhammadanism and
Aurangzlb. The aid of Durga, the blood-loving wife of
Siva, the favourite deity worshipped by Govind Singh, had
first to be gained. One of his disciples offered himself as a
sacrifice to Durga, and on his head being presented to the
goddess, it is fabled that she appeared and promised
success to the sect of the Sikhs. Five more disciples
offered themselves as further sacrifices. Sherbet, stirred
by a two-edged dagger, was given them to drink. The
Guru drank himself, his disciples followed, and all were thus
initiated as the first members of the Khalsa, or "special
property of the Guru." To every disciple the name of
Singh, or " Lion," was given. Their vows were : Not to cut
their hair, to carry a comb, a knife, and sword, and to wear
breeches reaching to the knee. To gather in all the
people into one united body opposed to Muhammadans,
Govind Singh abolished caste, and wrote for his followers
a " Granth " of his own to " rouse their military valour and
inflame them to deeds of courage." ^
Sivajl, the welder of the Marathas of the Deccan and
^ A couplet in the " Granth," written by Teg Bahadur, quoted by Thornton
m J.R.A.S., vol. xvii. p. 393.
2 " Adi Granth," p. xci.
38o LITERARY HISTORY OF INDIA
West Coast into a band of robbers and fierce fighting men,
was wise enough to use the same power of religious en-
thusiasm for his own purposes. Crafty, fierce, and deter-
mined, he had early taken as his Guru the Brahman
Ramadas, so that he might be the acknowledged champion
of Brahmanism against Islam.
For long the Marathas had slumbered in peace, tilled
their fields, and worshipped their idol, Vithoba,* whose praises
the great emotional poet of the Marathas, Tuka Rama,^
a Sudra of Poona, sang in his five thousand hymns : —
" Sing the song with earnestness, making pure the heart ;
If you would attain God, then this is an easy way.
Make your heart lowly, touch the feet of saints,
Of others do not hear the good or bad quality, nor think of them.
Tuka says : Be it much or little, do good to others." '
The policy of Sivaji was not wholly the outcome of
his cunning. Like all Hindus, he had his own strong
religious convictions, and these inspired many of his
actions. His power he professedly held as the gift of
his Guru, Ramadas. All his wealth and kingdom he
placed at the feet of the Brahman, and would only receive
it back as a gift, holding himself as the disciple and
servant of his Guru, a position indicated by the flag his
horsemen carried, the "red ochre-coloured cloth worn by
Sanyasis." * To Tuka Rama, the Sudra poet of the Maratha
nation, he sent a message, accompanied by a retinue of
servants, elephants, horses, and the state umbrella, begging
the favour of a visit, only to receive back the answer from
^ Dr Murray Mitchell, "Hinduism,"' p. 170, for an account of the deity
who derives his name from standing on a brick, and described by Tuka as
" beautiful is that object, upright on the brick, resting his hand on his loin."
* "Poems of Tuka Rama," edited by Vishnu Parashuram Shastri Pandit
(Bombay, 1869).
' Quoted from Sir A. Grant's translation in Fortnightly Review (1867).
* "Poems of Tuka Rama," p. 16.
THE FOREIGNER IN THE LAND 381
the preacher of a salvation to the Maratha nation, through
a faith in Krishna, worshipped under the form of Vithoba : —
"Brahma has created this Universe, making it the scene of his
diversion and skill.
I observe an amiableness in thy letter which proves thee
A child of skilfulness, devout in faith and wise, with a heart
devotedly loving thy spiritual guide.
The holy name 'Siva' was rightly given thee, since thou art the
throned monarch of the people, the holder of the strings of
their destiny.
What pleasure is there in paying a visit? The days of life are
fleeting past.
Having known one or two duties which are the real Essence, I shall
now live in my own delusion.
The meaning of the whole which will do thee good is this — God is
the all-pervading soul in every created object.
Live with thy mind unforgetful of the all-pervading soul, and witness
thyself in Ramadasa.
Blessed is thy existence on earth, O king, thy fame and praise
extend over the three worlds."
Like all great reformers Tuka Rama had to suffer bitter
persecution : —
" It was well, O God, that I became bankrupt ; it was well that famine
afSicted me.
The deep sorrow which they produced kept in me the recollection
of thee, and made worldly pursuits nauseating to me.
It was well, O God, that my wife was a vixen ; it was well that I
came to such a miserable plight among the people.
It was well that I was dishonoured in the world ; it was well that
I lost my money and cattle.
It was well that I did not feel worldly shame ; it was well that I
surrendered myself to thee, O God.
It was well that I made thy temple my abode, neglecting children
and wife."
Being a Sudra, Tuka Rama had to win his way against
Brahmanic opposition, and by his preaching, singing, and
simple life rouse the slumbering spirit of the Maratha
nation. The potential force of such a movement is too
382 LITERARY HISTORY OF INDIA
often lost sight of by those who judge Indian life from a
Western standpoint.
In the life of the poet ^ by a native scholar accustomed
to Western modes of thought, and trained to a Western
respect for historic accuracy, the living power of a force
exercised by such a character as Tuka Rama is clearly
indicated by the estimation given of his influence on the
movements of the time : —
" By that inherent force of truth to triumph, and to outlive, and by
that unforeseen and unexpected succour which the truly faithful
and sincere receive from quarters unknown, call it miracle or
anything else, Tuka Rama and his poemsoutlived his persecutors
and inculcated in the Maratha nation the great doctrine of
' Salvation by Faith.'"
It was Maratha daring, Rajput chivalry, and the stubborn
heroism of Sikh soldiery that England had to meet before
it conquered India, and the West may rest assured that the
awakening of a spirit of revolt in India will be first
presaged by a wide-spread religious movement, broad
enough in its basis, and popular enough in its forms, to
enrol the sympathies of the mass of the people. All other
movements must fall to pieces for want of strength, unity,
or cohesion, or motive power.^
When the unloved and worn-out king crept back to
Ahmadnagar to die in 1707, after twenty-six years' weary
efforts to hold the Deccan free from Maratha raids, he
wailed forth, in a letter to his son, Azim,* the sad downfall
of all his hopes and the wreck of his empire : —
" I am grown very old and weak, and my limbs are feeble. Many
were around me when I was bom, but now I am going alone.
* By Janardan Sakharam Gadgil, B.A., prefixed to the "Poems of Tuka
Rama" (1869), p. 12.
"^ This was written before the Maratha outrages of Poona, towards the end
of June. Much uneasiness might have been assuaged, and much hasty counsel
ignored, if a wider insight into Indian life and history was more prevalent than
it seems to be at present.
' Quoted in S. Lane-Poole's " Aurangzib," p. 203.
THE FOREIGNER IN THE LAND 383
1 know not why I am, or wherefore I came into the world. I
bewail the moments which I have spent forgetful of God's
worship. I have not done well by the country or its people.
My years have gone by profitless. God has been in my heart,
yet my darkened eyes have not recognised His light. The army
is confounded, and without heart or help even as I am. . . .
Come what will, I have launched my bark upon the waters.
Farewell ! "
Not one hundred years later the EngHsh took from out
the keeping of his Maratha captors, the blind Shah Alam,
" King of the World," and the feeble remnant of Mughal
supremacy passed under British power. The tragedy was
well played out. The relentless sword of Babar was
sheathed by Akbar, its handle set with precious gems, and
the scabbard cased in velvet by Shah Jahan. When
AurangzTb once more drew the blade to proclaim a Jihad,
or " Holy War," against all infidels, he found that the
fanatic faith that fired his soul would call on God in vain
to brighten up the blade and steel the edge, for the might
that clove a way for Babar's Mughal hosts was not the
arm of God, but the fierce Northern strength of race and
clime that had long since passed away from the debauched
and effeminate nobles and followers of Aurangzib, who
were left in their vain crusade without hope or help.
India fell not from Mughal sway to the divided rule and
contending claims of Rajput, Maratha, or Sikh ; it fell to
a power able to hold all North India, from Calcutta to
Bombay, and all south of the Vindhya range, secure from
inward strife of race, religion, caste, or sect ; powerful
enough to protect it from all foreign invasion, and wise
enough never to allow its manhood to decay by long
residence or settlement in a clime where race after race
of Northern conquerors, Aryan, Pathan, Mughal, Turk,
and Portuguese have sunk to soothing rest in the sun-
steeped plains.
CHAPTER XV,
THE FUSING POINT OF OLD AND NEW,
Every ten years the Government of India presents to the
House of Commons a statement of the " Moral and Material
Progress and Condition of India " during the nine preceding
years. A similar statement, presented annually, shows the
progress and change made during the year under review.
These statements give a graphic description of the
frontiers and protected states. They contain a detailed
account of the administration, of the laws, legislation,
litigation, and crime. They give full information regarding
the sources of revenue, trade, commerce, and manufactures,
the outlay on, and income from, public works, vital
statistics, and sanitation, and include tables of net revenue
and expenditure, as well as a short account of public
instruction, literature, and the Press. The statements set
forth the salient features of the administrative machinery
working for the advancement of the material improvement
of the community. It, however, remains a task outside the
scope and limits of a Blue Book to discern and chronicle in
how far a Western civilisation has wrought changes of a
permanent character in the religious or moral feeling of the
384
THE FUSING POINT OF OLD AND NEW 385
people, or infused a new intellectual life into the
traditional modes of thought that had satisfied the
brooding spirit of Brahmanical and indigenous genius,
so long overwhelmed by the sea of Muhammadan
conquest
In how far, it might be asked, would the people of India,
if left to govern themselves, undisturbed by foreign invasion
or internal anarchy, carry out the ideals of a progressive
civilisation, working for the amelioration of the lot of
mankind ? Would commerce thrive, or would it drift into a
condition where none of the agricultural produce would be
forthcoming for exportation, in exchange for the manu-
factures, metals, hardware, etc., of the West ? Would India
submit to religious intolerance, and a corrupt administra-
tion, after having been accustomed to the impartiality and
justice of a British rule? Would the great works of irriga-
tion be neglected and allowed to fall into decay? Would
railways, and all efforts for sanitary improvement be
abandoned if bereft of Western control ? Would famine be
allowed to devastate the land, and no efforts be made for
a widespread organised relief, or medical skill be no
more forthcoming to combat the ravages of pestilence and
disease? Would caste once again forge its bonds, and
enslave the people? Would superstition regain its old
sway, and customs, abhorrent to humanity, be honoured
as in days of old ? Would India, in fact, drift back into
a stationary condition of society as the final outcome of
three hundred years of Western effort for its moral and
material progress, or has she had implanted in her any-
thing of the vital principles of energetic strife for advance in
the history of the nations of the world ? It may be laid
down as a truism, that nothing of permanent good that has
once been brought into contact with the East will be wholly
thrown away or rejected. The subtle brain of the Eastern
will patiently, all too slowly for unimaginative and hasty
2 B
386 LITERARY HISTORY OF INDIA
Westerns, sift everything, assimilate what it finally discerns
to be best suited for its own purposes, ultimately accreting
nothing to itself, which with its own unfailing instinct it
feels to be antagonistic to the conditions whereby it has its
own existence.
Difficult as the task must always be, even if for the greater
part it be not altogether impossible, to ascertain in how far
the literature, architecture, science, and religions of India
have been moulded or impressed by foreign influences —
Accadian, Macedonian, Scythian, Muhammadan, Mughal,
or Portuguese — still more difficult is it to discriminate in
how far British rule in India has worked towards im-
planting new ideals destined to advance the moral and
intellectual condition of the people. At the present
day the evidence is so evasive and slight, so localised and
difficult to discern, that it must remain more a matter of
opinion ^ and feeling, than of proof, as to how far the people
of India have been influenced by the new world of thought
opened up to the educated natives through the medium of
English education. The surest evidence is to be found in
the literature which the thought of the time has produced.
If the best of that literature indicates that new modes of
thought and expression have been created, it may with
confidence be expected that such a literature is yet destined,
not only to remain an inalienable possession of the people,
but also to abide as an influence for furthering the in-
tellectual and moral advancement of the community. The
means taken by the British Government to advance the
intellectual life of the people, and what has been recorded
as a result in the literature of the country, can only be
summarised and indicated. It must remain for the future
' Sir Alfred Lyall has recently held that : " To no foreign observer, therefore,
are sufBcient materials available for making any sure and comprehensive esti-
mate of the general movement or direction of ideas during the last forty years."
— Nineteenth Century (June 1897).
THE FUSING POINT OF OLD AND NEW 387
to disclose whether, as claimed by the natives them-
selves,
" We are just accommodating ourselves to environment that has hither-
to been so unfavourable to the development of creative power.
Within a quarter of a century more we shall be quite at home
in our surroundings. Our future is a glorious one. Let nil
desperandutn be our motto, and we shall yet show to the
civilised world that we are not only apt zxA facile imitators, but
that we have genius for original intellectual work, and that we
can produce results that will even excel the past splendours of
Hindu literature and art." '
or whether, as has been urged, the Indian genius is
effete, and no signs have as yet come to show that an
infusion of new life and thought has had any power to
rouse it to creative purposes.
The world presents no problem more interesting or more
momentous. On its solution depends in history the final
judgment on the success of England's mission in the East.
The entire industrial resources of modern scientific days,
the best of the intellectual heritage handed down from
Semitic, Grecian, and Roman genius, are borne to India
from the West, and yet the result of all these forces
seems to remain within the realm of doubt and con-
troversy. The forces are those on which the future hopes
of the world are founded, and India can no more refuse
to bend before them, than the West can refuse to recognise
and accept the returning gift of her long record of how
humanity, in its rest and quiet, has wearily turned from all
that Nature can bestow, and probably all that she can
disclose of her deepest mysteries to the intelligence of man,
for some solution of the problem that lies nearest and
dearest to him — that of himself, and of his aspirations
towards some ideal completeness of life.
As yet the long past that has culminated in a Western
1 S. Satthianadhan, M.A., LL.D. (Cantab.), "What has English Education
done for India ? " Indian Magazine and Review (November 1896).
388 LITERARY HISTORY OF INDIA
civilisation, still on its rapid progress towards strange
changes, has but clashed with the dead inertia of an
Eastern civilisation that drags its heavy weight of tradition,
time-worn philosophies, creeds, and customs behind it,
restraining all its best endeavours for progress and advance.
Only one hundred years ago, in 1797, Charles Grant
presented to the Court of Directors a treatise, written in
1792, in which he laid down the truth that "although in
theory it never can have been denied that the welfare of
our Asiatic subjects ought to be the object of our solicitude,
yet, in practice, this acknowledged truth has been but slowly
followed up."^ He further states that "we have been
satisfied with the apparent submissiveness of the people,
and have attended chiefly to the maintenance of our
authority over the country, and the augmentation of our
commerce and revenues, but have never, with a view to
the promotion of their happiness, looked thoroughly into
their internal state." He proposed a scheme for future
guidance which included the gradual instruction of the
people in English and their education,"let not the idea hastily
excite derision, progressively with the simple elements of
our arts, our philosophy, and religions." By the intro-
duction of English into the business of Government,
" wherein Persian is now used," it was hoped that the use
of the language would by degrees become general; that
habits of correct reasoning on natural phenomena would
be inculcated, natural philosophy diffused, the art of
invention promoted, and finally, Christianity would triumph
over superstition, idolatry, and the universal depravity of
the native population.
In 1781 Warren Hastings had given evidence of his
statesmanship by founding the Calcutta Madrissa, or
Muhammadan College, for the purpose of promoting the
' Syed Mahmoud, " Observations on the State of Society among the Asiatic
Subjects of Great Britain, etc.," p. 11.
THE FUSING POINT OF OLD AND NEW 389
study of Arabic and Persian and the Muhammadan law,
so as to educate natives for the Courts of Justice.^
Three years later Sir William Jones gave the inaugural
discourse at a meeting of thirty gentlemen, called in
Calcutta for the purpose of instituting a society for
enquiring into the history, civil and natural, the antiquities,
arts, sciences, and literature of Asia — a society established
under the name of the " Asiatic Society." Warren Hastings
was invited to be the first president, an honour he declined,
whereon the office fell to Sir William Jones, who remained
president down to his death, in 1794. In 1791, Mr Jonathan
Duncan, Resident at Benares, endowed the Sanskrit College
at Benares for the teaching of Hindu law, as well as Hindu
literature.
The two Lithuanian and Danish Lutheran missionaries,
Ziegenbalg and Plutschau, both sent out from the University
of Halle in 1706 to the Danish Settlement at Tranquebar,
had translated the Gospel of St Matthew into the dialect of
Malabar as early as 1714.^ The efforts of these missions were
largely supported by the Society for Promoting Christian
Knowledge, under whom Schwartz worked in Tanjore,
founding the Tinnevelly Mission, from his arrival in 1750.
More important in its effects were the efforts made by
the Baptists, whose first missionary, William Carey, landed
in Bengal in 1794,* to be followed in 1799 by the two
famed Baptist missionaries, Marshman and Ward, who
1 " Previous to the enunciation of this view, Warren Hastings had, in 1773,
summoned eleven Brahmans to Calcutta, and directed them to compile a text
comprising all the customs of the Hindus, so that it might be translated into
Persian for the use of the Court, and he appointed Hindu and Muhammadan
advisers to the European judges to expound the laws and customs of the people,
the first movement for an intellectual understanding of the literature of India
by the Company. " — " Papers relating to the affairs of India " (General Appendix
I.: Public, 1832).
^ The translation of the Bible into Tamil was completed in 1725 by Schultze,
the successor of Ziegenbalg.
8 Hunter, "Indian Empire," p. 313.
390 LITERARY HISTORY OF INDIA
found a safe refuge from the East India Company at the
Danish Settlement at Serampur, fifteen miles from Calcutta,i
There their endeavours for the conversion and education
of the natives in the vernaculars of the country continued
in spite of the Despatch of the Court of Directors in 1808
(7th December), declaring their policy of strict neutrality
in all matters religious, and in spite of the contempt thrown
on their efforts at home.
In England ^ it was feared that any efforts at conversion
would lead to insurrection and a risk to the Empire. It
was also urged that if once the Hindu faith was undermined,
no fresh principles of faith would be engrafted on the
converted natives, who would become merely nominal
Christians. In spite of all these discouragements Carey
and Marshman cast their own type, and, in 1822, started
the first vernacular newspaper in India, the Samdchdr
Barpan, the first* English newspaper, Ricky's Gazetteer
having appeared in 1780.
The Bible was soon printed in twenty-six vernaculars,
including Bengali, Marathi, and Tamil, and in 1801 Carey
was appointed, by Lord Wellesley, Professor of Bengali,
Marathi, and Sanskrit at the new college of Fort St
William. There he continued his work, issuing numerous
books from the press, including an edition of the
" Ramayana " in three volumes, the " Mahabharata," and a
Bengali newspaper, while at the same time he established
upwards of twenty schools for the education of native
children.*
' It was at this time also that H. J. Colebrooke, who had landed in 1782 as
a writer in the Company's service in Bengal, commenced his series of contribu-
tions to the "Researches" of the Asiatic Society towards Oriental learning.
In 1794 he produced his treatise on the duties of a "Faithful Hindu Widow,"
in connection with the controversy on SatI, followed in 1798 by his " Digest
of Hindu Law," and in 1805 by his " Grammar," founded on the rules of
Panini.
^ Edinburgh Review, 1808. ' Contemporary Review, vol. xxxvii. 458.
^ R. C. Dutt, " History of the Literature of Bengal," p. 136.
THE FUSING POINT OF OLD AND NEW 391
The clear and patent evidence that a new spirit was
working among the people was the appearance of the first
great reformer and apostle of modern India. Ram Mohun
Roy, who lived and died a Brahman, was born in 1774 at
Radhanagar, in the district of Hughli. In his own village
he read Persian, proceeded to Patna to learn Arabic,
and thence to Benares to study, in Sanskrit, the
" Upanishads," and " Vedanta." In 1790, at the age of six-
teen, he produced — probably as much under Muhammadan
influence as any other — a treatise antagonistic to the
idolatrous religion of the Hindus,^ in which he laid the
first foundations of a prose literature in his own vernacular,
that of Bengali. As Ram Mohun Roy wrote himself : —
"After my father's death I opposed the advocates of idolatry with
still greater boldness. Availing myself of the art of printing,
now established in India, I published various works and
pamphlets against their (the advocates of idolatry) errors, in
the native and foreign languages. ... I endeavoured to show
that the idolatry of the Brahmans was contrary to the practice
of their ancestors, and the principles of their ancient books." ^
After three years spent in Thibet to study Buddhism, he
returned home and commenced the study of English, a
language he afterwards wrote with a grace, ease, and
precision that led Jeremy Bentham to declare that he
wished that the style of James Mill had been equal to it.*
In other phases of thought the unrest, the waking-up to
face the increasing pressure of the West, was equally
apparent and no less real. The literature of India at the
commencement of the nineteenth century was, for the most
part, religious, devoted to mystic raptures over Rama and
Krishna. What may be called a new impulse was given
1 Max Miiller, in "Biographical Essays," p. IJ, doubts the authenticity of
the book [see note l).
2 Carpenter, M., " Last Days in England of Ram Mohun Roy," p. 19.
■ s Putt, R. C., " History of the Literature of Bengal," p. 149.
392 LITERARY HISTORY OF INDIA
by the introduction of printing into India, about the
beginning of the nineteenth century.
In 1803, Lallu Ji Lai, by the advice of Dr John Gilchrist,
wrote his "Prem Sagar," printed in 1809, in a new language,
Hindi, in which the Urdu of the camp^ was taken as the
model, with all its Persian and Arabic words omitted, their
place being supplied by Sanskrit words, so that it could be
used for prose of a literary character but not for poetry.
In Bengal, Ram Mohun Roy used the vernacular Bengali
for his prose writings, commencing in 1790 with his early
essay against idolatry, but neither in this nor in his later
writings on the "Vedanta," translations of the "Upanishads,"
in r8i6 and 1817, and subsequent polemics on the subject
of widow-burning, did the language show any adaptability
for becoming a medium to express his views so clearly and
gracefully as he was enabled to express them in his
Sanskrit and English writings. He but showed that the
vernaculars were capable of being used for literary prose
purposes, for, before his time, they had been used merely
for poetic effusions.
When Ram Mohun Roy commenced to write, few
Europeans, and probably fewer natives in Bengal outside
the Brahman caste, knew anything of the ancient Vedic
texts. Ram Mohun Roy wrote, in 18 16, regarding the
universal system of idolatry : —
" Hindus of the present age, with very few exceptions, have not the
least idea that it is to the attributes of the Supreme Being, as
figuratively represented by shapes corresponding to the nature
^ Urdu itself is the camp language, with its structure and grammar framed
on that of the North Indian dialects ; most of the substantiTes are foreign
words, which were mostly Persian or Arabic when the language was used by
the Muhammadans for literary purposes. When this Urdu is deleted of most
of its foreign words, and words of common use from the local vernaculars are
inserted, the lingua franca of all India, the Hindustani is arrived at, a language
of common use for speaking all over North India, and also largely in the
South. — See Gri?rson, Calcutta Review (October 1895), p. 265.
THE FUSING POINT OF OLD AND NE W 393
of these attributes, they offer adoration and worship under the
denomination of god and goddess." '
His mission was a wide one and ably he filled it. He
had first to create a new prose literature, to raise his own
vernacular to the dignity of a medium for inculcating
among the uninstructed mass of the people not only what
he found suited to his own national instincts in the
learning of the West, but what he deemed worthy of
preservation in the sacred writings of his own race.
The work of perfecting the use of Bengali for literary
purposes was carried on by Isvara Chandra Gupta, who
started the monthly Sambad Prabhakar in 1830, a journal
in which his own poetry, not of a very high order, as well
as his prose translations from the Sanskrit, and lives of
Bengali poets, appeared from time to time, along with the
writings of a class of rising authors. In a Minute of 181 1
Lord Minto had drawn public attention to the deplorable
decay of literature in India, due to a want of patronage
from either the princes, chieftains, rich natives, or the
Government itself, and advised the establishment of
colleges in various places for the restoration of Hindu
science, and literature, and Muhammadan learning. At
the renewal of the Company's Charter in 1814, for a further
period of twenty years, it was enacted by Act 53, Geo. III.
c. 15s, that a sum of ;^io,ooo should be allotted for "the
revival and improvement of literature, and the encourage-
ment of the learned natives of India, and for the introduction
and promotion of the knowledge of the sciences among the
inhabitants of the British territories in India."
' " That the early growth of the native Press was but slow, can be judged
from the fact that, in 1850, after twenty-eight years of existence, there were hut
twenty-eight vernacular papers in existence in all North India, with an annual
circulation of about sixty copies, while in 1878 there were ninety-seven vernacular
papers in active circulation, and in 1880 there were two hundred and thirty,
with a circulation of 150,000. The first vernacular newspaper was printed in
1818, at Serampur. In 1890-91 there were four hundred and sixty-three
vernacular papers." — Contemforary Review, vol, xxxvii. p. 461,
394 LITERARY HISTORY OF INDIA
In 1815 Ram Mohun Roy published a work on Vedanta
philosophy in Bengali, and a treatise on it in English, and
in the following year his translation of several "Upani-
shads." The first decided step taken to further English
education was initiated, strange to say, by a watch-
maker in Calcutta, Mr David Hare, who, in conjunction
with Ram Mohun Roy, inaugurated, in 18 16, the Hindu
College of Calcutta, with its famed teachers, Richardson
and Derozia, which gradually, in spite of many dishearten-
ing failures, increased its number of pupils from twenty, in
18 17, its first opening, to four hundred and thirty-six in
1820,^ when the subjects taught were Natural Science,
History, Geography, with Milton and Shakespeare.
The name of Jognarain Ghosal of Benares deserves also
to be remembered, for having founded a school at Benares
for the teaching of English, Persian, Hindustani, and
Bengali. The management of this school was entrusted
to the Rev. D. Corrie of the Calcutta Church Missionary
Society, and it was endowed with a sum of 20,000 Rs.,
and the revenues of certain lands. Another institution
started for the moral and intellectual improvement of the
natives was the Calcutta School Book Society, founded
in 1 8 17, which received an annual grant of 6000 Rs. from
the Government in 1821, after it had published 126,446
copies of useful works.
The full force of these influences was soon apparent
In 1816, Ram Mohun Roy had, with his friend Dvaraka
Nath Tagore, founded a society for spiritual improvement
called the Atmlya Sabha. In 1820, he published, in Bengal,
his " Precepts of Jesus : a Guide to Peace and Happiness,"
and raised a storm of controversy over, what his chief
opponent, Dr Marshman, termed, his " heathen " adaptation
of Christian doctrines to Eastern modes of thought*
* Syed Mahmoud, " History of English Education in India," p. 26.
2 Ram Mohun Roy replied with a first and second Appeal, but the Baptist
THE FUSING POINT OF OLD AND NEW 395
In his preface Ram Mohun Roy declares : —
"This simple code of religion and morality is so admirably calculated
to elevate man's ideas to high and liberal notions of One God,
who has equally subjected all living creatures, without dis-
tinction of caste, rank, or wealth, to change, disappointment,
pain, and death, and has equally admitted all to be partakers of
the bountiful mercies which He has lavished over Nature ; and is
also so well fitted to regulate the conduct of the human race in
the discharge of their various duties to God, to themselves, and
society, that I cannot but hope the best effects from its promul-
gation in the present form." ^
The new religion has been called Unitarianism. Its
monotheism, however, was not that of the West. The
Brahman, Ram Mohun Roy, went back to the Unconscious
Essence, to the Brahman of the " Vedanta " for his Supreme
Deity. It was to found an eclectic system of practical
and universal morality that the apostle of the new re-
ligion published his " Precepts of Jesus," from which were
eliminated all abstruse doctrines and miraculous relations
of the New Testament.
Ram Mohun Roy indeed acknowledged : " that I have
found the doctrines of Christ more conducive to moral
principles, and better adapted for the use of rational beings
than any other which have come to my knowledge." ^ Yet
the tendency of the school of thought, out of which arose
his new religion, was his statement in his final Appeal,*
that "whatever arguments can be adduced against a
plurality of Gods, strike with equal force against the
doctrine of a plurality of persons of the Godhead ; and on
the other hand, whatever excuse may be pleaded in
favour of a plurality of persons of the Deity can be
offered with equal propriety in defence of polytheism."
Press refused to publish his last Appeal, the third, so he had to start a press of
his own and print his own works, which, however, the Unitarian Society
republished in 1824.
1 Max Miiller, "Biographical Essays," p. 22.
2 Monier- Williams, " Brahmanism and Hinduism," p. 483.
s Ibid., p. 484.
396 LITERARY HISTORY OF INDIA
The real commencement of the struggle, to decide the
general lines on which the future of the moral and in-
tellectual development of the natives of India was to be
carried out, commenced from the year 1823, when the
General Committee of Public Instruction received the
lac of rupees allotted by the Act of Geo. III. of 1813 for
education. As a matter of fact, the average expenditure
during the twenty years, from 181 3 to 1830, exceeded two
lacs of rupees. The keynote to the situation was struck
in the year 1823, when Ram Mohun Roy addressed a
letter to Lord Amherst expressing his lively hopes that
the amount which Parliament had directed should be
applied to the instruction of the natives, might be " laid out
in employing English gentlemen of talents and education
to instruct the natives of India in mathematics, natural
philosophy, chemistry, anatomy, and other useful sciences,"*
for "the Sanskrit system of education would be the best
calculated to keep this country in darkness." In a few
sentences, extolled by Bishop Heber for their good
English, good sense, force, and thought, he drew a dismal
picture of the waste of time spent over what he described
as "the puerilities of Sanskrit grammar, the viciousness
of the doctrines of Maya and Ignorance, as expounded
by the Vedantic philosophy, the inherent uselessness of
the ' Mlmam^a,' and the lack of all improvement to the
mind in the study of the ' Nyaya.' "
The Court of Directors had, however, made up their own
minds on the subject. In their Despatch of 1824, they
informed the Committee of Public Education that, "in
professing to establish seminaries for the purpose of teach-
ing mere Hindu or mere Muhammadan literature, you
bound yourself to teach a good deal of what was frivolous,
not a little of what was purely mischievous, and a small
remainder, indeed, in which utility was not in any way
' Trevelyan, " Education of the People of India," pp. 55-71.
THE FUSING POINT OF OLD AND NEW 39;
concerned." In their opinion, if there were any documents
of historical importance to be found in Oriental languages,
they could be best translated by Europeans. The great
objects to be aimed at were the teaching of useful learning,
and the introduction of reforms in the course of study,
anything being retained that might be found of use in native
literature.
To this the Committee pointed out that, with the ex-
ception of those natives who studied English for the
purpose of obtaining a livelihood, the people, both learned
and unlearned, held "European literature and science in
very slight estimation," and that, in the Committee's
opinion, "metaphysical science was as well worthy of
being studied in Arabic and Sanskrit as in any other
language, as were also arithmetic, algebra, Euclid, law,
and literature." Western education and European ideas
had, however, permeated deeper than even the Committee
seem to have noted. The Brahma^ Samaj, or "The
Society of the Believers in Brahman, the Supreme Spirit,"
or, as it is called, the Hindu Unitarian Church, was
inaugurated, in 1828, by Ram Mohun Roy, and finally
established at a house in Chitpore Road, Calcutta, in
1830.
This was the first outward sign of the change brought
about through the influence and spread of Western
literature among the educated natives of India. Not
only had Ram Mohun Roy studied the " Veda " in Sanskrit,
the " Tripitaka " in Pali, but he had acquired Hebrew to
master the Old Testament, and Greek to read the New.
At the weekly meetings, held in the new church, or temple,
monotheistic hymns from Vedic literature were chanted,
and moral maxims from the same source explained. A
new religion was being evolved to fill up the void
produced by the destruction of old beliefs, under the
' Adjective form from Brahmi.
398 LITERARY HISTORY OF INDIA
disintegrating influence of European teaching, and before
some new system was developed to take its place.
In the same year, 1830, the Directors, in a further
Despatch expressed their satisfaction that it was evidently
becoming clear, both from the reports they received, and
from the success of the Anglo-Indian College at Calcutta,
that the higher ranks of the natives were prepared to
welcome a further extension of the means of cultivating
the English language and literature, and of acquiring a
knowledge of European ideas and science. It was, in
their opinion, of primary importance that English should
be taught, both because of the higher tone and better
spirit of European literature, and further, because it was
" calculated to raise up a class of persons qualified, by their
intelligence and morality, for high employment in the
Civil Administration of India."
In the Report of the following year, 1831, the Committee
of Public Education stated that, although measures for
the diffusion of English were only in their infancy, the
results obtained at the Vidyalaya, or College of Calcutta,
surpassed all their expectations : " A command of the
English language, and a familiarity with its literature and
science has been acquired to an extent rarely equalled by
any schools in Europe." They pointed out, in conclusion,
that, " the moral effect has been equally remarkable, and
an impatience of the restrictions of Hinduism, and a dis-
regard of its ceremonies are equally avowed by many
young men of respectable birth and talents, and enter-
tained by many more who outwardly conform to the
practices of their countrymen."
When the Company's Charter was renewed by Parlia-
ment in 1833, it was definitely laid down, in a resolution
proposed by Mr Charles Grant, that the government of
British India was entrusted to the Company for "the
purpose of extending the commerce of the country, and of
THE FUSING POINT OF OLD AND NEW 399
securing the good government, and promoting the religious
and moral improvement of the people of India."
Lord Macaulay, who was appointed President of the Com-
mittee of Education on his arrival in India as Member of the
Supreme Council, produced his celebrated "Minute" in 1835,
which forever decided the question so momentous for the
whole future intellectual history of the land. According to
his view, the action of the Committee of Public Education,
in confining their attention to the study of the classical
languages of India, to the neglect of English, could only
be paralleled by supposing that our own ancestors, in
the fifteenth, or beginning of the sixteenth centuries, had
been infatuated enough to neglect all classical literature,
and continue the study of Anglo-Saxon chronicles and
Norman-French romances. To the people of India, the
language of England was to be their classic language. It
was to do for them what the study of Greek and Latin
had done for the West. To him the demand for the
teaching of English was imperative.^ Not only did it give
access to the vast intellectual treasures of the past, not only
was it likely to become the language of commerce in the
Eastern seas, as it was in South Africa and Australasia,
but further, " a single shelf of a good European library was
worth the whole native literature of India and Arabia." ^
The result was inevitable. Lord William Bentinck and
' " Lord Macaulay's celebrated ' Minute,' which, in 1835, determined
the Anglicising of all the higher education, is not quite so triumphantly un-
answerable as it is usually assumed to be ; for we have to reckon, on the other
side, the disappearance of the indigenous systems, and the decay of the study of
the Oriental Classics in their own language." — Sir A. Lyall, "India Under
Queen Victoria," Nineteenth Century (June 1897), p. 881.
'^ At this time, be it remembered, although H. H. Wilson had published his
translation of the "Megha Diita" in i5i3, his "Sanskrit Dictionary" in 1819,
his " History of Kashmir, from the Raja Tarangini," and his four dramas in
the "Theatre of the Hindus" in 1834, the essay of H. J. Colebrooke on the
"Vedas"inthe " Asiatic Researches " did not appear until 1837, and even then
was the only information possessed on the subject of the ancient language and
religion of the Hindus.
400 LITERARY HISTORY OF INDIA
his Council finally decided, in 1835, that the educational
policy of the Government should be confined to the pro-
motion of European literature and science, and that for the
future all funds set apart for education should be devoted
to that purpose, and no portion of them be expended on
the printing of Oriental works.
One other view of the situation has been ably given by
Sir John Malcolm, Governor of Bombay, in a Minute of
1828, where he advocated, as the wisest policy, the education
of a certain proportion of natives in the English language
and science, for the object of enabling them to diffuse their
knowledge through their own vernacular dialect to tiieir
own countrymen.
Although it was finally decided that the higher education
of the native population should be through the medium of
the English language, it was always acknowledged and
understood that it was but a small class of the most
advanced and educated natives who could be so instructed.^
The hope and expectation was that those natives who had
received a liberal education, from a Western standpoint,
would by degrees communicate their knowledge to the
mass of the people through the local vernaculars. It does
not appear to have been foreseen at the time that natives
educated on English lines might compose original works in
the vernaculars, through which ideals and forms of thought,
assimilated under Western influences, would disseminate
themselves among the mass of the population. Whether
the immediate object of the encouragement of the study of
English was to raise a class of natives fitted for carrying
on the duties of the public service, so that in time the
language of public business might be English, is not of
immediate importance. Be the motives what they may,
from the point of view of the Directors, to obtain a class of
' "Printed Parliamentary Papers : Second Report of Select Committee of
House of Lords " (Appendix I., p. 481, 1852-53) ; Syed Mahmoud, p. 57.
THE FUSING POINT OF OLD AND NEW 401
servants to carry on economically the duties of public servants,
and to have ready means of obtaining accurate information
of details of revenue affairs, or from the point of view of
the missionaries, the hope that a liberal education would
further the advance of Christianity, and prove the most
effectual weapon for attack against what was palpably
vicious, false, and erroneous in the popular beliefs, the
result was that the study of English was almost exclusively
encouraged. Lord Auckland, in 1839, somewhat modified
Lord William Bentinck's resolution by upholding the
Sanskrit and native colleges, and by setting aside funds for
their encouragement. Further, by the Despatch of 1854,
known as that of Sir Charles Wood, it was fully acknow-
ledged that vernacular schools for elementary education
should be encouraged, and that funds should be raised for
the purpose by a special levy imposed on the land.
The object expressly desired by the Court of Directors
was declared to be "the diffusion of the Improvements,
Science, Philosophy, and Literature of Europe — in short, of
European knowledge," and this was to be accomplished by
the establishment, throughout India, of a graduated series
of schools and colleges, with a central university for each
of the Presidencies.
Universities, on the model of the University of London,
were founded at Calcutta, Madras, and Bombay during
the dark days of the Mutiny in 1857, and were followed
by one for the Panjab at Lahore in 1882, and one for the
North- West Provinces at Allahabad in 1887.
As a result of an exhaustive investigation into the
subject of education made by a Commission in 1882, the
Government finally decided to retire, in all cases where it
was possible, from competition with the private manage-
ment and control of secondary education. The Govern-
ment steadily pursued this policy, with a result that,
although there was a vast increase during the succeeding
2 c
402
LITERARY HISTORY OF INDIA
ten years in secondary education, the cost to Government
decreased, the expense being met from the fees charged.
The ten years' result can be judged from the following
table giving the number of colleges, schools, and pupils
under education : —
1881-82.
1891-92.
No.
Pupils.
No.
Pupils.
University {AjtJ^33;„^^;
Secondary .
Primary
Normal
Technical .
8
24
4>432
90,700
135
189
8,127
2,411
418,412
2,537,502
4,949
8,503
104
4,872
97,109
152
402
12,985
3,292
473.294
2,837,607
5,146
16,586
Total .
95,566
2,979,904
102,676
3,348,910
So far as the higher education is concerned, the following
statement, by Sir Raymond West, in the course of an
address on " Higher Education in India " to the Oriental
Congress of 1892, speaks for itself: —
"The youths receiving secondary education amoimt, after all, to only
some five per cent, of the whole number recorded as under
instruction in India. The students in colleges amount to no
more than one per cent. In England the proportion is twice as
great ; in a German State four or five times as great, of youths
under secondary instruction. In a German town, indeed, fi-om
a third to a half of the children are in the higher schools ; but
in Germany it is everywhere recognised, in direct opposition to
the principle announced by the Government of India, that the
State is more especially interested in the higher education, the
town or locality in the lower. The contributions of Government
are regulated accordingly.
According to the last Census Returns, prepared by Mr
Baines, the annual average of candidates, during the previous
THE FUSING POINT OF OLD AND NEW 403
five years, presenting themselves for matriculation at the
Presidency colleges was 18,150, of whom 5,875 pass. The
intermediate examination is reached by 2,213 students, the
Bachelor of Arts degree is attained by 761 members, and
the Master of Arts by only 54.
At the lower end of the scale there are only 109 males
and 6 females in every lobo of the population able to read
and write, the corresponding numbers for the coloured
population of the United States being 254 males and 217
females, and for Ireland 554 males and 501 females.
The formation of the Brahma Samaj was the first uneasy
movement made in slumbering Brahmanism, as the clear-
cut thought of the earliest recipients of English education
pierced through the whole of Indian religious and philosophic
speculations, and saw their strength and weakness when .
brought face to face with new ideals and new modes of
reasoning.
Ram Mohun Roy, the first apostle of this new gospel, in
which the old and new were strangely fused — the worship
of Brahman of the " Vedanta," with much of Christianity —
however lived and died a Brahman, tended by his own
Brahman servant, and wearing his Brahmanic thread. He
was buried at Bristol in 1853 without any religious service.
He was succeeded by Debendra Nath Tagore who, born
in 18 1 8, and educated at the Hindu College at Calcutta,
joined the Brahma Samaj in 1843.^ By him a monthly
periodical, the Tattva-bodhinl-patrikd, was started in 1843,
and under the editorship of Akhay Kumar Datta, com-
menced the publication of Vedantic literature. By 1847,
upwards of seven hundred and sixty-seven Brahmans had
joined the society, and agreed to the essential Seven Articles
of Faith, including the worship of a God, One without a
1 Max MuUer, " Biographical Essays," p. 37 {.note i) :— " In 1838 or 1841."
Monier-Williams, "Indian Theistic Reformers," J.R.A.S. (January i88i),
gives 1841. In 1839 he had formed his own society, the " Tattva-bodhim-
Sabha."
404 LITERARY HISTORY OF INDIA
Second, the Cause of the Emanation {srishti), Stay, and
Decay {pralayd) of the World, and the Cause of emancipa-
tion {mukti karand). The Seven Articles of Faith were as
follows : —
First Vow. — "By loving God and by performing the works which He
loves, I will worship God, the Creator, the Preserver, and the
Destroyer, the Giver of Salvation, the Omniscient, the Omni-
present, the Blissful, the Good, the Formless, the One only
without a Second."
Second Vow. — " I will worship no created object as the Creator."
Third Vow. — " Except the day of sickness or tribulation, every day,
the mind being undisturbed, I will engage in love and veneration
of God."
Fourth Vow. — " I will exert myself to perform righteous deeds."
Fifth Vow. — " I will be careful to keep myself from vicious deeds."
Sixth Vow. — " If, through the influence of passion, I have committed
any vice, I will, wishing redemption from it, be careful not to
do it again."
Seventh Vow. — "Every year, and as the occasion of every happy
domestic event, I will bestow gifts upon the Brahma Samaj.
Grant me, O God, power to observe the duties of this great
faith."
The essential point to note is, that the god worshipped,
as clearly shown in the four essential principles set forth by
Debendra Nath, is the neuter essence, Brahma (nom. of
Brahman). The faith begins with the declaration that
" before this universe existed, Brahma (the Supreme Being)
was, nothing else whatever was," and then goes on to
declare that " He created the Universe " (tad idam sarvam
asrijai). The movement could not rest; it had yet left
within it a respect for caste, the use of the sacred thread,
a leaning towards the old, and ancestral rites. All these
had to be swept away, as were already the belief in
transmigration and the Vedantic doctrine of Absorption
of the Soul.i
' The first change came in 184S, when Debendra Nath Tagore, and the
Brahma Samaj, decided that the "Vedas" could no longer be held as of
Divine origin.
THE FUSING POINT OF OLD AND NE W 405
The leaven of English education had yet to sink deeper.
In 1838 Keshab Chandar Sen was born, a Vaidya by caste,
of orthodox Hindu family. He was educated at the
Presidency College, Calcutta, and joined the Brahma Samaj
in the days of the Mutiny.
It may be safely prognosticated that the future great
reformer of Hinduism, the reformer who will spread his
influence and disturbing power all over India, and arouse the
enthusiasm of Bengali, Sikh, Maratha, and Tamil, will not
be a Bengali. The reformer — and it seems probable that
one will appear — will arise without known parentage or
nationality, and it may also safely be believed that he
will be considered to be infused with the same spirit which
Keshab Chandar Sen is said to have been infused with,
when it is recorded that on his marriage, in 1856, he
declared : " I entered the world with ascetic ideas, and my
honeymoon was spent amid austerities in the house of the
Lord."i
Under the guidance of Keshab Chandar Sen the Brahma
Samaj gradually cut itself adrift from Hindu rites and
customs. In 1861, Debendra Nath Tagore allowed his own
daughter to be married by a simple Brahmic ceremony,
without the orthodox Hindu festivities, expenses, and rites.
In 1864, a marriage was performed between members of
different castes by Keshab Chandar Sen, who further insisted
on the leaving-off of the sacred thread, the ancient birthright
of all twice-born Aryans. These reforms were opposed to
the conservative instincts of Debendra Nath Tagore and
those of the more orthodox Hindus who soon repudiated
their new leader. Keshab Chandar Sen, with his cousin,
Protab Chandar Mozoondar, accordingly, in 1866, founded
a new and advanced Brahma Samaj, with the Indian
Mirror as its organ, leaving the old society the name of
^ "Biographical Essays," p. 53.
4o6 LITERARY HISTORY OF INDIA
the '■ Adi Brahma Samaj," which had as its leader, Debendra
Nath Tagore, and as its secretary, Raj Narain Bose.
Between the two societies there were but few doctrinal
differences. The old leaven of Vaishnava bhakti, or faith,
still permeated Keshab Chandar Sen, and brought him close
to Christianity — a faith which his pride in his own heritage
from the past forbade him to accept. Brahmanism might
be outwardly discarded, nevertheless, the new progressive
Samaj held that
" God Himself never becomes man by putting on a human body. His
divinity dwells in every man, and is displayed more vividly in
some ; as in Moses, Jesus Christ, Muhammad, Nanak, Chaitanya,
and other great Teachers who appeared at special times, and
conferred vast benefits on the world. They are entitled to
universal gratitude and love. . . . Every sinner must suffer the
consequences of his own sins sooner or later, in this world or
the next. Man must labour after holiness by the worship of
God, by subjugation of the passions, by repentance, by the .
study of Nature and of good books, by good company, and by
I solitary contemplation. These will lead, through the action of
God's grace, to salvation." '
In England he set forth his own views as to the Christ
the West had offered to the East : —
" Methinks I have come into a vast market. Every sect is like a
small shop where a peculiar kind of Christianity is offered for
sale. As I go from door to door, from shop to shop, each
sect steps forward and offers, for my acceptance, its own
interpretations of the Bible, and its own peculiar Christian
beliefs. I cannot but feel perplexed, and even amused, amidst
countless and quarrelling sects. It appears to me, and has
always appeared to me, that no Christian nation on earth
represents fully and thoroughly Christ's idea of the kingdom
of God. I do believe, and I must candidly say, that no Christian
sect puts forth the genuine and full Christ as He was and as
He is, but, in some cases, a mutilated, disfigured Christ, and
what is more shameful, in many cases, a counterfeit Christ.
^ Monicr-Williams, " Indian Theistic Reformers," J.R.A.S. (January 1881),
p. 25.
THE FUSING POINT OF OLD AND NEW 407
Now, I wish to say that I have not come to England as one
who has yet to find Christ. When the Roman Catholic, the
Protestant, the Unitarian, the Trinitarian, the Broad Church,
the Low Church, the High Church all come round me, and
offer me their respective Christs, I desire to say to one and all :
' Think you that I have no Christ within me ? Though an
Indian, I can still humbly say, Thank God that I have my
Christ.'"
The first important reform inaugurated by the new
society was the passing of the Native Marriage Act of
1872, introducing, for the first time, a form of civil
marriage for persons who did not profess the Christian,
Jewish, Hindu, Muhammadan, Parsi, Buddhist, Sikh, or
Jaina religions.
Into the religious struggles of Keshab Chandar Sen's life
it would be unprofitable to enter, as they show no solid
advance, drifting, as they did, between Christianity, Yoglism,
Bhakti, and Asceticism, mingled with a practical propa-
ganda for social reformation.
The times were not ripe for the missionary work of
reformation he had set before him, although he possessed
much to sway the mass : " A fine countenance, a majestic
presence, and that soft look which of itself exerts an almost
irresistible fascination over impressionable minds, lent won-
derful force to a swift, kindling, and practical oratory,
which married itself to his highly spiritual teaching as
perfect music unto noble minds." ^
In spite of all the efforts made by Keshab Chandar Sen
for the abolition of early marriages, he lost ground in 1878
by permitting his own daughter, aged fourteen, to be married
to the young Maharaja of Kuch Behar, the result being
that, in 1878, a new society called the "Sadharana" (or
general) " Brahma Samaj " was formed. With all the brilliant
eloquence of his fervid imagination, though with a waning
of his undoubted intellectual powers, Keshab Chandar Sen
^ Indian Daily News, Quoted in Max Miiller's " Biographical Essays," p. 72.
408 LITERARY HISTORY OF INDIA
continued his preaching, declaring himself to be the
apostle of what he called the " New Dispensation Church,"
in which there was to be an amalgamation of all creeds in
a belief in the Unity of the Godhead, the acceptance of
Christ as an ideal Yogi, Oriental in His character and
mission, Hindu in faith, whose Godhead he still denied.
In his " Manifesto " of 1883, he poured forth, in the spirit of
Walt Whitman, his rhapsody : —
" Keshab Chandar Sen, a servant of God, called to be an apostle of
the Church of the New Dispensation, which is in the holy city
of Calcutta, the metropolis of Aryavarta.
" To all the great nations of the world, and to the chief religious sects
in the East and the West ; to the followers of Moses, of
Jesus, of Buddha, of Confucius, of Zoroaster, of Mahomet, of
Nanak, and the various branches of the Hindu Church, grace
be to you and peace everlasting. Gather ye the wisdom of
the East and the West, and assimilate the examples of the
saints of all ages.
" Above all, love one another, and merge all differences in universal
brotherhood.
"Let Asia, Europe, Africa, and America, with diverse instruments,
praise the New Dispensation, and sing the Fatherhood of God
and the Brotherhood of Man." ^
More extraordinary was his " Proclamation,'' issued, in
1879, in the columns of the Indian Mirror, which has
been abridged by Sir Monier Monier-Williams in his
article on " Indian Theistic Reformers " : —
" To all my soldiers in India my affectionate greeting. Believe that
this Proclamation goeth forth from Heaven in the name and
with the love of your Mother. Carry out its behests like loyal
soldiers. The British Government is my Government. The
Brahma Samaj is my Church. My daughter Queen Victoria
have I ordained. Come direct to me, without a mediator as
your Mother. The influence of the earthly Mother at home,
of the Queen-Mother at the head of the Government will raise
the head of my Indian children to their Supreme Mother.
I will give them peace and salvation. Soldiers, fight bravely
and establish my dominion."
' Monier- Williatr.s, " Hinduism," p. 573.
THE FUSING POINT OF OLD AND NEW 409
To all who understand the Eastern mode of thought,
the following words spoken by Keshab Chandar Sen in a
sermon, a masterpiece of eloquence, delivered in 1879
before the Bishop of Calcutta, other Europeans, and a
thousand listeners, only represent what might have been
expected as the furthest the new reformer would proceed
in his fusing of Hinduism and Christianity : —
" It is Christ who rules British India, and not the British Govern-
ment. England has sent out a tremendous moral force in the
life and character of that mighty prophet to conquer and hold
this vast empire. None but Jesus, none but Jesus, none but
Jesus ever deserved this bright, this precious diadem, India,
and Jesus shall have it. Christ comes to us as an Asiatic in
race, as a Hindu in faith, as a kinsman, and as a brother. . . .
Christ is a true Yogi, and will surely help us to realise our
n^ional ideal of a Yogi. ... In accepting Him, therefore,
you accept the fulfilment of your national Scriptures and
prophets."
Though the work of Keshab Chandar Sen was carried on
by his brother, Krishna Behari Sen, Gaur Govind Roy, and
others, and received the enthusiastic support of the Maha-
raja and Maharani of Kuch Behar, its importance waned
before the Sadharana Samaj, which numbered amongst
its leaders the Hon. Ananda Mohan Bose, the only native
Cambridge wrangler, its able secretary, Rajani Nath Roy,
and its minister. Pandit Sivanath Sastri.
The full conservative Hindu reaction was marked by an
effort to fall back on Vedic authority for a pure Theism,
where there was to be but one formless abstract God
worshipped by prayer and devotion, with the four " Vedas "
as primary, and later Vedic writings as secondary, authorities
in all matters of moral conduct.
During the last Census of 1S91 there were 3,051 who
t eturned themselves as followers of the faith of Brahman-
ism, of whom 2,596 were in Bengal, while the followers
4IO LITERARY HISTORY OF INDIA
of Dayananda Saraswati, who, in 1877, founded a Theism
based purely on Vedic authority, numbered 40,000, mostly
writers or traders.
The recoil of orthodox Hindu thought back to the old
was led by Dayananda Saraswati, a Brahman of Katthiawar,
who formed a new society called the " Arya Samaj." He
himself was from his youth brought up in the strictest
school of Hindu orthodoxy. As he wrote, in the strange
records of his life : ^ —
"I was but eight when I was invested with the sacred Brahmanic
thread and taught the Gayatri hymn, the Sandhya (morning
and evening) ceremony, and the 'Yajur Veda.' As my father
belonged to the §iva sect, I was early taught to worship
the uncouth piece of clay representing Siva, known as the
' Parthiva Linga.' "
Dayananda Saraswati early abandoned idol-worship,
but he remained firm in his belief in Vedic revelation,
the doctrine of metempsychosis, and the worship of One
God, held to be the deity addressed by Vedic Aryans as
Agni, Indra, and Surya.
Whatever form these strange minglings of "Veda,"
" Upanishad," " Kuran," " Tripitakas," " Zend Avesta," and
Christian Bible, may assume in the future, they all denote
an upheaval of thought among the educated classes of
India, the result of the meeting of the new and old. To
claim that movement as indicating a future triumph for
Christianity would first necessitate a survey of the whole
course of Christianity in India, the marking out of its
success and the causes for its undoubted failures. It is
hoped that time and opportunity may be found for under-
taking such a task, for no work yet published has viewed
the subject from an Indian standpoint; at present it
must suffice to take refuge under the words of the learned
' Max Miiller, " Biographical Essays,'' p. 172.
THE FUSING POINT OF OLD AND NEW 411
Sir Monier Monier- Williams, who has given deep thought
to the subject : — ■
" We may be quite sure that men like Debendra Nath Tagore, Keshab
Chandar Sen, and Ananda Mohan Bose, are doing good work
in a Christian self-sacrificing spirit, though they may fall into
many errors, and may not have adopted every single dogma
of the Athanasian Creed.
" Let us hold out the right hand of fellowship to these noble-minded
patriots — men who, notwithstanding their undoubted courage,
need every encouragement in their almost hopeless struggle
with their country's worst enemies — Ignorance, Prejudice, and
Superstition. Intense darkness still broods over the land —
in some places a veritable Egyptian darkness thick enough to
be felt. Let Christianity thankfully welcome, and wisely make
use of, every gleam and glimmer of true light, from whatever
quarter it may shine."
All these movements, denoting as they do the dis-
integrating force of Western education, had their own
influence in moulding the whole literature of the people
to new forms and uses.
The strength of the barriers that the sacerdotal class
had ranged round the sacred literature, so as to keep its
secrets from vulgar gaze or scrutiny, can be judged from
the fact that Romesh Chandra Dutt's translation of the " Rig
Veda " into Bengali was looked upon as a sacrilege, and
vehemently opposed by his own countrymen. Amongst
the few^ who dared to support the undertaking were
the wise and enlightened Isvara Chandra Vidyasagar and
Akhay Kumar Datta, the two great writers who must
be placed in the first rank of those who ably seconded
the work of the Brahma Samaj in perfecting Bengali as a
prose medium for a new school of writers who, trained in
Western modes of thought, handed on their impressions
and ideas to the mass of the people in the local vernaculars.
Akhay Kumar Datta, at the age of sixteen, commenced
his education in English at the Oriental Seminary at
1 R. C. Dutt, "The Literature of Bengal," p. 178.
412 LITERARY HISTORY OF INDIA
Calcutta. He afterwards acquired a knowledge of Sanskrit,
a language he ably used, for the purpose of enriching
Bengali as a prose literature, in his work in the Tattva-
bodhinl-patrika, a monthly journal started in 1873 by
Debendra Nath Tagore. Isvara Chandra Vidyasagar, on
the other hand, applied himself to the study of Sanskrit
in the Sanskrit College at Calcutta, which he entered at
the age of nine for the orthodox course of study. For
three years he studied grammar, and by the age of twelve
had read the greater portion of the best works of the
classic period of Sanskrit verse. Sanskrit he afterwards
read and wrote as well as his own vernacular. Being
appointed, in 1841, head pandit of the Fort William College,
he commenced his study of English and Hindi. By 1847
he published, in Bengali, the " Betal Panchavimsati," trans-
lated from the Hindi, a work instinct with poetic feeling.
This work raised him, in spite of much that was artificial
and over-elaborated in it, to the position of an acknowledged
master of a pure and classical prose style in the vernacular.
In 1862, the publication of his "Exile of Slta,""^ based on
Bhavabhuti's " Uttararama Charitra," showed how Bengali
had become a classic prose language, with all the flexibility,
dignity, and grace requisite for the purpose of interpreting
to the mass of the people the old life-history of the nation,
and the new phase of thought introduced from the West.
Isvara Chandra Vidyasagar brought down on his head the
bitter curses and ribald abuse, sung throughout the streets
of Calcutta, of his more bigoted Brahman brethren by his
writings, in 1855, against the system of enforced widowhood,
which his deep learning in Sanskrit lore enabled him to
prove beyond question was no part of the decrees of the
Vedic Scriptures. By his subsequent writings and efforts, he
aided towards the first step in the course he had marked
^ Sricharan Chakravarti, ".Life of Pandit Isvara Chandra Vidyasagar"
(Calcutta, i8g6).
THE FUSING POINT OF OLD AND NEW 413
out, the passing of the Act of 1856, which enacted that
the sons of re-married Hindu widows should be held as
legitimate heirs.
The dangers feared were neither imaginary nor trifling.
The ancient traditions of Brahmanism were being scattered
to the winds, and the system itself called upon to justify
the inherent strength of its position before the newly-arisen
scepticism. Ancient customs, habits, and beliefs, all finding
their authority and sanction in the will of the Creator of the
world, as revealed in the sacred literature of India, were
being questioned. The hereditary custodians of the sacred
lore, claiming as they did to be the specially created
partakers of the confidence of the deity, were being forced
to come forth and defend their birthright.
Ram Mohun Roy had shaken to its foundations the
whole established fabric of Brahmanic power by his fierce
denunciations of, and irrefutable arguments against,
idolatry and widow-burning. One task Vidyasagar had
set his hand to he had to leave unaccomplished. He
endeavoured in vain to put an end to the system whereby
the class known as the Kulin Brahmans of Bengal entered
into marriages, sometimes formal, sometimes real, with
daughters of those of their own class who, unable to obtain
husbands, were glad to pay a Kulin Brahman large sums of
money for forming a matrimonial alliance which left them
free to abandon the numerous women they had thus
married. In 1871, his famous work, " Whether Polygamy
Should be Done Away With," not only gave a list of these
Kulin Brahmans, showing the number of wives each of
them had, but also proved that the custom could not
possibly find any support from ancient law or history.
Akhay Kumar Datta at the same time continued to
pour forth, in earnest and forcible prose, a series of articles
scientific, biographical, and moral, printed in the Tattva-
bodhinl-patrikd, uncompromising in their sincerity and love
414 LITERARY HISTORY OF INDIA
for truth until he at last saw, as the crowning reward of
his labours, the Brahma Samaj reject the belief in the
infallibility and revealed authority of the " Vedanta." *
The work begun by Akhay Kumar Datta and Isvara
Chandra Vidyasagar was followed by the efforts of a series
of able writers who carried every widening current of
reform further into the social life of the people by
publishing works on history and biography, and by writing
tales satirising social habits and customs.^
The spirit of the times may be judged from the fact that
the first Bengali play, the " Kulina Kula Sarvasa," composed
in 1854 by Ram Narayan Tarkaratna, and acted in 1856
at the Oriental Seminary, was a satire on the Kulin
custom of polygamy. The play was followed by the " Nala
Natak," in which the same author satirised the custom of
child-marriage. Happily, the early efforts of the rising
school to express their thoughts in English proved un-
successful and unprofitable. Madhu Sudan Datta was the
first to recognise the difficulty. He was educated in the
Hindu College, founded in 18 17, and at the age of nineteen
forsook his own caste and religion and was baptised a
Christian, adopting the name Michael. At seventeen he
had already published some indifferent verse, in imitation
of those of Byron. The influence of Western ideas had so
permeated him that, after becoming a Christian, he married
an English wife, daughter of an indigo planter in Madras,
from whom, however, he soon separated, when he married
a second English wife, the daughter of the Principal of
the Madras Presidency College. His "Captive Ladie,"
published in 1849, telling, in English verse, the story
of Prithivi Raj, the famous Hindu King of Delhi and his
^ Dutt, R. C, "The Literature of Bengal," p. 169.
^ Such as the " Alaler-gharer Dulal," of Pyari Chand Mitra, which has been
translated into English, and the " Hutam Pechar Naksha," of Kali Prasanna
Sinha, who also translated the " Mahabharata " into Bengali, a work also
accomplished (1885) for the " Ramayana " by Hem Chandra Vidyaratna. See
Dutt, R. C, "The Literature of Bengal," pp. 182-183.
THE FUSING POINT OF OLD AND NEW 415
wife, Sanjuta, clearly showed the impossibility even of ,a
poetic genius, such as he undoubtedly was, ever finding an
outlet for his imagination in the uncongenial trammels of
an English garb.
The task has been essayed by nearly all the recent
native writers who may be safely held to have been
endowed with that unceasing striving, and indomitable
perseverance that denotes genius, but never yet have they
reached a result worthy of their efforts. Michael wisely
turned away from English, and in 1858 produced an original
play, the "Sarmishta," a second Padmavati, and then, in
1 859, set to work on two great works in blank verse. In these
he abandoned the Bengali rhyme, and in i860 published
the " Tillottama," and in 1861, the " Meghanad badh Kavya."
The work of the drama, abandoned by Madhu Sudan
Datta for epic poetry, was resumed by others, the most
striking being Dinabandu Mitra, who in i860 produced his
"Nil Darpan," a fierce satire on the indigo planters of
Jessore and Nadiya. The Rev. James Long published the
play, as translated into English by a native, for which he
was fined and imprisoned. An exhaustive enquiry into the
subject by an Indigo Commission ultimately led to the
failure of much of the indigo growing in Nadiya, and a
refusal of the cultivators to sow indigo. As the play has
now only an historical and literary importance, and as a
copy of it is now difficult, if not impossible, to procure, no
fault can be found if it is used for the purpose of throwing
some light on the thought of the time, when the drama had
travelled from its ancient classic repose to an active power
for social reform.
The introduction to the " Nil Darpan," or " Indigo Planting
Mirror," states that, as the Bengali drama had exposed
" the evils of Kulin Brahmanism, widow-marriage pro-
hibition, quackery, fanaticism," the "Nil Darpan" pleads
the cause of those who are the feeble. It purports, according
4i6 LITERARY HISTORY OF INDIA
to the Introduction, to describe " a respectable ryot, a peasant
proprietor, happy with his family in the enjoyment of his
land till the indigo system compelled him to take advances"
for the cultivation of indigo, to the neglect of his own land
and crops, so that he became beggared, and reduced " to the
condition of a serf and vagabond." The effect of all this
system on his home, children, and relatives is " pointed out
in language plain but true ; it shows how arbitrary power
debases the lord as well as the peasant. Reference is also
made to the partiality of various magistrates in favour of
planters, and to the act of last year penally enforcing
indigo contracts." ^
In the play itself the English planter is depicted as
upbraiding his native manager for want of zeal, and is
answered by the retorts : " Saheb, what signs of fear hast
thou seen in me? When I have entered on this indigo
profession I have thrown off all fear, shame, and honour ;
and the destroying of cows, Brahmans, of women, and
the burning-down of houses are become my ornaments." ^
The cultivators who refuse to accept advances are dragged
before the planter, who twists their ears, beats them with a
leather strap, calls them scoundrels, " bloody niggers," and
then, with many " God damns!" and other words of chastise-
ment, orders them to be imprisoned unless they accept
advances binding them to grow indigo instead of rice.
The ryots assemble together and declare there is no hope
for them, for they had seen '• the late Governor Saheb go
about all the indigo factories, being feasted like a bride-
groom just before the celebration of the marriage. Did you
not see that the planter Sahebs brought him to this factory
well-adorned like a bridegroom ? " The whole despairing
lot of the village is summed up in a favourite verse : —
" The missionaries have destroyed the caste :
The factory monkeys have destroyed the rice." ^
' Long. Rev. J., " Nil Darpan," iii. ^ Bid., p. 13. » Ibid., p. 29.
THE FUSING POINT OF OLD AND NEW 417
The " Indigo Planter " declares the fate in store for the
cultivators: "We indigo planters are become the com-
panions of death ; can our factories remain if we have
pity ? By nature we are not bad ; our evil disposition has
increased by indigo cultivation. Before, we felt sorrow in
beating one man ; now we can beat ten persons with the
leather strap, making them senseless, and immediately after,
we can, with great laughter, take our dinner or supper." ^
As a result, tragedy is piled on tragedy, to show that
" the sorrows which the ryots endure in the preparation
of the indigo is known only to themselves and the great
God, the preserver of the poor." With less of exaggeration,
and less of melodrama, the play would have served its
purpose better, and had an independent artistic value.
The great interest of the play is now purely literary.
The use of it, for a social purpose, shows how the new
weapon, placed in the hands of the people, could serve a
double purpose. Its realistic movement and over-wrought
tragedy have been adapted from the West, probably, so
far as can be judged, from the vague idea a translation
necessarily gives of the original, from an imperfect reading
of the spirit of " Macbeth," " Hamlet," and the " Merchant
of Venice."
Traces are here and there to be seen of truly Eastern
poetic charm and idealism. An extraordinary mixture of
Eastern conventional symbolism, with ideas and touches
borrowed from Elizabethan tragedy, occurs in the final
scene, where the last surviving member of a family of
cultivators pours forth his lamentation over his wife, Sarala,
and all his relations, who have been brought to a tragic
death through the wickedness of the indigo planter. In
his deep sorrow the cultivator cries out : —
" In this world of short existence, human life is as a bank of a river,
which has a most violent course and the greatest depth. How
» "MlDarpan,"p. 53.
2 D
41 8 LITERARY HISTORY OF INDIA
very beautiful are the banks, the fields covered over with new
grass most pleasant to the view, the trees full of branches newly
coining out ; in some places the cottages of fishermen, in others
the kine feeding with their young ones. To walk about in such
a place, enjoying the sweet songs of the beautiful birds, and the
charming gale full of the sweet smell of flowers, only wraps the
mind in contemplation of that Being who is full of pleasure.
. . . The cobra de capello, like the indigo planters, with mouths
full of poison, threw all happiness into the flame of fire. The
father, through injustice, died in the prison ; the elder brother in
the indigo field; and the mother, being insane through grief for
her husband and son, murdered, with her own hands, a most
honest woman. . . . The cry of mama, mama, mama, mama, do
I make in the battle-field and the wilderness whenever fear arises
in the mind. . . . Ah ! ah ! it bursts my heart not to know
where my heart's Sarala is gone to. The most beautiful, wise,
and entirely devoted to me ; she walked as the swan, and her
eyes were handsome as those of the deer. . . . The mind was
charmed by thy sweet reading, which was as the singing of the
bird in the forest. Thou, Sarala, hadst a most beauteous face,
and didst brighten the lake of my heart. Who did take away
my lotus with a cruel heart ? The beautifiil lake became dark.
The world I look upon is as a desert full of corpses ; while I
have lost my father, my mother, my brother, and my wife ! " ^
The play, however weak and artificial, marks the grave
dangers that must be faced when England gives Indici, in
consideration of her political servitude, the fullest possible
freedom of thought, of conscience, and of expression of her
needs and aspirations. If not true to fact, the very exaggera-
tion of such writings as the " Nil Darpan " train the people
who know the truth to more sober views of the situation,
and to gradual mistrust of similar effusions. To establish
a new industry, and especially to expect an agricultural
population to accept more profitable modes of cultivation
than those followed by their forefathers, is a task difficult
of success, and one that must invariably lead to the
strongest opposition against those who strive to move
habits which have become almost instincts. Perhaps, for
many reasons, it was well for India that the cultivation
» "Nil Darpan," p. loi.
THE FUSING POINT OF OLD AND NEW 419
of indigo had a check, even as had the efforts to introduce
the English plough, in preference to the surface-scratching
native one, for speedy results, in a land like India, often
mean speedy exhaustion, and permanent decay. The " Nil
Darpan " was the instinctive reaction of a poetic mind, ever
ready, through the stress of its imagination, to exaggerate
the meaning of passing changes, and revolt against a system
it could not fit into its conception of the times.
The whole course of England's mission is calmly to note
the power of the old, mark its failing strength, and graft
any of its lasting principles of vitality on to new ideals.
Nowhere better than in the novels of Bankim Chandra
Chatterji can the full force of this strife between old and
new be traced. The novels themselves owe their form to
Western influences, but the subject-matter and spirit are
essentially native. Bankim Chandra Chatterji himself was
the first B.A. of the Calcutta University. Born in 1838, his
earliest novel, "Durges Nandini," ^ appeared in 1864, pro-
fessedly inspired as a historical novel under the influence
of the works of Sir Walter Scott. This work was followed
by " Kopala Kundala," ^ a tale of life in Bengal some two
hundred and fifty years ago, and was succeeded by the
" Mrinalini." In 1872 the novelist commenced, in his newly-
started magazine, the Banga Darsan, the monthly publica-
tion of his novel of social life, the " Bisha Brikka," translated
into English as "The Poison Tree" in 1884.8 The "Debi
Chaudhurani," "Ananda Mathar," and "Krishna Kanta's
Will " * followed, the last being translated into English in
1895. The "Krishna Charitra," published in 1886, is, how-
ever, the work through which the name of Bankim Chandra
Chatterji will probably remain famed in the memory of his
own country-people.
1 Translated by Charu Candra Mookerji (Calcutta, 1880).
- Translated by H. A. D. Phillips (Trubner & Co., 1885).
' Translated by Marian Knight, with Preface by Sir Edwin Arnold.
' TraLslated by Marian Knight, with Introduction by Prof. J. F. Blunihardt.
420 LITERARY HISTORY OF INDIA
It is the crowning work of all his labours. It inculcates,
with all the purity of style of which the novelist was so
perfect a master, a pure and devout revival of Hinduism,
founded on monotheistic principles. The object was to show
that the character of Krishna was, in the ancient writings,
an ideal perfect man, and that the commonly-received
legends of his immorality and amours were the accretions
of later and more depraved times. Bankim Chandra
Chatterji is the first great creative genius modern India has
produced. For the Western reader his novels are a revela-
tion of the inward spirit of Indian life and thought.
As a creative artist he soars to heights unattained by
Tulsi Das, the first true dramatic genius India saw. To
claim him solely as a product of Western influence would
be to neglect the heritage he held ready to his hand from
the poetry of his own country. He is, nevertheless, the first
clear type of what a fusion between East and West may yet
produce, and the type is one reproduced in his successor,
Romesh Chandra Dutt, and in a varied manner by others,
such as Kasinath Trimbak Telang, in Bombay. It is
names such as Ram Mohun Roy, Keshab Chandar Sen,
Bankim Chandra Chatterji, Toru Dutt, and Telang that
would live in the future as the memorial of England's
fostering care, if all the material evidences of Western
civilisation were swept from off the land.
To those who would know something of the life, thoughts,
feelings, and religions of the Indian people, no better
instructor can be found than Bankim Chandra Chatterji.
The English reader must not be surprised if, in the
novels of the greatest novelist India has seen, there is
much of Eastern form, much of poetic fancy and spiritual
mysticism alien to a Western craving for objective realism.
Bankim Chandra Chatte>ji, with all the insight of Eastern
poetic genius, with all the artistic delicacy of touch so
easily attained by the subtle deftness of a high-caste native
THE FUSING POINT OF OLD AND NEW 421
of India, or a Pierre Loti, weaves a fine-spun drama of life,
fashioning his characters and painting their surroundings
with the same gentle touch, as though his fingers worked
amid the frail petals of some flower, or moved along the
lines of fine silk, to frame therewith a texture as unsub-
stantial as the dreamy fancies with which all life is woven,
as warp and woof. So the " Kopala Kundala " opens with
a band of pilgrims travelling by boat to the sacred place
of pilgrimage, where the holy River Ganges pours its
sin-destroying waters into the boundless ocean. The frail
boat, with its weight of sin, is being swept by the rushing
flood out towards the sea. The boatmen are powerless ;
they cry for help to the Muhammadan saints, the
pilgrims wail to Durga, the dreaded wife of Siva, the
Destroyer. One woman alone weeps not; she has cast
her child into the flowing stream, for such was her vow of
pilgrimage. In its unguided course the boat, by chance,
touches land, and the hero, Nobo Kumar, volunteers to
wander along the sandy shore in search of firewood. The
tide rises, the boat is swept away, and Nobo Kumar is
left to gaze after it in despair. The sandy waste is the
abode of an ascetic worshipper of Kali, who is waited on by
the heroine, "Kopala Kundala," destined as a sacrifice to the
fierce goddess. The ascetic sage is clothed in tiger skins ;
he is seated on a corpse, and wears a necklace of rudra
seeds and human bones ; his hair is matted and unshorn.
The wild scene is depicted with all the dreamy, poetic
repose which saturates the whole life of the East. The
ocean is spread in front ; across it speeds an English trading
ship, with its sails spread out like the wings of some large
bird ; the blue waters gleam like gold beneath the setting
sun ; far out, in the endless expanse, the waves break in
foam ; along the glittering sands there runs a white streak
of surf like to a garland of white flowers. The two scenes —
one the lonely pilgrim and the near-seated, hideous, human-
422 LITERARY HISTORY OF INDIA
sacrificing ascetic, the other of the vastness and stillness
of the sea — seem to picture forth the emptiness of man's
imaginings and efforts amid the impassive immensity of
the universe. Over all, the murmuring roll of the ocean,
echoed as it is in the poet's words, seems as though it
bore to the senses the wailing moan of a soul lost in time
and space. In the midst of the mystic scene a woman,
the heroine, appears. She is a maiden, with hair as black
as jet trailing to her ankles in snake-like curls. Her face,
encircled by her black hair, shines like the rays of the
moon through the riven clouds. As Nobo Kumar gazes
on her form, she tells him to fly from the ascetic Yog^,
who has already prepared the sacrificial fire and awaits a
human victim. Spellbound, Nobo Kumar has no power
to fly from the devotee to Kali ; he follows to the place
of sacrifice, and is there bound. Kopala Kundala, in the
absence of the priest, appears, severs the bonds, and
releases Nobo Kumar. The priest returns, seeks the sacri-
ficial sword, then notes how his victim has been released.
In his rage he rushes to and fro along the sandy dunes,
from the summit of one of which he stumbles in the dark-
ness, falls, "like a buffalo hurled from some mountain
peak," and breaks his arms. The hero and heroine, before
they fly from the waste of sands, are married. Kopala
Kundala, however, longs to know the will of the goddess.
A leaf placed at the foot of the dread deity falls to the
ground, fatal omen that the goddess is displeased.
So the fate of man is, for the poet's purpose, as uncertain
as the face of a trembling raindrop on a lotus leaf. The
new-made wife departs, weeping, from the shrine. The
novelist has now to follow her destiny to its relentless
course. The shadow of her future soon throws its dark
gloom across the soul of Kopala Kundala. Amid the
intrigues of the Mughal court of the time of Jahangir the
course is prepared for the tragedy to close round Kopala
THE FUSING POINT OF OLD AND NEW 423
Kundala, whose husband grows to doubt her love, and then
to witness what has been cunningly devised to seem her
faithlessness. The ascetic sage, with broken arms, now
appears before Nobo Kumar, and declares that the angered
goddess still claims a sacrifice. In his rage, Nobo Kumar
offers to sacrifice his wife, and so at once to appease Kali
and his own blind jealousy. Kopala Kundala has herself
resolved to fulfil her fate. The relentless decrees, that
hold the destiny of man at their beck and nod, have now
almost worked out their purposes. The voice of the priest
wails with pity as he calls on the victim ; her husband
seizes the sword, but his passion bursts forth in moaning
cries to his beloved to assure him, at the last moment, that
she has not been faithless. He hears the truth, that all his
suspicions were roused by cunning design. Fate, typified
by the will of the goddess, must be worked out. Nobo
Kumar extends his arms to clasp his love, but Kopala
Kundala steps back, and the waters of the Ganges rise
to sweep her away in its sin-destroying flood, where Nobo
Kumar also finds his death.
The novel throughout moves steadily to its purpose.
There is no over-elaboration, no undue working after effect ;
everywhere there are signs of the work of an artist whose
hand falters not as he chisels out his lines with classic
grace. The force that moves the whole with emotion, and
gives to it its subtle spell, is the mystic form of Eastern
thought that clearly shows the new forms that lie ready for
inspiring a new school of fiction with fresh life. Outside
the " Mariage de Loti " there is nothing comparable to the
" Kopala Kundala" in the history of Western fiction, although
the novelist himself, and many of his native admirers, see
grounds for comparing the works of Bankim Babu with
those of Sir Walter Scott, probably because they are
outwardly historical.
A novel far surpassing "Kopala Kundala" in realistic
424 LITERARY HISTORY OF INDIA
interest is the same novelist's " Poison Tree." This novel
has its own artistic merits, but its chief value, for English
readers, lies in the life-like pictures it presents of modem
Indian life and thought. With subdued satire the
interested efforts of would-be social reformers are shown to
be founded often on motives of self-interest, dishonesty, or
immorality. The evil results which too often follow the
breaking - away from the strict seclusion and moral re-
straints of Hindu family life under the influence of
Western education are indicated plainly. These modem
movements are depicted as often leading the native
more towards agnosticism and impatience of control than
towards the implanting of a vigorous individuality, founded
on a heightening of religious feelings, and wider views of
the necessity of self-control and altruistic motives of action.
It is a danger which grows graver daily ; it is a movement
which must be expected in the history of a nation's
advance from bondage to freedom, and one to be resolutely
met with a firm faith in the eternal elements underlying
all enlightenment and social progress, and not with a
hopelessness of a pessimistic despair. The novel itself is
very simple. It deals with the same few human elements
which always form the leading motive for any great creative
work of universal and abiding interest The hero,
Nagendra Nath, is a wealthy landlord, aged thirty, a model
amongst men, wealthy and handsome, surrounded by
friends, retainers, and relations, all of whom live an ideal
life of happiness through his bounty. He rejoices in the
possession of a beloved and loving wife, Surja Mukhi, aged
twenty-six, who moves amid the household with a calm
dignity and graceful gentleness, an ideal picture of a faith-
ful Hindu spouse and well-educated, sensible woman.
Nagendra, during a journey to Calcutta, befriends an
orphan girl, Kunda, aged but thirteen — an age described as
that in which all the charm of simplicity is combined with
THE FUSING POINT OF OLD AND NEW 425
the radiance of the moonbeams and scent of sweet flowers.
Nagendra brings the girl to his married sister at Calcutta,
but, as he seems in no hurry to depart, his wife writes
playfully upbraiding him, and suggesting in jest that he
should bring his new-found treasure home and marry her
himself, or give her to the village schoolmaster, who has not
yet found a willing bride. The child is accordingly brought
to the village and married to the schoolmaster. This
schoolmaster, snub-nosed, conceited, and copper-coloured,
is represented as an up-to-date product of an undigested
surfeit of Western emancipation. He has received an
English education at a free mission school, and planted
himself amid the village community as a very mine of
learned lore ; it was whispered abroad that he had read the
" Citizen of the World," and passed in three books of " Euclid."
He extracted essays against idolatry, against the seclusion
of women and child-marriage from the Tattva-bodhinl,
and published them under his own name. He joined the
local Brahma Samaj, established by the spendthrift of the
neighbourhood, who had imbibed all the Western vices
and abandoned all the native virtues, who drank wine from
decanters with cut-glass stoppers, carried a brandy flask,
and ate roast mutton and cutlets, and who, when not drunk,
occupied his time in encouraging the marriage of low-caste
widows, so that he might pose as a local reformer. The
satire is perfect, the characters satirised true to life. The
new product of Western influences encouraged the in-
fatuated schoolmaster to read papers and deliver eloquent
addresses on the subject of the emancipation of women,
and the moralising influence of bringing women out into
public life, but finds that although the schoolmaster can be
jeered into allowing him to visit Kunda, the outraged pride
of the timid beauty bursts forth in a flood of indignant
tears.
Luckily for Kunda, the schoolmaster dies. The widow
426 LITERARY HISTORY OF INDIA
returns to the home of her former protector, the all-loving
Nagendra. The gentle beauty of Kunda sinks deep into
the heart of Nagendra, whose want of self-control sows the
seeds of the poison tree, whose baneful fruit must be
eaten. Nagendra's wife looks on in sorrow until her
husband, unable to stifle his thoughts or bear her silent
reproaches, seeks to drown his feelings in drink. At length
he can bear the restraint no longer. Isvara Chandra Vidya-
sagar has proved, from the ancient law books, that widow-
marriage is allowable, although no Hindu custom. His
wife hides her wounded feelings, wondering if Isvara
Chandra Vidyasagar be a pandit, who then is wanting in
wisdom ? She sacrifices all her feelings to her great love
for her husband and prepares the marriage ceremonies, but
once the marriage takes place, she steals away from the
happy home where she was once sole mistress. She had
made her resolve to wander as a mendicant from place to
place, unable to remain at home and bear the pain of seeing
Kunda claim her husband.
The suffering of Surja Mukhi, the despair of Nagendra
when he finds his once loved wife has left, and that, as
a consequence, his overwhelming passion for Kunda has
turned to indifference, almost to loathing, are set forth with
a fulness of sympathy and emotional feeling which a
native can so deeply feel and express. To its bitterest
depths the novelist traces the stern course of the unrelenting
destiny which decrees that the seeds of sin once sown must
grow, and the fruit be reaped.
A welcome relief comes when the story breaks into some-
what laboured humour. The eager servants of Nagendra
go forth with coaches and palanquins in search of their
mistress, whose face they have never seen. Every good-
looking and high-caste woman along the road, by the
bathing tanks, or river-side, is forcibly seized and brought,
with cries of joy, to the unfortunate husband, to see if he
THE FUSING POINT OF OLD AND NEW 427
can recognise among them his lost wife, so that, finally, no
woman dare venture from home for fear of being brought
to Nagendra. Surja Mukhi returns not. Her husband
leaves his new wife, Kunda, to mourn alone over her destiny
in the now deserted home, once so full of joy and happiness.
Nagendra returns after weary wanderings to end his life
in pious deeds and holy living. Kunda he is resolved
never more to speak to nor to see. For her, therefore,
there is only death ; the poisoned fruit must be eaten that
grew from the seed of sin. Before she dies the long-lost wife
reappears, and Kunda, in her dying moments, is received
as a younger sister, and sinks to rest, her hands clasping
her rival's feet, her head supported by her husband, whose
love she had once won, and whom she now knows cannot
abide by her.
In Nagendra's love for Kunda the novelist declares that
he wished to depict the fleeting love of passion, as sung by
Kalidasa, Byron, and Jaya Deva, and in his love for Surja
Mukhi, the deep love which sacrifices one's own happiness
for the love of another, as sung by Shakespeare, Valmiki,
and Madame de Stael.
The Bengali novelist could not so readily shake himself
free from his Eastern form of thought, and view all things
from an objective point of view. The love for Kunda is
still the fettering of the soul by the objects of sense ; the
love of the husband for his first wife is still the mystic love
of the soul for God.
The wealth of material which lies to the hand of the
future great novelist of India has been virtually untouched.
Bankim Chandra Chatterji, has but led the way and
indicated the material which awaits the next great artist.
He leaves us in doubt whether he is depicting life as it
throbbed around him, or whether he has hemmed in his
characters with a surrounding of Eastern mysticism and
romantic reserve born of Western conventionality.
428 LITERARY HISTORY OF INDIA
If Bankim Chandra Chatterji has struck a chord which
vibrates through the hearts of the many women of zenanas
in India, whose eyes must have wept bitter tears over the
agony of Surja Mukhi, deplorable indeed, and worthy of all
his deep feeling as an artist, must be the condition of a
vast multitude of suffering women in the East, who have
been nurtured to see their life blasted by a rival love placed
by their side to rejoice their lord's heart, or that a son may
be born to save their husband's soul. We are, however,
left in doubt as to whether Nagendra sinned in having a
second wife — he defends polygamy in the course of the
story — or whether his fault lay in marrying a widow against
social custom. The motive for fatality of act should have
been as clear and unmistakable as it was in the " Mud
Cart," where the jealousies of the two rival wives who
became reconciled do not influence the action.
The same idea is further worked out in " Krishna Kanta's
Will." Here the true workings of the novelist's mind are
apparent ; a deeper vein is touched. The love of the erring
husband for his wife, and the rival love by which he is
infatuated, typifies a struggle between a Divine love and
the ever-recurring phantasmal attraction of the soul to the
objects of sense, from which freedom can only be reached
by centring the mind on ideal perfections.
The praise of Krishna, as a perfected man, is sung by the
poet in his greatest work, the " Krishna Charitra," published
in 1862, as a contribution to a Hindu revival in the ancient
national religion, which Romesh Chandra Dutt describes as
" the nourishing and life-giving faith of the ' Upanishads,'
and the ' Vedanta,' and the ' Bhagavad Gita,' which has been,
and ever will be, the true faith of the Hindus." ^
A worthy follower of India's first great novelist appeared
in Romesh Chandra Dutt, the ablest native member of
the Indian Civil Service. His novels have now passed
1 Dutt, R. C, "The Literature of Bengal," p. 235.
THE FUSING POINT OF OLD AND NEW 429
through five or six editions in the Bengali. He has resisted
all entreaties to translate them into English, although he
is as able with his pen in English, as he is in Sanskrit
and Bengali. The advice given him by Bankim Chandra
Chatterji now no longer applies ; the Eastern form has fused
sufficiently with the English motive force to make a prose
translation by himself of his works not only widely accept-
able by the Western public, but necessary for all students
of history and literature.
Bankim Chandra's advice was given in 1872, and then
mainly referred to poetry, not to prose : " You will never
live by your writings in English," he said ; " look at others.
Your uncles, Govind Chandra and Shashi Chandra's
English poems will never live. Madhu Sudan's Bengali
poetry will live as long as the Bengali language will
live."
In his own time the elder novelist clearly recognised the
younger as a worthy rival, and on the appearance, in 1874
of Romesh Chandra Dutt's first novel, " Banga Bijeta," a
tale of the times of Akbar, he wrote : " I am crowding my
canvas with characters ; it won't do for a veteran like me
to be beaten by a youngster." ■
The other five novels of Romesh Chandra Dutt followed
in quick succession. "Rajput Jiban Sandhya" (1878), a
tale of the times of Jahanglr; "Madhalei Kankan" (1876)
a tale of the times of Shah Jahan ; " Maharashtra Jiban
Prabhat" (1877), a tale of the times of Aurangzib;
"Sansar'' (1885); "Samaj" (1894); two social novels
continuing the same story. His translation of the " Rig
Veda Sanhita" into Bengali appeared in 1887 ; his valuable
" History of Civilisation of Ancient India," in English, in
three volumes from 1889; his second edition of "The
Literature of Bengal," so often quoted in this work, in
1895 ; and his selection of translations from the " Rig Veda
Puranas," and " Hindu Sastras," from 1895 to 1897.
430 LITERARY HISTORY OF INDIA
A whole library of " Sorrow and Song " was poured forth
by this Dutt family of Rambagan. Govind Chandra Dutt
and Shashi Chandra Dutt first published the " Dutt Family
Album," in 1870, in England, hoping, as they said, that their
poems would be regarded in England as curiosities, and
the work of foreigners educated at the Hindu College at
Calcutta who had become Christians.
Their work, like much similar work of the same class
— the " Lotus Leaves " of H. C. Dutt, the " Cherry Blossom "
of G. C. Dutt, the " Vision of Sumeru," and other poems,
by S. Chandra Dutt and others — indicate the enormous
difficulties which lie before even the most gifted who work
in English verse.
A few verses from "A Vision of Sumeru, and other
Poems,"! by tjie estimable Shashi Chundra Dutt, a Rai
Bahadur and Justice of the Peace at Calcutta, strike a key-
note that wails of itself: —
MY NATIVE LAND.
" My native land, I love thee still !
There's beauty yet upon thy lonely shore ;
And not a tree, and not a rill,
But can my soul with rapture thrill,
Though glory dwells no more."
" What though those temples now are lone
Where guardian angels long did dwell ;
What though from brooks that sadly run,
The naiads are for ever gone —
Gone with their sounding shell ! "
" Those days of mythic tale and song,
When dusky warriors, in their martial pride,
Strode thy sea-beat shores along.
While with their fame the valleys rung,
And tum'd the foe aside.
^ Tbacker Spink (Calcutta, 1879).
THE FUSING POINT OF OLD AND NEW 431
"Then sparkled woman's Ijrilliant eye,
And heaved her heart, and panted to enslave;
And beauteous veils and flow'rets shy,
In vain to hide those charms did try
That flash'd to woo the brave.
" My fallen country ! where abide
Thy envied splendour, and thy glory now ?
The Pithin's and the Mogul's pride,
Spread desolation far and wide.
And stain'd thy sinless brow."
• *•..•
" And beauty's eye retains its fire,
What though its lightnings flash not for the brave ;
And beauteous bosoms yet aspire.
With passion strong and warm desire,
To wake the crouching slave.
"My country ! fallen as thou art,
My soul can never cease to heave for thee :
I feel the dagger's edge, the dart
That rankles in thy widow'd heart,
Thy woeful destiny I "
The full force of the clashing of new and old reached its
climax in the short, sad life of the "Jeune et cdldbre
Hindoue de Calcutta." ^
Toru Dutt, the gifted daughter of a gifted family, was
born in Calcutta in 1856, where, as she sings : —
" The light green graceful tamarinds abound
Amid the mango clumps of green profound.
And palms arise, like pillars grey, between,
And o'er the quiet pools the seemuls lean." ^
She died at the early age of twenty-one, but in her short
span of life she had crowded her imaginative mind with
imagery gleaned from French, German, English, and
Sanskrit literature, and with her retentive memory had
' " Le Journal de Mdlle. d'Arvers par Toru Dutt " (Paris, 1879).
» Toru Dutt, " Ballads and Legends of Hindustan " (1885).
432 LITERARY HISTORY OF INDIA
stored up an unique knowledge which she afterwards showed
in "A Sheaf gleaned in French Fields," published in 1876,
containing unaided translations from the French, some by
her sister Aru, and criticisms, amongst others, of Leconte de
Lisle, Alfred de Musset, Victor Hugo, Frangois Coppde,
and Th^ophile Gautier. More remarkable was " Le Journal
de Mdlle. d'Arvers," a romance in French, published with
an account of Toru Dutt's life and work by Mdlle. Clarisse
Bader in 1879. The work, however, by which she will be
best known to English readers is her " Ancient Ballads and
Legends of Hindustan," published in 1885, with an intro-
duction by Edmund Gosse. The poems often faultless as
they are in technical execution, sometimes the verse, as Mr
Gosse truly says, being exquisite to a hypercritical ear, can
never take an abiding-place in the history of English or
Indian literature. The old ballads and legends have lost
all their plaintive cadence, all the natural charm they bore
when wrapped round with the full-sounding music of the
Sanskrit, or in what lay ready to the hands of the poetess,
her own classical Bengali.
The imagery, the scenery has even lost its own Oriental
colour and profusion of ornamentation. The warmth of
expression and sentiment has of necessity been toned down
by the very use of a language which, even had it been
plastic in the hands of Toru Dutt, could never have afforded
her the delicate touch and colour which she found in the
French.
In her poem " Jogadhya Uma," her own creative powers
have found their fullest play. In her own vernacular the
poem would have been sung to music so weird and soothing,
the words would have been attuned to feelings so deep and
sincere, that, although she had parted from her ancient
faith and become a Christian, it would have been a poem
destined to live in the religious poetry of Hinduism, and
take a place among the songs of the people. As it is,
THE FUSING POINT OF OLD AND NEW 433
while it shows all her innate resources, it also shows the
lack of power of her choice of a medium to express her
ideals. The story is one she has learned for herself : —
" Absurd may be the tale I tell,
Ill-suited to the marching tiroes,
I loved the lips from which it fell,
So let it stand among my rhymes."
In the poem a pedlar wanders to and fro crying his
wares : —
" Shell bracelets, ho ! Shell bracelets, ho !
Fair maids and matrons come and buy ! "
As he cries,
" A fair young woman with large eyes,
And dark hair falling to her zone,
She heard the pedlar's cry arise.
And eager seemed his ware to own."
A shell bracelet is bought, and the woman tells the
pedlar to go to her home, a manse near the village temple
where her father is priest. The pedlar goes to the priest
and demands the price, and from the story he tells, the
priest discerns that it was the goddess Uma who had
appeared to the pedlar.
The priest cries : —
" How strange ! how strange ! Oh blest art thou
To have beheld her, touched her hand,
Before whom Vishnu's self must bow,
And Brahma and his heavenly band.
Here have I worshipped her for years.
And never seen the vision bright.
Vigil and fasts and secret tears
Have almost quenched my outward sight ;
And yet that dazzling form and face
I have not seen, and thou, dear friend.
To thee, unsought-for, comes the grace.
What may its purport be, and end ? "
2 E
434 LITERARY HISTORY OF INDIA
They hasten back to the water-side, where the goddess
had been seen bathing, but there
" The birds were silent in the wood,
Over all the solitude.
A heron as a sentinel.
Stood by the bank. . . ."
The goddess had disappeared, but in answer to tlie
priest's prayer for her reappearance
I
" Sudden from out the water sprung
A rounded arm on which they saw.
As high the lotus buds among
It rose, the bracelet white. . • ."
" It sinks.
They bowed before the mystic Power,
And as they home returned, in thought
Each took from thence a lotus flower,
In memory of the day and spot.
Years, centuries have passed away,
And still before the temple shrine,
Descendants of the pedlar pay
Shell bracelets of the old design,
As annual tribute. Much they own
On land, and gold, — but they confess
From that eventful day alone.
Dawned on their industry, — success."
A novel of great interest, entitled " Induleka," has passed
almost unnoticed in England, although it was translated by
the able Malayalam scholar, Mr Dumergue of the Indian
Civil Service. It appeared in 1889, and was written in the
vernacular language of the Malabar* coast, Travancore, and
Cochin by Mr O. Chandu Menon. It was avowedly written
for the purpose of introducing the Western form of fiction to
the home of the novelist, so that when " stories composed
of incidents true to national life, and attractively and grace-
fully written, are once introduced, then, by degrees, the old
THE FUSING POINT OF OLD AND NEW 435
order of books, filled with the impossible and the super-
natural, will change, giving place to the new."
In the course of the story, the newly-acquired thoughts
and habits of natives educated on English lines, are con-
trasted with those of the old school of conservative and
orthodox Hindus.
The inward life of a Nair family or Tarwad, ruled, ac-
cording to the local custom, by the chief of the house, or
" Karnavan," is laid bare, with the conflict waged by the
younger members against their " unprogressive " elders.
The author, in his preface, describes the hero, Madhavan,
as "a graduate both in Arts and Law. He is extremely
handsome in appearance, and extraordinarily intelligent,
and a good Sanskrit scholar. He excelled in sports and
English games, such as cricket and lawn-tennis." As the
novel is to be "a novel after the English fashion," the
author confesses that " it is evident that no ordinary
Malayalee lady could fill the role of the heroine of
such a story. My Induleka is not, therefore, an ordinary
Malayalee lady. She knows English, Sanskrit, music, etc.,
and is at once a very beautiful and a very accomplished
young lady of about seventeen years of age when our story
opens."
That the reader should not imagine that the character
is altogether untrue to life, the novelist hastens to add : " I
myself know two or three respectable Nair ladies now
living, who, in intellectual culture (save and except in the
knowledge of English), strength of character, and general
knowledge, can well hold comparison with Induleka. As
for beauty, personal charms, refined manners, simplicity of
taste, conversational powers, wit and humour, I can show
hundreds of young ladies, in respectable Nair Tarwads,
who would undoubtedly come up to the standard of my
Induleka."
The storj' of the trials of the hero and heroine and of
436 LITERARY HISTORY OF INDIA
the final triumph of their love, is well worked out on the
lines of English fiction, with the added interest and charm
of Eastern life and Eastern scenery.
One chapter towards the end of the story gives, in the
form of a conversation between Madhavan, the hero, his
father, Govinda Panikkar, a "bigoted Hindu," and his
cousin, Govinda Kutti Menon, the current native view on
such subjects as religion, education, and the National
Congress. Madhavan's father first upbraids his son with
want of love, faith, and veneration : —
" The cause of all this, I say, is English education. Faith in God
and piety should rank foremost in the hearts of men, but you who
learn English have neither. . . . Your new-fangled knowledge and
notions have ruined everything. I see you continually forsaking the
good old practices which we Hindus have observed from time im-
memoriaL . . . All this hostility to our time-honoured rules of virtuous
life, is due to nothing but the study of English. If the acquisition of
human knowledge and human culture comes into conflict with faith in
things Divine, then they are most utterly worthless. It behoves each
and every man to cling to the faith of his forefathers, but you apparently
think that the Hindu religion is altogether contemptible.''
The usual arguments on the subjects of theism, atheism,
and agnosticism follow. The father, Govinda Panikkar, at
length retorts : —
" If you say that God is omnipresent, can you therefore make up
your mind not to go to the temples ? Besides, do you really mean to
say that there are no saints upon earth who have freed themselves
from all worldly cares and passions ? "
" I certainly do," answered Madhavan. " I maintain emphatically
that, except when all natiual appetites and desires are quenched by
sickness, there is no man devoid of the impulses and passions which
are inherent in the flesh."
" This is dreadful," exclaimed Govinda Panikkar. " Just think how
many great devotees and ascetics have conquered all fleshly lusts."
" I don't believe there are any who have," replied Madhavan.
" Then are you an atheist altogether, my son ? "
" I am no atheist ; on the contrary, I firmly believe there is a God."
" Then what about the ascetics ? "
THE FUSING POINT OF OLD AND NEW 437
" I do not believe there are any such men as you mentioned,
whether they are devotees or not."
" But I saw an ascetic once who Hved on nothing but seven pepper-
corns and seven neem leaves a day. He never even drank water."
" He must have been an uncommonly clever impostor," said
Govinda Kutti Menon, " and I have no doubt he humbugged you."
" He stayed for nine days in the lodge with me," returned Govinda
Panikkar, " and ate nothing the whole time."
" You did not see him eat anything, brother," said Govinda Kutti
Menon, " and believed that he ate nothing ; that's all. A man cannot
live without food. It is so ordained by nature, and what is the use of
any one telling lies about it ? "
" There, now," said Govinda Panikkar, " this perversity comes from
your intercourse with English people. You never believe a word we
say."
Long extracts from the writings of Bradlaugh are quoted
to break down the faith of the orthodox Hindu in all his
ancient religion. The story of creation and of Adam, as
dealt with by Bradlaugh, are next discussed : —
" But there is no mention of any man named Adam in our ' Shastras '
and ' Puranas,' and I don't believe a word of what you have read,"
objected Govinda Panikkar.
" You need not believe in Adam,'' replied Govinda Kutti Menon.
" But the account given by the Christian Scriptures of the curse which
is said to have fallen on Adam, and the tribulation which is described
as resulting from the wrath of God, is nothing compared with similar
accounts in our ' Puranas.' According to them, it is not only God, but
also saintly men and minor deities, and Brahmans, and, more than this,
women, that are paragons of virtue, who, in their wrath, take cruel and
manifold vengeance on immortals and mortals, and the dumb brute
creation from one birth to another. None of this rank, preposterous
folly appears in the Christian Scriptures."
" Don't speak like that," said Govinda Panikkar. " What do you
mean by saying such things of our ' Puranas,' Govinda Kutti ? Do you
imagine any one will believe you when you condemn as rank folly our
' Puranas,' which are as old as the world itself, simply because you have
read an English book, a creation of yesterday ? But, apart from that,
if there is no God, then what you say must amount to this, that man
called himself into existence."
" It amounts to more," repUed Govinda Kutti, " because I say that
not only man, but also the whole world, came into existence through
438 LITERARY HISTORY OF INDIA
various elements and forces, and is attaining complete development
spontaneously."
" Then, in that case, when a man dies, what becomes of the spirit of
life ? " asked Govinda Panikkar.
" Nothing," replied Govinda Kutti Menon. " It simply becomes
extinct. If you put out a lighted candle, what becomes of the flame ?
Surely nothing ; it is simply extinguished, and so it is with the spirit
of life."
" Then man has no ftiture state ! All is ended in death ! " exclaimed
Govinda Panikkar. " Verily, this is a creed fit only for devils ! "
The unfortunate father has, however, to sit still and listen
to a discussion over the relative merits of the writings of
Darwin, Huxley, Herbert Spencer, and other English
writers, and those of the Indian sages. The case for and
against the National Congress is next considered,
Madhavan's cousin vehemently opposing its purposes
and methods : —
" Even for the English, with all their unity of caste and fusion of
race. Parliamentary Government is a matter of difficulty, and how
preposterous then is the idea entertained by some bawling Babus,
Brahmans, and Mudalis of forming, out of the inhabitants of India,
who are divided by ten thousand differences of caste into sections
as antagonistic to each other as a mongoose is to a snake, an
assembly like Parliament for the administration of the country?
The project is sheer folly, nothing else. It is simply their fear of
being knocked over by bullets and their weakness that has made
the nations between the Himalayas and Cape Comorin live at
peace with one another since the advent of the Enghsh, but let
the English leave India to-morrow, and then we shall see the great-
ness and valour of the Babus. Will these open-mouthed demagogues
be able to protect the country for a single minute ? Why, if they
really possessed that fine feeling of self-esteem which they profess,
they would long ago have obtained the privileges they so earnestly
desire. But in truth they possess neither courage, nor strength,
nor energy, nor patience. Clamour is almost everything with them.
Their sole object, their one set ambition is to make a fine speech
in English. If the English Government, working on its present lines,
gradually introduces changes and reforms into India for the next
generation, this is all that is required. There are thousands of
customs and institutions in India which are wholly imperfect or dis-
THE FUSING POINT OF OLD AND NE W 439
graceful, and should be developed and improved. Why should the
supporters of the Congress neglect them utterly and go beyond all
bounds in grasping first of all at sovereignty ? Why, for instance,
do they make no attempt to remove the obstacles to improvement
and progress which are interposed by so many unnecessary distinc-
tions of caste ? Why do they not, in order to relieve the poverty of
the land, try to teach its nations trade with foreign countries, better
modes of agriculture, manufacture, mechanical engineering? Why
not endeavour to spread education among women? Wliy not seek
to reform our obscure household customs and barbarous practices ?
It is now many years since the railway, and telegraph, and other
wonderful inventions, were introduced into India, and why should
no efforts be made to instruct Hindus and Muhammadans how to
construct them and work them ? "
The case for the Congress is argued out by Madhavan,
who sets forth its objects shortly in the following words : —
"With the beginning of their administration began not only the
diffusion of knowledge and education among the natives of India,
but also a desire to participate in the privileges to which knowledge
affords us a title. Inasmuch then as we have every reason to
believe that the English Government will, in justice grant us the
fiilfilment of this desire if we ask for it, the Congress has been
established in order to prefer our request by all lawful and reasonable
In Madras the two novels "Saguna," and "Kamala"
were written by Mrs S. Satthianadhan, whose fragile life
passed away in 1894. She was born in 1862, her parents,
Haripunt and Radhabai, being the first Brahman converts
to Christianity in the Bombay Presidency.^ Her novels
are now well known in England. The two conspicuous
features of her novels — both derived from her English
education and surroundings — are seen in the following
extract from "Saguna." The scene is one she witnessed
with her brother in the Deccan. The objective mode of
^ " Kamala : a Story of Hindu Life," by Mrs S. Satthianadhan, with Memoir
by Mrs H. B. Grigg (Madras, 1894). "Saguna: a Story of Native Christian
Life," with Preface by Mrs R. S. Benson (Madras, 1895).
440 LITERARY HISTORY OF INDIA
viewing Nature is peculiarly the outcome of Western in-
fluence, to which influence must also be ascribed
her sincerely Christian piety.
" The mountain path with its loose stones, moss-grown and dark, the
trees loaded with foliage, the twisted, gnarled trunks springing
from the midst of granite rocks and stones, the huge serpentine
creepers swinging overhead, and over it all the faint glimmer-
ing light of dawn— all this formed a picture too fiiU of living
beauty, light and shade, to be ever forgotten. We ascended
a little rocky eminence, and were looking at the wonders round
us, the mists and the shadows, and the play of the light over
all, when suddenly the scene changed, and the sun emerged
from behind a huge rock. In a moment the whole place was
bathed in light. Did the birds make a louder noise, or was
the echo stronger, for I thought I heard, with the advent of
light, quite an outburst of song and merriment ? My brother,
in his, usual earnest way, remarked that it is just like this,
shadowy, dark, mystic, weird, with superstition and bigotry
lurking in every comer, before the light of Christianity comes
into a land. When the sim rises, he said, all the glory of the
trees and the rocks comes into view, each thing assumes its
proper proportions and is drawn out in greater beauty and
perfection. So it is when the sunbeams of Christianity dispel
the darkness of superstition in a land."
In later years the names crowd round of those who
show that
During the last two generations India has gone through a new and
unique development, fraught with momentous consequences to
itself and to the British Empire. Under Western influences the
former traditional moorings are already being gradually left
behind, and the educated classes are drifting towards another
goal."'
It would be almost an endless task to even enumerate
the names of those whose works and labours show evidences
of this new influence, this awakening of the torpid Hindu
intellect from the sleep into which it had been thrown by
the fierce, foreign rule of the Muhammadans during seven
centuries. Of all the names, that of Behramji Malabari is
' Karkaria, " India : Forty Years of Progress and Reform,'' p. 13.
THE FUSING POINT OF OLD AND NEW 441
most familiar to English readers, from his well-known
work, " The Indian Eye on English Life," and his " Guzarat
and the Guzaratis."
Malabari, a Parsi, was bom in 1853 at Baroda, in the
dominion of the Gaikwad, now one of surviving repre-
sentatives of the great Maratha power. Failing to pass
the matriculation examination at Bombay, he commenced
a desultory course of reading described by himself: —
" I have ranged aimlessly over a very wide field of poetry, English
as well as Indian ; also Persian and Greek translated. As
to English masters, Shakespeare was my daily companion
during schooldays, and a long while after that. Much of my
worldly knowledge I owe to this greatest of seers and practical
thinkers. Milton filled me with awe. Somehow I used to feel
unhappy when the turn came for ' Paradise Lost.' His torrents
of words frightened me as much by their stateliness as by
monotony. Nor could I sympathise with some of the personal
teachings of this grand old singer. Wordsworth is my philo-
sopher, Tennyson is my poet." ^
The command Malibari obtained over Guzarati resulted
in the production of his " Niti Vinod," or " Pleasures of
Morality,'' and his acquaintance with English emboldened
him to risk his " Indian Muse in English Garb," to an
English public. From the latter a few lines ^ will indicate
the spirit in which the new reformer commenced his work,
and the style of his verse : —
" O mourn thou not in vain regrets
That fancied wrong thy peace alloys ;
When thy ungrateful heart forgets
What bliss thy conquered race enjoys.
What if thy English brother lords
It o'er thee, with contempt implied ?
Recall the day when Moslem swords
Cut thee and thine in wanton pride !
Think how a generous nation strives
To win thee back thy prestige lost ;
Of what dear joys herself deprives
To aid thee at a frightful cost ! "
' KarHaria, " Indiaec," p. 40. ^ Ibid., p. 67.
442 LITERARY HISTORY OF INDIA
During his active life Malabari cast the whole of the
power his command over Guzarati and English gave him
into the tasks of endeavouring to soften race antipathies,
and to introduce some of the more obviously required
reforms into Indian society. As editor of the Spectator
he exercised an influence far-spread and deep, being, in
the words of Mr Martin Wood, the editor of the Times
of India, " peculiarly fitted for being a trustworthy inter-
preter between rulers and ruled, between the indigenous
and immigrant branches of the great Aryan race. It is
easy to see that he thoroughly understands the mental
and moral characteristics of these two great divisions of
the Indian community, not only as presented in Bombay,
but in other provinces in India." In his notes on " Infant
Marriage and Enforced Widowhood," Malabari pointed out
forcibly the two gravest social blots in Indian life. As a
result of his labours, both in the Press and on the platform,
in England as well as in India, he had the satisfaction of
seeing the "Age of Consent Bill of 1891 " pEissed, during
the administration of Lord Lansdowne, by which the age
of consummation of marriage was raised from ten to twelve.
In his " Sketch of the Life and Times of Behramji M.
Malabari," R. P. Karkaria points out, from an Indian point
of view, the tendencies, so apparent to all, in one direction of
the continued contact with a new and Western civilisation: —
" The work of destruction is being done efifectively ; belief in the old
religion is giving way among the men who receive an English
training. This may not be perhaps quite desirable, as it is
better to be, in the phrase of Wordsworth, ' a Pagan suckled in
a creed outworn,' than to have no creed at all. The old creeds
are found to be outworn by them, but they have taken definitely
to no new creed. The ground for such a one, however, is being
cleared. What that creed is to be is a matter for speculation.
That it will be Christianity in any dogmatic form, one cannot
hope. The present agnostic tendency of European thought
seems to have a fascination for the Indian intellect, and there
are signs here and there to show that atheism is spreading and
THE FUSING POINT OF OLD AND NEW 443
taking the place of the old superstitions. The writings of
agnostics and atheists are growing in favour with our academic
youths, who seem to consider all religion as superstition, and
every creed to be an anachronism." ^
In the same work the opinion of Malabari is quoted on
this problem of the future, the most momentous, not only
for India, but for the whole civilised world : —
" I know not if India will become Christian, and when. But this much
I know, that the life and work of Christ must tell in the end.
After all, He is no stranger to us Easterns. How much of our
own He brings back to us, refined and modernised? His
European followers seek Him most for His Divine attributes,
to me, Jesus is most Divine in His human element. He is so
human, so like ourselves, that it will not be difficult to under-
stand Him, though it is doubtful if the dogmas preached in His
name will acquire a firm hold on the East." ^
What may be expected in the near future, as a result of a
contact between the intensely earnest and brooding thought
of the East with the best of what may be called Western
civilisation, can, in some measure, be dimly shadowed
forth, as some hope of encouragement to England in the
work she has undertaken, if the lines are read and re-read
of a brilliant article that has appeared on the situation by
Sir Raymond West, in his review of the life and work of
Kasinath Trimbak Telang, a Judge of the High Court of
Bombay, who died in 1894.
Kasinath Trimbak Telang was born, in 1850, of a respect-
able family in Bombay.' He early perfected himself in
MarathI and Sanskrit, and by 1 869 had taken the degree of
M.A. and LL.B. in the Bombay University. In 1872 he
became an advocate, and soon, " in all matters of Hindu
law, Telang was, by general &c\i.novr\edgTaent, facile frinceps
of the Bombay Bar."
To a native alone can be known the true force of the
various schools of Hindu law among the varied classes
-1 Karkaria, " Sketch of the Life and Times of B. M. Malabari," p. 67.
^Ibid., p. 81.
444 LITERARY HISTORY OF INDIA
of the community, and in how far local circumstances,
habits, or customs have the binding force of law outside
all the formulated codes of the Brahmanical legislators.
The English judge naturally accepts these Brahmanical
codes as of universal authority, and as being generally
known or accepted as such. That the Brahmanical codes
were made by a special class, and for a special class, of the
community is evident to all acquainted with the literary
history of India. To the overworked and practical adminis-
trator, or advocate, a law is accepted as law, and applied
without those restrictions which only an intimate acquaint-
ance with the past history or present life of the people
would suggest The peculiar province of a native advocate
or judge, such as Telang, is to impress these facts on
their English legislators and jurists. In the words of Sir
Raymond West,^ Telang " felt very strongly that in Hindu
Law, as elsewhere, life implies growth and adaptation. He
hailed with warm welcome the principle that custom may
ameliorate, as well as fix, even the Hindu law, and it was
refreshing sometimes to hear him arguing for moderniza-
tion, while, on the other side, an English advocate, to whom
the whole Hindu system must have seemed more or less
grotesque, contended for the most rigorous construction of
some antique rule."
Telang received, as a fitting recognition of his position
as "the most capable of Hindus of our generation," a
Judgeship of the High Court of Bombay, in 1889, and
afterwards the Vice-Chancellorship of the University. As
a Legislative Member of the Council at Bombay he threw
the whole weight of his scholarship and power as an
advocate against such of his orthodox countrymen as
opposed the raising of the age of consummation of
marriage for child -wives. He showed that by neither
Vedic authority, nor by the wording of the Queen's
' West Sir Raymond, J R.A.S. (1894).
THE FUSING POINT OF OLD AND NEW 445
Proclamation was the English Government anything but
free to legislate on the subject. " It is the bounden
duty of the Legislative," he said, "to do what it is now
doing in the interests of humanity, and of the worldly
interests of the communities committed to its charge,
and for such a purpose as the present to disregard, if
need be, the ' Hindu Shastras.' " ^
As a profound Sanskrit scholar, he is known as author
of many valued works. As a debater whose " language
of a limpid purity would have done credit to an English-
born orator," he is remembered for his stirring addresses on
such subjects as the Ilbert Bill, Licence and Salt Taxes,
his advocacy for the extended admission of natives to the
Indian Civil Service, and on many other important measures
and topics. In these addresses " his style was framed on the
classic writers, and expressed his meaning with admirable
force and clearness. It may, indeed, be doubted if any
native orator has equalled him in lucidity and that re-
straint which is so much more effective than exaggeration
and over-embellishment." ^
As a member of the Education Commissioners of 1882
his report is, "in some respects, the most valuable of a
crushingly voluminous collection," and, as Vice-Chancellor
of the University, he warmly supported all the great efforts
of Lord Reay * for the establishment and encouragement of
technical education, and convinced as he was that " success
in the modern world was to be obtained only by adaptation
to the needs of modern life, he wished his fellow-Hindus to
unite an inner light of Divine philosophy, drawn from the
traditional sources, and generously interpreted, to a mastery
of the physical sciences, and the means of natural improve-
ment." Jurist, statesman, scholar, orator, poet, lover of
Nature, and meditative sage, he remains to the West the
1 West, Sir Raymond, J.R.A.S. (1894), p. 119- ^ lii^-, "S-
» See Hunter, Bombay, "A Study in Indian Administration," p. 157.
446 LITERARY HISTORY OF INDIA
convincing proof that " it is by the word and the example
of him and his like that India must be regenerated, and the
moral endowments of her children made noble, serviceable
for the general welfare of mankind."
To his fellow-countrymen, he is the example of how " the
present generation of cultivated Hindus want only physical
robustness and public experience, or a modest sense of
inexperience and reasonable limitation of practical aims,
to be outwardly distinguished from the mass of pushing,
intelligent Europeans with whom they mingle."
There are other well-known names whose places and fame
future times will have to record and note, as affording clear
evidences that East and West have met, and sent new forces
out into the world for the solving of its plan and mysteries.
There are names, such as Rajendra lal Mitra, Bhagvan lal
Indraji,^ Ram Krishna Gopal Bhandarkar, which tell how
India, with a newly-awakened respect for historical accuracy,
and perspective combined with labour, can produce works
fuUyable to rankwith those of the best of Western scholarship.
The West has plainly recognised how the subtle, nervous
temperament, the quick co-relation between thought and
action joined to untiring perseverance, can produce a
cricketer, probably the keenest the world has seen ; and yet
there are doubts that the same qualities cannot produce,
and have not produced, their due effect in the realms more
congenial to them, those of thought, where for the present
their true working must remain more or less hidden from
our gaze.
Men such as Ram Mohun Roy, Keshab Chandar Sen,
Michael Sudan Datta, Bankim Chandra Chatterji, Kasinath
Trimbak Telang are no bastard bantlings of a Western
civilisation ; they were creative geniuses worthy to be
reckoned in the history of India with such men of old as
Kalidasa, Chaitanya, Jaya Deva, Tulsi Das, and Sankara
' Set "Memoir" in T.B.R.A.S., vol. xvii. p. i8.
THE FUSING POINT OF OLD AND NE W 447
Acharya, and destined in the future to shine clear as the
first glowing sparks sent out in the fiery furnace where
new and old were fusing.
Year by year the leaders of Indian thought in India
spread their influence over ever-widening circles, though
what the final result may be when these leaders, infused
with all the best of the spirit of the East and West, rise
up to proclaim that East and West have met, and from
the union new forms of thought, new modes of artistic
expression, new ways of viewing life, new solutions of
religious, social, and moral problems have been produced,
as produced they must be, is one that the whole past history
of the world teaches us is to be watched with hope, not
fear or doubt. Slowly the movement will take place, and
in each step there will be unrest and dangers both to State
and people, and in a land like India fierce commotion,
taking all the steadying hand of the English rule to direct
and guide it towards a safe haven. The words of one of
the many of the great thinkers of India, who has received,
in his own sphere of thought, a recognition that might be
extended more liberally to all those who strive to find
expression for what the West has inplanted in them, may
be quoted as some hope for the future, though not, perhaps,
in the sense intended by Professor Bose : ^ —
" How blind we are ! How circumscribed is our knowledge ! The
little we can see is nothing compared to what actually is ! But
things which are dark now will one day be made clear.
Knowledge grows little by little, slowly but surely. Patient
and long-continued work will one day unravel many of the
mysteries with which we are surrounded. Many wonderful
things have recently been discovered, much more wonderful
things still remain to be discovered. We have already caught
broken glimpses of invisible lights. Some day, perhaps not far
distant, we shall be able to see light -gleams, visible or invisible,
merging one into the other, in unbroken sequence.'"'
1 Itidian Magazine and Reuiem (May 1897), p. 237 ; S. J. L. Bose, on
" Electric Waves."
A SHORT LIST OF USEFUL WORKS RECOM-
MENDED FOR FURTHER STUDY
2F
A SHORT LIST OF USEFUL WORKS RECOM-
MENDED FOR FURTHER STUDY.
Baden-Powell, B. H. The Indian Village Community. 1896.
Barth, a. The Religions of India. Authorised Translation. By
Rev. J. Wood. Lonelon, 1&82.
Bergaigne, Abel. La Religion Vddique. 3 vols. Part's, 1878-83.
Bigandet, Bishop. The Life or Legend of Gaudama. Rangoon,
1858. London, 1880.
Campbell, F. Index Catalogue of Bibliographical Works relating to
India. London, 1897.
Chatterjee, B. C. Poison Tree. Translated. London, 1884.
Kopala Kundala. Translated. London, 1885.
Krishna Kanta's Will. Translated. London, 1895.
Colebrooke, H. T. Essays on the Religion and Philosophy of the
Hindus. London, 1882.
CowELL, E. B., and A. E. Gough. Sarva Darsana Sangraha.
Cowell, Professor E. B., and Mr Thomas of Trinity College,
Cambridge. Bana's Harsa Carita. Oriental Translation Series.
1897.
Crooke, W. The Tribes and Castes of the North- West Provinces
and Oudh. Calcutta, 1896.
Crooke, W. Popular Religion and Folk-Lore of Northern India.
2 vols. London, 1896.
Dahlmann, Joseph. Das Mahabharata als Epos und Rechtsbuch.
Berlin, 1895.
Darmesteter, J. English Studies. 1896.
452 WORKS FOR FURTHER STUDY
Davids, T. W. Rhys. Buddhist Birth-Stories. London, 1880.
Buddhism. 2nd edit. London, 1894.
Buddhism : Its History and Literature (American Lectures).
1896.
Davies, J. Bhagavad-gita. London, 1882.
Davies, Rev. J. Hindu Philosophy. 1881.
Deussen, p. Das System des Vedanta. 1883.
Duff, J. G. A History of the Mahrattas. 3 vols. London, 1826.
Later Editions.
DUTT, J. C. Kings of Kashmir. Calcutta. 1879.
Dutt, R. C. a History of Civilisation in Ancient India. 2 vols.
London, 1893.
Literature of Bengal. London, 1895.
Dutt, Toru. Journal de Mdlle. d'Arvers.
Lays and Ballads of Hindustan. London, 1882.
Education in India, Progress of. Second Quinquennial Review.
Calcutta, 1893.
Fergusson, Dr J. Tree and Serpent Worship. London, 1 868.
History of Indian and Eastern Architecture. London, 1876.
FiCK, R. Die Sociale Gliederung in N. Ostlichen Indien zu
Bhudda's Zeit Kiel, 1897.
Garbe, R. Sankhya Philosophie.
GOUGH, A. E. The Philosophy of the Upanishads. Oriental Series.
1882.
Griffith, R. Sama Veda. Benares, 1893.
Atharva Veda. 2 vols. Benares, 1896.
Growse, F. S. Ramayana of Tulsi Das. Translated from the Hindi.
Haug, Martin. Aitareya Brahmana. Text, Translation, and Notes.
2 vols. Bombay, 1863.
Hibbert Lectures : —
Lectures on the Growth of Religion, as Illustrated by some
Points in the History of Indian Buddhism. By T. W. Rhys
Davids. London, 1881.
Lectures on the Origin and Growth of Religion, as Illustrated
by the Religions of India. By F. Max MiiUer. 2nd edit.
London, 1878.
Holtzmann, a. Das Mahabharata, 1892-1895.
WORKS FOR FURTHER STUDY 453
Hopkins, E. W. Religions of India. Boston, 1895.
The Social and Military Position of the Ruling Caste in Ancient
India. Reprint. Newhaven, 1889.
Hunter, Sir William Wilson. The Indian Empire : Its History,
People, and Products. London, 1893. 3rd edit.
Annals of Rural Bengal. 5th edit.
Orissa: Its History and People. 2 vols. London, 1872.
Our Indian Musalmans. 3rd edit.
Rulers of India Series. Edited by Oxford.
Indian Magazine and Review. A Monthly Publication. London.
JEVONS, F. B. Introduction to the History of Religions. London;
1896.
Kaegi, Professor A. The Rig Veda. Translated by Arrowsmith, R.
1886.
Karkaria, R. P. India: Forty Years of Progress and Reform.
London, 1896.
Lassen, C. Indische Alterthumskunde. Bonn, 1847-61. 2nd edit.
Leipzig, 1867-74.
Levi, S. Th&tre Indien. Paris, 1890.
LuDWiG, Alfred. Der Rigveda, oder die heiligen Hymnen der
Brahmana. A Translation in German. 6 vols. Prague, 1876-88.
Lyall, Sir Alfred. Asiatic Studies. London, 1882.
MacCrindle, J. W. The Invasion of India by Alexander the Great,
as described by Q. Curtius, Diodorus, Plutarch, and Justin. With
an Introduction containing a Life of Alexander. 1893.
Macdonell, a. a. Vedic Mythology (Grundriss der Indo-Arischen
Philologie und Altertumskunde, herausgegeben von Georg Biihler).
1897.
Mahabhaeata, The, of Krishna Dwaipayana Vyasa. Translated
into English Prose by Pratapa Chandra Ray. Calcutta, 1893-96.
Manning, Mrs. Ancient and Mediaeval India. London, 1869.
Mitchell, J. Murray. Hinduism, Past and Present. London, 1885.
MoNiER- Williams, Sir Monier. Non-Christian Religious Systems :
Hinduism. London, 1877.
Indian Wisdom. 1876.
454 WORKS FOR FURTHER STUDY
MONIER-WILLIAMS, Sir MoNlER. Brahmanism and Hinduism.
1891.
Religious Life and Thought in India. 1893.
Sakuntala of Kalidasa. 1887.
MuiR, J. Metrical Translations from Sanskrit Writers. 1879.
Original Sanskrit Texts. Translated into English. 5 vols.
1858-61. 2nd edit. 1868-73.
MiJLLEB, Max. A History of Ancient Sanskrit Literature. London,
1859.
Chips from a German Workshop. 2nd edit. London, 1868.
India : What Can It Teach us. London, 1892.
Biographical Essays. 1884.
Biographies of Words. London, 1888.
Sacred Books of the East. Translated by various Scholars,
and edited by Prof. Max. Miiller.
Oldenberg, H. Buddha, sein Leben, etc. Berlin, 1881. Trans-
lation. London, 1882.
Die Religion Des Veda. Berlin, 1894.
Oman, J. C. Indian Life; Religious and Social 1889.
Padfield, Rev. J. E. The Hindu at Home. 1896.
Pope, Rev. G. U. Naladiyar. Oxford, 1893.
Rae, G. Milne. The Syrian Church in India. London, 1892.
Ragozin, Z. A. Vedic India : Story of the Nations. 1896.
Ramayana of Valmiki. Translated into English Verse, by R. T. H.
Griffith. I vol. Benares, 1895.
Rendall, G. H. Cradle of the Aryans. 1889.
Samuelson, James. India, Past and Present. London, 1890.
Schrader, Dr O. Prehistoric Antiquities of the Aryan People.
Translated by Jevons, F. Byron. 1890.
Sen ART, E. Les Castes dans I'lnde. 1896.
Essai sur la Legende du Buddha, son Caractfere et ses Orig^es.
Paris, 1882.
Stevenson, Rev. J. Translation of the Sama Veda. 1841.
Tassy, Garcin dk Les Auteurs Hindoustanis et leurs Ouvrages.
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WORKS FOR FURTHER STUDY 455
Tassy, Garcin DE. Histoire de la Litt^rature Hiiidouie et Hin-
doustanie. 3 vols. 2nd edit. Paris, 1870-71.
Taylor, Isaac. Origin of the Aryans. 1890.
Thibaut.G. Vedanta Sutras, S.B.E. Vols. XXXIV. and XXXVIII.
1890-96.
Tod, Lieut.-Col. J. Annals and Antiquities of Rajasthan. London^
1829-32.
Trumpp, E. The Adi Granth. Translated from the Gurmukhi.
London, 1877.
Tuka Rama, The Poems of. Edited by Vishnu Parashuram Shastrl
Pandit, with a Life of the Poet in English. Bombay, 1869.
Walus, H. W. The Cosmology of the Rig- Veda. London, 1887.
Warren, H. C. Buddhism in Translations. 1896.
Weber, Albrecht. The History of Indian Literature. London,
1878.
West, Sir Raymond. Higher Education in India : Its Position and
Claims. Transactions of the Ninth Oriental Congress. London,
1892.
Wilson, H. H. Translation of Hymns of the Rig Veda, continued
by Professor E. B. Cowell and W. F. Webster. 1850-88.
Select Specimens of the Theatre of the Hindus. 3 vols.
1835-
The Vishnu Purana. London, 1840.
Sketch of the Religious Sects of the Hindus. Calcutta, 1846.
Complete Works of. 12 vols. London, 1862-77.
WiNDlsCH, E. Der griechische Einfluss im indischen Drama.
Berlin, 1882.
Zeitschrift der deutschen Morgenlandischen Gesellschaft. Quoted
throughout as Z.D.M.G.
INDEX
Aboriginal races, 301.
Abul Fazl, 356, et seq.
Abul Kadir Badaunl, 357.
Acharyas in South India, 325.
Adhvaryu priests, 68, 72, 87,
Adi Brahma Samaj, 406.
Adi Granth, 374, et seq.
Adil Shahi dynasty, 375.
Aditi, 46.
Agastya, 302.
Aghoris, 291.
Agni, 17, 9S, 124.
attributes, 45 -47.
the first victim always sacrificed
to, 74.
Agnihotra sacrifice, 113.
Agnimitra, 288.
Agni Vaisvanara, the protector of the
king, who has a purohita, 91.
Agriculture performed by women, 85.
Ahavaniya altar, 71, 81.
Ahi, the snake, 53.
Ain-i-Akbari, 358.
Aitareya Brahmana, 72.
on sacrifice, 85.
story of Sunahsepa, 87, et seq.
Ajatasatru, 142, 144.
instructs a Brahman, 112.
Akbar, 3SS-364-
Alara, a. Brahman teacher of Buddha,
131-132.
Alexander the Great, 171- 174.
Alexander II. of Epirus, 244.
Alexandria in Egypt, 172.
the modern Herat, 172.
the modern Ucch, 173.
All and Rama, 346.
Altamsh, tomb of, 363.
Altar for Brahmanic sacrifice, 71.
shape of, 71, 73.
Ambapall entertains Buddha, 143.
Ambattha visits Kapilavastu, 118.
Amravati, 127, 147, 150.
Ananda, Buddha's injunctions to, 143.
Anathapindika, 142.
Andhra kingdom, 150, 176.
Andhrabrityas, 307.
Andhras, 250, 306.
Angas, 95, 131.
Animal sacrifice substituted for human,
43. 75-
Antelope, black, 78.
Antigonos Gonatas of Macedonia, 244.
Antiochus II. of Syria, 243.
Apastamba, 176.
law book of, 152, i^^,etsei;.
rules for Siidras, 154.
rules for Brahmans, 160.
Apsaras, 217.
Arahat, 139.
Aranyakas, 96.
Arashtra, 173.
Arbela, the battle of, 172.
Arjuna, 221.
458
INDEX
Arjuna draws the bow, 221.
meets Krishna, 223.
marries Krishna's sister, 224.
submits to Siva, 230.
chooses Krishna as charioteer,
236.
addressed by Krishna, 238-241.
Arjuna, fifth Sikh Guru, 376.
put to death, 378.
Arrian, 181.
Aruni wood, 40.
Arya, meaning noble, 2,
Aryan vernaculars, 264.
literary influence, 265.
Aryans : early ideas as to habitat, 6 ;
later theories, 7-9, 13 ; early beliefs,
II; Nature worshippers, 12; entry
into India, 2, 17 ; their first home in
India, 20; alliances with aboriginal
folk held impure, 20; settled in
Sind, 63; intercourse with darker
races eliminated from Vedas, 64 ;
settled in Oudh, Benares, and Behar,
69; mix with aboriginal races, 97;
causes of their disunion, 98.
Aryavarta, 4, 149, 251.
Ascetics, 115.
rules for, 116.
last stage of life, 163.
Asoka, 119, 133, 334.
erected a pillar at Buddha's birth-
place, 120.
adopted Buddhism, 144.
embraces Buddhism, 242.
— publishes his Edicts, 243-47.
sends foreign embassies, 243-44.
death of, 247.
Asvamedha, 242, 25 1.
Turanian in origin, 242.
Asvins, 29.
physicians of the gods, 48.
Atharva-veda : Hymns setting forth
vengeance on oppressors, etc. , of the
Brahmans, 25-26.
Atharva-veda, love-charms, 33.
on widow-burning, 36.
Atheism in Vedas, 58.
in ancient India, 128.
Atman as the sun, 105.
the Self of man, 105.
the universe, 106, et seq.,
114.
Buddha's knowledge of, 123.
Atmlya Sabha, 394.
Attock, 172.
Aurangzib, 364, 374, e( seq.
Ayodhya, ancient capital of Kosalas, 131.
the home of Rama, 214.
Babar, 338, 345, 352-55.
Babylon, 172.
Bactria, 172.
Badarayana, 196.
Badaunl, 357.
Badrinath monastery, 325.
Bahikas, 66.
Bali, the demon, 340.
Bana, 255, 257 ; the Harsha Charita,
255-62.
Banga Darsan, 419.
Baptist missions, 389.
Bassava, 344.
Baudhayana, 176; law book of, 152,
et seq. ; penalties on Siidras, 153 ;
penalties for mixing of twice-born
with Sudras : penances for Brahman
murder, 159.
Belugamaka visited by Buddha, 143.
Benares, 132.
Bhagavad Gita, 203, 207 ; its answer to
pessimism, 235 ; its doctrine of faith
in Krishna, 235, 238 ; its essential
doctrines, 236 ; mysticism, 236 ; its
historical position, 237 ; duties of tlie
four castes as taught by, 240.
Bhagavan, 316.
Bhagavan Das, 364.
Bhagavata Purana, 348.
INDEX
459
Bhairava, 229.
Bhaja Govinda, 327.
Bhaja temple, 146.
Bhakta Mala, 367.
Bhandarkar, R. G., 446.
■ Bharata, brother of Rama, 214.
Bharatas, 67. t
Bharata Varsha, 215.
Bharhut, the mound at, 127.
Bhartrihari's Satakas, 4 (note).
Bhavabhuti, 288-93.
Bhima, 218, et seq.
slays the demon Rakshasa, 220.
vows vengeance on Kurus, 228.
Bhujyu, 29.
Bidyapati Thakur, 347.
Biharl Lai, 366.
Bimbisara, King of Magadha, 128, 130,
142, 243.
Birbal, 359.
Blood covenant, 75, 164.
Boar incarnation of Vishnu, 340.
Bose, S. J. L., 447.
Brahma, 194, 217.
Brahman (prayer), 23, 230 ; power over
the gods, 59 ; evil effect if wrongly
pronounced, 59 ; the neuter essence,
106 ; as the cause of the world, loi,
103 ; the self-existent, 103 ; in re-
lationship to the Self, 103 ; derivation
of the word, 103 ; as prayer, 104 ; in
Vedanta Sutras, 198, et seq.
Brahmanas, 69, 96.
Brahmanic supremacy asserted, 68.
Brahmanical power, 148, et seq. ; rules
have retarded advance, 187; victory,
l88 ; claim to supremacy, 189; cry
of pain, 190.
Brahmanism, 310, 335, 364; its position
as regards Buddhism, and the Epics,
210, 212 ; accepts Krishna, 226 ;
Siva, 230 ; compromises with abori-
ginal beliefs, 243.
Brahmans, composers of Vedic Hymns,
23 ; no one class or order, 23-24 ;
created from mouth of Purusha, 25 ;
described as gods, go, 1S8 ; their
wealth, 92 ; conflicts with warrior
class, 92 ; missionary efforts, 94 ; '
instructed by a Kshatriya, 112;
looked down on by Kshatriyas, 118;
supremacy of, 148, et seq.; taught by
word of mouth, 150 ; their aim to
preserve themselves apart from ab-
origines, 152 ; custom of going to
sea, 158; penalties for touching,
'59 ; permitted to perform duties of
a. lower caste, 160 ; described by
Megasthenes, 179 ; accept the demo-
nology of the masses, 213.
Brahma Samaj founded, 397.
essential articles of, 403-4.
Brahma Sutras, 196.
Brahmavarta, 17, 66.
Biahmi alphabet, 243.
Brihaspati, lord of prayer, 74, 104.
Broughton, Colonel, Letters from a
Maratha Camp, 255.
Bucephala, founded by Alexander, 173.
Buddha, 96, 1 17, 119; his birthplace,
117; his visions, 121; leaves his
home, 122, 130 ; his philosophy, 122,
et seq.; his knowledge of the Upani-
shads, 123 ; of the various philoso-
phies, 130 ; his quest after know-
ledge, 131 ; gains knowledge, 132 ;
goes to the five ascetics, 133 ; his
personality, 133 ; declares the truth,
134, et seq. ; his journeys, 143 ;
worshipped, 147 ; injunctions to
Ananda, 143 ; changes after his
death, 144 ; his ideals, 246-7 ; as an
incarnation of Vishnu, 340.
Buddhism, 113, 323, 324, 335; a
revolt from Brahmanism, 93 ; an
outcome of Aryan thought, 97 ;
powerless to unite the masses, 98 ;
460
INDEX
Buddhism {continued^ —
position as regards Brahmanism, 118;
its philosophy) izz-z"] ; resemblance
to Jainism, 129 ; spread among
■ Scythians, 130 ; doctrines of, 132-
139 ; historical significance of, 140 ;
took no account of caste, 141 ; a
celibate order, 142 ; drifts into
idolatry, 147 ; failure to break
through caste, 149 ; driven out by
Muhammadans, 246 ; accepted by
Asoka, 243 ; and by Kanishka, 249.
Buddhist Canon, 232.
Councils, 145.
Edicts of Asoka, 234.
Calcutta Madrissa, 388.
Carey, the Baptist missionary, 389, 390.
Caste, 93, 148-69.
Census of 1891, 263.
Chaitanya, 338, 348, ei seq.
Chalukyas, 307.
Chamunda, a form of Durga, 289.
Chanakya, 294.
Chandala, offspring of a Sudra and a
Brahman woman, 126, 155.
Chanderi, siege of, 354.
Chandidas, 347.
Chandogya Upanishad, the teaching of
Uddalaka, 109 ; on transmigration,
126.
Chandragupta, 144, 174, 176, 334;
makes alliance with Seleukos Nika-
tor, 175.
. Chandra Gupta I., 242, 294.
II., 251.
Charanas, 217.
Charudatta, hero of Mricchakatika, 272,
et seq.
Chatterji, Bankim Chandra, and his
novels, 419-29.
Cheras, or Keralas, 305, 306.
Chola dynasty, 305, 306.
Christianity, supposed traces in Bhaga-
vad Gita, 231-32; its failure in India,
312.
Civilisation in Vedic times, 27-33.
Climatic influence on the people of
India, 253.
Creation of man in Vedic Hymns, 24.
Cyrus the Persian, 171-72.
Dadu, 374.
Dakshina, the reward to the Brahman,
92.
Dakshina, or southern part, 302.
Dakshinagni fireplace, 71.
Dareios, 169, 171.
Das'aratha, 214, 247.
Dasyus, 52 ; abhorred by Aryans, 20 ;
their civilisation, 20,
Datta, Akhay Kumar, 403, 411, 414.
Madhu Sudan, 414, etseq.
Dawn, 31, 48.
Dayabhaga, 338.
Death, ideas concerning, in Veda, 36-39 ;
later ideas of, 124-26.
Deccan, 302, 306, 361, 382.
Dekkan. See Deccan.
Derozia, 394.
Devald, mother of Krishna, 225.
Devaran, Hymns of Sambandha, 330.
Devi, or Kali, 229.
Dhavaka, probable author of Naga-
nanda, 293.
Dhritarashtra, father of the hundred
Kurus, 215.
Dikshita, 79.
Diodorus, 169, 173.
Dionysos, the worship of, 182.
Divodasa, 65.
Drama, 265-99.
Draupadi, 216, 220 ; her Svayamvara,
220 ; marriage to the Pandavas, 221 ;
staked and lost, 226 ; bewails the
power of evil, 234.
Dravidians, 302, et seq., 309.
INDEX
461
Drishadvati, 66, 216.
Drona, the preceptor of the Pandavas,
217.
Duncan, Jonathan, endows Benares
College, 389.
Durga, 229 ; as Chamunda, 289.
Duryodhana, 218, et seq., 227, 235.
Dushyanta, hero of Sakuntala, 285.
Dutt, Romesh Chandra, 428.
his works, 429.
Dutt, Shashi Chundra, his works, 430.
Dutt, Torn, 431.
her poems and novels, 432-
434-
Dvapara Age, 370.
Dvaraka, 225, 226, 325.
Dwarf incarnation of Vishnu, 340.
Dyaus, 12, 50.
Education — Grant's Treatise, 388;
college and school founded at Cal-
cutta and Benares, 394; Court of
Directors on, 396-98 ; Macaulay's
Minute, 399 ; Lord W. Bentinck on,
399 ; Sir J. Malcolm's Minute, 400 ;
Sir C. Wood's Despatch, 401 ; uni-
versities founded, 401 ; Sir R. West
on higher, 402 ; Census Report of
1892, 402.
Eightfold Path, 134, 138, 141, 144.
Endogamy, 165, et seq.
England's mission in India, 168.
Epics, 210, et seq.
Eudemos murders Porus, 174.
Exogamy, I^S, et seq.
Fa Hi an, the Chinese traveller, I20.
FaizI, 357.
Fakir-ud-din, 336.
Fire reverenced by Hindus, 40; the
three sacrificial fires, 42.
Fish incarnation of Vishnu, 339.
Five Rivers inveighed against as ac-
cursed, 66.
Five People, epithet in Vedic Hymns
of Aryans, 66.
Five organs of sense and action, 193.
Five subtle elements, 193.
Flood in Satapatha Brahmana, 83.
Folk-songs, origin of the Epic, 211.
Four Noble Truths, 138, 141.
Funeral ceremonies in the Veda, 35.
Gambling in Vedic Hymns, 32.
Gana, or song-books, 68.
Gandharvas, 217.
Ganga, 66.
GargI argues with Yajnavalkya, loi.
Gargya Balaki, a Brahman instructed
by a Kshatriya, 112.
Garhapatya fireplace, 71, 81.
Garuda, 50, 222, 293.
Gauri, 229.
Gautama, the Buddha, 119.
Gautama, the aphorisms of, 152, et seq.
rules for Brahmans, 158-60.
penalties on Siidras reciting Vedic
Hymns, 3.
Gautama, author of Nyaya system, 208.
Gayatii, 61.
Gentoo Code, 4, 186.
Girnar inscriptions, 243.
GIta Govinda, 339-44-
Gods — Vedic gods phenomena of
Nature, 45.
Gotama, the Vedic sage, 119.
Govind Singh, the tenth Sikh Guru,
345. 375, 379-
forms the Khalsa, 379.
Grahavarman of Kanauj, 257-59.
Grant, Charles, on education, 388.
Greeks in India, 169-82.
Gunas, the triple, 194.
Gupta line, 250.
Isvara Chandra, 393.
Guzarat, 249, 250, 257.
Hair-drbssing, 29.
462
INDEX
Hare, David, 394.
Har Govind, sixth Sikh Guru, 378.
Hati, or Vishnu, taught as supreme God
by Madhava, 330.
Hari Nath, 365.
Harischandra, the story of, 87.
Harsha Charita of Bana, 255-62.
Harsha Vardhana, 250, 257, 308, 334 ;
described by Hiouen Tsang, 254 ; the
Harsha Charita, 255-62 ; his lineage,
257-
Hastinapur, 67 ; Pandavas removed
from, 217 ; return to, 222.
Hastings, Warren, founds Calcutta
Madrissa, 388.
Havir sacrifices, 162,
Heraclitus, 122.
Herakles, 177, 182.
Herat founded by Alexander, 172.
Hermit, the third stage of life, 163.
Herodotus, 169.
Hicky's Gazetteer, 390.
Hinayana Canon, 232.
Hinduism, 289 ; how far aboriginal, 64.
Hiouen Tsang, 248, 249, 254 ; on
Kapilavastu, 117, 120.
Hiranya Kasipa, the monster, 340.
Horse sacrifice, 242, 251.
Turanian in origin, 242.
Hotar priest, 87, 90.
Imprecations on those who curse
. the, 91.
Householder, duties to be performed
by, 162-63.
Hoysala Ballalas, 309.
Human sacrifice, 42, 86.
story of Sunahsepa, 88.
Satapatha Brahmana on, 89.
Humayun, 355.
Hylobioi ascetics, 180.
Ikshvaku, 1 19 ; the Solar race of, 214.
Indika of Ktesias, 170.
of Megasthenes, 175.
Indian Mirror, 405.
Indra, 18, 31, 38, 51, 75 ; the rise of,
52; the slayer of Sushma, 53; Hjmm
to, 53 ; the destroyer of the foes of
the Aryans, 63-65.
Indraji, Bh^vanlal, 446.
Indra-prastha, 222.
Induleka, 434-39-
Indus, or Sindhu, Vedic Hymn to, 19.-
Initiation, 79, 160.
^e for, and duties after, 161.
Intermarriage between Aryan and Su-
dras forbidden, 154.
restrictions on, 164, etseq.
Iron Pillar of Delhi, 252.
Islam, 332.
Jainism, 311,323-24; its resemblance
to Buddhism, 129 ; the three gems,
129 ; its tenets, 129-30.
Jains, 128, et seq.
the object of, 129.
Svetambaia and Digambara sect,
129.
Jalandra, the monastery, 249.
Janaka, King of Videha, 99, 338, 37a
Jaya Deva, 339-44-
Jetavana, the monastery of, 142.
Jimiitavahana, hero of Nagananda, 293.
Jimutavahana, the author of Dayabbaga,
338-
Jina, the conqueror, 129.
Jognarain Ghosal, 394.
Joint-partnership in village community,
65.
Jones, Sir W., elected President of the
Asiatic Society, 389.
Kabir, 345-46, 376, et seq.
Kaikeyi, the wife of Dasaratha, 214,
368, 370, et seq.
Kailasa, the heaven of Siva, 229.
Kali, 229.
INUEX
463
Kali Age, account of in Vishnu Purana,
340.
Kalidasa praised by Goethe, 5 ; his
Malavikagnimitra, 248, 288 ; Sakun-
tala, 285, et seq. ; Vikramorvasi, 288.
Kalki, the future incarnation of Vishnu,
340-
Kalpas, 207.
Kamala, 4.39,
Kampilya, capital of the Panchalas, 67.
Kanada, author of Vaiseshika system,
208.
Kanauj, 250, 254, 257, 333, 335.
Kanishka, 249.
Kansa, King of Mathura, slain by
Krishna, 226.
Kant, 327 ; and the Vedanta, 201, 206.
Kanya Kubja, or Kanauj, 250, 254, 257,
333. 335-
Kapala Kundala, priestess in Malati
Madhava, 290.
Kapila, rgo-206.
Kapilavastu, 117, 119, 141, 143, 248.
Karkaria, R. P. , his life of Malabari, 442.
Karli temple, 146.
Karma, the doctrine of, 135, 147, 313.
Karman (work), lOi.
Karuppan, southern name of Krishna,
304-
Kasis, 69, 95.
Kataka, chief of the Licchavis, 130.
Katb-ud-din, 252, 336 ; the mosque of,
363-
Katb Shahi djmasty, 375.
Kathians defeated by Alexander, 173.
Katyayana, the Vartikhas, 151.
Kedernath, 326.
Keralas, or Cheras, 305, 306.
Kharosthi alphabet, 243.
Khilji dynasty, 337.
King in Vedic times, 21.
Kiravan, or elder, 304.
Kohana, the river, 142.
Kolarian languages, 301.
Koliyans, 142.
Kopala Kundala, a novel by Chatterji,
421.
Kosalas, 69, 94, ng, 131, 144, 212.
Krishna, 223, et seq., 304 ; his worship
described by Megasthenes, 1 82 ;
meets Arjuna, 224 ; his place in the
Mahabharata, 224 ; legends, 225 ;
and the gopis, 225 ; received into
Brahmanism, 226 ; subordinated to
Siva, 229 ; in Mahabharata, 230 ;
rises supreme in Mahabharata, 231 ;
as the saviour in Bhagavad Gita,
235, 23S ; as Arjuna's charioteer,
236 ; his discourse to Arjuna, 238-41 ;
as Brahman, 239 ; teaches duty of
the four castes, 240 ; in village plays,
269 ; as incarnation of Vishnu,
340-
Krishna Charitra, 419.
Krishna Kanta's Will, 428.
Krivis, 67.
Kshatriyas, 186 ; their conflicts with
Brahmans, 92 ; instruct Brahmans,
112 ; hold aloof from Brahmans, 118.
Kshema, wife of Bimbisara, 142.
Ktesias, 170.
Kulina Kula Sarvasa, 414.
Kulin Brahmans, 413.
Kullaka Bhatta, 338.
Kumara Gupta I., 252.
Kurral, 316, 325, 330.
Kuru Panchalas, 94, 212.
Kurukshetra, 66, 70, 215, «/ seq. ;
starting-point of Erahmanic mission-
ary effort, 94; the holy place of
pilgrimage, 216.
Kurus, 215, 226.
Kusa grass, 7 ( .
Kusinagara visited by Buddha, 143.
Kutsa, King of the Purus, 67.
Lallu JI Lal, author of Prem
Sagar, 392.
464
INDEX
Lanka, 214, 305.
Law books, 148, et seq.
notbindingonthemasses, 158,184.
their study forbidden to Sudras
and women, 185.
Levitate marriage in the Veda, 33.
Licchavis, 128, 130, 143.
Lingayatas, 309, 311.
Lodi dynasty, 338, 345.
Lokayatas, an atheistic sect, 128.
Lomas Rishi Cave, 146.
Long, Rev. J., 415.
Lumbini Garden, the birthplace of
Buddha, 119.
Macaulay's Minute, 399.
Madhava Achaiya, 326.
- . — teaches Vfelmu as supreme god,
330-
Madhura Sutta, 1 18.
Magadha, 128, 130, 141, 142.
Magadha, the ofispring of a Sudra and
Vaisya, 155.
Magadhas, 69, 95, 130, 145.
MagadhI Prakrit, 263.
Magas of Cyrene, 244.
Mahabharata, 210, et seq. ; 305.
its Brahmanic purpose, 211.
Dahlmann's theories, 213.
didactic element of, 214.
shows the rise of Hinduism, 215,
229.
the motive of, 215.
as strife between right and wrong,
217.
fading away of the Epic, 219.
polyandry in, 221.
Vedic gods change their attribute;,
229.
— sees rise of the triple deity, 229.
Siva in, 229-30.
Krishna in, 231.
supposed Christian doctrines in,
Mahabhashya, 151.
Mahadeva, or 6iva, 230.
Maharajas, sect of, 349.
Maharashtrakas, 308.
Mahatmas, 171.
Mahawra Charitra of Bhavabhuti, 288,
292.
Mahavira, the Jaina preacher, 128, 130.
Mahayana school, 249.
Maitreyi, the wife of Yajhafelkya, 106.
Malabari, Behramji, his works, 441.
Malati Madhava of Bhavabhuti, 288-92.
Malavikagnimitra, 248.
Manas, 193.
Mandara mountain, 222, 339.
Manava Dharma sastra, 183.
Manavas and the Black Yajur Veda, 152.
the school of the, 183.
Manikka Vasagar, 320, 322, et seq.
Man-Lion incarnation of Vishnu, 340.
Man Singh, 365.
Manu and the Flood, 83.
repeopled the world, 84. ■
the law book of, 152, 154, 18^.
Marathas, 375.
Mardonius, 170.
Marriage among Aryans, 14 ; forbidden
between Aryans and Sudras, 154;
restrictions, 164, etseq.; by sale, 185;
rules concerning, 185-86; Act of,
1872, 407.
ISIarshman, 389.
Maruts, 50, 53, 75.
their attributes, 54.
Maya, 345, 376 ; in the Vedanta, 199, '
etseq.
Mayadevi, the mother of Buddha, 119.
MayiKpur, 315.
Mecca, 332.
Medhatithi, 167, 338.
Megasthenes, 175, 177-82.
divides the people of India, l79-8a
Menon, O. Chandu, 434-39.
Meru, Mount, 215.
INDEX
46s
Mira Bai, 347-48, 352.
Mitakshara, 339.
Mitra, the Avestan Mithra, 51,
gives place to Savitar, 5 J.
Mitra, Dinabandu, 415,
Mlecchas, 78.
Moksha, 129,
Monism, 107, 115,
Monotheism, conception of, in Vedic
Hymns, 57.
Mount Abu, 129,
Mozoondar, Protab Cbandar, 4P5,
Mricchakatlka, 270-84,
Mrinalini, 419,
Mud Cart, 270-84.
Mydra Rakshasa, 294,
Muha,mmad, 332 ; of Ghazni, 333 ; of
Ghor, 336.
Muhammadans, 333,
Mukharas, 257.
Multan, Alexander wounded at, 173.
Muttra sacked byMuhammad of Ghazni,
334-
Muntaj Mahal, 374,
Mysticism taught in BhagavadGita, 236.
Nabha Djvs, 367,
Nachiketqs and Death, 109, et seq.
Nadiya, 335.
Naga sect, 365.
Nagananda, 293,
Nagas, 217.
Nakula, brother of Bhima, 219,
Naladiyar, 313-14, 316, 330.
Nanak, the first Sikh Guru, 345, 374,
el seq.
Narayana, 206.
Narbad^, 150.
Nataka, 270, 285,
Native Press, rise of, 391, ei seq.
Nature worship, 40, 56.
Navadvip school of logic, 338,
Nepalese Ter^i, (he land of the Sakyas,
Nietsche, 189.
Nil Darpan, 415, et seq,
Nirgranthas, 129.
Nirvana, 134, 138, 141, 147.
Nishada woman burnt by Pandavas ,218.
Niti Vinod, 441.
Nyaya school of philosophy, 20$.
Occupations in Vedic times, 27-28,
" Om," the mystic syllable, 61.
the title of the Supreme Being in
Yoga Sutras, 195.
Paka sacrifices, 162,
Panchalas, 67.
Parfdae, 177,
Pandavas, the five princes, 215, 217,
et seq. , 226.
leave Hastinapur, 217.
1^ escape from death by burning, 218,
-,-T — life in the forest, 220.
at Draupadl's Svayamvara, 221,
take Draupadl for their common
wife, 221.
-^^- build Indra-prastha, 222.
go into exile, 228.
—I- — have Siva for their aid, 229,
perform horse sacrifice, 242.
Pandiyan, or elder, See also Pandyan,
304-
Pandus,'3io.
Pandyas, 304, 305, etseq., 313, 318, 324,
Panini, 151, 208, 307.
Panis, S3-
Pantheism in Vedic Hymns, 56.
Paramatman, 106.
Parasu Rama, 340.
Pariah. See Parriyar, 304.
Parjanya, 202.
Parmenides, 327.
Parriyar, 304.
Parsva, the founder of the jains, 128.
Parthalis, the capital of tlie King gf
Kalinga, 176,
G
466
INDEX
Pataliputra, 143, 175, 176, 232, 248,
251, 294.
Patanjali, 151, 195.
Patna, 119, 143.
Penances for Brahman murder, 159.
I'itakas collected, 145.
Pitris, or Fathers, 37, 105.
had their home in the stars, 105.
Plato, 327.
Pliny, 177.
Plutschau, 389.
Poison Tree, by Chatterji, 424.
Polygamy in Vedic Hymns, 30.
Porus defeated by Alexander, 173.
defeated Eudemos, 174.
Prabhakara Vardhana, father of Harsha,
257.
death of, 258.
Pradhana, 206.
Prajapati, the first to sacrifice human
beings, 74, 89.
Prakriti, 191-93, 2q6, 289.
Prakrits, 263.
Prasenajit, King of the Kosalas,i3l,l42.
Pralapacila, name of Prabhakara Vard-
hana, 257.
Prayer (Brahman) : its power over the
gods in the Veda, 59.
evil eSecl if wrongly pronounced,
59-
Prem Sagar, 392.
Prithivi Raja, 335.
Proclamation of the Queen, 186.
Ptolemy II. of Egypt, 243.
Pulike^inll., 307.
Puranas, 289.
Puri attacked by Pulikesin, 308.
Purohita, 21-23, 9lj etseq., 159.
Purukutsa, 119.
Purus, 67.
Purusha, 24, 25, 289.
Piishan, 74
Radha, 22s, 339-44. 346-48.
Rahu, 204.
Raghunath, 338.
Rahula, 121, 142.
Raiatwari tenure, 304.
Raja, or king, in Vedic times, 21.
Rajagriha, 127, 130, 131.
Rajanya, or warriors created from arms
of Purusha, 25.
Rajasuya, coronation ceremony, 226.
Rajendra lal Mitra, 446.
Rajputs, 254.
Rajya Sri, sister of Harsha Vardhana,
257-61.
Rajyavardhana, elder brother of Harsha,
257-60.
Rakshasa, the demon enemy of the
Pandavas, 220; character in the
Mudra Rakshasa, 294.
Rama, 213, 214, 292, 305.
Chandra, 340.
Ramadas, the Guru of Sivaji, 380.
Ramanand, 344, 345, 369.
Ramanandis, 345.
Ram Mohun Roy: his essay on idolatry,
392 ; work on the Vedanta, 394 ;
founds the Atmlya Sabha, 394 ; pub-
lishes Precepts of Jesus, 395 ; founds
Brahma Samaj, 397 ; death, 403.
Ramanuja, 206, 329, 344.
Ramavats, 345.
Ramayana, 210, 292, 305.
its Brahmanic purpose, 211,
Ramayana of Tulsi Das, 367.
Ranjit Singh, 334.
Rashtiakutas, 309.
Ravana, 214, 292, 305.
Richardson, 394.
Rig Veda, 3 ; Hymns referring to levi-
rate marriage, 34; Hymns referring to
funeral ceremonies, 35.
Rishis, 217.
Ritual, meaning of obscured, 82.
Rohita, son of Harischandra, 88.
Rudra, 50.
INDEX
467
Saedabai.I, 345.
Sacrifice, tribal, 41.
human, 42.
animal, 43.
declared m Brahmanas to be man,
and again speech, 82 ; animal substi-
tuted for human, 85 ; of ^unahsepa,
88 ; as a means of salvation, 124.
Sacrificer, must be twice-born, 80.
the food of, 81.
disquisitions on the intentions, 82.
Sacrifices, 70; funeral, 71; counter-
part of divine sacrifice, 74 ; Agnihotra,
113; for householder, 162; horse
sacrifice, 242.
Sacrificial observances in the Veda, 41,
etsec^.; ceremonial, 71; pillar, 72;
stake, 72 ; participation of women,
84; subordinated to knowledge of the
Self, 102.
Sadanira, 94.
Sadharana Samaj, 407.
Saguna, 439.
Sahadeva, brother of Bhima, 219.
St Thomas, 315.
Saiva Bible, 323.
Saktas, 289.
6akti, 289, 349.
Sakuni, 226.
Sakuntala, 285, et seq.
Sakyas, 113, n6, et seq., 127, 142.
Samachar Darpan, 390.
Samarkhand, 171 ; mosque, 337.
Sama Veda, 68, 152.
Sambad Prabhakar, 393.
Sambandha. See Tiru Nana, 323-30.
Sambara, 65.
Sambvika, the story of, 293.
Samudra Gupta, 251.
^ his conquests, 251.
Sanchi, the mound at, 127, 147.
^andilya, m, 344.
Sangan, or College of Madura, 318.
Sankara Acharya, 113, 196-205, 325,*/
seq, 344.
life of, 326.
the Bhaja Govinda, 327.
Advaita doctrine, 329.
Sankhya philosophy, 190-206.
Sankhyan solution, 193-94.
Sanskrit as primitive language, 6.
later theories, 8-9.
Sarama, 53.
SarasvatI, 17, 66, 70, 74, 216.
Saraswati, Dayananda, 410.
Sarmanes, an Order of Brahman men-
tioned by Megasthenes, 180.
Satapanni Cave, 144.
Satapatha Brahmana, 80, 83, 86, 89,
105.
Sati, 35 7.
Satsaiya of Bihari, 366.
Satthianadhan, Mrs, novels of, 439.
Sauraseni Prakrit, 263.
Savitar, the Quick ener, 49.
Savitri, 75.
verse to, used at initiation, 161.
Sayyid dynasty, 338, 345.
Schopenhauer, 232 ; and the Vedanta,
201.
Schwartz founds Tinnevelly Mission,
389.
Scythians, 248-50.
Self, the knowledge of, as means of
salvation, 102, 123.
in relationship to the Brahman,
103.
as the Sun, 105.
of man, or Atman, 105.
of the Universe, lo6, et seq. ,114.
Seleukos Nikator, 174, 176.
makes alliance with Chandra
Gupta, 175.
Semiramis, 169.
Sen, Keshab Chandar, 405, 407, etseq.
Serampur, Danish Settlement at, 390.
Sesha, the serpent, 339.
468
INDEX
Sesostris, 169.
Shah Alam, 383.
Shahjahan, 361, 363, 374.
Ships in Vedic Hymns, 29.
Sib, or Aryan clan, 13, 21.
Siddartha, 113, 119, 121.
the father of Parsva, 128.
Siddhas, 217.
Sikhs, 345, 374-80.
Slladitya II., or Harsha Vardhana,
250 ; author of Nagananda, 293.
Sindhu, Hymn to the river, 19.
compared to Agni, 46.
Sisupala, King of the Chedi, 226.
Sita, Hymn addressed to, 28 ; wife of
Rama, 214, 292, 305.
Siva, SO, 182, 194, 229, 309, 311, 319,
326, 33°-
Sivajl, 334, 375, 379, 380.
Skanda, 310.
Skandas, 137.
Skylax of Karyanda, 169.
Smarta Brahmans, 326.
Smriti, 202.
Soma, 31, 38, SSi 68> 74 ! sacrifices,
162.
Sommath, 334.
Son, the river, 130.
Sophytes made alliance with Alexander,
173-
Soul, 193.
Soul of the Universe, 209.
Speech personified in Vac, 60.
Spells used in Atharva-veda, 34.
Srauta sacrifices, 70.
Sravakas, lay members ofthe Jains, 129.
Sravasti, capital of the Kosalas in
time of Buddha, 131, 142, 144.
Sringiri monastery, 325.
Strabo, 171.
Studentship, duration of, 161.
Subtle body, 193.
Sudas, 26, 65, 67.
Suddhodhana, the father of Buddha,
119, 142.
Siidra, duties of, 293.
Sudraka, author of Mricchakatika, 271.
Sudras, 3, 25, IS3-SS. '86.
Sukh Nidhan, 345.
Sun, the, as holder of the life-breath of
mortals, I05.
as the Self, or Atman, 105.
Sunahsepa, story of, 43, 87.
Supreme Being, introduced in Yoga
Sutras, 195.
Surashtra, or Guzarat, 250.
Sur Das, 210, 365.
Siir Sagar, 365.
Siirya, the Sun-god, 49.
Susa, 172.
Sushma.the Drought, slain by Indra,53.
Sutradhara, 271.
Sutras, Vedic rules reduced to, 151.
Svayamvara, 182, 221, 224.
Svetadwipa, 231.
Svetaketu, 109.
Svetambara, sect of Jains, 129.
Syapama Sayakayana, the last to sacri-
fice human beings, 89.
Tagore, Dvaraka Nath, 394.
Debendra Nath, 403, 405. [406.
founds Adi Brahma Saroaj,
Taittiriya Brahmana on the home ofthe
dead, 105.
Taj Mahal, 127.
Talikota, battle of, 309, 360.
Talvandi, birthplace of Nanak, 375.
Tamerlane, 337, 344.
Tamil poetry, 310-31.
Tangabhadra, 360.
Tanjore, later capital of Cholas, 305.
Tantras, 289.
Tantric rites, 289-91.
Tapti, 150.
Tarikh-i-Badaunl, 357.
Tattva-bodhinl-patrika, 403, 412.
INDEX
469
Taxilas, 172.
Teg Bahadur, ninth Sikh Guru, 378.
Telang, K. T., 443-46.
Thales, 122.
Thaneswar, 250, 257, 333.
Tibeto-Burman languages, 301.
Timur, 337.
Tiru Nana Sambandha, 323.
life of, 324,
Devaran Hymns of, 330.
Tiruvalluvar, 315, 330.
Tiru Vasakam, 319-32.
Todar Mai, 364.
Tortoise incarnation of Vishnu, 339.
Totemism, 76, 164.
Transmigration, 126, 135, 193, 206,
313. 330-
Tripitaka, 232.
Trisala, mother of the Jain Mahavira,
130.
Trita, 50.
Tritsus, 26, 28, 67.
Tugra, 2g.
Tughlak dynasty, 337.
Tuka Rama, 380, et seq.
Tulsi Das, 210, 213, 365, 387.
Turanian raids, 248.
Tyre, 172.
Uddalaka, his discourse on the Self,
109.
Udgiitar priests, 68, 90.
Udraka, it Brahman teacher of Buddha,
131-32-
Uma, 229.
Universities founded, 401.
Upanishads, 96, 99, 123, 202, 210.
Ur, 169.
Uraiyur, ancient capital of Cholas, 305.
Uttara-Rama-Charitra of Bhavabhuti,
288, 292.
Vac, the goddess of speech, 60, 70, 74.
Vac, Vedic Hymn to, 60.
Vaidik sacrifices, 70.
Vaikhanas, or hermit, 163.
Vaisali, 128, 130, 143.
Buddhist Council at, 145.
Vaiseshika school of philosophy, 208.
Vaisyas, 25, 1 86.
Vala, S3. _
Vallabha Acharya, 344, 348.
Vallabhi line, 250.
Valmiki, author of Ramayana, 213.
Yaranasi, 133.
Vardhana, kings of Thaneswar and
Kanauj, 250.
Varman dynasty, 250.
Vartikas of Panini, 307.
Varuna, 51, 75, 87.
Vasantasena, heroine of Mricchakatika,
274, et seq.
Vasishta, 26, 67, 88 ; the law book of
152 ; penances for Brahman murder,
IS9-
Vayu, 89.
Vedanta philosophy, 179, 196-209, 233,
323. 325. 327-
Vedas, 210.
Vehicle, the Little, 146.
the Great, 146.
Vedic Hymns, birthright of the Brah-
mans, 3 ; penalties on Sudras for
reciting, 3 ; date of composition,
16 ; outcome of Nature worship, 18 ;
\heir poetic power, 19 ; the Sanhita
made, 20 ; to Sindhu, 19 ; of the
purohita, 21-23 > one describes the
people as divided into four classes,
24 ; showing vengeance of the Brah-
mans on their enemies, 25 ; praising
liberality towards priests, 26-27 >
people in the early Hymns pastoral,
27 ! one addressed to Sita, 28 ; occu-
pations in, 27-28 ; ships mentioned,
29 ; social life not primitive, 29 ;
physicians mentioned, 29 ; position
of woman, 30-32 ; at wedding of
Soma and Surya, 31 ; gambling in,
32 ; love-charms, 33-34 ; referring to
470
INDEX
Vedic Hymns {contimKcC) —
levirate marri^e, 34. ; funeral cere-
monies, 35 ; widow-burning, 35-36 ;
idea of death, 36-39 ; sacrificial ob-
servance in, 42, et seq. ; story of
Sunahsepa, 43 ; substitution of ani-
mal for human sacrifice, 43 ; to Agni,
46, et seq.j to Varuna, 51-52 ; Indra,
S3 ; considered as prayers, 59 ; to
Vac, 60 ; the Gayatrl, 61.
Vempa metre, 317.
Vernaculars, Aryan, 264.
Videhas, 69, 94.
Vidyasagar, Isvara Chandra, 411.
Vijnanesvara, 339.
Vikramaditya, 249.
Vikramorvasi of Kalidasa, 288.
Village plays, 267-70.
Vindhyas, a barrier to Aryan advance,
151, 302.
Vira Saivas, 311.
Vishhu, a solar deity, Jo.
sacrificial stake dedicated to, 72.
the worship of, 194, 206, 309, 330.
in Gita Govinda, 339.
incarnations of, 339-40.
Vispala, 30.
Visvamitra, 26, 67, 88, 306.
Visakadatta, author of Mudra Rak-
shasa, 294.
Visesha, or eternal essence, 208.
Visve Devas, 74.
Vithoba, the Maratha idol, 380.
Von Hartmann, 232.
Vrikodara, name of Bhima, 219.
Vritra, the demon, 53.
Vyasa, fabled author of Mahabharata,
213.
Wajjians, 142, 145.
Ward, the Baptist missionary, 389,
Weaving in Vedic times, 28.
White Country, 231.
Widow-burning in Veda, 35-36.
Wife, position of, among Aryans, 1 5.
Wilkins, translation of BhagavadGJta,5.
translation of Hitopadesa, 5.
Woman in Vedic Hymns, 30-32.
participation in sacrificial ritual,
84.
to be avoided according to Buddha,
142.
admitted to the Buddhist Order,
142.
excluded from studying the law
books, 185.
Xenophanes, 232.
Xerxes, 170.
Yadavas settled in Sind, 150.
of Halibid, 309.
Yajnavalkya, 86, 99.
questioned by Gargi, loi.
his wife Maitreyl, 106.
Yajur Veda, Black. 68, 152, 183.
White, 69.
Yakshas, 217, 229.
Yama, 36, 105.
and Nachiketas, 109.
Yamuna, 66.
Yasoda, foster-mother of Krishna, 225.
Yasodhara, the wife of Buddha, 1:1.
Yasodhara admitted to the Order, 142.
Yasodharman, 250.
Yasovati, wife of Prabhakara Vardhana,
257-
Yatis, Jaina ascetics, 129.
Yoga, the Siitras, 195 j the system, 216.
Yc^is, 195.
Yuddhisthira,2i7,e/Kg'., 221, 224, 226,
234-
Yueh-Chi, 249.
ZlEGBNBALG, 389.
Zoroaster, 122.
SILENT GODS AND SUN-STEEPED LANDS.
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Queen.
" The glamour of the East is over the whole book. Everywhere the language has the
languor and rhythm of slow-moving leaves and heaving waters." — Sunday Times.
"An impressive example is ^iven of the operation of the social law that forbids the re-
marriage of Hindu widows. Still more striking is the story of a human sacrifice performed by
the Khonds."— i'//awfj' Gazette.
" Mr Frazer is a polished writer, and possesses the art of stoiy-telling in a high degree." —
Christian World.
LONDON: T. FISHER UNWIN, Paternoster Square, E.G.
BRITISH INDIA.
"STORY OP THE NATIONS" SERIES.
By R. W. FRAZER, LL.B., I.C.S.
(retired.)
Lecturer in Telugu and Tamilai University College and at ike Imperial Institute ; Awards
Jrom Gormmment of Madras for High Prt^ciency in SansMrit, l/riya, and Telugui
Secretary and Principal Librarian^ London Institution.
Author of " Silent Gods and Sun-Stkeped Lands."
SONIE PRESS OPINIONS.
*' In this task Mr Frazer has succeeded in a remarkable de|;ree. For the plan of the book
does not confine itself to a succinct statement of facts. It Empires to be something more than
an accurate catalogue of battles, kings, and dates. Mr Frazer may fairly claim that he has
raisedthestudent'smanualintoastory of human interest for grown-up men and women
Mr Frazer selects his point of view with a real insight into the essentials of history, and what
be chooses to tell us he tells with accuracy, with fairness of spirit, and in good EnglUh." —
Times.
" The results of a close study of the most helpful documents. . , . The extent and
thoroughness of his reading may be seen in every page." — Atkemeum.
" It is a wonderful story, and it is written fittingly, in a spirit of grave historical accuracy,
with balanced judgment, and with a strong faith. . . . One rises from the book with an
added sense of dignity, with an added sense of responsibility, with a quickened consciousness,
too, of the terrible possibilities which surround the situation." — Academy.
" II nous manquait, k Tusage du grand public, un r£sum6 bieo fait, reposant sur de solides
recherches personnelles. M. Frazer — vient de nous le donner — tout son r^t, clair^^ substantiel
et forci^ement impartial, montre qu'il a fait de ces sources Tusage le plus consciencieux." —
M. ^^'RTH, Journal des Savants.
"Bright and lively enough not to repel even the mpst superficial of general readers, ai^d
sufficiently full and accurate to supply the student with a bandy compendium for ordinary
■ reference."— /(Wrwa^ of the Royal Asiatic Society.
" His book is of absorbing interest, and comes verjr ^ear to being a perfect short history.
.... Mr Frazer has given us the best popular history of British India ever written."-^
Saturday Review.
" 'British Iqdia' needs no extraneous ^d to become (he popuUr ^t^dard work on tha
subject." — JVew Saturday.
" To fully appreciate what we have accomplished iq Ipdi^ in spite of alnjiost overwhelming
difficulties, ^nd what difficulties have still to he overcome, you frannot do better than read
this admirable history of British India by Mr Frazer." — Pall Mall Gazette.
"* British India,' by the author of * Silent Gods and Sun-Steeped Lands' is, as might he
expected from the pen qf so gifted a writer on Indian subjects, a brilliant sketch, and reads
with all the ease of a novel." — Dundee Advertiser.
*' In tracing the history of India through the administration of these rulers the author has
shown remarkable skill, and that not ^IereIy in the ordering of his facts, but in his estimate
of policy, a(.d his appreciation of character as well." — Glasgoru Heraid.
"He has an eye for the suggestive jioints. He can indicate a character without any
laborious word-painting. .... It is one of the best volumes yet published in the
* Story of the Nations ' Series," — Daily Nej/os^
"The old, romantic, fascinating story of our e^ly commerce with the East is told onoo
again m this bright little history. — Daily Mail.
" Any one who has read Mr Frazer's ' Silent Gods and Sun-Steeped Lands ' must respect
the author's power of literary expression. Here he proves that he has, in a high degree, the
gifts of wide comprehension and condensation." — Sheffield Independent.
" A volume which, while modest in proportion* indicates at once, clearly and vividly, the
agencies and influences that have been at work in founding and expanding the British
Empire in India."— 5ci7^m;w«.
LOtlOON: T. FISHER UNWIN, Paternoster Square, E.Q.