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Northumberland House, occupied nearly three years in building, and
involved an expenditure of ;^30,ooo. They comprise a suite of Bath
Rooms, having a floor space of about twelve thousand feet for
gentlemen, with a smaller set in a contiguous building for the
exclusive use of ladies. The cooling rooms, which are surmounted
by a lofty dome designed to permit the free circulation of air and to
insure perfect ventilation, are fitted in a most luxurious manner ;
the whole of the decorations of both cooling and hot rooms have
been designed by most eminent authorities ; while the heating and
ventilation of the hot chambers is brought to a state of perfection
by the use of the system first introduced by the Proprietors.
AND AT
London Bridge, New Broad Street,
A Id gate, and Ed g ware Road.
PROSPECTUS POST FREE.
^
(mJMB£fJCYCLE%
\^_^^ K/
BY SPECIAL APPOINTMENT
THE ONLY MACHINES RIDDEN BY H.M. THE KING.
PRICES
£10 10s. to £25.
Convincing Cataloguct also
Homber Handbook, Post Free*
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NUMBER, LD., ''v^aa^rr LONDON, E.G.
WORKS :-BEESTON (Notts) and COVENTRY.
^^m^^^m^m^am^^m^^a^m^^^
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Zhc ®l&e0t £stabUsbe5
Jmporters of
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ORIENTAL
CARPETS.
cxt
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»%
PARIS IN LONDON"
. , 1902 . .
EARL'S COURT, S.W.
Proyrietcri t
The London Exhibitions, Ltd.
Exhibition Buildin^cs, Earl's Court, S.W.
Directors t
PAUL CREMIEU-JAVAL, J.P., Chairman.
IMRE KIRALFY, Managing Director.
HAROLD T. HARTLEY.
JAMES MARSHALL FRESHWATER.
HERMAN HART.
Sitntmry: R. CLAUDE GARNETT.
Bankers t
THE LONDON & COUNTY BANKING CO., Limitbd.
HHdltorit
Metsrs. WOODTHORPE, BEVAN & CO., Leadenhall Buildings, E.G.
Stlicitorit
MtMTi. LINKLATER, ADDISON, BROWN & JONES,
>, BMd Covrt. WalWook, B.C.
THE AUTOTYPE
COMPANY,
74, NEW OXFORD STREET,
LONDON.
-H- >H-
Monochromc Copies by the Permanent Autotype
Carbon Process of Pictures by
OLD MASTERS
from the principal collections of note.
Numerous examples of Works by
MODERN ARTISTS.
The Autotype Company^s Processes of Permanent
Photographic Reproduction are extensively employed by
the Trustees of the British Museum, the Local Govern-
ment Board, many of the Learned Societies, and
Leading Publishers*
Copies of Coins, Seals, Medals, MSS., Drawings,
Engravings, Art Objects, Microscopic Work, &c.
[nquiries are invited from those requiring: Book Illustrations of the
very hig^hest quality. Specimens and Estimates submitted.
THE AUTOTYPE FINE ART GALLERY,
74-. NBVt OXFOHO ST/fBBT, LONDON. W.O.
rrM »«llw, 10 «M 9.
CONTENTS
1. General Guide to "Paris in London"
2. The Jardin de Paris Theatre
3. The Palais du Costume
4. The Palais des Illusions
5. The Moving Stereorama
6. French Fine Art Section
7. Guide to Industrial Exhibits
8. Old Welcome Club
9. Refreshment Arrangements
10. Omnibus Routes and Other Traffic Arrangements
11. District Railway Time Table
page
21
48
50
54
56
59
85
108
109
113
118
SEAFIELD PARK COLLEGE,
CROFTON=ON=THE=SOLENT, HANT5.
I
\
Residential College for Engineering: Students.
\
<
CHEMICAL LABORATORY.
SPECIAL TRAINING FOR ENGINEERING;
MECHANICAL, CIVIL, ELECTRICAL, and MINING;
ROYAL COLLEGE OF SCIENCE;
ROYAL SCHOOL OF MINES (South Kensington);
MINING SCHOOL (Freiberg);
INDIAN WOODS AND FORESTS DEPARTMENTS ;
ROYAL ENGINEERING COLLEGE (Coopers Hill), etc.
Students are also prepared for Universities and London Matriculation.
The Colleg^e possesses a very coiniilete .'xnd elalxtiate i>l:iiit for the pui-poses of practical and
theoretical iiistnution, eoDsistioj^ of :
Eiiffiiies ('J); Methaiiiral Kiigineeriiig, Turners', Fitters'. Carpenters', and Pattein-Makers'
^V<lrk^hops ; Korge ; Fonnriry ; Dyn.anio Room; Testing Machine, Drawing Office, Four
fitted Lab«jratories (Chemical, Electrical (2) and Physical.)
Tlie ejitire premises are lit by Electric Light, gejieiated by its own special plant.
SEAFIELD f-tands in its own park of eighty acres, with ample accommodation for aU games,
including golf links ; and as the pi-opertyis ontlie Solent, boating and bathing are excellent and safe.
Principal— H. M. MANSEL-JONES, B.A. Lond. (Hon.),
Ex-Scholar and Exhibitioner, Westminster, etc.
Head of the Engineering Section— H. T. DAVIDGE, A.R.S.C.,
B.Sc. Lond. (Honours), Whitworth Scholar, etc.
1
ts, 'i
l/stei^fv/<f^ i- '-
. GUIDE TO .
''Bbaris x\\ %o\\ho\\.
tt
1902.
-♦-•-t-
TT is at Earl's Court Station, with its convenient covered way, lead
ing to Warwick-road, that the greater proportion of visitors to
the Exhibition arrive. Consequently we will take the Warwick-road
entrance as our starting point, though there are four other entrances
to the Exhibition, namely, those at West Brompton, Lillie-road,
North End-road, and West Kensington. Passing through the
Warwick-road turnstile, the visitor faces
The Princess Hal 1 9
which ibis y«ar has b««n plae«l by the directors of th& Sxhibition at
22
the disposal of the French Ambassador and the Organising Com
mittee of the forthcoming bazaar and series of brilliant fetes, for the i
benefit of the
FRENCH CHARITIES IN LONDON,
to which their Majesties the King and Queen have graciously extended ;
their patronage. Here will be displayed various objects contributed
from all parts of the world, in connection with the bazaar and fetes,
including some of the magnificent banners to be awarded to successful
competitors at the " Battle of Flowers," etc., to take place at Earl's
Court, on June 12th, 13th and 14th. The Prince's Hall could not"
have been devoted this season to the furtherance of a more appropriate
or deserving cause.
Leaving the Prince's Hall, and passing along the corridor to the
right, where the provision of cloak-rooms conduces to the comfort of
visitors, 'we enter
The Ducal Hall.
Here the friendly rivalry between London and Pans, the sister centres
of western civilization, is happily exemplified. The majority of the
exhibits displayed in this spacious and tastefully decorated building
are British, an arrangement that suggests a delicate compliment to
London's commerce, on the part of the French Committee. Even
here, however, may be found a sprinkling of representative Parisian
displays, while, when we reach the further end of the hall, a distinc-
tively French note is struck by the two
STRIKING MILITARY TABLEAUX,
illustrating the material characteristics of the French Army. On
his right and left the visitor finds these remarkable dioramas which,
being vividly realistic and absolutely accurate down to the minutest
detail, are of considerable educational value. Few features of the
great Paris Exposition of 1900 attracted more attention than this
joint exhibit of contractors to the French Army, which was awarded
the Grand Prix, and was transferred to Earl's Court by authority of
the French War Minister. More than 160 life-size figures, etc., are
comprised in the two tableaux, which together constitute the most
representative display of its class ever seen in this country.
I
,<0>.<*j
23
From the Ducal Hall, c ne passes into
The Queen^s Courts
where a striking transformation arrests the attention of those familiar
with the features of this noble area in its former guise. The elaborate
Indian architecture, with its glowing imagery of the East, and
oriental harmony of colours, has disappeared, but perhaps even more
effective is the stately and graceful scheme which now confronts ut».
MUSIC PAVILION IN QUEEN'S COURT.
On every hand arise
Idealistic Pa I aces ^
dedicated to the Applied and Industrial Arts, strikingly original in
conception, yet at the same time happily suggesting some of the more
notable edifices of the recent vast Exposition on the banks of the
Seine. The prospect is completed by the two bridges of extremely
elegant design which span t^ie lake.
To the left and right of the Music Pavilion are
TWO SPACIOUS RESTAURANTS.
known respectively as the Grill Koom and Queen's Kestaiirant. In
the former a la carte catering is the order of the day, while in the
24
latter table d'hote meals are a special feature, and, thanks to the
excellence of the service, and the moderation of the tariff, both
restaurants have earned a flattering reputation.
Facing us in wide extent are the rippling waters of the lake, cool,
translucent and refreshing. Little wonder that the luxurious
MOTOR LAUNCHES,
which skim hither and thither, are a source of delight to thousands of
passengers, young and old. Every visitor to Paris is impressed with
the beauty, as well as utility, oi the little boats on the Seme, which,
usually crowded with passengers, glide to and fro past the quays in
constant succession. The antiquated and clumsy craft which at times
do duty on our own great water-way, the Thames, emerge badly from
a comparison. As M. Zola would say, they are " hors concours,"
not in the complimentary sense.
Large as it is, the Lake at Earl's Court would hardly accommodate
boats of the dimensions of the " Bateaux Parisiens." But in point
of comfort, speed and elegance, the vessels which the Exhibition
authorities have put into commission may fairly claim to vie, on a
small scale, with their exemplars on the Seine.
Hence, no doubt, the increasing popularity of the little pleasure
voyages round the lake. In this way may the numerous nooks and
fairy-like recesses of the charming stretch of water be explored, the
delights of boating and sight-seeing being r Ifis-santly combined.
Bright and inspiriting as the scene is in the day-time, still more
exhilarating is the aspect after dark. By a scheme of
BRILLIANT ILLUMINATION,
embracing thousands of multi-coloured lights, a delightful suggestion
of fairyland is imparted to the waters and their environment, invest-
ing the scene with a glamour of enchantment and romance.
Passing along to the left, towards the chute, one's attention is
attracted by two strikingly effective
VIEWS OF THE SEINE AND ITS SHORES AS
SEEN FROM THE ALEXANDER BRIDGE,
upon which the spectator is supposed to be standing. In the view
to the right one is looking along the river towards the east. The
Concorde and Solferino bridges are neai- at hand, and the Chamber of
Deputies, and many other notable public buildings will be readily
m
K*
25
recognised. Equally realistic is the spacious Place de la Concorde,
with its beautiful obelisk, and its noble fountains, while in the
distance are the Tuileries and the Louvre. The Alexander Bridge,
it may be remembered, was specially constructed for the great
Exposition of 1900, to connect the Champs Elysees with
the Esplanade des Invalides. By reason of its exceptional width, and
the dignity and beauty of its architecture, the Pont Alexandre may
claim a unique position among the bridges of the world. To the left
is the other presentment of the Seine, the spectator in this instance
looking up the river. On the southern bank is the famous Street
of Nations, now only a memory. Nearest the spectator the Italian
building stands out prominently, and further on, the buildings of
Turkey, the United States, Austria, Bosnia, Hungary, Great Britain,
Belgium, Germany, Sp^in, Monaco, Sweden, Greece and Servia line
the river as far as the Champ de Mars, where the Tour Eiffel is
conspicuous in the background. On the northern bank of the
river, which is spanned by the Invalides Bridge and the Alma Bridge,
is the representation of Vieux Pans, which formed one of the
auxiliary attractions at the Exhibition of 1900, but has since been
demolished; while beyond is the Trocadero building, a permanent
survival of the Exhibition of 1867.
These two striking representations are the work of the well-known
French scenic painter, M. Amable, who is also respo'nsible for the
remarkable panorama of Paris in the Western Gardens, and other
notable presentments of the French Capital in various parts of the
Exhibition grounds. M. Jacques Jolivet, pupil of M.- Amable, has
greatly assisted him in his work. M. Amable (or to give him his real name,
Amable Dauphin-Petit), is the son of the actor Amable, who was
once famous as the partner of Debreau at the Theatre des Funam-
bules. Early in life he adopted his father's profession, and it was
while acting in the Boulevard du Temple Theatre that he first
attracted the attention of the great scenic artist Robecchi, who, dis-
covering in him a decided bent for painting, took him into his studio
and taught him d.ecoration. His progress was rapid, and in 1885 he
became his master's partner.
From that date forward the powerful personality he has managed
to infuse into his paintings began to attract attention, and was
gradually the means of gaining him a place in the first rank of
modem loenic artiste. M. Amable's productions are of extraordinary
26
variety and number. To mention only a few of bis works we may
cite the " Cabinet de Justice " in the second Act of Sardou's Theodora
at the Porte St. Martin (1885); the "Carrefour et la Place de
Burgos," in the third Act of The Cid by Massenet at the Opera
(1885); the second Act of Chilperic at the Varietes (1895); "The
Temple of Helle," first Act of Helle, by Bourgault^Ducondray ; " The
Ramparts of Kouen/' fourth Act of Fredegonde at the Opera (1895) ;
" The Triumph of Venus," in Panurge, by Meilhac and Planquette
at the Gaite (1896;, and the scenery for Wagner's The Meistersingers,
at the Opera, etc., etc.
As will be seen, M. Amable's work is characterised by exceptional
artistic value. His considerable historical knowledge and wide
research enable him to impart to his subjects great intensity of life
and exact local colour.
Crossing the bridge, again keeping to the left, we reach the spot whence
1
The Dragon Rouge
starts on his peregrinations round the lake.
4:' y
This superficially
uncanny mon-
ster, with his
^ eighty feet of
length, hails
from the Jardin
d'Acclimata-
tion, or Zoo-
logical Gardens
Paris, the
delight of
Parisian
child-
hood, and the
home of many
wonders . of the
animal kingdom. He is a
realisation of the colossal
creature known in the
South of France as the " Tarusk," a legendary monster supposed to feed
^es/e&Pa/den L".
o
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I-
D
I
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W% i
28
upon young aud beautiful gn-ls, I„ .pite of his forbidding aspect the
Dragon ,s a docile and acconnnodating beast, who readily condescends
to be freighted with the n>auy visitors who have a fancy for a distinctly
novel means of transit round the lake
A few yards further to the left is the entrance to
The Great Canadian Water
Chute.
This xs by far the finest construction of :ts kind m any part of the
pTnctple "an7ha3''T' '"' T '^'^'' ''''' '' '^ ''-" ^ ^^
principles, and has undergone the severest tests in regard to safety
deShlT-Zt:" 't^: 'vt'^^ " T' °" '^' ^-"-""^
the A... , ^'^"ti'ig- Suffice It, to say, that the sensation during
he de cent, and on the impact of the boat with the water, is in th!
highest degree pleasurable and stimulating.
The boats are an exact reproduction of the "bateaux" of the
designed cable cars convey passengers to the summit. Under such
favourable conditions it is hardly surprising that
Shooting the Chutes,
always one of the most exhilarating of pastimes, should be specially
popular at Earl's Court. ^
JuTZ'T ''" *^""'' ''''''' ''"' "^'^"^ -°°°' f-l to be
struck with the exceptional beauty of the scheme of decoration which
ha, been carried out in the spadous structure, this year devoted to
French Applied Art and Industrial j
Exhibits. I
Here will be found an extremely interesting display, embracing all
that IS best in the industrial productions of France. Details of the
numerous exhibits will be found elsewhere iu the Guide.
J^ZZt""" '^"^"''%P^'-« "^ 'he Northern Exit, and turning
to the left, we »re confronted with a faithful reproduction of the
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29
Palais d'Electricit^, or
Chateau d^Eau,
one of the principal buildings in the Champ de Mars in 1900. Near
by the visitor is offered the weird experience of a
l/oyage on the River Styx.
This is an ordeal from which even the most timid need not shrink,
for no painful impression is created by the excursion into the nether
world. The visitor may rest assured that his feelings at the close of
the trip will be those of gratification and delight. Stepping into
one of the boats, the stream of the Styx carries him past a cave
guarded by Cerberus, while Charon, the ferry-man, awaiting the
souls of the departed, is seen near by. To the left, between steep
rocks, still faintly illumined by the
LAST GLIMMER OF THE OUTER WORLD,
is seen the entrance to another cave leading apparently into the
depths of night, over whose entrance a monster with wings keeps
watch. Proceeding, the traveller finds himself in a subterranean
arcade supported bv fantastic pillars, stalactites and stalagmites
shimmering in the unearthly gloom. Further on, tripods, from
which stream continual fire, enhance the grim effect. The visitor,
passing again the entrance of Hades, arrives at a kind of human
forest, whose trees affect the shape of animated beings. After
passing an immense hall of arcades, and again visiting the fantastic
forest, he once more emerges into the light of day, and as the voyage
draws to a close, the Styx, with its black waters and grim surround-
ings, becomes a lovely river, shaded by great trees, its banks bright
with flowers.
Passing again through the Queen's Palace and along the central
bridge we arrive at the second section of the Exhibition, It will be
noticed that in connection with the grand staircase leading from
the Central Hall to the Bridge a novel appliance, which may be
hailed as a boon and a blessing, has been installed.
The Reno Inclined Elevator,
an extremely ingenious piece of mechanism, enables visitors to
ascend to the bridg« above in perfect oomfoL<t and without fatigne.
30
In the corridor to the left is an interesting exhibit of
Ancient Egyptian Costumes,
forming, as it were, an appendix to the "Palais du Costume." On
more than one account, this feature of the Exhibition may lay claim to
particular attention. Not only does it appeal to the artistic instinct,
and to our curiosity, but it vastly extends our acquaintance
with the ancient inhabitants of the Valley of the Nile, and at
the same time deepens our admiration of the ingenuity with
which the student of these days obtains his knowledge of the lost
peoples of the world. For it must be remembered that there exists
practically no documentary evidence from which could be acquired a
precise understanding of the condition of the sartorial art in the obscure
Byzantine period. From bas-reliefs and paintings, by painful degrees
and slow, a conception was formed of
THE GARB WORN IN THE ORIENT
of old, and the details, in some respects, were picked out with remark-
able minuteness. Much remained, however, to be discovered. The
character of the fabrics, the nature of the ornaments, the embroideries,
and the tapestries, these were among the problems upon which no light
was thrown for many long years.
THE FRESCOES OF CONSTANTINOPLE,
Ravenna, Istria, the Romagna, Lombardia, and paintings on tombs of the
Alexandrian period, gave the impression that the garments were of
heavy materials, adorned with jewelled embroideries. It was not until
the discovery and exploration of the tombs of Antinoe, Deir el Dyk,
Akhmim, Damietta and Assiout — Graeco-Roman and Byzantine cities of
Upper Egypt — that the world became possessed of undeniable knowledge
concerning the fashions prevailing in the Orient. The dead, representing
four distinct periods in the history of clothing, extending from the
foundation of Antinoe in the year 140 by the Emperor Hadrian, to the
fall of the Latin Oriental Empire in 1260, were found wrapped in the
garments they had worn in life, and by their sides were lying imple-
ments from which scholars derived an understanding of the industrial
arts as applied to the luxury of dress. With this knowledge, the visitor
will look with profound interest upon the costumes here shown.
31
Leaving this highly instructive exhibit, we are soon at the entrance
>f the Empress Theatre, the largest structure of its kind in the world,
he whole of the vast arena of which is this year devoted to the
emarkable display known as
The Palais du Costume,
hich created quite a furore at the great Paris Exposition of 1900. An
')pportunity is here afforded the visitor of inspecting the most varied and
nagnificent collection of apparel and accessories ever brought together
n any part of the world. The history of dress through all the ages is
/ividly illustrated in a series of brilliant tableaux, the various
"eatures of which are dealt with in greater detail in another part of the
juide. From the feminine standpoint perhaps the most interesting
tern of the whole display is the collective exhibit of
PARISIAN ''CREATIONS" OF TO-DAY,
3ontributed by the leading costumiers of the French capital. It may be
mentioned that the furniture in various tableaux has been supplied by
Messrs. Maple & Co., Ltd., of Tottenham Court Road.
Again, pawing through the Central Hall, and turning to the left,
\ we find ottrtelves in the Royal Galleries surrounding the Imperial
32
Court, in which are housed the treasures of French Fine Art
embraced in the
French Fine Art Section.
Thanks to the efforts of two French Committees comprising the
greatest of living French artists, there has been brought together in the
Royal Galleries at Earl's Court this year by far the finest and most
representative Modern French Art Collection ever witnessed outside
Paris, Detailed particulars of the pictures, etc., will be found else-
where.
Passing out into the Imperial Court we find the familiar area with
its chaste architecture, tastefully arranged flower-beds, and elegant
music-pavilion, as charmingly attractive as ever. Music is, as usual,
a prominent feature here, and the pavilion in the centre of the court
is this year alternately occupied by
Frencti stnd Englisti Military Bands.
Bordering the entire circumference of the Court will be found a
succession of interesting exhibits. International in their scope, well
worthy the attention of the visitor.
Leaving the Imperial Court and proceeding in the direction of the
Great Wlieel we find ourselves in a part of the Exhibition which has
undergone complete transformation. Here has arisen a
Picturesque Paris,
including in the centre an elegant new structure, resembling, but
surpassing, the Summer Theatres in the Champs Elysees, where
Parisian artists of the first rank contribute three times daily to the
concert of the
Jardin de Paris.
The beauty of the new Theatre, with its open trellis-work sides
affording a glimpse of the light and colour within, will at once strike
the observer. The entertainment provided is under the personal
direction of M. Joseph Oiler, the well-known Parisian impresario.
3S
A delightfully Parisian flavour pervades the whole area. Real
trees have been planted, after the manner of the Paris Boulevards,
while kiosques and alfresco refreshment tables impart an element of
gaiety and brightness to the scene. Quaint Parisian houses, bringing
to mind the Paris of by-gone days, and in many instances serving as
shops and bazaars, form an appropriate background.
Not far from the Theatre has been erected an entirely new
Tea Pavilion 9
where tea, coffee, and other light refreshments are served.
Other attractions in " Picturesque Paris " include the
ORIENTAL THEATRE,
where an entertainment which scored a distinct success at Paris
in 1900 is given at frequent intervals. Algerian, Tunisian, Egyptian
and other characteristic dances are embraced in the programme.
Near by
THE PARISIAN THEATROPHONE
(known on this side of the Channel as the Electrophone) presents a
welcome means of spending a few pleasant moments in hearing the
entertainments at the leading theatres, concerts, and variety palaces.
1 The facilities afforded by this wonderful invention are obvious,
and the attractions it offers are inexhaustible. Thus it is possible,
by means of the electrophone, to hear a favourite morceau at some
concert, and turn immediately afterwards to enjoy an excerpt from
a play at a West End Theatre, or to listen to the strains of a popular
song of the day.
From Picturesque Paris, and before we pass into
THE RUE DE PARIS,
we notice a striking scenic reproduction of the Moulin Rouge, with
the famous illuminated windmill actually revolving.
0
34
4*-
t
THE MOULIN ROUGE.
Opposite is
The Topsy'Turvy House,
or upside down mansion. Of tlie m<anj ingenious and novel attractions
which sprang into being in the Rue de Paris, where the side shows at
the recent great Paris Exhibition were for tlie most part situated, there
was nothing quainter or more sirikingly original than le Manoir a
I'Envers. The Topsy Turvy House at Earl's Court is a replica of the
inverted establishment at Paris, but certain additions and improve-
ments have been introduced. Like its Parisian prototype, it owes its
conception to Mr. A. Kotin, a Russian Engineer, Externally the
building represents a Feudal Mansion turned upside down, the roof
portion forming the foundation of the edifice. Consequently one enters
the house by the roof and through tlie chimneys, visiting first the bed-
rooms, dressing-rooms, and bath-room. Proceeding upwards the dining-
room, drawing-room, kitchen and offices are reached in turn, and finally
the mysterious hall. On entering the bewildering home of mystery,
visitors find themselves inverted and walking head downwards. In the
merous apartments, each suitably furnished and occupied by its
35
j appropriate domestics engaged in their nsual daily occupations, every-
body and
EVERYTHING IS UPSIDE DOWN.
A still greater surprise is afforded by the mysteiious hall, which being
without walls, floor or ceiling, conveys an impression of illimitable size
and height. The designer has had recourse to optical illusion. There
are mirrors before you, behind you, above you — mirrors on every side.
In fact there are mirrors in whatever direction you may chance to look.
The building has been erected in a remarkably' short space of time.
Composed entirely of iron and concrete, it is claimed to be the first
absolutely fire-proof house ever constructed in this country.
Near by is to be found a distinct novelty which created a vast
amount of amusement at the Paris Exhibition, in the shape of
THE HALL OF JOY.
Here the most absurd, bewildering, and startling effects are
produced by distorting glasses. In one mirror the visitor is shown
■■'■ -.-,,^.-.uJ*i^
m^x.i!i!i^4. .-.^awf.: ^-,,„.,.
36
■tanding on his head; in another he sees himself swollen to
Gargantuan proportions, while in yet another his reflection rivals the
living skeleton. Some of the wonderful distortions effected by these
curious min'ors are laughter-provoking beyond conception; others
again startle the spectator by their grotesquenesa.
We next come to a distinct novelty from Paris, known as " le
Manege Mecanique," or
The Mechanical Hippodrome.
This unique apparatus, which is protected by letters patent, is now
introduced to the public for the first time. The riders describe
changeable curves, and go through a series of thrilling and delightful
evolutions, the horses crossing and re-crossing each other in the most
unexpected and perplexing, though most pleasing, fashion. Alto-
gether the experience to be derived from these equestrian exercises is
calculated to cause delight not only to the young but to those of
maturer years.
A realistic glimpse of the
FAMOUS LONGCHAMPS RACECOURSE
is afforded by the scenic surroundings of the Hippodrome.
Opposite a conspicuous structure ii
The Scenic Moving Way.
The invention is a truly remarkable one, and as the apparatus is
the first of its kind that has been erected in any part of the world
the merit of absolute novelty may be claimed on rts behalf.
The main tower is about 100ft. high, with a width, including the
scenic side-wings, of 80ft.
The passenger, on stepping on to the moving way, which travels in
spiral form, is gradually and gently borne in an upward direction
through a series of magnificent mountain scenes. Ravines, peaks,
gorges, waterfalls, are in turn unfolded to the view, yielding all the
sensations of an inspiring clamber in the Pyrenees, without any of
the danger or fatigue. The entire journey occupies about seven
minutes. At night the tower is illuminated by some 300 electric lights,
which are placed in spiral form round the outside,
37
Next we come to
The Bastille.
This most famous of all prisons, built towards the end of the XJTV.
century, by order of Charles V. of France, was seldom occupied by
criminals. Its inmates were victims of political despotism. Court
intrigue, ecclesiastical tyranny, or family quarrels, who were incarcer-
ated in virtue of the notorious " lettres de cachet," an iniquitous pro-
cedure which provoked universal anathema. The fortress was
destroyed by an armed mob during the French Revolution of 1789.
Some of the most stirring events in the history of the Bastille are
here depicted in a series of strikingly realistic waxwork tableaux,
while the methods of torture practised in the fortress-prison are
vividly illustrated.
Opposite, on the right, is
THE VOLUNTEER RIFLE RANGE,
where the citizen marksman is afforded an opportunity of increasing
his proficiency with the rifle. Further on to the right our attention is
arrested by a capital view of
THE PALAIS LUMINEUX
and its surroundings.
We next come to the
Model Dairy
of the London and Provincial Dairy Company, where milk, ices, etc.,
can be obtained, while close by are the headquarters of the
French Musical Ride,
which occupy a large site near the Great Wheel. A welcome and
exhilarating.^jliversion is offered to visitors by this attraction. Twenty
docile and highly-trained horses and ponies, under the management
of an experienced ring-master, and numerous grooms, are at the
disposal of patrons. Riding to the accompaniment of the enlivening
strains of an excellent orchestra may be voted a fascinating
experience, while many will be prone to avail themselves of a safe and
38
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I
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39
pleasant opportunity of acquiring the rudiments of the equestrian art.
In close proximity stands
The Gigantic 14^/iee/,
one of the most famous landmaiks of the Metropolis. In no other
place in the world can the pleasure-seeker equal the exliilaration of
a journey in one of the luxurious cars with which the remarkable con-
struction is provided, and from which is seen a gradually widening
stretch of country, until from the summit the view extends as far as
'ri lO ii'k'il
SWISS BAR.
Windsor Castle, on the west, and on the south the hills of Surrey.
After dark, when the gardens are ablaze with a myriad of lamps, the
scene is no less striking, while the illumination of the wheel itself, as
viewed from below, cannot fail to impress the least observant.
Near the Wheel will be found the
CARICATURE PHOTOGRAPHIC STUDIO,
and in the immediate vicinity also is
THE CANTEEN,
where excursionists and others are catered for on popular lines.
40
Passing along towards the West Kensington entrance, we find on
our right a strikingly accurate reproduction of
The Morgue of Paris,
a building teeming with human interest, of which Dickens, in his
Uncommercial Traveller, draws so thrilling a picture. It has been
computed that some 75 per cent, of the visitors of all nationalities to
Paris find their way to the severely classical little building which
modestly hides itself just behind the ancient towers of Notre Dame.
In and out of its open doors stream the idler, the artist, the novelist,
the doctor, the lawyer, and the earnest student of mankind. For
here are concentrated the
TRAGEDIES OF THE VILLE LUMIERE,
But most painful of all its varied visitants is the agonised, tearful
creature seeking, yet dreading, to find a missing relative, friend, or
lover. For to the Morgue are conveyed the unknown dead of the
Gay City — the victims of the midnight assassin, of accident, of
jealousy, and of despair. The visitor, who knows his Paris, will rub
his eyes in astonishment at seeing raised before him, as though by
magicians wand, a building so familiar. By a visit to the interior,
his surprise will be augmented, for he will wonder whether what he
contemplates is not the veritable Morgue, transported from the little
island of the Cite, to " Paris in London " at Earl's Court. With a
proper discretion, children are not permitted to enter the building.
Opposite the Morgue is the entrance to the
Parisian Roller Skating Rink
where visitors may indulge to their hearts' content in one of the most
invigorating as well as fascinating of physical exercises. Passing over
the foot-bridge to our left we come to
The Western Gardens,
always extremely popular with visitors, and which, thanks to the
m
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1^
iii.>'M
jn^.
41
signally successful efforts of landscape gardeners and scenic artists and
to the numerous entertainments and diversions provided by the
Management, should this year prove more attractive than ever. Facing
us is the entrance to the
Pa.la.is des Illusions.
It is a strange building indeed, consisting of a tsingle hexagonal
chamber — apparently of immeasurable dimensions — fitted with huge
panels of plate glass. Within its portals illusion on illusion is
produced. The visitor seems to witness an indefinite succession
of columns, porticos, and arcades, brilliant chandeliers and
luminous garlands at the same time lighting imaginary space. Much
else that is enchanting and wonderful confronts one. Finally, bevies
of beautiful girls appear on every .side. Visitors to Earl's Court
will welcome the chance of seeing the various features of a quite
unique attraction.
42
THE BRASSERIE.
On the left is the Brasserie, or
LAGER BEER HALL,
where light and dainty dislies and beverages, British and Continental,
are served throughout the day. Further on to tlie left, forming a
charming background to the pleasing system of flower beds, is the
remarkably realistic view of the
Avenue Alexandre III*
Looking along the noble thoroughfare from the Champs Elysees we see the
gilded dome of the Invalides in the distance, while in the foreground to
the spectator's right and left are the Grand Palais and Petit Palais,
two splendid pieces of architecture which remain to Parisians as perma-
nent mementos of their recent vast Exposition. Exactly opposite, on
the other side of the Gardens, a still more striking representation
attracts attention. Behind and running the wdiole length of the Gravity
Railway is a
Panorama of Paris
as seen from the roof of the British Embassy. Nothing more effective
43
of its kind than this elaborate bird's eye view of the French Capital has
ever been achieved. The accuracy, even to the most minute detail, is as
Iremarkable as the breadth of treatment, and artistic excellence of the
•whole. It may certainly be claimed that the genius of Monsieur Amable,
the gifted painter of this vast panorama, has never found happier
exemplification. Prominent edifices on the left banks of the Seine
such as the Chamber of Deputies, the Orleans Railway Terminus, the
Palais of the Legion of Honour, and the Institute building will be readily
recognised by all who know their Paris, as will the well-known land-
marks in the background such as St. Sulpice, the Luxembourg, the
Pantheon, and last, but not least, the venerable towers of Notre Dame.
In the foreground, to the spectator's left, are the Bourse, the Yendome
Column, the Palais Royal, and the familiar Louvre and Tujleries.
It may be claimed for the
Gravity Railway
that it increases in public favour year by year. To the younger
generation particularly, its attractions seem to ajDpeal with irresis-
tible force.
Not far away will be found a revival of one of the most charming
side attractions of the Paris Exposition in the shape of the
Moving Stereorama.
which may be pronounced an absolute triumph of artistic skill and
mechanical ingenuity. The Stereorama Mouvant, invented and
painted by Messieurs Francovich and Gadan, which was awarded
the Grand Prix at Paris, has nothing in common with the panoramas
and dioramas with which from childhood we have all been familiar.
It strikes an entirely new note, and on the ground of originality
alone would be well worthy of attention. Apart, however, from the
merit of absolute novelty, its artistic excellence is beyond question,
the production being, in the opinion of the leading French artists,
the finest of its kind achieved dui'ing the past decade. Lovers of
Nature, who happen to be indifferent sailors, will appreciate the
illusion of a voyage accomplished while seated in an arm-chair on
dry land. For an ocean voyage in theory is what the Stereorama
Mouvant provides. The visitor is introduced to a fascinating moving
picture in a distinctly novel setting, which pleases the eye, excites
44
the imagination, and depicts the Mediterranean in a variety of
charming aspects.
f
, ^ "
i
ENTRANCE TO WESTERN ARCADE
(•ale V Psidtn M'J
An important feature always in the Western Gardens is
Open Air Music
which is discoursed by the leading military bands from the graceful
pavilion surrounded by thousands of seats. Nowhere else in
this country can one dine practically in the open jjr with instrumental
music of the highest class as an accompaniment. Beyond the band-
stand is the luxurious
Quadrant Restaurant,
which hu been recently re-built, re-decorated and furnished in
45
perfect taste. It especially appeals to those desiring a recherche
meal, elegantly served in refined and delightful surroundings.
Nor is the charm of open air dining confined to the patrons of
BAND STAND, WESTERN
GARDENS
f the palatial Quadrant and to the privileged ones who affect the
daintily trellissed alcoves of the Old Welcome Club. There is the
Chop House, which caters, with marked success, for a wider and
more democratic constituency, to say nothing of the various buffets,
where, in a charming environment,
A I fresco Refreshments
?^r© served after the Continental iashipn.
46
47
The lawn and premises of the select and pleasantly quartered
Old Welcome Club
have been considerably extended and improved during the past few
years. One of the institutions of the Capital which society could ill
afford to spare, it is not surprising that the Club which offers so many
unique attractions to its members should become more popular year by
year.
Between the Club lawn and the Quadrant Restaurant,' one gains
access by a flight of steps to the
Western Arcade Bridge^
where bijouterie, embroideries, articles de Paris, and what not are dis-
played at numerous boutiques and bazaars, much after the manner of
the Rue de Rivoli and the Palais Royal.
Q^^^^^^^^r^
48
^be Jnvbin be pans ^beatre.
There is, of course, a Paris that seldom seeks diversion, that
even shrinks from sights and sounds of mirth — a sombre Paris
that suflfers, weeps, and toils. But it is the sprightly, jovial Paris,
the Paris of irrepressible vivacity that the tourist knows and
loves. Largely from the manner in which it pursues its plea-
sures, the French Capital derives its distinctive note of gaiety.
Brightness and cbeeriness are associated with Parisian entertainments,
and the Parisian pleasure seeker is a light-hearted, genial soul.
This has been so from the earliest times. We m^^ay go back to the
classical farces of the Pont-Neuf and to the boisterous processions of
the Fete des Fous, in which latter even the wise men of the day
took part.
During recent years the best and most select of the light Parisian
entertainments have found an appropriate home in the Champs
Elysees, where delightful resorts, such as summer theatres, and concert
gardens, cafes, etc., have sprung into being. One of the most famous
of these charming al fresco rendezvous is, w^ithout doubt, the
JARDIN DE PARIS.
At the unique concert performances given at this renowned establish-
ment there appear in rapid succession the brilliant artistes who
have won pre-eminence on the French Variety stage. A highly
efficient orchestra, a frequently varied programme, brimming over
with chic and vivacious items, thousands of multi-coloured lights, al
fresco refreshment tables, and a general environment of brightness
and hilarity, together constitute an attraction of its kind that has
no parallel even in Paris, well provided as it is with dainty enter-
tainment places.
It was a happy inspiration, therefore, on the part of the Earl's
Court Management to erect this year in the centre of Picturesque
Paris a daintv building on the lines of the Summer Theatre of the
Jardin de Paris
I
49
Looking at the structure, with its charming trellis work apertures,
through which strains of music reach the ear, and through which
also one may obtain a tempting glimpse of colour and light within,
one might well imagine oneself in the Champs Elysees. Moreover,
by special arrangement, M. Joseph Oiler, the proprietor of the
Jardin de Paris, has engaged and brought to Earl's Court a brilliant
company of well-known Parisian artistes. In this way visitors to
" Paris in London " will during the season be able to witness the
CELEBRATED STARS OF THE FRENCH VARIETY
STAGE
amidst surroundings almost surpassing those of the famous resort in
the Champs Elysees. It is worthy of note that in the Jardin de
Paris Theatre at Earl's Court there are three performances daily,
one in the afternoon and two in the evening. The convenience of
both early and late diners has, therefore, been considered, an
arrangement sure t» meet with the hearty approval of Earl's Court
patr«Bs.
50
Zhe Ipalais bu Costume.
The idea of the Palais du Costume, which formed one of the most
remarkable features of the Paris Exposition of 1900, was originated by
M. Felix, who conceived the project of presenting to the world
THE APOTHEOSIS OF WOMAN.
To this end it was determined to traverse all the ages, to reconstruct
for each age an original scene showing woman in her true milieu^ and
to reproduce with scrupulous fidelity not only every aspect of dress from
the earliest ages down to the present day, but also all the accessories,
architecture, and furniture proper to each era. The realisation of
s* eolossal a scheme necessitated a special study of the
DOMESTIC LIFE AND ENVIRONMENT OF
EVERY AGE
which it was proposed to represent. Two artists of great talent were
entrusted with this important task, namely, M. Theophile Thomas and
M. Charles Risler. And while the former is responsible for the design-
ing of the scenes and costumes, the architectural details which form
the setting to each tableau are the work and conception of the latter.
All the costumes, without exception, have been made under the
personal supervision of M. Felix, and the furniture in a large
number of the tableaux is the work of Messrs. Maple & Co., of Totten-
ham Court Road.
On entering the Empress Theatre, the whole of which has this year
been assigned to this remarkable collection, the visitor will find that
great changes have been made. The tiers of seats that formerly
creaked and groaned under the weight of applauding multitudes are
now hidden from view by lofty and tastefidly decorated screens. A
finely ornamented bandstand occupies the centre of the theatre, while
all around its circumference, each in its appropriate setting, are
arranged the
THIRTY-FOUR BRILLIANT TABLEAUX,
which, together with the exhibit of modern dresses — the work of all the
leading eestumiers of Paris — go to make up the Palais du Qostume.
61
As has been indicated, the range covered by these representations is
extraordinarily wide. The classical lines of Roman draperies, the
barbaric splendours of Byzantium, the wealth of the Renaissance,
(French and Venetian), the elegance and pomp of the 17th and 18th
Centuries — all are portrayed with vivid realism and wonderful
accuracy. For a detailed description of each individual tableau we
refer the visitor to the specially illustrated souvenir of the collection ;
it will suffice here to indicate some of the more remarkable of them,
though, in truth, the extreme beauty and richness of every one renders
any attempt at selection rather an invidious task.
»
The earliest of the tableaux is that which represents the
PATRICIAN LADIES OF THE ROMAN COLONY
at Antinoe, in Egypt, watching the performance of a snake-charmer.
In the eyes of antiquarians, both this tableau and also the third,
depicting the women of the Gauls at the epoch of the Roman Invasion,
will have especial interest, seeing that in each the costumes, utensils,
and furniture have been accurately copied from finds in the tombs of
Antinoe and of the early Gauls respectively.
The second tableau, portraying a Roman atrium in the time of
Trajan, is particularly fine in its architectural details, and is quite a
human document in its suggestion of the care and attention the ladies
of that period bestowed on personal adornment of form and feature.
The ingenuity displayed in those days in the preparation of wigs, false
teeth, cosmetics for the skin, and other aids to feminine vanity, has
never been even approached by modern attempts in the same direction.
The
SPLENDOURS OF THE COURT OF BYZANTIUM
in the tenth century are well represented in tableau four, entitled
" Homage to the Empress." The costumes here are copied from the
well-known mosaics of Ravenna. The extraordinary pomp and
magnificence of the Byzantine Court are matters of history, and the
dresses here depicted yield to none throughout the whole collection in
their beauty and richness. Delightfully reminiscent of " Ivanhoe " and
" The Talisman," dear comrades of our youth, are representations ten
and 0leTen, entitled respectively " Before the Tournament " and " Th^
52
Reward of the Tournament." Each is strikingly ilhistrative of the
GOLDEN AGE OF CHIVALRY,
the days when the world was young, when all the actions and details
of everyday existence were girt with a veritable halo of romance.
The regal splendour of the costumes in tableau thirteen, which
depicts certain patrician ladies of Venice about to enter a gondola, will
attract special attention. Brocades of fine gold, satins, velvets, pearls,
and the choicest furs were the everyday adornments of Venetian nobility.
Indeed, there have been few epochs in the world's history that have
witnessed such luxury of taste in dress and apparel as the age wherein
Venice attained the zenith of her power and influence.
In addition to the interest which attaches to them on account of their
display of gorgeous costumes, many of the tableaux possess a secondary
charm in their representation of
NOTEWORTHY BY-PATHS OF HISTORY.
Such is number seventeen, in which is shown Henry of Navarre's visit to
the beautiful Gabrielle D'Estree, of whom a glowing portrait has been
handed down to posterity by Mdlle. de Guise. Number twenty, too,
depicts the interesting incident of the daughters of Louis XIV. being
surprised by the Grand Dauphin while indulging in a quiet smoke.
The dresses and architectural details, by-the-way, of this tableau are
extremely fine. But, perhaps, the tableau which is of particular
interest from a historical point of view, and which, moreover, lends
itself remarkably well to a display of exquisite raiment, is number
fourteen, representing the celebrated conference of the
FIELD OF THE CLOTH OF GOLD
between Henry VIII. of England and Francis I. of France. The
extraordinary amount spent by the French nobles on their costumes at
this conference is scarcely credible. Du Bellay remarks " they carried
their mills, woods, and lands on their shoulders." The jousts, which
were of unparalleled magnificence, lasted eight days, and it was on this
otoasion that Henry challenged Francis to try a fall with him — a
challenge that the French Monarch was not slow to accept, and, being
a clever wrestler, promptly put Henry on his back.
53
Of the tableaux representing more modern times, that entitled
THE EVE OF THE CORONATION,"
u
wherein Napoleon is shown watching the unfortunate Josephine trying
on her state robes, has an element of pathos about it in the light of his
subsequent neglect and desertion of the Empress, while the charac-
teristically French portrayal of a baptism in number thirty possesses, per-
haps, more of human interest than any other group in the collection. The
CROWNING FEATURE OF THE WHOLE EXHIBIT
is undoubtedly the display, before alluded to, of modern dresses by all
the greatest Parisian dressmakers and modistes.
54
XTbe Ipalais bes JUusions.
Anything more alluringly mysterious than the " Palais des
Illusions/' anything more tasteful, more gorgeous, and more
daringly original, has never been within the reach of the
pleasure- seeker. It assuredly will not fail to rouse the phleg-
matic Briton to enthusiastic admiration. As you enter, close
your eyea for a moment ; forget who and where you are.
Then', in the subdued light emanating from a few candelabra
supported by statues, wait. In the gloom, you are aware of an
immensity of space, and little more. Curious, you peer into the
darkness which precedes the brilliant illumination of the scene by a
myriad of electric lamps. In blue and green and red flashes, you
see springing from^ the blackness row upon row of stately pillars,
forming
ILLIMITABLE ARCADES OF RICHEST SPLENDOUR.
Far as the eye can reach, stretches an endless series of luminous
garlands, hanging in graceful intertwining festoons from point to
point, with here and there a massive chandelier, shining with the
effulgent light which falls from innumerable globes. Gazing
upwards into the apparently immeasurable height of the ceiling, you are
dazzled by the twinkling of a constellation far more brilliant than
that with which nature has adorned the heavens. Then, while you
watch in silent wonder, the colours disaj^pear, and the fairy-palace is
flooded with a rushing stream of light, flashing from immensity to
immensity, from floor to roof, in a flood of lustrous beauty, beside
which the wildest imaginings fade to nought. Finally, bevies of
beautiful girls arise on every hand. And how unwilling are we,
emerging reluctantly into the real world again, to believe that it is all,
or nearly all, illusory. A rnere hexagonal room, with a sumptuously
decorated ceiling, mirrored walls, and an electric installation ? Never
it was the Palace of Delight.
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56
The Moving Stereorama.
i'iiiioramas and dioramas were plentiful for several decades,
and to the majority of people they offered no special attraction.
For it was difficult, under the old conditions, to lose consciousness,
even for a moment, of the fact that one was witnessing a mere
counterfeit presentment. It has been left to two prominent French
artistes, MM. Francovich and Uadan, to design and execute a
work which, with the assistance of ingenious mechanism, effectually
carries out its claim to provide all the delights of a trip on the
sunny Mediterranean. Comfortably
INSTALLED IN A LUXURIOUS FAUTEUIL,
in the semi-obscurity which is so material an aid to the imagina-
tion, we set out upon our voyage from the port of Bona to Oran. It
is a brilliant morning, when, glancing from a cabin window, we find
ourselves leaving on our quarter the hills of Bona, lighted to a
beauteous brilliancy by the warm rays of the risjpg sun. Rapidly
our good ship cleaves her way through the sparkling waters. Passing
in a few minutes, through the midst of a fleet of fishing-boats, upon
which are seen the red-capped fishermen busily preparing for the
day's toil — leaving behind the few which have already left their
moorings — casting a last glance at the hills fading into the glory of
the sun-lit sky, we turn our faces to the fresh breezes of the open
sea, whose wavelets prattle ceaselessly under our keen cut-water.
But there is here none of the monotony of an ocean voyage. Scarce
have we bidden farewell to Bona, when we are gazing in admiration
upon the magnificence of the Gulf of Bougie, with the Great Kabylia
and Cape Carbon lifting their gloomy heads in the far distance.
By noon, we have arrived in the Bay of Algiers, passing here a
trading steamer, there a sailing ship, her canvas gleaming far away
over the blue waters. Algiers, the ever-attractive, seems in the
bright light of heaven too beautiful a spot to have so dark a history,
and it is with a sigh of regret that we watch the hills of the
Mustapha Sup^rieur until they, too, are lost in the distance. As
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the afternoon wears on, the wind rises. The sea Ibecoines darker]
the sky frowns upon us; the waves lift their hoary heads in anger;
the wind rises, and wails in our vessel's rigging. On we speed, and
before our trip is concluded, we are fortunate enough to experience
the inspiring sight of Britannia's warships at sea. Led by the torpedo-
boat, " Foam." scouting far ahead,
THE MEDITERRANEAN .FLEET STEAMS
MAJESTICALLY BY.
With hearts beating high, we watch the noble vessels pass away
into the distance, and then, as the sun sinks below the western
horizon, we steam into the harbour of Gran, after one of the most
interesting and enjoyable excursions which the stay-at-home tourist
could possibly experience.
fyt fyt fyt fyi fyi fyi fyi fy*
THE FRENCH
FINE ART SECTION
I
As a representative presentation of contemporary French Art the
collection displayed this year in the Royal Galleries at Earl's Court
certainly eclipses anything of its kind hitherto witnessed on this side
of the Channel. Nothing on similar lines worthy of comparison with
it has indeed ever been seen outside the French capital. It should
prove attractive not only to the serious amateur and to the student,
whose close attention is assured, but to a much wider public, less critical,
perhaps, but hardly less appreciative.
Paris is the artist's habitat ; the
MECCA OF ARTISTIC PRODUCTION.
In the matter of Art, and all that pertains to it, she has a rival in no
other city. Mer artists of distinction may be numbered by the
thousand, and the names of her more famous living painters and
sculptors, men who have won a world-wide reputation, would alone
occupy no little space.
The project of organising at Earl's Court a worthy exhibi-
tion of contemporary French Art involved much labour and anxiety on
the part of all concerned. Two Committees, embracing the names of
the greatest of living French artists, responded to the invitation of the
Earl's Court Executive, and the result, it is felt, fully justifies the work
that has been entailed. As President of the Managing Connuittee, M.
Paul Tillier brought to the project the knowledge of a man of the
world as well as the charm of artistic gifts. Hia immediate coadjutors
60 THE FRENCH FINE ART SECTION.
were M. Albert Maignan, the vice-president, and MM. Fran9ois Flameng,
Gosselin, Guignard, A. Leonard, Marqueste, Mongin, T. Robert-Fleury,
and Weerts. The Camite de Patronage included MM. Benjamin Constant,
Bouguereau, Carolus Duran, Gerome, Henner, Boniiat, Leopold Flameng
and Rodin. Other members whose works are exhibited are M. Rosset-
Granger ; M. Chauvel, the engraver ; M. Georges Lemaire ; M.
Coppier, and M. Roybet, the recent revivalist of mediaeval
genre subjects. M. Georges Berges, M. J. F. Bouchor, M. P. F.
Lamy, M. Bordes, and M. Marec are among other names taken
at hazard from the catalogue. All have given an infinity of time
and trouble to ensure a successful result, but special mention may
be made of the name of M. L. Pretet, the commissioner of the section,
whose eminent services in arranging the gallery will be appreciated not
only by his colleagues, but by the British public who visit this
GRAND MANIFESTATION OF FRENCH ART
by living artists in honour of the Coronation of the King.
The response of French artists to the appeal of the French committees
has been as enthusiastic as gratifying. This ungrudging participa-
tion may be the starting point, it is hoped, for a long series
of artistic displays in which the artists of each country will adopt
a happy and appropriate method of exchanging cordial greetings across
the Channel.
French and British artists form, after all, a united band, advancing
towards the future and its developments with almost identical principles
— principles only slightly modified by the pecidiarities of the two
nations, and the variation in the climates and difference in the
n itional habits, whicii latter, however_, tends daily to become less marked.
The history of painting during the past century demonstrates the
parallel progress of the two schools, and it is fair to add that, after the
artistic decadence of Italy, Spain, Holland, and Flanders, England and
France alone maintained
THE TRADITION OF PURE ART
and especially of portraiture.
THE FRENCH FINE ART SECTION. 61
Since Hogarth, most humorous of painters, the English artists of the
Eighteenth Century shared, as it were, the ideas and conceptions of
French artists and interpreted them with equal talent. For the pur-
pose of comparison of style and ideal we may mention the names of
Reynolds, Gainsborough, Romney, West, Opie, Lawrence, Howard,
Turner, and place them side by side with those of Watteau, Nattier,
Tocque, Chardin, Natoire, Bouchor, Latour, Greuze, David, and Gerard.
Moreover, at the commencement of the Nineteenth Century, the
artistic revolution brought about in France under the auspices of
Vien, David, Regnault, Guerin, Girodet, and others, found an echo in
England, where Barry, Northcote, Stothard, and Blake were flourishing.
Matters remained much the same until the appearance of Constable,
whose influence is widely traceable in the art methods of to-day. And
thus have the two schools left indisputable traces of the
SIMILARITY OF THEIR TENDENCIES.
At the present time, in the annual Salons of Paris, English artists are
admitted, and share with their French confreres the honours distributed
by the Ju<ries and by the State.
jpaintiriGS.
Adan (Louis-Emile), 75, Rue de Courcelles, Paris.
1 Under Wood.
Agache (Alfred-Pierre), 14, Rue Weber, Paris.
2 Fantaisie.
AUouard (Edmond), 3, bis Rue des Beaux Arts, Paris.
3 Hoses.
Avy (Joseph-Marius), 3, Rue Dutot, Paris.
4 Heavenly Messengers. "... And the Angel brought to Mary
the sacred halo, and sanctified the divine abode. ..."
Barillot (L^on), 16, Rue de la Tour-d'Auvergne, Paris.
5 The Frightened Herd.
6 The Ii scaped Bull.
Benner (Jean), 71, Boulevard de Clichy, Paris.
7 The Orphan Girl (Capri).
8 First Chill of Autumn.
9 Young Girl with Pomegranates.
10 Chrysanthemums.
Bergeret (Pierre-Denis), 26, Rue Victor-Masse, Paris.
11 Cod Fish.
1 2 Grapes.
13 Shrimps.
1 4 Cheese.
Berges (Georges), 26, Rue Breda, Paris.
15 Saint George Victorious.
16 Torch-Light Procession at Lourdes.
Berthelon (Eugene), 35, Boulevard Rochechouart, Paris
17 Sea Cliffs (Somme).
1 8 Among the Cliff's of Treport — Gale.
19 Near Mesnilval.
20 The Beach, Triport.
Biva (Henri), 72, Rue du Chateau d'Eau, Paris.
21 At the bottom of the woody Ravine.
22 Evening.
23 Basket of Roses and Gruelder Roses.
24 Vast with Roses.
PAmTINQS. 68
Bompard (Maurice), 167, Boulevard Pereire, Paris.
25 Canal Grande, Venice.
Bordes (Ernest), 87, Rue Ampere, Paris.
26 Portrait of H. E. Paul Camhon, French Ambassador in London.
27 Portrait of Countess I.
28 Under the Porch.
Bouchard (Paul-Louis), 12, Rue de Calais, Paris.
29 Setting Sun in Moscow, the Kremlin in the background.
30 View taken with back turned to the Kremlin, St. Saviour's
Cathedral in the background.
31 The Chapel of the Iberian Virgin, Moscow.
32 Entrance of a Farm in the Oise.
Bouchor (JosKPH-F^Lix), 21, Rue du Vieux Colombier, Paris.
33 Sunshine in November mist.
34 Under the Willows.
35 Gathering Grapes.
36 The Ferry-boat.
37 Winter Landscape.
Boulard (Auguste-Marie), 15, Place des Vosges, Paris.
38 The Man with the Felt Hat.
39 Roulottes
40 Cut Roses on a Stone.
41 The Hay Stacks — Moonshine.
42 Fishwife holding a Telescope.
Boulard (Emile-Albxandre), 79, Rue de Dunkerque, Paris
43 A Peasant Interior.
44 Stream um,der the Trees.
45 The River Oise at Meriel {Autumin).
46 Edge of a Pine Forest
47 Seascape,
I
Boulard (Eugene).
48 Landscape.
Boutigny (Emile), 56, Rue Nollet, Paris.
49 The Beginning of a Romance.
64 PAINTINOe.
Boy^ (Abel), 20, Rue Juliette-Lambert, Paris.
50 The Haunt of the Nymphs.
51 Saint Cecile.
52 Through the Fields.
53 Street Corner, Pancorbo, Spain.
Breton (Jules Adolphe), 136, Rue de Longchamps.
54 Night Effect.
Brunet (Jean), 6, Rue Danton, Paris.
55 Women at the Pardon, Reminiscences of Brittany.
56 The Fisher^ s Family, Reminiscences of Bi^ittany.
Buffet (Paul), 71, Rue Jacques-Diilud, a Neuilly-sur-Seine.
57 The Old Bridge (belongs to Mr. P. Lefebvre).
58 Stoi^my Evening.
Calbet (Antoine), 102, Rue du Cherche-Midi, Paris.
59 Leda.
60 Laure.
61 Dancing Girl.
62 Spanish Dancer.
63 Spanish Woman,
64 Fantasy.
Oamoreyt,
65 Study {Basque Country).
66 Twilight {Basque Country
67 End of the Storm.
68 The Mill of Jacobus at Overschie (Holland).
69 The Houses of San- Juan at Passaje, Espagne.
Caro-Delvaille (Henry), 29, Avenue Henri Martin, Paris.
70 The Manicure.
71 The Young Servant.
72 The light breakfast.
Oartier (Karl), 144, Rue de Longchamps, Paris.
73 An Orchard in Normandy.
74 The Old Gate, Moret (Evening).
75 Last Rays.
76 Return to the Sheepfold.
77 Nocturne,
PAINTINGS. • 65
Cesbron (Achille), 13, Rue Jacqnemont, Paris.
78 Cupid's Sleep,
79 Cvltivated Poppies.
80 Rosfs and Gypsophyllum.
81 Multi-coloured Fishes.
82 Fishes.
Chabas (Paul), 23, Boulevard Berthier, Paris.
83 Last Rays.
84 The Torrent.
ChigOt (Eug^ne-Henri-Alexandre), 3, Rue de Bagneux, Paris.
85 Funeral of Her Majesty Queen Victoria, Salute
by the " Dupuy de Lome''
86 Portrait of my friend, Henri Lesidaner.
Chretien (Rene-Louis), 11, Avenue des Tilleuls, Paris.
87 Ripe Cheese.
88 Onions and Jar.
89 Chasse de Mer.
90 Preparing the Soup.
Cogniet (Marcel-Hippolyte-Adrien), 37, Avenue d'Antin, Paris.
Views of Taormina, Sicily.
91 Ruins of the Greek Theatre.
92 Mount Etna.
93 Isola hella. '
94 The Village of Mola and the Palace oj San Stefano
95 The Convent of San Dominico.
Courtois (Gustave), 73, Boulevard Bineau, Neuilly-sur-Seine.
96 Meditation.
97 Evening on the Banks of Lake Maggiore. ,
Dambeza (LioN), 11, Rue St. Simon, Paris.
98 The City of Burgos.
99 At Dawn.
100 The Tramp.
101 Before the Storm.
Dauphin (Euq^ine), 63, Rue Jouffroy, Paris.
102 The Port of St. Tropez.
66 * . PAINTINGS.
Debillemont-Chardon (Mme. Gabrielle), 7, Rue Nouvelle, Paris.
103 Portrait of Mr. E. C.
104 Pm^trait of Mr. P. P.
1 05 Manon.
106 Jeunesse.
107 Little Dutch Girl.
Dement (Adrten-Louis), L Wissant, par Marquise, (Pas-de-Calais).
108 The Danaids. ". . . . And thej were sentenced to fill for ever a
bottomless vessel, and the water which escaped from it
appeared as red as blood, being lit by the flames of the
Phlegeton."
109 Equinoctial Gales.
110 Stormy Evening.
111 The Fortress. '
112 Entrance to the Village of Wissant.
Demont-Breton ^Mme. Virginie), a Wissant, par Marquise, (Pas
de-Calais).
113 Le Geernaerdier.
114 Ishmael.
115 The Shipper at the Helm.
116 First Chill.
117 Serenity.
Denis (Maurice), 59, Rue de Mareil a St. Germain-en Laje.
118 Jesus in Martha's House.
119 A Study of the Kude.
120 The Bathers.
121 Picnicing.
122 Maternity.
Desire-Lucas, 15, Rue Hegesippe-Moreau, Paris.
123 At Noon amongst the Peasants (the property of Mr. F. Soerg^.
124 ,La Bonne Verdee (the property of Mr. Clarence Warden).
125 The Spinner at the Wheel (the property of Mr. Manuel de Tejada).
126 The Breton Legend (the property of Mr. E. de Werth).
Desrousseaux (Henry-Laurent), 12, Rue Hippolite-Lebas, Paris.
127 The Canal.
128 November Morning.
Devambedz (Andre), 11, Rue du Mont-Dore, Paris
129 A First Night at the Monf^martre Theatre
PAINTINGS. 67
Dinet (Alphonse-Etienne), 25, Quai Voltaire, Paris.
130 NoTnads (^Landscape in the vicinity of Bon Saada, Algeria).
Dubufe (Guillaume),
131 Portrait of Madame Dubufe.
132 The Nativity.
133 The Vision of the Virgin.
Dupre (Julien), 20, Boulevard Flandrin, Paris.
134 The Shepherdess.
Eliot (Maurice), 21, Boulevard de Clichy, Paris.
135 Life in the Fields.
136 Landscape in the Ardeche.
137 The Fountain.
138 The Red-Haired Woman.
139 Poppies.
Etcheverry (Hubert-Denis), 9, Rue Falguiere, Paris.
140 Une eUgante.
Ferrier (Gabriel), 6, Rue du G^neral-Appert, Paris.
141 Tenderness.
Gagliardini (Julibn-Gustave), 12, Boulevard de Clichy, Paris.
142 In the Land of Light.
143 duiet Morning in Port (^Mediterranean).
144 Morning Joy {Provence).
145 Dawn on Lake Magijiore.
146 River in Sunlight^ Tarn and Garonne.
Geoffroy (Jean), 7, Rue des Lilas, Paris
147 The Ithierant Basket Maker.
148 In the Dispensary.
149 The Adoration of the Cross.
150 Le Mois de Marie.
151 After the Distribution of the Prizes at VEcole Maternelle.
152 En Clape.
153 The Knitter.
Girardot (Louis- Auguste), Q^, Rue d'Assas, Paris.
154 " L* Hotel du Sauvage" at Rozoy-en-Brie.
155 Still Water.
156 Spirea.
157 Mosque Gate at Tangiers.
158 Moorish Woman Resting {Morocco).
■■«
68
PAINTINGS.
Godeby (Charles-Leon), 46, Rue Lepic, Paris.
159 In the Oasis Sidi Barkat, near Biskra.
160 Arab Vendor at Constantine.
Gosselin (Albert), 63, Avenue de Breteuil, Paris.
161 A Reminiscence of Brittany.
162 The Eure at Acquigny.
163 The Pond.
164 The Ford (Neuilly-sur-Uure).
165 The Loing at Grez.
Guignard (Gaston), 25, Boulevard Berthier, Paris.
166 Cr Opuscule Lunaire.
167 Before the Gale.
168 Herd of Cattle in the Snow.
169 Leaving the Sheepfold.
170 On the Sand Hills near Boulogne.
171 Sand Hills near Staples.
Guinier (Henri), 6, Avenue Frochot, Paris.
172 Returning from Market.
173 Golden Fruit.
174 Grandmother.
175 A Brittany Girl.
Guirand de Scevola (Victor-Lugien), Chez M. Bonjean, 10, Rue
Laffite, Paris.
176 Procession at Avdierne {Brittany).
177 La Yierge aux parfwns.
178 Adoration.
179 Lady of the Renaissance Period.
Herrmann-Leon (Charles), 8, Avenue Frochot, Paris.
1 80 Tenderness.
181 St. Hubert's Stag.
Huillard (Mme. Esther), 34, Eugene Flachat, Paris.
182 Leda.
183 The Letter.
184 La Toilette d^ Eunice.
185 Ldda.
Isenbart (Emile), a Besan^ou-Beauregard.
186 An Arm of the Sea near Quimper (Finistere).
187 Village on the Coast of Brittany.
PAINTINGS. 69
Iwill (Marie-Joseph), 11, Quai Voltaire, Paris.
188 Evening Star (RapallOy Italy).
189 Evening on the Downs.
190 Canal of the Public Gardens ( Venice).
191 The Pond — Stormy Cloud.
192 The Tramp.
193 Villa at Syracuse (Sicily).
Jacomin (Marie-Ferdinand), 7, Rue Bergette, k St. Germain-en
Laye.
194 Village Woodland, Forest of Eambouilletr
195 The Storm, Forest of St. Germain-en- Laye, Seine et Oise.
196 En Fo7'et, St.-Germain-en-Laye, Seine et Oise.
197 Moonlight effect on the Forest, Seine et Oise.
Jacquet (Jean Gustavb), 92, Avenue de Wagram, Paris.
198 Chlorinde.
Japy (Louis), 91, Avenue de Villiers, Paris.
199 The Path to the Pond.
200 Su/nrise.
Jeannin (Georges), 32, Rue des Dames, Paris.
201 Dahlias and Hoses.
202 Eoses.
Jourdeuil (Adrien), 6, Passage Saulnier, Paris.
203 Dull Morning on Lake Aiguebelette (Savoie).
204 Coming doiun the Old Claix Bridge ; last Sun Rays (Dauphine)
Lamy (P. -Franc), 48, Boulevard des Batignolles, Paris.
205 The Road.
206 November.
207 Le Bassin d'Encelcuie ( Versailles).
208 Les Marmousets {Versailles).
209 Le Bassin de Neptune ( Versailles).
210 Le Cabinet de Diane {Versailles).
211 Versailles Gardens.
212 La Nymphe des Eaux {Versailles).
213 Le Parterre d'eau {Versailles).
214 Le Bassin de Latone {Versailles).
70 PAINTINGS.
Lecomte (Paul), 22, Rue Albouy, Paris.
215 On the Banks of the Loire.
216 Interior in Brittany.
Ill In the Meadow.
218 Souvenir de V Exposition Universelle de 1900.
Lefebvre (Jules), 5, Rue Labruyere, Paris.
219 Eleonore d'Este. The p/roperty of the Cercle Artistique et Literaire.
Le Gout-Gerard (Fernand), 93, Rue Ampere, Paris.
220 Returning from the Pardon.
221 In Port.
222 Moonshine.
Lerolle (Henry), 20, Avenue Duquesne, Paris.
223 Interior,
Leroy (Paul-Alexandre-Alfred), 3, Rue Bara, Paris.
224 '' Befugium."
225 The Little Crab Fishers ( Yeules-les- Roses).
226 Study in Half-tone {Young Girl).
Levy (Henri-Leopold), 12, Boulevard de Clichy, Paris.
227 Jesus in the Tomh.
Luigi (Loir), 89, Rue de Turbigo, Paris.
228 Le Chemin de Per de Ceinture (Dawn).
229 The Country Fete (Dawn).
230 Au Bois de Boulogne.
Maignan (Albert), 1, Rue la Bruyere, Paris.
231 At the Bottom of the Sea — Sleeping Mermaid.
232 Fortune Passes.
233 Hortensias.
234 The City of St. Etienne presents France wiiu the Products of
her Manufacture.
235 Sapho.
Marche (Ernest-Gaston), 109, Boulevard Richard-Lenoir, Paris.
236 Evening on the, Loing.
237 Winter Evening.
Marec (Victor), 18, Rue de Chabrol, Paris.
238 Portrait of my Father.
239 The Strikers.
240 The Founders.
241 The Card Players.
PAINTINGS.
71
Mathey (Paul), 159, Rue de Rome, Paris.
242 Selling Fish at Grandcamp.
Maxence (Edgar-Henri-Marie-Aristide), 71, bis Rue de Vau-
girard, Paris.
243 Calypso.
244 Study of a Head.
Mercier (Mlle. Ruth), 7, Square Merimee, Cannes, A.M.
245 Lagunes Fleuries, Venice.
246 The Procession of the Viaticum — Venice.
Mita (M.), 17, Rue d'Edimbourg, Paris.
247 Twilight.
248 Street at Andalys.
249 The Gathering. . •
Montenard, 7, Rue Ampere, Paris.
250 A Tug on the Mediterranean.
251 The Highway in Provence.
Noirot (Emilb), 83, Boulevard du Montparnasse, Paris.
252 St. Chamond {Loire).
253 Desolation.
254 Morning in the Po7't of Toulon.
255 Slimmer Evening.
256 The Port of Gravelines.
Nozal (Alexandre), 7, Quai de Passy, Paris.
257 Outlet of Lake de Gaube, near Cauterets. Upp'er Pyrenees (in
May).
258 The Gorner-Gratt at Eve. Zermatt {Switzerland).
259 Evening in Villeneuve. The Pond {Seine et Oise).
260 Matinee blonde. Loj Seine a la Vacherie. {Petit Andely.)
261 Moonshine on the River Albi. {Taiyi.)
Oliver (Mme. Georges), 51, Rue Boissiere, Paris.
262 Peonies.
263 Plums and Holy hocks.
Perrault (Leon), 43, Boulevard Lannes, Paris.
264 The Holy Family,
265 La Toilette de Venus.
266 Woman and Flowers {Spring).
267 Child with Apple.
72 PAINTINGS.
Petitjean (Edmond), 3, Rue Alfred Stevens, Paris.
268 The Old Bridge at Thiers {Puy -de-Dome).
269 The Rock of the Virgin, at Puy {Haute Loire).
270 Autumn Mist at Marseilles {Old Port).
Pointelin (Auguste-Emmanuel), 16 bis, Rue Mayet, Paris.
271 Moonshine.
Pomey-Ballue (Mme. Ther^ise), 39, Boulevard Lannes, Paris.
272 At Prayer.
Quignon (Fernand-Jdst), 83, Boulevard Richard-Lenoir, Paris.
273 Ripe Corn.
274 The Berck Downs.
275 Hills at Nesles.
276 The Dock at Boulogne-sur-Mer.
2^11 Apple Tree Blossoms.
Quost (Ernest), 79, Rue de Dunkerque, Paris.
278 Roses, called bouquets de mai'iees.
279 Landscape — St. Michel-sur-Orge.
Raffaelli (Jean-Franqois), 202, Rue de Courcellea, Paris.
280 The High Road (the property of Mr. C. de B).
281 Bouquet: blue, white, and red. \
282 Dahlias.
283 Roses et Dahlias.
Ravanne (Gustavb), 59, Rue Caulaincourt, Paris.
284 Getting under Sail. (Sketch of Painting. Salon of 1899).
285 The emharkment (Sketch of my Pictnre. Salon of 1902).
Ribot (Theodule).
286 French Peasants Head (property of His Honour Judge William
Evans, 7, Southwick Place, London).
Richard (Mme. Hortense), 162, Boulvevard de Montpamasse,
Paris.
287 Fisher repairing his nets.
288 Before the Ball.
289 Smiling Spring.
Richemont (i^.LFRED-PAUL-MARiE de), 75, Rue de Courcelles, Paris.
290 Le Cierge.
291 Chapelle a Louennec (Study).
292 Bowling Alley at Bilges (Study).
PAINTINGS. 73
Rigolot (Albert-Gabhiel), 16, Rue de la Grande-Chaumiere, Paris.
293 An Arab Fete (South of Algeria).
294 Osier-bed in Franche-Conite.
295 The Valley of Sallaneke and Mont-Blanc.
296 December Evening. Biskra (Algeria).
297 The White River. El Kautara (Algeria).
298 Washer-woman. El Kantara (Algeria).
Robert-Fleury (Tony), 69, Rue de Douai, Paris.
299 George Washington. " After the peace was signed with England,
and the independence of the United States recognised, George
Washington resigned his post of Commander-in-Chief of the
Confederate Armies, and resolved to retire to his estate.
Having taken leave of his officers he proceeded to White
House, where a boat was in waiting to take him over to
Pomber's Hook.'^
300 Carmen.
301 Lucile.
302 L'etude.
Rochegrosse (Georges), 96, Avenue des Ternes, Paris.
303 The Pursuit of Pleasure.
\ 304 Judith.
Rosset-Granger (Edouard), 45, Avenue de ViUiers, Paris.
305 The Wreck.
306 Stiidy of a Head.
i 307 Fantasy.
308 Twilight.
309 Woman Bathing.
Roybet (Ferdinand;, 24, Rue du Mont.-Thabor, Paris.
310 The Scholars.
Royer (Henri), 9, Rue Bochart de Sarou, Paris.
311 Sicilian Woman.
Saintpierre (Gaston-Casimir), 35, Avenue de Wagram, Paris.
312 A Tlemsen Woman (Algeria).
313 The Bouquet of Hoses.
314 Soultana.
Saubes (Daniel-Leon), 15, Rue Cauchois, Paris.
315 Calinerie Mater nelle.
316 La Fomme d^Api.
74 PAINTINGS.
Smith (Alfred), 47, Rue Laugier, Paris.
317 Rio del Albero. Venice.
318 A Corner of Venice.
319 Garden in Blossoms.
320 Venice. A Canal.
321 Marseilles.
Tanzi (Leon), Chez MM. Chaine et Simonson, 19, Rue Caumartin,
Paris.
322 La Voise (Chateau de Maintenon).
323 La Voise (B our ay).
324 Saint-Cloud (The Wood).
325 A bite !
326 La Vanne.
Tapissier (Edmond), 3, Rue Bard, Paris.
327 The Temptation of Budha.
Taylor (A-Granchy), 5, Rue Rouget de Lisle, Paris.
328 A Bretonne Girl.
329 Fisherman.
330 Shrimp Baskets.
331 Sailors in Oilskins.
Thierot (M.-J. -Henri), 18, Avenue de Breteuil, Paris.
332 Autumn.
333 Summer Evening.
Thomas (Paul), 5, Rue Bara, Paris.
334 First Communion.
335 TJie Butter Market^ Treport.
336 Portrait.
337 Interior.
338 Interior.
Tillier (Paul), 64, Boulevard de Courcelles, Paris.
339 Lady playing the Mandoline.
340 Madame Arlequin.
341 Vapor euse.
Toudouze (Edouard), 21, Boulevard de Batignolles, Paris.
342 The Departure of the Virgin.
343 October [Gathering the Aj)ples).
344 A Stroll in the Garden.
PAINTINGS. 75
TouoouzB (EcloLiard) — continued.
345 The fail of the Leaves.
346 Fishing.
347 Winter.
348 Music.
349 Euterpe.
350 Study of a Woman.
351 Flemish Woman (16^A Century),
Triquet (Julbs-Ootavb), 6, Rue Aumout-Thieville, Paris.
352 Abandon.
t
353 Bread.
Truchet (Abkl), 4, Rue Caroline, Paris.
354 La Place Clichy.
355 Les Fauteuils d'Orchestre.
356 The Apple Market.
357 Ball at Montmartre.
358 Au Moulin Rouge.
359 Parisienne.
360 Parisienne'
361 Parisienne.
362 Parisienne.
363 Parisienne.
Vallet-Bisson (Mme. Frederique), 17, Avenue Gourgaud, Paris.
364 Sunrays.
365 Far-niente.
Villain (Georges), 77, Rue d'Amsterdam, Paris.
366 Blue Hydrangeas.
367 ^ec? Rcses.
368 ^Azie Roses.
369 TTa^/ Flowers.
370 Landscape. Etretat.
Weerts (Jean Joseph), 77, Rue d'Amsterdam, Paris.
371 M, le General Baron Freederickz.
372 M. Ravaisson de Ulnstitut.
373 M. Robert Filter.
374 Mdlle. Jeanne W.
375 Mdlle. Gabrielle W.
76 ENGRAVINGS.
Wencker (Joseph), 6, Rue Ballue, Paris.
376 Summer Evening.
377 Nymphe Chasseresse.
378 Basilissa.
Yvon (Adolphe).
379 The Expeditionary Corps of Lord Chelmsford marching on the
Kraal of Ulundi (the property of Baron d'Orgeval).
Zuber (^Jean-Henri), 59, Rue de Vaugirard, Paris.
380 The Twisted Pine (Cape Antibes).
381 Calm {Cape Antibes).
382 Les Bosquets du Point du Jour {Pare de Versailles). I
383 Stream in the Woods {Upper Alsace).
iBnoravinas, etc.
Barbotin (Willi am- Joseph), 191, Avenue du Maine, Paris.
384 The Bugler^ after Meissonier (Artistes Proof).
385 The Astronomer {after Roybet). Names of the Artists who are
represented in the picture : —
Juana Romani. Jean-Paul Laurens.
Roybet. Jules Lefebvre.
Waltner. Bouchor.
Guillemet. Docteur Lafont.
Cormon. Louis Pretet.
Franc Lamy.
386 Gathering Salt in Re Island.
387 Peasant, Re Island.
388 Peasant Woman , Re Island.
Boulard (Augusts), 15, Placodes Vosges, Paris.
389 Vive V Empereur ! {after F. Flameng).
390 Landscape {after K. Halswelle).
391 Landscape {ajter Turner).
392 Sunday at Poissy {after Meissonier).
ENGRAVINGS. 77
Brunet-Debaines (Alfred), Villa Roquebelle, La Malgiie, Toulon.
593 The Old Tower at Rouen-
594 Canterbury.
595 The Oak Pond {after Jules Dupre).
Burney (Fran90is-Eugene), 4, Rue d'Assas, Paris.
596 The Chocolate Seller (after Liotard).
597 The Virgin and the Child Jesus. Bas-relief. Louvre Museum.
598 Portrait of Mile. Brandes {after Chartran).
Chauvel (Thj^ophile), 55, Avenue de la Grande Armee, Paris.
399 Lingering Autumn {after Sir J. E. Millais, Bart., P.R.A.).
too The Storm (after Narcisse Diaz).
401 An Obscure Question (after W. Q. Orchardson, R.A.).
402 Cambrians Coast (after B. W. Leader).
403 A Wet Roadside (after B. W. Leader).
404 The Enclosure (after Van Mar eke).
405 The Arab Camp (after Fromentin).
406 The Bridge at Grez (after C. Corot).
Coppier (Andr]6-Charles), 55, Rue des Abbesses, Paris.
407 The Adoration of the Magi (after Durer).
Desire-Lucas ( )> 15j I^^e Hegesippe-Moreau, Paris.
408 Grace.
409 Grandiriother' s Tale.
Dezarrois (Antoine), 23, Rue de Sevres, Paris.
410 Portrait called " V Homme aux Gants " (after Titien).
411 La Vierge delle Arpie (after Andrea del Sarto).
412 Portrait of Innocent X., Veldsqicez, Doria Gallery.
413 ' Merry Entrance of King John the Good at Douai (after Gm'gnet).
The property of la Societe Fran9aise des Amis des Arts.
Didier (Adrien), 128, Boulevard Montparnasse, Paris.
414 Portrait of Thiers (after Bonnat).
415 Portrait of Juana Romani (after Roybet).
416 Warlike Music (after Baudry).
417 Poetry (after Raphael).
! 418 The Virgin and Infant Jesus, tvith several Saints (after P.
' Veronese).
78 ENGRAVINGS.
Flameng (Leopold), 25, Boulevard Montparnasse, Paris.
419 The Virgin {after Van Eych).
420 The Adoration (after Vandergaes).
421 Portrait of Pasteur (after Edelfelt),
Focillon (Victor-Louis), 7, Rue de FEstrapade, Paris.
422 The Guard Room (after Flameng).
423 The Orderly (after Meissonier).
424 La Toilette (after Carot).
Fonce (Camille), 49, Avenue de la Grande Armee, Paris.
425 Evening (after B. W. Leader, R.A.). The property of Mr. J. P.
Mendoza.
426 Departing Day (after Karl Heffner). The property of Messrs.
Henry Graves & Co.
427 Canterbury Cathedral. The property of Messrs. Henry Graves
&Co.
428 In the Birch Wood of Ai^an (after J.Mac Whirter, R.A.). The
property of Messrs. Frost & Reed.
429 How Still is an Evening (after B. W. Leader, R.A.). The pro^
perty of Mr. J. P. Mendoza.
Jacquet (Achille), 21, Avenue Carnot, Paris.
430 Passion (after Andrea Mantegna).
431 Portrait of the Founder of the Petites Soeurs des Pauvres (after
Cabanel).
432 Infm^iation (after Meissonier).
Laguillermie (Frederic), 4, Rue Robert-Estienne, Paris.
433 HeVene Foumient (after Rubens).
434 Miss Hatchett (after Gainsborough).
435 Massacre of Scio (after Delacroix).
43G Napoleon III. and his Staff (after Meissonier).
437 Duke of Bristol and Duke of Bedford (after Van Dyck),
Le Couteux (Lioxel), 5, Place Pigalle, Paris.
438 Returning from the Bear Hunt (Stone Age) after Cormon.
439 St. George of Antwerp (after Rubens).
440 Le Depart pour Cy there (after Watteau).
441 End of Summer (after R. Collin).
442 Heads of Dogs (after Van Ma/rcke).
ENSRATINGS. 79
Lefort (Henri), 220, Boulevard Raspail, Paris.
443 Le Miracle de St. Marc {after Tintoretto, Venice).
444 Benjamin Franklin (after Duplessis).
445 The Siesta (after Gustave Courbet).
446 Official Portrait of M. Louhet, President de la Repuhlique
Fran(p,ise.
,447 Portrait of Tolstoi.
Mignon (Abel), 166, Boulevard Montparnasse, Paris.
448 1814 {Napoleon), {after Meissonier).
449 The Smith {after Meissonier).
450 The Halt {after Meissonier).
451 Spring {after Burns- J ones).
452 The Shelter {original engraving).
Mongin (Augustin), 25, Avenue du Maine, Paris.
453 A Christening {after Dendy Sadler).
454 La Sarabands {after Roybet).
455 A Song {after Meissonier).
456 Le Schisme {after Vibert).
457 The Painter at rest.
Sirouy (Achille), 1, Rue Bausset, Paris.
458 The Two Foscari {after Eugene Delacroix).
459 Uenlivement de Psyche {after PrudHion).
460 Portrait of M. Vigneron {after Roybet).
46 1 Fortune.
462 Portrait of a Child.
Sulpis (Emile-Jean), 93, Rue Denfert-Rochereau, Paris.
463 The Coronation of Napoleon {after David).
464 The Mill {after Burne-Jones).
465 The Apparition {after G. Moreau).
466 Hesiode and the Muse {after G. Moreau).
Waltner (Charles), Chaville, Seine et Oise.
467 Portrait of M. Louis Pretet, Commissaire de V exposition de
Lond7r,s, as a *' Man-at-Arnis," period Louis XIII. {after
Roybet).
Sculpture.
Allouard (Henri Emile), 28 bis, Rue Vavin, Paris
468 Evening Pruyer,
469 Children Playing,
470 The Interrupted Reading.
K
Bartholdi (Fredi^ric-Auguste), 82, Rue d'Assas, Paris.
471 Vase — The Vintage.
Bloch (Armand-Lucien), 5, Rue Dareau, Paris.
472 Emile Zola (the property of Dr. Galippe).
473 Young Lad.
474 Head ot a Boy.
475 The Coup de Grace {Bidl Fight).
476 The Woodman.
Boisseau (Emile- Andr^), 16, Rue des Volontaires, Paris.
477 Oysel, le Troubadour du pays bleu.
478 The Sleep of Innocence.
479 Marguerite.
480 The new-born.
Carles (Antonin), 24, Avenue de la Grand Armee, Paris.
481 Portrait of Armand Berton, the Painter.
482 Portrait of my Father.
483 Youth.
Cordonnier (Alphonse-Amedee), 7, Villa Spontini, Paris.
484 A loth Century Architect.
485 A \5th Century Scholar.
486 Buste Eenaissa?ice
Daillion (Horace), 77, Rue Denfert-Rochereau, Paris.
487 Young Florentine Girl.
Dubois (Ernest), 15, Rue Mansart, Paris.
488 The Pardon.
Dubois (Paul), 14, Rue Bonaparte, Paris.
489 Portrait of M. Saint-Saens, Member of the Institute
SCULPTURE. 81
Fix-Masseau, 30, Kne de Braxelles, Paris.
490 Tete aux Ruhans.
491 In pensive mood.
492 Femme a la CoUerette.
Fremiet (Emmanuel), 43, Boulevard Beausejour, Paris.
493 A l^ith Century Cavalier.
494 Saint George.
495 Group of Hounds.
496 Mounted Prize Horse.
497 Cat and her Kittens, Life-size.
Gerome (Jean-Leon), 65, Boulevard de Clichy, Paris.
1498 George Washington.
Lemaire (Georges), 22, Rue Tourlaque, Paris.
1 499 Destiny.
500 Springtime.
501 La Main Chaude.
502 Messenger of the Gods.
503 Flora and Zephyr.
504 Idylle.
505 Simone et Manon.
506 Mireille.
Leonard (Agathon), 77, Hue Denfert, Rochereau, Paris.
507 Portrait of Marquis de Lantenac.
507a Dancing Girl, j
507b Dancina Girl V (^^^^ «^ ^ s^* ^^ ^^^^^^ ^^g^^^^
507c Dancing Girl.
j for table decoration.)
Levasseur (Henri-Louis), 37, Villa d'Alesia, Paris.
508 Apotheosis of Joan of Arc.
509 Fight between an Octopus and a Sea Lion.
510 To- Night.
511 The Shepherds' Star
Levillain (Ferdinand), 31, Boulevaad Richard -Lenoir, Paris.
512 The Story of Diogenes.
513 The Story of the Gods.
82 SCULPTURE.
Lombard (Henry), 18, Ene Vernier, Paris.
514 Victorious Apollo.
515 Autumn.
Marqueste (Laurent-Honore), 19, Rue Poncelet, Paris.
516 La Cigale.
Mathet (Louis-Dominique), 11*2, Ptue Falguiere, Paris.
517 Fete Day.
518 Under Shelter.-
519 The Spring.
520 Rose Bud.
Mengue (Jean-Marie), 91, Rue de Vaugirard, Paris.
521 Woman and Lily.
522 Peasant Woman in the Fields.
523 In the Fields.
524 Study of a Head.
Noel (Tony), Pavilion de la Roche, a Villebon Palaiseau,
Seine et Oise.
525 Retiarius {Roman Gladiator). The property of Mr. F. Gold-
scheider, editeur, 28, Avenue de I'Opera, Paris.
526 Young Turkish Girl at the Baths. The property of Mr. Gold-
scheider, editeur, 28, Avenue de I'Opera, Paris.
Peter (Victor), 191, Rue de Vaugirard, Paris.
527 The Ttvo Friends {Arab loosening his Horse).
528 Setter Bitch in Kennel.
Peynot (Kmile-Edmond), 89, Rue Denfert-Rochereau, Paris.
529 Ihe Minust.
530 After the Bath. 1
531 The Young Mother.
Puech (Denys), 233, Rue du Faubourg, Saint-Honore, Paris.
532 Bronze Bust.
533 Marble ,,
534 La Seine {Bas-relief).
Reviere (Theooore), 14, Rue de la Source, Paris.
535 Mireille.
536 Salambo.
537 Phryne.
538 Group of Dancing Girls.
IN CASE3.
Seysses (Auquste), 5, Rue Brea, Paris.
539 African Elephant.
540 Phryne.
541 African Elephants Fighting.
Sicard (Frangois), 18 bis, Rue d'Armaille, Paris.
542 Agar.
543 Sulking.
Verlet (Raoul Charles), 7, Rue Galvirii, Paris.
544 Portrait of Jacques Nozal.
83
5ti Cases (room d
A Collection of Articles in Ormolu and Mother-of-Pearl (principally
of the Empire period). Lent by David Lewis Isaacs, Esq., 79, Portland
Place, London, W.
545 Roman helmet and scabbard on pearl and ormolu pediment.
546 Flat candlestick with engraved pearl, the border set with topaz
and amethyst.
547 Paperweight with figure of peacock, set turquoise and ruby on
flat pediment.
548 Chased and engraved hand-glass, with pearl back and handle.
549 Miniature figure of man in 18th century costume, on pearl and
ormolu base.
550 Flat candlestick on engraved pearl shell and ormolu butterfly
vase.
551 Flat candlestick on engraved shell base.
552 Small " souvenir " engraved pearl and ormolu pocket-book.
553 Miniature " Lady's Companion " in pearl, formed in the shape of
a mussel shell, gold fittings.
554 Flat candlestick, sconce four small dolphins in ormolu.
555 Engraved pearl and ormolu wallet.
556 Miniature cylinder writing desk, the back finished wdth old French
calendar, dated 1830.
557 Miniature sloping desk.
84 COLLECTION IN CASES.
558 Pincushion, with drawer at back, the whole in the form of a
water-chute, figure of Cupid in ormoUi.
559 Small casket, lid composed of artificial flowers under glass.
560 Miniature grand piano, with musical box and pearl and ormolu
piano keys.
561 Scent stand, handle forming Egyptian figure.
56*2 Paperweight, angel in ormolu on engraved pearl base.
563 Lady's work case with large carved and chased unusual size pearl
top, the interior fitted with gold-mounted fittings.
564 Triangular shaped ornament of ormolu. Chinaman under pearl
and ormolu canopy on pearl angular base.
565 A sarcophagus shaped box with artificial flowers under glass lid.
566 Pair of very important and rare incense stands, the tops supported
on chased bird pillars, with vase for holding spirit on base.
567 Lady's jewel casket of unusual size ; formerly contained musical
box.
568 Musical box, surmounted by figure of Cupid playing the harp.
569 Bucket and well on granite slab.
570 Inkstand, with figure of "Plenty" in ormolu.
571 Paperweight, ormolu Cupid in a boat.
572 Silk winder with drawer in base, the whole on pearl stand
(revolving).
573 A combined watch case with pearl back.
574 Jewel casket with pyramid top.
575 Jewel casket.
576 Casket containing musical box.
577 Combined ormolu candlestick and fan case.
578 Small inkstand, column with eagle on top.
579 Small column on granite base.
580 Figure of Cupid on pearl vase holding pincushion.
581 Fan stand.
582 Ormolu ornament, boy driving horse.
583 Inkstand, cut glass column.
584 Casket.
585 Casket.
586 Canoe shaped inkstand.
587 Ormolu Cupid on pearl box, holding pearl pin-tra}"
588 Scent stand.
589 Lady's companion fitted with musical box.
Paris in %onbon.
1902.
GUIDE TO
EXHIBITS.
A«f
86
(Slucen'8 palace.
Emplacements
17 bis. Alliaume, 36, Bd. des Italiens, Paris.
Objets d'art eu etain, Bijouterie, Articles de Paris, Maroquinerie,
Meubles fantaisie.
41. Guignard (Gabriel) rue Nouvelle, 7, a Charenton (Seine).
Bouteillage de bieres.
109. Docteur Breuillard (Charles), 90, rue de Rennes, Paris.
Appareils de massage, etc.
21 (salon). Stumpf, Touvier, Viollet et Cie, Cristallerie
de Pantin, rue d'Hauteville, 66, Paris.
Cristaiix blancs unis et tallies, decores et art nouveau, montes sur
bronze dore, de couleur metallise et flamme.
25 (salon). Terquem (Em.), 19, rue Scribe, Paris.
Bibliotheque et articles de Bureaux de luxe.
35. Societe V " Incroyable," 38, Bd. de Port Royal, Paris.
Manufacture de Chaussures.
33. Marescot (Paul), 5, rue St. Augustin, Paris.
Tabricant de Dentelles.
50. Martin Fernand, 88, Bd. de Menilmontant, Paris.
Jouets mecaniques.
32. Vagnier (Edmond), 16^ quai Jemmapes, Paris. •
Bijouterie.
37 (salon). Karrer (Paul), 17, rue Meslay, Paris.
Petits bronzes, cristaux montes.
120. A. Bouley et E. Renaud, 7, Passage, St. Pierre
Amelot, Paris.
Baignoires artistiques, Appareils melange urs.
135.
20 (salon). Deschamps et Cie, 27, rue de I'Arcade, Paris.
Meubles bois sculpte.
30 (salon). Rene Foy, 12, rue Legendre, Paris.
Bijoux art nouveau.
Keltz (Georges), 44, rue Notre Dame des Champs, Paris.
Emaux, bijouterie emaillee.
83, 112 et 113. Eisenmenger, 5, rue Chapon, Paris.
Bijouterie fantaisie, boucles, agrafes.
123. Polverini (E.), 7, Passage Verdeau, Paris.
Bijouterie imitation.
87
101. Leemens et Bordon, 31, rue de Neuilly, a Clichy (Seine).
Metallisation artistiqiie d'objets d'art, statuettes, etc.
133. Parrant (V.), 9, rue Portefoin, Paris.
Bijuuterie.
250. Richard, agent de vins de Saumur, a Londres.
19 (salon). Burt et Cie(N.)
Agence francaise de meiibles et de bronzes, 123, Oxford Street.
137. Diosy, rue de Turenne, Paris.
Bijouterie.
66. Amaury (F.), rue Puits Gaillot a Lyon.
Foulards de soie. ^
300. Mantout, 10, rue d'Hauteville, Paris.
Bijouterie.
75. Bulteaux et Cie, Ludgate Hill, 29, Londres.
Champagnes et liqueur Kaspail.
204. Mandonnet (L.) 68, rue des Archives, Paris.
Bijouterie.
18 (salon). Rossi et fils, 398, rue St. Honore, Paris.
Meubles artistiques, sieges sculptes, objets d'art industrel venitiens,
fabriques a Paris.
UO. Lazareff (N.), 49, rue Rochechouart, Paris.
Pierres precieuses.
134. Dartigues (L.), rue du Clocher, a Limoges.
Bijouterie fantaisie.
97. Delveaux (G.), a Montigny sur Loing.
Faiences d'art.
30 bis (salon). Clement Massier, au Golfe Juan.
Faiences d'art.
10 et 76. Kindel (B.), 38, quai Jemmapes, Paris.
Maroquinerie.
121. Zoukermann et Cie, 13, rue Beranger, Paris.
Bijouterie invitation.
104 et 105. de Bysterveld, 19, rue Duphot, Paris.
Parfumerie Peignes.
117. de Soye, 19, rue Chapon, Paris.
Perles imitation a usage des bijoutiers joailliers.
115 et salon 14. Traissard, 77, rue des Petit Champs, Paris.
Peignes, ornaments de la cbevelure, art nouveau, ivoires.
110 et 111. Lorieux, 5, rue Castiglione, Paris.
Bijouterie, Maroquinerie.
88
43. Bobbe (Paul;, 13, rue des Lions, St. Paul, Paris.
Appareils a Eau de Seltz.
118. Philippe, 23, rue de Bourgogne, Paris.
Reliure artistisqiie.
4.5. Leprince, Bd. Sebastopol, 44, Paris.
Corsets, marque " a la Couronne."
191. Marzouck (P.), 69, rue d'Hauteville, Paris.
Fournitiires pour modes,
115. Roche (J), 25, rue de Berne, Paris.
Articles faiitaisie, Dentelles, Soieries.
82. Legrand, rue Notre Dame de Nazareth, 21, Paris.
Bijouterie.
31. (Salon) Mustel pere et fils, 46, rue de Douai, Paris.
" Harmoniums Celesta. Metzler et Co., Ld., seuls agents a LoudresJ
Great Marlborough.
(Mural). Rothier (F.), 9, place St. Maurice, a Reims (Marne).
Photographies sur verre.
85. Cacciapuoti (Hector), 65, rue Violet, Paris.
Ceramiques d'art, Bronzes, Paintures en tous genres.
158. Aubry Lapied Boyer succr., 118, rue du Temple, Paris
Bijouterie, i voire, or et metal, tabletterie.
75 et 98. Debrie, rue Rochechouart, Paris.
Cuirs artistiques, Jouets mecaniques.
70. Pillet et fils, 5, rue Chariot, Paris.
Petits bronzes fantaisie.
24 (salon). Wessbecher, 59, rue Grange aux Belles, Paris.
Meubles de jardin et fers forges.
1 (salon). Millet, 23, Bd. Beaumarchais, Paris.
Meubles et Bronzes d'art, appareils d'electricite.
16 (salon). Pinedo, 40, Boul. du Temple, Paris.
Statuettes et Bronzes dart.
42. Petit, 101, rue d'Alesia, Paris.
Maquette de Sanitorium,
125. Soldati (G), Bd. de Strasbourg, 51, Paris.
Maroquinerie.
122. Rolland, 139, Bd. Pereire.
Linge brode.
102. Hanne (Alph.), a I'lsle-Adam (S. et 0.).
Terres cuites artistiques.
130. Benard, 8, cite du petit Thouars, Paris.
Bijouterie, Petits bronzes,
137. Mestivier, 117, rue de Turenne, Paris.
Bijouterie or et argent.
89
46. Logeat, 8, rue Tiquetonne, Paris.
Baleine vegetale.
142. Debreuil, 23 bis, rue Mor'ere, Paris.
Ceiiitures et boucles emaillees, art nouveau.
99. Bernard Woolf, 31, rue Pastourelle.
Bijouterie.
160. Charnelet et Lapointe, 15, rue Bleue, Paris.
" La Pastorine." Peiiiture email hygienique.
15 (salon). Pignot, 13, rue Sedaine, Paris.
Meubles, Tapisserie.
136 et salon 3. Rosso, 172, rue du Temple, Paris.
Horlogerie, Joaillerie, Instruments de precision et d'optique.
38. Barreiros (B.), 10, rue Daunou, Paris.
Corsets, Ceintures de luxe.
28 (salon). Ruffier des Aimes, 8, passage Dallerey, Paris.
Meubles et vitrines, styles Japouais.
61. Borrel, 40, rue de Vincennes, a Bagnolet (Seine).
Colles et gelatine's.
145. Bourcier, 84, rue des Archives, Paris.
Bijouterie imitation.
152. Besson (A.), 245, rue St. Martin, Paris.
Bijouterie or et argent, Joaillerie imitation de diamants.
88. Sardou et Cie, Londres.
Extraits et essences parfumerie.
20 bis (salon). Houdebine, 64, rue de Turenne, Paris.
Bronzes d'art, appareils d'eclairage electrique.
55. Jacquot (Alph.), a Lourdes.
Materiel de caves et de cuisines.
34. CadoUe et fils, 24, Rue de la Chaussee d'Antin, Paris.
Corsets et ceintures riches, patent speciale.
121. Lovis, 41, rue le Marois, Paris.
Perfumerie, fleurs des AIjdcs.
155. PoUet (E.), 5, rue des Quatre Fils, Paris.
Chaines argent et fantaisie.
22. Caron, 176, Faubourg St. Martin, Paris.
Reproductions photographiques, bijouterie
161. Fayetone, 148, rue Croix Nivert, Paris.
Produits chimiques.
27 (salon). Myrtil Dennery et Gendre, 64, Faubourg,
St. Antoine.
Fabricants de meubles.
26 (salon). Soubrier (F. et P.), 14, rue de Reuilly, Paris.
Fabricants de meubles.
90
137. Grenet, 54, rue de Bondy, Paris.
Petits bronzes.
149. " La Samaritaine," rue du Pont-Neuf, Paris
Robes, manteaux, coiifectioiis.
67. Bellak, 59, rue des Archives, Paris
Articles de Paris.
Grenot, rue de Passy, 40.
Porcelaiiies d'art moutees sur bronze.
Dezavis et Cie., 6, rue Beranger, Paris.
Bronzes d'eclairage. \
3mpcrial Court
Vagnier (E.) 16, quai Jemmapes, Paris.
Bijouterie dart.
Lermy (Emile) 3, rue Copernic, Paris.
Optique.
Traissard, 77, rue des Petits Champs.
Bijouterie fantaisie.
palaiB &u Coatume*
Kahn (Paul) 30, rue Reaumur, Paris.
Vetements pour gar(;onnets et fillettes.
Leoty, 8, place de la Madeleine, Paris.
Corsets.
Henry, " a la Pensee," 5, Faubourg St. Honore, Pari?
Fantaisies riches pour dames.
91
Salon Mbonnciu\
Soleau, 127, rue de Turenne, Paris.
Bronzes d'urt, appareils d'cclairiige eleutrique.
Gervais (Fernand) 12, rue des Filles du Calvaire, Paris.
Bronzes d'art, appareils d'eclairage clectrique.
Gutperle, 12, Bd. Magenta, Paris.
Armures ct Bijouterie pour theatres.
LeroUe freres, 1, rue du Foin, Paris.
Bronzes d'art, Appareils d'eclairage electrique.
Milde (Ch.) fils et Cie, 56, rue Desrenandes, Paris.
Entreprise d'eclairage electrique, Bronzes, appareils telephoniques
Pecheux (F.) 9, place des Ternes, Paris.
Meubles, Decoration artistique.
Thiebaut freres, 32, Avenue de I'Opera, Paris.
Bronzess d'art, appariels d'eclairage electrique.
■"umiere et Gavignot, 32 Avenue de I'Opera et 32 rue Guersaint,
Paris.
Bronze d'art, appareils d'eclairage electrique.
Norman et Stacy, Ld., 254, Tottenham Court Road, Londres.
iSalon de Meubles Fran^ais.
?leyel, Wolf, Lyon et Cie, Paris, et 79 et 80, Baker Street,
a Londres.
Facteurs de Pianos.
Erard (S. et P.) 18, Great Malborough a Londres.
Facteurs de Pianos.
Hirsch, — .
Anieublements, Sieges de style^
vO G^'"'''r:ir;C2yV-/
92
2.
4.
Modes,
Modes.
Modes.
Modes.
Palais bu Costume.
Henry, 5, fg. St. Honore
Leoty, 4, place de la Madeleine.
Kahn, rue Reaumur.
Virot, 1, rue de la Paix.
G-^^SS^
Collective Eybibtt of flDobern Coetumee.
The followino: is the list of Contributors
x\lNE MONTAILLE.
Barkoin.
bonnaire.
DOEUILLET AND ClE.
LAFEURli:RE.
Blanche Lebouvier.
Lachartroulle.
Margairie-Lacroix.
Ney, Soeurs. j
Perdoux and Cie. ;
i
Ernest Raudnitz. |
Kedfern. i
Sara Mayer and Morhangi.
Worth.
Vaganey
93
2?ucal IbalL
Davey, Paxman & Co., Ltd., Engineers and Boiler Makers,
Colchester.
One Gcc Paxman " Peache " Patent High Speed Compound
Three-Crank Single-Acting Engine, with three sets of tandem Com-
pound Cylinders, high pressure 7Jin. diameter, low pressure 13in.
diameter by Sin. stroke, steam jacketted, and lagged with non-con-
ducting composition and sheet steel. Engine capable of giving off
as normal full load 122 I.H.P. with 1501bs. steam at Engine stop
valve, running at 420 revs, per minute, condensing, with 26in.
vacuum, and to give off as an overload 168 I.H.P. When non-con-
densing, to give off same normal load, with 137 I.H.P. overload at
440 revs. Governors arranged to give a variation of 25 per cent,
whilst running.
One 25 Nominal H.P. " Colchester " Horizontal Compound
Engine, with cylinders lOin. and 16|in. diameter by 18in. stroke ;
! fly-wheel 7ft. diameter by 12ft. face; speed 120 revs, per minute.
Outside hearing provided, to support fly-wheel end of shaft.
Governors of Paxman's adjustable high speed type, and high pressure
cylinder is fitted with Paxman's Patent Automatic Expansion Gear,
I And low pressure with single slide valve of " Trick " type. Working
pressure of Engine : 1401bs. per square inch.
One 8 Nominal H.P. " Essex " Patent Vertical Tubular Boiler,
constructed for a working pressure of 901bs. per square inch. Size
8ft. high by 3ft. 9in. diameter; fitted with 48 2^m. diameter best
lap-welded iron tubes; heating surface 116.7 square feet.
This Boiler differs from all other Vertical Boilers, in that the tubes
are bent instead of being straight. For this reason we get a higher
heating efficiency from the gases, and at the same time avoid leakage
troubles from expansion or contraction to which straight-tube Boilers
are very liable. This Boiler is also built in a practical manner, so that
there is ample facility for cleaning and examination.
One 12 H.P. Nominal Compound Portable Engine, with cylinders
7in. and ll|^in. diameter respectively for high and low pressure, by
14m. stroke ; fly-wheel 5ft. diameter by 9in. wide ; spee^ 155 revs, per
minute. Working pressure 1401bs. per square inch. Boiler is fitted
with Colonial firebox for burning wood and inferior fuel. Engine
is provided with Paxman's Patent Automatic Expansion Gear and
adjustable Hif;h Speed Governors.
The Engine is built independently of the Boiler, in a separate steel
plate frame, which is bolted to four steel plate brackets, rivetted to and
projecting from the Boiler. By this arrangement, the Boiler is relieved
of all undue strain, and at the same time the Engine can, if required,
be bodily removed from the Boiler for convenience of transport, mini-
mising the cost thereof, or the Engine and Boiler can be used separately.
94
One 10 H.P. Nominal ditto, with cylinders 6Jin, and 10|iii.|
diameter respectively for high and low pressure, by 14in, stroke ; fly-
wheel 5ft. diameter by Sin. wide; speed 155 revs, per minute
Working pressure 1401bs. per square inch. .
One 10 H.P. Nominal Single Cylinder Portable Engine, with!
cylinder 11 in. diameter by 14in. stroke; fly-wheel 5ft. 6in. diameter
by Sin. wide ; speed 120 revs, per minute. Working pressure 901bs.
per square inch.
One S H.P. Nominal ditto, with cylinder lOin. diameter by 12in.
stroke; fly-wheel 5ft. diameter by Tin. wide; speed 135 revs, pei
minute. Working pressure 901bs. per square inch.
One 8 Nominal H.P. Paxman " S.V." Vertical Engine, with
cylinder lOin. diameter by 12in. stroke; fly-wheel 4ft. 6in. diameter]
by 9in. wide; speed 175 revs, per minute.
This Engine is of the self-contained type, substantial in construe
tion, and economical in steam consumption. It is provided with larg«|
wearing surfaces and arrangements for continuous lubrication, and is]
suitable for 1-Clectric Lighting purposes.
One 6 H.P. Nominal ditto, ditto, with cylinder S|in. diamete
by lOin. stroke ; fly-wheel 4ft. diameter by 7in. wide ; speed 210 revs,
per minute.
One 4 Nominal H.P. ditto, ditto, with cylinder 6Mn. diameter by|
lOin. stroke; fly-wheel 3ft. Gin. diameter by Gin. wide; speed 21
revs, per minute.
One 30 Nominal H.P. Paxman "Economic" Boiler, lift. Ion
by 6ft. Sin. diameter; flue 3ft. 2in. diameter, containing one circu
lating tube, and provided with Paxman's Strengthening and Expan
sion Joint ; 46 best lap-welded iiron smoke tubes, 3in. diameter b
lift, lin, long; heating surface 478 square feet, grate area 17.4 squar
feet. Working pressure 1401bs. per square inch ; plates 19/32in.
shell, 5/8in. ends; Jin. flue.
This Boiler is most economical and efficient, its principal advantages!
consisting in that, for a given power, it only occupies about half the]
space taken up by the Lancashire or Cornish type, minimising the cos
of brickwork, while it will give an economy of from 20 to 25 per cent]
better than same.
One 20 H.P. Nominal Loco Type Boiler, constructed for 901bs.|
per square inch working pressure, and provided with Colonial size
firebox for burning wood and inferior fuel. The Boiler is provide(
with 61 smoke tubes, of best lap-welded iron, 2|in. diameter by 7ft.j
6in. long; heating surface 370 square feet; grate area 15.25 square
feet. Thickness of plates : 7/1 Gin. shell and firebox, 9/1 Gin. tube
plate. Boiler lagged with hair, felt, wood, and sheet iron.
Note. — The Simple and Compound Portable Engines, exhibited bjl
Davey, Paxman & Co., are of the same type and design as those thatj
took the prizes offered by the Koyal Agricultural Society of England
the last great competitive trials held by this Society. The prize of £lOi
95
was awarded to Davey, Paxman & Co. for their Simple Portable Engine
and £200 for the Compound Portable Engine. The engines were
awarded the above prizes by the judges appointed by the Royal
Agricultural Society to carry out the trials. The awards were given
for great efficiency, extreme economy in fuel and steam, and the general
excellence in design and workmanship, the judges in their report
saying :■ — " The trial of the (Com])o\uKl) Engines characterised b}^
perfect smoothness of working and great regularity of speed, the
governor having perfect control of the engine."
S. & p. Erard, Great Marlboro' Street.
Pianofortes and Harps, including decorated Pianos in styles
Louis XIV., Louis XV., Louis XVI., Sheraton, Adams, and Early
Gothic.
Murphy & Shields, 34 & 36, Gresham Street, E.C.
Hand-made Table Damask, Hemstitched and Embroidered Bed-
spreads, Duchess Covers, and Embroidered Tea Cloths, Sheets,
Pillow Cases, Handkerchiefs, etc.
Moss, Rimmington & Co., Limited, Portholme Mills, Selby.
Mustard in process.
Mustard Oil.
Baking Powder.
Twines.
Shoe Threads.
Lawrence & Mayo, 67 & 69, Chancery Lane, E.C.
Optical Goods and Scientific Instruments.
Burroughs & Watts, Ltd., Soho Square.
" Imperial " Billiard Table, symbolical of the British Empire
and her Colonies.
James Branch & Son, Ltd
Ladies' Boots and Shoes
Gent's „ ,,
Children's ,, ,,
, 19, Bethnal Green Road, E.
)
> "Bective."
... J
R. B. Clayton & Co., 88, Bishopsgate Street Within, E.C.
Byards Eucalyptus Citriodora, with the trees from which it is
distilled, Eucalyptus Macculata, Var Citriod from Queensland, also
Seeds, Oils, and other preparations connected therewith.
David Bryce & Son, Publishers, 133, West Campbell
Street, Glasgow.
Miniature Publications : The smallest books in the world — Bible,
Book of Common Prayer, Koran, Dictionaries, etc.. Books in Fancy
Bindings, Scotch Books in Tartan binding.
'96
Maynard & Co., Ltd., Stoke Newington.
Confectionery.
Gale & Polden, 2, Amen Corner
Publications.
The Cumberland Pencil Co., Keswick, Cumberland.
Black-lead Pencils and Penholders, and Fancy Cedar Goods;
Gilding Names of Visitors upon same while waiting.
C. B. N. Snewin «fe Sons, Ltd., Back Hill,
Hatton Garden, EC.
All Woods used by Builders, Cabinet Makers, Joinery Works,
Railway Carriage Manufacturers, Export Trade.
F. Hester, Canvey on-Sea, Essex.
Furnished " Canvey " Bungalow, Examples of Dutch Home
Industries.
P. Metz, 62, Coleman Street, E.C
Model of a Swedish Bungalow and Swedish Sofa.
The Peat Moss Litter Supply Company, Ltd.,
36, Mark Lane, E.C.
Moss Litter for bedding horses and cattle of all description ;
Moss Litter Dust for grips behind cows, dog kennels, poultry runs,
sanitary purposes, and for packing bulbs and fruit.
L. P. Bowler.
Agents : Alex. Miller Bros. & Co., Surrey House,
Victoria Embankment.
Bowler's Patent Alluvial Gold-Washing Machine, capable of
washing six tons per hour ; ^dwt. gold per ton, covers cost of working
estimated on price of coast labour. Portable on heads of carrier,
all bolted together, easily taken down or erected.
G. W. Riley, Villa Rustica, Heme Hill.
Rustic Summer Houses and other Pvustic Work ; Greenhouses and
Bicycle Sheds.
London, Brighton & South Coast and Western of France
Railways, London Bridge, S E.
Models and Illustrations of Steamboats used in the Cross-
Channel Service, via Newhaven and Dieppe.
The Cammeyer Music and Manufacturing Co.,
97a, Jermyn Street, W.
Banjos, Zither Banjos, Mandolines, Strings, and Music.
97
Mrs. Holmes, 45, Minford Gardens, W.
Toys and Japanese Goods.
Berthon Boat Co., Ltd., 50, Holborn Viaduct, E.G.
Works —Romsey, Hants.
Berthon Portable Boats and Canoes as approved by tlie Board of
Trade.
7 ft. Berthon Portable Fishing Boat.
8 ft. „ „ Yacht Dingliy
9 ft „ ,, Duplex Tent Boat.
10 ft. ,, „ Canoe.
Portable Hospital Hut.
„ Garden Tent.
The framework of the Barthon Boat is composed of the finest
Canadian Elm with a coverins: of canvas.
The action of expanding the boat fills the space between the outer
and inner coverings with air, rendering the same a perfect Life Boat.
One person can get the Berthon Boat ready for use in less than half
a minute.
Wardle & Davenport, Ltd., Leek, Staffs.
'' Peri-Lusta." Cotton threads dyed, and treated by Mercerisa-
tion, and afterwards by a patented process — also threads for hand
and machine sewing. "Esplen-D'or." An artificial silk of great
brilliancy. Well adapted for working with '' Peri-Lusta." Examples
of needlecraft done with the above.
Norman & Stacey, Ltd., Tottenham Court Road.
Antique English Furniture.
Model Room decorated in French style.
Anderson & McAulay, Ltd., Belfast.
Irish Table Damasks.
Household Linens.
Hand Embroidered Linen Tea Cloths, Bedspreads, Cushion Covers
etc.
Irish Linen Cambric Handkerchiefs (Plain and Fancy).
Irish Peasant Industries.
Blue Bell Polish Co., Ltd., Leman Street, Whitechapel.
Blue Bell Liquid Metal Polish.
Coronet Plate Powder.
Duffs Solid Carbolic Disinfectant.
Gordon & Dilworth, Tomato Catsup, Ltd., 36, York Road,
King's Cross.
Gordon & Dilw^orth's Tomato Catsup.
James Little & Co., Barrow in Furness.
Full Model of " Duchess of Devonshire."
G
98
%\et of Contributore to tbe jfrencb lUMUtav?
tableau.
Altairac, Algiers.
Clothing, Equipment, Harness, Military Boots.
Arthus-Bertrand and Beranger, 21, Rue Hautefeuille, Paris.
Gold and Silver Laces, Decorations, Flags.
Th. Borrel, 136, Rue St. Denis, Paris.
Military Laces, Embroideries, Epaulettes.
0. Calvet, 97, Rue du Cherche-Midi, Paris.
Military Clothing, small Equipment.
Alp. Camille, Jun., 24, Rue de Chateau Landon, Paris.
Military Saddleiy, Ellimac Saddle, Metallic Saddle for Moun-
tain and Ambulance Service.
L. Collin, 188, Rue d'Alesia, Paris.
Factories at Nantes and Rennes.
Clothing, large Equipment, and Military Boots.
E. Cauvin Yvose, 55, Rue de Lyon, Paris.
Waterproof Canvas, Blankets, Camping Tents, Pouches, Sand-
bags, etc.
A
1. Chautard, 28, Rue de Chateau Landon, Paris.
Small Equipment, Helmets (cork).
I. Cheseaud, 41, Rue des Ecluses St. Martin, Paris.
Leather, Military Saddlery.
P. Chollet, 51, Rue de la Glaciere, Paris.
Factories at Nantes and Clermont-Ferrand.
Clothing, large Equipment, and Boots.
Couesnon and Cie., 94, Rue d'Angouleme, Paris*
Musical Instruments.
Combes and Martin, 14, Rue Royal, Paris.
Military and Civil Tailors, Officer and Dignitaries' Uniforms.
Dagron and Cie., 74, Rue Amelot, Paris.
Marking Ink for Military Clothing.
Desfosses, Miston and Cie., 2, Rue de Chateaudun, Paris.
Branches at Bourges and Reims.
Clothing, Equipment, Firemen, Civil and Military Uniforms.
99
Froger and Gosselin, 8, Boulevard de Bonne Nouvelle, Paris.
Collective and Individual Wound-Binding Appliances, Health
Department, St. Remy (Calvados).
Hubert de Vautier et fils, 114, Rue de la Republique
Marseille ; 39, Chemin du Vivier, Lyon ; 2, Rue
Parrot, Paris.
Clothing, Equipment, Head-Dresses, Linen, and Boots, Civil
and Military Boots.
Journe Freres, 24 and 26, Rue de Sentier, Paris.
p Calicoes, Military Cloth. •
J. Layeillon, 81, Rue de I'Eglise, Paris.
Clothing," small Equipment, Collapsible Field Beds for Colonies.
H. Lefebvre, 10, Rue Erard, Paris.
Harness, Saddlery, Colonies and Hygienic Appliances, Saddles
and Wagons.
Levesque, 10, Rue du Sentier, Paris.
Cretonnes, Linen, Military Beds.
A
G. Lemaitre, 5 bis Rue du Louvre, Paris.
Decorations, Medals, French and Foreign Orders.
E. Marrot, 60, Rue St. Sabin, Paris.
Marking Inks for Military Linen, Stamps.
Peugeot Brothers, 22, Avenue de la Grande Armee, Paris.
Cycles, Motors, Sewing Machines, Tools. Makers of the Folding
Bicycle for the Army " Systeme Gerard" Valentigney (Doubs).
Teisserenc-Visseq Freres, 11, Rue d'Aboukir, Paris.
Factory at Lodeve.
Military Cloth and Blankets.
Societe' Industrielle de Creil, 29, Rue Baudin, Paris.
Army Bakery Appliances, Field Ovens, Sanitary Appliances.
Vaugeois et Binot, 15, Rue Etienne Marcel, Paris.
Factory, 9, Rue Mechain; Lyon Factory, 21, Rue Dubois.
Military Laces and Embroideries for Uniforms of all Countries.
100
3tiiperlal Court
1. Rosbach, 81, Commercial Road, Lambeth, S.E.
(Springs near Homburg).
Rosbach Sparkling Table Water.
2, 3, 4, 5. Salviati Jesurum & Co., Ltd., Regent
House, Regent Street, W.
Carved Wood Furniture, Venetian Glass, Statuary.
6, 7. Louis Wiener, la, Fore Street, E.C.
Terra Cotta, Bronzes, China Ware, and Art Metal Ware.
8. Bewlay and Co., Ltd., 49, Strand, W.C.
Flor de Dindigul Cigars, Cigarettes, Pipes.
9. M. Traissard, 77, Petits Champs, Paris.
French Jewellery.
10. M. C. Soulal, 49, Lillie Road, S W.
Jewellery.
1 1 . Mrs. McRae, 2, Harwood Mansions, Walham Green, S. W»
French Jewellery.
12. J. W. Halberin, 4, Aniey Road, Shepherd's Bush, W.
Optical Goods.
13. E. Lermy.
Optical Goods.
14. M. Poindsignon, 111, Rue Turenne, Paris.
French Jewellery.
15. Rock Bros., 29, Perham Road, West Kensington.
Jewellery.
16. 17. KanjimuU, Bhugwandas and Co.,
29, Aldermanbury, EC.
Indian, Japan, China, Persian ^rt Wares and Curios ; Continental
Jewellery.
18. Edmond Vagnier, 16, Quay Jemmappes, Paris.
Jewellery.
19. Gale and Polden, 2, Amen Corner, E.C.
" Paris in London " Publications.
20. Maynards, Limited, la. High Street, Stoke
Newington, N.
Conleutionery.
101
21, 22. Cursetji and Oooverji, 14, Park Mansions Arcade,
Brompton Road, S.W.
Indian Goods.
23. Oakes and Co., Ltd., Madras.
Sole Agents : Oakes Bros, and Co., 46, New Broad
Street, E.C.
Indian Cigars, Cigarettes, Pipea
24, 25. Wallace Jones, 2, Addison Court Gardens,
Kensington.
Chinese and Japanese Goods Limoges China, Articles de
Fantasie, Pictures, " Lemaire " Opera Glasses.
26. Z. Tahan, 3, Castletown Road, West Kensington.
• Indian Goods, Jewellery.
27. Alex. Amidei, 22, Fenchurch Street, E.C.
Fine Art Works, Marble, Bronze, and Onyx.
28. Salas and Co., 141, Newington Causeway, SE.
^ Mosaic, Jewelleries, Coronation Commemorating Emblems.
29. Bhootwalla and Co., 1, Buckingham Street, W.C.
P Indian Goods.
30 St- Sofie Museum Proprietors, Maymom Brothers,
8a, Aldgate Avenue.
Turkish Embroideries, Carpets, Rugs, Furniture, Jewellery.
31. Eugene de Grave, 151, Boulevard von Iseghem, Ostend.
Brussels Lace, Royal Rosa Point, Duchess Point de Flandre and
Venetian Laces.
32, 33, 34. Edw. Bingham, 101 and 105, Fulham Road, S.W.
Louis XV. Marble Chimney Pieces, Louis XV. Grates, Louis
XV. Tiles, Marble Dado and Wall Linings, Kitchen Ranges and
Grates in action.
35. Antonio Montini, 3, Via Ferdinando Galiani, Naples.
Coral, Shell, Shell Cameos, Silver Filigree, Lava, Tortoiseshell,
Mosaics and Turquoise Ornaments.
36. G. Garofalo, 13, Tamworth Street, Fulham. '
Turkish Embroidery.
37. R. B. May, 200, Piccadilly.
Tea.
102
38,39,40. The Shannon, Ltd., Ropemaker Street, E.G.
Office and Library Furniture and Fittinos.
Office Labour Saving Devices.
41. Gale and Polden, 2, Amen Corner, E.G.
Publications.
42. John Gosnell and Go., Ltd., 215, Blackfriars Road.
Established 1760.
Manufacturing Perfumers and Fine Soap Makers. Specialities :
" Cherry Blossom " and " Famora." Perfumers by special appoint-
ment to H.M. Queen Alexandra.
Mc9tcrn Brcabe.
1. H. B. S. Polish Go., Ltd., 324, Regent Street, W,
The New Unrivalled only combined Polish for cleaning and
polishing Everything (Brass, Furniture, Silver, and Plated Goods,
Bicycles, etc.). Sold by all leading stores.
2, 3. Nugget Polish Co., Ltd., Vauxhall Street,
Kennington Oval
The " Nugget " Waterproof Polishes for Boots and Shoes, etc.
4. E. T. Heron and Go., 9, Tottenham Street,
Tottenham Court Road.
Coronation Gilt and Plated Mementoes, Aluminum Note Books,
Card Cases, Match Boxes, Serviette Rings, Leather and Celluloid
Card Cases.
5. The "Quick Cure" Co., "Louene" Go., and "Hermes"
Auto-pressure Filtre Go.
" Tonice " — the one-minute cure for Toothache ; " Louene " — the
nerve Sedative for Insomnia ; " Jvara-Hari " and " Omum-Carpoor "
— the great Indian Remedies Rheumatic Cure ; " Hermes' Auto-
pressure Filtre " for filtration of Medicinal and other preparations.
6. A. W. Tyrrell, trading as The Gresham Supply,
36, Barrington Road, S.W.
High-class, Artistic, and Unique Productions in Silver and
Electro Ware ; Fine Leather, Sheffield Cutlery, Watches, Jewellery,
etc.
7. A. Lecorgne, 69, Gurzon Street, Mayfair.
Bijouterie and Oriental Fancy Articlea.
103
8. The World's Manufacturing Co., 66 and 68, Victoria
Street, Westminster, S.W.
The World's Knife Clc;iiiing Machine, Gold Medal 1901.
The AVorld's Knife Tolish.
Tlie World's Trouser Presser and Slretchcr
The World's Oil Cooking Stove.
9. H. S. Plimsaul, 59, Judd Street, W.C
American Jewellery.
10. Nelson and Co., Ltd., Mansion House Cliambers,
and Louth, Lincolnshire.
Nelson's Pension Tea.
11 J. S. Barwick and Co., Ltd., 6, Strand-on-Green,
Chiswick, W.
Insti as and Elec'i co Ware.
12. Charles Fainlight, 143, Amherst Road, Hackney, NE.
Electric Engraving and Artistic Jewellery made of Rolled Gold.
13. Joseph Pickering, Woodside, Upper Norwood, S.E.
Model Electro-plating Works ; Free Demonstrations given
during the day. Price lists for all kinds of plating on application.
14. The "MP." Pipe, Ltd., 29, Ludgate Hill.
The '• M.P." Split Stem Pipe.
15. M. 0. Soulal, 49, Lillie Road, S.W.
Jewellery.
16. Charles Franklin, 437, Strand, W.C.
Rubber Stamp Manufacturing, Metal Monograms and Printing.
k
17. Mark Joseph, 371, Battersea Park Road^ S.W.
Gold Wire Jewellery.
18. Alexander and Co., 13, Whittingstall Road,
Fulham, S.W.
Ophthalmic Opticians.
19. W. Clarkson, 44 and 45, Wellington Street, Strand.
Theatrical Making-Up Materials, Powders, Perfumes, Soaps, AVigs
Hair, Lillie Powder.
104
20. Primox, Ltd., 53, New Broad Street, S.E.
" Primox," a concentrated Essence of the Finest Beef and Fresh
Vegetables.
" Primox " Lozenges and Soup Squares.
Fhiid Beef Vegetable Essence.
21. Ed. Hesse, 8, Dartmouth Street, Queen Anne's Gate.
Sheet Music.
22. Alfred Tilling, 42, Hampstead Road.
Toys.
23. Hyam Marks, 3, Loris Road, W. Kensington Park.
Embroidery, Lace, and Handkerchiefs.
24. John Rose, 34, Booth Street East, Oxford Street,
Manchester.
Electro Engraving and Electro-plated Articles.
25. Tom Riley, 24, Archel Road, W. Kensington.
TattooiDg.
26. 27. Mark Joseph, 371, Battersea Park Road, S.W.
Fancy Jewellery and Perfumery.
28. Annie L Oppenheim, 73, St. George's Square.
Scientific Character-reading and sale of Books on Phreno-
Physiognomy.
29. Litsica Marx and Co., 174, High Holborn.
Cigarettes, Cigars, and Smokers' Requisites.
30. Sandow's Own Combined Developer Co., Basing
House, 17 and 18, Basinghall Street.
Physical Exercisers, etc.
31. Madame de Para, The Rosary, Priory Road,
Bedford Park.
Character-reading by Scientific Palmistry.
32. Gold and Co., 32, Delamere Crescent, Paddington.
Watches of Gold, Silver, and Metal ; Jewellery of all kinds ;
Electro Plate; Aluminium Thimbles.
33. The Ozoneet Co., 18, Ironmonger Lane, E C
" Ozoneet," a composition which removes all signs of fray or wear
at the edges of linen and cotton goods ; ef^pecially useful for cuffs and
collars.
34. Coralie and Co., Great Central Hotel, Marylebone.
Millinery and Accessories.
105
35. Araso, Ltd., 7, Little Britain, E.G.
Sunsli;i(les and Umbrellas with detachable and interchangeable
covers.
36. A. Addison, 28, Russell Street, Brixton.
Jewellery and Fancy Goods.
37. 38. J. Lief, 321. Mile End Road.
(37) Gyroscope and Mechanical Toys.
(38) " Daisy " Embroidery Needle.
39. George Purser, 316, North End Road.
Jewellery.
40. United Agencies Association, 17, Hatton Garden, E.G.
Burglar Alarm ; Metal or Wood Shields Japanned or Painted,
or Painted with Monograms, Arms, Ciphers, etc. ; Medah and
Buttons for Coronation Devices, and Lamps for Illuminations; Self-
opening Pocket Knives.
41. A. Hesse, 8, Dartmouth Street, Queen Anne's Gate.
Rolled Gold and Fancy Jewellery.
42. The British Iron Milk Syndicate, Ltd.,
115, Strand, W,G.
Dolle's Aromatic Iron Milk.
43. 44, Dawson Halliwell and Go., 60, Moseley Street,
Manchester.
"Excelda" Handkerchiefs. A new fabric: the silky appear-
ance retained after^washing. Supplied to wholesale trade only.
45. Theo. Frackai, 87, Leidschekade, Amsterdam.
Portraits in Chalk and Crayon.
46. Miss M. Hart. 21, Gircular Road, New Kent Road.
Jewellery and Fancy Goods.
47. B. Dolling & Go., 7, Earl's Gourt Road, Kensington, W.
Minton, Worcester, Copelands, Coalport Doulton Ware, Engli^sh
and Foreign Cut and Engraved Glass.
48. Arthur S. Davis, The Studio, Tube Buildings,
Newgate Street,
Portrait Enlargements and Miniature Paintings.
49. Miss Maud Harvey, 11, Aldebert Terrace,
Albert Square, S.W.
Leather Goods, Photo Frames, and Fancy Articles.
106
50, 51. The Erasmic Co., Ltd., Bank Quay, Warrington.
Toilet Soaps and Perfumes.
52. Mrs. R. Holmes, 45, Minford Gardens, West Kensing-
ton Park.
Toys, Jewellery, and Fancy Goods.
53. The Webb Lamp Co., Ltd., 11, Poultry, E.C
" Anti-splash " Filter and Splash Preventor.
54. A. McRae, 2, Harwood Mansions, Walham Green.
Jewellery.
55. John T. Hawthorne^ 3, Archel Road, Earl's Court.
Phrenology.
56. Maurice Eskenazi, 14, St. Oswald's Road.
Jewellery and Turkish Embroidery.
B. Waterfield, Clifford and Co., Ltd., 40, Hatton
Garden, E.G.
Phonographs and Accessories.
A. H. Foster, d' Arbour, 19, Hanley Road, Hornsey Rise, N.
Automatic Electric Rifle Range.
pictiuc6ciuc pail0*
S. B. Saunders and Co., Bush Lane House, Cannon
Street, E.C.
Automatic Restaurant.
Ahmed Djamal, 11, Souk El Attariore, Tunis.
Tunisian (jloods, Carpets, Rugs, Embroideries.
P M. Magdoom Bros., 9, Colonial Avenue, Minories, E.G.
" Flor de Akberg " Cigars, Royal Roumanian Monopoly,
Cigarettes, and Smokers' Requisites.
The Electrophone.
R. Krishna, 3, Castletown Road, W. Kensington.
Oriental Goods.
107
Mahomet Soussopoff and J. Muskiewicz and Cie.,
Caucasus.
Examples of Caucasian Industries.
Clement J. Cohen, 35, Rue Nationale, Lille, Nord.
Fancy Jewellery and Leather Goods (Articles de Paris).
The Ambulance Department of the Order of St. John of
Jerusalem, St. John's Gate, Clerkenwell.
Complete Equipment for the relief of sick and wounded. A
First Aid Ambulance Station in active operation, with trained St.
John's Nurses and Medical Officers in attendance, where cases of
accidents receive attention.
The Parisian Millinery and Fur Co. (Manageress,
Mme. F. Stern), 9, Colonial Avenue, Minories, E.C.
Assortment of choicest Millinery — Ruffles a Speciality.
Spiers and Pond, Ltd., Bridge Street, Blackfriars
/ Tea House and Caf6.
Madame Lefevre, 57, St. Oswald's Road.
Embroidery.
Madame Campbell, 118, New Bond Street.
Character Reading by an Indian Lady.
London and Provincial Dairy Company, Ltd., West
Halkin Street, Belgrave Square, S.W.
A representative " Working Dairy," fully equipped with modern
machinery, appliances and utensils for practically demonstrating the
manufacture of butter, cream, cheese, etc.
Meetern (Barbcne^
Marcovitch & Co., 11, Air Street, Regent Street.
Cigarettes.
108
CIK Old Ulclcome Club.
i
TVrOW in the Seventh year of its existence, is open daily at noon
for the use of Members, in May, August, and September,
until 10.45 P-ni., and in July and August until 11.15 p.m., during the
season of the Exhibition.
It is under the Presidency of
Field-Marshal EARL ROBERTS, V.C,
who is supported by the following influential Committee : —
PAUL CREMIEU-JAVAL, 'Esq., J.r., Chairman.
Thk earl of WARWICK AND BROOKE.
The lord BURTON.
The Right Hon. SIR EDWARD CARSON,
K.C., M.P.
TheRightHon.W. G.ELLISON-MACARTNEY,
M P.
Captain the Hon. ALWYN H. FCLKE-
GREVILLB.
The Hon. W. F. B. MASSBY MAINWARING,
LL.B., MP.
SIR EDWARD LAWSON, Bart.
SIR JOHN BLUNDELL MAPLE, Bart., M.P.
SIR WILLIAM ROBINSON, G.C.M.G.
Major-General SIR OWEN TUDOR BURNE,
C C T F
SIR EYRE MASSEY SHAW, K.C.B.
SIR HENRY BERGNE, K.C.M.G.
SIR THOMAS SUTHERLAND, G.C.M.G., LL.D.
SIR CHARLES MALCOLM KENNEDY,
K.C.M.G., C.B.
SIR GEORGE C. M. BIRDWOOD, K.C.I.E.,
as. I., M.D., LL.D.
SIR EDWIN ARNOLD, K.C.I.E., C.S.L,
F.R.G.S., F.R.A.S.
SIR MANJHERGEE M. BHOWANAGGREE,
K.C.LE., M.P.
SIR ALLEN YOUNG, C.B.
SIR ARTHUR J. R. TRENDELL, C.M.G.
SIR JOHN FURLEY.
R. D. AWDRY, Esq, C.B.
WALTER H. HARRIS, Esq., C.M.G.
Colonel R. PARRY NISBET, CLE.
C. rURDON CLARKE, Esq., CLE., F.S.A.
Vice-admiral ALBERT HA.STINGS
MARKHAM, F.R.G.S.
Colonel F. H. RICH, R.E.
Colonel ROBERT W. EDIS, V.D., F.S.A.
Major L. H. ISAACS.
His Honour JUDGE PHILBRICK, K.C
DOUGLAS G. H. GORDON, Esq., J.P.
FRANK TRAVER8 BIRDWOOD, Esq,
SAMUEL DIGBY, Esq.
Du. J. IRVINE MENZIES.
JAMES N. PAXMAN, Esq.
LMRE KIRALFY, Esq.
J. M. FRESHWATER, Esq.
HAROLD HARTLEY, Esq.
HERMAN HART, Esq.
Major G. B. W. MALET, Secretaiy.
Membership is eagerly sought for, as the popular a I fresco Club
Lunch or Dinner, the Comfortable Chair^^ on the Lawn where the
Music in the Western Gardens Band Stand can be enjoyed without
tlie crush inseparable from a crowd, and the right of admitting a
limited number of Ladies and Gentlemen, are much appreciated by
those who secure election.
«
The rules for admission to the Club are similar to those of the
leading West End Clubs.
All particulars can be obtained on application to the Secretary.
109
REFRESHMENT DEPARTMENT
. CONDUCTED BY . .
SPIERS & POND, Ltd., Refreshment Contractors.
The Refreshment Department has again been entrusted to the well-
known caterers, Messrs. Spiers and Pond, who have made arrange-
ments to cater on the largest scale for every class of the community.
It may be interesting to remember that this firm has now been before
the public for over thirty years, during which time they have under-
taken the catering for a very large proportion of the important
Exhibitions which have from time to time been held in the metropolis
of the Empiie. They were the first representatives of English
catering who ventured abroad, having had an important restaurant
and buffet at the Paris Exhibition of 1867. They were the official
caterers at a series of Exhibitions held at South Kensington in 1871
and the following years. They were appointed to cater for the Inven-
tions Exhibition at South Kensington in 1885 ; for the Indian and
Colonial Exhibition in 1886 ; and during the last few years they have
catered at Earl's Court for the
Empire of India Exhibition, 1895,
Empire of India and Ceylon Exhibition, 1896,
Victorian Era Exhibition, 1897,
Universal Exhibition, 1898,
Greater Britain Exhibition, 1899,
Woman's Exhibition, 1900.
Military Exhibition, 1901.
It is instructive to bear in mind that at the earlier dates above
mentioned the catering for an Exhibition was on singularly different
lines from what it is at present. There was no provision for a set
meal, and very little beyond the ordinary bun and sandwich could
be obtained in such places. Now that the enterprise of the London
110
Exhibitions, Limited, has made al fresco dining one of the common-
places of life during the London summer season, the caterers have
risen to the needs of the newer fashion, and dining of every descrip-
tion, from the cheapest to the most elaborate, is in vogue amongst all
classes.
A short description of the various restaurants may now be
attempted.
In the QUEEN'S COURT will be found the
GRILL ROOM,
where every variety of grill, and hot and cold joints, are provided for
luncheon, dinner, and supper, at the ordinary prices of a modern
restaurant, with a large selection of all kinds of other comestibles, as
well as wines, spirits, liqueurs, and cigars. This room is situated at
one corner of the Great Lake, and opposite the Band Stand, where
music is played daily during the dinner hours.
At the opposite corner of the Lake is the
QUEEN'S RESTAURANT,
where luncheon at 2s. is served from 12 to 3 o'clock, a liberal after-
noon tea at Is., and from 6 o'clock to 9.30 a 3s. 6d. dinner, consisting
of hors d'u3uvre, soup, fish, entree, joint, roast, ice, cheese and dessert.
This Restaurant also is near the Band Stand, and the band plays
during the dinner hour.
In addition there are, on the Queen's Court side, ample buffets for
light refreshments.
In the WESTERN GARDENS is the
QUADRANT RESTAURANT,
which last year was entirely rebuilt, exquisitely decorated in Louis
XV. fashion, and carpeted and furnished with the utmost taste ai.l
luxury. French windows open on to a fine terrace, looking out
directly upon the Western Gardens, and in full view of the Music
Pavilion. The cuisine is faultless, and a dinner vying with the best
in London, and surrounded with unrivalled features of attraction, is
served. That the public fully appreciate the perfection to which this
department has been brought is evidenced by the fact that, in order
to avoid disappointment, it is advisable to secure tables in advance by
Ill
letter, telephone, or telegraph direct to the caterers. T^.ic table
d'hote luncheon is served from 12 to 3 o'clock at 3s. 6d., and a dinner
from 6 to 9.30 at 7s. 6d.
In the Western Gardens there is also the
CHOP HOUSE,
where a la carte luncheon is served from 12 to 3 o'clock, a shilling
afternoon tea from 3.30 to 5.30, and a 2s. 6d. dinner or supper from 6
to 10.30.
The Western Gardens also contain a
LAGER BEER HALL,
wherein Lager beer is served in the perfection of condition, together
with a number of light and dainty English and Teutonic dishes, from
opening until closing time. An orchestra serves to increase the
popularity of this department.
In THE RUE DE PARIS, at the north end of the grounds, is to
be found the
CANTEEN,
where a specially cheap tariff, to meet excursionists, is always in
vogue. In this department a plate of cold meat is charged 6d., bread
and cheese 2d., milk Id., tea 2d., coffee 2d., mineral waters 2d., and all
excisable liquors at public house prices. In this department also
excursion parties can be accommodated, and special quotations for
them will be made on application to the Refreshment Contractors.
In that part of the Exhibition grounds which is known as
PICTURESQUE PARIS, an entirely new
TEA PAVILION
has been constructed for the service of tea, coffee, and light refresh-
ments at the usual prices, whilst not far from the Great Wheel a
MODEL DAIRY
has been erected by the London and Provincial Dairy Company,
where also milk, ices, and other light refreshments are served daily.
In addition to all the above, there are numerous bars and buffets in
the grounds and buildings, where tea, coffee, temperance beverages,
alcoholic liquors, light refreshments, cigars, and cigarettes can be
obtained »^ the usuaJ ^ates.
112
(<
PARI5 IN LONDON"
Refresbtitem « nrrdngettiems.
SPIERS & POND, LTD., GONTRACTOR8.
Quadrant Dining Roonn, Western Gardens.— Luncheon,
12 to 3 o'clock, 3s. 6d. ; Dinner, 6 to 9.30, 7s. 6d.
Chop House, Western Gardens.— i la carte Luncheon, 12 to 3
o'clock ; Is. Afternoon Tea, 3.30 to 5.30 ; 2s. 6d. Dinner or
Supper, 6 to 10.30.
Lager Beer Hall, Western Gardens.— English and German
Dishes and Light Refreshments ; Lager Beers.
Grill Roonn, Queen's Court. — Luncheons, Dinners, and Suppers
at ordinary grill-room prices, noon till 11 p.m.
Queen's Restaurant, Queen's Court.— 28. Luncheon, 12 to 3
o'clock ; Is. Afternoon Tea ; 3s. 6d. Dinner, 6 to 9.30, consisting
of soup, fish, entree, joint, vegetables, roast, ice, cheese and
dessert.
Canteen in Rue de Paris. — Plate of Cold Meat, 6d. ; Bread and
Cheese, 2d. ; Milk, Id. ; Tea, 2d. ; Cofifee, 2d. ; Mineral Waters,
2d. Liquors at public-house prices. Special quotations for
Excursion Parties on application to the Refreshment Contractors.
Tea Pavilion, Picturesque Paris.— Tea, Coffee and Light
Refreshments at usual prices.
Special Tariff for Excursion Parties, large or small, by
pre-arrangement with the Caterers.
:%•«
113
EARL'S COURT.
OMNIBUS ROUTES.
LONDON GENERAL OMNIBUS COMl'ANY, LIMITED.
T^e following services of Omntbuses pass the Earl's Court Exhibition, vtx.
ROUTE COLOUR
Fulbam (Prince BLUE, " Favonr-
of AVales) ite " on panel,
and
Nag's Head,
Holloway.
West Kensington
(Clarence)
and
Liverpool St.
Walham Green
and
Shepherd's Bush.
WHITE,
red panel
GREEN
RUN VIA :
Lillie Rd., Brompton Rd., South Ken-
sington Station, Sloane St., Piccadilly,
Piccadilly Circus, Regent St., Oxford
Circus. Portland Rd., Euston Rd.,
King's Cross and Euston Stations,
Caledonian Rd.
Walham Green, Chelsea, Victoria,
Westminster Bridge and Charing
Cross Stations, Strand, Bank, Liver-
pool St.
Walham Green, North End Rd., West
Kensington Station, Addison Rd.
Station, Shepherd's Bush iStation.
WEST KENSINGTON AND SHOREDITCH.
Colour: BROWN (Red side panels). Route " L."
V'id North End Road, Lillie Road, Richmond Road, Old Brompton Road,
South Kensington Station, Brompton Koad, Knightsbridge. Hyde Park
Corner, Piccadilly, Piccadilly Circus, Regent Street, Waterloo Place, Charing
Cross, Strand, Fleet Street, Ludgate Circus, Ludgate Hill, St. Pauls
Chuicb3'ard, C!annon Street, Queen Victoria Street, Bank, Threadneedle
Street, Bishopsgate Street, to Shoreditch. Heturn c\d Liverpool Street and
Broad Street to Bank.
ROUTE
West Brompton
aud
Mile End.
Putney
and
Brondesbury.
West Harapstead,
or
Finchley Rd.,
and Fulbam Rd.
Kensington
and
Islmgton.
COLOUR
RUN VIA
LIGHT GREEN, Old Brompton Rd., South Kensington
white panel ... Station, Sloane St., Piccadilly,
Shaftesbury Avenue. Holborn, Bank,
CornhiU, Leadenhall St., Aldgate,
AVhitechapel, Burdett Road.
BLUE, red panel Fulbam, Walham Green, Lillie Rd.,
Earl's Court Rd., Kensington
Church, Church St., Notting Hill
Gate, Westbourne Grove, Richmonr]
Rd., Harrow Rd , West Kilburn,
High Road, Kilburn.
BLUE Earl's Court Road and Court as above,
to Kilburn High Rd., thence via
Quex Rd. and West End Lane, to
West Hampstead and Kilburn Priory
and Canfield Gardens to Finchley Rd.
WHITE Earl's Court Rd. and Court as above,
to Westbourne Grove, thence via
Paddington, Praed St., Edgware Rd.,
Mar^lebone Rd., Euston Rd.,
Pentonville, passing the G.W., G.C.,
L. & N.W., Mid., and G.N. Radway
Stat-ious.
114
THE LONDON ROAD CAR COMPANY, LIMITED.
This Company has Four Routes of Omnihuses which immediately pass the
entrances to the Earl's Court Exhibition premises. 'Ihe particulars
of same are as folloios : —
ROUTE
West Kensington
and
Shoreditch.
Route Letter "L;
COLOUR
RED, side panels.
RUN VIA :
North End Rd., Lillie Rd., Richmond
Rd., Old Brompton Rd., South Ken-
sington Station, Brompton Rd.,
Knightsbridge, Hyde Park Corner,
Piccadilly, Piccadilly Circus, Regent
St., Waterloo Place, Charing Cross,
Strand, Fleet St., Ludgate Circus,
Ludgate Hill, St. Paul's Churchyard,
Cannon St., Queen Victoria St., Bank,
Threadneedle St., Bishopsgate St. to
Shoreditch. Return via Liverpool
St. and Broad St. to Bank.
Service every Nine Minutes.
West Kensington
and
London Bridge.
Route Letter ' B."
BROWN,
Blue side panel.
Fulham Palace Rd.
and
Oxford Circus.
Route Letter " K."
Cedars' Hotel, North End Rd., Lillie
Rd., Richmond Rd., Old Brompton
Rd., South Kensingtoii Station,
Brompton Rd., Knightsbridge,
Albert Gate, Hyde Park Corner,
Piccadilly, Piccadilly Circus,Shaf tes-
bury Avenue, Charing Cro.ss Rd ,
New Oxford St., Holborn, Holborn
Viaduct, Newgate St., General Post
Office, Cheapside, Bank, King
William St., Monument, over Lon-
don Bridge to Railway Station Yard.
Service every Nine Minutes.
BROWN "The Greyhound," Fulham Palace Rd..
Lillie Rd., Richmond Rd., Old
Brompton : Rd., South Kensington
Station, Brompton Rd., Knights-
bridge, Albert Gate, Hyde Park
Corner, Piccadilly, Piccadilly Circus,
Regent Street to Oxford Circus.
Service every Eight Minutes.
Putney
and
Prondesbury.
Route Letter " Q."
ORANGE
Putney Station, Putney High St.,
Putney Bridge, Fulham High St.,
Fulham Rd., North End Rd., Lillie
Rd., Earl's Court Rd., Kensington
High St., Church St., Silver St.,
Notting Hill Gate, Pem bridge Villas,
Richmond Rd., Great Western Rd.,
Walterton Rd., Cambridge Rd.,
High Rd. Kilburn, to Brondesbury.
Service every Six Minutes..
BROOKE'S
nSKEY BRAND MQKKEY BRAND monkey brand
OP Paintwork. SOAP For Bicycles and Tricycles.
Should be your constant companion ^^^ Kitchen Tables and Floort
in all your work. r ■ i i ^ n:i i»*w-
»^ For Linoleum and Oilolothi.
THE WORLDS POLISHER AND a q*.ku ri«i«*.
Ftr Harneu & Stable FIctlngt
or Steel and Iron,
or Copper and Brau.
tr Tinware.
•r Earthenware.
LABOUR 8AVIR. _. ^ .^ .^
WON'T WASH OLOTHM. For t Thousand Hou"hold !*•••
LEVIII ■ROTHERt, LIMITED. PORT SUNLiaHT. OHEfHIRE.
116
CAB DISTANCES FROM WARWICK ROAD ENTRANCE.
Measured by Authority of the Commissioner of Police of the Metropolis.
WARWICK ROAD, TREBOVIR ROAD, EARL'S COURT, to or from:
MILES.
4
5
1
2
2
3
2
2
Albert Rd. , Regent's Pk. Avenue RU.
Bank of England Thread-needle Street
Battersea Bridge Beaujort St., Chelsea
Battersea Pk. Chelsea Suspension Bridge
Bayswater Road Porchester Terrace
Bedford Square Bloomsbury
Belgrave Square
Berkeley Square
Boltons, The (N. W Corner) W. Br ompton ■
Bryanston Square Ma-rylebone
Cambridge Cir. (centre) Charing Cross Rd.
Campdeu Ilill Road
Upper Phillimore Gardens
Campden Hill Sq. Holland Park Aven.
Castelnau, Barnes, Loubdale Road
Within Iladius 1 m. 276 yds. \
Beyond Radius, — m.l611 yds. /
Cavendish Square Maryiehone
Charing Cross King Charles Statue
Chester Squure i^t. Michael's Church
Clapham High Street, " The Plouoh "
Clapham Common
Dorset Square
Downing Street
Earl's Court Road
Eaton Square
Brooniicood Road
... Marylebone
Trea-yury Pa-sage
Cronacell Road
St. Peter's ( hurch
Eccleston Square (S.W. Corner) Pimlico
Edgware i;oad Maryiehone Road
Fleet Street ..Fetter Lane
Fulham Road
W. London Cemetery, Brompton
Fulham High Street, Fulliam Road
Within Radius, 1 m. 714 yds. /
Beyond Radius,— m. GSi^yds. \
Fulham Palace Road, Lillie Road
Within Radius, 1 m. 84 yds\
Beyond Radius, — m. 608 yds/
Gloucester Road Queen's Gate Terrace
Piuld.ington
St. James's
Chapel Street
Mayjair
Llsson Orove
London Bridge
Long Acre
Ludgate Circus
Manchester Sqxiare
Marble Arch...
Marylebone Road
Oxford Street
Oxford Street
... Maryhbone
...Ox/onl Street
Albany Street
Regent Circus
New Bond Street
3
3
5
3
4
3
2
4
3
3
YDS.
398
568
664
1094
165
1643
241
1714
1078
257
871
111
1095
127
1051
968
511
1673
928
803
1170
60S
619
1007
1683
636
1312
1 1403
692
1695
997
463
633
1736
Gloucester Square
Golden Square
Grosvenor Place
Grosvenor Square
Giove End Road
Circus Road, St. John's Wood 3 1233
Hamilton Terrace
Aberconi Place, St. John's Wood 3 1300
Hammersniith Road Brook Green 1 65
Harley St. Levonkhire S'., Maryltbone 3 147*i
High Holbom Southampton Strett 3 1684
Houtes of Parliament
Centre of Palace Yard
Marylebone Road
Adelaiile Plcu:e, City
... St. Martin's Lane
City
930
366
859
881
1010
64S
1715
1.9
816
701
Paddington Green (S.
Pall MaU
Park Lane
Piccadilly
Piccadilly Circus
Portland Place
Post Office (Gen.) St.
MILES. YDS.
Side) The Church 2 1752
... War Office 3 362
Grosvenor Gate 2 1561
Half Moo-a Street 2 1113
Regent Street 3 V35
Weymouth Street 3 1545
Martin's le Grand 5 3
RAILWAY STATIONS.
Addison Road West London Extension
Cannon Street ... South Eastern
Charing Cross .. South Eastern
Clapham Jun. (L.B. & S.C.)
Prested Road Cab Stand
Clapham Jun. (L. & S. W.) Cab Stayid
Euston
Fenchurch Street
King's Ci-OBS ...
Liverpool Street
London Bridge
Mansion House
Marylebone ...
Moorgate Street
Paddington . . .
St. Pancras ...
St. Paul's
Vauxhall
North Western
Black wall
Great Northern
Great Eastern
London dc Brighton
Mttrujiolitan District
Great Centred
Metropolitan
Great Wester^i
Midland
... Chatham <t Dover
South Western
Victoria (Centre of Frontage) ...
Waterloo (L. & S. W.) Main Line Depart.
Westboume t ark ... Great Western
Red Lion Sq. (St. John's Ch). Holbom
Regent's Park
CuinJberland Terrace {Centre of)
Regent's Park ... Hanover Gate
Regent Street Langharn PL The Church
Russell Square ... ... Bloomsbury
St. (George's Square Lupus St., Pimlico
St. James's Sq. York St., St. James's
St. Paul's Churchyard Ludgate Hill
Shaftesbuiy Av. Bro(ul St., Bloorn-<bury
Shepheid's Bush Green (East End o^
Sloane Square (S.E. Corner)
Royal Court Theatre"!
Railwaj' Stjition /
Sloane Street Pont Street
Soho Square (S.W. Coiiicr) Frith Street
Stnvnd Late Courts
Tavistock Square St. Pancras
THEATRES. PLACES OF AMUSE-
MENT, ETC.
—
1459
5
462
3
1184
2
1757
3
247
4
1 60
5
1335
5
190
5
1370
5
675
5
109
3
022
5
886
2
1280
4
1700
4
1199
3
1150
2
1203
4
419
2
('26
4
193
4
io;o
4
2
3
1150
4
413
3
72
3
234
4
1346
3
1209
1
767
1
1090
1
1528
3
1014
4
356
4
933
Adelphi Theatre
Albert HaU
Alhambra
Drury Lane Theatre.
Haymarket Theatre
Strand
Kensington Road
Leicester Square
Catherine Street
1256
766
697
1489
587
N.B. — The Distances are measured from the centre of Warwick Road, opposite the centre of
Trebovir Road, to the centre of Roads, Entrance Gates of HospiUals and Cemeteries, Booking Offices of
Railway Stations, the N.W. Corners of Squares, unless otherwise stated, and across Hyde Park when
that route shortens the distance.
MkTROPOLITAK POLICE OfFICB,
nth April, 1900.
One Mile is 1,760 yards. E. R. C. BRADFORD,
The Commissioner of Police of the Metropolis.
117
CAB DISTANCES FROM WEST BROMPTON ENTRANCE.
Measured by Authority of the Commissioner of Police of the Metropolis.
WEST BROMPTON STATION, RICHMOND ROAD, to or from
Albei-t Rd., Regent's Pk. Avenue Rd.
Bank of England Threadneedle Street
Battersea St. Mary's Church, Ch. Rd.
Battevsea Bridge Beaufort St., Chelsea
Bedford Square Bloonisbury
Bolgrave Square
Berkeley Square
Bloomsbury Square
Boltons, The (N. W. Corner) ]V.BromjHon -
Bryanston Square MaryM)one
Buckingham Palace Rd. Ebury BrkUje
Cambridge Cir. (centre) Oiaring Cr. Rd.
Campden Hill Square Holland Pk. Aven.
Cavendish Square Marylebone
Cliaring Cross .. King Charles Statue
Chester Square The Church
Clap'm Com. (S.E. Cor. Balham Hill Rd.
Doroct Square Mai-ylebone
Downing Street ... Treo,sury Fassaqe
Earl's Court Road ... Cromwell Road -
Eaton Square The Church
Eccleston Square (S.W. Corner) Pimlico
Edgware Road ... Marylebone Road
Elgin Avenue ... Skirland. Road
Fleet Sti-eet ... Fetter Lane
Fulham Kd. W. Lon. Cemetery, Bromj)ton ■
Gloucester Road Queen's Gate Terrace
Gloucester Square ... Fiuldington
Golden Square St. James's
Grosvenor Place Chapel Street
Grosvenor Square May fair
Grove End Rd. Circus Rd., St. John's Wd.
Hamilton Terrace
Abercorn Place, St. John's Wood
Hammersmith Broadway
Within Radius, 1 m. 6011 yds. \
Beyond Radius, — m. 498 yds. /
Hanover Square
Harley Street Devonshire St., Marylebone
Harrow Road ... Elgin Avenue
High Holborn Southampton Street
Houses of Parliament Cen. of Palace Yd.
l^ensingtou High Street Church Street
<ing's Road, Chelsea Sydney Street
ss.
YDS.
4
758
5
613
1
1518
1
568
3
1688
2
•228
2
1759
4
C9
—
982
3
398
2
578
3
916
1
1600
3
1006
3
1013
2
481
3
1445
3
940
3
1120
—
1123
2
606
2
965
3
64
3
758
4
681
—
1216
1
245
11.S8
3
508
2
6J0
3
21
3
159S
*Cnightsbridge
uad broke Grove
Lavender Hill
London Bridge
Long Acre
Ludgate Circus
Sloane Street
.. St. John's Clturch
The Tovm Hall
Adelaide Place, City
.. St. Martin's Lane
City
Maida Hill Aberdeen Place, Edgioare Rd.
Manchester Square Marylebone
Mansion House City
Marble Arch Oxford Street
Marylebone Rd. St. Marylebone Church
Onslow Square ... Brompton
Oxford Street Tolitnham Court Road
Paddingtou Green ...
Pall Mall
Park Lane
Pembridge Square ...
Piccadillj-
Piccadilly Circus ...
Portland Pl.'ice
Po,>t Office (Gen.) St.
Queen Anuc's Gate
Western
... The Church
... War Office
Grosvenor Gate
... Notting Hill
Old Bond Street
.Regent Street
Weymouth Street
Martin's le Grand
3 1660
1 1107
705
1613
106
1729
911
472
858
1594
248
1257
904
926
1055
746
765
514
96
1434
96
1297
352
397
1606
65
1594
280
1614
48
Euston.
Fenchurch Street
King's Ci'oss
LiveriJool Street
London Bridge
Mansion House
Moorgate Street
Paddingtou ...
St. Pancra.s ...
St. Paul's
Vauxhall
MILES. YDS.
Queen's Rd., Bayswater PorcftesferffrfMs. 2 673
RAILWAY STATIONS.
Addison Road West London Extension 1 217
Cannon Street ... South Eastern 5 507
Charing Cross ... South Eastern 3 1229
Clapham Jun. (L.B. & S.C )
Prested Road Cab Stand 2 1661
Clapham Jun. (L. & S.W.) Cab Stand 3 68
North Western 4 1406
... Blox-kioall 5 1380
Great Northern 5 235
Great Eastern 5 1415
London and, Brighton 5 650
Metropolitan District 5 154
Metropolitan 5 931
Great Western 2 1610-
Midland 4 1745
Chatham and Dover 4 1244
South Western 3 1108
Victoria (centi-e of Frontage) 2 1178
yfdterlooih. kH.Tf.) Main Line Depart. 4 412
WestbourneJPark .. Great Western 2 liOl
Red Lion Sq. (St.. John's Ch.) Holborn 4 238
Regent's Fk. Cumberland Ter. (Centre of) 4 1294
Regent's Park ... Hanover Gate 3 1625
Regent Street Langham PL, The Church 3 1195
Russell Square Bloomsbury 4 463
St. George's Square Lupus St., Pimlico 3 30
St. James's Square York St , St. James's 3 279
St. Paul's Churchyard Ludgate Hill 4 1891
ShAfteshxiry Aven. Broad Si , Bloomsbury 3 1254
Shepherd's Bush Green (East End of) 1 1285
Sloane Square (S.E. Corner)
Royal Court Theatre
Railway Station
Sloane Street Pont Street 1 1515
Soho Square (S.W. Corner) Frith Street 3 1059
Somerset House Strand 3 1745
South wick Crescent (Paddington)
The Church 2 1338
Strand Law Courts 4 401
Tavistock Square St. Pancras 4 978
}
1 1648
Side, Westminster 3 2C9
THEATRES, PLACES OF AMUSE-
MENT, ETC.
Adelphi Theatre Strand 3 1301
Albert Hall Kensington Road 1 1076
Alhambra Leicester Square 3 742
Botanic Gardens ... Regent's Park 4 149
Covent Garden Theatre ... Bow Street 3 1393
Drury Lane Theatre Catherine Street 3 1534
Gaiety Theatre Strand 3 1646
Globe Theatre Newcastle St., Strand 4 150
Haymarket Theatre 3 632
Imperial Institute ... 1 610
Lyceum Theatre Wellington St., Strand 3 1649
Lyric Theatre Shaftesbury Avenue 3 501
Madame Tussaud's Marylebone Road 3 1214
National Gallery Trafalgar Square 3 967
Pavilion Theatre Whilechapel Road 6 909
Prince of Wales's Theatre Coventry St. 3 489
Princess's Theatre Oxford Street 3 1122
Royalty Theatre ... Dean St., Soho 3 888
St. James's Hall Regent Street 3 289
St. Jumes'sThcatre King St., St. James's 3 122
Shaftesbury Theatre Shajtesbury Avenue 3 792
Westbourne Grove Hereford Road 2 539
N.B.
The distances are measured from centre of road opposite centre of Booking Office (West
London E.Ktension), to the Centres of Roads, Enti-ance Gates of Hospitals and Cemeteries, Booking
Offices of Railway Stations, the N.W. Corners of Squares, unless uthcrwise stated, and across Hyde
Park when that route shortens the distance.
Mft;ioi>olttan Por.icK Office, One Mile is 1,760 yards. E. R. C. BRADFORD,
2oth October, 1897. The Commissioner of Police of the Metropolis.
118
TRAINS FROM THE EXHIBITION.
DISTRICT RAILWAY.
Evening^ Trains Leave Earl's Court Station
AT THE FOLLOWING TIMES FOR :
CITY, NEW CROSS,
AND
WUITECIIAPEL.
(St. MARY S).
Trains leave every few
minutes up to 9 i).m
P.M.
11. 8
11.11*
11.12
11.21*
11.24NC
11.38 W
11. .55*
12. IW
12.12 '
; Not \
: lieyond i
|Maxi8ioii I
I House./
PUTNEY BRIDGE
AND
WIMBLEDON.
P.M.
P.M.
8.55 NC
10. 5NC
9. 8
10. 8
9.14*
10.14*
9.15 W
10.18 W
9.24 NC
10.26 NC
9..S8
10.36* :
9.44 W
10.38
9.51*
10.44 W
9.54 W
10.52* 1
10. 1*
10.58 NC:
P..M. I
ewMf'e.
Galliiiij at
,16 S.E
.26 WM 7
,37 1 7
.44 WM ^
,56 WM 7
. 6 S.E. 7
,14WMt7
.26 WM ;8,
,36 S.E. 8
,42S.O. ,8
,45 WM 8
(S.E.)
P.M.
.56 WM
6 S.E.
12S.0.*
.16 r"
) S.E.
.26 WM
,43
,49 WM
. 6
.19 WM
,36
.49 WM
P.M.
9. 8WM
9.18
9.32 WM
9.45
10. 0 WM
10.18 WM
10.36
10.46 WM
11. 6WM
11.22
11.36 WM
11..56WM
12.22 WM
Gloucester
South [Rd.
Kensington
Sloane Sq.
Victoria
St. James'
Park
Westminst'r
Charing X
Shadwell
Wapping
Rotherhithe
DeptfordRd.
New Cross.
Temple
Blackfriars
Mansion H.
Cannon St.
Moniiment
Mark Lane
Aldgate E.
St. Mary's,
Whitech'p'j
New
Cross
Liae
Stations.
Calluig at
West Brompton
Walham Green
Parsons Green
Putney Bridge
East Putney ^ Wimble-
Southfields f don
Wimbledon Pk. T Line
Wimbledon J Stations,
S.E. Saturdays excepted.
W.M. Wimbledon Line trains
I t These trains do not run
jbeyond Putney Bridge on
; Saturdays.
RICHMOND,
CHISWICK PARK, EALING,
AND
nOUNSLOW.
P.M.
5.10 E &
5.20 E.t
5.29 R.
5.40 E &
5.50 E.*
5..o9 R.
6.10 E&
6.20 E.*
6.29 R.
6.40 E &
6.49 E.
I ■
P.M.
H6.59R.
7.10 E&
17.20 E.*
H7 29R.
7.40 E&
7.59 R.
H8.10E&
8.29 R.
8.40E&
H8.59R.
9.17 E&
9 40E.
p,
9-
10.
10.
10.
10.
11.
HJIL
|IL
H[ll.
:i2.
H
H
n
12,
M.
59 R.
17E&H
27 R.
40 E &H
59 R.
17 E.
29 R.
46E&H
59 R & e:
23 R.
31E &H
") Richmonci
t
Line
Stations. |
I Ealing I
V Line 1
I Stations!
N.C. To New Cross.
W. To Whitechapel (St. Mary's only). '
* To High Street, Kensington.
Trains leave Gloucester Road and High Street
(Kensington) for Baker Street, King's Cross, &c., at
10 minutes' intervals. Last train 12.2 from Gloucester
Road, 12.5 from High Street (Kensington).
Calling at
West Kensington
Hammersmith
Ravenscourt Park
Turnham Green
Gunnersbury
Kew Gardens
Richmond
Chiswick Park and
Acton Green
Mill Hill Park
Ealing Common
Ealing (Broadway)
South Ealing , Hounslowl
Boston Road i Line
Osterley > Stations
Ileston-H'nslow change at
H'nslow Brcks. i Mill Hill Pl|
R. Richmond Line Trains.
E. Ealing Line Trains.
H. Hounslow Line Trains.
Change at Mill Hill Park.
* Not to Stations beyond Chisj
wick Park on Saturdays.
t Not to stations beyond Milij
Hill Park on Saturdays.
X Change at Hammersmith bjj
this train for Ealiner Line SfcnsI
Fo' further Particulars see the Company's Tivie Tables.
119
TRAINS FROM THE EXHIBITION
DISTRICT RAILWAY.
Evening Trains Leave
Earl's Court Station
At the following times for
Notticg Hill and
Willesden,
Ladbrooke Grove, West-
Camden Town, Hightury,
tourne Park
Royal Oak,
Dalston, Broad Street,
and Bishop's &oad.
&c.
P.M.
P.M.
P.M.
P.M.
5 25
8.55
5. 5
9.35
5.55
9.25
5.34
10. 5
6 25
9..55
6. 5
10.35
7.25
10.25
6..35
11. 5
7.55
10.55
7. 5
12.35 HH
8.25
11.25
7.35
Midnight
11.55
8. 5
8.. 35
9. 5
12. 7WJ
*
Calling at
Addison Road
(Kensington)
Uxbridge Road (for
Shepherds Bush)
St. Quinton Pk, and
Wormwood Scrubbs
Willesden
Call}
ng at
iKensal Rise
JBrondsbury
Addison K
;Oad
jWest End Lane
(Ke
nsington)
Finchley Road and
Uxbridge
Read (for
Frogual
Shephe
rds Bush)
Hampstead Heath
Latimer B
.oad
Gospel Oak
Notting H
ill and
[Kentish Town
Ladbr
oke Grove
fCamden Town
Wcstbouri
le Park
fMaiden Lane
Royal Oat
fCaledouian Road
Bishop's B
Load (for
and Barnsbury
Paddingtc
>nStation)
*Highbury and
Islington
*Canonbury
*Mildmay Park
JDalston Junction
tHaggerston
JShoreditch
Broad Street
H.H. This train does not go beyond
Hampstead Heath.
W.J. This train does not go beyond
Willesden. Arrive 12.22 midnight.
tChange at Camden Town for Maiden
Lane and Caledonian Rd. and Barnsbury
*Change at Highbury and Islington
for Canonbury and Mildmay Park.
tChange at Dalston Junction for
Haggerston and Shoreditch.
Evening Thains Leave
West Brompton SidX\{iX\{Districi Railway)
At the following times for :
City, Whitechapel
(St. Mary's) and
New Cross.
P.M.
P.M.
5.13
8.11*
5.26
8.23
5 37*
8.37
5.43
8.52
5.. 56
9. 5
6.1PS.0.
913 ,
6.13 S.E.
9.37
6.22
9.48*
6.33
10. 5
6.38* ,
10.14
6..53
10.33*
7. 0 S.E.
10..56
7. 7*
11. 9
7.21
11.18* '
7.27 S.E.*
ni..36 ^
7.38
11.53*
7..52
ill .58 I
8. 5*S.E.
Not to
New
V Cross. ) i
Calling at
Earl s Court
Gloucester Road
South Kensington
Sloan e Square
Victoria
St. James' Park
Westminster
Charing Cross
Temple
Blackfriars
Mansion House
Cannon Street
Monument
Mark Lane
A Id gate East
St. Mary's (White-
chapel)
Putney Bridge and
Wimbledon.
P.M.
o. 8 W.t
5.18 S.E.
5.28 W.
5.39
5.46 W.
5.58 W.
6. 8 S.E.
6.16 W.t
6 29 W.
6.38 S.E
6.44 SO.
6.47W.S.E.
6.58 W.
7. 8 S.E.
7.14 S.O.
7.18 w.s.E.
7.28 W.
7.45
P.M.
7.51 W.
8. 8
I 8.21 W.
8.38
' 8.51 W.
9.10 W.
I 9.20
I 9.34 W.
\ 9.47
10. 2W.
10.20 W.
10.38
10.48 W.
11. 8W^
11.24
11..38W.
11..58W,
12.24 W.
o
Calling at
Walham Green
Parsons Green
Putney Bridge
East Putney S a
Southfields / 1
Wimbledon >35^
Park fg
Wimbledon ) '^
W. Wimbledon
Line trains.
fNot beyond Put-
ney B. Saturdays.
S.E. Saturdays
excepted.
S.O. Saturdays
only.
Shadweli
Wapping-
Rotherhithe
Deptf ord Road
New Cross
* To High Street (Kensington),
passengers for Gloucester Road and
stations beyond, by th«se trains,
change at Earl's Court.
Trains leave Gloucester Road and
High Street (Kensington), for Baker
Street, King's Cross, &c., at 10
minutes' intervals. Last train, 12.2
from Gloucester Road, 12.5 from.
High Street (Kensington).
For jurther Particulars see the Company's Time Tables.
i:o
TRAINS FROM THE EXHIBITION.
DISTRICT RAILWAY.
Evening Trains leave WEST KENSINGTON STATION
AT THE FOLLOWING TIMES FOR
I
CITY, WHITECHAPEL (ST. MARY'S)
& NEW CROSS.
P.M.
5. 2 NC
5.11 W
5.20 SE
5.23*
5.32 NC
6.41 W
5.51x
5.71s*
6.2 NC.
P.M.
6.11 W
6.22*
6 22s
6.32 NC
6.41 W
6.50
7. 2 NG
7.11 W
7.22
P.M.
7.32 NC
7.41 W
J.oOx*
s. 2NC
i8.11 W
S 31 NC
18.41 W
ll). 1
l9.ll*
PM. ' P.M.
9.21 NC: 10.4]
W
9.31
9.41 W !
9.51 Wi
10. 2NC!
10.11* I
10.22 NC;
10.46*
il.8*
11.19 NC
ll.40t
12.4 M
RICHMOND, CniSWICK PARK,
EALING k HOUNSLOW.
i
P.M.
o. 2R
5.13 E&H
.3.23 Ef
5.32 R
5.43 E&U
5..53 E*
r^. 2R
6.13 E&n
1
P.M.
6.23 E*
6.32 R
6.43 E & H
6 51 E*
7. 2R
7.13 E&H
7.23 E*
7.32 R
P.M.
P.M.
7.43 E&H
10.20 E&H
8. 2R
10..30 R
8.13 E&H
10.43 E&H
8.32 R
11. 2R
8.43 E&H
11.20 E
9. 2R
11.32 R
9.20 E&H
11.49 E&Tl-
9.43 E
12. 2 R&EJ
0. 2R
12.26 R
12.34 F&n
Calling at
EaiTs Court
Gloucester Road
South Kensiugtou
SI cane Square
Victoria
St. James' Park
Westminster
Charing Cross
Temple
Shad well
Wappin^
Rotherhithe
Deptf ord Road
New Cross
Blackfriars
Mansion House
Cannon Street
Monument
Mark Lane
Aldgate East
St. Mary's, White-
chapel
New Cross
Line
Stations.
M. Stations to Mansion House only.
W. To Whitechapel (St. Mary's) only.
N.C. To New Cross.
S. Saturdays only.
■v. Saturdays excepted.
* To High Street (Kensington). Pas-
st n^ers for Gloucester Road and stations
beyond, by these trains, change at Earl's
Court.
t Change at Earl's Court, High Street,
Kensington, and stations to Whitechapel
(St. Mary's) only.
Trains leave Gloucester Road and
High Street (Kensington) for Baker
Street and King's Cross, &e., at 10
minutes' intervals. Last train, 12.2 from
Gloucester Road, 12.5 from High Street
(Kensington).
Calling at
Hammersmith
Ravenscourt Park
Turnham Green
Gunnersbury
Kew Gardens
Richmond
Chiswick Park and
Acton Green
Mill Hill Park
Ealing Common
Ealing (Broadway)
South Ealing
Boston Road
Osterley
Ileston-Hounslow
Hounslow Barracks
I
1
Richmond
Line
Stations.
Ealing
Line
Stations.
Hounslow
Line
Stations, change
at Mill Hill
Park.
R. Richmond Line Trains. ,
E. Ealing Line Trains.
H. Hounslow Line Trains, change at
Mill Hill Park.
* Not to Stations beyond Chiswick
Park on Saturdays.
t Not to Stations beyond Mill Hill
Park on Saturday.
X Change at Hammersmith by this
train for Ealing Line Station.
For further Particulars, see the Company s Time I'ables.
GLENBARR
Real Scotch Whisky of the g^ood old type.
12 YEARS OLD.
DOZEN 48/"" BOTTUES.
DELIVERED FREE IN THE UNITED KINGDOM.
PENDRED APPLEBEE & Go.^
HAMPSTEAD ROAD, LO^DOI\l.
Send 46 for Sample Bottle.
KOLA TONIC.
Mixed with Aerated Water, Kola Tonic makes
a most delicious beverag^e.
Delivered Free to any Station in the United
King^dom, 15s. per doz. reputed quarts, including^
Case and Bottles.
TRAVELLERS WILL FIND KOLA TONIC A MOST USEFUL AND
REFRESHING DRINK,
The DAILY TELEGRAPH, speaking of "Kola," says :—
" The properties of this wonderful food are said to be almost magical ; it is at
once stimulant and food, and contains within a given space more nutriment and
more capacity for sustaining life than any other natural or prepared article."
Sead Post Card or Price List aad aatae of Nearest Agent to
THE PURE WATER GO.^ LTD.^
Queen's Road, Battersea Park, London, S.W.
INDIA RUBBER & GUTTA PERCHA GOODS
MANUFACTURED BY THE
INDIA RUBBER, GUTTAPERCHA, & TELEGRAPH WORKS CO., Ud.
Silvertown Waterproof Coats, Cloaks, Carriage Aprons, etc.
Fishing Stockings and Trousers; Game and Cartridge
Bags ; Air Cusiiions, Pillows, and Hot Water
Bottles; Golf Bags,
SILVERTOWN ELECTRICAL BATTERIES
APPARATUS AND CABLES.
Silvertown Tennis Balls, Golf Balls, Footballs ; India
Rubber Handle Covers; Elastic Bands; Carriage Mats, Brake 1
Blocks, Horse=shoe Pads Garden Hose and Gas Tubing ; V
Door Mats, Stops, and Draught Tubing ; Ebonite Photo
graphic Baths ; Pneumatic and other Tyres,
HEAD OFFICE: 106, CANNON STREET, LONDON, E.G.
Warehouse: 100 and 102, CANNON STREET, LONDON.
Works: SILVERTOWN, LONDON, E. : PERSAN (SEINE-ET-OISE), FRANCE.
WAREHOUSES :
LIVERPOOL, 54, Castle Street.
BRADFOKD, 1, Tanlield Buildings.
SHEFFIELD, 1, Fitzalan Square.
CARDIFF, Pierhead Chambers.
BRISTOL, 28, Clare Street.
MANCHESTER, 0, Sussex Street.
PORTSMOUTH, 49, High Street.
NEWCASTLE-ON-TYNE, 59, Westgate Road.
BIRMINGHAM, 27, Albert Street.
GLASGOW, 8, Buchanan Street,
SOUTH AFRICA: 213, West St., Durban, Natal
BELFAST, 33, High Street.
DUBLIN, \f>, St. Andrew Street.
MELBOURNE, 274, Flinders Street.
SYDNEY, 279, George Street.
CALCUTTA, 1-1, Fairlie Place.
BUENOS AY RES, Reconquista, 379.
PERTH (West Australia), 131, Queen's
Buildings, William Street.
NEW ZEALAND, 234, Cashel Street,
Christchureh.
; Willoughby Buildiugs, Bulawayo, Matabeleland.
(ESTABLISHED OVER A HUNDRED YEARS.)
PHILANTHROPIC SOCIETY'S
Instituted
1788.
FARM SCHOOL
Incorporated
1806.
Patron -UlS MAJESTY THE KING.
Frcsuhnt—ll.U.lI. THE DUKP: OF CONNAUGUT, KG.
>^~< —
Emigration to the English Colonies is looked upon as
one of the chief means for ultimately providing for these
boys, and
FUNDS ARE URGENTLY NEEDED
to assist in this part of the Society's work.
SHOEMAKERS' SHOP.
Receives the worst type of Juvenile delinquents, and trains them in Farm Work and
useful Trades.
Has done upwards of 113 years' successful work among the outcast and depraved.
Shows 90 per cent. Reclaimed on average of last ten years' Returns. The last of
them was 94 per cent.
Had an average of 290 lads to provide for last year.
Has emigrated over U75 promisin)^ Colonists from the Farm School.
*** Some remarkable letters have been recently received from tnany of the old boys now
fightivf^ bravely in Sotdth Africa. A Popular Description of the Farm School, entitled " Saved
from the Wreck," with Photographic Illustrations, or a copy of the Annual Report, sent on
application.
BANKERS : LLOYD'S BANK, Limited, 16, St. James's Street, S.W.
JOHN TREVARTHEN, Secretary.
@ Poor Clergy Rclkf Corporationl?
38, TAVISTOCK PLACE, TAVISTOCK SQUARE, LONDON, W.C.
ESTABLISHED 1836.
Patrons.
The Most Rev. His Grace the LORD ARCHBISHOP OF CANTERBURY.
The Jlost Rev, -His Grace the LORD ARCHBISHOP OF YORK.
President.— The Right Rev. the LORD BISHOP OF LONDON.
Vice-Presidents.
The Right Revs, the LORD BISHOPS OF BANGOR, CARLISLE, CHESTER, CHICHESTER, ELY,
EXETER, HEREFORD, LICHFIELD, LINCOLN, LLANDAFF, MANCHESTER, OXFORD, <-
PETERBOROUGH, RIPON, ROCHESTER. SALISBURY, SOUTHWELL, ST. DAVID'S, '^
• WORCESTER, WINCHESTER, COLCHESTER, SOUTHWARK, and STEPNEY; Tlie Very*
Rev. W. LBFROY, D.D., Dean of Norwich; the Ven. W. M. SINCLAIR, D.D.. Archdeacon of ~
London ; the Ven. E. H. GIFFORD, D.D. ; the Very Revs, the DEANS OF CANTERBURY,
WORCESTER, and ST. PAUL'S ; the Ven. J. KAYE, M.A., Archdeacon of LINCOLN ; the Rev.
Professor ABBOTT, M.A., F.T.C.D. ; the Rev. Canon HUNT, M.A. ; F, A. BEVAN, Esq.
Honorary Treasurer. — Lieut. -Colonel J. B. HARDY.
Chairman.— The Rev. Canon BENHAM, D.D., F.S.A.
vfcc-Chairman.— The Rev, Canon R. RHODES BRISTOW, M.A.
Trustees.
The Very Rev. DEAN FARRAR, D.D., F.R.S. The Yen. ARCHDEACON SINCLAIR, D.D.
The Rev. Canon BENHAM, D.D., F.S.A.
Honorary Solicitor.
Dr. EDWIN FRESHFIELD, F.S.A.. of the Firm of Messrs. Freshfields, New Bank Buildings,
31, Old Jewry, E.C.
Auditor.— C. F. KEMP, Esq., of the Firm of Messrs. C. F. Kemp, Sons, &, Co.. 36, Walbrook, E.C
Bankers.— LONDON AND WESTMINSTER BANK, 1, St. James's Square, S.W.
Secretary MANDEVILLE B. PHILLIPS.
♦>
Zbc donmlceccnt anb 1bolt^a? 3fiinb for
Z\K poor Country Clcrti^.
« « « «
The Commiitee of the Poor Clergy Relief CoKroRATiON earnestly ask for
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Owing to the extraordinary number of applications which have been received lately
from Clergymen incapacitated from their work through illness, a severe strain has been
made upon the above fund, and an earnest appeal is made for contributions in order
to phice it upon a footing capable of relieving all such pressing wants.
It is reques ed that all sums sent lor this special purpose may be marked
"HOLIDAY FUND."
Cheques should be crossed " LONDON AND WESTMINSTER BANK," and made
payable to the Secretary, MANDEVILLE B. PHILLIPS.
Offices of the Corporation, 38, TAVISTOCK Place, Tavistock Square,
London, W.C.
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Claude Monet,
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Robert Fleury.
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THE FRENCH
FINE ART SECTION
As a representative presentation of contemporary French Art the
collection displayed this year in the Royal Galleries at Earl's Court
certainly eclipses anything of its kind hitherto witnessed on this side
of the Channel. Nothing on similar lines worthy of comparison with
it has indeed ever been seen outside the French capital. It should
prove attractive not only to the serious amateur and to the student,
whose close attention is assured, but to a much wider public, less critical,
perhaps, but hardly less appreciative.
Paris is the artist's habitat ; the
MECCA OF ARTISTIC PRODUCTION.
In the matter of Art, and all that pertains to it, she has a rival in no
other city. Her artists of distinction may be numbered by the
thousand, and the names of her more famous living painters and
sculptors, men who have won a world-wide reputation, would alone
occupy no little space.
The project of organising at Earl's Court a worthy exhibi-
tion of contemporary French Art involved much labour and anxiety on
the part of all concerned. Two Committees, embracing the names of
the greatest of living French artists, responded to the invitation of the
Earl'sCoart Executive, and the result, it is felt, fully justifies the work
that has been entailed. As President of the Managing Committee, M.
Paul Tillier brought to the project the knowledge of a man of the
world as well as the charm of artistic gifts. His immediate coadjutors
14 THE FRENCH FIXE ART SECTION.
were M. Al])ert Maignan, the vice-president, and MM. Francois Flameng,
Gosselin, Guignard, A. Leonard, Marqueste, Mongin, T. Robert Fleury,
and AVeerts. The Comite de Patronage included MM. Benjamin Constant,
Boiiguereau, Carolus Duran, Gerome, Henner, Bonnat, Leopold Flameng
and Rodin. Other members whose works are exhibited are M. Rosset-
Granger ; M. Chauvel, the engraver ; M. Georges Lemaire ; M.
Coppier ; M. Roybet, the recent revivalist of mediaeval genre
subjects ; M. Besnard, an early and refined impressionist ; and M.
Claude Monet, whose characteristic renderings of luminous atmosphere
are sure to arrest attention. M. Georges Berges, M. J. F. Boucbor,
M. P. F. Lamy, M. Bordes, and M. Marec are among other names
taken at hazard from the catalogue. All have given an infinity of i^\
time and trouble to ensure a successful result, but special mention may
be made of the name of M. L. Pretet, the commissioner of the section,
whose eminent services in arranging the gallery will be appreciated not
only by his colleagues, but by the British public who visit this
GRAND MANIFESTATION OF FRENCH ART
by living artists in honour of the Coronation of the King.
The response of French artists to the appeal of the French committees
has been as enthusiastic as gratifying. This ungrudging participa-
tion may be the starting point, it is hoped, for a long series
of artistic displays in which the artists of each country will adopt
a happy and appropriate method of exchanging cordial greetings across
the Channel.
French and British artists form, after all, a united band, advancing
towards the future and its developments with almost identical principles
— principles only slightly modified by the peculiarities of the two
nations, and the difference in the climates and national habits, which
latter tend daily to become less marked.
The history of painting during the past century demonstrates the
parallel progress of the two schools, and it is fair to add that, after the
artistic decadence of Italy, Spain, Holland, and Flanders, England and
France alone maintained
THE TRADITION OF PURE ART
and especially of portraiture.
THE I-rvENCH FINE ART SECTION. 15
Since Hogarth, most humorous of painters, the English artists of the
Eighteenth Century shared, as it were, the ideas and conceptions of
French ortists and interpreted them with equal talent. For the pur-
pose of comparison of style and ideal we may mention the names of
Reynolds, Gainsborough, Romney, West, Opie, Lawrence, Howard,
Turner, and place them side by side with those of Watteau, Nattier,
Tocque, Chardin, Natoire, Bouchor, Latour, GreuzC; David, and Gerard.
Moreover, at the commencement of the Nineteenth Century, the
artistic revolution brought about in France under the auspices of
Vien, David, Regnault, Guerin, Girodet, and others, found an echo in
England, where Barry, Northcote, Stothard. and Blake were flourishing.
Matters remained much the same until the appearance of Constable,
whose influence is widely traceable in the art methods of to-day. And
thus have the two schools left indisputable traces of the
SIMILARITY OF THEIR TENDENCIES.
At the present time, in the annual Salons of Paris, English artists are
admitted, and share with their French confreres the honours distributed
by the Juries and by the State.
paintings.
Adan (Louis-Emile), 75, Rue de Courcelles, Paris.
1 Under Wood.
Agache (Alfred-Pierre), 14, Rue Weber, Paris.
2 Fantaisie.
Allouard (Edm(jxd), 3, bis Rue des Beaux Arts, Paris.
3 Roses.
Avy (Joseph-Marius), 3, Rue Dutot, Paris.
4 Heavenly Messengers. "... And the Angel brought to Mary
the sacred halo, and sanctified the divine abode. . . ."
Barillot (Leon), 16, Rue de la Tour d'Auvergne, Paris.
5 Train Xo. Jf.7.
6 The Escaped Bull.
Benner (Jean), 71, Boulevard de Clichy, Paris.
7 The Orphan Girl {Cajyri).
8 First Chill of Autumn.
9 Young Girl ivith Pomegranates.
10 Flowers {Chrysanthemums).
Bergeret (Pierre-Denis), 26, Rue Victor-Masse, Paris.
11 Cod Fish.
1 2 Grapes.
1 3 Shrimps.
1 4 Cheese.
Berges (Georges), 26, Rue Breda, Paris.
15 Saint George Victorious.
16 Torch-Light Procession at Lourdes.
Berthelon (Eugene), 35, Boulevard Rochechouart, Paris.
17 Sea Cliffs (Somme).
18 Among the Cliffs of Treport — Gale.
19 Xear Mesnilval.
20 The Beach, Treport.
Biva (Henri), 72, Rue du Chateau d'Eau, Paris.
21 At the bottom of the woody Ravine.
2 2 Evening.
23 Basket of Roses and Guelder Roses.
24 Vase with Roses.
i
PAINTINGS. 17
Bompard (Maurice), 167, Boulevard Poreire, Paris.
25 Canal Grande, Venice.
Bordes (P^rnest), 87, Rue Ampere, Paris.
26 Portrait of H. E. Paul Cambon, French A?nbassador in Loyidon.
27 Portrait of Countess I.
28 Under the Porch.
Bouchard (Paul-Louis), 12, Rue de Calais, Paris.
29 Setting Sun in Moscow, the Kremlin in the background.
30 Vieiv taken ivith back turned to the Kremlin, St. Saviour's
Cathedral in the background.
31 The Chapel of the Iberian Virgin in Moscow.
32 Entrance of a Farm in the Oise.
Bouchor (Joseph-Felix), 21, Rue du Vieux Colombier, Paris.
33 Sunshine in November mist.
34 Under the Willows.
35 Gathering Grapes.
36 The Passenger.
37 Winter Landscape.
Boulard (Auguste-Marie), 15, Place des Vosges, Paris.
38 The Man with the Felt Hat.
39 Roulottes.
40 Cut Roses on a Stone.
41 The Hay Stacks — Moonshine.
42 Fishwife holding a Telescope.
Boulard (Emile-Alexandre), 79, Rue de Dunkerque, Paris.
43 A Peasant Interior.
44 Stream wnder the Trees.
45 The River Oise at Meriel (Autumn).
46 Edge of a Pine Forest
47 Seascape.
Boulard (Eugene).
48 Landsca2y€.
Boutigny (Emile), 56, Rue Nollet, Paris,
49 Debut d'idylle.
18 PAINTINGS.
Boye (Abel), 20, Rue Juliette-Lambert, Paris.
50 On the Pond.
51 Saint Cecile.
52 Through the Fields.
53 Street Corner, Pancorho, Spain.
Breton (Jules Adolphr), 136, Rue de Lono-champs.
54 Night Effect.
Brunet (Jean), 6, Rue Danton, Paris.
55 Women at the Pardon, Reminiscences oj Brittany.
5G The Fisher's Family, Reminiscences of Brittany.
Buffet (Paul), 71, Rue Jacques-Dulud, a Neuilly-sur-Seine.
57 The Old Bridge (belongs to Mr. P. l.efebvre).
58 Stormy Evening.
Calbet (Antoine), 102, Rue du Cherche-Midi, Paris.
59 Leda.
60 Laure.
61 Dancing Girl.
62 Spanish Dancer.
63 Spanish Woman.
64 Fantasy.
Camoreyt,
65 Study {Basque Country).
66 Twilight {Basque Country).
67 End of the Storm.
68 The Mill of Jacobus at Overschie {Holland),
69 The Houses of San- Juan at Passaje^ Espagne.
CarO-Delvaille (Henry), 29, Avenue Henri Martin, Paris.
70 The Manicure.
71 The Young Servant.
72 The Little Breakfast.
Cartier (Karl), 144, Rue de Longchamps, Paris.
73 An Orchard in Normandy.
74 The Old Gate, Moret (Evening).
75 Last Rays.
76 Return to the Sheepfold.
77 Nocturne.
PAINTINGS. 19
Cesbron (Achille), 13, Rue Jacquemont, Paris.
78 Cupid's Sleep.
79 Cultivated Poppies.
80 Rose and Gypsophiles.
81 Multi-coloured Fishes,
82 Fishes.
Chabas (Paul), 23, Boulevard Berthier, Paris.
83 Last Rays.
84 The Torrent.
Chigot (Eugene-Henri-Alexandrb), 3, Rue de Bagneux, Paris.
85 Funeral of Her Majesty Queen Victoria, Salute
hy the " Dupuy de Lome."
86 Portrait of my friend, Henri Lesidaner.
Chretien (Rene-Louis), 11, Avenue des Tilleuls, Paris.
87 Ripe Cheese.
88 Onions and Jar.
89 Chasse de Mer .
90 Preparinq the Soup.
Cogniet (Marcel-Hippolyte-Adrien), 37, Avenue d'Antin, Paris.
Views of Taormina, Sicily.
91 Ruins of the Greek Theatre
92 Mount Etna.
93 Jsola hella.
94 The Village of Mola and the Palace of San Stefano.
95 The Convent of San Dominico.
Courtois (Gustave), 73, Boulevard Bineau, Neuilly-sur Seine.
96 Meditation.
97 Evening on the Banks of Lake Maggiore.
Dambeza (Leon), 11, Rue St. Simon, Paris.
98 The City of Burgos.
99 At Dawn.
100 The Tramp.
101 Before the Storm.
Dauphin (Eug^jne), 63, Rue Jouffroy, Paris.
102 The Port of St. Tropez.
20 PAINTINGS.
Debillemont-Chardon (Mme. Gabrielle), 7, Rue Nouvelle, Paris.
103 Portrait of Mr. E. C.
104 Portrait of Mr. P. P.
105 Manon.
106 Jeunesse.
107 Little Dutch Girl.
Demont (Adrien-Louis), a Wissant, par Marquise, (Pas-de-Calais).
108 The Danaids. ". . . . And they were sentenced to fill for ever a
bottomless vessel, and the water which escaped from it
appeared as red as blood, being lit by the flames of the
Phlegeton."
109 Equinoctial Gales.
110 Stormy Evening.
111 The Fortress.
112 Entrance to the Village of Wissant.
Demont-Breton ^Mme. Virginie), a Wissant, par Marquise, (Pas
de-Calais).
113 Le Gcp.rnaerditr .
114 Ishmael.
115 The Skipper at the Helm.
116 First Chill.
117 Serenity.
Denis (Maurice), 59, Rue de Mareil a St. Germain-en-Laye.
1 1 8 Jesus in Martha's House.
119 A Study of the Nude.
120 The Bathers.
121 Picnicing.
122 Maternity.
Desire-Lucas, 15, Rue Hegesippe-Moreau, Paris.
123 At Noon amongst the Peasajits (the property of Mr. F. Soerg^.
124 La Bonne Verdee (the property of Mr. Clarence Warden).
125 The Spinner at the Wheel (the property of Mr. Manuel de Tejada).
126 The Breton Legend (the property of Mr. E. de Werth).
Desrousseaux (Henry- Laurent), 12, Rue Hippolite-Lebas, Paris.
127 The Canal.
128 November Alorniug.
Devambedz (Andre), 11, Rue du Mont-Dore, Paris.
129 ^4 First Night at the Montmartre Theatre.
PAINTINGS. 21
Dinet (Alphonsk-Etiennb), 25, Quai Voltaire, Paris.
130 Nomads {Landscape in the vicinity of Bon Saacla, Algeria).
Dubufe (Guillaume),
131 Portrait of Madame Duhufe.
132 The Nativity.
1 33 The Vision of the Virgin.
Dupre (Julien), 20, Boulevard Flandrin, Paris.
134 The Shepherdess.
Eliot (Maurice), 21, Boulevard de Clichy, Paris.
135 Life in the Fields.
136 Landscape in the Ardeche.
137 Jet d'Eau.
138 The Red- Haired Woman.
139 Poppies.
Etcheverry (Hubert-Denis), 9, Rue Falguiere, Paris.
110 Une elegante.
Ferrier (Gabriel), 6, Rue du General-Appert, Paris.
14:1 Tenderness.
Gagliardini (Julien-Gustave), 12, Boulevard de Clichy, Paris.
142 hh the Land of Light.
143 Quiet Morning in Port {Mediterranean).
144 Morning Joy {Provence).
145 Dawn on Lake Maggiore.
146 River in Sunlight^ Tarn and Garonne.
Geoffroy (Jean), 7, Rue des Lilas, Paris
147 The Itinerant Basket Maker.
148 In the Dispjensary.
149 The Adoration of the Cross.
150 Le Mois de Marie.
151 After the Distribution of the Prizes at VEcole MaterneUe
152 En Clape,
153 The Knitter.
Girardot (Louis- Auguste), 68, Rue d'Assas, Paris.
154 " V Hotel du Sauvage " at Rozoy-en-Brie.
155 Still Water.
156 Spirea.
157 Mosque Gate at Tangiers.
158 Moorish Woman Resting {Morocco).
22 PAINTINGS.
Godeby (Charles-Leon), 46, Rue Lepic, Paris.
159 In the Oasis Sidi Barkat, near Biskra.
160 Arab Vendor at Constantme.
Gosselin (Albert), 63, Avenue de Breteuil, Paris.
161 Souvenir de Bretagne.
162 The Eure at Acquiqny.
163 The Bond.
164 The Ford {N euilly-su7'-Eure).
165 The Loing at Grez.
Guignard (Gaston), 25, Boulevard Berthier, Paris.
166 Crepuscule Lunaire.
167 Before the Gale.
168 Herd q/ Cattle in the Snow.
169 Leaving the Sheepfold.
170 On the Sand Hills near Boulogne.
171 Sand Hills near Staples.
Guinier (Henri), 6, Avenue Frochot, Paris.
172 Returning from Market.
173 Golden Fruit.
174 Grandmother.
175 A Brittany Girl.
Guirand de Scevola (Victor-Lucien), Chez M. Bunjean, 10, Hue
Laffite, Paris.
176 Procession at Audierne [Brittany).
177 La Yierge aux parfwms.
178 Adoration.
179 Lady of the Renaissance Period^ red costume.
*
Herrmann-Leon (Charles), 8, Avenue Frochot, Paris.
180 Tenderness.
181 St. Hubert's Stag.
Huillard (Mme. Esther), 34, Eugene Flachat, Paris.
182 Leda.
183 The Letter.
184 La Toilette d' Eunice.
185 Leda.
Isenbart (Emile), a Besan^on-Beauregard.
186 An Arm of the Sea near Quimper (Finisth'e).
187 Village on the Coast of Brittany.
i
PAINTINGS. 23
Iwill (Marie-Joseph), 11, Quai Voltaire, Paris.
188 Evening Star ( RapallOy Italy).
189 Evening on the Downs.
190 Canal of the Public Gardens {Venice).
191 The Pond— Stormy Cloud.
192 The Tramp.
193 Villa at Syracuse (Sicily).
Jacomin (Marie-Ferdinand), 7, Rue Bergette, a St. Germain-en-
Laye.
194 Village Woodland, Forest of Eambouillet.
195 The Storm, Forest of St. Germain-en-Laye, Seine et Oise.
196 En Foret, St. -Germain-en-Laye, Seine et Oise.
197 Moonlight effect on the Forest, Seine et Oise.
Jacquet (Jean Gustave), 92, Avenue de Wagram, Paris.
198 Chlorinde.
Japy (Louis), 91, Avenue de Villiers, Paris.
199 The Path to the Pond.
200 Sunrise.
Jeannin (Georges), 32, Rue des Dames, Paris.
201 Dahlias and Roses.
202 Crown of Roses.
Jourdeuil (Adrien), 6, Passage Saulnier, Paris.
203 Coming down the Old Claix Bridge ; last Sun Rays {Dauphine).
204 Dull Morning on Lake Aiguehelette (Savoie).
Lamy (P. -Franc), 48, Boulevard des Batignolles, Paris.
205 The Road.
206 November.
207 Le Bassin d^Encelade ( Versailles).
208 Les Marmousets (Versailles).
209 Le Bassin de Neptune ( Versailles).
210 Le Cabinet de Diane {Versailles).
211 Versailles Gardens.
212 La Nymphe des Eaux {Versailles).
213 Le Parterre d^eau {Versailles).
214 Le Bassin de Latone {Versailles),
24 PAINTINGS.
Lecomte (Paul), 22, Rue Albouy, Paris.
215 On the Banks of the Loire.
216 Interior in Brittany.
217 In the Meadow.
218 Souvenir de V Exposition Universelle de 1900.
Lefebvre (Jules), 5, Rue Labruyere, Paris.
219 Eleonore d^Este. The property of the Cercle Artistique et Literaire.
Le Gout-Gerard (Fernand), 93, Rue Ampere, Paris.
220 Returning from the Pardon.
221 In Port.
222 Moonshine.
Lerolle (Henry), 20, Avenue Duquesne, Paris.
223 Interior.
Leroy (Paul-Alexandre-Alpred), 3, Rue Bara, Paris.
224 ''Refugium."
225 The Little Crab Fishers ( Veules-les-Eoses).
226 Study in Half-tone {Young Girl).
hevy (Henri-Leopold), 12, Boulevard de Clichy, Paris.
227 Jesus in the Tomb.
Luigi (Loir), 89, Rue de Turbigo, Paris.
228 Le Chemin de Fer de Ceinture (Dawn).
229 The Country Fete (Dawn).
230 Au Bois de Boulogne.
Maignan (Albert), 1, Rue la Bruyere, Paris.
231 At the Bottom of the Sea — Sleeping Mermaid.
232 Fortune Passes.
233 Hortensias.
234 The City of St. Etienne presents France with the Products of
her Manufacture.
235 Sapho.
Marche (Ernest-Gaston), 109, Boulevard Richard-Lenoir, Paris.
236 Evening on the Loing.
237 Winter Evening.
Marec (Victor), 18, Rue de Chabrol, Paris.
238 Portrait of my Father.
239 The Strikers.
240 The Founders.
241 The Card Players.
PAINTINGS. 25
Mathey (Paul), 159, Rue de Rome, Paris.
242 Selling Fish at Grandcamp.
Maxence (Edgar-Henri-Marie-Aristide), 71, bis Rue de Vau-
girard, Paris.
243 Calypso.
244 Study of a Head.
Mercier (Mlle. Ruth), 7, Square Merimee, Cannes, A.M.
245 Lagunes Fleuries^ Venice.
246 Passing Objects — Venice.
Mita (M.), 17, Rue d'Edimbourg, Paris.
247 Twilight.
248 Street at Andalys.
249 The Gathering.
Montenard, 7, Rue Ampere, Paris.
250 A Tug on the Mediterranean.
251 The Highway in Provence.
Noirot (Emile), 83, Boulevard du Montparnasse, Paris.
252 St. Chamond (Loire).
253 Desolation.
254 Morning in the Port of Toulon.
255 Summer Evening.
256 The Port of Gravelines.
Nozal (Alexandre), 7, Quai de Passy, Paris.
257 Outlet of Lake de Gaube, near Cauterets. Upper Pyrenees (in
May).
258 The Gorner-Gratt at Eve. Zermatt (Switzerland).
259 Evening in Villeneuve. The Pond (Seine et Oise).
260 Matinee blonde. La Seine a la Vacherie. (Petit Andely.)
261 Moonshine on the River Albi. (Tarn.)
Oliver (Mme. Georges), 51, Rue Boissiere, Paris.
262 Peonies.
263 Plums and Holyhocks.
Perrault (Leon), 43, Boulevard Lannes, Paris.
264 The Holy Family.
265 La Toilette de Venus.
266 Woman and Flowers (Spring).
267 Child with Apple.
26 PAINTINGS.
Petitjean (Edmond), 3, Rue Alfred Stevens, Paris.
'26S The Old Bridge at Thiers {Puy-de-D6me).
269 The Rock of the Virgin, at Puy {Haute Loire).
270 Autumn Mist at Marseilles {Old Port).
Pointelin (Auguste-Emmanuel), 16 bis, Rue Mayet, Paris.
271 Moonshine.
Pomey-Ballue (Mme. Therese), 39, Boulevard Lamies, Paris.
272 At Prayer.
Quignon (Fernand-Just), 83, Boulevard Ricbard-Lenoir, Paris.
273 Ripe Corn.
27-1 The Berck Doivns.
275 Hills at Xesles.
276 The Dock at Boulogne-sur-Mer.
277 Apple Tree Blossoms.
Quost (Ernest), 79, Rue de Dunkerque, Paris.
278 Roses, called bouqicets de mariees.
279 Landscape — St. Michel-sur-Orge.
Raffaelli (Jean-Franq'ois), 202, Rue de Courcelles, Paris.
280 The High Road (tbe property of Mr. C. de B).
281 Bouquet: blue, ivhite, and red.
282 Dahlias.
283 Roses et Dahlias.
Ravanne (Gustave), 59, Rue Caulaincourt, Paris.
284 Getting under Sail. (Sketch of Painting. Salon of 1899).
285 The emharknient (Sketch of my Picture. Salon of 1902).
Ribot (Theodule).
286 French Peasant's Head (property of His Honour Judge William
Evans, 7, Southwick Place, London).
Richard (Mme. Hortense), 162, Boulvevard de Montparnasse,
Paris.
287 Fisher repairing his nets.
288 Before the Ball.
289 Smiling Spring.
Riehemont (^lfred-Paul-Marie de), 75, Rue de Courcelles, Paris. ,
290 Ze Cierge.
291 Chapelle a Louennec (Study).
292 Bowling at Bruges (Study).
PAINTINGS. 27
Rigolot (Albert-Gabriel), 16, Rue de la Grande-Chaumiere, Paris.
293 An Arab Fete (South of Algeria).
294 Osier-bed in Franche-ComtS.
295 The Valley of Sallanche and Mont-Blanc.
296 December Evening. Biskra (Algeria).
297 The White River. El Kantara (Algeria),
298 Washer-woman. El Kantara (Algeria).
Robert-Fleury (Tony), 69, Rue de Douai, Paris.
299 (jeorye Washington. " After the peace was signed with England,
and the independence of the United States recognised, George
Washington resigned his post of Commander-in-Chief of the
Confederate Armies, and resolved to retii-e to his estate.
After taking leave of his officers he proceeded to White
House, where a boat was in waiting to take him over to
Pomber's Hook."
300 Carmen.
301 Lucile.
302 U etude.
Rochegrosse (Georges), 96, Avenue des Ternes, Paris.
303 The Pursuit of Pleasure.
304 Judith.
Rosset-Granger (Edouard), 45, Avenue de Villiers, Paris.
305 The Wreck.
306 Study of a Head.
307 Fantasy.
308 Twilight.
309 Woman Bathing.
Roybet (Ferdinand), 24, Rue du Mont.-Thabor, Paris.
310 The Scholars.
Royer (Henri), 9, Rue Bochart de Saron, Paris.
311 Sicilian Woman.
Saintpierre (Gaston-Casimir), 35, Avenue de Wagram, Paris.
312 A Tlemsen Woman (Algeria).
313 The Bouquet of Roses.
314 Soultana.
Saubes (Daniel-L^on), 15, Rue Cauchois, Paris.
315 Calinerie Maternelle.
316 La Pomme d'Api.
I
28 PAINTINGS.
Smith (Alfred), 47, Rue Laugier, Paris.
317 Rio del Alhero. Venice.
318 A Comer of Venice.
319 Garden in Blossoms.
320 Venice. A Canal,
321 Marseilles.
Tanzi (Leon), Chez MM. Chaine et Simonson, 19, Rue Caumartin.
Paris.
322 La Voise {Chateau de Maintenon).
323 La Voise {Bouray).
324 Saint-Cloud {The Wood).
325 A bite /
326 La Vanne.
Tapissier (Edmond), 3, Rue Bard, Paris.
327 The Temptation of Budha.
Taylor (A-Granchy), 5, Rue Rouget de Lisle, Paris.
328 A Bretonne Girl.
329 Fisherriian.
330 Shrimp Basl'ets.
331 ^Sailors in Oilshins.
Thierot (M.-J. -Henri), 18, Avenue de Breteuil, Paris.
332 Autumn.
333 Summer Evening.
Thomas (Paul), 5, Rue Bara, Paris.
334 First Communion.
33.5 The Butter Market, Treport.
336 Portrait.
337 Interior.
338 Interior.
Tillier (Paul), 64, Boulevard de Courcelles, Paris.
339 Ladyphiying the Mandoline.
340 Madame Arlequin.
341 Vaporeuse.
Toudouze (Edouard), 21, Boulevard de Batignolles, Paris.
342 The Departure of the Virgin.
343 October {Gaiheiing the Apples).
344 A Stroll in the Garden.
PAINTINGS. 29
TouDOUZE (Edoiiard) — continued.
345 T^e fall of the Leaves.
346 Fishing.
347 Winter.
348 Music.
349 Euterpe.
350 Study of a Woman.
351 Flemish Woman {I6th Century).
Triquet (Jules-Octave), 6, Rue Aumont-Thieville, Paris.
352 Abandon.
353 Bread.
Truchet (Abkl), 4, Rue Caroline, Paris.
354 La Place Clichy.
355 Les Fauteuils d'Orchestre.
356 The Apfle Market.
357 Ball at Montmartre.
358 Au Moulin Rouge.
359 Parisientie.
360 Parisienne >
361 Parisienne.
362 Parisienne.
363 Parisienne.
Vallet-Bisson (Mme. Frederique), 17, Avenue Gourgaud, Paris.
364 Sunrays.
365 Fa/r-niente.
Villain (Georges), 77, Rue d'Amsterdam, Paris.
366 Blue Hydrangeas.
367 Hed Rcses.
368 White Roses.
369 Wall Flowers.
370 Landscape. Etretat.
Weerts (Jean Joseph), 77, Rue d'Amsterdam, Paris.
371 M. le General Baron FreedericTcz.
372 M. Ravaisson de VInstitut.
373 M. Robert Filter.
374 Mdlle. Jeanne W.
375 Mdlle. Gahrielle W.
30
ENGRAVINGS,
Wencker (Joseph), 6, Rue Ballue, Paris.
376 Summer Evening.
377 Nymphe Chasseresse.
378 Basilissa.
379
380
381
382
3c^3
Yvon (Adolphe).
The Expeditionary Corps of Lord Chtlmsford marching on the
Kraal of Ulundi (the property of Baron d'Orgeval).
Zuber ("Jean-Henri), 59, Rue de Vaugirard, Paris.
The Twisted Pine (Cape Antihes).
Calm [Cape Antihes).
Les Bosquets du Point du Jour {Pare de Versailles).
Stream in the Woods {Upper Alsace).
384
385
386
387
388
389
390
391
EnGrapinos, etc
Barbotin (William- Joseph), 191, Avenue du Maine, Paris.
The Bugler, after Meissonier (Artist's Proof).
The Astronomer {after Royhet).
represented in the picture :-
Juana Romani.
Roybet.
Waltner.
tJuillemet.
Cormon.
Names of the Artists who are
Jean-Paul Laurens.
Jules Lefebvre.
Bouchor.
Docteur Lafont.
Louis Pretet.
Franc Lamy.
Gathering Salt in Re Island.
Peasant, Re Island.
Peasant Woman, Re Island.
Boulard (Auguste), 15, Place des Vosges, Paris.
Vive V Empereur ! {after F. Flameng).
Landscape (after K. Ilalswelle).
Landscape {ajter Turner).
392 Sunday at Poissy {after Meissonier).
ENGRAVINGS. 31
Brunet-Debaines (Alfred), Villa Roquebelle, La Malgue, Toulon.
393 The Old Tower at Rouen.
394 Canterbury.
395 The Oak Pond {after Jules Dupre).
Burney (Fran90is-Eugene), 4, Rue d'Assas, Paris.
396 The Chocolate Seller {after Liotard).
397 The Virgin and the Child Jeaus. Bas-relief. Louvre Museum.
398 Portrait of Mile. Brandes {after Chartran).
Chauvel (Theophile), 55, Avenue de la Grande Armee, Paris.
399 Lingering Autumn {after Sir J. E. Millais, Bart., P. P. A.).
400 The Storm {after Narcisse Diaz).
401 An Obscure Question {after W. Q. Orchardson, R.A.).
402 Cambria's Coast {after B. W. Leader).
403 A Wet Roadside {after B. W. Leader).
404 The Enclosure {after Van Mar eke).
405 The Arab Camp {after Fromentin).
406 The Bridge at Grez {after C. Corot).
Coppier (Andre-Charles), 55, Rue des Abbesses, Paris.
407 The Adoration of the Magi {after Durer).
Desire-Lucas ( )j 15, Rue Ilegesippe-Moreau, Paris.
408 Grace.
409 Grandmother's Tale.
Dezarrois (Antoine), 23, Rue de Sevres, Paris.
410 Portrait called ^^ C Homme aux Gants " {after Titlen).
4 1 1 La Vierge delle Arpie {after Andrea del Sarto).
412 Portrait of Innocent X., Velasquez, Doria Gallery.
413 Merry Entrance of King John the Good at Douai {after Gergnet).
The property of la Societe Fran^aise des Amis des Arts.
Didier (Adrien), 128, Boulevard Montparnasse, Paris.
414 Portrait of Thiers {after Bonnat).
415 Portrait of Juana Romani {after Roybet).
416 Warlike Music {after Baudry).
417 Poetry {after Raphael).
418 The Virain and Infant Jesus, with several Saints {after P.
Veronese).
32 ENGEAVINGS.
Flaming' (Leopol!>), 25, Boulevard Montpavnasse, Paris.
419 The Virgin {after Van Dyck).
420 The Adoration (after Vandergaes).
421 Portrait of Pasteur {after Edelfelt).
Focillon (Victor-Louis), 7, Paie de I'Estrapade, Paris.
422 The Guard Room (after Flameng).
423 The Orderly (after Meissonier).
424 La Toilette (after Carot).
Fonce (Camille), 49, Avenue de la Grande Armee, Paris.
425 Evening (after B. W. Leader^ R.A.). The property of Mr. J. P.
Mendoza.
426 Departing Day (after Karl Heffner). The property of Messrs.
Henry Graves & Co.
427 Canterbury Cathedral. The property of Messrs. Henry Graves
& Co.
428 In the Birch Wood of Arran (after J. Mac Whirter, P. A.). The
property of Messrs. Frost & Reed.
429 How Still is an Evening (after B. W. Leader ^ P. A.). The pro-
perty of Mr. J. P. Mendoza.
Jacquet (Achille), 21, Avenue Carnot, Paris.
430 Passion (after Andrea Mantegna).
431 Portrait of the Founder of the Petites Soeurs des Pauvres (after
Cahanel).
432 Information (after Meissonier).
Laguillermie (Frederic), 4, Rue Robert-Estienne, Paris.
433 Uelene Fourment (after Ruhens).
434 Miss Hatchett (after Gainsborough).
435 Massacre of Scio (after Delacroix).
436 Napoleon III. and his Staff (after Meissonier).
437 Duke of Bristol and Duke of Bedford (after Van Dyck),
Le Couteux (Lionel), 5, Place Pigalle, Paris.
438 Returning from the Bear Hunt (Stone Age) after Cormon.
439 St. George of Antwerp (after Rubens).
440 Le Depart pour Cythere (after Watteau).
441 End of Summer (after R. Collin).
442 Heads of Dogs (after Van Marcke).
ENGRAVINGS. 33
Lefort (Henri), 220, Boulevard Raspail, Paris.
443 Le Miracle de St. Marc {after Tintoretto, Venice).
444 Benjamin Franklin {after Duple ssi&).
445 The Siesta {after Gustave Courbet).
446 Official Portrait of M. Loubet, President de la Repuhlique
Fran^aise.
447 Portrait of Tolstoi.
Mignon (Abel), 166, Boulevard Montparnasse, Paris.
448 1814 {Napoleon), {after Meissonier).
449 The Smith {after Meissonier).
450 The Halt {after Meissonier).
451 Spring {after Burnes-Jones).
452 The Shelter {original engraving).
Mongin (Augustin), 25, Avenue du Maine, Paris.
453 A Christening {after Dendy Sadler).
454 La Sarabande {after Roybet).
455 A Song {after Meissonier).
456 Le Schisme {after Vibert).
457 The Painter at rest.
Sirouy (Achille), 1, Rue Bausset, Paris.
458 The Two Foscari {after Eugene Dektcroix).
459 L'enlivement de Psyche {after Prudli07i).
460 Portrait of J/. Vigneron {after Roybet).
461 Fortune.
462 Portrait of a Child.
Sulpis (Emilb-Jean), 93, Rue Denfert-Rochereau, Paris.
463 The Coronation of Napoleon {after David).
464 The Mill {after Burne-Jones).
465 The Apparition {after G. Moreau).
466 Hesiode and the Muse {after G. Moreau),
Waltner (Charles), Chaville, Seine et Oise.
467 Portrait of M. Louis Pretet, Commissioner de Vexj^osition de
Londres, as a " Man-at-Arms,'^ period Louis XLII. {after
Roybet).
Sculpture.
Allouard (Henri E:\iile), 28 bis, Paie Vaviii, Paris
46s Evening Prayer.
469 Children Playing.
470 The Interrupted Reading.
Bartholdi (Frederic-Auguste), 82, Rue d'Assas, Paris.
471 Va^e — The Vintage.
Bloch (Armand-Lucien), 5, Paie Dareaii, Paris.
472 Emile Zola (the property of Dr. Galippe).
473 Young Lad.
474 Head of a Boy.
475 The Coup de Grace {Bull Fight).
476 The Woodnuui.
r
Boisseau (Emile-Andre), 16, Rue des Yolontaires, Paris.
47 7 Oysel, le 2Voubadour du pays bleu.
478 The Sleep of Innocence.
479 Marguerite.
480 The new-horn.
Carles (Antonin), 24, Avenue de la Grand Armee, Paris.
481 Portrait of Armand Berton, the Painter.
4 S'2 Po rtra it of my Fathe i • .
483 Youth.
Cordonnier (Alphonse-Amedee), 7, Villa Spoutiui, Paris.
484 A loth Century Architect.
485 .4 15^/i Century Scholar.
480 Busie Renaissance
Daillion (Horace), 77, Hue Denlert-llochereau, Paris.
487 Young Florentine Girl.
Dubois (Ernest), 15, Rue Mansart, Paris.
488 The Pardon.
Dubois (Paul), 14, Rue Bonaparte, Paris.
489 Portrait of M. Saint-Saens, Mtniler of the Institute.
SCULrTURE. 35
Fix-Masseau, 30, Rue de Bruxelles, Paris.
490 Tete aux Kuhans.
491 The Thinker.
492 Femme a la Collerette.
Fremiet (Emmanuel), 43, Boulevard Beausejour, Paris.
493 A 14:th Century Cavalier.
494 Saint George.
495 Group of Hounds.
496 Mounted Prize Horse.
497 Cat and her Kitteiia, Life-size.
Gerome (Jean-Leox), 65, Boulevard de Clichy, Paris.
498 George Washington.
Lemaire (Georges), 22, Rue Tourlaque, Paris
499 Destiny.
500 Springtime.
501 La Main Chaude.
502 Messenger of the Gods.
503 Flora and Zephyr.
504 Idylle.
505 Simone et Manon.
506 Mireille.
Leonard (Agathon), 77, Rue Denfert, Rochereau, Paris.
507 Portrait of Marquis de Lantenac.
— Dancing Girl.
— Dancing Girl.
— Dancing Girl.
(Part of a set of fifteen figures for table decoration.)
Levasseur (Henri-Louis), 37, Villa d'Alesia, Paris.
508 Apotheosis of Joan of Arc.
509 Fight between an Octopus and a Sea Lion.
510 To- Night.
511 The Shepherds' Star
Levillain (Ferdinand), 31, Boulevard Richard-Lenoir, Paris.
512 Tlie Story of Diogenes.
513 The Story of the Gods.
36
SCULPTURE.
Lombard (Henry), 18, Eue Vernier, Paris.
514 Victorious Apollo.
515 Autumn.
Marqueste (Laurent-Honore), 19, Rue Poncelet, Paris.
516 La Cigale.
Mathet (Louis-Dominique), 112, Rue Falguiere, Paris.
517 Fete Day.
518 Under Shelter.
519 The Spring.
520 Rose Bud.
Mengue (Jean-Marie), 91, Rue de Vaugirard, Paris.
521 Woman and Lily.
522 Peasant Woman in the Fields.
523 In the Fields.
524 Study of a Head.
Noel (Tony), Pavilion de la Roche, a Villebon Palaiseau,
Seine et Oise.
525 Retiarius {Roman Gladiator). The property of Mr. F. Gold-
scheider, editeur, 28, Avenue de I'Opera, Paris.
526 Young Turkish Girl at the Baths. The property of Mr. Gold-
scheider, editeur, 28, Avenue de I'Opera, Paris.
Peter (Victor), 191, Rue de Vaugirard, Paris,
527 The Tivo F7^iends (Arab loosening his Horse).
528 Setter Bitch in Kennel.
Peynot (Emile-Edmond), 89, Rue Denfert-Rochereau, Paris.
529 Ihe Minuzt.
530 After the Bath.
531 The Young Mother.
Puech (Denys), 233, Rue du Faubourg, Saint-Honore, Paris.
532 Bronze Bust.
533 Marble „
534 La Seine.
Reviere (Theodore), 14, Rue de la Source, Paris.
535 Mireille.
536 Salamho.
537 Phryne.
538 Group of Dancing Girls.
IN CASE3. 37
Seysses (Auguste), 5, Rue Brea, Paris.
539 African Elephant.
540 Fhryne.
541 African Elephants Fighting.
Sicard (Frangois), 18 bis, Eue d'Armaille, Paris.
542 Agar.
543 Sulking.
Verlet (Raoul Charles), 7, Rue Galvini, Paris.
544 Portrait of Jacques Nazal.
3n Cases (roo
M I.)
A Collection of Articles in Ormolu and Mother-of-Pearl (principally
of the Empire period). Lent by David Lewis Isaacs, Esq., 79, Portland
Place, London, W.
545 Roman helmet and scabbard on pearl and ormolu pediment.
546 Flat candlestick with engraved pearl, the border set with topaz
and amethyst.
547 Paperweight with figure of peacock, set turquoise and ruby on
flat pediment.
548 Chased and engraved hand-glass, with pearl back and handle.
549 Miniature figure of man in 18th century costume, on pearl and
ormolu base.
550 Flat candlestick on engraved pearl shell and ormolu butterfly
vase.
551 Flat candlestick on engraved shell base.
552 Small " souvenir " engraved pearl and ormolu pocket-book.
553 Miniature " Lady's Companion " in pearl, formed in the shape of
a mussel shell, gold fittings.
554 Flat candlestick, sconce four small dolphins in ormolu.
555 Engraved pearl and ormolu wallet.
556 Miniature cylinder writing desk, the back finished with old French
calendar, dated 1830.
557 Miniature sloping desk.
38 COLLECTIOX IX CASES.
558 Pincushion, with drawer at back, the whole in the form of a
water-chute, figure of Cupid in orrnoki.
559 Small casket, lid composed of artificial flowers under glass.
560 Miniature grand jjiano, with musical box and pearl and ormolu
piano keys
561 Scent stand, handle forming Egyptian figure.
562 Paperweight, angel in ormolu on engraved pearl base.
563 Lady's work case with large carved and chased unusual size pearl
top, the interior fitted with gold-mounted fittings.
564 Triangular shaped ornament of ormolu, Chinaman under pearl
and ormolu canopy on pearl angular base.
565 A sarcophagus shaped box with artificial flowers under glass lid.
566 Pair of very important and rare incense stands, the tops supported
on chased bird pillars, with vase for holding spirit on base.
567 Lady's jewel casket of unusual size ; formerly contained musical
box.
568 Musical box, surmounted by figure of Cupid playing the harp.
569 Bucket and well on granite slab.
570 Inkstand, with figure of "Plenty" in ormolu.
571 Paperweight, ormolu Cupid in a boat.
572 Silk winder with drawer in base, the whole on pearl stand
(revolving).
573 A combined watch case with pearl back.
57 1 Jewel casket with pyramid top.
575 Jewel casket.
576 Casket containing musical box.
577 Combined ormolu candlestick and fan case.
578 Small inkstand, column with eagle on top.
579 Small column on granite base.
580 Figure of Cupid on pearl vase holding pincushion.
581 Fan stand.
582 Ormolu ornament, bov drivim;: horse.
583 Inkstand, cut glass column.
584 Casket.
585 Casket.
586 Canoe shaped inkstand.
587 Ormolu Cupid on pearl box, holding pearl pin-tray.
588 Scent stand.
589 Lady's companion fitted with musical box.
Bebretfs fienealofllcal £im
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B Pictorial €oup d'oeil of English mondrcby
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IN EMPRESS THEATRE :
THE PALAIS DU COSTUME.
A marvellous display illustrating the History of Dress throughout
the Ages.
IN QUEEN'S COURT.
12 TO 11 A VOYAGE ON THE RIVER STYX. — Affording the weird but delightfid
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1 „ // THE GREAT CANADIAN CHUTE.— One of the most popular and exhilarating of
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12 ,,. 11 THE DRAGON ROUGE. — In spite of 'his forbidding aspect, a docile and
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intervals with the many visitors who desire a novel means of transit round
the lake.
^/°aJi° IN PICTURESQUE PARIS.
The Jardin de Paris Theatre. Grand Variety Entertainment,
By Brilliant Company of Parisian Artistes under the
Direction of Mr. JOSEPH OLLER.
„ 11 THE PARISIAN THEATROPHONE (known on this side of the Channel as the
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12 ., 11 ORIENTAL THEATRE.— Algerian, Tunisian, Egyptian, and other dances are
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12 „ 11 FRENCH MUSICAL RIDE. — An exhilarating diversion. Riding to the accom-
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Zbc Hpotbeo8i8 of Moman,
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^hc €olden ^gc of Chivalry.
^hc €lvc of the Coronation
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The Domestic Life and Environment of Every Age.
COLLECTIVE EXHIBIT OF . .
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CONTRIBUTED BY THE LEADING DRESSMAKERS
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CHAMPS ELYSEE.
PROQ RAM M E.
Valeur Fraxcaise ... Marche ... E. Fontenelle
Smart ... ... Polka ... ... R. Berger
Marche Gueusarde ... ... / Clemandh
1 Mdlle. Rita Santillane, Chansonnettes Franraises.
2 M. Gosset, Scenes Comiques.
3 Mdlle. Beany Smart, Gommeuse Parisienne.
4 Les Poupees Parisiennes, | ^uettistes Franraises dans leur
I Orig-inal Repertoire.
5 Mdlle. Henriette Dartele, Diseuse Fantaisiste.
6 The Carters, Anglo-American Burlesque Duo.
7
8 Yara-troupe, In her dance Pantomime Act.
n Mdmf Rat fa / Contralto Vocalist, with accompaniment
^ ' ■ * ' M on the Harp.
( *' Les Elegantes."
lo Quadrille Parisien J Mdlles. Muguet ... Robert.
I ,, Grisette ... La Rieuse.
NOTICE
TO
ADVERTISERS.
all Communications respecting Advertisements for the Publications,
and spaces on the walls in the Earl's Court Exhibition, must be sent to
Mr.
JOHN HART,
6, Arundel Street, Strand»
w.a
rrH[£:
Palais
des
Illusions.
€X^'Jv^
j>
Fr-orri
12 Noon
IN THE
"to H |9.m.
4 UNIQUE ATTRACTION WHICH
MYSTIFIED & ENCHANTED PARIS.
}\ Dazzling Palace of Ttnmeasurabk Space.
ILLIMITABLE ARCADES of RICHEST SPLENDOUR.
A Myriad of Marvellous Reflections.
An ENDLESS SERIES of LUMINOUS GARLANDS.
. . A Carnival of Lustrous Beauty . .
m m
TABLE WATERS
8
PROGRAMME OF MUSIC.
Oleanesday, may 7tb, 1902.
FRENCH MILITARY BAND.
Ft-om 1.30 to 2. 30.
GOD SAVE THE KING.
MARSEILLAISE.
I — Marche de la Reine de Saba ... ... ... ... ... ... Gounod
2 — La Belle Meuneire Polka ... ... ... ... ... ... T. Pares
3 — Concordia Ouverture ... ... ... ... ... ... ... .Fontenelle
4 — Cornet Solo, Romance de Guillaume Tell ... ... ... ... Rossini
(Soloist, M. Lechien, 1st Prix du Conservatoire)
5 — Selection, Surles Huguenots ... ... ... ... ... .... Meyerbeer
BAND OF H.M. GRENADIER GUARDS
(By permission of Colonel H. Ricardo, C.V.O.)
Conductor— Mk. A. WILLIAMS, Mus. Bac, OxOxN.
Fv-om 3 -fco 5. 30.
I — March " Le Pere La \'ictoire " Louis Ganne
2 — Selection from " Madame Favart " Offenbach
3 — Three Dances in the Music to " Nell Gwyn " Ed. German
I. '' Country Dance." 2. " Pastoral Dance." 3. " Merr)^makers' Dance."
4 — Selection from " Les Cloches de Corneville " ... ... ... Plamjiiette
=; — ZwEiTE Ungarische Rhapsodie Liszt
Interval— 10 Minutes.
6 — Overture " Ring Bias " Mendelssohn
7 — Glee ... ... " The Chough and Crow " ... ... Bishop
8 — Selection from " The Messenger Boj- " Gary II
Introducing— Let the Trumpets and the Drums — Maisie — Aspirations— Ask Papa— Oh, when the
moon am rising— In the Wash — When the Boys come home again.
9 — N^'alse ... " Bien Aimes " Waldtenfel
Ft-om 9 ±0 11.
I — Ouverture SYMPHONigCE "Maximilian Robespierre" H.Lttolff
(An Episode of the Reign of Terror).
2 — Cornet Solo " Standchen " (Serenade) Schubert
Soloist, R. Gav.
3 — Selection ... ... "IPagliacci" .. ... ... Leoncavallo
Including: — Chorus, Quickly, Sweet Gossip — Such a Game — Serenata, O Columbine — I hoped
in my passion
4 — Descriptive Piece ... " An Irish Patrol " ... Puemer
5— Selection from "The F.merald Isle " ... ... ... Stilhvan — German
Introducing: — Entry of Soldiers— Of Viceroys though we've had — I cannot play at Love (Ge/wan^
— Come away, sighs the Fairy Voice — Sing a Rhyme of Once upon a Time — When Alfred's
Friends their King forsook {German) — Good-bye, my Native Town (German) — Bedad it's
for him (GcriiU'M)— Jig (Ge-i rna,i).
Interval— 15 Minutes.
ASK FOR
ALLSOPP'S LAGER.
6— Selection troin '• The Chinese Honeymoon " Howard Talbot
Introducing :— You pat me— I want t<. be a Lidy— Roses Red and White— The Twiddlev Bits-
Daisy with a Dimple on her Chin— The a'la Girl— Martha Spanks the (Irand Planner—
Click, Click— and Finale of Act 1.
ia, Song " The Honeysuckle and the Bee' IT. H. Penn
' I /^ Characteristic iMarch " Whistling Rufus " Kerry Miils
8 — \ ALSE ... ... ... ... '" Bleue " ... ... ... ... Mar^is
9— Selection " A Runaway Girl" Ivan Gary li
Inchiding:—Bar(;elona—Tol-dc-rol-lay— Society— The Boy guessed right— Sea-girt land of my
home— The Man from Cook's — Soldiers in the park.
FRENCH MILITARY BAND.
Ft-om 3 ±o 5.30.
I — Pa.\ et Labor Ouverture ... ... ... ... ... ... ... G. Paris
(^Bandmaster, Gakde ReimiulicaiNE)
2 — Bonjour Suzon Gavotte ... ... .. ... ... .. ... Mayeur
3 — Solo Euphonium, Le Chalet, Opera Comique... ... ... ... Adam
Interval o-f 15 Minutes.
4 — Valse, Sympathie ... ... ... ... ... ... ... ... Mezzacappo
5 — Selection, Lohengrin ... ... ... ... ... ... ... R. Wagner
(Solos de Bugle et de Trombone par M. July. ler Prix du Conservatoire.
et ^L Bezzi.)
F»-orri T -to S.
I— Marche des Fiancailles (de Lohengrin) ... ... ... ... R. Wagner
2 — La Bohemienne Ouverture ... ... ... ... .. ... ... Balfe
3 — Duo de Cornet et de Bugle ... ... . ... ... ...
(So/oists, Messrs. Lechien et Joly).
4 — Selection. La Feria (Suite Espagnole) ... ... ... ... ... Lacome
(No. I, Los Toros ; No. 2, La Reza).
Interval of 10 Minutes.
5 — Polka des Pachas ... ... ... ... ... ... ... ... Allier
6 — Valse, Les Sirenes ... ... ... ... ... ... ... Waidteufeld
y — Chanson du Printemps ... ... ... ... ... ... Mendelsshonn
8 — Selection, Fille du Regiment ... ... ... ... ... ... Donizetti
>m 9.30 -to 11.
I — Marche de Printemps ... ... ... ... ... ... ... Damare
2 — Selection. La Mascotte ... ... ... ... ... ... ... Audran
3 — Ouverture, Les Diamants de la Couronne * ... ... ... ... Auber
4 — Valse, Sourire d'Avril ... ... ... ... ... ... ... Desprez
5 — Le Magyar Marche ... ... ... ... ... Allier
GOD SAVE THE KING.
Oon^t fail to visit
THE MOST CURIOUS ATTRACTION
^^of Paris in London //"
THE MORGUE '""^'.zuzz."'"^-^'"
CHII.DREN NOT ADIV1ITTED. ^
10
QUEEN'S COURT.
BAND OF H.M. GRENADIER GUARDS
{By pei-raission of Colonel H. Ricardo, C.V.O.)
Conductor— Mr. A. WILLIAMS. Mus. Bac , Oxon.
evenins:--F»-onn T ±o 8.30.
I — Grand Makch .. ... "Imperial" Suf/van
2 — Selection from "The Toreador" CaryUand Montkton
3 — " Peer Gynt " Suite No. 2, Op. 55 Greig
1. Inf^rid's Lament— -2. Arab Dance — 3. Peer Gynt's Homecoming (Storm) -4. Solreigs Song —
5. Dance of Imps in the Halls of the Mountain King.
4 — Piccolo Solo " The Picaroon " T. Green
Sv'ois', CORPL. F. GiBBS.
5 — Grande Fantasia Airs " Lohengrin " Wagner
The Moving Stereorama
IN THE ...
From 12 Noon -to 11 fimrr\m
AN ARTISTIC AND MECHANICAL TRIUMPH.
AWARDED THE GRAND PRIX IN PARIS, 1900.
All the delights of a trip on the sunny
Mediterranean.
A voyage from the port of Bona to Oran.
The Stereorama Movement {painted by Messrs. Fruncovich & Gadan)
has nothing in common with the familiar panoramas and
dioramas.
In the opinion of leading French artists, the finest production of
its kind achieved during the past decade.
ASK FOR
ALLSOPP'S LAGER.
11
The River Styx . .
IN
QUEEN'S COURT,
12 CNoon> -to H p.m.
A Poetic Excursion into the Realms of the Unknown !
A ThriJlingly Interesting Voyage amidst the grim surroundings
of the Nether World.
— — > .<
THE . ,
Great Canadian Chute
IX
QUSEN'S COURT,
12 CNoon> ±o tl p.m.
By far the finest construction of its kind in any part of the
world.
"5H00TINQ THE CHUTE5 "
^Is universally voted the most exhilarating* of pastimes.
THE MOST NUTRITIOUS.
EPPS'S COCOA
GRATEFUL-COMFORTING.
12
FRENCH CHARITY FETES.
A Series of Brilliant Fetes
IN AID OF THE
French Charities in London^
WILL TAKE PLACE AT THE
PARIS IISI LO^DON EXHIBITION,
Earl's Court,
®n June I2tb, I3tb, anb X4tb.
Under the patronage of their Royal Highnesses
THE PRINCE iSt PRINCESS OF WALES,
PRINCESS LOUISE, DUCHESS OF ARGYLL,
THE DUKE OF CAMBRIDGE,
AND
//.£. THE FRENCH AMBASSADOR,
ETC., ETC.
JOHN ci. /n. B U LT, ^Mbjailor,
DRESS SUIT, from 4- Guineas.
FROCK COAT (Silk Faced) & VEST, from 3 Guineas.
The Largest Selection in the City of . . .
TWEED, CHEVIOT, FLANNEL, and Other FANCY SUITINGS
lao, FENCHURCH STREET, LONDON, E.G.
13
\1 OTHING so brilliant of ity kind has ever been witnessed in London
I ^ before. The Riviera in all its gaiety will be brought as by magic
to the heart of the metropolis.
(afand Baffles of pioWefs,
picfuresque (Jarni\}als, ^^^
I
llluminafGd pfocessions
)
similiir in every respect to those which have been held from time to time
at Paris, Cannes, and Nice, will afford spectacles of dazzling splendom-
and unexampled gaiety. King Carnival will reign supreme. A
hundred and fifty magnificent banners and bannerettes will be awarded
to the successful competitors in these gorgeous fetes. Among the givers
of these prizes Avill be H.E. the French Ambassador, the Lord Mayor
of London, the Mayor of Westminster, the Mayor of Kensington, and
the towns of Nice, Cannes, and Mentone.
THE FLORAL DECORATIONS
are expected to surpass anything of the chatactet
hitherto seen in London*
stands will be erected capable of seating Six Thousand
Spectators.
COMMERCIAL UNION
Assurance
Company,
Limited. .
Head Office - 24, 25 & 26, CORNHILL, LONDON, E.G.
Iestabl^sbe^ IS61.
TOTAL ASSETS EXCEED SIX MILLIONS.
TOTAL LOSSES PAID SINCE ESTABLISHMENT EXCEED TWENTY MILLIONS.
For last Re))ort or Pronpectua address The Secretaiy.
u
THURSDAY, JUNE 12th.
4 p.m. — Grand Battle of Flowers, limited to 100 Carriages.
10.30 p.m. — Lantern Fete and Illuminated Procession, limited to
1,000 participants.
FRIDAY, JUNE 13th.
4 p.m. — Grand Automobile Battle of Flowers, limited to 150
Automobiles.
10 p.m. — Grand Aquatic Floral Fete and Pageant, limited to 50
craft.
10.30 p.m. — Illuminated Procession and Lantern Fete, limited
to 1,500 participants.
SATURDAY, JUNE 14th.
4 p.m. — Grand Cycle Battle of Flow^ers, limited to 500 Cycles.
10.30 p.m. — Grand Carnival Fete, limited to 2,000 participants.
Each of the events will be preceded by a processional display of
Banners, led by the French Military Band.
Four Bands will perform at different parts 0/ the Exhibition, and a
chorus of 600 lady and gentlemen vocalists will render appropriate selec-
tions during the progress of the Battles of Flowers Processions.
The entire receipts for tickets to Grand Stands, Entrance Fees of
Carriages, Motors, and Cycles are to be for the benefit of French
Charities.
The CHEAPEST and
PUREST Table Water is
PURALIS
-Hti
<~S
i^'
SPARKLING PURE DISTILLED WATER,
AERATED WITH
CARBON=OXYGEN GAS.
Mixes Splendidly with Wines <St Spirits.
A Champagne Pint costs
A Champagne Quart ,,
A Syphon „
The LANCET says:—
'* No purer or more trustworthy beverage could be
produced. ' '
The Company's Specialties aud other Waters (including
Puralis, Kola Tonic, Orange Champagne, Soda, Seltzer,
Lemonade, Home-brewed Ginger Beer, Ginger Ale, Potass,
Lime Juice, &c., &c.) may be obtained through any Grocer,
Wine Merchant, or Store. Should any difficulty arise in
obtaining them, send Post-card for name of nearest
Agent to
The PURE WATER GO.^ Ltd.^
Queen^s Rostd, Bstttersea. Park,
LONDON, S.W.
fjm^ DO NQT MISS THIS OPPORTUNITY
OF TESTING FREE OF CHARGE
THE GREATEST PREPARATION FOR THE HAIR ON EARTH,
Before Wasting Money on Worthless and Injurious Preparations foisted upon you by
various subterfuges.
EDWARDS'
cc
99
HARLENE
THE GREAT HAIR PRODUCER A^D RESTORER.
The finest Dressing, specially Prepared and Delicately Per-
J allied. A Luxurii and « Xecessity to every Modern Toilet.
a UADI EME " Prf>duces Luxuriant Hair. Prevents
n n n LCH C it Kalline ofiF and Turning Grey. Un-
equalled for Promoting the Growth of the Beard and
Moustache. The World-renowned Remedy for Baldness.
For Preserving, Strengthening, and Rendering the Hair
Beautifully Soft : for ^emo^•ing Scurf, Dandruff, etc. : also
for Restoring Grey Hair to its (Jriginal dolour.
A FREE SAMPLE BOTTLE
will Ije sent to any person filling up this form, and
enclosing 3d. for carriage ; if presented pereonally at
our Offices, no charge will be made.
NAME
ADDRESS
Ea rVs Court Exhibition Progranune.
18., 2s. 6d. and (three times 2s. 6d. size' 4s. 6el. jMjr Bot.
from Chemists and Stores all over the AVorld.
MADAME SUZANNE ADAMS,
The Great Operatic Singer,
writes: " J always use ' Harlene ' for my
liair, and find it an excellent Tonic and
Dressing. ' '
EDWARDS' "HARLENE" Co., 95 & 96, HIGH HOLBORN, LONDON, W.C.
Ipovtrnan Cbapel Builbincj Society,
109, CRAWFORD STREET, LONDON, W.
FUN^DS £200,000.
II>eposi^s ]?ecei^ved, X]n.tiex*esti 3 pei:* cexxti.
^yViti]:iLCl]:*£L^uv£i;ls sft slnoi^ti ]:i.otiioe.
Liberal advances in any district. Reduced monthly repayments.
Over Half a Million already advanced.
Prospectus and every information on application to
W. SUTHERLAND, Secretary.
CHARING CROSS
<«..,.. s) TURKISH BATHS
Gentlemen's Entrance— NORTHUMBERLAND AVENUE.
SEPARATE BATH FOR LADIES.
Entrance NORTHUMBERLAND PASSAGE, Craven Street, Strand.
PRONOUNCED TO BE THE FINEST IN EUROPE.
Admission 9 a.m. to 7 p.m., 3s. 6d. ; after 7 p.m., 2s.
And at LONDON BRIDGE, NEW BROAD ST., ALDCATE, and EDGWARE ROAD.
PROSPECTUS POST FREE.
THE CELEBRATED
UC "Rejane"
Corset.
Registered.
elegant « «
Straight fronted €or$et,
Designed by a Corsetiere who gained the Medaille
d'Or, Academic National, Paris. Jn their construction
every movement of the body is studied, and the natural
grace of the figure fully developed.
This graceful Corset can be had in White Coutille, Black
Italian, and a very pretty Broche Cloth, daintily trimmed
with Lace and Ribbon, from all
Drapers & Outfitters, &c.,
AT
5/11, 8 11, & 15/9
7
?
I»ei? I*£tii».
Should any difficulty arise in procuring-, send
Postal Order, size of^ Waist, and 3d. extra iPor
postage, to the Manufiacturers—
H. SHERWOOD & Co., 12, London Wall, E.C.
LONDON'S PREMIER RESTAURANT.
The Criterion
PICCADILLY CIRCUS
Tor Euncbeons, Dinners, and Suppers, a la carte,
or at fixed prices.
The Band Plays Every Day, including Sundays.
BEST GRILL ROOM IN LONDON, and the MARBLE BUFFET
is one of the Sights of the Metropolis.
VHiTHER OH WHrTHEK FAll^ MAIDEH SO HiGH?
Tov/i^iTETHEfiAHEOFPEAR5 oKtHe sKf.
WHVeOSOFARFROMTHELAHD OFYOUR BIRTH?
Because it is written all mrllieEartli.
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